From the Publisher: “Hot off the printing press, Penny feels like a million bucks. But as other coins and bills are spent while she sits forgotten, she begins to doubt her value … Refusing to be short-changed, she sets out to find her purpose at any cost.”
From Kirkus Reviews: “Combining a dash of math with buckets of good humor, this book is certainly like money in the bank.”
Kimberly Wilson’s debut shines like a new penny under the expert care of Mark Hoffman’s humorous art that will entice children to spend time searching out each detail on the page.
And the silliness continues in Wilson’s pun-filled backmatter that not only offers fun facts about pennies, but illustrates the value of each coin and bill featured in the text. I expect this book will become a favorite in elementary classrooms around the country.
If Your Babysitter Is a Bruja starts as a spooky Halloween tale and then develops layers as it goes on. Written in second person, If Your Babysitter Is a Brujachronicles how a child is scared of her babysitter. Clever illustrations by Irena Freitas show how a terrifying “bubbling cauldron” is actually a bathtub, a magic broomstick is a bicycle, and a slide is a magic castle. A clever scene showing the babysitter’s hat in a pile of water worries the child that her babysitter has melted, but the babysitter lives on … with delicious Pan de Muerto to ease the relationship.
From there, the babysitter and child become BFFs (or perhaps best brujas), and the night ends with the child looking out the window, sad the babysitter has left. This book will be perfect for kids anxious about being left with a babysitter or for those who are shy about making friends with new people. Certainly, that is something many families will struggle with following lengthy Covid lockdowns.
Ana Siqueira’s rhythmic text smoothly incorporates Spanish words and intertwines cultures with tasty treats from Dia de Los Muertos combined with Halloween decorations. The illustrations are quirky and sweet.
Walking into a community garden on a crisp spring morning, a little girl and her elderly friend plant seeds, “each little dot full of hope and promise.” Elderly friends join in to help and share each other’s company as they pass the time together, waiting patiently until the plants finally “burst into life” and the garden is “a riot of color.” Swaney’s soothing palette of olive greens, mustard yellows, peachy reds, and poppy-pumpkin oranges provides spaces filled with warmth and comfort.
Sometimes relaxing under the sun and sometimes busy with garden work, the little girl and her friend take their treasures into the kitchen, processing the beautiful bounty they’ve collected–all of which culminates into a jubilant feast for the whole community.
As the season grows cold, petals “fall, and colors fade,” the little girl’s special friend is sadly “gone.” All she’s left with are the seeds of last season’s crops. But as the spring season returns anew, those “tiny dots” she plants spring up “big memories” of patience, stewardship, and fellowship.
With quiet and calming overtones, The Garden We Share invites gentle conversations about death while lovingly cultivating a spirit of hope.
NOTE FROM RONNA: As a grammar fanatic,I’m thrilled to be able to share this fun and informative interview by Moni Ritchie Hadley with Rebecca Kraft Rector and Shanda McCloseky, author and illustrator respectively of the new picture book LITTLE RED AND THE BIG BAD EDITOR. Celebrate its book birthday with us by reading on because I know you’re going to devour this chat!
Moni Ritchie Hadley: Welcome, Rebecca Kraft Rector and Shanda McCloskey! Thank you for taking the time to chat about your new book and writing and illustration processes. Rebecca, this story creatively spins a popular fairytale with a new narrative. What was the original pitch for LITTLE RED AND THE BIG BAD EDITOR?
Rebecca Kraft Rector: In this fractured fairytale, the Big Bad Wolf is so distracted by Little Red’s poorly written thank you note to her grandmother that he keeps missing the chance to eat her.
MRH:Based on the educational subject matter and the structure of a fractured fairytale, this story seems to be the type of book a kid would love, and a parent or teacher would want to purchase. How did you come up with the concept?
RKR: I like to play with words and came up with Little Red WRITING Hood. The idea that Little Red’s poorly-written thank you note to Granny would distract the Big Bad Wolf grew from there.
MRH:Do you begin your stories with pencil and paper or on the computer?
RKR: I mostly use the computer, but I also jot down phrases and ideas in a notebook that I keep beside my bed. Some of my best ideas come when I’m only half awake.
MRH:Today, kids primarily use technology to communicate. Do you feel that kids will relate to a thank-you note written with pencil and paper?
RKR: I hope so! Kids still use pencil and paper in the early grades, and the Common Core Standards include things like using capital letters and punctuation. I’ve heard from teachers that there’s even a letter-writing unit in most first-grade classes.
MRH:Shanda, as the illustrator, what attracted you to this manuscript?
Shanda McCloskey: The happiness I felt when I read it for the very first time! Rebecca definitely knows how to have fun with words :)
MRH:Can you tell us about your process?
SM: I spent a few days drawing/redrawing character look possibilities for this book. When I saw something good in a character sketch, I would just “follow the light” and then tried drawing the character again, leaving in the good and stripping the bad, over and over until the characters felt “right-ish.”
LITTLE RED AND THE BIG BAD EDITOR was drawn digitally, printed onto paper, and painted with watercolors.
Little Red’s cape had to be red (obviously), so I started there. I found that Little Red popped best when her colors were warm in contrast to a cooler background. Wolf needed to blend into the background sometimes, so he is cool-toned as well. Then, I stuck in some of my favorite colors for fun, like Little Red’s pink and purple outfit.
The first dummy took me two months or so. Then it went through a couple of versions with feedback from the publishing team over several months. Things like character consistency, spread variation (ex., full bleeds, vignettes, panels), hair and skin color, etc., were tinkered with.
MRH:Were you able to collaborate?
MRH:Shanda, when illustrating a book based on an existing story, how do you separate the images of the past and make them fresh?
SM:It happens automatically when you are working with new characters in a new world. But it’s also cool when my “style” shows through in all my books, at least a little bit. Also, every book is a leveling-up experience for me. There may be a new technique I’m using or a mood I’m trying to achieve. There’s always something in my craft to tinker with or improve upon with each book.
MRH: You are an author of children’s books as well as an illustrator. Is it easier to illustrate someone else’s words or to illustrate your own? How is the process different?
SM:They both have various perks! When illustrating my own stories, I can add a speech bubble with a joke if the notion hits me. But it’s not really my place to do that when I’m illustrating someone else’s words. But on the flip side, having limitations can sometimes be nice and clean, and it sure is nice to launch a book with a partner. If it flops, it’s not just on you!
MRH:Rebecca, this is your second picture book. Where do you usually get stuck in the writing process, and how do you get out of it?
RKR: Ha! I get stuck all over the place—the beginning, the middle, the end—everywhere! Sometimes I’ll print out what I have, and seeing it on paper makes it easier to figure out what to do next. If I can let myself play and have fun with the story, I find my writing goes more smoothly. My critique groups are big help with both brainstorming and pointing out where I’ve gone astray.
MRH:Are you more like Little Red or the Big Bad Editor? How so?
RKR:Hmm, I guess I’m more like the Big Bad Editor because, like him, I’m frequently frustrated by bad grammar and punctuation.
SM: Hmmm. I identified with both of them! I can definitely be a stickler for what I think is “the right way” to do something. But I can also appreciate how Red didn’t wait until she had a perfect letter to say thank you to her granny. She just went for it and improved along the way! #amwriting #amillustrating
MRH: Are there any other secret insights that you can share about this book?
RKR:Unlike all the other stories I’ve written, I wrote the last line first. Also, the entire time I was writing and revising the story, I thought I was filling the story with fun metaphors. Nope! Every single one was really a simile. I still can’t write metaphors.
SM: I put my own real kids’ artwork on the refrigerator in Granny’s kitchen :) And there’s usually some nod to a book I’ve previously worked on. Such as the fire truck (FIRE TRUCK VS. DRAGON) and the snuggle bunny (BEDTIME BALLET) on Little Red’s shelf in her room on the first spread.
LITTLE RED AND THE BIG BAD EDITOR releases today! Thank you both for chatting with us.
GoodReadsWithRonna.com has the pleasure of participating in the blog tour for My Pet Feet. I made sure not to read any advance buzz about the book (easy ‘coz I’ve been on vacation) so that I’d come to it with no expectations which, to be honest, is a hard feat (ha!) knowing how terrific all Josh’s previous picture books are.
When the letter R disappears from the main character’s alphabet wall covering, chaos and hilarity ensue in My Pet Feet, the wacky, wonderful new picture book from Josh Funk with illustrations by Billy Yong.
It doesn’t take long for the little girl narrator of this zany 48-page tale to discover that her pet ferret, Doodles, has become her pet feet since all Rs have mysteriously gone missing in her town. Yong’s whimsical spreads where the main character first encounters the absence of Rs are (ha!) so funny and clever, that readers will have to slow down to study every delightful detail he has depicted. The images of a policewoman on the back of a galloping hose or the little girl’s pal Lucas behaving like a fiend and especially the flying cows are sure to make kids LOL. In fact, I actually noticed even more things on my second read (e.g. the man on the motorcycle with ties as tires) so I intend to go back a few more times to make sure I caught everything. Children will likely do the same. And, despite being a rollicking fast-paced read, the idea of taking time to appreciate all the clever wordplay and creativity of the story’s concept is recommended.
As the search to find the reason behind the missing letter R continues, the girl accidentally hurts the feelings of Doodles who runs away. She looks low and eventually high—way, way, way up high—where a subtle clue for the savvy reader can be spotted anchored out at sea. But still no sign of the 18th letter of the alphabet and now Doodles. Could the pet actually know the Rs’ whereabouts? Will this determined child ever find her beloved pet? And will he forgive her? I wanted to find out, but yet I didn’t want the story to end.
In Funk’s satisfying and humorous resolution, the main character’s luck and mood change. She locates her pet feet which leads her to the culprits behind the stolen letter R. Young readers will love seeing ferret and owner reunited while getting the chance to pronounce a plethora of words incorporating Rs that Funk has mustered up. But just when this happy child thinks she can relax and catch some zzzzs, an oh-so-unexpected alphabet ending presents a potential new dilemma or possible premise for a second book.
There are myriad ways to enjoy this entertaining picture book: from the mystery of the missing Rs, to the superb silliness of the pet feet, from the zaniness of the town inhabitants oblivious to the absent Rs to the engaging art that keeps us glued to the page. I’m thrilled I had this opportunity to read and review My Pet Feet and help spread the word about this fun new story. And while a pet ferret is probably pleasing, I think there are times when having pet feet could come in handy (pun intended) too!
From the Publisher: “In this exciting guessing game for budding nature lovers, a child takes a walk to explore the sights and sounds in a garden, across a meadow, and along a brook … Dianne White’s playful text is paired with the vibrant collage artwork of Amy Schimler-Safford.”
Dianne White’s simple, rhyming text introduces young readers to the colors and sounds of creatures that live in each ecosystem using a riddle-like structure that invites page turns. At the same time, Amy Schimler-Safford’s gorgeous, collage-style art encourages little eyes to seek and find the hiding creature …
making this a truly interactive and enjoyable reading experience.
Accessible backmatter in Look and Listen offers readers and/or teachers more information about the habitats and animals highlighted in the book. This radiant picture book inspiring all five senses would make a great read-aloud for preschool classrooms to use just before a nature walk or trip to a National Park.
From the Publisher: “A stray maple seed, is picked up by the wind and begins a long, wordless journey through a local neighborhood…Eventually, it finds a place to rest …Years later, a family that encountered the whirligig on its journey takes a walk in the forest and meets the seed again—this time as a fully grown maple tree.”
In this appealing wordless picture book with inviting art and a diverse cast of characters, Deborah Kerbel and Josée Bisaillondescribe the unpredictable journey a seed takes as it whirls its way through a family’s backyard, past the wheels and paws of several park visitors, into the hands of a few curious kids, and onto the artwork of another.
Before, eventually being found (and fought over) by birds and accidentally planted by a dog.
In time, the seed sprouts and grows, and is discovered by another park visitor who delights over its “magic.” A swirl of wind grounds the story and guides the reader through this visual tale perfect for spending time in nature. A back page of maple seed facts also offers readers inspiration for conducting their own research into similar topics.
I love it when picture book art begins on the copyright page and continues onto the title page giving readers an early taste of what’s to come. That’s what first struck me about author-illustrator Paula Cohen’sdebut, Big Fish, Small Dreams. In fact, Cohen’s charming digitally colored pencil drawings include Shirley’s right foot being lifted out of her shoe when the small girl nails the word fish on the title page just mentioned, an actual black-and-white family photo hanging on the wall, to Hebrew lettering under the sign “Gefilte Fish .40/piece.” Then there are the evocative outfits and old-fashioned food packaging helping to transport readers back in time to the small family grocery store inspired by her grandparents’ shop in Upstate New York.
Each family member in the book has a major role to play, Uncle Morris stocked the shelves and no one made a taller tower. Papa kept the store tidy and helped customers. But, it seems there was one item, a staple to the immigrant Jewish family that others in the neighborhood would not buy, gefilte fish. “No one would even Try it.” I have to say I could relate to the reluctance of the neighbors. My grandmother would serve jarred gefilte fish, and the only way I would eat it was smothered in horseradish sauce. Learning that some families made it homemade, however, did change my feelings towards this Jewish specialty.
Shirley may be young but she believes she has big ideas to sell this stuffed fish. Cohen illustrates signs near the cash register—Follow Me to Fish and This Way to Fish. And we see the smile on the brown-haired girl with orange ribbons in her braids standing near the store’s gefilte fish table. She thinks of how to make things faster, prettier, and more modern. Yet nothing would move those cans of gefilte fish.
Shirley’s family says they didn’t come to America for their daughter to solve problems, but then a miracle happened. The family rushes to the hospital when it’s time for Aunt Ida to have her baby leaving the store in the hands of Mrs. Gottlieb who Cohen draws snoring in the back of the store. This is when young Shirley and her precious white cat get busy. She decorates the store and offers “serve yourself pea soup.” But her biggest idea comes when Mrs. Hernandez arrives to purchase tomatoes and a pound of kugel. Shirley packs up her order nicely and places a surprise inside the bag. The drawing of Shirley innocently placing the tin of homemade gefilte fish in the brown paper bag is quite a sweet moment. More customers arrive and more gefilte fish is distributed with the sign “Buy Anything And Get A Surprise” hanging on the wall.
A grey, yellow and brown illustration of the neighborhood apartment building shows neighbors from various ethnicities tasting this new treat with smiles on their faces, but when Mama and Papa return from the hospital to an empty pot and no cash in the register our little protagonist is sent upstairs to go to bed early. The next morning neighbors are lining up for this Jewish delight: gefilte fish. And Mama and Papa couldn’t be prouder. “You know Shirley, you have some pretty good ideas in that keppele after all,” said Mama. Cohen weaves some wonderful Yiddish words into her story making the characters come alive on the pages. (Keppele means little head in Yiddish).
Cohen’s back matter tells the meaning of the Yiddish words she uses. She also explains the story of gefilte fish, along with supplying the Russ Family Salmon and Whitefish Gefilte Fish recipe. I loved learning about Paula’s family story. Both her words and drawings leave the reader feeling like they knew her. Sadly, before this book had a chance to reach readers’ hands in early 2022 Paula passed away suddenly. She is a woman I would have loved to have met. She recorded a beautiful video of herself emotionally opening the box that contained the book, and I am so grateful she had that joyful moment. Sharing this book with friends and family is a great way to assure that Paula’s story will not be forgotten. May her memory be a blessing.
Reviewed by Ronda Einbinder
Read the Publishers Weekly obituary for this talented author-illustrator hereand visit her website here.
Strong is the kind of feel-good picture book that demonstrates to children, through a real-life example, the benefits of being true to themselves and following their dreams.
In this accessible biography, readers learn how, from an early age, Rob Kearney showed an affinity for lifting heavy things whether that was milk bottles or bags filled with groceries. As he grew so did his strength. He could easily pull a tug-of-war rope or lift cheerleaders sky-high. This powerful ability made him feel good about himself as his interest in weightlifting blossomed. “But Rob’s favorite sport was weightlifting. It required him to use every muscle in his body.” Sentences like this one give readers a wonderful understanding of what it was that appealed to Rob and why he ultimately pursued weightlifting as a career.
Rob’s life was forever changed after being introduced to the Strongman competition at age 17. He learned it was SO much more than lifting heavy weights. To qualify, he’d have to be able to pull a vehicle, flip an enormous tire, lift a log over his head, and lots more that’s described in fascinating backmatter. The art and prose depict how committed Rob became and how he trained before school by running, swimming, and lifting all sorts of things. At his fittest, he could lift over 400 pounds which is more than a refrigerator!
Without ever stating the main character’s queerness outright, the authors describe how, when not in his workout garb, Rob had a truly original style with his hair cut in a Mohawk, along with a flair for dressing in bright, bold colors and patterns that were 100% him. They also show Rob coming in last place at his first competition which is realistic as well as smart to demonstrate to children. People do not automatically win. Success takes hard work. And Rob was determined. He also was in love. Chanani’s vibrant art pairs perfectly with the text and reflects Rob’s personality in all its Strongman glory. A favorite spread of mine is below.
While training Rob met Joey who motivated Rob to be himself. While it’s not clear how long after meeting Joey Rob went on to win the North American championship, what is clear is that Rob’s personal growth helped him overcome any challenges such as bullying and self-doubt he may have had on his journey. This picture book, full of hope and positivity is recommended for any child questioning their self-worth. Rob’s candid Author Note on how being openly gay helped “smash stereotypes” about sexual orientation and perceived strength reminds me of my former gay roommate in London who was a proud tri-athlete in the ’80s when laws still criminalized homosexuality. I believe this book does a great job of acknowledging and encouraging any children feeling unsure about themselves whether that relates to their sexuality or their self-confidence.
Reviewed by Ronna Mandel
Also highly recommended:
THE RAINBOW PARADE Written and illustrated by Emily Neilson (Dial BYR; $17.99, Ages 4-8)
Rosemary Wellsintroduces the reader to her family’s history in the telling of a rocking chair built by her great-great-grandfather. We travel with the author of more than one hundred books for children, and winner of the Christopher Award, on the road imagining where the chair may have traveled inThe Welcome Chairwith illustrations by the lateJerry Pinkneywho has earned seven Caldecott Medals, five Coretta Scott King Awards, five Coretta Scott King Honors, five New York Times Best Illustrated Children’s Book Awards, and the Original Art’s Lifetime Achievement Award.
Learning about family history is so much fun, and reading the story of Sam Seigbert who was born in 1807 in Bavaria, and brought to life by Wells from a family diary, was quite fascinating. Wells’s great-great-grandfather was destined to be a carpenter, but his father insisted that he study the Torah to become a Rabbi like him and his grandfather. “It’s settled. You will not work with your hands like a country bumpkin.” But that was not what Sam wanted, so at age sixteen he cut off his sidelocks, so no one would bully the Jewish boy, and hiked north to find work as a deckhand on a freighter for three pfennigs a day. The captain noticed Sam could read and write and offered him a job logging inventory on the ship. When the ship docked, Sam “darts away across the Brooklyn docks into the screeching, shrieking, filthy, clanging, terrifying, ugly and beautiful young city of New York.”
Pinkney’s extensive experience led him to execute the illustrations with contour drawing and watercolor washes, and pictures using burnt okra Prismacolor pencils and pastels. It was a perfect choice to showcase the 19th century as Sam meets Able Hinzler, and his wife Klara, and is hired on to become the bookkeeper and apprentice carpenter for Hinzler’s Housewright shop. When Magnus Hinzler is born, Sam carves a cherrywood rocking chair for Klara to sit in comfortably with the word “Willkommen” meaning Welcome in German across a panel. This is the start of the chair that had many lives.
As told by Wells, Sam moves to Wisconsin with the Hinzler family. “The rocking chair goes with them. One evening he meets Ruth and falls in love with her gentle laugh and green-gray eyes. When their firstborn, Henry, arrives Sam carves Baruch Haba—Hebrew for “Welcome”—right under “Willkommen,” into the chair’s panel so that Henry will know his heritage.
When Wells was ten, her grandmother showed her the diary that was written in spidery old German by Wells’ great-great-grandmother Ruth Seigbert and read it to her. She decided to write a memoir of the diary in the first half of The Welcome Chair that ends in 1918 and brought to life the rest of the story through stories she was told.
In 1863, Henry was killed in Gettysburg and his younger sister Helen eventually married Harry Leopold. They moved to New York, and you guessed it, the chair travels east by railway. When Helen hires Irish girl Lucy as the family seamstress, she gives Lucy the chair as a wedding present and the word “Failte”—Irish for “Welcome” is spelled out with brass letters.
We watch the clothing and people change, showing Pinkney’s research, along with the timeline. Years have now passed and the chair moves from trash on the sidewalk picked up by a junkman, to Santo Domingo nuns living in Newark, New Jersey who carve “Bienvenido” in Spanish into the wood. When the nuns pass away, the chair is placed in a rummage sale in 2010 where Pearl Basquet’s mother grabs it. “’Our Welcome Chair needs a new word,’” says Pearl.” Her father chisels “Byenvini”—the Haitian word for Welcome.
This is a beautifully told story tracing the history of what was, to the present of what could have been. If these walls could talk what would we know about old family heirlooms? Wells and Pinkney give readers a beautiful glimpse into the “what-if.” Grandparents can read this meaningful story to their grandchildren, and tell their family history to be shared from generation to generation.
“Inspired by six-year-old Gianna Floyd’s words about her father, George Floyd, in the wake of his murder, this picture book centers the loving relationship between fathers and children.” – Publishers Weekly
This picture book resonated with me having just recently lost my dad making it my first Father’s Day without him. The lyrical stanzas describing love, truth, comfort, learning, heroes, trust, and pride unfold at a perfect pace as we glimpse special moments and lessons learned passed down from father to child.
Peopled by a diverse group of fathers and children and narrated from a child’s point of view, this picture book beautifully explores the importance and influence of fatherhood, especially for those of color. Using the powerful refrain “Daddy speaks” throughout, the text addresses simple activities (bedtime stories) to impactful insights only elders who’ve been there can share. “Daddy speaks LEARNING when he says, “’Listen up. This world isn’t always fair. This world isn’t always kind. And this you’ll need to know.’” Lewis’s moving watercolor illustrations present a realistic portrait of the characters in a warm palette that complements Henderson’s meaningful prose. The book includes a must-read author note at the end.
I love how author-illustrator Brian Biggs has taken the “dad as superhero” story and turned it on its head. They’ll also see a father very active in caring for his daughter. Despite that, it’s obvious to little Abigail (aka Awesome Girl) that her father is not really listening to her or believing her amazing adventures. His priority is getting her bathed, while Awesome Girl’s goal is to serve mankind, rescue her cat from a tree (even though it doesn’t need rescuing), and “Save the day!”
When Abigail remains in the tub and her father goes to make dinner, her need to fight for truth and justice is once again spurred into action. A purple octopus monster abducts Abigail’s dad and is threatening him for not believing in his daughter. Awesome Girl, with her fab feline sidekick, must rid the city of this menace. And she does so in a cool, comic-book-style action sequence! In an adorable show of solidarity, Awesome Dad emerges safe and impressed following his daughter’s show of strength. Seeing is believing in this delightful story. The mixed-media art along with the hand lettering in My Hero brings energy and entertainment to this thoroughly satisfying read. Don’t miss the bonus treat hiding under the dust jacket!
Meet a variety of daddies doing all sorts of daddy things with and for their children. The premise of Ekster’s picture book is simple: Dads are all different and approach their lives and childrearing in their own unique way. And just as no two dads are alike, no two kids are either.
For little ones, the fun part will be both the read-aloud aspect and hopefully seeing a father (or father-figure) between the pages they can relate to whether it’s a dad who goes to work dressed in a suit, in a uniform, or in pajamas working from bed. Some dads are sporty while others like to read (and ultimately nap!). I also enjoyed Mac-lean Alvarez’s vivid artwork depicting these same fathers throughout the story often interacting in scenes where the older reader or caregiver can point out details included such as a dad who missed catching his daughter and ends up in the doctor’s office. More a concept story than one with a plot, Some Daddies delivers in demonstrating that there is no one type of daddy, but since there is no one type of kid, that’s just fine.
Click here to find more Father’s Day book reviews.
From seed to “super bloom,” debut author, Lisa Kerr, introduces readers to the California desert poppy in a combination of lyrical and expository nonfiction text. From the publisher: “A lyrical ode to California’s most treasured wildflower, Wake, Sleepy One gently captures the quiet strength of the poppy in all its breathtaking wonder.”
As the sleepy poppy wakes, it “rises” from the ground “reaching” for the sun and “waiting” for her time to shine. This “tiny dancer” swirls and twirls in the breeze as it is joined by hundreds of other waking seeds in a rare natural phenomenon of the desert super bloom.
Lisa Powell Braun’s charming artwork supports Kerr’s spare text and offers a variety of reading options for this book. The youngest of listeners will be able to grasp the story’s concept and watch the poppy “wake…rise…reach…wait…unfold…dance” and “shimmer” with a simple reading of each page’s single italicized line. Preschool and kindergarten listeners will delight in the added emotional tension of the entire main text, while older readers will appreciate the facts in Kerr’s nonfiction sidebars.
Two full spreads of stellar backmatter add to its usability in the classroom, and make this a perfect resource for learning about desert landscapes!
This is the time of year when many people attend graduations. And not just high school and college graduations. They go to all kinds of graduations from kindergarten to massage school and lots more in between. But the road taken may have been long and winding with obstacles and indecisiveness. And what of the road ahead? That’s why it’s so lovely to have a book such as The Pathby Bob Staake that celebrates the journey as much as the accomplishment. In other words, this book is ideal not just for the graduate, but for celebrating individuality as well.
Acclaimed New Yorker cover artist and author and/or illustrator of more than 50 books, Bob Staake brings readers both young and old a picture book that simply and gorgeously addresses the highs and lows of life’s pathways. They are not always straightforward.
Written in second person, the prose does not always promise that things will be easy and that’s the honesty that appeals to me. It’s also how Staake’s stunning illustrations and color palette convey this message. The path doesn’t always lead to ribbons and rainbows. But as things begin looking up for the traveler, the colors begin to lighten up, too.
This is a picture book about possibilities. It’s not just about the path we choose but about our outlook, and our perspective. I think reading The Path together with kids can help them not only look at what choices exist but it can also help them understand what taking each one will mean, and how to forge their own unique way in the world. What a super conversation starter for parents, caregivers, and teachers about self-reliance at an age when children are beginning to assert their independence.
Find an exclusive bonus print from Bob Staake inside the jacket.
The dynamic duo of I Am a Thief by Abigail Rayner (author) and Molly Ruttan (illustrator) have created a new picture book sure to spark conversations about this timely issue.
Violet used to love birthday parties, but now that she has celiac disease, she’s not allowed to eat pizza, cake, or anything else with gluten. Violet feels alone until she discovers that some animals have dietary restrictions as well. While standing up for her animal friends, she realizes she can do the same for herself. And when it’s time to celebrate Violet’s birthday, there isn’t a single gluten-containing crumb in sight!
Filled with pluck and humor, this informative story provides a great opportunity to discuss this increasingly common condition with children who have celiac disease and gluten intolerance as well as those who know people who have it and are seeking to learn more about it.
Watch the trailer and hear about illustrator Molly Ruttan’s experiences working on Violet on the North/South blog.
Click here to find Violet teacher resources including activities and coloring pages.
INTERVIEW WITH MOLLY RUTTAN
Molly Ruttan: Before I start, I want to thank you for featuring me on your amazing blog, Ronna! Thank you so much for giving me the opportunity to share my new book!
GoodReadsWithRonna:I’m happy to be able to showcase you and your artwork here today and I appreciate that, in the midst of all your promotion, you made time to answer these questions.
GRWR:What would you say, as an author-illustrator with several books under your belt, is the biggest challenge when illustrating someone else’s manuscript as compared to your own? Is the approach the same?
MR: As an author-illustrator, the process of working with the text and the pictures at the same time feels very natural to me. When I work with a manuscript someone else has written, I shift my process a bit. Jumping into a manuscript that someone else has written is like diving into the deep water, as opposed to wading out there. But the deep dive is part of the joy, and as I work on mapping out the book and making the little dummies I begin to develop a solid connection to it. The connection becomes even stronger as I go through the process of finding the characters. By the time I have all the characters and their setting, and I have begun the full-size book dummy, I have become so familiar with the story that the process feels very much the same from that point forward. Of course, not being able to touch the words can sometimes be frustrating, but I have found that often it will push me to dig for visual solutions that are extremely satisfying to find.
GRWR: Was there much research involved about celiac disease before you could begin your sketches?
MR:I didn’t have to do a lot of research about celiac disease beforehand because, being somewhat gluten-intolerant myself, I knew enough about it to get started. Abigail Rayner, being the author and celiac-disease expert, reviewed my drawings along the way and made helpful suggestions. Our editor worked closely with the Celiac Disease Foundation, including sending the final draft of the book to them for review. And since NorthSouth Books is an international publisher and a German version of the book is also being released in DACH (Germany, Austria & Switzerland,) European gluten-free guidelines were also verified. For my own part, the end pages required the most research ahead of time, as I wanted to depict the grains and different plants as accurately & specifically as possible.
GRWR: How would you describe the particular technique that you use for illustrating? Please tell us how you achieved the look of the gluten clouds that accompany the crumbs!
MR: I would describe my technique as a wonderfully messy collaboration between traditional and digital media! I work with charcoal and pastel on watercolor and other papers. I use a charcoal pencil for the drawings, pastels for the color, and charcoal stencils for the gradation, shading and textures. Naturally, charcoal and pastel dust gets everywhere as I scan (I don’t spray my drawings because of a slight allergy to the fixative). Then the less-messy part of the process starts as I wipe down my scanner and paint digitally in Photoshop. I love the blend of charcoal linework and texture with the pastel color & texture I can create this way. Sometimes I also add liquid acrylic washes and texture as well. I love working traditionally but I also love all the options working digitally provides.
To create the gluten clouds that accompany the crumbs throughout the book, I used a slightly advanced photoshop technique. I scanned in all the stenciled swirly shapes I had created with charcoal-like I usually do, but then I colorized them using the channels. I love this technique – it gives me incredible flexibility because I can make the charcoal any color I want! And I love how the pastel and charcoal textures merge.
GRWR:What gave you the idea to make the evil gluten crumbs into characters?
MR: What—do you mean to tell me crumbs aren’t really alive?? Haha, seriously though… the idea to make the crumbs into characters was a collaboration. There was an art note in the manuscript suggesting “evil crumbs moving between food items via hands”, and my wonderful editor, (who I had worked with before on my first book with Abigail Rayner, I am a Thief!) remembered how I had animated the jewel I had done for that book and suggested I could do something similar with the crumbs in this book. What the crumbs looked like was obviously up to me, and I decided it would be more fun to make them grumpy, argumentative and disgruntled rather than straight up evil– I wanted to have more variety of expression, and I didn’t want them to be too scary.
GRWR: Did you always imagine Violet in a super-hero type outfit?
MR: In the text, Violet “takes desperate measures to defy the crumbs at school”, and there was an art note suggesting that she makes some sort of ridiculous protective suit. Since I had the idea to make crumb “clouds”, I gave her a suit based on rain gear, including an umbrella. But I felt something was still missing—so in my doodles, I spontaneously added a cape, and Violet’s superhero avatar sprung into being! I loved this solution because it freed me to play with her as that identity as she helps her animal friends. It also perfectly emphasized her heroic journey. I often find that the spontaneous solutions that come to me through drawing are the most fun and rewarding!
GRWR: You capture the expressions on Violet’s face and her body language so well. Does this process take a long time until you feel you get it right?
MR: Some drawings fall into place and others take a long time, but I usually get the gist of what I want right away in sketches, and then refine the expressions & poses when I make final drawings. When I’m drawing, I catch myself unconsciously making faces that match the expressions I’m drawing – this is when I’m grateful that I work alone, haha! I like getting into the position and acting out what I’m trying to draw too. It helps me feel what the characters are experiencing and helps the drawing of it.
GRWR: Were the beautiful and info-filled illustrated endpapers your idea? It’s great how in the front you depict foods containing gluten and in the back, you show which grains, starches, or flours can be part of a gluten-free diet.
MR: Thank you! I really enjoyed illustrating the end pages! I knew from the beginning that there would be back-matter on the back end pages – originally it was one page for the “About Celiac disease”, and a spread for a recipe and the rest of the information. When my editor saw my sketches, she suggested we would drop the recipe and spread out all the information across the two end-page spreads. I loved this idea, and we decided it would be fun to separate the gluten and gluten-free information to the front and back spreads, just the way the kids separated the food on the picnic table!
GRWR: Can you share with us any new projects you are working on?
MR: I recently submitted all the final art for my next author/illustrated book, Something Wild, published by Nancy Paulsen Books.It’s about stage fright—something I have battled my entire life. The book tells the story of a girl who loves to play her violin but is terrified of the upcoming recital. She imagines all kinds of wild things she wishes would happen to keep her from having to perform. It’s a subject very close to my heart and I’m excited about it! It comes out in a year—April 2023.
I’m currently illustrating another book which I’m also very excited about, written by Stacy Lynn Carroll, called The Yowlers, also published by Nancy Paulsen Books. It’s about a grumpy family who transforms as they experience the joys of goodwill and graciousness under the influence of new, happy neighbors. This book is slated for April 2024.
I also have a very active critique group that keeps me busy with sharing new ideas. I have one book almost ready to go back out on submission. My list of things to work on is always very long!
GRWR:And finally, can you offer aspiring illustrators any word of advice that you got as a beginning illustrator that has stayed with you over the years?
MR: I love the Oscar Wilde quote: “Be yourself, everyone else is already taken.” As a twin, this quote has been particularly helpful for me in all aspects of life! But thinking of this as it applies to my own art has been—and continues to be—also very helpful. It goes along with what my wonderful teacher and mentor Marla Frazee once told our class—that often we tend to think that what comes easy for us isn’t valuable or legitimate because it’s easy. It is just the opposite! Not everyone finds doing whatever that is that you do, easy. Lean into what flows out of you, inspires you, and gives you joy.
GRWR: Thanks so much for all your great answers, Molly. It’s so fascinating to get inside the head of creators!
MR: You are so welcome!! And thank you so much, Ronna, for having me on your fantastic blog! I know you have been through a lot lately, and I really appreciate your taking the time to support me and my new book.
BUY THE BOOK
• Below is a link to order a signed copy from Molly’s local independent bookstore, Once Upon a Time. When ordering, be sure to write in the comments section that you want a signed copy. And if you’d like the book to be personalized, please include the name. The book also comes with a bookmark!
Molly Ruttan grew up in Hastings-on-Hudson, New York. She holds a Bachelor’s of Fine Arts from the Cooper Union School of Art, New York. She currently lives, works, and creates art in the diverse and historic neighborhood of Echo Park in Los Angeles.
Her titles include her author/illustrator debut, The Stray, from Nancy Paulsen Books/Penguin Random House, and I Am A Thief! along with Violet and the Crumbs by Abigail Rayner for NorthSouth Books. Molly has two additional titles forthcoming with Nancy Paulsen Books. She is represented by Rachel Orr at Prospect Agency.
I recommend this sweet, satisfying board book that shines a loving light on Black children enjoying various mother/child activities throughout the course of a day. Told in succinct and spry rhyme, the text allows a parent or caregiver to read at a quick pace or stop with each new scene to discuss what’s happening in the art. Speaking of art, Corrin’s expressive illustrations immediately draw our eyes in so we focus on the joy, and other emotions taking place as different children spend special one-on-one time with their mamas whether that’s making pizza, being given a bath, or getting tucked into bed.
There is so much to like about this picture book from the two-mom parents, a biracial couple, to the beautiful art that is filled with special details, and the loving familial relationship evident on every page. And though not a “Mother’s Day” book per se, it felt right to include it here.
In this story, one parent, Mommy, goes away on a business trip and the child recounts day by day how she misses her from the Sunday departure to the Sunday return a week later. LaCour details little things from a child’s perspective that mark her mom’s absence and how Mama is there to help ease the little girl’s sadness.
Added to that are Juanita’s delightful illustrations that invite lingering. One that is especially touching is when the child has her head down on the kitchen table, uncomfortable that with Mommy gone, she is not in the middle of her parents. Tender moments are conveyed in both art and prose. One very realistic event is when Mommy comes home. Readers will see the girl anticipating her mother’s return and notice that over several spreads her mood seems to go from the excitement of preparing a bouquet to sadness as she recalls how much missing she had done over the week. But after explaining her feelings to her mom, and being validated, the little girl can now once again revel in being back in the middle.
In this rollicking read-aloud (A Proud Partnership between glaad + little bee books) readers are introduced to a variety of moms in a clever take on all kinds of mothering. While the rhyme is not always spot on, the overall theme of the book is hard to resist. Coupled with the lively and diverse characters spread throughout the book in the colorful and expansive art, All Moms is a book I think children will appreciate.
We meet moms who are sporty, moms who are musical, moms who fix cars, moms who are crafty, as well as those who “are early and others are late.” The book depicts moms as bosses, moms as doctors, single moms who “work twice as hard to make our lives fun.” There are dads who give hugs like moms, a grandma and grandson, and moms who “give snuggles. Some play pretend. Some moms read stories or help you make friends.” Since “a portion of the proceeds from the sale of this book will be donated to accelerating LGBTQ acceptance,” there’s a terrific spread of a Pride Parade with people carrying rainbow flags, and Equality, Love Has No Limits and Love is Love signs. All Moms is a good reminder that moms come in all shapes, ages, sizes, and colors with assorted interests but most important is that “all moms’ love is as big as the sky.”