A young girl longs to spend the night on the cot in her living room. “Mami says it’s for guests” only, but to the girl the cot symbolizes freedom and possibilities: having the whole living room to herself, enjoying the lights from the George Washington bridge coming in through the big window, watching television, and even sneaking in a midnight snack.
When throughout the week neighborhood children take turns spending the night on the cot, the young girl feels it’s absolutely “not fair” that she doesn’t get to enjoy this privilege. But what she doesn’t realize is the fear and discomfort each guest struggles through as they are separated from their parents who are working the night shift.
I love the way the illustrations highlight the girl’s jealousy by magnifying the supposed delight each guest will have spending the night on the cot. An endless supply of candy-colored food, fun, and games in exaggerated sizes emphasize the disconnect between the young girl’s idealization of the cot and the reality of her guests’ feelings about it. For them, the cot is a poor substitute for home.
When the young girl finally does get the opportunity to spend the night on the cot, strange and scary noises give her insight into their loneliness. Modeling her parents’ kindness and caregiving, the girl finds a creative way to make her guests feel like a part of the family.
Parents and educators searching for themes of compassion, empathy, and sacrifice will find them in this touching picture book.
A topic on everyone’s tongues these days is vaccinations. When she wrote this book, Linda E Marshalllikely had no idea how relevant her book would be today and how once again, an innovative vaccine is saving lives around the world.
The book opens with four-year-old Jonas Salk sitting on top of his father’s shoulders during the victory parade celebrating the end of World War I. But Jonas doesn’t understand the cheering when all he sees are injured soldiers. Jonas, readers learn, sees things differently. Find out about the man and the story behind the life-changing vaccine he developed in THE POLIO PIONEER: Dr. Jonas Salk and the Polio Vaccinewritten by Linda Elovitz Marshallwith illustrations by Lisa Anchin.
Anchin’s art brings a warmth to the subject of science painting in soft colors of oranges and blues as the reader walks through the life of the main character Jonas. Whether that’s refereeing his friends’ games when not reading because he knows the rules or helping his Yiddish-speaking mother learn English after his Jewish family migrates to New York City. The kindness and love of the Salk family are depicted with each page turn as the family celebrates Shabbat with freshly baked Challah and Jonas’ inner thoughts are shown “when Jonas prayed that he might someday, help make the world a better place.”
Marshall writes about the financial difficulties the Salk family faced, but Jonas kept moving forward “attending the City College of New York where tuition was free and where, unlike at many other colleges and universities, Jews were welcome.” With a grin on his face and apron tied around his neck, Jonas discovers chemistry while mixing liquids amongst classmates in the college lab. Salk is determined to gain a better understanding of science so that he can make medicines to help people and decides to become a doctor. Illustrated wearing glasses and a white lab coat, Jonas enters medical school where he befriends his teacher Dr. Thomas Francis and the pair team up with an idea as the flu is killing millions. “What if … a person was given some flu virus that was killed by chemicals so it could not cause disease?” Dr. Salk and Dr. Francis thought this could be a way of fighting the flu. And they were right.
With men, women and children lined up on the streets, dressed in their Sunday bests, a nurse in white stands next to one of Anchin’s realistic illustrations with a chalk-written sign reading FLU VACCINE CLINIC. “Since then, flu shots have saved thousands of lives each year.”
“But another disease was raging … Polio”. Readers see Franklin Delano Roosevelt sitting in a wheelchair in the oval office, as others are lined up in beds, victims of this new disease. People are shown hiding in their homes, just as we all have done these past fifteen months from COVID, and the similarities are not unnoticed. Today’s scientists learned a lot from Dr. Salk. “He and his team of scientists labored day and night, night and day.”
“On April 12, 1955, Dr. Francis joins the team and announced to the world: “The vaccine WORKS!” POLIO could be CONQUERED!” Dr. Salk continued his studies by establishing the Salk Institute for Biological Studies where they have worked on cures for cancer, HIV/AIDS, diabetes, multiple sclerosis, and many other problems.
Marshall writes in a way that makes a tough topic easy to follow with her understandable language and flowing sentences, while Anchin’s drawings transport the reader to 1918 and beyond. The timing of the release of this book last year during the pandemic could not have been more prescient and still resonates today with over 49% of the population vaccinated for Covid-19. As for polio, America has been free of the disease since 1979 due to the amount of participation. Maybe a picture book about our current pandemic will be next to teach future kids about what we have been experiencing. Marshall’s book is fabulous for elementary-age children and higher. In the Author’s Note, Marshall heartwarmingly explains the backstory behind her reasons for writing the book and how Dr. Salk is her hero. She thanks the Salk family for sharing family stories and photos, including writings from Michael Salk, grandson to Jonas. Dr. Salk, as Marshall tells, was a Mensch, the perfect Yiddish word to describe a man whose good work, kindness, and dedication helped make the world a better place. And he did.
In the picture book, Gwendolyn’s Pet Gardenby Anne Renaud, we know the problem from the opening line: “Gwendolyn Newberry-Fretz wanted a pet.” A very relatable problem indeed. Yet, Gwendolyn’s parents are not on board with the pet idea and, instead, get her some dirt which “smells of possibilities” to them. Gwendolyn thinks it smells like a swamp! Yet, once the garden gets underway, she reconsiders how she feels about this compromise.
Rashin Kheiriyeh’sillustrations peppered with bright accents pull you into Gwendolyn’s world, whether she’s suggesting various pets or plotting her planter. I feel the joys of gardening including the excitement of watching plants grow from seed.
I like how the back matter ties it all together, explaining what’s needed for kids to start their own gardens. Seed-lending libraries are explained and encouraged—a concept I hope catches on as well as the book-lending libraries we have in many neighborhoods. The idea of repurposing no-longer-needed library card catalog cabinets to house seeds brilliant!
Tell me there’s a story about cats and books and I’m in! New York Times Book Review editor Pamela Paul’s picture book, Rectangle Time, unfolds from the family’s calico cat’s perspective. Through humor and heartwarming moments, the cat and boy grow from lap reading to independent reading—the calico certainly has its opinions about which type it prefers. “Watch carefully: See how the man and the boy hold the rectangle together? That means they each have one hand free for me.”
As a parent, I appreciate the well-depicted bittersweet moments of a child’s independence as well as the clever commentary from the cat. “Look at the poor little guy. He’s just . . . staring at the rectangle,” the cat thinks when the boy picks up a book on his own. As any cat owner knows, it’s all about the cat; this comes through strongly in the calico’s continued need to be the center of attention.
Becky Cameron’s art will make you laugh as she captures feline moods from furry contentment to perplexed then miffed. The secret second cover (look under the book jacket) echoes the satisfying ending.
I immediately loved the clever diagonal placement of Violet and her umbrella. My eyes easily followed the upward motion that expresses action and adventure. Violet’s smile radiates success and enjoyment, something readers will experience reading the book.
Molly’s signature charcoal linework and blends, along with her combination of muted and bright colors is something I’d recognize anywhere. And the texture in the art, along with the texture in the title font, enhances the visceral and overall presence of CRUMBS! And oh those crumbs! They really drive the point home.
GoodReadsWithRonna:Hi Molly, what an honor to have you back here on the blog with your third book cover reveal and your second artistic pairing with author Abigail Rayner. She tackles some important topics in her stories, the first book being about stealing and this one about Celiac Disease. Can you recall how you felt when you were asked to work on this project?
Molly Ruttan: Thank you so much, Ronna! The honor is all mine. It is such a pleasure to be back with you on your wonderful blog. I so appreciate your time and support!
I was so excited when NorthSouth Books contacted me to work with Abigail Rayner again; I love the topics Abigail writes about. This book, about a girl (Violet) who has been newly diagnosed with celiac disease is especially meaningful for me, because I have a gluten intolerance myself, along with one of my kids. I couldn’t believe my eyes when I first saw the manuscript. I wish so much that this book had been around when my daughter was little; I didn’t know a thing about celiac disease or gluten intolerance at the time– it would have saved us years of stomach aches.
GRWR: Regarding celiac disease, how much work did you have to do to make sure all the information depicted through your illustrations was accurate?
NorthSouth worked with the Celiac Disease Foundationand checked in with them many times along the way. In addition, Abigail Rayner (the author, whose daughter has celiac disease) is an expert on the subject! She had suggestions for some of the illustrations from her own experience; It was a wonderful collaboration! We also included charts on the end pages showing grains and foods that contained gluten, and commonly used grains, flours, and roots that were gluten-free. Illustrating these pages took a bit of visual research, as I had to be accurate with the drawings. It was fun, and I learned a lot!
GRWR:What are some significant elements you’d like to point out about the cover art? What impression did you aim to convey to potential readers?
MR: When I started sketches for the book, I thought a lot about how to visually indicate if food had gluten in it, since you really can’t be sure just from looking at it. I came up with the visual of swirly clouds with crumbs walking and flying around, and this motif is featured on the cover. In the story, Violet creates a costume to help protect herself from the crumbs from other children’s food at school—her own PPE, as it were! Since I had been drawing crumb “clouds”, I made her costume based on rain gear, including an umbrella. But I also included a cape, to show the heroic aspect of her journey and her Superhero attitude! The cover shows Violet in her gear, zooming up and bursting through the cloud of crumbs — she is smiling and clearly had her mind set on setting a victorious path. Since adhering to a gluten-free diet can be very difficult, especially for kids, I wanted the cover to be positive and optimistic.
GRWR:At the start of the interview I told you what I liked. Now please tell us what’s your favorite part about this cover?
MR: Well, of course I love Violet, she was wonderful to get to know as she came to life in my sketches and made her way through the book. But I also love how the stenciling of the crumb swirls came out, on the cover especially. Plus the crumbs are such odd and troublesome little critters, it was a delight bringing them to life, on the cover and throughout the book!
GRWR: How did you achieve the texture in the illustration?
MR:I work with charcoal and pastel on textured watercolor paper. I use a charcoal pencil for the drawings, pastels for the color, and a technique involving the creation of charcoal stencils for the backgrounds, gradation, shading and effects. I scan all of this into PhotoShop. The result is layer upon layer of textured color pastel and charcoal, with some digital texture thrown in here & there. The final art is digital, but there is a lot of traditional media spreading itself all over every surface of my studio along the way! I love working in both traditional and digital media.
ABOUT THE STORY:
Violet used to love parties, but now that she has been diagnosed with celiac disease she’s not allowed to eat pizza, cake, or anything that contains even the tiniest trace of gluten. Violet feels alone until she discovers that some animals have dietary restrictions as well. While standing up for them, she wonders: what can she do to stand up for herself?
Abigail Rayner and Molly Ruttan (creators of I AM A THIEF!) bring pluck and humor to this informative story, sure to spark conversation about this increasingly commonly-diagnosed condition.
ABOUT THE ILLUSTRATOR:
Molly Ruttan grew up in Hastings-on-Hudson, New York. She holds a Bachelor’s of Fine Arts from the Cooper Union School of Art, New York. She currently lives, works and creates art in the diverse and historic neighborhood of Echo Park in Los Angeles.
Her titles include her author/illustrator debut, The Stray, from Nancy Paulsen Books/Penguin Random House, and I Am A Thief! along with Violet and the Crumbs by Abigail Rayner for NorthSouth Books. Molly has two additional titles forthcoming with Nancy Paulsen Books. She is represented by Rachel Orr at Prospect Agency.
Blossom Valley is opening a new community center! But they need to generate buzz for the grand opening. Layla and the Bots know how to help: they will build a cupcake machine for the party! But will their invention be a piece of cake… or a recipe for disaster? With full-color artwork on every page, speech bubbles throughout, and a fun DIY activity that readers can try at home, this early chapter book series brings kid-friendly STEAM topics to young readers!
Meet the robots Blink and Block in this STEM-inspired, Level Two I Can Read Comic by debut author-illustrator Vicky Fang.
Blink is scanning the playground for treasure, but Block is pretty sure there’s no gold to be found. When Blink finds a penny and decides to make a wish, will these two new pals find treasure after all—or maybe something even better? Blink and Block Make a Wish is a Level Two I Can Read Comic, geared for kids who are comfortable with comics, can read on their own, but still need a little help.
Colleen Paeff: Hi Vicky! It looks like I caught you right in the middle of two book launches. Layla and the Bots: Cupcake Fix came out on June 1 and Friendbots hits bookstores on June 22. Congratulations! How exciting to have two books coming out in one month! How does it feel?
Vicky Fang: It’s so much fun but also quite exhausting! Social media is such a strange place and two book launches means I’m on it more than I’d like to be. But I had the amazing opportunity to do an in-person launch party for Layla and the Bots: Cupcake Fix with Linden Tree Books and it was amazing! Even though it’s my sixth book (gasp!), it was my first launch party! I had so much fun celebrating the book with friends, new readers, and even some Layla and the Bots fans I met for the first time.
CP:Oh, my gosh. That sounds amazing! It must have been so nice to see your fans live and in-person. Friendbots is your debut as an author/illustrator. How was the experience of creating that book different from your previous experiences writing the text alone? Were you surprised by any particular aspect of the author/illustrator process?
VF:Illustrating a book is so much work! I mean, writing a book is too, but there’s definitely a different kind of pressure to illustrate a whole book within a few months, including revisions and cover illustrations, etc. I do think that between Book 1 and Book 2 I got much better at designing panels that would be fun to draw. I also had a much better sense of how long the drawings would take. Creatively, I’m more comfortable incorporating wordless panels as the author-illustrator. Somehow, it feels less like I’m just leaving a hole there, because I know I’m the one who’s going to have to fill it!
CP:One thing I love about your Layla and the Bots books is that I can never anticipate what’s going to go wrong (and something always does!). When you set out to write those books do you start with the problem, the solution, or something else entirely?
VF: Ah, that’s a great question! I usually start with the solution, in some rough form, just in the sense that I think about something that would be fun to design! So an amusement park for dogs (Happy Paws), a suped-up go-kart (Built for Speed), or a cupcake machine (Cupcake Fix). From there, I think about the problem they might try to solve and that leads to the specifics of the solution they come up with. It does feel a bit like a fun puzzle trying to plot those books!
CP:Coding plays a big part in your books–even the board books. What would you recommend to parents who are intimidated at the thought of coding, but who want to foster a love (or at least a level of comfort) with coding in their children?
VF: A lot of people ask me this question! First off, I incorporate coding into the books because I think computational thinking is so important for all kids, whether or not they want to code or become software engineers. It’s really about being able to break down a problem logically and think through the solution in small, logical pieces. I’m just hoping kids start to think in these logical blocks: if/then, and/or, etc. And they do already naturally! It’s just about seeing those logical blocks and realizing that those blocks are how you give instructions to a computer. Besides books, there are also great tools and toys out there. Scratch/Scratch Jr., Code-a-pillar, and Sphero are just a few that parents might look into!
CP:Awesome. Thank you! You’ve written (and sold!) a picture book, chapter books, board books, and an early graphic novel series. What do you like about writing in so many different formats and do you have a favorite?
VF: As a former product designer, I get inspiration from the strengths and restrictions of the different formats! The format is part of the ideation process for me. I don’t have a favorite. I love the conceptual and tactile nature of board books, the poetic precision of picture books, the fun of chapter books, and the theatre-like quality of graphic novels!
CP: How do you know which format is right for which story idea?
VF: I usually have an idea floating around in my head and it will click with a format, based on some of the qualities I described above. I have an ongoing list of ideas that I keep, usually of vague picture book ideas. But then separately, I’ll decide I want to try a particular format and read a lot of books and realize, oh, this is perfect for that idea about X! And then I start writing it. It becomes a bit of, what format has the right shape to fit the story I need to tell? Which will give me enough room for the characters and the plot? Which will support the visual needs? Which will fit the age group the best?
CP:I understand you worked as a technology product designer for Google and Intel. What exactly is a technology product designer and what are some of the coolest projects you worked on during that time?
VF: Yes! I designed the user experience for products, which means I designed how things should work. By the end of my time at Google, I was a design lead, which meant I oversaw the creative team, which included interaction designers, visual designers, writers, and even voice/audio designers. I loved working on projects that used technology to create surprising and delightful experiences! I designed DIY cardboard robots that you could build and code yourself, interactive voice games for kids, and a building that lit up and played music when you held hands in the space. Those are just a few of the projects that I loved!
CP:That sounds amazing! Tell me something I might not know about working for Google!
VF: Ah, what wouldn’t you know? Hmm … I think you hear all about the amazing perks and the amazing people. So what wouldn’t you know? One time, we took dozens of our cardboard robots and set up a giant robot dance party in the hallways in the middle of the night and videotaped it. We had a lot of fun—but we did a lot of work too!
CP:Hahaha! I love that!! I read that you were a theater major in college (me, too!) and an actress on Charmed and other TV shows. How did you get from theater to tech?
VF:Oh, cool, I didn’t know that! I moved to LA to act but was working at some startups to pay the bills. One startup actually had very little work to do, so I spent my days teaching myself Photoshop and making little Quicktime animations in the most inefficient way possible. From that, I got jobs making Flash animations, which lead to coding Flash websites, and I eventually ended up going to grad school at Parsons School of Design to get an MFA in Design and Technology!
CP:What skills from your previous professions have been most useful to you as a children’s book author?
VF:One of the things I love is that I feel like writing pulls from ALL of my experiences! Acting I think is an obvious one, in terms of story and character, and emotion. It also helped with understanding the agent landscape! But I also feel like all of the design work helps me craft stories, and understand how to respond to critique feedback, and be creative on demand, etc. Both acting and design have helped me as an illustrator, in thinking about color and layout, and visual focus. In some ways, I think of myself as somebody who just loves creating in different mediums—whether that be technology or pictures or words!
CP:What is your favorite thing about writing for children?
VF: I love that I feel like I can make a positive impact on even just one kid with a book. It never feels like a wasted effort. I love seeing kids embrace the books and become inspired to make fan art or invent something or write a story.
CP: What are the three most important tools in your “Writer’s Toolbox?”
VF: First off, my critique partners. I met Christine Evans and Faith Kazmi in 2017 and I wouldn’t still be here if not for their moral and creative support. Secondly, my agent. Elizabeth Bennett is an amazing partner who gives me the most insightful and inspiring directional guidance. The third, I would say, is creative brain space. I find that I have to give myself space to create and forgive myself when I’m not able to (which inevitably happens with life, more than I’d like!).
CP:What’s next for you?
VF: I’m finishing up Friendbots Book 2, which launches this fall. And I’m excited for Layla and the Bots Book 4, Making Waves, which launches in January 2022. I have an unannounced project coming in 2023, and I’m always working on new ideas!
CP:Great! I look forward to reading them all. Thanks, Vicky!
VF:Thank you, Colleen! It’s been a pleasure chatting books with you!
Vicky Fang is a product designer who spent five years designing kids’ technology experiences for both Google and Intel, often to inspire and empower kids in coding and technology. She started writing to support the growing need for early coding education, particularly for girls and kids of color. She is the author of nine new and upcoming STEAM books for kids, including Invent-a-Pet, I Can Code, Layla and the Bots, and her author-illustrator debut, Friendbots. Find Vicky on Twitter at @fangmous or on her website at www.vickyfang.com. e
A fun spin on the classic Father’s Day gift of a dress shirt and/or tie, this unique rhyming board book invites little ones to lift the tie (flap) and reveal which trophy goes to dad for the things he’s so good at. Whether a father excels at making repairs, cooking, styling hair, or reading bedtime stories, #1 Dad probably covers something a father can claim is his specialty. Paper-cut artwork adds to the enjoyment of this entertaining celebration of dads.
The beautiful pastel colors of oranges and reds carry the heroic red-headed father and his red-headed kids through a magical story of what makes up a true hero in the newly released Dad: The Man, The Myth, The Legend. Mifflin Lowe and Dani Torrent’s picture book begins with portraits on the walls in the family home depicting a superhero father like no other. He lifts cars above his head; travels to the moon; and is stronger than Sasquatch and Thor. Mom says he is a legend in his own mind, Lowe writes which is a pretty great description of many dads.
One great example of this larger-than-life father is when he gets tangled in a hose and his son sees him as Tarzan. This sweet story for young readers makes a big statement that no matter what Dad does, and however mad he may make Mom (speeding in a minivan is not the same as driving a race car), Dad will always be amazing. One of Torrent’s most heart-warming illustrations is of the boy and his sister on Dad’s lap reading with his eyes closed. Dad can do no wrong even when sleeping! And no matter how much Dad drives Mom crazy, she says it just makes her crazy about him. And, if you purchase this book Bushel & Peck will donate another to a child in need!
‘My daddies are amazing—the world’s best king and king,” says the brown-haired child with big brown eyes in Adventures With My Daddies written by debut author Gareth Peter and illustrated by Garry Parsons, illustrator of the best-selling series The Dinosaur That Pooped. The Daddies in this blended family are not the best at everything, but our young narrator really doesn’t care. The Daddies tell adventurous stories But my daddies’ favorite story is … the one that brought them me. Peter’s rhyming text takes the reader on exciting adventures, with colorful illustrations of roaming hills of green grass and deep blue oceans. This LGBTQ+ and adoptive family story shows the power of familial love whether a child has two moms, two dads, or one mom and one dad. What a lovely, upbeat story about diversity and inclusiveness. Click here for an activity sheet.
My Dad is another newly released lyrical rhyming text taking the reader through the one-of-a-kind relationship between a boy and his dad (and the orange cat who is often close by). The sweetness of everyday activities is simply conveyed, like Dad making mornings special because he loves to bake, while the young boy leans his head on the counter with a smile on his face watching Dad pull the cookies from the oven.
Ruiz’s warm color palette brings added charm to this touching story. Delightful detail is shown in the artwork, as the boy sits with one cat slipper on while the other has fallen to the floor (and, of course, the cat stares at the mysterious cat slipper in awe). Dad has the magical ability to make everyday tasks such as shopping, which he says is boring, into an adventure where they pretend they are in the jungle looking for tasty food to eat. The imaginative take on people in line at a store surrounded by monkeys and tigers will make every child eager to go shopping with Dad. This comforting bedtime story for any dad to read to his child reinforces how special the father-son bond can be.
This picture book was written as a love letter to daughter Rumi, and soon to follow son Xander (that is with an X, not a Z as our main character teaches the reader) because authors Ryan Brockington and Issac Webster were unable to find a story about families similar to their own. Illustrator Lauren May depicts framed photos on a wall of all kinds of families because every family is unique in its own way. The take-away from this story is that the most important thing is being raised with lots of love, no matter who you call your parents.
Rumi’s daddies play different roles in her life. Daddy sings her songs, while Dada reads her stories but They both love me THIS much as May illustrates Rumi’s arms opened wide. The family of five—we can’t forget adorable black and white dog Betty—goes for hikes together, while other families eat ice cream or play basketball. May’s illustrations, created with Photoshop Elements, show all sizes and colors of families. The story ends with Rumi sitting on the floor with her green cape and the words Tell me about your family. This conversation starter is a fabulous way for parents to discuss their own family dynamics, or maybe a relative or friend’s family. It is also a perfect school art assignment for young kids.
Reviewed by Ronda Einbinder
Other Recommeded Reads for Father’s Day or any day to celebrate dads:
Tad and Dad Written and illustrated by David Ezra Stein (Nancy Paulsen Books, $8.99, Ages 1-3)
Hair Twins Written by Raakhee Mirchandani Illustrated by Holly Hatam (Little, Brown BYR; $17.99, Ages 4-8)
A Junior Library Guild Gold Standard Selection ★Starred Reviews – BookPage, The Bulletin of the Center for Children’s Books, The Horn Book, Kirkus Reviews, Publishers Weekly, School Library Journal, Shelf Awareness
Andrea Wang and Jason Chin’snew picture book, Watercress, tells a story with that one word alone. This vegetable embodies a family’s experiences from the great famine years until today in the US. Wang’s spare, lyrical text shows us the range of emotions felt by the girl whose parents excitedly stop to pick watercress from the side of the road, much to the girl’s chagrin. Her feelings brew throughout the story until painful memories shared bring about an understanding.
Fans of Jason Chin’s gorgeous watercolor images will not be disappointed. The family’s many dimensions come alive on the page, reflecting today’s struggles and those long ago.
This book is relatable to people from immigrant families as myself, or any kid who’s been embarrassed by some things their family does—and who hasn’t?! Watercress is top-notch for its ability to convey a world of information and a wide range of moods.
The text and illustrations are flawless. There’s even a secret book cover image once the paper cover is removed. The accolades for Watercress are merited. It is definitely one of my top 2021 picks.
From Emmy Award-winning journalist Anna Crowley Redding comes a captivating nonfiction picture book that explores the fabled apple tree that inspired Isaac Newton’s theory of gravity. From a minor seed to a monumental icon, it inspired the world’s greatest minds, including Albert Einstein and Stephen Hawking. This tale is an ode to the potential that exists in all of us to change the world
“A sweet windfall of history and inspiration.” —Kirkus (starred review)
“This picture book may resonate with science-minded children.” —Booklist.
ACR: I came across an article that not only mentioned Isaac Newton’s apple tree, but mentioned there were descendants of the tree on every continent except Antarctica. Then I found out the original tree was still alive. It blew my mind!
CP: I love the way you start and end with the idea that something small can change the world. Was that story structure there in your early drafts or did it develop over time?
ACR: Thank you! Those were the first words I actually wrote because that’s what really struck me about this particular tree … that a tiny seed could indeed change everything. I loved the truth of it.
CP:Were you particularly surprised by anything you learned as you conducted your research?
ACR: I did not originally know that Albert Einstein had visited the tree until I stumbled upon a newspaper article written at the time of his visit. I could NOT believe it. I was literally jumping for joy in front of my computer. There was even a picture!
CP: What was your reaction when you saw Yas Imamura’s wonderful illustrations for the book?
ACR: Her work is just stunning. The texture, the layering, and the contrast. She uses these elements to really drive the visual storytelling. What surprised me is how her work has an innovative edge and yet feels very classic. I love that!
ACR: My process is really the same in terms of learning as much as I can about a topic. With a longer format piece, I’ll dig way more into the details whereas picture books I’m constantly honed in on the heart of the story with every single word.
CP:Can you tell me three favorite research tips or resources that you wouldn’t want to be without?
ACR: The ability today to access primary sources from your computer is an unbelievable gift. And I love reading old newspaper articles, research papers, photos, contemporaneous drawings, and maps. But I also love talking to people and experts and asking lots of questions. That really helps with context. Eeep! I think that was more than three!
CP: No problem! The more the better. How do you decide which age level is most appropriate for a story idea?
ACR: Sometimes the amount of information available and the scope of a story will dictate that. But if ever I am debating it, I’ll check in with a librarian and look for books that handle similar material. And I will also talk to my agent and bounce these ideas and questions off of her. She has a sharp eye for this!
CP:Do you find it easier to write for one age group or another?
ACR: No! Each type of book comes with its own challenges and sweet spots!
CP:In addition to being a talented author, you’re an Emmy Award-winning investigative television reporter! Tell me about how you won that Emmy and what it felt like.
ACR: I was covering an ice storm in North Carolina and as my photographer shot video of line workers trying to restore power on the main lines. And there was a house nearby. And in the window was a little boy with his flashlight absolutely loving every minute the whole show… the ice, the workers, the trucks, the power outage, the flashlights… all of it. We found him just four hours before deadline and put together a story that celebrated the childhood joy of ice storms. I loved everything about it. Winning an Emmy for that story was really an honor. It was a difficult category to win. But as a little girl, I never dreamed that such a thing was possible for me. And so it felt really rewarding. And I was sure to mention that little boy by name in my acceptance speech!
CP:Wow! It really sounds like you were meant to tell children’s stories! What are some skills you used as an investigative television reporter and news anchor that have served you well in your career as an author of books for children?
ACR: The research skills have come in super handy and not quitting. Becoming a TV News Reporter can be as impossible as becoming a published author … so not giving up is super important. In both fields you need to put your work in front of people who know more about it than you do and get their feedback and learn from it. It’s scary, humbling, and SUPER helpful. So having a thick skin or ability to receive criticism is useful.
CP: Do you think you’ll ever go back to reporting the news on television?
ACR:No plans for that at this stage. I love writing for children and young adults. There is a freedom and creativity to it that I just adore.
ACR: Thank you for reading that post.Tom Ellis was a superstar Boston TV anchor who was so generous to me with his time, talent, and expertise. And I think we all need someone to remind us that we can accomplish difficult things and then give us some tools to get there. So, yes, having been the recipient of enormous generosity in both of my careers makes me so excited to hopefully be that little beacon of light to others who may need it. It’s also wonderful to join with other authors, illustrators, and agents to do that together, as a group. It’s been very moving and rewarding for me.
CP: I know you love visiting schools. Can you tell me about a school visit activity that’s been especially successful and fun?
ACR: I love handing kids a clipboard, magnifying glass, some primary sources that relate to a particular book or story, and then asking them to prove or disprove the story based on their research. It’s so much fun and the kids love it!
CP: What’s the worst thing that’s ever happened to you on a school visit?
ACR: I got a migraine headache midway through. The teacher had Excedrin on hand. I took it. It did not touch this headache. I was leading a super hands-on writing exercise and I was starting to sweat from the pain. There were just twenty minutes left of the clock. I was desperate–begging God to get me through it. Finally, the school bell rings. YES! And then the active-shooter alarm is activated. We had to hide in the dark library. Thirty minutes later the police cleared the school. All was well and I grabbed my special tote Macmillan gave me and started to drive for home. But at a stoplight I was overcome with migraine nausea. Quickly dumped the books out of my special tote … and threw up in it!
CP: Oh no!!! That’s terrible! At least you made it out of the school before you threw up. Haha! Let’s move on to a happier topic. What’s the best part about being a children’s book author?
ACR: I think when you have the opportunity to enter the sacred space of a book being held by a child … it’s like being the honored host of a critically important conversation, a special experience that could shape this young person by inspiring them, or seeing them, or making them laugh, or regain hope. I mean, how awesome is that?!
CP: Is there anything else I should have asked you?
CP:Aw! Thank you! That’s very kind. What’s next for you?
ACR: I’m working on a couple of picture books right now that I am wild about. And I’ve decided to try my hand at memoir writing and have to say, I really love it.
CP:How exciting! Based on what I know about your life so far that is a memoir I will definitely want to read. Thanks for chatting, Anna, and best of luck with The Gravity Tree and all your upcoming projects.
ACR:Thank you so much! This was so much fun and such a thoughtful conversation and I really appreciate it!
Anna Crowley Redding is the author of Chowder Rules!, Rescuing the Declaration of Independence, Google It, Elon Musk: A Mission to Save the World, and Black Hole Chasers. The recipient of multiple Edward R. Murrow and Associated Press awards, Crowley Redding uses her Emmy award-winning investigative reporting skills to dig into compelling topics that are shaping our world. Her works have been translated into multiple languages, garnered national news coverage, and been recognized by the National Association of Science Teachers for excellence. Crowley Redding lives outside of Portland, Maine with her family.
Itty-Bitty-Kitty-Corn, written by Shannon Hale and illustrated by LeUyen Pham, begins on the front endpapers with Kitty who is gazing admiringly at a picture of a unicorn. But how, she wonders, can she make herself into one?
She gets an idea and takes out her crafts box, removing paper, paint, and glue. She makes herself a colorful horn out of paper and ties it to her head with a piece from her purple ball of string. Now, the text takes off with Kitty looking in the mirror and seeing a unicorn in the reflection. “She feels so perfectly unicorn-y.” But much to her dismay, Parakeet and Gecko tell her she’s not a unicorn, just a cat, bursting Kitty’s bubble of happiness as a unicorn. This scenario repeats itself with Kitty becoming more and more dejected. It is not until she meets Unicorn who shows Kitty that she herself is actually a Kitty-Corn just like her, that Kitty is able to be who she really is and sees Unicorn for who she is too.
At forty-eight pages, this length exceeds today’s standard for a fiction picture book title and allows for a more relaxed reading experience with the young listener. Each page has very few words and lots of white space which allows the expressive illustrations to shine through. The most ardent of non-cat lovers will melt at the sight of Kitty.
Everyone, both children and adults alike, has an idea of how we perceive ourselves and how we want to be perceived by others. This is our reality when we look in the mirror each day and when we venture out into the world. Itty-Bity-Kitty-Corn’s positive message of instilling in children the notion that they can be anything they want to be, no matter the naysayers they may come across is very self-affirming. We should all have the confidence that Kitty finds in her friendship with Unicorn to be our true selves and see others in their true light as well.
Ruby’s family is getting together to make their annual dinner. But it’s “not just any dinner-[it’s] a soul food dinner.” She knows each family member has a special dish for the reunion that only they make. She wants to create her very own “signature dish” but struggles to find what exactly that will be and how she’ll make it.
Encouraged by Momma’s loving nudge, Ruby searches the kitchen to find out how she can contribute to the meal making. Through the “bustle,” “babbl[e],” and “crack and sizzle” of meal preparation, she approaches one busy grown-up to the next offering to help. But each one hesitates to oblige for fear Ruby might hurt herself. “Lil’ Bit” (as Ruby’s Aunties and Grammy lovingly call her) may have to wait til “next year.”
Dalton’s mouth-watering language combined with Southerland’s warm and vibrant illustrations takes us on a culinary journey allowing us a sneak peek at what is being served. Passing by delicious dish after delicious dish, Ruby meanders outside discouraged and disheartened she hasn’t been able to make her mark on the dinner menu-only to discover the very thing that’s been missing all along. Providing “sweet relief from the heat,” Ruby’s signature dish promises to return at next year’s reunion.
Intergenerational love, culture, persistence, and determination are rich ingredients that spice up this sweet story.
Let’s give a round of applause to moms everywhere on Mother’s Day with this great selection of Mother’s Day books that perhaps express what children cannot. The pandemic has been a challenge and moms, you stepped up to the plate, or should I say multiple plates, and made things work. Sometimes it wasn’t easy. You wondered if your hard work was appreciated or how long you’d be able to keep the smile on your face. Sometimes you didn’t smile and that’s okay. There were a lot of gray days but you never forgot what it means to be a mother, a grandmother, or caregiver. And those you love are taking this day to remember you and let you know how much they care. Thank you and Happy Mother’s Day!
The precious board book, a love letter to mommies, is a companion to Leo Loves Daddy, and a wonderful way to share the joy of reading together with mother and child. With diverse characters and warm tones in 18 delightful pages, Ruth Hearson illustrates the tender relationship Leo and Mommy share. Anna McQuinn’s gentle rhymes take the reader through the daily activities, “At yoga class, Mommy lifts Leo with ease. Riding home through the park, Mommy speeds like the breeze.” McQuinn’s Lola Reads series includes Lola Reads to Leo, Lola Gets a Cat, and Lola Loves Stories, all illustrated by Hearson. This is a great Mother’s Day read highlighting the special bond kids share with their moms. • Reviewed by Ronda Einbinder
Part of the An Every Day Together Book collection, I Love Mommy Every Day is a sweet book celebrating moms. “Mommy feels like home, a comforting presence wherever I am,” says a blonde-haired child with large purple glasses as she snuggles in bed, while Mommy is reading by her side. Alicia Mas brings the reader in with her eye-pleasing art of various mommies with their children. Her blues, oranges, pinks, and reds surround Otter’s descriptions of all the different kinds of mommies. Turning to the last page, the reader comes across a list that reads, “What do you love best about your mommy?” Numbered from one to three, these questions offer the opportunity for parents to talk to their kids, or have them write (or dictate) on a separate paper, about what makes their mommy so special and lovable. They provide a fun activity for teachers to give students to create an unexpected yet personalized Mother’s Day gift. • Reviewed by Ronda Einbinder
This picture book put a smile on my face as I read through each page trying to decide if I was Zen Mom or Organized Mom, while also wondering which one my adult children would choose. Aura Lewis’ colorful illustrations of trendy moms, outdoorsy moms, and working moms depict, page-by-page, all kinds of moms. Which one are you? The book opens with “What is a Mom?” then explains that moms are not just biological, they are stepmoms, adoptive, foster moms, and even moms-to-be. My favorite pages were under the heading Moms around the World, showing the reader that in Finland, Aiti, gives birth and then is given a box of essentials from the government, and babies can even sleep inside the box; and in India the new mom, Maan, often goes back to her own mom to help her adapt to parenthood. This playful book also conveys genuine gratitude, concluding with, “Thank you to your mom, their mom, and all the moms yet to come.” This is a great read throughout the year.• Reviewed by Ronda Einbinder
New York Times’ best-selling author Susanna Leonard Hill’s new picture book, Dear Grandma, recognizes all the ways grandmothers are awesome. Written as a letter that begins, “Dear Grandma, Do you know you’re the best?” Each scene shows funny and loving ways: “You’re a jungle gym climber, jump rope rhymer, / storyteller, secret hideout dweller . . .” Grandmas soothe the bad days and nightmares away. They’re also with you through the seasons, whether living close by or staying in contact across the miles.
John Joseph echoes the text’s positive vibes in his colorful illustrations capturing children of the world interacting with their grams. The two-page wordless spread where a toy dragon comes to life is my favorite piece of art; it’s quite funny.
A perfect gift book to show grandma how much you appreciate everything she does. • Reviewed by Christine Van Zandt
Most of the time my family eats simply, but, sometimes, I want to make something special. Two yeast recipes I need to fine-tune are English muffins and focaccia so I was happy (and surprised) to find Claire Saffitz’s versions in her Dessert Person cookbook. Don’t fear, there are loads of delicious desserts including cakes, pies, tarts, bars, and cookies along with a category called Fancy Desserts featuring croquembouche and so forth. Check the Recipe Matrix, which plots out recipes on a grid by difficulty level and total time—an at-a-glance time-saver. Read the thorough instructions before beginning to ensure you have the ingredients, time, and equipment.
Because kumquats were in season, I made Ricotta Cake with Kumquat Marmalade. The cake was a hit with a flavor reminiscent of German cheesecake. Its kumquat marmalade topping elevated this dish from comfort food to showstopper. I’ll make the cake again, swapping in a different seasonal topping.
Another recipe my family really enjoyed was Clam and Fennel Pizza with Gremolata, which begins with the Soft and Pillowy Flatbread recipe. (Store-bought pizza dough can be swapped out, but freshly made flatbread is a treat.) After the flatbreads are parbaked, top with the previously cooked clam, garlic, fennel, olive oil, and crushed red pepper flakes mixture. Bake again, then finish off with a gremolata of flat-leaf parsley, fennel fronds, garlic, lemon zest, and kosher salt. There won’t be leftovers, guaranteed!
Beyond making these amazing creations, the photos are eye candy for us cookbook geeks. The gorgeous Black Sesame Paris-Brest is an image I’m drawn to. This bicycle wheel-shaped French pastry recipe replaces the traditional pastry cream for one made with black tahini. Other pastry cream options include chocolate or coconut variations.
I’ll keep looking at the beautiful pictures as I work my way through the recipes. From relatively simple Miso Buttermilk Biscuits to the two-months-to-make Fruitcake, there are dozens of delectable choices. This is a cookbook I will seek out—as the subtitle promises—to receive “guidance for baking with confidence.” What a wonderful treat for Mother’s Day. • Reviewed by Christine Van Zandt
Colleen Paeff:Hi Candy! Congratulations on the release of your second picture book, The Stars Beckoned: Edward White’s Amazing Walk In Space (illustrated by Courtney Dawson)! You’ve said that when you started writing this book you weren’t really a space buff. Do you think that helped or hindered you during the research process?
Candy Wellins: I hope it helped! Most of what I knew about the history of NASA came from THE RIGHT STUFF, which does a good job of covering Project Mercury and I think everyone has a basic understanding of Apollo, but the Gemini missions are kind of like the forgotten middle children of the NASA missions. Not the first ones and not the flashy ones, but certainly important ones. I read the transcript of the entire Gemini IV mission–pages and pages of technical jargon—but once you get to the heart of the mission and “hearing” the astronauts speak, it’s pretty riveting.
CP: Would you consider yourself a space buff now?
CW: No, not a space buff by any means. Maybe an above-average space enthusiast at best!
CP: I’m always impressed by authors who can tell a story in rhyme, but I’m especially impressed by authors who can tell a nonfiction story in rhyme! Was rhyming something that was a part of The Stars Beckoned from the beginning or did it come later in the revision process?
CW: I knew I wanted to tell Edward’s story for a while and I didn’t have a plan whatsoever. I only wrote in prose at that point and I tried a few things, but didn’t like them at all. A writer in my critique group shared a biography written in verse that I thought was just lovely. It made me want to do something biographical in verse just to try it. Edward came to mind immediately. I had done a lot of the preliminary research and, honestly, if you’re going to get your feet wet in rhyme, might as well do it with someone who has a very rhymable last name like White. The opening lines came to me pretty quickly and I just let the story take me where it needed to go.
CP: Edward White’s children gave you feedback as you worked on the story, right? How did you get in touch with them and were they immediately open to you writing about their dad?
CW: During one of my many Google searches of Edward’s name, I found a post his granddaughter made celebrating the fiftieth anniversary of his spacewalk. She is a realtor so I was able to find contact information easily and reached out to her. She put me in touch with her dad and aunt and I shared the manuscript with them. It was important to me that the book be as historically accurate as possible. They were especially helpful as we moved into the illustration phase–getting hair colors, clothing choices and airplane models exactly as they were was important to all of us. Most Americans know the names of other “first” astronauts like Alan Shepard, Neil Armstrong and Sally Ride, but I feel—and I think his children would agree—Edward has been somewhat forgotten by history. I hope my book can change that just a bit because he really was amazing and did important work.
★Starred Reviews – Booklist, School Library Journal
Meet Zonia who is Asháninka, the largest Indigenous group that calls the Peruvian Amazon home. While her mom nurses her new baby brother, Zonia frolics among the lush flora and fauna of her beautiful neighborhood, the Amazon Rain Forest, the world’s largest.
This slice of life story introduces young readers to a part of the world whose existence is in danger of extinction as its natural resources are abused. As Zonia plays on her own, she is joined by a butterfly, a sloth, a bird, a jaguar, a dolphin, an anteater, and other local animals whose lives are also in peril if the over-development of the Amazon continues at its current rate. This point is emphasized when at the end of Zonia’s outdoor adventure, she is shocked and angered to see a forest decimated by illegal logging. With their homeland threatened, the human inhabitants will have no choice but to fight back. The red face paint on Zonia’s face, shown “on the last page of the story,” signals strength and determination, symbolic of the struggle ahead.
In promotional material from Candlewick, I learned that Peruvian-born author-illustrator Martinez-Neal created her art on “paper fashioned from banana bark by the hands of the people of the Amazon.” The rich colors have a pastel quality and bleed a bit onto the page, with soft edges and a warmth much like the Amazon itself.
Zonia’s Rain Forest is a call to action to people everywhere. We need to pay attention to what is happening in not only Peru, but the other eight countries the Amazon occupies which includes Brazil, Bolivia, Ecuador, Colombia, Venezuela, Guyana, Suriname, and French Guiana before their ecosystems are beyond repair. The extensive back matter goes into more detail about what is happening in Amazon and why. Children are given selected resources if they want to learn what they can do. There is also a translation of the story to Asháninka, one of the approximate “three hundred and thirty different languages spoken among the four to five hundred different indigenous groups living there.” The story ends with Zonia telling her mama that the forest needs help. “It is speaking to you,” says Zonia’s mama. “Then I will answer,” says Zonia, “as I always do.” And finally, “We all must answer.” – Reviewed by Ronna Mandel
Dawn Babb Prochovnic’s picture book, Lucy’s Blooms, is an upbeat multigenerational tale. Lucy wants to win the town’s annual flower-growing competition and receives advice from Gram, but things don’t go as expected. I appreciated Lucy’s family’s love of nature and belief that’s it’s perfectly fine to do things your own way.
Alice Brereton’s vibrant illustrations enhance Lucy’s vivacious personality with facial expressions ranging from delight to frustration (pretty accurate, as any gardener knows).
This book’s joyful celebration of gardening and life resonates with me, as do its moments of humor. My favorite part is the ending—but you’ll have to read the book yourself, I’m not telling!
In Loll Kirby’s nonfiction picture book, Old Enough to Save the Planet, we meet twelve kids (age 7+) from around the world who are taking action against climate change and becoming environmental advocates.
Because bees are in trouble, nine-year-old Eunita in Kenya created a garden to attract pollinators. She posted signs in town, explaining what she was doing for community education and to encourage involvement.
Twelve-year-old Adeline in Indonesia also works with her community. When humans destroyed the natural habitat, flooding problems ensued. Adeline’s group replants native mangrove trees “to create protected areas in the sea to allow new coral reefs to form.”
Each child’s earth-saving contribution is illustrated in great detail by Adelina Lirius using colors found in nature. I appreciate how this book highlights global climate-change problems, while showing how we can pitch in to make a difference. Actions listed in the back matter include eating less meat, thinking carefully before traveling by airplane, setting up a group of people working toward a similar goal, and speaking out at every opportunity. While listed for ages 8-12, please note that it would still be appropriate for ages 6-9.
The Extraordinary Book That Eats Itself by Susan Hayes and Penny Arlon is a 64-page reusable, recyclable picture book. In each of the thirty activities, kids take action to safeguard the environment and have tearing the book apart!
Learn how to build a worm bin or bug hotel. Conserve electricity in a clever section called “Chase Away Vampires” which includes cut-out reminders: “Don’t forget to unplug!”
“Have an Eco-Picnic” and meet up with friends or family. (During the pandemic, maintain a safe distance.) Pack mindfully; opt for reusable bottles and cutlery. Skip the plastic and see if you can find a spot you within walking or biking distance—how about your backyard?
Each page has lively art by Pintachan. You’ll want to cut out and use the bookmarks because of their cute illustrations. The creative projects in this book will keep kids busy for hours while teaching them earth-friendly ideas.
Peter Wohlleben follows up his successful middle-grade nonfiction book, Can You Hear the Trees Talking?, with Do You Know Where the Animals Live? It’s clear that animals are important to him and he wants to share his love of them. When asked how young children can help make the world a better place for animals, Wohlleben replied, “The best thing is to be curious. The more we know about animals, the more we learn to treat them with respect. Every animal is a great wonder that deserves to be allowed to live their life.”
This book explores much more than just where animals live—that’s only the first section! You’ll also learn what animals eat, all about animal babies, how animals grow up, animal survival techniques, animal language, [note it’s not plural in the book for some reason] and animal emotions. My favorite section is Animal Language because it explores sounds, body language, sense of humor, and showing off. Remarkably, fish grind teeth and fart to communicate. I was also amazed that “scientists have to use special microphones to hear the laughter of rats.”
Something that’s not a laughing matter is the chapter about how harmful human garbage is to animals. Plastics are a huge problem, from the Texas-size floating mass in the Pacific Ocean to the microplastics ingested by many creatures. Pesticide use kills animals throughout the food chain because, when insects die, then birds starve. However, “farmers who grow food without using pesticides leave part of the fruit behind for animals like caterpillars. Because the animals don’t pay money for this fruit, people have to be willing to make up for the difference.”
With color photos on every page, this book is beautiful as well as informational. Who doesn’t like to look at cute animal pictures?! Throughout, short quizzes test your knowledge. Whether reading or admiring images, this book will entertain and engage kids for hours.
Lucy Bell’s middle-grade nonfiction book, You Can Change the World, belongs in every home and classroom. Problems we’ve created in the world are offset with simple steps we can take to make our planet a healthier place for everyone.
The 224 pages are easy to follow, filled with lively, full-color art and cleverly arranged content to keep kids engaged. Topics include plastic, ethical and environmentally friendly clothing, waste, food, gardening and the outdoors, energy, electricity, and water, animal activism, and an act of kindness. The Group Activities section offers suggestions on how to work alongside friends and family. For example, choose from the environmental documentaries listed and host a movie party offering plastic-free snacks, or just start a conversation about how you have made changes.
Young environmentalists from around the world are featured throughout. At age nine Felix Finkbeiner from Germany discovered that Wangari Maathai in Kenya planted thirty million saplings in thirty years to cover some of Africa’s bare land. Inspired, Felix founded Plant-for-the-Planet with the goal of one million trees per country to offset harmful carbon dioxide emissions. “More than seventy thousand of the children who help Felix are ambassadors for climate justice, and they are between nine and twelve years old.”
This is a book my family will turn to again and again because it offers many useful suggestions: sprout cilantro from those coriander seeds in the spice rack, pay attention to where our food comes from, and put a bucket in the shower to save a little water each time. We’ve given up plastic straws, but I’d hoped that paper to-go drink cups were recyclable—they’re not because most cups are plastic-coated paper! This book puts facts at my fingertips so our family knows the truth before ordering that next hot chocolate. “Worldwide, people use over sixteen billion to-go cups every year.” Think about what a difference we could make if we just used our own drink containers. I’ll enjoy my latte more, knowing I’m not part of this billion-cup problem.
Patricia Newman’s middle-grade nonfiction book, Planet Ocean, delves into our relationship to the sea explaining “how to stop thinking of ourselves as existing separate from the ocean and how to start taking better care of this precious resource.” Chapters explore the Coral Triangle, Salish Sea, and the Arctic. People worldwide are highlighted for their beneficial contributions. Eben Hopson started his own film company in high school to show how the melting ice affected his people’s (the Iñupiat) ability to hunt; at eighteen he became an Arctic Youth Ambassador to further explain the problems of climate change.
This 64-page middle-grade book is as informative as it is gorgeous. Photographer Annie Crawley captures the many aspects of the ocean, from its sheer beauty and wonderful creatures to people interacting respectfully with our environment. Crawley states, “We live in an absolutely incredible world which exists because of our ocean. But it is misunderstood, misrepresented, and undervalued by our society.”
The section “Go Blue with Annie” discusses committing to zero waste, taking climate action, thinking before you eat, and being the voice of our ocean. Examples of these items involve reducing or eliminating the plastics we use, choosing vegetarian meals, and joining with others to bring attention to the need to stop polluting the planet.
I’ll remember Crawley’s words, “What we do on land impacts our source of life. Every drop of water we drink and much of the food we eat starts with the sea. Breathe in and you breathe the ocean.” This book will help young readers better understand and appreciate our ocean’s importance, learning how our daily decisions have far-reaching consequences.
Good Reads With Ronna is delighted to appear on day three (see schedule below) of the Perdu Blog Tour! I hope you’ll take the time to not only read the book review, but to also watch all the fantastic videos that Peachtree Publishing has shared with us.
Richard Jones makes his welcome debut as both author and illustrator with this tale of a lost (perdu in French) dog seeking a forever family. And may I just add here that Perduis precious! Both the main character and the story itself. With his sweet face gracing the book’s cover, it’s easy to be captivated by his faraway, lonely look.
While we never learn where Perdu has come from because he certainly didn’t tie the neck scarf himself, it’s easy to let that mystery go in favor of the bigger mystery at the heart of this moving story—will he ever find a loving home?
Readers first glimpse Perdu on the title page, head down, red scarf around his neck, and walking through a field. As he carries on his journey, he notes that, unlike a nearby fallen leaf, he has no place to be. Poor Perdu!
He wanders over a bridge on the outskirts of town where he’s noticed by a little girl sporting a distinct red knit pom-pomed hat. Determined to find his “somewhere,” like everyone else, the sweet lost little dog continues his search and wanders into the big, anonymous city.
At the same time as Perdu, intimidated by the city size and its throngs of people, the little girl continues her day out with her mother. I love how, at this point in the book, Jones has zoomed in on the girl whose path keeps crossing that of Perdu’s. She is perhaps outside a library or other notable building with a massive lion statue (a nod to The Snow Lion) while Perdu stands at the top of the statue. I wonder if parents or kids will spy him first.
My favorite illustration is the one when the child spots Perdu sitting outside an expansive cafe window where she and her mom are dining. He’s hungry now and tired and cannot resist the temptation of an open door. Inside he wreaks havoc and is reprimanded by patrons. It’s a demoralizing experience for Perdu yet at the same time things probably cannot get much worse.
In a lovely park scene, where both the girl and Perdu have ended up following the restaurant ruckus, the child approaches the dog. She’s holding Perdu’s signature red neck scarf which he lost when he dashed away during the cafe commotion.
Not a lot of words are needed when the simple act of giving back the scarf to the lost dog speaks volumes about the girl’s empathy and Perdu’s trust. It’s a gentle, loving moment that bonds the pair and fills readers’ hearts with hope.
Jones has given young readers a feel-good story about friendship, trust, kindness, and belonging highlighted by the beautiful, inviting art that solidifies the tale. Jones achieves this warm look with paintings he then edits in Adobe Photoshop. I came away from the story feeling happy for both Perdu and the red-hatted girl knowing that they had both truly found each other for all the right reasons.