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Two Creative Crop Tales: Rice From Heaven & Hey, Hey, Hay!

RICE FROM HEAVEN:
THE SECRET MISSION
TO FEED NORTH KOREANS

Written by Tina Cho
Illustrated by Keum Jin Song
(Little Bee; $17.99, Ages 5-9)

&

HEY, HEY, HAY!:
A TALE OF BALES
AND THE MACHINES THAT MAKE THEM

Written by Christy Mihaly

Illustrated by Joe Cepada
(Holiday House; $17.99, Ages 4-7)

are reviewed today by Cathy Ballou Mealey.

 

Grasses and grains make great stories in two new August picture books from Epic18 authors.

Cover art from Rice From Heaven: The Secret Mission to Feed North KoreansDrawing from her own personal experience, author Tina Cho writes a compelling fictional story about RICE FROM HEAVEN: THE SECRET MISSION TO FEED NORTH KOREANS.

Yoori, a young South Korean girl, has listened to her father, Appa, talk about his difficult childhood in North Korea. His compelling stories of hardship and hunger lead Yoori and Appa to volunteer for a secret nighttime mission; sending packages of rice over the border via special balloons.

When father and daughter arrive near the border, local villagers protest and chant, “Don’t feed the enemy.” In dismay Yoori says “The hope in my heart withers like a dying rice stalk.” But she rallies her courage and persists in completing the task at hand. With other volunteers, Yoori and Appa help inflate balloons, attach containers of rice, and send them floating over the border under starry skies.

Song’s vibrant illustrations markedly differentiate the two countries with a stark color palette. A verdant and lush South Korea features plentiful orange and pink flowers, fruits and green landscapes. Alternately, North Korea is shown isolated within a clear bowl, brown, barren and withered. The dramatic contrast peaks on a poignant double spread showing two North and South Korean girls face one another. While large grey mountains loom in the distance, the two children remain separated by nothing more than a small stream of clear running water.

Cho provides additional information on the political and cultural history of the Korean peninsula. This informative story is hopeful, compassionate and timely.

 

cover art from Hey, Hey, Hay!: A Tale of Bales and the Machines That Make ThemIn HEY, HEY, HAY!: A TALE OF BALES AND THE MACHINES THAT MAKE THEM author Christy Mihaly tells a summery story about the process of harvesting hay. The bales will be stored in the barn, ready to break out a bit of summer for a hungry horse on a cold winter day.

Standing in waist-high, thick green grass that spills across the long, rolling horizon, a young girl and her mother observe that the fields are ready for the haying to begin. “Mower blades slice through the grass. / A new row falls with every pass. / Stalks and stems are scattered ’round. / The scents of new-mown plants abound.” The rhythmic thunk-thunk, chunk-chunk phrases echo the mechanical beats of the machinery employed – a mower, tedder, rake and baler. Mihaly explains the terminology in a helpful glossary of “haymaking words” that add richness to the rhyming farming narrative.

As the mown hay dries, mother and daughter refresh themselves with switchel, a traditional cold haying drink of ginger, vinegar and maple syrup. For those inspired to try it, the recipe is included! Raking and baling finally lead to the satisfying conclusion of a crop safely stacked in the barn, and time to ride and play with the patiently waiting pony.

Cepada’s illustrations capture the vast fields, broad skies, and varied haying equipment with detail, vibrancy and color. Green grasses fade to olive-yellows as tinted clouds sweep across the pages. The tractors and barn are a cheerful, traditional red, and the immense rolled hay bales are textured with prickly perfection. Each generously proportioned oil-and acrylic image is paired with succinct and snappy text that explicates and enhances the unique and creative story.

Good reasons to harvest both of these titles about bounty on your bookshelves!
 

  • Reviewed by Cathy Ballou Mealey

Where obtained:  I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.

Never Say Never! Nature’s Friend: The Gwen Frostic Story

NATURE’S FRIEND:
THE GWEN FROSTIC STORY
Written by Lindsey McDivitt
Illustrated by Eileen Ryan Ewen
(Sleeping Bear Press; $16.99, Ages 6-9)

 

cover art from Nature's Friend: The Gwen Frostic Story by Lindsey McDivitt

 

One of the best parts about reviewing children’s books is learning about someone or something new. That’s exactly what happened after reading Nature’s Friend: The Gwen Frostic Story by Lindsey McDivitt with illustrations by Eileen Ryan Ewen. You may have noticed that there aren’t a lot of traditionally published picture books about people with disabilities, but there are more now than there used to be and that’s a good thing. Authors like McDivitt are making a difference by writing about diverse individuals and topics which I truly appreciate and why I jumped at the chance to review Nature’s Friend.

This inspiring debut picture book biography introduces children to the art and writing of Gwen Frostic, someone about whom, as I mentioned above, I knew nothing prior to reading the book. And now I’m eager to see her art in person and you will be, too. Born in Michigan in 1906, Frostic contracted an illness as an infant that left her physically disabled. But with the positive influence of her mother, Gwen never avoided doing all the things that her brothers and sisters did. “I never knew I couldn’t do something,” is the overarching message of Nature’s Friend, a quote in McDivitt’s book that captures the essence of who Gwen was—a bright, creative and resourceful woman who never let perceived obstacles hold her back. She clearly was ahead of her time.

 

Int illustration by Eileen Ryan Ewen from Nature's Friend by Lindsey McDivitt

Interior artwork from Nature’s Friend: The Gwen Frostic Story written by Lindsey McDivitt and illustrated by Eileen Ryan Ewen, Sleeping Bear Press ©2018.

 

Gwen’s mother, a former teacher, could have taught her daughter at home because in the early 20th century it was more common for disabled children to stay at home. Instead, Mrs. Frostic “sent Gwen to school and pushed her to learn.” While the bullying might have painful, the young girl chose to focus on her academics and was an adept student. In fact, it was also due to her mother’s encouragement and guidance that Gwen’s weak hands grew stronger as her mother had her practice sketching. Gwen, who had embraced nature at an early age, would find later in life that this experience greatly influenced her career path.

 

int art by Eileen Ryan Ewen from Nature's Friend by Lindsey McDivitt

Interior artwork from Nature’s Friend: The Gwen Frostic Story written by Lindsey McDivitt and illustrated by Eileen Ryan Ewen, Sleeping Bear Press ©2018.

 

At age 12, Gwen’s family moved to Detroit. It was there in high school that she learned mechanical drawing and other skills not typically part of a girl’s curriculum. Someone wrote in her yearbook, “Her brush, her pencil and her pen will make this world a better place!” But pursuing a career in art wasn’t necessarily going to provide for her. The tides turned in her favor when wealthy and influential people began purchasing her designs. What joy and satisfaction it must have been for Frostic when her art was chosen to be exhibited at the 1939 New York World’s Fair! Soon though her grand plans were put on hold due to WWII. She went to work at the Ford Motor Company to help the war effort by designing “tools for building the airplanes.”

In addition to Gwen’s airplane construction work, at home she remained drawn to art, eventually purchasing a printing press and starting her own business. Frostic called it Presscraft Papers Stationary Company and based it first in Frankfort, Michigan and then on the Betsie River to be closer to nature. The back matter states that Frostic created greeting cards and books that “celebrated Michigan plans and wildlife.” She was awarded countless honors in her lifetime and worked in her shop well into her 90s.

 

int art by Eileen Ryan Ewen from Nature's Friend by Lindsey McDivitt

Interior artwork from Nature’s Friend: The Gwen Frostic Story written by Lindsey McDivitt and illustrated by Eileen Ryan Ewen, Sleeping Bear Press ©2018.

 

Ewen’s serene artwork conveys Frostic’s love of nature on every page. I also felt the movement and emotion as Gwen clenched her sketching pencil, smelled the fresh Michigan air in the beautifully rendered outdoor scenes and watched the changing fashions go by as Gwen matured. The illustrations, coupled with McDivitt’s honest and uplifting prose that applauds determination and individuality, promises hope and invites creativity (there’s a craft included at the end), make this a wonderful and worthwhile read for not only kids, but for adults too who may be unfamiliar with Frostic.

Everything about Gwen Frostic was unique, from her art to her attitude. Rather than let society define what she could and couldn’t do as a woman and as a person with disabilities, she wrote her own rules and lived happily and successfully by them. Considering the era she lived in, it’s especially encouraging to read about female trailblazers like Gwen Frostic who forged ahead with their talents allowing their heart to guide them.

“As long as there are trees in tiny seeds … there will be miracles on earth.” – Gwen Frostic, A Walk With Me

Learn more about Gwen’s studio here.

  • Reviewed by Ronna Mandel

Read another picture book biography here.

 

 

 

100 Bugs! A Counting Book by Kate Narita & Flying Deep by Michelle Cusolito

100 BUGS! A COUNTING BOOK
Written by Kate Narita
Illustrated by Suzanne Kaufman
(Farrar, Straus and Giroux, $17.99, Ages 5-7)

&

FLYING DEEP:
Climb Inside Deep-Sea Submersible ALVIN
Written by Michelle Cusolito
Illustrated by Nicole Wong
(Charlesbridge Books, $17.99, Ages 5-9)

 

are reviewed today by Cathy Ballou Mealey.

 

Sharpen your math and science observation skills with two new, detail-packed STEM-rich picture books from debut authors.

100 Bugs: A Counting Book by Kate Narita cover artIn 100 BUGS! A COUNTING BOOK, two young summer explorers aren’t bugged by insects at all. They are on a seek-and-find counting quest from the pond to the field to the forest and everywhere in between. Armed with a butterfly net and magnifying glass, the daring duo discover and count an astonishing variety of interesting insects. Narita employs bouncy repetitive couplets to keep the mathematical and entomological journey moving at a quick pace in increasing sets of ten.

Kaufman’s bright, colorful collage-style art is engaging and cheerful, adeptly including an impressive accumulation of bugs throughout every page. A beautiful array of wildflowers and plants are also featured, complementing the detailed and intricate insects. Kaufman adds lots of birds and animals as well as an enthusiastic dog who follows the children on their adventures. With so much visual interest, young readers will be captivated. Notes at the end provide additional information on the insects and plants, making this a great STEM book selection. 

cover art from Flying Deep: Climb Inside Deep-Sea Submersible ALVINIn FLYING DEEP readers will imagine an underwater journey of exploration with the pilots of ALVIN, a deep-sea submersible. Their mission is to observe and analyze creatures and structures from the depths of the ocean floor, and to collect samples for further research at the surface. Cusolito uses a narrative logbook structure, inviting readers to ponder practical and procedural questions as if they are one of the crew members. What might you eat? How will you breathe? What will you see? Exciting discoveries and the possibility of danger raise the stakes for readers who will soak up this immersive science adventure.

Digital illustrations from Wong enrich this tale with incredible scenes from inside and outside the ALVIN. Realistic details abound, including the amazing variety of sea life and the riveted, technical components of the ALVIN itself. Wong uses light to her advantage, balancing sunlight and ALVIN’s spotlights above and below the ocean surface to focus attention on the stunning discoveries. A glossary, resources for further reading and notes from the author and illustrator round out this unique, informative book.

 

100 BUGS and FLYING DEEP were both recipients of starred reviews from Kirkus!

        • Reviewed by Cathy Ballou Mealey

Read another recent #Epic18 review by Cathy here.

Where obtained: I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.

Good Reads With Ronna occasionally provides links to shop at Once Upon a Time bookstore with whom we partner monthly to share a Wednesday What We’re Reading post. GRWR blog and its reviewers receive no compensation for any titles sold via this independent bookstore, but we do hope you’ll choose a local option when making your next purchase.

Hedgehog Needs a Hug and Twilight Chant Feature Artwork by Jen Betton

HEDGEHOG NEEDS A HUG
Written and illustrated by Jen Betton
(G. P. Putnam’s Sons BYR; $16.99, Ages 4-8)

&

TWILIGHT CHANT
Written by Holly Thompson
Illustrated by Jen Betton
(Clarion Books; $17.99, Ages 4-7)

 

One talented creator’s works grace two new picture books, Hedgehog Needs a Hug and Twilight Chant, featuring wonderful animal illustrations. Both books are reviewed by Cathy Ballou Mealey.

Hedgehog Needs a Hug cover art by Jen BettonSure, on Instagram every hedgehog looks cute and cuddly. But in this story, woodland friends are fearful of his prickles when HEDGEHOG NEEDS A HUG, the debut author-illustrator title from Jen Betton. Perhaps he got out of his cozy nest the wrong way, but Hedgehog wakes feeling “down in the snout and droopy in the prickles.” Smart and resourceful, he knows just what he needs to feel better. But who will hug Hedgehog? Rabbit and Raccoon refuse, and Turtle won’t even wake up. Then an ominous shadow seeks into the clearing. It’s a fox! He’s not afraid, but should Hedgehog be?

Betton’s text is smooth and rhythmic with vivid verbs and comforting refrains. Her woodland scenes feature crisp white and lush, deep blue-greens that make creamy-brown Hedgehog pop as the star. Plentiful double spreads and a clever mix of perspectives keep scenes entertaining from one page turn to the next, and expressive animal faces convey emotions without ambiguity. A gentle ending brings comfort and happy closure, plus a new friend who can see beyond Hedgehog’s thorny accoutrements.

 

Twilight Chant by Holly Thompson cover illustration by Jen BettonBetton also lends her prolific talents to TWILIGHT CHANT, a beautiful and poetic science picture book written by Holly Thompson. Readers follow a family leaving the shore as the sun begins to sink and shift to twilight hours. Thompson’s lyrical text directs attention to the animals that become active at this time of day – the “crepuscular creatures emerge” – with smoothly rhythmic repetition that reads aloud beautifully. As deer graze, swallows skim, foxes sniff and bats swerve, each page turn leads to a new creature and heightens our appreciation of this calm yet intensely busy twilight time

The illustrations, rich with gold and rose dusky tints, showcase each animal and its setting with both realism and softness across double spread pages. The family wends their way home slowly, tucked in as a careful through-line to emphasize our environmental interconnectedness. The deepening sky colors conclude with purpley nightfall – making this title a perfect, calming bedtime selection. An author’s note clearly explains what twilight is and gives more information about the intriguing animals encountered in the story. A poetic masterpiece infused with subtle science and soothing imagery, TWILIGHT CHANT is one of a kind.

• Reviewed by Cathy Ballou Mealey

Find another recent #Epic18 picture book review here.

Where obtained:  I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.

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Compost Stew Review for International Compost Awareness Week

COMPOST STEW:
AN A TO Z RECIPE FOR THE EARTH
Written by Mary McKenna Siddals
Illustrated by Ashley Wolff
(Tricycle Press/Random House Children’s Books;
$15.99 Hardcover, $7.99 Paperback, Ages 3 and up)

 

Compost Stew book cover illustration

 

For International Compost Awareness Week I wanted to check out Mary McKenna Siddals’ popular picture book, Compost Stew, because it’s always recommended for Earth Day as well as when a well-crafted “green-themed” book is needed to share its important content. It turns out that while I had’t read it before, it felt so familiar because my daughter, around age five or six, used to make her own variation of compost stew although quite unintentionally! Who knew then that it would have helped our garden grow or that we were accidental environmentalists?

 

Interior artwork from Compost Stew

Interior spread from Compost Stew: An A to Z Recipe for the Earth written by Mary McKenna Siddals and illustrated by Ashley Wolff, Tricycle Press/Random House BYR ©2010/2014

 

Earth’s resources are not infinite so it’s important for children to learn early on to treat our planet with respect, and how. In Compost Stew readers will be treated to a recipe for outdoor fun from A to Z beginning with “apple cores” and “bananas, bruised” all the way through to “yellow pine shavings” and “Zinnia heads.” But the best part is reading about what other ingredients get added to the environmentally friend concoction. Adding to the appeal of this story are illustrator Ashley Wolff’s “collage illustrations using recycled and found materials.” Not only do they pair perfectly together with Sidall’s prose, but looking at the newspaper and other items Wolff has incorporated into the artwork may yield some surprises like the stew itself.

 

 

Interior artwork from Compost Stew

Interior spread from Compost Stew: An A to Z Recipe for the Earth written by Mary McKenna Siddals and illustrated by Ashley Wolff, Tricycle Press/Random House BYR ©2010/2014

 

Siddals’ story, though eight years old, feels as fresh and appropriate today as it would have when first published. And caring for our planet never goes out of style! Having reviewed several of Siddals’ other picture books (Bringing the Outside In and Shivery Shades of Halloween) I should have known there would be catchy, clever rhyme involved bringing a bonus to this already engaging and educational story.

 

Final int spread from Compost Stew

Interior spread from Compost Stew: An A to Z Recipe for the Earth written by Mary McKenna Siddals and illustrated by Ashley Wolff, Tricycle Press/Random House BYR ©2010/2014

 

A helpful “Chef’s Note” is included as back matter so that youngsters will know what truly constitutes compost and what does not.

Grass clippings
Hair snippping
and an Insect or two

Just add to the pot
and let it all rot
into Compost Stew.

For example, egg shells are okay but not meat or dairy. Siddals also smartly advises readers to check with authorities for local regulations. Keeping that in mind, it’s time to start looking around to see what might go into your very first compost stew. Happy cooking!

  • Reviewed by Ronna Mandel

 

Behind-the-scenes with illustrator Ashley Wolff on the making of Compost Stew:
https://gotstorycountdown.wordpress.com/2011/04/22/earth-day/

Illustrator Ashley Wolff on the creation of Compost Stew:
https://dulemba.blogspot.ca/2015/04/ashley-wolffs-compost-stew.html

Author’s Website: www.siddals.com
Illustrator’s Website: www.ashleywolff.com
Facebook page: www.facebook.com/CompostStew
=================================
Bringing the Outside In (Random House)
Shivery Shades of Halloween (Random House)
Compost Stew (Tricycle/Random House)
Millions of Snowflakes (Clarion/Scholastic)
Tell Me a Season (Clarion)
=================================
http://www.facebook.com/BringingTheOutsideInBook
http://www.facebook.com/ShiveryShadesOfHalloween
http://www.facebook.com/CompostStew

Joan Procter, Dragon Doctor: The Woman Who Loved Reptiles by Patricia Valdez

JOAN PROCTER, DRAGON DOCTOR
Written by Patricia Valdez,
Illustrated by Felicita Sala
(Alfred A. Knopf BYR; $17.99, Ages 4-8)

Cover illustration from Joan Procter, Dragon Doctor

 

Lovely language and engaging illustrations energize Joan Procter, Dragon Doctor: The Woman Who Loved Reptiles, an amazing picture book biography about a trailblazing scientist from debut author Patricia Valdez and illustrator Felicita Sala.

 

Interior illustration of young Joan from Joan Procter, Dragon Doctor

Interior spread from Joan Procter, Dragon Doctor by Patricia Valdez with illustrations by Felicita Sala, Knopf BYR ©2018.

 

Fascinated by reptiles from an early age, Joan Procter followed her childhood passion for slithery, scaly, unusual animals to an internationally renowned career at London’s Zoo and the Natural History Museum. Valdez introduces us to young, curious Joan, holding tea parties with reptiles while her peers preferred dolls. As Joan grew, her interest did not wane, so at 16 years old she received a pet crocodile as a birthday gift!

 

Interior illustration spread from Joan Procter, Dragon Doctor

Interior spread from Joan Procter, Dragon Doctor by Patricia Valdez with illustrations by Felicita Sala, Knopf BYR ©2018.

 

In due time, Joan chatted up the director of Natural History museum about his work with reptiles. She began working there, surveying the museum’s vast collections, publishing research papers, and creating detailed, realistic models and drawings for the reptile exhibits. Given her enthusiasm, experience and extensive knowledge, Joan eventually became the Curator, an unusual role for a female scientist at the time.

When invited to re-design the London Zoo Reptile House, Joan fell in love with a new and exotic creature, the Komodo dragon. This so-called fierce, man-eating lizard was “rumored to be…Thirty feet long! Faster than a motorcar! Stronger than an ox!” Joan, undeterred, could not wait to study the dragons first-hand. Her deep connection with one Komodo called Sumbawa led to some of the most stunning and innovative work of her career.

 

Interior illustration of tea party from Joan Procter, Dragon Doctor

Interior artwork from Joan Procter, Dragon Doctor by Patricia Valdez with illustrations by Felicita Sala, Knopf BYR ©2018.

 

Valdez keeps the paces of this fascinating story lively by introducing wonderful vocabulary woven carefully and completely within a child-friendly framework and perspective. She highlights her heroine’s passion and determination in an understated yet direct manner, giving Joan relevance and timeliness that transcend her time period. Joan Procter, Dragon Doctor is an essential addition for collections on women in STEM fields, with the broad appeal of reptiles and science for many young readers boosts this title to the top.

Salas illustrates dramatically, choosing with vibrant, rich colors for the settings, the tropical plants, and the starring-role reptiles. Joan is elegant yet serious, portrayed close to and interacting with her creatures, focused on them with great intensity, delight and passion. The reptiles themselves are marvelously textured and stylized, creeping, curving and twisting with dignified realism. Throughout the story, Salas provides tantalizing glimpses of early 20th century London through architecture and fashions of the era.

 

Interior illustration from Joan Procter, Dragon Doctor

Interior artwork from Joan Procter, Dragon Doctor by Patricia Valdez with illustrations by Felicita Sala, Knopf BYR ©2018.

 

Valdez includes additional biographical information on Procter as well as on Komodo Dragons. A bibliography with primary and secondary sources is a helpful resource for young readers who wish to explore more. Don’t miss the opportunity to learn about this impressive scientist, her beloved ‘dragons’ and her trailblazing career in a book that is as beautiful and brilliant as it is important.

 

Where obtained: I reviewed an advanced reader copy from the publisher and received no other compensation. The opinions expressed here are my own.

 

ABOUT JOAN PROCTER, DRAGON DOCTOR

For fans of Ada Twist: Scientist comes a fascinating picture book biography of a pioneering female scientist–who loved reptiles!

Back in the days of long skirts and afternoon teas, young Joan Procter entertained the most unusual party guests: slithery and scaly ones, who turned over teacups and crawled past the crumpets…. While other girls played with dolls, Joan preferred the company of reptiles. She carried her favorite lizard with her everywhere–she even brought a crocodile to school!

When Joan grew older, she became the Curator of Reptiles at the British Museum. She went on to design the Reptile House at the London Zoo, including a home for the rumored-to-be-vicious Komodo dragons. There, just like when she was a little girl, Joan hosted children’s tea parties–with her Komodo dragon as the guest of honor.

With a lively text and vibrant illustrations, scientist and writer Patricia Valdez and illustrator Felicita Sala bring to life Joan Procter’s inspiring story of passion and determination.

Starred Reviews: Booklist, Publishers Weekly, School Library Journal

 

 

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Moth and Wasp, Soil and Ocean written by Sigrid Schmalzer

 

MOTH AND WASP, SOIL AND OCEAN:
Remembering Chinese Scientist Pu Zhelong’s Work

for Sustainable Farming
Written by Sigrid Schmalzer,
Illustrated by Melanie Linden Chan
(Tilbury House Publishing, $17.95, ages 6-9)

is reviewed today by Cathy Ballou Mealey.

 Moth and Wasp, Soil and Ocean cover image

 

 

A farm boy in China relates the tale of Pu Zhelong, a scientist and conservationist, and introduces readers to early research in sustainable agriculture practices in MOTH AND WASP, SOIL AND OCEAN.

Through a series of flashbacks, author Sigrid Schmalzer reveals how invasive moths and beetles were destroying precious village crops. When villagers try to defeat the pests, their methods repeatedly fail. As the threat of famine looms, Pu Zhelong, an outsider, arrives bearing new, untested scientific ideas. Can Pu Zhelong save the rice crop without using harmful and ineffective pesticides?

With patience, restraint and deference, Pu Zhelong eventually wins over the skeptical villagers. His innovative methodology, introducing parasitic wasps to destroy the crop-consuming moths, led to a successful and sustainable victory for the farmers. Schmalzer’s imaginative and informative text weaves a tale that will engage young scientists with its ingenuity and sophistication while celebrating this little-known environmental hero.

Debut illustrator Melanie Linden Chan pairs intricate and multi-layered images with the factual content, making this book a pleasure for young readers to pore over. Structuring the narrator’s flashbacks in a journal format, Chan cleverly weaves scientifically precise illustrations against a lush agricultural setting. Elements of Chinese art, history and culture frame the narrative in an engaging, pictoral manner that both delight and inform.

An extensive endnote provides additional information on the history of the story, as well as suggestions for further reading. Also included is a detailed explanation of the decorative Chinese folk art papercuts utilized by the illustrator, and referenced to the pages where they appear in the text.

MOTH AND WASP, SOIL AND OCEAN offers a unique, child-friendly perspective on a earliest origins of agroscience. Add this STEAM selection to your school or classroom library to add depth to collections on organic farming, sustainable agriculture and Chinese history.

  • Reviewed by Cathy Ballou Mealey

 

Where obtained: I reviewed a digital advanced reader copy from the publisher and received no other compensation. The opinions expressed here are my own.

 

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