Anxious Egret is afraid to fly beyond the pasture which means leaving his constant companion Cow. That is until Cow devises a way to stand out in a crowd so Egret will know where to fly and find her in Where’s My Cow?a heart-warming story by Susan Blackaby with illustrations by Scott Brundage.
A bucolic setting forms the calm backdrop for this charming picture book. The reader opens the book to sunrise with the herd of cows wandering the pasture, a flock of birds heading off to explore, and one egret in particular perfectly content perched on his friend cow’s head. Why not just remain when there is so much that can go wrong if one goes too far?
The worldly cow with so many stories to tell is the perfect pal for the apprehensive egret. Riding on the cow’s rump, Egret enjoys tales about all the places Cow has been. “She knew about ukuleles and picnics. She discussed kites and kayaks. She had once tasted a toasted marshmallow. The cow’s stories gave the egret ideas.”
Brundage draws uncertainty in the egret’s eyes as he announces one sunny morning that he might be ready to fly. Cow listens with the facial expressions a concerned mom might give to a child whom she knows suffers from a bit of separation anxiety. Cow encourages the bird to see the beach, reinforcing the idea that Cow will be waiting the whole time. The dialogue between the two is so relatable for any child wanting to venture beyond their comfort zone but worried to leave a parent behind.
The problem is realized when the egret flies above the pasture only to look down and see the large herd, uncertain which one is his friend. Egret is so nervous he Ker-thumps to the ground to the surprised cow. “’I didn’t go,” said the egret. “How would I ever find you again?’”
Blackaby’s creativity is demonstrated with how best an anxious egret could locate his cow friend amongst the herd. The cow wags his ears but that is hard to see. “The cow thought about it. Next time I’ll switch my tail.” Great idea but all the “…tails switched and hitched every which way. Where’s my cow? WHERE’S MY COW?”
The illustrations of sea and sand take the reader along on the journey with Egret looking for ways to make the cow stand out. And with every bit of confidence he gains knowing he can now locate the cow, the egret creates his own adventures. The patient cow goes along with ribbons, seashells, and sticks tied to his body never complaining like any parent would do. “And at the end of the day, when the rosy sky is full of birds and the pasture is full of cows, the little egret wonders, Where’s my cow? And there she is.”
This book is recommended for any child wanting to explore the world but worried that their parent will not be there upon their return. This is a relatable story and a reassuring read to share before a young child goes off to their first birthday party, playdate, or any event that will separate them from those with whom they feel comfortable and safe.
Tad Lincoln’s boundless energy annoyed almost everyone but his father, President Abraham Lincoln. But Tad put that energy to good use during the tough times of the Civil War. Abraham Lincoln guided Tad’s wriggle on visits to hospitals, to the telegraph office, and to army camps. Tad greeted visitors, raised money for bandages, and kept his father company late into the night. This special and patient bond between father and son was plain to see, and before long, Tad had wriggled his way into the hearts of others as well. Beth Anderson and S. D. Schindler follow Tad’s antics during the Civil War to uncover the generous heart and joyful spirit that powered Tad Lincoln’s Restless Wriggle.
INTERVIEW
Colleen Paeff:Hi Beth! Congratulations on a busy couple of years! If I’m not mistaken, your debut picture book, An Inconvenient Alphabet: Ben Franklin and Noah Webster’s Spelling Revolution, came out in 2018 and by the end of 2023, you will have eight picture books out in the world, all nonfiction! That’s amazing! How do you manage to be so prolific?
Beth Anderson: Thank you, Colleen! It’s all very surreal! I don’t feel prolific. It takes me a long time to get a manuscript in shape. I think the surge for 2022 is due to a few manuscripts that I had worked on earlier that are finally making it out in the world, along with a scheduling change. I feel like my production of new stories has slowed as I learn to juggle more tasks. Only three of the eight technically qualify as nonfiction, but I think all but one will be shelved as biographies.
CP: Your books have covered stories from the 18th, 19th, and early 20th centuries. When you started writing for children did you know you would focus on mostly true stories from history or has your career evolved that way over time?
BA: I started off playing with fiction. But when I worked on a story I’d become familiar with in college (which sat in my head for a very long time!), I found my niche with historical stories. I love the discovery of little-known bits of history that open your eyes to a wider understanding of the world. The bonus of humor is irresistible. And ultimately, if a story opens your heart, too, that’s the best!
CP: Do you have a favorite time period to write about?
BA: While I don’t have one favorite, I find the era surrounding the American Revolution fascinating. It may be because there is so much more there than what made it into textbooks and curriculum. There are so many contradictions and ironies, and so many aspects of revolution playing out in people’s lives. I love that Hamilton, the musical, has brought intense interest to that time along with new ways of looking at it. Suddenly history is popular culture! Gotta love it!
CP: Absolutely! I love that Tad Lincoln’s Restless Wriggle shows readers a side of Abraham Lincoln that we don’t usually see in books. How did you discover this sweet relationship and what made you decide it would make a good book?
BA: I started out looking into Tad Lincoln as the instigator of the first presidential turkey pardon. (Lincoln had previously granted a pardon to one of Tad’s toy soldiers. 😄) When I dug deeper looking for the heart of the story, I discovered the very tender relationship between father and son. Each provided the other with what they desperately needed. Tad provided joy and hope when his father was in the depths of despair. And Papa patiently guided Tad with love and understanding when everyone else just wanted to shut him down. It was powerful to see a child play such an important role, and that became the heart of the story. For me, the goal is always to find the humanity in history, to connect as people. Seeing Lincoln as a caring father is a great reminder that historical figures are much more complex than the images we usually encounter.
CP: In the back matter you mention that the book focuses on one year in Tad Lincoln’s life. Why did you choose to limit yourself to one year and what made you choose 1863?
BA: As I collected stories of the two, I found a sort of transformation of Tad in 1863. By focusing on that year, I could eliminate some of the other Lincoln events, like Willie’s death and the assassination, and really hone in on Tad and Papa. I found an arc of events that took Tad from disruptive, to well-intentioned annoying, to slowly finding ways to appropriately help his father and others. The turkey pardon became a culminating event in which Tad found his voice and agency.
CP: What are some of your favorite stories about Tad that didn’t make it into the book?
BA: One that was cut—he sawed up the dining room table and used barrel staves to construct rocking chairs for the Old Soldiers’ Home. His toolbox disappeared after that one.
There are stories about Tad and Willie playing with the bell system in the President’s House and causing problems. They also played on the roof with pretend cannons, and they found all sorts of fun stuff in the attic. Tad used to ride his pony as “security detail” to accompany his parents in the carriage. There are many touching anecdotes that helped me get to know him.
CP: What fun stories! What do you hope readers will take away fromTad Lincoln’s Restless Wriggle?
BA:I hope children will see goodness and capableness in themselves and others despite what might appear to be annoying behavior or uncomfortable differences. To me, the story is about perspectives, too. Incapable boy vs a child with learning differences. Undisciplined trouble vs unbridled good intentions. The President’s House vs home.
CP: How do you go about finding little-known stories from history? Do you have any favorite resources?
BA: I subscribe to various news feeds, keep my eyes and ears tuned for possibilities, and often find something while I’m looking into a different topic. I explore history sites sometimes, but there’s no one place.
CP: How do you keep your research organized?
BA:I’ve slowly developed my system. I use a spiral for gathering information. I label the first page Table of Contents and use what has become a standard list of things I know I’ll need – like sources, contacts, title ideas, structure ideas, key concepts/themes, back matter possibilities, teacher ideas, timeline, character details, and much more. I need to be able to sort what I find into usable categories and capture ideas as they pop so I can locate those pieces when I need them. I did a post on my blog a few years ago called Organization Optimization. I often buy used copies of books I need so I can mark them up. I copy or print a lot of articles and relevant pages to have in hand. I keep all my accumulated pieces in a pocket file. [see the photo of spiral below]
Table of Contents page for Tad Lincoln’s Restless Wriggle from Beth Anderson’s spiral notebook courtesy of the author.
CP: That sounds like a terrific system! I will definitely be stealing some organization ideas from you! What are some of the most surprising things you’ve learned in researching your books—all of them, not necessarily just the most recent?
BA: Now that I think about it, I think they are all about something that surprised me—like Ben and Noah’s efforts to change our spelling and “Smelly” Kelly’s nose. I guess that’s a lot of what draws me to a story.
A few tidbits. I was surprised to learn that Black men could have served on a jury in New York in 1855. To attend court, Elizabeth Jennings’ family would have had to walk across the ice to get from Manhattan to Brooklyn in February 1855. I was totally shocked that James Kelly pulled a 30” eel out of a subway sink drain. There are phones in the subway tunnels marked by blue lights. Horns were used as hearing aids—per S. D. Schindler’s illustration in Tad’s story. I didn’t know that men paid bounties for others to serve in their place in the Continental Army. (So really, the wealthy finding a way out of military service is nothing new. Actually, I get those surprises often, that some of the problems and situations we have are really nothing new.) Every story is full of surprises. There are the ones that bring you to the story, and then so many more as you write and vet for accuracy.
CP: Those kinds of surprises are what I love about writing nonfiction! What’s next for you, Beth?
BA:2022 is a busy year with three releases! REVOLUTIONARY PRUDENCE WRIGHT: LEADING THE MINUTE WOMEN IN THE FIGHT FOR INDEPENDENCE, illustrated by Susan Reagan, releasing Feb. 1, and FRANZ’S PHANTASMAGORICAL MACHINE, illustrated by Caroline Hamel, releasing May 3 are up for pre-order now. CLOAKED IN COURAGE: UNCOVERING DEBORAH SAMPSON, PATRIOT SOLDIER, illustrated by Anne Lambelet, comes out Nov. 15.
I’m on pins and needles waiting to see what Jeremy Holmes does for our 2023 release, THOMAS JEFFERSON’S BATTLE FOR SCIENCE: BIAS, TRUTH, AND A MIGHTY MOOSE. And there’s another title in process, as yet unannounced.
CP: Incredible! I look forward to reading them all! Thank you so much for taking the time to chat.
BA: Thanks so much for inviting me to share TAD LINCOLN’S RESTLESS WRIGGLE with your readers! I’m honored!
Beth Anderson, a former English as a Second Language teacher, has always marveled at the power of books. With linguistics and reading degrees, a fascination with language, and a penchant for untold tales, she strives for accidental learning in the midst of a great story. Beth lives in Loveland, Colorado where she laughs, ponders, and questions; and hopes to inspire kids to do the same. She’s the award-winning author of TAD LINCOLN’S RESTLESS WRIGGLE, “SMELLY” KELLY AND HIS SUPER SENSES, LIZZIE DEMANDS A SEAT!, and AN INCONVENIENT ALPHABET. Beth has more historical picture books on the way, including three more stories of revolution, wonder, and possibility in 2022.
Part of Albert Whitman & Company’s Social and Emotional Learning collection, Saturday at the Food Pantryby author Diane O’Neilland illustrator Brizida Magro encourages discussions about food insecurity and highlights the truth that all of us need help sometimes.
As their food supply dwindles and Mom pours the last cup of milk to make her special “fancy milk” drink, Molly learns they’ll be visiting a food pantry the next day. “What’s a food pantry?” Molly asks. “It’s a place for people who need food,” Mom answers. “Everybody needs help sometimes.”
In gentle ways, O’Neill and Magro illustrate the characters’ hesitance and anxieties while they wait in line for the pantry to open. Molly sees her classmate, Caitlin, standing in line with her grandmother. To Molly’s surprise, Caitlin expresses feelings of shame for being there. Walking back to her mom, Molly feels confused. Is “there something wrong with needing help?” Once inside, even Mom “look[s] like she want[s] to be invisible.” But Molly reminds her, “Everybody needs help sometimes.” Later, Molly points out to Caitlin ways they themselves helped “cheer up” the grown-ups in the pantry.
Open, honest conversations between Caitlin’s grandmother and Mom about finding and keeping employment allow for a safe space to share. Muted illustrations using straight, geometric lines provide a sense of structure, order, and calm. With minimal background in the settings, Magro allows readers to focus on each individual character, driving home the point: everyone is important, everyone needs help, and most of all, we need each other. A note in the back matter for adults and caregivers about food insecurity by Kate Maehr, Executive Director and CEO of the Greater Chicago Food Depository, provides additional details on child hunger and resources to help.
In The Perfect Plan, author/illustratorLeah Gilbert takes the reader along on a magical journey with Maya, the main character who hopes to build a special place for dreaming and playing in the forest. Through perseverance and teamwork, she builds a fort grander than anything she could have imagined in Gilbert’s enchanting second picture book.
Transporting readers through spreads of tall brown trees and tiny yellow birds, Gilbert’s art encompasses all the beauty of an inviting forest. Tiny Maya gazes upward toward the sky envisioning a tree fort with a ladder to climb and windows to see out of. “’It will be the most INCREDIBLE and WONDERFUL tree fort in the world!’ she imagined.”
Maya is a determined child, and quite the planner, and returns to her bedroom with her black cat by her side to research and design the perfect tree fort. “When she was sure she had thought of everything, she headed outside.”
With her perfect page turns, Gilbert returns the reader to the colorful green forest and the most perfect spot to build a fort. Gilbert depicts Maya pulling and pushing and thinking, but having trouble building a fort alone. Maya realizes that sometimes in life we need help and asking for help is okay. She begins by selling the idea of a fort to three little brown beavers. “I’m building the most OUTSTANDING and ORIGINAL tree fort in the world! Will you help me?” and of course they eagerly agree.
Gilbert’s beautifully expressed words convey that not everyone is good at every job. This is an awesome reminder for both parents and kids! We see that beavers are great at cutting and chopping branches, but not so good at dragging heavy items. Gilbert introduces the kind moose and tells him that she is building “the STRONGEST and STURDIEST tree fort in the world!” Two big brown bears happily agreed to build and stack the frame, and the yellow birds with their natural ability to fly high “twisted and twirled, weaved and wound. Now all the branches were secured.”
When Maya and the animals scanned the finished fort, Maya began to think something was missing only to be interrupted by a big storm. Maya ran for cover looking back at the fort, while worried that it would be ruined. But upon returning to the spot “Maya couldn’t believe her eyes. ‘It’s Perfect.’” Gilbert paints delightful purple flowers that have bloomed from the rain and the fort is now “far more than she had even imagined it would be.”
Gilbert celebrates creativity and shows children the importance of perseverance and teamwork. Kids see that magical things can happen when putting their heart and soul into something. The words can be re-read with new meanings found in the message each time, while the soft colorful art inspires kids to get out a paintbrush and create their own hideaway.
In Kirsten Hall’s fun 16-page interactive board book, The Kids on the Bus: A Spin-the-Wheel Book of Emotions, we meet a variety of animals with different emotions. Set to the tune of the familiar song, lines include, “The bear on the bus laughs, ‘Hee, hee, hee, . . . all ’round the town.’” This novelty book is shaped like a school bus.
Melissa Crowton’s lively and inclusive illustrations are set within a soothing sky-blue background. My favorite character is the backpack-wearing, skateboard-riding blackbird. The expressive animals have fun causing a ruckus until the driver has to shush them.
While you can read the book or sing along, be sure to utilize the important social-emotional learning (SEL) elements. The sturdy spinning wheel allows kids to identify their feelings by choosing moods such as silly, angry, or shy.
Part of a 23-book series featuring the same cute baby, Leslie Patricelli’s latest board book, Mad, Mad, MAD, lets off a little steam. As is true in life, sometimes we’re happy, sometimes we’re sad, and sometimes we’re screaming, roaring mad. The contradictory feelings are shown through the art with clearly communicated expressions, and short, rhyming text: “No, I won’t go! / I don’t want to stay.” Dad’s face on this page perfectly captures his confusion—relatable to most parents as they try to understand what their young children need.
When Baby realizes they want to stop feeling this way, trying things such as taking a walk or doing deep breaths eventually helps. The back matter lists additional ideas that may alleviate angry feelings such listening to music, reading, or taking a bubble bath. This book’s social-emotional learning (SEL) guidance can gently help our children more effectively manage their emotions.
Susie Jaramillo’s recent board book in the Canticos series, Feelings: Bilingual Firsts, tackles emotions by showing the word for a mood in English with its Spanish translation on the left-hand side: brave / valiente. Lift the flap on the right-hand side to see vibrant art depicting that mood along with questions such as “Can you show me a surprised face?’ or “How does feeling shy look?” These questions are also provided in Spanish.
The colorful art includes a child, an array of animals, several chicks, and a star. I really liked the angry elephant calf. Cute illustrations coupled with simple text make this an easy way to introduce another language at home. Not only will this book help kids identify their own moods, but another important aspect of social-emotional learning (SEL) is the ability to recognize other people’s needs and feelings.
This lift-the-flap board book, Peek-a-Mood, by Giuliano Ferri presents animals whose faces are hidden behind their hands. Questions such as, “How do you think I feel?” and “Why am I hiding?” pique a child’s curiosity. Behind the hands, you’ll find that the first monkey’s frown provides a clue that it is upset, while the second monkey’s downturned open mouth goes on to reveal it is scared.
An array of artfully depicted mammals draws the reader in. The darling monkey that asks if you can make a silly face too, is adorable! This interactive book concludes with “Show me how you feel!’ Behind the human’s hands is an unbreakable mirror—how fun is that?!
Exploring and identifying emotions is a key part of child development and social-emotional learning (SEL). Peek-a-Mood makes it fun to try figuring out nonverbal emotional cues.
Meet Burt, he’s a ten-lined June (or watermelon) beetle. Burt has feathered antennae, a large body, a sticky abdomen, and can flail his legs when he falls on his back (but needs assistance flipping over). He notices that other insects have special or “super” abilities. A bumblebee is a “super hard worker” and ants can carry heavy loads. So what makes Burt special? Well, he’s trying to figure this out. As Burt meets more insects and learns about their amazing features, he wonders what his “super” ability is. Would winking count? How about hanging out around porch lights? Trying to imitate other insects’ super abilities doesn’t work either and Burt continually ends up on his back.
When Burt discovers a spider web with insects trapped in it, he’s amazed to find that their super abilities cannot free them from the web. As the venomous spider taunts Burt, he realizes he does have some super abilities. Burt’s a hugger and he happens to be sticky, too. Furthermore, he’s big and heavy enough to tear up the spider’s web when he falls on it, saving the other insects–and landing on his back once again. This time he has very grateful friends to help him flip over!
Cheerful and upbeat humor shines in this book. Commenting on his feathery antennae, Burt notes “it’s a style choice.” Gentle quips are exchanged between characters. When the spider, firmly stuck to Burt’s abdomen, asks “is this ever going to end?” Burt replies “I guess you’re stuck with me. Get it?” Exaggerated bodies and expressive faces, especially “bug” eyes, add to the enjoyment.
Spires has created a graphic novel designed for younger readers, especially those new to the graphic novel format. The panels are clean and well organized, without a lot of distractions. The number of characters and speech bubbles in a panel are kept to a minimum and the print is bold and slightly larger than usual. This book is appropriate for independent readers or as a read-aloud for emerging readers.
The book includes some themes which could be used to invite children to discuss character and friendship. Burt’s search for what makes him unique is something children also explore for themselves. Perseverance is a challenge for children, but Burt’s positive “can do” type of behavior in the face of repeated failures may encourage them to keep trying. He takes care of his friends and “doesn’t bite because that’s not how you make friends.”
Lastly, this graphic novel engages children in the natural world around them, weaving in factual information about insects and including “awesome insect super facts” in the back matter. Hopefully, it will inspire children to continue exploring the world of insects and their “super” abilities.
Written by Camille Andros and illustrated by Amy Bates, The Boy and the Seais a contemplative, thought-provoking story that depicts growing up as the ebb and flow of questions not easily answerable.
The story begins with the main character, a little boy, who lives by the sea. Like the sea, the boy is sometimes “dark and dangerous” and at other times “tranquil and tender.” These descriptors become refrains as we watch the boy grow from his elementary and adolescent years into adulthood, wondering and wrestling all the while with the thoughts that surface with each life stage
Lifelong friends who know each other intimately, the boy and the sea feel “the pull of something more,” something bigger. This deep dive into life’s purpose and meaning leads to many questions. “Some … [have answers] … but many [do] not.” The boy is drawn back to the sea for answers that, in turn, pull him deeper still into life’s mystery. Andros’ sparse and lyrical text combined with Bates’ sometimes calming, other times distressing blue palette encourage us readers to pause and hone our skills in listening, examining, and learning.
While children in the older picture book age range will pick up on the book’s self-reflective nuances, younger readers will find intrigue in its quiet, meditative pull. The Boy and the Sea is a great bedtime read to let go of a racing mind and wind down from a busy day.
A young girl longs to spend the night on the cot in her living room. “Mami says it’s for guests” only, but to the girl the cot symbolizes freedom and possibilities: having the whole living room to herself, enjoying the lights from the George Washington bridge coming in through the big window, watching television, and even sneaking in a midnight snack.
When throughout the week neighborhood children take turns spending the night on the cot, the young girl feels it’s absolutely “not fair” that she doesn’t get to enjoy this privilege. But what she doesn’t realize is the fear and discomfort each guest struggles through as they are separated from their parents who are working the night shift.
I love the way the illustrations highlight the girl’s jealousy by magnifying the supposed delight each guest will have spending the night on the cot. An endless supply of candy-colored food, fun, and games in exaggerated sizes emphasize the disconnect between the young girl’s idealization of the cot and the reality of her guests’ feelings about it. For them, the cot is a poor substitute for home.
When the young girl finally does get the opportunity to spend the night on the cot, strange and scary noises give her insight into their loneliness. Modeling her parents’ kindness and caregiving, the girl finds a creative way to make her guests feel like a part of the family.
Parents and educators searching for themes of compassion, empathy, and sacrifice will find them in this touching picture book.
Award-winning author and illustrator Melanie Watt, well known for herScaredy Squirrel picture book series, has created her first graphic novel, Scaredy Squirrel in a Nutshell, featuring a squirrel beset by many (and often improbable) fears about life outside his beloved nut tree. To his credit, Scaredy Squirrel confronts each challenge with an elaborate and hilarious action plan that’s often doomed to failure. From the potential alien landing to deadly dust bunnies, Scaredy Squirrel not only has a plan but a backup as well (play dead).
Since childhood, Scaredy Squirrel has kept himself and his nut tree safe from dreaded “trespassers” who could damage his tree. Who knows when a mammoth may want to uproot it? Or a cat might scratch it. So Scaredy Squirrel has developed a strategy to protect the tree. He places objects around his tree to distract the trespassers, such as a fake tree for the mammoth to uproot or a scratching post for the cat.
However, there’s a downside to this ambitious plan: these objects get dusty and from the dust springs notorious dust bunnies! So this quick-thinking squirrel comes up with a detailed plan to prevent dust bunnies … vacuum all the decoy objects! All well and good until the vacuum gets clogged and now Scaredy Squirrel must develop a plan to unclog the vacuum cleaner. As you can imagine, more problems emerge which entail more plans and greater chaos. Inevitably (despite playing dead) he finds himself face to face with a real bunny who would like to be his friend. Which of course necessitates a new plan …
Watt’s familiar cartoon-like illustrations go nicely with the graphic novel format. Simple geometric shapes are used to create the characters and setting. Faces are wonderfully expressive. Panels are well organized on the pages with a clean and uncluttered look, making this book perfect for newly independent readers. Witty word plays and expressions such as “going out on a limb” and “dust bunnies,” keep the narrative lively and make this a good read-aloud as well. Delightfully quirky features include a “Nutty (Table of) Contents,” and some silly and interactive features to be taken before it is “safe” to begin the story.
Parents, caregivers, and teachers are sure to appreciate that, despite the zany humor of the book, Scaredy Squirrel manages to demonstrate, in a light-hearted way, how children can face their fears and develop problem-solving skills such as writing down action plans, to face real-life challenges. While the age is listed as 6-9, younger children would certainly enjoy having the story read to them.
Reviewed by Dornel Cerro
Click here and here to read more squirrel stories.
Swimming season is upon us so I’ve invited author Stephanie Wildman to talk about her new picture book, Brave in the Water, for parents and caregivers of reluctant swimmers to share with children.
Intro:
Thank you so much, Ronna, for having me on your blog. I’m excited to tell your readers about my debut picture group Brave in the Water and to encourage them to get in the water!
Learning to swim can be daunting. I should know – I didn’t learn until I was twenty-six years old! I didn’t want my own children to grow up afraid, so I took them for swim lessons at an early age. They both became competitive swimmers. One founded and coached an award-winning swim program for vulnerable youth. One swam for Team USA in the 2008 Olympics, winning a gold medal. So getting them in the water was one thing I did right as a parent, not passing on my own fear. I hope this book reaches children who might be afraid like I was and shows them that they can have fun in the water.
More about the book:
Diante is afraid to put his face in the water, but he is torn because he would like to play in the pool with other children. He’s not afraid to hang upside down on the monkey bars, though, and he’s surprised to learn his grandma is afraid to be upside down in an inverted yoga pose. Can Diante help Grandma and become brave in the water?
Spoiler alert: He can and he does. Grandma tells Diante about the feathered peacock yoga pose that she aspires to do. Diante wants to try it. Grandma explains that “Breathing is important for trying something new.” They practice slow, deep inhalations and exhalations together.
Before trying the pose Diante learns to control his breathing (pranayama).
He wonders if pranayama can help him put his face in the water. He goes back to the pool to try and thinks for a long time, finally remembering pranayama. Finally, step by step, slowly breathing Diante enters the water and puts his face in. He is on his way to learning how to swim.
Here is what Bonnie Tsui, New York Times best-selling author of Why We Swim and Sarah and the Big Wave, said about Brave in the Water in her back cover blurb:
“Being brave is something we work on all our lives. Stephanie Wildman shows us how to help each other through — one breath at a time — to reach the essential joy of the water.”
By the way, I would love you to check out my debut group NewBooksforKids.com. I have been lucky to meet this group of kidlit debut authors, all with books I want to buy and read. Remember you can always support children’s books by requesting your local library to order them or by buying one for a Little Free Library. This group will give you some great ideas.
Stephanie M. Wildman served as John A. and Elizabeth H. Sutro Chair at Santa Clara Law and directed the school’s Center for Social Justice and Public Service before becoming Professor Emerita. Her books include: Brave in the Water (2021); Privilege Revealed: How Invisible Preference Undermines America 2d (2021) (with contributions by Armstrong, Davis, & Grillo); Race and Races: Cases and Resources for a Diverse America 3d (with Delgado, Harris, Perea, & Stefancic) (2015); Social Justice: Professionals Communities and Law (with Mahoney & Calmore) (2013); Women and the Law Stories (with Schneider) (2011). She is a member of the Writers Grotto. She is a grandmother, mother, spouse, friend, good listener, and she is able to sit “criss-cross apple sauce” thanks to her yoga practice.
Where to buy the book:
The book is available for order anywhere books are sold. Here are some links for purchasing online:
We’d love you to support your local independent bookseller by placing your order there.
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Green Apple Books may still have signed copies. And a Spanish language version –Valiente en el Agua (translated by Cecilia Populus-Eudave) is also available from booksellers.
A brave hero doesn’t always mean a big hero in Nicolò Carozzi’s beautifully worded and illustrated picture book Brave as a Mouse, his debut picture book in the US.
Through simple text and stunning art, Carozzi draws our attention to Mouse’s new friendship with the homeowner’s fish. Mouse asks the fish, “Would you like to play?” and with a simple “YES!” both creatures enjoy each other’s company, swimming together. Mouse blows through a straw, and the fish enjoys jacuzzi-style bubbles.
However, the fun stops when other housepets want to “play.” Three ominous shadows cast on the wall next to the fish’s bowl are plain but powerful images foretelling of the dangers ahead.
As the homeowner’s beloved fat cats encircle the fishbowl, Mouse has a “wild … bold … [and] brave idea” to entice the three to follow him, all the way to the pantry where they gorge themselves on cat food.
While the felines sleep off their big meal, Mouse uses the time to fulfill an even wilder, bolder, and braver idea that includes the help of other mice living in the house. Straight lines, calm, muted colors, and minimalist illustrations keep us focused on the rescue plan. Children and adult readers will enjoy the action-packed adventure as Mouse risks his own safety to protect his new friend. A more subtle, though important theme is the infectious nature of Mouse’s bravery and kindness.
For those interested in quieter books on themes of friendship and compassion as well as those who like a good old fashion story when the good guys win, this picture book will delight again and again.
A Junior Library Guild Gold Standard Selection ★Starred Reviews – BookPage, The Bulletin of the Center for Children’s Books, The Horn Book, Kirkus Reviews, Publishers Weekly, School Library Journal, Shelf Awareness
Andrea Wang and Jason Chin’snew picture book, Watercress, tells a story with that one word alone. This vegetable embodies a family’s experiences from the great famine years until today in the US. Wang’s spare, lyrical text shows us the range of emotions felt by the girl whose parents excitedly stop to pick watercress from the side of the road, much to the girl’s chagrin. Her feelings brew throughout the story until painful memories shared bring about an understanding.
Fans of Jason Chin’s gorgeous watercolor images will not be disappointed. The family’s many dimensions come alive on the page, reflecting today’s struggles and those long ago.
This book is relatable to people from immigrant families as myself, or any kid who’s been embarrassed by some things their family does—and who hasn’t?! Watercress is top-notch for its ability to convey a world of information and a wide range of moods.
The text and illustrations are flawless. There’s even a secret book cover image once the paper cover is removed. The accolades for Watercress are merited. It is definitely one of my top 2021 picks.
Itty-Bitty-Kitty-Corn, written by Shannon Hale and illustrated by LeUyen Pham, begins on the front endpapers with Kitty who is gazing admiringly at a picture of a unicorn. But how, she wonders, can she make herself into one?
She gets an idea and takes out her crafts box, removing paper, paint, and glue. She makes herself a colorful horn out of paper and ties it to her head with a piece from her purple ball of string. Now, the text takes off with Kitty looking in the mirror and seeing a unicorn in the reflection. “She feels so perfectly unicorn-y.” But much to her dismay, Parakeet and Gecko tell her she’s not a unicorn, just a cat, bursting Kitty’s bubble of happiness as a unicorn. This scenario repeats itself with Kitty becoming more and more dejected. It is not until she meets Unicorn who shows Kitty that she herself is actually a Kitty-Corn just like her, that Kitty is able to be who she really is and sees Unicorn for who she is too.
At forty-eight pages, this length exceeds today’s standard for a fiction picture book title and allows for a more relaxed reading experience with the young listener. Each page has very few words and lots of white space which allows the expressive illustrations to shine through. The most ardent of non-cat lovers will melt at the sight of Kitty.
Everyone, both children and adults alike, has an idea of how we perceive ourselves and how we want to be perceived by others. This is our reality when we look in the mirror each day and when we venture out into the world. Itty-Bity-Kitty-Corn’s positive message of instilling in children the notion that they can be anything they want to be, no matter the naysayers they may come across is very self-affirming. We should all have the confidence that Kitty finds in her friendship with Unicorn to be our true selves and see others in their true light as well.
Karen Yin’s debut picture book is truly original, packed with rollicking rhyme, and an important story presented in bold vibrant art from Nelleke Verhoeff. In other words, it’s got all the things a young reader would want in a read-aloud! And then some (100 some to be exact!)
From my first glimpse of the cover, with its beautiful, shiny raised letters along with lots of yellow—which always pulls me in—I was hooked by the look of Whole Whale. Then I dove in and was not disappointed. In fact, I was overjoyed that Yin chose to write this story about tolerance, inclusion, and making room at the table for everyone. We can never have too many picture books out there modeling for kids the benefits of working together to make those who may feel left out, how to be welcomed in. The best part is there is nothing didactic about the presentation. The humor and art provide the way into the story and the suspense keeps young readers engaged and turning the pages.
The premise is a surprisingly simple one starting with the title page depicting a hint of water rising from an as yet unseen whale’s spout. Then comes an almost completely white opening spread with only a sheep, a cat and a spider telling readers what to expect. “An empty page? It’s time to play!/The animals are on their way.” This is followed in the next spread with “One hundred might fit in this tale,” then the especially catchy refrain, “But can we fit a whole blue whale?” Here young readers will spy a different tail (or fluke).
Little by little a bevy of brightly colored beasts fill up the pages of this larger—12×12—formatted book. Kids can spot some animals showing concern on their faces, others enjoying the company. The group, whimsically illustrated by Verhoeff, continues to grow and grow with the refrain repeated for kids to shout out loud. But with so many crowding in to make room for the whale, will chaos or bullying ensue? “So, if they all can get along/One hundred might fit in this throng.”
Kids’ll adore the interaction Verhoeff has depicted amongst the animals as they attempt to make space for Whale. Yin has played with language wonderfully throughout and introduces fun words like throng and unveil as well as a few collective nouns for animals. A big reward is in store for staying the course, a double gatefold four feet long at the end.
While I don’t recommend this book for bedtime, I absolutely recommend it for ALL other times of the day! In fact, I encourage any adult reading it with a child to suggest they bellow out the refrain as they wait in giddy anticipation. Back matter lists the 100 animals in the book, a search-and-count challenge children are certain to accept. I hope you enjoy the WHOLE book as much as I did!
The dill-ightful title of this new picture book, Sloth & Squirrel in a Pickle by Cathy Ballou Mealey with adorable art by Kelly Collier, will immediately grab you even if it doesn’t immediately grab sloth whose slow motion throughout the story is one of the recurring elements that make it hysterical to read-aloud. I’m talking Lucy and Ethel hysterical. You may not see my smile as I’m writing this, but trust me it’s here now and was for every page as I was eager to see how things played out for the pair of pickle-packing pals.
This humorous friendship tale begins with Squirrel deciding he’d like to get a bike to go FAST!, but after seeing the price tag at the bike shop, realizes it’s too costly. Sloth points out that the pickle company next door is seeking pickle packers. If they work hard, together the two should be able to earn enough to afford the bike.
In their interview, the friends meet Mr. Peacock who Collier has imagined with bushy eyebrows, a stern face, and office accessories all in a pickle green palette. Perfect! This character cracked me up. I could even hear his voice as he preps his new employees to start working. It doesn’t take long for Squirrel and Pickle to discover that the packing process is slippery hence much breakage. By noon they haven’t packed more than six jars. More comical chaos ensues when, given a second chance, Sloth unknowingly makes a major LOL mess of labeling and the new hires are fired.
With the money earned from the six successfully packed pickle jars, and lots of free, unsellable jars of pickles now in their possession, the friends are nowhere closer to buying the bike. That is until a melting ice pop incident—it simply cannot be eaten fast enough by a sloth—leads to the invention of a cool new, no-brain-freeze alternative to ice pops. Suddenly the money comes pouring in and the pals purchase the bike. Sadly, Sloth’s lethargy makes going fast on the bike as Squirrel had previously envisioned a non-starter. Sloth, however, has a better idea that even at his pace will bring them up to speed.
Between Cathy’s witty plot, prose, and characters and Collier’s creative illustrations that must be carefully studied for all the added touches readers might not see at first, Sloth & Squirrel in a Pickle beautifully addresses the “What if” question many authors ask themselves when developing a story: What if a slow animal and a fast animal became friends? In this case, the friendship endures despite the differences and it flourishes as the pals persevere in their pursuit of a bike. This well-crafted and extremely funny picture book is a great way to discuss cause and effect and determination. It also shows kids that money doesn’t grow on trees even if Sloth hangs out in one. Money has to be earned and then the joy of having bought something with the fruit (or pickle) of one’s labor tastes especially sweet or in this funny case maybe salty too!
