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Children’s Picture Book Review – Saturday at the Food Pantry

 

SATURDAY AT THE FOOD PANTRY

Written by Diane O’Neill

Illustrated by Brizida Magro

(Albert Whitman & Company; $16.99, Ages 4-8)

 

 

Saturday at the Food Pantry cover

 

 

Part of Albert Whitman & Company’s Social and Emotional Learning collection, Saturday at the Food Pantry by author Diane O’Neill and illustrator Brizida Magro encourages discussions about food insecurity and highlights the truth that all of us need help sometimes.

As their food supply dwindles and Mom pours the last cup of milk to make her special “fancy milk” drink, Molly learns they’ll be visiting a food pantry the next day. “What’s a food pantry?” Molly asks. “It’s a place for people who need food,” Mom answers. “Everybody needs help sometimes.” 

 

Saturday at the Food Pantry int1
Interior art from Saturday at the Food Pantry written by Diane O’Neill and illustrated by Brizida Magro, Albert Whitman & Co. ©2021.

 

 

In gentle ways, O’Neill and Magro illustrate the characters’ hesitance and anxieties while they wait in line for the pantry to open. Molly sees her classmate, Caitlin, standing in line with her grandmother. To Molly’s surprise, Caitlin expresses feelings of shame for being there. Walking back to her mom, Molly feels confused. Is “there something wrong with needing help?” Once inside, even Mom “look[s] like she want[s] to be invisible.” But Molly reminds her, “Everybody needs help sometimes.” Later, Molly points out to Caitlin ways they themselves helped “cheer up” the grown-ups in the pantry.  

 

 

Saturday at the Food Pantry int2
Interior art from Saturday at the Food Pantry written by Diane O’Neill and illustrated by Brizida Magro, Albert Whitman & Co. ©2021.

 

 

Open, honest conversations between Caitlin’s grandmother and Mom about finding and keeping employment allow for a safe space to share. Muted illustrations using straight, geometric lines provide a sense of structure, order, and calm. With minimal background in the settings, Magro allows readers to focus on each individual character, driving home the point: everyone is important, everyone needs help, and most of all, we need each other. A note in the back matter for adults and caregivers about food insecurity by Kate Maehr, Executive Director and CEO of the Greater Chicago Food Depository, provides additional details on child hunger and resources to help. 

 

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Interior spread from Saturday at the Food Pantry written by Diane O’Neill and illustrated by Brizida Magro, Albert Whitman & Co. ©2021.

 

 

Whether in the classroom or family room, readers young and old can benefit from this positive, heartfelt message of hope.

  •  Reviewed by Armineh Manookian
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Two Creative Crop Tales: Rice From Heaven & Hey, Hey, Hay!

RICE FROM HEAVEN:
THE SECRET MISSION
TO FEED NORTH KOREANS

Written by Tina Cho
Illustrated by Keum Jin Song
(Little Bee; $17.99, Ages 5-9)

&

HEY, HEY, HAY!:
A TALE OF BALES
AND THE MACHINES THAT MAKE THEM

Written by Christy Mihaly

Illustrated by Joe Cepada
(Holiday House; $17.99, Ages 4-7)

are reviewed today by Cathy Ballou Mealey.

 

Grasses and grains make great stories in two new August picture books from Epic18 authors.

Cover art from Rice From Heaven: The Secret Mission to Feed North KoreansDrawing from her own personal experience, author Tina Cho writes a compelling fictional story about RICE FROM HEAVEN: THE SECRET MISSION TO FEED NORTH KOREANS.

Yoori, a young South Korean girl, has listened to her father, Appa, talk about his difficult childhood in North Korea. His compelling stories of hardship and hunger lead Yoori and Appa to volunteer for a secret nighttime mission; sending packages of rice over the border via special balloons.

When father and daughter arrive near the border, local villagers protest and chant, “Don’t feed the enemy.” In dismay Yoori says “The hope in my heart withers like a dying rice stalk.” But she rallies her courage and persists in completing the task at hand. With other volunteers, Yoori and Appa help inflate balloons, attach containers of rice, and send them floating over the border under starry skies.

Song’s vibrant illustrations markedly differentiate the two countries with a stark color palette. A verdant and lush South Korea features plentiful orange and pink flowers, fruits and green landscapes. Alternately, North Korea is shown isolated within a clear bowl, brown, barren and withered. The dramatic contrast peaks on a poignant double spread showing two North and South Korean girls face one another. While large grey mountains loom in the distance, the two children remain separated by nothing more than a small stream of clear running water.

Cho provides additional information on the political and cultural history of the Korean peninsula. This informative story is hopeful, compassionate and timely.

 

cover art from Hey, Hey, Hay!: A Tale of Bales and the Machines That Make ThemIn HEY, HEY, HAY!: A TALE OF BALES AND THE MACHINES THAT MAKE THEM author Christy Mihaly tells a summery story about the process of harvesting hay. The bales will be stored in the barn, ready to break out a bit of summer for a hungry horse on a cold winter day.

Standing in waist-high, thick green grass that spills across the long, rolling horizon, a young girl and her mother observe that the fields are ready for the haying to begin. “Mower blades slice through the grass. / A new row falls with every pass. / Stalks and stems are scattered ’round. / The scents of new-mown plants abound.” The rhythmic thunk-thunk, chunk-chunk phrases echo the mechanical beats of the machinery employed – a mower, tedder, rake and baler. Mihaly explains the terminology in a helpful glossary of “haymaking words” that add richness to the rhyming farming narrative.

As the mown hay dries, mother and daughter refresh themselves with switchel, a traditional cold haying drink of ginger, vinegar and maple syrup. For those inspired to try it, the recipe is included! Raking and baling finally lead to the satisfying conclusion of a crop safely stacked in the barn, and time to ride and play with the patiently waiting pony.

Cepada’s illustrations capture the vast fields, broad skies, and varied haying equipment with detail, vibrancy and color. Green grasses fade to olive-yellows as tinted clouds sweep across the pages. The tractors and barn are a cheerful, traditional red, and the immense rolled hay bales are textured with prickly perfection. Each generously proportioned oil-and acrylic image is paired with succinct and snappy text that explicates and enhances the unique and creative story.

Good reasons to harvest both of these titles about bounty on your bookshelves!
 

  • Reviewed by Cathy Ballou Mealey

Where obtained:  I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.

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