The dill-ightful title of this new picture book, Sloth & Squirrel in a Pickle by Cathy Ballou Mealey with adorable art by Kelly Collier, will immediately grab you even if it doesn’t immediately grab sloth whose slow motion throughout the story is one of the recurring elements that make it hysterical to read-aloud. I’m talking Lucy and Ethel hysterical. You may not see my smile as I’m writing this, but trust me it’s here now and was for every page as I was eager to see how things played out for the pair of pickle-packing pals.
This humorous friendship tale begins with Squirrel deciding he’d like to get a bike to go FAST!, but after seeing the price tag at the bike shop, realizes it’s too costly. Sloth points out that the pickle company next door is seeking pickle packers. If they work hard, together the two should be able to earn enough to afford the bike.
In their interview, the friends meet Mr. Peacock who Collier has imagined with bushy eyebrows, a stern face, and office accessories all in a pickle green palette. Perfect! This character cracked me up. I could even hear his voice as he preps his new employees to start working. It doesn’t take long for Squirrel and Pickle to discover that the packing process is slippery hence much breakage. By noon they haven’t packed more than six jars. More comical chaos ensues when, given a second chance, Sloth unknowingly makes a major LOL mess of labeling and the new hires are fired.
With the money earned from the six successfully packed pickle jars, and lots of free, unsellable jars of pickles now in their possession, the friends are nowhere closer to buying the bike. That is until a melting ice pop incident—it simply cannot be eaten fast enough by a sloth—leads to the invention of a cool new, no-brain-freeze alternative to ice pops. Suddenly the money comes pouring in and the pals purchase the bike. Sadly, Sloth’s lethargy makes going fast on the bike as Squirrel had previously envisioned a non-starter. Sloth, however, has a better idea that even at his pace will bring them up to speed.
Between Cathy’s witty plot, prose, and characters and Collier’s creative illustrations that must be carefully studied for all the added touches readers might not see at first, Sloth & Squirrel in a Pickle beautifully addresses the “What if” question many authors ask themselves when developing a story: What if a slow animal and a fast animal became friends? In this case, the friendship endures despite the differences and it flourishes as the pals persevere in their pursuit of a bike. This well-crafted and extremely funny picture book is a great way to discuss cause and effect and determination. It also shows kids that money doesn’t grow on trees even if Sloth hangs out in one. Money has to be earned and then the joy of having bought something with the fruit (or pickle) of one’s labor tastes especially sweet or in this funny case maybe salty too!
Let’s give a round of applause to moms everywhere on Mother’s Day with this great selection of Mother’s Day books that perhaps express what children cannot. The pandemic has been a challenge and moms, you stepped up to the plate, or should I say multiple plates, and made things work. Sometimes it wasn’t easy. You wondered if your hard work was appreciated or how long you’d be able to keep the smile on your face. Sometimes you didn’t smile and that’s okay. There were a lot of gray days but you never forgot what it means to be a mother, a grandmother, or caregiver. And those you love are taking this day to remember you and let you know how much they care. Thank you and Happy Mother’s Day!
The precious board book, a love letter to mommies, is a companion to Leo Loves Daddy, and a wonderful way to share the joy of reading together with mother and child. With diverse characters and warm tones in 18 delightful pages, Ruth Hearson illustrates the tender relationship Leo and Mommy share. Anna McQuinn’s gentle rhymes take the reader through the daily activities, “At yoga class, Mommy lifts Leo with ease. Riding home through the park, Mommy speeds like the breeze.” McQuinn’s Lola Reads series includes Lola Reads to Leo, Lola Gets a Cat, and Lola Loves Stories, all illustrated by Hearson. This is a great Mother’s Day read highlighting the special bond kids share with their moms. • Reviewed by Ronda Einbinder
Part of the An Every Day Together Book collection, I Love Mommy Every Day is a sweet book celebrating moms. “Mommy feels like home, a comforting presence wherever I am,” says a blonde-haired child with large purple glasses as she snuggles in bed, while Mommy is reading by her side. Alicia Mas brings the reader in with her eye-pleasing art of various mommies with their children. Her blues, oranges, pinks, and reds surround Otter’s descriptions of all the different kinds of mommies. Turning to the last page, the reader comes across a list that reads, “What do you love best about your mommy?” Numbered from one to three, these questions offer the opportunity for parents to talk to their kids, or have them write (or dictate) on a separate paper, about what makes their mommy so special and lovable. They provide a fun activity for teachers to give students to create an unexpected yet personalized Mother’s Day gift. • Reviewed by Ronda Einbinder
This picture book put a smile on my face as I read through each page trying to decide if I was Zen Mom or Organized Mom, while also wondering which one my adult children would choose. Aura Lewis’ colorful illustrations of trendy moms, outdoorsy moms, and working moms depict, page-by-page, all kinds of moms. Which one are you? The book opens with “What is a Mom?” then explains that moms are not just biological, they are stepmoms, adoptive, foster moms, and even moms-to-be. My favorite pages were under the heading Moms around the World, showing the reader that in Finland, Aiti, gives birth and then is given a box of essentials from the government, and babies can even sleep inside the box; and in India the new mom, Maan, often goes back to her own mom to help her adapt to parenthood. This playful book also conveys genuine gratitude, concluding with, “Thank you to your mom, their mom, and all the moms yet to come.” This is a great read throughout the year.• Reviewed by Ronda Einbinder
New York Times’ best-selling author Susanna Leonard Hill’s new picture book, Dear Grandma, recognizes all the ways grandmothers are awesome. Written as a letter that begins, “Dear Grandma, Do you know you’re the best?” Each scene shows funny and loving ways: “You’re a jungle gym climber, jump rope rhymer, / storyteller, secret hideout dweller . . .” Grandmas soothe the bad days and nightmares away. They’re also with you through the seasons, whether living close by or staying in contact across the miles.
John Joseph echoes the text’s positive vibes in his colorful illustrations capturing children of the world interacting with their grams. The two-page wordless spread where a toy dragon comes to life is my favorite piece of art; it’s quite funny.
A perfect gift book to show grandma how much you appreciate everything she does. • Reviewed by Christine Van Zandt
Most of the time my family eats simply, but, sometimes, I want to make something special. Two yeast recipes I need to fine-tune are English muffins and focaccia so I was happy (and surprised) to find Claire Saffitz’s versions in her Dessert Person cookbook. Don’t fear, there are loads of delicious desserts including cakes, pies, tarts, bars, and cookies along with a category called Fancy Desserts featuring croquembouche and so forth. Check the Recipe Matrix, which plots out recipes on a grid by difficulty level and total time—an at-a-glance time-saver. Read the thorough instructions before beginning to ensure you have the ingredients, time, and equipment.
Because kumquats were in season, I made Ricotta Cake with Kumquat Marmalade. The cake was a hit with a flavor reminiscent of German cheesecake. Its kumquat marmalade topping elevated this dish from comfort food to showstopper. I’ll make the cake again, swapping in a different seasonal topping.
Another recipe my family really enjoyed was Clam and Fennel Pizza with Gremolata, which begins with the Soft and Pillowy Flatbread recipe. (Store-bought pizza dough can be swapped out, but freshly made flatbread is a treat.) After the flatbreads are parbaked, top with the previously cooked clam, garlic, fennel, olive oil, and crushed red pepper flakes mixture. Bake again, then finish off with a gremolata of flat-leaf parsley, fennel fronds, garlic, lemon zest, and kosher salt. There won’t be leftovers, guaranteed!
Beyond making these amazing creations, the photos are eye candy for us cookbook geeks. The gorgeous Black Sesame Paris-Brest is an image I’m drawn to. This bicycle wheel-shaped French pastry recipe replaces the traditional pastry cream for one made with black tahini. Other pastry cream options include chocolate or coconut variations.
I’ll keep looking at the beautiful pictures as I work my way through the recipes. From relatively simple Miso Buttermilk Biscuits to the two-months-to-make Fruitcake, there are dozens of delectable choices. This is a cookbook I will seek out—as the subtitle promises—to receive “guidance for baking with confidence.” What a wonderful treat for Mother’s Day. • Reviewed by Christine Van Zandt
Jet the Cat, the picture book debut from Phaea Crede with another debut for illustrations by Terry Runyan, is a story all the kids and adults will have fun reading. I can almost hear their giggles. It all started when Phaea got inspired by her mom’s cat Eddie. Eddie, unlike other cats, loved to take baths.
“I tried to imagine what other cats might think if they caught Eddie happily splashing around. I figured another cat (named Tom in the story) would look down on Jet, maybe even tell her she wasn’t a real cat if she liked water.”
Tom represents people who think they should tell people what they can or can’t do. Phaea dealt with many Toms in her life. Imagine that one girl even told her that her “name couldn’t really start with a P if it sounded like an F!”
But even though her inspiration was Eddie, when she started drafting Jet’s manuscript, she realized this story was also about something else: her dyslexia. Phaea loved writing stories, but her disability made her give up writing creatively.
“ I decided at age eight that real writers didn’t have dyslexia. Thirty-one years later, I have officially proven myself wrong!”
After revising Jet the Cat (Is Not a Cat) a solid fourteen times (shout out to her critique group Friends with Words), she submitted her story to Lisa Rosinski, senior editor of Barefoot Books. And Barefoot Books and Lisa Rosinski were perfect matches to such a conscious and fun book.
Jet the Cat is a book filled with colorful spreads and repetition. After cat Tom tells Jet she is not a real cat because she loves water, Jet goes on a journey to figure out which animal she can be. But of course, Jet can’t be any of these animals. She can’t be a frog because she sings too loud. She can’t be a bird because she can’t fly. And poor Jet can’t figure out who she is until …
I do not want to spoil the end, so make sure to get a copy of Jet the Cat (Is Not a Cat) to discover the fantastic ending and to read it to your children to make them laugh and think: Are we all the same or does each one of us have a little bit of Jet, the Cat? I LOVE IT!!!
Good Reads With Ronna is delighted to appear on day three (see schedule below) of the Perdu Blog Tour! I hope you’ll take the time to not only read the book review, but to also watch all the fantastic videos that Peachtree Publishing has shared with us.
Richard Jones makes his welcome debut as both author and illustrator with this tale of a lost (perdu in French) dog seeking a forever family. And may I just add here that Perduis precious! Both the main character and the story itself. With his sweet face gracing the book’s cover, it’s easy to be captivated by his faraway, lonely look.
While we never learn where Perdu has come from because he certainly didn’t tie the neck scarf himself, it’s easy to let that mystery go in favor of the bigger mystery at the heart of this moving story—will he ever find a loving home?
Readers first glimpse Perdu on the title page, head down, red scarf around his neck, and walking through a field. As he carries on his journey, he notes that, unlike a nearby fallen leaf, he has no place to be. Poor Perdu!
He wanders over a bridge on the outskirts of town where he’s noticed by a little girl sporting a distinct red knit pom-pomed hat. Determined to find his “somewhere,” like everyone else, the sweet lost little dog continues his search and wanders into the big, anonymous city.
At the same time as Perdu, intimidated by the city size and its throngs of people, the little girl continues her day out with her mother. I love how, at this point in the book, Jones has zoomed in on the girl whose path keeps crossing that of Perdu’s. She is perhaps outside a library or other notable building with a massive lion statue (a nod to The Snow Lion) while Perdu stands at the top of the statue. I wonder if parents or kids will spy him first.
My favorite illustration is the one when the child spots Perdu sitting outside an expansive cafe window where she and her mom are dining. He’s hungry now and tired and cannot resist the temptation of an open door. Inside he wreaks havoc and is reprimanded by patrons. It’s a demoralizing experience for Perdu yet at the same time things probably cannot get much worse.
In a lovely park scene, where both the girl and Perdu have ended up following the restaurant ruckus, the child approaches the dog. She’s holding Perdu’s signature red neck scarf which he lost when he dashed away during the cafe commotion.
Not a lot of words are needed when the simple act of giving back the scarf to the lost dog speaks volumes about the girl’s empathy and Perdu’s trust. It’s a gentle, loving moment that bonds the pair and fills readers’ hearts with hope.
Jones has given young readers a feel-good story about friendship, trust, kindness, and belonging highlighted by the beautiful, inviting art that solidifies the tale. Jones achieves this warm look with paintings he then edits in Adobe Photoshop. I came away from the story feeling happy for both Perdu and the red-hatted girl knowing that they had both truly found each other for all the right reasons.
Julius and Macy like to play heroes. Julius pretends he’s the defender of the forest, while Macy has a quieter strength. When their snack disappears one night, they decide to track down the only one who could have taken it―the Night Goblin. They both have to be brave in their own ways, and they ultimately discover that the real thief isn’t anything like they imagined.
With its endearing characters, this gently told tale reminds us that we each have courage within us and that kindness can make all the difference.
INTERVIEW WITH ANNELOUISE MAHONEY
GoodReadsWithRonna: Congratulations on your author-illustrator debut, Annelouise! Does it feel surreal right now after all your hard work to hold Julius and Macy: A Very Brave Night in your hands? How long has it been since you first began this creative journey in general and specifically for this picture book?
Annelouise Mahoney:Hi Ronna. Thank you so much for having me over today. Yes! Surreal is the perfect word for how it feels. Surreal and grateful! It’s been a long journey into picture books. It took about 10 years of serious focus to break into children’s books and of those 10 years, it took 5 years for the making of Julius and Macy.
GRWR: I adore bravery stories since I was not the bravest of kids, nor were my children. Tell us how you decided on this topic for your picture book.
AM: I adore bravery stories too! I didn’t set out with a definite topic for this book at the beginning. It was more finding the characters that resonated with me and asking questions as I drew them over and over again. So the characters came first. The more I drew Julius and Macy the clearer their story became.
GRWR: Burning question. Are you more Julius or more Macy?
AM: That’s a fun question! Honestly, I think I’m a little bit of both. I love to go after something I’m passionate about but feel bravest with someone by my side. I feel the younger me is more adventurous like Julius, but the older me is more cautious like Macy.
GRWR: Please walk us through your approach to writing and illustrating. Did you conceive the text first and then illustrate it, vice versa, or did everything happen simultaneously?
AM: I’ve learned to stick to the illustrations first. Not full illustrations, but loose sketches of ideas, and build from there. I gather all the loose sketches into a folder and begin placing them into a small thumbnail template. The template is an 8×11 piece of paper where I can see the story in one place. When I can see the story, and feel the visual narrative is working, then it’s time to add the words. This part of the process takes a long time for me. It’s a lot of experimenting to get the words right. If I start with the text too soon, I usually end up straying from my story.
GRWR:Can we talk about your gorgeous artwork and how you create it?
AM: In the beginning when I’m moving away from the very loose thumbnail sketch and planning out the compositions for each spread, I use Post-it notes to redraw certain elements, or add to what I already have. This part of the process takes a long time for me. It’s figuring out compositions and looking for how to express a feeling. I’m also looking for areas that may be repetitive and looking for the most interesting way to show the story. There is a lot of experimenting happening at this stage. The Post-it notes help me to not get attached to any single idea as I can just take it off or move it around without having to redraw the whole spread.
When I think what’s happening on the page is working, I scan the sketches into the computer and make the images bigger in photoshop. I’m looking for more specific information I can give to each spread, making sure the compositions work within the trim size and add the text to make sure everything reads well in the space.
This dummy stage will then repeat as I go through revisions with my agent and then my editor until the story is fleshed out and polished.
Once the story is polished, I begin all over again with small thumbnails but this time I’m focusing only on color. For Julius and Macy: A Very Brave Night, I made a color guide to help me navigate the color choice for each spread before going into final art. I found this part extremely helpful because I was painting in watercolor and I had to know how I was going to approach each painting.
I then repeated the process of scanning in the tiny thumbnails in Photoshop and making them much bigger to fit into the book template. I was interested to see where I need to focus on adding details and how the images read in the true size of the book. It’s checking and double-checking that the text will fit and I’m getting the color transitions right. Once the loose wash looks right and I can see where I’m going, I took large sheets of Arches 140lb cold press watercolor paper and cut them down a little larger than print size.
I painted each page in watercolor, with lots and lots of wash layers. I would work on a few spreads at a time so there was time for the paint to dry, and time to look away from a work in progress. There is an uncomfortable moment in each illustration where it looks ugly and messy and doesn’t feel like it will work before it does. When the painting was dry and complete, I scanned each painting into the computer and used photoshop and my Wacom tablet to set each painting into the picture book template provided by my publisher, Two Lions.
GRWR: Now that you have one book under your belt, are you busy with promoting it, or are you also making time for more artistic pursuits?
AM: Promotion does take a lot of time, and I’m enjoying this moment very much. But yes, I’m working on two other book dummies at the moment and I’m hoping to get them submission-ready soon.
GRWR: Do you have a routine you like to stick to when working on a project?
AM: I really need to be flexible as a working mom and often bring my book dummies, Post-it notes and pencils with me wherever I go. As far as a routine, I definitely wake up early each day before the demands of my family take over, and I work at night when there is another wave of calm. Those precious hours are protected for when I really need to concentrate.
GRWR: Is there a spread in Julius and Macy that really resonates with the child in you and the mother in you?
AM:Oh wow, what a beautiful question. The spread of the book with panels of Julius and Macy walking into and through the dark cave resonates with me as a mother. When my daughters were very young they would slip into pretend play very easily. They craved adventure and enjoyed little scary moments where they were challenged to be brave. The Los Angeles zoo has a man-made cave meant for little ones to explore. We’d visit it often and my girls would become more and more brave to venture through it, their imaginations on fire as they explored every corner.
As an author, I find writing a children’s book a bit like walking in the dark. There are times when I don’t know where I’m going, I can’t see the story, I can easily spook myself, but there is the need to keep going even if the unknown feels scary. As a child, I craved adventure stories and had a very active imagination. I think I’d be excited to walk into a cave, as long as I had a friend beside me and it wasn’t completely dark.
GRWR: What would you love for children to take away from reading your book?
AM: I would love children to explore what bravery means to them and see the many ways they’ve been brave in their own life. I’d like children to know that there is a unique form of bravery to reach out to someone, especially when you notice someone struggling to belong, as well as the bravery and trust to reach back.
GRWR: Has anyone in particular been influential in your kidlit career?
AM:I had a brave moment myself, and enrolled in a class taught by Marla Frazee at Art Center College of Design. She lit the way for me when I was really struggling to understand the craft of writing for children. She taught in a way I could understand by breaking things down to get to the heart of the story, finding the emotion in the art, trusting what your sketches are trying to tell you. Most importantly, when writing as an illustrator, stick to the sketching first. I’m still learning and growing, but those lessons influence how I write and how I create a book.
GRWR: What important lesson or invaluable piece of advice have you learned along the way in your children’s publishing experience that you’d like to share today?
AM: I believe that if you want to write for children, be passionate about it. Really put in the time and love to learn the craft. Be passionate about what you are working on. Publishing takes time and you want the love for your story to carry you through the rejections, revisions, and care that will ultimately polish your book better than you could ever do alone.
GRWR: What can we expect next?
AM: I hope to make many more books! That’s really all I want to do. Whether I have the honor of working with another author to create a book together or have the opportunity to publish more of my own stories. It’s the greatest privilege to make books for kids.
GRWR: Is there anything I haven’t asked that you’d like to mention?
AM: I’d like to mention to your readers that I have activity pages that correspond to my book available for download on my website. www.WoodlandAbbey.com
Also, I’m a member of a wonderful group of children’s book authors, The Picture Book Scribblers. We are all available for school visits paired by theme or individually. You can find us here https://picturebookscribbl.wixsite.com/home
Thank you so much, Ronna. It’s been an absolute pleasure to chat with you today!
GRWR: What a wonderfully frank and informative interview. Thank you, Annelouise, and best of luck with Julius and Macy: A Very Brave Night. e e
Annelouise Mahoney has worked in animation for DreamWorks, DIC Animation, Sony, and Saban Entertainment. She has also worked as a coloristfor Marvel and Image Comics on such series as Uncanny X-Men, Generation X, and others. This is her first picture book, and it was inspired by the depths of her daughters’ friendships and the many ways they are brave, especially with someone on their side. She loves to explore the forest, can’t resist a cave, and has a lot of love for all those named Julius in her life. Annelouise lives in Southern California with her family. Learn more about her atwww.woodlandabbey.com. e Order your copy ofJulius and Macy: A Very Brave Night: Mahoney today.
1. Enter our Twitter giveaway @goodreadsronna for a chance to win a signed copy of Julius and Macy: A Very Brave Night together with aspecial Giveaway Prize Package from Annelouise that includes an 8×11 print of cover, a sticker sheet, and a round sticker. Eligible for U.S. only. One winner will be selected at random and announced at 6 pm PDT on Friday, April 9.
WIN! WIN! WIN! WIN!
2. Additionally, five lucky winners will each receive three fabulous books celebrating the art of making and keeping friends, including Julius and Macy: A Very Brave Night, courtesy of Two Lions. Details and entry form can be found here (US addresses).
Click here to read another recent author-illustrator interview.
In The Elephant in the Room, when middle-schooler, Sila Tekin’s mother is stuck in Turkey trying to get her immigration paperwork in order, the loneliness is almost unbearable for her and her father, Alp. Sila’s newly withdrawn demeanor prompts her school to pair her with autistic classmate Mateo Lopez in a special program that has the kids spending time together at the end of each school day. The point is to help both kids socialize more and, after a slow, silent start, they eventually begin getting to know each other.
Life changes dramatically for Sila and Mateo when Alp is hired to fix an old truck owned by widower, Gio, who lives on a non-working farm on the outskirts of town. Sila and Gio seem to form an immediate bond, even before they discover that Gio’s late wife was Sila’s beloved second-grade teacher. When an odd string of coincidences leads to Gio rescuing a young elephant named Veda from a failing circus, Sila and Mateo wind up with the most awesome summer job ever—caring for Veda. Sila connects to the young pachyderm on a deep level, realizing that, like her, Veda must really miss her mother. A reunion of either mother-daughter pair feels out of reach, but with a team of caring friends—maybe it’s not.
Author Holly Goldberg Sloan has another deeply heartfelt hit on her hands. Again employing the multi-POV device she uses so brilliantly, she lets readers see and feel the unfolding of these extraordinary events through various characters’ eyes. Veda’s POV is used sparingly but impactfully, and even the supporting animal characters—a flock of undisciplined flamingos, a ravenous bear, and a loyal dog—whose POVs we’re not privy to, are well-drawn, quirky, and fun.
Both kids are battling quiet storms within, which makes them interesting and empathetic. Gio is wonderfully complex. His desire to rediscover meaning in life, coupled with voluminous lottery winnings, propel him to take on caring for Veda, somehow feeling it’s something he has to do. His connection with Sila seems similarly fated, and their special bond serves as the glue for all of the characters. A story of hope, longing, love, and action, The Elephant in the Room will show middle-grade readers that things—people, animals, situations—are not always what they seem and that they’re not always as powerless over circumstances as they sometimes feel.
If I enjoy saying this book’s title, kids will definitely delight in repeating Don’t Call Me Fuzzybutt! They’ll be eager to read the entire book because, sticks and stones aside, what child hasn’t had a run-in with name-calling? And when you’ve got the talented team of Robin Newman and Susan Batori taking on the topic, it promises to be entertaining while making an important point.
Neither Bear nor Woodpecker means to hurl names at one another or hurt each other’s feelings, but sometimes it happens from pent-up frustration. This time it happens when Bear is settling down to hibernate for winter. Because he’s a very light sleeper, Bear makes preparations to assure he is not disturbed. Unfortunately, the tree he has cut down to make a solid door for his den was the location of Woodpecker’s homes.
Woodpecker asks Rabbit, Mouse, and Squirrel if they’ve witnessed the chopping incident. No luck. Fortunately, his own detective skills lead him to discover that Bear is the culprit so he begins to peck, peck away at Bear’s door. Angered by the commotion, Bear asks the three other animals “Who’s the pesky FEATHERBUTT making that noise?” When Woodpecker gets wind of the name-calling, he confronts Bear. While he doesn’t deny it, Bear is more concerned about getting his shut-eye and leaves for his den, further exacerbating the situation.
Soon after, Woodpecker wakes up Bear to tell him how upset he feels at being called a name in front of everyone. Tension builds beautifully both in Newman’s prose and Batori’s art. Bear is annoyed at having his sleep interrupted and Woodpecker is mad at his houses being destroyed. Now it’s Bear’s turn to get called a name and you can just guess what that is, right? FUZZYBUTT! Once again the meddlesome forest friends have inserted themselves into the drama by blabbing about the big scene they witnessed. Bear, bothered big time, stomps off to bed seething before tears start falling.
Now it’s Woodpecker’s turn to make amends and he does so by apologizing to Bear. With newfound respect for one another, the pair concoct a housing plan that is sure to make them both happy, but from a distance! Plus Bear can hibernate knowing that in 243 1/2 days he’ll have a new friend to hang out with.
Batori’s digital artwork, mimicking “colored pencils and watercolor,” makes an already appealing story irresistible. Her characters are charming, her color palette is rich and woodsy and her composition pulls us in immediately. The art, together with Newman’s humorous and skilled writing, offers a totally relatable read-aloud for parents, caregivers, teachers, and librarians that will spark meaningful conversation about conflict resolution, gossip, and the hurt caused by name-calling. I’m happy Bear and Woodpecker worked things out and kids will be, too! Just be prepared to hear FUZZYBUTT a lot more frequently in your home after reading this fabulously funny picture book.
Much loved and accepted by his more colorful friends, Mo is the one who, in time, begins to feel different. He finds no pleasure playing hide-and-seek and he doesn’t have dazzling plumes like his pals.
With their encouragement, he often shrugs off his self-doubt. That is until a sign announcing The Annual Dance in The Rain event, the biggest day in the jungle, reinforces Mo’s feeling of being different. He can’t have his blues brightened at the Color Salon, or find a reason to shop at the Bird Boutique like all the others. To him his bird feathers are boring.
When he feels down, Mo’s friends continue to build him up with caring words like “Colors don’t make the bird!”, “You’re still a peacock!” and “Go, Mo, Go!” Does it help? Temporarily. Mo knows he lacks those bright, bold, beautiful feathers of his peacock peers. But when a dark storm on the night of dance makes it impossible for anyone to see, and the peacocks are tripping over each other’s trains and in a general fowl mood, Mo, watching the action from a distance, realizes he actually does possess something special. His bright and brilliant glowing white feathers light up the darkness and the dance. The night’s festivities are illuminated, and fantastic, even for Mo!
Now that everyone can see, Mo, at last, sees something too—that what he had all along that made him different is what makes him unique and wonderful. Singh’s story about the power of friends and a supportive community is delightful and will lift readers’ spirits as they watch Mo’s spirits rise and shine. I love how Singh introduces us to a character so beloved by his friends who at first is unable to see his own self-worth while everyone else can.
Adding to the inspiring quality of Singh’s tale are Fizer Coleman’s lush illustrations in jewel tones created digitally with traditionally painted gouache and watercolor textures. Together they offer readers not only a charming and visually appealing read, but a helpful one in regards to social and emotional development as well. It’s great for parents, teachers, and librarians to have such a positive picture book celebrating diversity and differences for this age group. The book concludes with interesting back matter about peacocks—the national bird of India and features “a fact sheet on these beautiful creatures, their environment, their behaviors, and more!” Did you know that a group of peacocks is called a party? Well, party on now with Mo and company in Birds of a Feather.
WhenAmy B. Muchawrote A Girl’s Bill of Rights, she was not planning to publish it. Mucha says, “I wrote it years ago, only for myself! Like so many women, I was raised to be a people pleaser and put others before myself. Writing this was a way to help me declare and own my rights to have my own opinions, feelings, and preferences. And it helped!” But after a while, she thought her book could also be an inspiration for many girls and women. And by taking a chance and submitting her pitch during a Twitter pitch event, she got a like from Beaming Books, and voilà – a beautiful and inspiring book was born.
“I have the right to look how I look and wear what I wear.” That’s how it begins. e
And from there, more beautiful spreads with diverse girls talking about all the rights we, girls, have.
I love Sonda’s illustrations showing diverse girls – diverse races, body types, abilities, and disabilities. This makes the message even stronger that we all have the same rights to choose our path, have our own feelings, and say yes and no when we need to.
This book will be an empowering tool to show girls their rights and that they can be whatever they want to be. “Si, se puede.”
And today, on International Women’s Day, when we celebrate so many achievements by so many girls, it’s important to keep on inspiring them to fight for their rights.
Find out what to do when little ones lose their smile in I Miss Your Sunny Smile.
Deb Adamson’s heartwarming 14-page board book, I Miss Your Sunny Smile, invites readers to search for a young boy’s lost smile. Mama helps, hoping to restore his cheer. Could it have dropped or rolled away? What can they do to get it back?
Written in rhyme, this sweet board book shows that sadness is a normal part of life. Warm and playful illustrations by Anne Zimanksiencourage a bright mood and provide soothing comfort. And let’s not forget the ending, sure to delight and put a smile on any young child’s face.
Written by Kelly DiPucchioand illustrated by Raissa Figueroa, Oonaintroduces us to an adorable mermaid whose adventurous spirit is “sweet … and a little bit salty, like the ocean where she live[s].”
In fact, Oona was born to be a treasure hunter when she was “no bigger than a scallop.” Her curiosity for finding bigger and better valuables puts her in some precarious situations but with trusted pet Otto by her side, she safely discovers all kinds of gems.
One item, though, is particularly impossible to collect: an “extra sparkly” crown “stuck deep in [a] rift.” Oona’s resourcefulness and determination motivate her to try and try again, but natural forces in the sea-plus a terrifying, toothy surprise-hinder her efforts.
A ship plank that bumps her head “(hard!)” is the last straw. Oona quits trying to get that crown and deserts her beloved sea; yet, she knows in her heart that’s where she belongs.
When treasure washes up on the seashore, Oona’s passion for tinkering is reignited. With her homemade invention, she braves the depths of the rift to try for the crown once more. But the real treasure she finds is experiencing what she’s capable of creating.
The beautiful and lush illustrations completely submerge us into Oona’s underwater world. Shapes are soft, edges rounded, and the jewel-toned color palette is gentle and calm, all echoing Oona’s quiet confidence. I particularly enjoy the way light emanates from the background of the illustrations giving hope and energy to Oona’s searches.
Oona is a treasure trove of multiple layers to hook in a wide range of readers. Mermaid fans, marine life enthusiasts, explorers, and crafters will undoubtedly enjoy this message of persistence and self-belief.
★Starred Reviews – Booklist, Kirkus, and Publishers Weekly
What better way to travel to the sea than to fly, and I don’t mean by airplane! Jacob’s Fantastic Flight, by German author illustratorPhilip Waechter, and translated by Elisabeth Lauffer, takes the reader on Jacob’s family vacation where he foregoes flying by plane with mom and dad, and instead sets off with courage to fly solo.
Waechter begins his whimsical tale by introducing readers to baby Jacob, flying before walking and surrounded by his parents, mouths agape, as their baby takes flight from his carriage to beyond the treetops. Each page pulls the reader in with colorful illustrations and intricate detail. Waechter’s vision of the story is beautifully expressed in his uplifting art.
At first his parents were pretty concerned because having a kid like that was a little weird. But they soon got used to him flying and figured, “So be it—he’s our son, and he’s perfect just the way he is!” And he’s quite helpful when he flies to the top of a tree to pick the big red apple!
As Jacob grows bigger, the family decides it’s time to take a vacation to the sea. After accompanying his parents to the airport, Jacob then waves goodbye and takes off flying on his own. Here begins the real adventure for the boy as he befriends birds, a flock of 83, while admiring the scenery along the way. He saw blue mountain lakes and golden wheat fields and smelled meadows full of flowers—beautiful!
Soon a notorious new character is introduced, Mr. Mortar, the evil birdcatcher. It wasn’t long before a little bird blundered into his net. When Jacob and the birds realize their count is off they work together to devise a plan and save their bird pal Hubert, with Jacob taking the lead.
Jacob finally catches up with his very happy parents who welcome him with hugs and kisses. I can only imagine the worry they must have felt thinking their son was flying alone. The family of three turned into a family of four as Hubert the rescued bird was now included in the family trip.
For all those kids who have imagined themselves flying, this is a wonderful adventure. It is also a heartwarming and much needed story about a boy whose difference is also his special power, one that gives him confidence, self-esteem and courage. This is a great conversation starter about helping others in need.
Reviewed by Ronda Skernick Einbinder
Click hereto read another picture book review by Ronda.
Little Blue Truck’s Valentine, the latest installment in this popular series, finds Blue delivering cards to all of his friends on the farm. But after delivering all the cards, Blue is sad as he thinks he is not going to be getting any cards in return—or is he? Children will delight in the rhyming text which bounces along as each animal receives a personalized card: an egg-shaped one for Hen, a sail-boat floating one for Duck, and so forth. With the sounds the animals make in bold and in the same colors to match the color of the cards they receive, children will absorb color concepts and animal sounds while enjoying a sweet story of friendship about giving and receiving on this holiday. • Reviewed by Freidele Galya Soban Biniashvili
What could be cuter than Bear having a crush on Panda? In Bear Meets Bear, the third book in the Bear and Spider series, that’s exactly what happens to the tea-loving bear when Panda shows up on his doorstep. This lovely delivery person bringing him his new teapot also brings him a fluttering heart.
Finding himself lost for words, Bear watches with dismay as she goes away. Spider, Bear’s BFF, watches as his pal becomes besotted with Panda, ordering teapot after teapot just to see her again. Despite Spider’s encouragement to invite Panda over for tea, at her next appearance, Bear again is speechless. When his final teapot order comes, it’s not Panda but a “gruff raccoon.” Bear cannot bear the pain. He yearns to see Panda so his little friend sets off to find her.
When at last he locates Panda, Spider is now the delivery person as he hands her an invitation. The very next day she reappears at the front door and, on Spider’s urging, Bear welcomes her inside for his favorite spot of tea. Love blossoms, but not over tea this time in a charming surprise ending. In the funny final two-page spread readers will enjoy the trio sharing togetherness while a bunch of animals check out assorted tagged teapots in a yard sale. • Reviewed by Ronna Mandel
WAYS TO SAY I LOVE YOU Written by Marilyn Singer Illustrated by Alette Straathof (Words & Pictures; $18.95, Ages 4-6)
Between the stunning artwork and the variety of animals featured whose varied ways of expressing their love is fascinating, Ways to Say I Love You is a beautiful book to help spread the love.
Singer’s rhyming story introduces young children to nine creatures including bower birds, cranes and dance flies to peacocks, whales and white-tailed deer. “Furry, finned, or birds of a feather, how do critters get together?” While learning about animal courtship, children will also see a comparison of how of kids, teens and adults show their interest in finding a mate whether by bringing flowers or warbling “love songs, too.”
Straathof’s art, textured and with a muted palate, likely digitally created, blends its warm water-color quality across every page. I was drawn to the appealing folk art style, too. Backmatter details how the nine animals find their mates. • Reviewed by Ronna Mandel
Porcupine is on a mission in the charming picture book Porcupine Cupid. Determined to spread the love for Valentine’s Day, he sets off to find some forest friends for a bit of matchmaking. I just love how we see them hiding from Porcupine in the second spread. Making tracks in the forest then gently pricking his pals with his quill, poor well-intentioned Porcupine only manages to irritate them. Therein lies the humor in this story that works wonderfully with the funny illustrations to convey what the spare text purposely does not.
Once he sees that his quills haven’t had the effect he wanted, Porcupine must find a new way to spread the loving spirit. As a ruse, clever Porcupine pins a poster to a tree alerting all to a town meeting where they can air their grievances. When children realize that his ultimate goal is really to help everyone including Bear, Bunny and Raccoon unknowingly find a mate, they will be pleased as I was at the adorable end results. They may not be matches made in heaven, but the woods is close enough! • Reviewed by Ronna Mandel
Love Is Powerful, inspired by The 2017 Women’s March, is written by art director Heather Dean Brewer, who participated in the March, along with illustrator and Caldecott Honor recipient, LeUyen Pham. It brings home the message that there are all kinds of love including love for people of every race, gender, and religion, from all walks of life.
Readers are greeted with Pham’s eye popping water-color illustrations showing women, men and children creating signs in the windows of their New York city apartments. Turning the page we see our main character, Mari, at her table with crayons. Mama is seated behind her computer, when Mari asks her what they are coloring. “Mama smiled. A message for the world.”
Pham draws people marching passed Mari’s apartment while Mari presses her nose against the window watching with curiosity. “Mari asked, How will the whole world hear?” “They’ll hear,” Mama said, “because love is powerful.”
The loving teamwork of Mama and her daughter working together to create the signs is beautifully conveyed with both Brewer’s inspiring words and Pham’s evocative drawings. Through Mari’s thoughts, we see illustrations of people from all over the world creating their own signs in various languages but the same message is felt. Signs read “Girl Power,” “We will not be silent” and the John Lewis’ quote “We may not have chosen the time. But the time has chosen us.” Ahh, so powerful and so true for today’s political climate.
The streets are packed with more people than Mari could imagine, so again she questions how their message will be heard. “Mama said, ‘They will, little Mari.’” Mari is lifted up on Mama’s shoulders and drawings of red hearts are displayed across the crowd’s heads. We know they are surrounded by like-minded people and lots of love.
Brewer writes, “Mari bobbed above the crowd like a canary fluttering over trees. She felt as tall as one of the buildings.” Holding up her handmade crayoned sign with the words “Love is Powerful,” Mari begins to shout these words then “Through the roar, her voice was heard and someone shouted the message back. Mari yelled again, and more joined in. Again she yelled the message.”
The backmatter displays a letter and photo from the real-life Mari, who explains that she was only six-years-old in 2017 and knew that people were feeling scared and angry. She felt the power as she shouted “Love is Powerful” and the crowd shouted back. This moving and uplifting story needs to be read to children everywhere. Brewer explains that she often felt quiet and small, and felt like no one could hear her. Well, her powerful message of love has been heard now, and she is correct when she says that even the smallest voice has the power to change the world. • Reviewed by Ronda Einbinder
Clickhere to read a book we reviewed last year for Valentine’s Day.
As a big Ivy and Bean fan, I’ve enjoyed two-time Caldecott winner Sophie Blackall’s art for years. Her author-illustrator 2018 picture book, Hello, Lighthouse, was a top book. Now, If You Come to Earth, follows with its amazing accomplishment of summing up, well, everything. This 80-page book is big in size and in heart. Addressed as a letter to “Dear Visitor from Outer Space,” the story includes factual matter such where our planet’s located (and that “the blue stuff is water”) to how “We live in all kinds of homes. / In all kinds of families.” The narrator Quinn’s voice is that of a helpful, insightful child who provides personal details about how “every body is different,” except for their identical-twins friends—yet even then the narrator notes one has a mole. The wide world comes together as a unit as Quinn explains and welcomes an unknown visitor. e This comprehensive yet personal explanation describes our world exceptionally well. In the back matter, Blackall reveals twenty-three kids gave her lots of ideas, and how she didn’t expect this book to take five years. To me, five years to create this sounds reasonable with its all-encompassing subject matter and massive number of illustrations. Blackall’s talents range the gamut, from her expertise in capturing facial expressions to lifelike renditions of plants and animals. If You Come to Earth belongs in classrooms, houses, and spaceships everywhere.
Coming out during the heated election year, The World Needs More Purple People, feels well-timed. Beyond stating, “purple is a magic color made when red and blue work together,” Kristen Bell and Benjamin Hart’s New York Times best-selling picture book avoids politics by simply stating, “the best things are purple.” As someone fond of the color (and the sentiment), I agree.
The story’s serious recommendations (ask questions, give good ideas, and help someone) are balanced with fun (“We laugh at donkey dances and hairy elephant knees”). Daniel Wiseman’s engaging, kid-friendly art accents the humorous text. My favorite lines: “Purple questions are the kind that help you learn something really BIG about the world or something really small about another person” and “Purple people come in every color you can dream up and every size you can think up.” This book engages young reader with important issues by encouraging curiosity and silliness.
★Starred Reviews – Booklist, School Library Journal
There Is a Rainbow by Theresa Trinder is a feel-good picture book filled with hope and reminders that we’re in this together. Inspired by the rainbows her children drew during while sheltering in place for the pandemic, the book expresses our universal experiences such as having to stay separated from family or friends, and attending online school.
Illustrations by Grant Snider perfectly fit the spare, lyrical text. A rainbow of colors glows against a white backdrop. Echoing a child’s style of drawing, Snider elevates that sentiment with details capturing this time in our lives.
Beyond the pandemic, this beautiful picture book “encourages readers to look past their immediate surroundings and find comfort, community, and inner courage—which are all closer than we might think.” And if that’s not enough, peek under the book jacket for a fun, different cover art!
Clickhereto read a recent picture book about hope reviewed by Christine.
Clickhereto read a review of another picture book about hope.
In The Big Sibling Getaway, author-illustratorKorrie Leerintroduces us to Cassie, a new big sister who just needs quiet, a feeling every older sibling experiences at some point.
With a WAH! WAH! WAH!, these onomatopoeia words perfectly describe the frustration of having to accept change in our lives that we don’t necessarily ask for—like welcoming a new sibling when all you’ve known is having parental attention exclusively. Well, that’s what happens to Cassie who needs a break from the crying of her new baby brother.
“There was one box left.” Cassie climbs into the last empty box that carried the new baby items, covering her ears and closing her eyes tightly but “Cassie still heard crying. And so… ”VROOM! Cassie’s imagination transforms the box into a car taking her on a much needed escape. Leer illustrates Cassie’s cardboard car driving up and down the valleys. The soft blues of the ocean, and browns of the sand are peaceful until interrupted by baby wailing.
Leer continues Cassie’s journey as she goes SPLASH! in the ocean and WHOOSH! as she “soared next to birds and through clouds.” But still she heard whimpering. Cassie finally makes it to the moon without a person in sight. “Peace and quiet at last.” Alone with her box and the yellow stars above her, our young heroine lays quietly on her back (savasana pose in yoga) but does she really want complete silence all the time?
When Cassie finds her much needed quiet time, it shows the reader how important taking time for yourself is. However Cassie also realizes that going solo to the moon can be a bit lonely. Sitting on top of her upside down brown box she wishes she had someone to share her imaginary getaways with and realizes maybe having a little brother isn’t so bad after all.
This story reminded me of my own daughter who was not pleased to welcome a new brother. I wish I had this story to read to her when she was young. These simple words of sibling love will resonate with new older siblings. The Big Sibling Getaway is a charming bedtime story, and a great baby shower gift for any mom expecting a second baby’s arrival on the scene.