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An Interview with AlphaBot Author and Illustrator Vicky Fang

 

RAJANI LAROCCA INTERVIEWS VICKY FANG,

AUTHOR AND ILLUSTRATOR OF

ALPHABOT

(MIT Kids Press/Candlewick Press; 14.99, Ages 3-7)

AlphaBot cover mix and match robots

PUBLISHER SUMMARY:

Found your circuit-board head? Your voice-control torso? Your hydrojet feet? Hooray! You’ve made one of the 729 mix-and-match robots that are possible with this innovative flip-flap book. Alongside the bright and cheery illustrations of robot parts is a basic alphabetical listing of terms—from android to gears, neural network to program, wheels to Z-drive—and a basic definition of each. With a concealed spiral binding and sturdy card stock pages to hold up to enthusiastic flap-turning, AlphaBot is full of appeal for young robot lovers, preschoolers who love machines, and anyone looking for STEM books for the younger set. Back matter includes a brief explanation of the three key abilities of robots: to sense, think, and act.

INTERVIEW:

Rajani LaRocca: How did you come up with this idea?

Vicky Fang: ALPHABOT actually started off with the title! As a former designer of robots for kids, I think about robots a lot, haha. Once the title and the idea of a robot alphabet book were in my head, I knew I wanted to make something interactive. I thought about different novelty formats (flaps, cutouts, etc.) until I had the idea for mix-and-match flaps. This meant kids would be able to mix-and-match the A-Z robotics terms to create their own robots. How fun and exciting! I spent a long time thinking about what terms would work and making paper dummies to prove out the concept.

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RL: What kind of challenges did you face coming up with a novelty book idea like this?

Alphabot int2 circuit fan treads
Interior illustrations and text from AlphaBot written and illustrated by Vicky Fang, MIT Kids Press ©2023.

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VF: This book was definitely a puzzle to put together! I have several paper dummies where I was working to make sure I could make all the terms work together. Once I had a working dummy, it was also challenging to sell the book! Novelty books are expensive to construct, so even though several editors were interested, it took time to find a publisher that could figure out how to make the numbers work. I’m so glad that MIT Kids Press/Candlewick found a way and I’m so happy with the quality of the book!

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RL: I see a strong parallel between this book and your debut, INVENT-A-PET. What do you see as the similarities and differences between them?

VF: I love introducing kids to STEM concepts, but really, I want kids to be creative problem solvers. This is at the heart of both books! Even though INVENT-A-PET is a fiction story about a girl inventing fantastic pets and ALPHABOT is about non-fiction informational book about creating robots, you can see that both books invite kids to be inventive! Maybe the different approach will appeal to a different kid, but hopefully, all kids find a way to engage their imagination from the STEM content in these books.

AlphaBot int1 gears hydrojets
Interior illustrations and text from AlphaBot written and illustrated by Vicky Fang, MIT Kids Press ©2023.

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RL: I loved the mix of familiar and not-so-familiar terms in this book! Was it hard to come up with a concept for each letter of the alphabet?

VF: There were letters that were more challenging than others, especially to make sure they would work in their positions in the book (head, torso, or feet.) I tried several different options, as well as shifting which flaps the letters would fall on. But since I was also illustrating, I was able to think creatively about how these robot parts might work and all fit together!

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RL: What do you hope kids get from this book?

VF: Well, of course, I hope they understand robots a little bit better! The back matter is a pretty simple explanation of the capabilities of robots and came from my engineering partner, Chaitanya Gharpure. Hopefully, kids understand a little bit more about how robots work and what kinds of parts they might have!

But ultimately, as I was saying before, I want kids to have fun and be creative, I hope that this book sparks their imagination and gives them the confidence to create.

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RL: What’s next for you?

VF: I am very excited about my next early reader series, BEST BUDDIES, illustrated by Luisa Leal, which is releasing in October with Scholastic. It’s about a dog named Sniff and a cat named Scratch who are best friends and get into mischief at home. It’s been fun to explore themes of friendship and teamwork with these two characters who approach things differently, but together.

After that, I have many more books coming! I’m currently working on a new early chapter book series, AVA LIN, about a relatable and funny 6-year-old Chinese-American girl with a knack for getting herself into—and out of—trouble. Keep an eye out for it, launching with Candlewick in June 2024!

BUY THE BOOK:

Support a local independent bookstore and get a signed copy. (Please type in the comments how you’d like the book inscribed): https://www.lindentreebooks.com/alphabot.html

Also: https://vickyfang.com/books/alphabot/

AUTHOR BIO:

Vicky Fang is a product designer who spent 5 years designing kids’ technology experiences for both Google and Intel, often to inspire and empower kids in coding and technology. She started writing to support the growing need for early coding education, particularly for girls and kids of color. She is the author, and sometimes illustrator, of nineteen new and upcoming books for kids, including the Layla and the Bots series, Invent-a-Pet, I Can Code board books, Friendbots series, and the forthcoming Ava Lin series, Best Buddies series, AlphaBot, and The Boo Crew Needs You!. You can visit Vicky at vickyfang.com.

 

SOCIAL MEDIA LINKS:

Twitter (X): https://twitter.com/fangmous

IG: https://www.instagram.com/fangmousbooks/

Facebook: https://www.facebook.com/fangmousbooks

INTERVIEWER BIO:

Rajani LaRocca was born in India, raised in Kentucky, and now lives in the Boston area, where she writes award-winning books for young readers, including the Newbery Honor and Walter Award-winning middle-grade novel in verse, Red, White, and Whole. She has always been an omnivorous reader, and now is an omnivorous writer of novels and picture books, fiction and nonfiction, in poetry and prose. You can learn more about her atwww.RajaniLaRocca.com.

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Picture Book Review – Adam and His Tuba

 

ADAM AND HIS TUBA

Written by Ziga X Gombac

Illustrated by Maja Kastelic

Translated by Olivia Hellewell

(NorthSouth Books; $18.95, Ages 4-8)

 

 

 

Adam_and_His_Tuba_cover_Adam_leaving_circus_tent

 

 

★ Starred review – Foreword Reviews

 

The Von Trapeze circus family travels the world in their painted wagons performing to audiences who reward them with flowers and applause. But, not everyone in the family enjoys acrobatics, or applause, in Slovenian author Ziga X Gombac’s picture book Adam and His Tuba illustrated by Maja Kastelic.

 

Adam and His Tuba int1 Grandma Antonia breathing plumes of fire.
Interior spread from Adam and His Tuba written by Ziga X Gombac and illustrated by Maja Kastelic, NorthSouth Books ©2023.

 

 

I love how each family member’s first name begins with the letter ‘A.” There’s Grandma Antonia, who breathes blazing plumes of fire; Grandpa Angus who swallows swords; Papa Alexi and Mama Anastasia who bravely walk the tightrope; and twin sisters Aria, who rides a unicycle, and Alea who crawls into cannons. But what trick does the youngest son Adam perform?

Everything in the Von Trapeze family is just as it should be. Except … Young Adam is illustrated sitting alone in a tent surrounded by stage props and a unicycle while he’s reading what appears to be a book, but my guess is that it’s sheet music. The family tries desperately to get him to participate in the acrobatics. Grandma Antonia tried to spark an interest in fire-breathing. But it was no use. The reader sees a drawing of Grandma trying to put out the flame, as Adam stands behind her with his hands clasped together. Grandpa Angus tries to teach Adam how to handle a sword but instead finds his cape cut in half. It was no use.

 

Adam and His Tuba int2 Von Trapeze family closed the doors quietly.
Interior spread from Adam and His Tuba written by Ziga X Gombac and illustrated by Maja Kastelic, NorthSouth Books ©2023.

 

 

The Von Trapeze family gathers in a tent to try to come up with a solution. “He could iron everybody’s clothes and darn their socks,” one family member called out. “Why don’t we ask Adam what he likes doing?” The family wasn’t sure who called out that question, but as soon as it happened they heard a magical melody. Sitting on the bed with an enormous tuba was Adam. He played with so much skill. The family couldn’t believe what they were hearing and why didn’t anyone ever notice him before? The family had been so caught up in their own circus tricks they hadn’t paid much attention. The family felt awful but Adam wasn’t sad or mad. From that day forward the world-famous Von Trapeze circus family featured a new performer.

 

Adam and His Tuba int3 Adam and his tuba accompanies family circus act.
Interior spread from Adam and His Tuba written by Ziga X Gombac and illustrated by Maja Kastelic, NorthSouth Books ©2023.

 

This enchanting story about choosing your own path, even when it goes against the rest of the family, is a good message for young readers and a good conversation starter. What is right for one family member isn’t always right for another. The family realized they had been so focused on their own stuff they hadn’t noticed Adam. And when they eventually did, how wonderful that everyone could agree that Adam’s contribution to the circus made it that much better. Adding to the pleasure of this 40-page picture is the excellent artwork. Slovenian illustrator Maja Kastelic uses warm sepia colors throughout the story: black, gold, and orange, lovely bursts of light, and characters with red flushed cheeks that give the book an appealing historic vibe. A recommended read for kids who want to make their own kind of music in this world.

Find out more about the translator here.

  • Reviewed by Ronda Einbinder
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Picture Book Review – Two New Years

 

TWO NEW YEARS

Written by Richard Ho

Illustrated by Lynn Scurfield

(Chronicle Books; $18.99, Ages 3-5)

 

 

Two_New_Years_cover_multicultural_Chinese_Jewish_family_celebrating

 

Reading Two New Years written by Richard Ho and illustrated by Lynn Scurfield, reminds me of how wonderful it is to find similarities in cultures while also celebrating the differences. Ho draws from his personal life to imbue this heartwarming Rosh Hashanah and Lunar New Year story with meaning while also making it accessible to anyone, whether or not they are Jewish or Chinese like the family we meet here.

 

Two New Years int1 family celebrating rosh hashanah and lunar new year.
Interior illustrations from Two New Years written by Richard Ho and illustrated by Lynn Scurfield, Chronicle Books ©2023.

 

The book begins simply and yet pulls readers in to find out more. “My family celebrates two New Years: Rosh Hashanah in the fall and Lunar New Year in the spring. We’re shown through art and prose how this works so beautifully in a multicultural family. Though Ho converted to Judaism, he still remains committed to his Chinese roots and traditions which readers are introduced to over the course of the 22-page story. Since I’m familiar with Rosh Hashanah, but less so with the Lunar New Year, I was curious to get the details. This is accomplished by dividing the book into two parts, the first being the lyrical, emotional heart of the story and the second being the factual part.

Kids should find it interesting that both Rosh Hashanah and the Lunar New Year, as well as other holidays, are lunar-based in the Jewish and the Chinese calendars respectively. However, it’s the Gregorian calendar we use in our daily lives and the one most children know best. That’s why  Rosh Hashanah and the Lunar New Year fall on different dates every year.

The holiday customs Ho writes about demonstrate how much they have in common. One similarity both New Years share is putting the past behind to welcome in the new. In Chinese culture “we sweep past troubles out the door.” In Jewish culture, we “cast old mistakes into the  depths.” You can see those actions thoughtfully illustrated in a rich fall palette in the artwork below. When our children were younger, we often went with our Jewish community on what’s called a tashlich walk to a nearby park to throw pieces of bread into a stream, representing mistakes we can toss away to start anew.

 

 

Two New Years int2 sweeping troubles out the door and casting old mistakes into stream.
Interior illustrations from Two New Years written by Richard Ho and illustrated by Lynn Scurfield, Chronicle Books ©2023.

 

Both new years are about spending time with family and remembering those no longer with us. Scrumptious food is served. “We prepare foods that symbolize togetherness and the heartfelt sharing of good wishes.” So much about a new year is about moving forward and the hope for a better tomorrow, one filled with “long life and prosperity, good deeds and a sweet year ahead.” Scurfield’s thrilling illustrations depict the blast of a shofar (a ram’s horn) in the synagogue while opposite “the clatter of fireworks,” makes a loud noise as a dragon dances by during a parade. Respect and love fill the pages of Two New Years and will hopefully fill readers’ hearts too.

Twelve pages of interesting backmatter comprise the second part of the picture book including a lovely two-page Author’s Note. Children will benefit from the Visual Glossary included. It goes into more depth about aspects of both Rosh Hashanah and the Lunar New Year briefly touched upon in the story. As I mentioned earlier, I know less about the Lunar New Year despite having read many picture books over the years. While I knew about lucky money and the importance of the color red on the holiday, I had never heard about the tray of togetherness, a tray “filled with candies, dried fruits, and nuts and served to visitors at Chinese homes, and how the tray is divided “into either six or eight sections” because the words for six and eight respectively sound like the words for luck and prosperity. Likewise, young readers may enjoy learning that for Rosh Hashanah the seeds of a pomegranate symbolize the “many merits or good deeds” of a person.

I am so happy this worthwhile book is out there and hope it lands on many bookshelves in homes, schools, and libraries to be enjoyed year after year.

  • Reviewed by Ronna Mandel
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Picture Book Review for Rosh Hashanah – Tzimmes for Tzipporah

 

TZIMMES FOR TZIPPORAH

Written by Megan Hoyt

Illustrated by Christine Battuz

(Apples & Honey Press; $18.95, Ages 4-7)

 

 

 

 

When autumn arrives, it’s time to get ready for Rosh Hashanah, one of the Jewish high holy days. In Tzimmes for Tzipporah, written by Megan Hoyt and illustrated by Christine Battuz, readers meet Tzipporah who lives on a farm and is thrilled to be finally old enough to pitch in with the preparations. Rosh Hashanah has always been one of my favorite holidays so I couldn’t wait to read this new story.

“The earth is almost ready to share a special secret.” Lovely lyrical, anticipatory language packs the pages of this celebratory picture book that is sure to make your mouth water. The story begins just three days before the Rosh Hashanah holiday (noted in red typeface) and Tzipporah is eager to join Papa on the tractor as it turns over the lumpy soil. Rutabagas, yams, turnips, potatoes, and carrots have been harvested. Now, with just two days until Rosh Hashanah, it’s time to dust off the dirt and put the vegetables in burlap bags. Friends help make the work fun and the time fly!

 

Tzimmes for Tzipporah int1 friends help clean up vegetable harvest.
Interior illustrations from Tzimmes for Tzipporah written by Megan Hoyt and illustrated by Christine Battuz, Apples and Honey Press ©2023.

 

Kids will learn about farming life as they vicariously experience what’s involved through Tzipporah. It may not always be easy, and growing your own food is something so many children know little about, so I’m happy this book portrays the process, not just the end result. Tzipporah and her pals clean off the root vegetables with wire brushes. More hard work. This line, from later that evening when things are winding down, says it all. “Aching arms. Sore feet. Happy hearts.”

The next day, the last one before Rosh Hashanah means Tzipporah can cook at last. Along with brisket and honey cake, sweet tzimmes is on the menu and that’s what Tzipporah will help make. Using a tried and true recipe, this delicious dish is made from what the family has grown. Readers will see how Tzipporah spends a lot of time peeling with her father. He cheerfully assures her it will taste delicious despite her doubt.

 

Tzimmes for Tzipporah int2 Tzipporah stares at food in oven
Interior spread from Tzimmes for Tzipporah written by Megan Hoyt and illustrated by Christine Battuz, Apples and Honey Press ©2023.

 

After a visit to the synagogue for the Rosh Hashanah service and the traditional shofar blowing to ring in the new year, the family heads home to welcome friends and neighbors. Battuz’s bright and upbeat illustration above showing Tzipporah and her cute dog watching the tzimmes warm up in the oven is one of my favorite spreads. I can relate to it and likely many young readers can too! Tasing something you’ve helped make is quite exciting for a child. I only noticed the kitty in the basket by the plants after the second reading so see if your children spot it.

Capping off this fresh perspective on the holiday is a tzimmes recipe I intend to cook. There’s also an author’s note explaining the meaning of Rosh Hashanah and why Tzipporah’s experience is so meaningful for children to read about. I recommend adding this enjoyable picture book to your holiday collection. Why not have your child bring it to school so classmates can learn about the importance of Rosh Hashanah?

Shanah Tovah! Happy New Year!

 

  • Reviewed by Ronna Mandel
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Back-to-School Picture Book Review – And Then Comes School

 

AND THEN COMES SCHOOL

Written by Tom Brenner

Illustrated by Jen Hill

(Candlewick; $17.99; Ages 4-8)

 

 

And Then Comes School cover kids entering school

 

 

From the Publisher:

“Cooler mornings, cicadas buzzing, apples ripening . . . Can shopping for school supplies be far behind? . . . Whether the reader is a child who is eager to return to school or a younger one trying to imagine what school is like, this upbeat and lyrical ode holds sure appeal for returning students and first-timers alike.”

 

Review:

With this fourth installment of the “And Then Comes” series from Candlewick (this one illustrated by Jen Hill), Tom Brenner highlights all the seasonal changes that occur when the school season begins.

 

And_Then_Comes_School_int1_making_blueberry_jam And Then Comes School int1 making blueberry jam.
AND THEN COMES SCHOOL. Text Copyright © 2023 Tom Brenner. Illustrations Copyright © 2023 Jen Hill. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Brenner’s lyrical text and “when . . . then” structure are a welcome, and unexpected, addition to the “back to school” book cannon, while Hill’s exuberant art celebrates all the delicious feelings end-of-summer-first-of-fall changes bring to families around the country.

 

 

And Then Comes School int2 deciding first-day outfit
AND THEN COMES SCHOOL. Text Copyright © 2023 Tom Brenner. Illustrations Copyright © 2023 Jen Hill. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

I must agree with the publisher that And Then Comes School is sure to connect equally with kiddos anticipating their return to school and those who are experiencing it for the first time. And while I don’t want to give anything away, I’m sure parents and teachers will find a spread or two in the book that resonates just as heartily with them as well.

 

  • Recommended & Reviewed by Roxanne Troup

 

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An Interview with Katrina Tangen, Author of Copy That, Copy Cat!

 

 

NORA NICKUM INTERVIEWS KATRINA TANGEN, 

Author of COPY THAT, COPY CAT!

Illustrated by Giulia Orecchia

(Barefoot Books; $19.99, Ages 4-8)

 

Copy That Copy Cat! cover multiple animals

 

 

PUBLISHER’S SUMMARY:

This rhyming, lift-the-flap picture book of riddles introduces children to biomimicry in a thoroughly fun format. From sonar to snowshoes, discover concrete examples of human inventions that copy things found in nature. The story invites readers to guess the answers to riddles based on rhymes and visual cues that peek through die-cuts. Page turns reveal surprise answers that show how inventions mimic biology, with additional information under flaps. Endnotes include lift-the-flap guessing games to reinforce learning.

INTERVIEW:

Nora Nickum: Katrina, Copy That, Copy Cat! is such a fantastic book. I love how you used rhyming riddles where the answer isn’t what the reader expects. Kids love surprises! Can you tell us what inspired you to write about this topic and use this rhyming riddle approach?

Katrina Tangen: Thank you! Fittingly enough, I was quite a copycat for this book! It was inspired by two main things. The first was Abi Cushman’s Animals Go Vroom!, which uses misdirection to set up hilarious page turn surprises. I loved it, but kept wanting it to rhyme to set the joke up even more. So I tucked that away as an idea of a format I wanted to try sometime. 

The other was my sister Heather, who is a high school science teacher. I was brainstorming nonfiction ideas and asked her for some STEM topics. One of her suggestions was biomimicry—which I’d never heard of! So she explained (although I only sort of understood) and I stuck it in my notes, along with a vague idea of a puzzle component. 

A month or two later, the idea of combining them popped into my head. I started researching that day and finally started to understand what biomimicry actually was!

 

Copy_That_Copy_Cat_int1_Bird
Interior spread from Copy That, Copy Cat! written by Katrina Tangen and illustrated by Giulia Orecchia, Barefoot Books ©2023.

 

NN: How did you decide which inventions to include? 

KT: There are several other great picture books about biomimicry, but they tend to skew older and focus on cutting-edge inventions. I wanted to go younger and focus on everyday inventions. So, it’s about how airplanes work at a basic level, rather than a specific way of improving an airplane, like winglets. That felt more accessible and also let me explain the basic science behind the inventions. As a bonus, I wound up being able to include a lot of the cutting edge inventions on the cover and in the backmatter!

 

NN: Were there any fun inventions you ended up not having room to keep in the book?

KT: It was hard to choose—there are so many cool ones! Octopus/suction cup made it into the manuscript but got cut in editing because of space. (Although the first suction cups were actually gourds.) Finding anything to rhyme with “octopus” took forever!

And Velcro (which was inspired by burrs stuck in a dog’s fur) never made it in at all. I wanted to include it because it’s such a fun, kid-friendly invention. But all of my others were animals, and this was really about the plant. Plus, I didn’t think any kid was going to be able to predict the word “burr”!

 

NN: Did you pitch the book with the interactive die-cuts and lift-the-flaps, or was that element added later? 

KT: No, that all came later. I never thought I’d have die-cuts or flaps—much less both!

One of the first things my editor Autumn wanted to talk about was adding some kind of interactive element. Originally, the idea was specifically “like flaps, but something else.” So I researched lots of board book interactive elements. We looked at different mechanisms for the transition from the animal to the invention. We also considered interactive demos of the science or invention. My favorite idea was a wheel you could turn to fill and empty the submarine tank, which would have been cool!

Eventually, we decided that the page turn already worked well for the reveal, but adding the die-cut would make it even better. So then we researched different ways to use die-cuts (Giulia Orecchia, the illustrator, has some other books that do cool things with them!). In the end, we decided to copy from Animals Go Vroom! again. Abi’s book uses a die-cut to show the animal and then when you turn the page, you see the animal in the context of the whole scene, which reveals the joke. Copy That, Copy Cat has the extra layer of tricking you into seeing an animal in part of the invention. Giulia did such a good job with that!

The big flaps work really well to add space for the science explanations without taking up all the illustration space. And they can even be in a nice big font, which I appreciate! 

 

NN: It’s so cool to hear about how all those design decisions were made. And Giulia’s art is wonderful. The interactive back matter is really intriguing, too. Kids will have so much fun with it! How did you decide what to include in the main rhyming text, and what would fit better here at the end?   

KT: Originally, I just had normal backmatter—further reading and a podcast and music to check out, and a bibliography. The fun backmatter all came after the plan to add interactive elements during editing. We talked about having an interactive element on each spread, so I came up with one for each invention. Then there wasn’t space, so they got moved to the back and a couple were replaced by Fun Facts. 

The airplane/bird one was changed quite late because we couldn’t get a for-sure answer on part of the science in the original version. That was stressful because I had to research the new one very quickly. Figuring out which wing goes up to turn which way was tricky—I still have to act it out to be sure! But I think it turned out well and, as my nephew has discovered, it makes a fun (very) mini flip book!

 

NN: Those last-minute changes can be hard, but it turned out great! Something else I’m curious about: You have a small space for the “How does it work” text under each flap, and you’ve done a great job making things concise and clear within those constraints. Was it difficult to pare those explanations back to the most important elements and write them in kid-friendly ways?  

KT: Yes! First I had to study the topic enough to understand it, then explain it clearly but succinctly, using simple words. (Much easier to do any two of those three at a time!) Some of them were pretty straightforward, like the flippers and snowshoes. But the airplane wing was a little tricky, and the bike reflector was almost the death of me! Explaining how eyes work, how mirrors work, and then how retroreflectors work all in a couple of sentences is not for the faint of heart. I’m glad we were able to have the diagrams take on some of that job—particularly because in figuring those out, I realized that, in streamlining the text, I’d messed up part of the science. Glad we caught that in time!

 

Copy_That_Copy_Cat_int2_Plane
Interior spread from Copy That, Copy Cat! written by Katrina Tangen and illustrated by Giulia Orecchia, Barefoot Books ©2023.

 

NN: Shifting from you as an author to you as a reader: What books did you most enjoy when you were a kid? 

KT: I loved to read, especially mysteries. And writing nonfiction is kind of like solving a mystery. You investigate, collect evidence, make connections, and fit it all into a pattern that (hopefully) snaps together at the end in a satisfying way.

 

NN: I love that comparison between writing nonfiction and solving mysteries! Were there any nonfiction children’s books that drew you in when you were young?

KT: I wasn’t really a nonfiction kid. Growing up in the ’80s and ’90s, there wasn’t the range of kid’s nonfiction we have today. I’m sure there were some great books that I missed, and I bet there were nonfiction books in my picture book reading that I don’t remember. One I do remember (for the unusual title) is How God Gives Us Peanut Butter, which showed how peanut butter is made. And I did love process videos, like when Mr. Rogers would take us to see how a mailroom runs, etc. 

But my impression in elementary school was that nonfiction was all educational textbook-y books or browsable photo-illustrated books designed for reluctant readers. (Plus they always seemed to be about sports, and I was not a sporty kid!) 

 

NN: It really is great that there’s so much more creative nonfiction for kids to find on shelves today–with your book being a fantastic new addition. Now, to wrap up, a super important burning question: Would you rather have flippers like a frog, or sticky feet like a gecko?

KT: Gecko feet would be super fun—or maybe echolocation, so I’d never run into things in the dark!

NN: Even better! Thank you, Katrina, for sharing the behind-the-scenes stories about the making of Copy That, Copy Cat! I know kids and adults alike are going to really get a kick out of it and learn a ton. 

 

BUY THE BOOK:

Bookshop.org: https://bookshop.org/p/books/copy-that-copy-cat-inventions-inspired-by-animals-katrina-tangen/19800210?ean=9781646869992 

Publisher’s Page: https://www.barefootbooks.com/3/copy-that-copy-cat-board-book

 

SOCIAL MEDIA LINKS:

Twitter: @katrinatangen

IG: @katrinatangen

Facebook: https://www.facebook.com/katrinatangenauthor

Author website: www.katrinatangen.com 

 

Author Katrina Tangen
Photo of Katrina Tangen courtesy of the author

AUTHOR BIO:

Katrina Tangen lives in Southern California between Disneyland and the beach. At Harvard, she studied Folklore & Mythology, History of Science, Psychology, and Religion, so she knows a little bit about a lot of things. This turned out to be excellent training for writing nonfiction for kids! Katrina is disabled by severe ME/CFS (Myalgic Encephalomyelitis). She writes fiction and nonfiction for kids of all ages; Copy That, Copy Cat! is her debut. Profile pic photo credit: Katrina Tangen

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INTERVIEWER BIO:

Nora Nickum is the author of Superpod: Saving the Endangered Orcas of the Pacific Northwest (Chicago Review Press, 2023) and the forthcoming nonfiction picture book This Book is Full of Holes (Peachtree, 2024). Her stories and articles have appeared in children’s magazines like Cricket, Ladybug, and Muse. Nora also leads ocean conservation policy work for the Seattle Aquarium. She lives on an island in Washington state. Learn more about her at www.noranickum.com. 

Twitter: @noranickumbooks

IG: @noranickumbooks

 

FIND THE ILLUSTRATOR AT THE LINKS BELOW:

Twitter: @GiuliaOrecchia

Instagram: @giuliaorecchia

Website: https://giuliaorecchia.it

BUSY PBs PROMO GROUP:

Twitter: @busyPBs

Instagram: @busypbs

STEAM TEAM PROMO GROUP:

Twitter: @SteamTeamBooks

Instagram: @steamteambooks

 

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Picture Book Review for Grandparents Day – Mama Shamsi At The Bazaar

 

MAMA SHAMSI AT THE BAZAAR

Written by Mojdeh Hassani and Samira Iravani 

Illustrated by Maya Fidawi

(Dial BYR; $18.99, Ages 4-8)

 

Mama Shamsi at the Bazaar cover Grandmother and grandaughter walking to bazaar

 

 

Written by mother-daughter duo Mojdeh Hassani and Samira Iravani and illustrated by Maya Fidawi, Mama Shamsi At The Bazaar shares the loving bond between grandmother and granddaughter as they venture out to share a new experience together.

 

Mama Shamsi at the Bazaar int1 ready to go to bazaar
Interior spread from Mama Shamsi at the Bazaar written by Mojdeh Hassani and Samira Iravani, and illustrated by Maya Fidawi, Dial Books for Young Readers ©2023.

 

Getting ready to go to the bazaar with her grandmother for the very first time, Samira is afraid she’ll get lost in the crowd. Again and again, she tries to coax Mama Shams into letting her hide under the protection of her veil. “‘Let’s get in line, under your chador, you in front, me behind!’” But each time, Mama Shams responds with a resounding “Na, na, na” followed by an exaggerated explanation of how silly they might look to passersby. “‘I’d look like a fool with four legs below me just like a mule!” 

 

Mama Shamsi at the bazaar int2 Samira and Mama Shamsi near bazaar
Interior spread from Mama Shamsi at the Bazaar written by Mojdeh Hassani and Samira Iravani, and illustrated by Maya Fidawi, Dial Books for Young Readers ©2023.

 

Textually, this lovely rhyming interchange between grandmother and granddaughter adds much humor and whimsy, while also providing a place for young readers of all backgrounds to stay grounded in the story as Mama Shamsi suggests the different types of animals she may be mistaken for if she acquiesces to Samira’s wish.

 

 

Mama Shamsi at the Bazaar int3 Mama Shamsi tells Samira to use her eyes and ears
Interior spread from Mama Shamsi at the Bazaar written by Mojdeh Hassani and Samira Iravani, and illustrated by Maya Fidawi, Dial Books for Young Readers ©2023.

 

Visually, their conversation introduces readers to the bustling capital of Iran, Tehran. Fidawi’s expressive illustrations are wonderfully and thoughtfully detailed from home to city life during the 1960s/’70s, reflecting the time period author Hassani grew up there. My personal favorites include the seated vendor on the street, prayer beads in hand, and chai brewing on a portable burner next to him, a grandmother on the balcony of a nearby apartment hanging clothes to dry, and another vendor selling my favorite Iranian street food: steamed beets. When they finally arrive at the bazaar, Samira feels assured that with Mama Shamsi by her side, she is safe to enjoy and explore her new world. 

For those seeking an intergenerational, diverse, sweet, and/or humorous story with a touch of social-emotional learning, this picture book ticks off all of the boxes. A recommended read for National Grandparents Day and year-round.

  • Reviewed by Armineh Manookian
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Picture Book Review – Kitty and Cat: Opposites Attract

 

 

KITTY AND CAT: OPPOSITES ATTRACT

Written and illustrated by Mirka Hokkanen

(Candlewick Press; $18.99, Ages 2-5)

 

 

Kitty and Cat Opposites Attract cover black grumpy cat white happy kitty

 

 

This adorable picture book, Kitty and Cat: Opposites Attract, by Mirka Hokkanen, is guaranteed to make you laugh. Using just two words at a time, the story follows a grumpy cat after a kitten is introduced to the household: “old” and “new.” From there, the story unfolds with hilarious antics as they try to become accustomed to one another.

 

Kitty and Cat Opposites Attract Int1 energetic exhausted
KITTY AND CAT: OPPOSITES ATTRACT. Copyright © 2023 Mirka Hokkanen. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

I like how the story begins and ends in the endpapers—a clever way to get in two more scenes. Hokkanen’s art uses color to play up the black and white cats, allowing new items (cat condos, yarn) to really pop on the page. She captures the kitten’s innocence as well as the older cat’s moodiness.

 

Kitty and Cat Opposites Attract Int2 up down
KITTY AND CAT: OPPOSITES ATTRACT. Copyright © 2023 Mirka Hokkanen. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

This concept book teaches while it entertains. A must-read for animal lovers but also applicable for families bringing in a new member (furry or otherwise) and upsetting the balance around the house. Watch for Kitty and Cat: Bent Out of Shape, out in November for more fun from this unlikely duo.

 

 

 

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Picture Book Review – Yuna’s Cardboard Castles

 

 

YUNA’S CARDBOARD CASTLES

Written by Marie Tang

Illustrated by Jieting Chen

(Beaming Books; $18.99, Ages 3-8)

 

 

Yuna's Cardboard Castles cover Yuna in Japan with origami

 

In Yuna’s Cardboard Castles, the heartwarming picture book debut from author Marie Tang, illustrated by Jieting Chen, readers meet Yuna, who has just moved with her family to America from Japan. Like most children in that situation, Yuna is filled with concerns about what life will be like in her new home and how she’ll make new friends. The extra challenge Yuna faces is that she doesn’t speak English yet. While she misses her old friends and all that is familiar, Yuna is eager to find a way to connect with local kids.

 

Yuna's Cardboard Castles int1 Yuna longed for the colors and shapes
Interior spread from Yuna’s Cardboard Castles written by Marie Tang and illustrated by Jieting Chen, Beaming Books ©2023.

 

It’s great to see Yuna take the initiative to look for ways to break the ice with the children in her neighborhood. At first, she tries making balls out of colorful paper. The results are lovely and impressive, highlighting her skills. However, Yuna feels discouraged after noticing children already have balls to play with. Onto the next option.

Thinking about where she used to live, Yuna longs to reproduce that environment where there were pointy buildings and rice cake stands. She cleverly uses cardboard and scissors to construct her very own stand but she’s at a loss to find the words to explain her project and the food on display. So, the neighborhood kids return “back to their tea parties.”

 

Yuna's_Cardboard_Castles_int2_Yuna_kept_cutting
Interior spread from Yuna’s Cardboard Castles written by Marie Tang and illustrated by Jieting Chen, Beaming Books ©2023.

 

And though with her talent, Yuna can build almost anything she wants, she still feels the disconnect without the language to communicate. She is sad, frustrated, and isolated.

When a boy’s kite gets tangled in her yard, the two soon find common ground with their paper creations. Teaming up, their imaginations soar, and playing together becomes second nature. Soon, the neighborhood kids can’t help but engage with Yuna and the exciting cardboard world she’s constructed with her new friend. Chen’s vivid illustrations convey energy, enjoyment, and make-believe, filling each page with wonder to inspire children as they read  Tang’s thoughtful story.

When my family lived overseas for 10 years, our children played with other children from around the world whether we traveled to Germany, France, the Canary Islands, Italy, or Greece. Watching kids connect despite not having the words is always joyful to watch. Play is a universal language bringing diverse children together wherever you are. Yuna’s Cardboard Castles was inspired by Tang’s childhood experience of moving from Hong Kong to the United States. In the book, Yuna demonstrates how, just as Tang did as a child, using origami and corrugated boxes can open up worlds of opportunities for friendship when you have only a minimal grasp of your new country’s language. While the immigration experience is different for every child, Tang’s book creatively captures the emotion Yuna feels while presenting a positive way to cope that is empowering. Four pages of backmatter include detailed instructions to make an origami boat … “that can actually float!”

  • Reviewed by Ronna Mandel
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An Interview with Aixa Perez-Prado about City Feet

 

SUSI SCHAEFER INTERVIEWS AIXA PÉREZ-PRADO,

AUTHOR AND ILLUSTRATOR OF

 CITY FEET

(Reycraft Books; $17.95, Ages 3-5)

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City Feet cover map legs shoes walking on city sidewalk
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PUBLISHER SUMMARY:

This shoe lover’s paradise reveals that a city’s feet are as varied as the people and animals who live there.

INTERVIEW:

Susi Schaefer: Congrats on your picture book, CITY FEET. How did you get into creating books for young readers?

Aixa Pérez-Prado: Thank you very much! I feel like I have been a writer and illustrator since I was a little girl. I was born in Argentina and raised between there and the USA. I later lived in several other countries, including Costa Rica and Morocco. I believe that being multilingual, being a child immigrant, and having lived in many different places are all strong influences on the stories and the illustrations that I create today.

I am a former bilingual kindergarten teacher, a current university professor specializing in diversity education, and, most importantly, a mother of six. All of those experiences led me to read many children’s books over the years and create my own stories for my students and my children. A few years ago, I decided to try to publish some of those stories and started my education in writing picture books.

Part of my education included taking a number of kidlit writing courses, entering online contests, and joining SCBWI. In addition to writing, I started drawing again and creating a few dummies for my stories. CITY FEET is my debut picture book.

SS: Tell us what inspired this book.

APP: I am a city girl at heart, and I love to explore the cities of the world. A few years ago, when I decided I wanted to try to publish in kidlit, I started entering online writing contests, and an earlier version of CITY FEET was a story I wrote for one of those contests, the Early Childhood Book Challenge. The idea was to write a story of 250 words or less, use rhyme, and have the story take place in an urban setting. I came up with about six stories for the contest and was a finalist with a different story, but the beat and rhythm of CITY FEET stuck in my head.

Two years later, I pitched it in Latinx Pitch on Twitter, and Winsome Bingham of Reycraft Books liked my pitch and made an offer. I was not meant to illustrate the book, but when she found out I was also an illustrator (or want-to-be illustrator), she and my agent, Joyce Sweeney, encouraged me to make a dummy. I had a very clear idea of how I wanted the book to look, with all characters appearing only from the waist down, as seen from the point of view of a baby in a stroller. I made the dummy and soon after received the offer to be the illustrator. I was thrilled!

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City Feet int1 City Feet walking down the street
Interior spread from City Feet written and illustrated by Aixa Pérez-Prado, Reycraft Books ©2023.

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SS: Can you share your process?

APP: I started by revising the original story and adding an additional stanza to reach the appropriate amount of spreads for a picture book. I then started trying to create the first spread, but the vision in my head wasn’t really working on paper. I went to an illustrator friend, Cristina Keller, and explained what I wanted to do to her. She invited me to her studio, and after showing her some of my sketches, she helped me to map out the first spread. After that, I knew exactly what to do.

My illustration process for CITY FEET is mainly collage created by cutting up different kinds of textured papers that I create and others that I find. I also use fabrics, leaves, petals, and other materials – including banana peels – in my collages. Once I make the collages, I scan them and bring them into Photoshop in different layers to combine and rearrange. I also do some digital collage in Photoshop.

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City Feet int2 dancing feet prancing feet

Interior spread from City Feet written and illustrated by Aixa Pérez-Prado, Reycraft Books ©2023.

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SS: Are you working on any projects you can tell us about?

APP: Yes, I am the author and also the illustrator for a nonfiction picture book that will come out in the Fall of 2024, Mercedes Sosa: Voice of the People, published by Lee & Low. It is a very different kind of story than CITY FEET, with a different feel and somewhat different style. However, my illustration technique will continue to be the use of collage with a variety of materials as well as digital collage for the majority of the artwork.

BUY THE BOOK:

Support independent booksellers and purchase City Feet at the link below.
https://bookshop.org/p/books/city-feet/18947595?ean=9781478881841

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Author Aixa Pérez-Prado headshotAUTHOR-ILLUSTRATOR BIO:

Aixa Pérez-Prado, the author/illustrator of CITY FEET is a native of Argentina who immigrated to the US as a small child. In addition to writing and illustrating, Aixa is a translator, sensitivity reader, and university professor. Aixa has lived in several different countries and draws inspiration for her stories and illustrations from diverse locations. Her passion is writing and illustrating picture books aimed at giving diverse children a chance to see their multilayered identities represented with heart and humor. She writes in Spanish and English and enjoys mixing languages in her prose. Similarly, she loves illustrating by employing different techniques in a multimedia whimsical style.

Aixa’s upcoming picture books are OUR WORLD: ARGENTINA (Barefoot Books, 2023) and MERCEDES SOSA: THE VOICE OF THE PEOPLE (Lee & Low 2024). Aixa is represented by Joyce Sweeney from the Seymour Agency.

AUTHOR-ILLUSTRATOR LINKS:

Website: https://www.aixaperezprado.com

Twitter: @professoraixa

Insta: @aixasdoodlesandbooks

TikTok: @aixasdoodlesandbooks

Threads: @aixasdoodlesandbooks

Facebook: @aixasdoodlesandbooks

 

INTERVIEWER BIO:

Born and raised in the Austrian Alps, Susi Schaefer trained as a glass painter in the medieval town of Rattenberg. After moving to Southern California for sun and adventure, Susi studied graphic design. She’s the illustrator of ZOO ZEN by Kristen Fischer, author-Illustrator of CAT LADIES and THE GLOW SHOW. Susi lives in North Tustin, California, with her family. www.susischaefer.com

Twitter @susischaeferart and on Instagram @susischaeferart

 

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An Interview with Rajani LaRocca, Author of Your One and Only Heart

DARSHANA KHIANI INTERVIEWS RAJANI LAROCCA,

AUTHOR OF

YOUR ONE AND ONLY HEART

ILLUSTRATED BY LAUREN PAIGE CONRAD

(Dial BYR; $18.99, Ages 5-8)

 

Your One and Only Heart Cover

 

 

PUBLISHER SUMMARY:
A lyrical introduction to the many wonders of the human heart, from award-winning author and practicing doctor, Dr. Rajani LaRocca

In this stunning non-fiction picture book, poetry and science come together with playful cut-paper illustrations to create a moving ode to the human heart and all that it does. Complete with illustrative diagrams and copious backmatter, this is a one-of-a-kind non-fiction picture book that gently guides readers through the various systems make up our most vital organ.

 

INTERVIEW:

Darshana Khiani: YOUR ONE AND ONLY HEART is amazing in how it takes a complex organ and breaks it down into chunks. What inspired you to write about the heart?

Rajani LaRocca: Ever since medical school, when I learned about the heart and how it works, I’ve been fascinated by this most vital organ. I wrote a first draft of this book way back in 2013 (!), and it was called “The Hardest Working Muscle.” It was written in prose and was over 800 words long. But it didn’t have a unifying theme or a hook.

I worked on this book on and off (mainly off) for years, but I couldn’t figure out how to write it. Then one day in 2018, I had a breakthrough: I discovered the theme I wanted to carry through the book. I realized I wanted to write about contrasting characteristics of the heart! Then I immediately decided to write about these characteristics in poetry—with several sets of paired poems. This made sense because to me, the beauty of poetry reflects the beauty of the human body.

 

DK: Well, you are one of the hardest-working writers I know. You do an amazing job at getting the main ideas across without getting bogged down in details. How did you master that balance? Also, the nerd in me wants to know why larger organisms have slower heart rates. I was surprised to learn that a mouse’s heart beats 310-840 beats/min while an elephant is only 30!

RL: I tried to focus on keeping the poetry simple enough for young kids to understand, yet interesting enough to capture their attention. There are plenty of facts that I reserved for the back matter so that the poetry could shine.

In terms of the answer to your question, are you ready to nerd out a bit? Smaller animals have higher surface area to volume ratio than larger ones. Because of this, smaller animals (especially warm-blooded animals like mammals and birds) lose heat much more quickly than their larger counterparts. So their hearts (which are smaller, too) need to beat faster to circulate more blood to offset the heat loss and maintain their body temperatures.

 

YOUR ONE AND ONLY HEART Int1 Your heart is Singular
Your One and Only Heart written by Rajani LaRocca and illustrated by Lauren Paige Conrad, Dial BYR ©2023.

 

DK: Wow! Thank you for geeking out with me. Surface area … never would’ve guessed that. The book is divided into 15 poems, 7 pairs of antonym poems (yup, I made that up), and then a final stand-alone one. It is a unique structure, one I can’t say I’ve seen before. At what point in the writing process did you decide to organize the poems in this way?

RL: I designed those first 14 poems as “antonyms” or paired poems from the moment of that epiphany in 2018! When the book got acquired and my editor contacted illustrator Lauren Paige Conrad, Lauren came back with the incredible idea of using shades of different colors for each pair of poems. For example, “Singular” and “Cooperative” are in shades of red; “Simple” and “Complex” are in shades of orange; “Energetic” and “Relaxed” are in shades of yellow, and so on, resulting in a rainbow of colors! The back matter is also “color coded” to link back to the appropriate pages! Lauren works in cut paper collage, and it blows my mind how beautifully and precisely she depicted so many aspects of the heart with her art.

There are two poems at the end, and the very last poem brings everything together by restating the contrasting characteristics of the heart and noting that kids share the same characteristics themselves!

 

DK: I must admit the last poem took me by surprise since it is so matter-of-fact. I could almost hear the EKG flatline as I read the last words. Did you always know you wanted to end the story with this poem?

RL: Years ago, when I was at a writing retreat, I shared this manuscript with renowned nonfiction author Elizabeth Partridge. She loved it and advised me that I absolutely needed to include what happens when the heart stops beating. She said that death is something that children are curious about, and that by including it in a nonfiction book about the heart, I could demystify it and put it in perspective for kids from a scientific point of view. It took me a while to figure out how to write that poem; Lauren Paige Conrad’s illustration on that spread is absolutely perfect.

 

DK: Smart suggestion, and you presented it in such a matter-of-fact way. You’ve authored two novels-in-verse, MIRROR-TO-MIRROR and RED, WHITE, and WHOLE, and a rhyming non-fiction picture book, The SECRET CODE INSIDE YOU. Do you have any tips for writers who want to write lyrically?

RL: My first tip would be to understand what you want to say—for novels in verse, that means knowing at the very least the broad outlines of the plot and emotional arcs. And for nonfiction, that means compiling all the information you want to convey.

Next, I recommend getting in a “poetic mindset” by going out into nature, reading poetry, and/or listening to music.

And then you should just try writing the poems! Don’t worry too much about whether they’re any good.

When it’s time to edit: avoid cliches, use powerful words, condense and eliminate as much as possible, and endeavor to convey your message in a fresh or different way. I always read my poetry aloud in revision, because sometimes our ears are better than our eyes at noting when something isn’t quite right.

 

YOUR ONE AND ONLY HEART Int2 Your Heart is Muscular
Your One and Only Heart written by Rajani LaRocca and illustrated by Lauren Paige Conrad, Dial BYR ©2023.

 

DK: What’s up next for you?

RL: YOUR ONE AND ONLY HEART is my fourth out of six books releasing this year!

Next up is THE SECRET OF THE DRAGON GEMS, an epistolary novel that I co-wrote with my friend Chris Baron. It’s about Tripti and Sam, two kids who meet at summer camp and find some unusual silvery rocks, which they each take home to California and Massachusetts. Then they start communicating via letter, email, texts, and video chats, because strange things keep happening, and they begin to wonder whether the rocks are more than just rocks. THE SECRET OF THE DRAGON GEMS releases on August 29!

My picture book MASALA CHAI, FAST AND SLOW, beautifully illustrated by Neha Rawat, releases on September 5. This is a story about a boy who likes to go fast and his grandfather, who likes to take things slow. Every day, they make masala chai together. One day, the grandfather sprains his ankle and can’t make masala chai, and the grandson decides to make some to cheer up his beloved grandfather . . . and hilarity ensues. This story is about learning to slow down and enjoy moments with those we love.

And next year on March 12 comes the release of my first middle grade fantasy, SONA AND THE GOLDEN BEASTS! Set in an Indian-inspired fantasy world, this story involves music and magic, and animals, but also contends with colonialism and who gets to tell history. I can’t wait to share it with the world!

DK: Yay for more books! We’ll be keeping a look out for them.

 

 

Author Rajani LaRocca headshot
Rajani LaRocca Photo Credit ©Carter Hasegawa

AUTHOR BIO:

Rajani LaRocca was born in India, raised in Kentucky, and now lives in the Boston area, where she practices medicine and writes award-winning books for young readers, including the Newbery Honor-winning middle grade novel in verse, Red, White, and Whole. She’s always been an omnivorous reader, and now she an omnivorous writer of fiction and nonfiction, novels and picture books, prose and poetry. She finds inspiration in her family, her childhood, the natural world, math, science, and just about everywhere she looks. Learn more about Rajani and her books at www.RajaniLaRocca.com. She also co-hosts the STEM Women in KidLit Podcast.

BUY THE BOOK: 

https://www.rajanilarocca.com/picture-books/your-one-and-only-heart/

LINKS TO SOCIAL MEDIA:

INTERVIEWER BIO:

Darshana Khiani is an author, engineer, and advocate for South Asian children’s literature. She is infinitely curious about the world and enjoys sharing her findings with young readers. If she can make a child laugh even better. Her debut picture book, How to Wear a Sari (Versify), was an Amazon Editors’ Pick. She enjoys hiking, solving jigsaw puzzles, and traveling. She lives in the San Francisco Bay Area with her family and a furry pup. You can visit Darshana here.

 

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Children’s Book Review – Make More S’Mores

 

MAKE MORE S’MORES

Written by Cathy Ballou Mealey

Illustrated by Ariel Landy

(Sleeping Bear Press; $18.99, Ages 4-8)

Not only does this picture book have a yummy title,
but it’s recommended reading for National S’Mores Day
(well, any day really if you love a rhyming read-aloud).

 

Make_More_S'Mores_cover_raccoon_and_4_bears

 

Roscoe adores an irresistible, roasty, toasty s’more, and is just about to raccoon-down the one he’s cooked over “glowing coals,” when an uninvited grizzly bear shows up asking, “Is that for me?” What’s a hungry raccoon to do? Well, much to readers’ delight, Roscoe doesn’t hesitate to share in Make More S’Mores.

 

Make_More_S'mores_int1_Grizzly_grumbles

 

Now that our appetites have been whet, we’re treated to page after hilarious page of an upbeat rhyming tale that sees more unexpected visitors appear. Charming twin bear cubs to be exact. Of course, everyone cannot wait to eat the scrumptious s’mores Roscoe prepares over the campfire and so generously shares (the big takeaway from this terrific picture book).

It’s such fun to watch Grizzly Bear, clearly frustrated by the bear cubs’ presence. He’d be happier had no one else showed up. More snackers mean less for him and longer to wait!

 

Make_More_S'mores_int2_Ready_Roscoe_soon_declares

 

Roscoe, on the other hand, is preoccupied with catering to everyone else that he’s not had a bite! And when some crafty squirrels and soaring flames scupper his marshmallow roasting, it’s time to find a better stick.

Soon Mama Bear arrives on the scene and assists Roscoe to the delight of her twins and Roscoe. “Grizzly groans. ‘Another guest?’ But Roscoe does not seem distressed.” Poor Grizzly Bear! I love all the expressions Landy has given the animals. They run the gamut from disappointment to joy, from annoyance to contentedness. The lovely palette featuring sunset colors followed by rich blues and purples, all accented by Grizzly Bear’s graham cracker-colored fur is totally pleasing.

After the four VERY s’mored-up guests head to their dens, Roscoe snoozes in the hollow of a tree. A sweet and successful evening has come to a sleepy, s’moreful and snoreful end. What a satisfying, any-time-of-the-day story to share with your children. Roscoe’s modeling of sharing and making new friends is a rewarding one. One final note, look out for the squirrels’ antics in the closing spread. Happy eating and reading!

  • Reviewed by Ronna Mandel

 

Find out more about Cathy here.
Find out more about Ariel here.

 

 

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Picture Book Review – Sora’s Seashells

SORA’S SEASHELLS
A Name Is a Gift to Be Treasured

Written by Helena Ku Rhee

Illustrated by Stella Lim
With Ji-Hyuk Kim

(Candlewick Press $17.99, Ages 4-6)

 

Sora's Seashells cover Sora and Halmoni at beach picking shells

 

 

Sora’s Seashells, written by Helena Ku Rhee and illustrated by Stella Lim with Ji-Hyuk Kim, is so much more than a beach or summer story. It’s a multi-layered, moving, and intergenerational picture book about a grandmother and granddaughter relationship. Gentle in tone with art that beautifully captures the book’s mood, the story is also about loss, and passing kindness forward to other’s lives, including strangers. Additionally, Sora’s Seashells addresses the meaning of a name and how it can bring joy.

 

Sora's Seashells int1 Sora and Halmoni comb for shells
SORA’S SEASHELLS. Copyright © 2023 Helena Ku Rhee. Illustrations Copyright © 2023 Stella Lim and Ji-Hyuk Kim. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

When Sora’s grandmother (Halmoni), visits each summer from South Korea, the pair spend special time together gathering seashells at the beach. Though lovely, the prettiest shell that Halmoni picks is intended for someone else. “It’s a gift,” Halmoni tells Sora, left “For anyone who sees its beauty.” Sora is a bit confounded at first. Parents, however, may explain to children being read the story what a thoughtful gesture Halmoni has made.

Not quite understanding the largesse in Halmoni’s action of spreading kindness, Sora tucks away a few of her favorite finds when she and Halmoni go back to the beach the next day. Later at home, Halmoni can be seen in art glancing from Sora’s bedroom door at her granddaughter who inspects her collection that brings her such happiness.

 

Sora's Seashells int2 empty bench at beach
SORA’S SEASHELLS. Copyright © 2023 Helena Ku Rhee. Illustrations Copyright © 2023 Stella Lim and Ji-Hyuk Kim. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

At the beginning of Kindergarten, some classmates tease Sora about her unusual name, wondering if it’s really supposed to be Sara. The bullies persist over several weeks but Sora chooses not to tell her parents. When she learns her Halmoni has passed away, she is beset by sadness for so many reasons all at once. Sad she’ll no longer be able to spend summers with Halmoni. Sad at remembering times together and the way Halmoni said Sora’s name. And sad how the bullies treated her at school. “I hate my name. I want to be Sara!” Sora tells her parents through a steady stream of tears.

A restorative trip to the beach and learning that her name means seashell in Korean, helps Sora get things in perspective. Most of all, Sora’s mom explains that Halmoni felt finding a perfect shell was like receiving a wonderful gift. Sora was that gift!

And if that doesn’t tug at your heartstrings, when Sora shares the meaning of her name at show and tell, and gives each of her classmates a shell, including those who’d teased her, my eyes welled up with tears. She knew she mattered, took the high road, and was rewarded. I was especially touched when Sora left her last shell on the bench at the beach exactly as Halmoni had. What a meaningful way to end the book.  The art, rendered in warm watercolor and finished digitally, is soothing and sensitive. Full of caring and love, hope, and kindness, Sora’s Seashells is the kind of feel-good read that is easy to recommend.

  • Reviewed by Ronna Mandel
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Picture Book Review – A Bear, A Bee, and A Honey Tree

A BEAR, A BEE, AND A HONEY TREE

Written by Daniel Bernstrom

Illustrated by Brandon James Scott

(Hippo Park; $18.99; Ages 3-7)

 

A Bear a Bee a Honey Tree cover bear gripping tree near angry bee

 

 

Daniel Bernstrom’s A Bear, a Bee, and a Honey Tree, a rhythmic read-aloud that invites multiple reads, takes children on a journey with a hungry, fuzzy brown bear and a hive of angry bees.

The brown bear is first introduced yawning and stretching at the entrance to his cave, awakening from hibernation. Illustrator Brandon James Scott’s humorous and expressive digital art portrays the bear and his surroundings with glowing and warm woodsy colors. The illustrations, paired with Bernstrom’s engaging alliterative wordplay, motivated me to turn the page to spend more time with these characters.

 

A_Bear_a_Bee_a_Honey Tree int1 bee honey
Interior spread from A Bear, a Bee, and a Honey Tree written by Daniel Bernstrom and illustrated by Brandon James Scott, Hippo Park ©2022.

 

The tree is filled with a honeycomb and lots and lots of busy worker honey bees doing what bees do best, passing the nectar to the house bee. Bernstrom’s words a bee, a busy bee, a honey bee next to the art visually showcase the bees focused on their work. That is until the brown fuzzy hungry bear discovers the gold and yellow bee hive up in the tree. And that’s where the playfulness of the words begins.

The bee eyes the brown bear who is staring up at the green foliage in the tree. The bee’s bulging black eyes and angry eyebrows show he is not happy when next he sees the bear’s bottom side hanging under those same leaves. The bear hangs from one branch and holds on to another while the bee’s angry eyes swirl around him. A busy bear and a busy bee. A cute little bird is intrigued watching the pair.

 

A Bear a Bee a Honey Tree int2 hungry bear
Interior spread from A Bear, a Bee, and a Honey Tree written by Daniel Bernstrom and illustrated by Brandon James Scott, Hippo Park ©2022.

 

When the bear’s paw is pushed into the hive, the bee is not happy. In fact, he is a very angry bee who lands on the bear’s nose, catching him with honey dripping from his lips. Bernstrom’s writing encourages each child to joyfully experience the words of the story.

The bear’s eyes are now the ones that bulge when the bee does what he needs to in protecting his honeycomb. The bee has brought in his colony. A million buzzing bees are drawn with angry faces swarming the bear who unwillingly succumbs by falling out of the tree. The hilarious chase ends at sundown when the bees return to their hive and somewhere a hungry bear returns to his cave.

 

A Bear a Bee a Honey Tree int3 a fretful bee
Interior spread from A Bear, a Bee, and a Honey Tree written by Daniel Bernstrom and illustrated by Brandon James Scott, Hippo Park ©2022.

 

This is a delightful picture book that, even with its spare text, teaches kids about bee and bear behavior with fun rhymes and rich, captivating illustrations that work together so well. Kids will ask to hear A Bear, a Bee, and a Honey Tree over and over, a sure sign to keep the book close at hand.

  • Reviewed by Ronda Einbinder

 

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