skip to Main Content

Kids Board Book Review – Barnyard Bubbe’s Hanukkah

BARNYARD BUBBE’S HANUKKAH

Written by Joni Klein-Higger + Barbara Sharf

Illustrated by Monica Gutierrez

(Kar-Ben Publishing; $5.99, Ages 1-4)

 

 

Little ones will love the mystery, rhyme and repetition in Barnyard Bubbe’s Hanukkah, an entertaining read-aloud board book written by Joni Klein-Higger and Barbara Sharf with colorful and sweet illustrations by Monica Gutierrez.

In this adorable story, seven different farm animals show up on seven consequent nights knocking, tapping, rapping, swishing, thumping, rat tat tatting and scratching on Bubbe’s front door. Each one leaves a different present such as oil, onions, and eggs. Bubbe’s porch is a busy place during Hanukkah! Young readers get a glimpse of assorted hooves, paws and even a tail in the artwork as well as an accompanying animal sound printed in larger font such as neigh, bwak, or woof to clue them into the gift giver’s identity. Having children guess what all those ingredients are for and who is dropping them off only adds to the enjoyment of this engaging holiday book.

 

Barnyard Bubbes Hanukkah intart

Interior artwork from Barnyard Bubbe’s Hanukkah written by Joni Klein-Higger and Barbara Sharf and illustrated by Monica Gutierrez, Kar-Ben ©2019.

 

Klein-Higger and Sharf have given a fun Festival of Lights spin to the popular “Twelve Days of Christmas” song: On the first night of Hanukkah, what did Barnyard Bubbe see? One sack of meal. “Oh, my. Who has left this for me?” After seven nights of anonymous donations, Bubbe knows just what to do on the eighth night—make latkes for the bevy of adorable barnyard animals!

MEET THE AUTHORS

Meet Joni and Barbara on Sunday, December 8 at 10:30a.m. at Pasadena’s Southern California Children’s Museum.
This co-hosted PJ Library event is part of the Jewish Book Festival. Klein-Higger and Sharf deliver a “special Hanukkah treat” as they “bring their story to life and perform original songs sure to please the 5 and under set.” Cost is $5 per child at the door.

 

 

 

Share this:

Kids Picture Book Review – Go, Girls, Go!

GO, GIRLS, GO!
Written by Frances Gilbert
Illustrated by Allison Black
(Beach Lane Books; $17.99, Ages 3-6)

 

go girls go book cover

 

Who said transportation stories are just for boys? Doubleday Books for Young Readers Editor-in-Chief Frances Gilbert never did, and her new picture book, Go, Girls, Go! proves it. This energetic rhyming story with its bold and bright artwork puts girls behind a wealth of wheels to inspire future Danica Patricks, Sally Rides and Molly Williamses.

 

GoGirlsGoIntArtPg3

Interior artwork from Go, Girls, Go! written by Frances Gilbert and illustrated by Allison Black, Simon & Schuster BYR ©2019.

 

A dozen diverse and spirited drivers, pilots, motorcyclists and more demonstrate that girls get a kick out of things that go Wooo!, Whirr! and Toot! just the same as boys do. And who knows what future vehicles might strike their fancy when they see themselves positively depicted on the pages of this picture book? Gilbert’s written about girls conducting trains, operating giant cranes and flying planes because anything and everything is possible, especially when powered by girls.

 

GoGirlsGoIntArtPg4

Interior artwork from Go, Girls, Go! written by Frances Gilbert and illustrated by Allison Black, Simon & Schuster BYR ©2019.

 

What I especially enjoyed about Go, Girls, Go! was the anticipatory page turns that had me wondering what would come next in terms of rhyme, sound effectsVroom! Hoot! Clank!types of transportation and of course, the illustrations. I immediately found myself repeating “Go, Girls, Go!” with as much enthusiasm as a preschooler. In other words, be prepared for multiple, lively read-alouds because this is not a quiet book. It’s also a celebration of girls moving over from the more passive passenger seat and taking control, and that’s something to shout about.

 

GoGirlsGoIntArtPg5

Interior artwork from Go, Girls, Go! written by Frances Gilbert and illustrated by Allison Black, Simon & Schuster BYR ©2019.

 

Allison Black’s cheerful, graphic-style illustrations complement Gilbert’s entertaining and fast-paced rhyming prose. Youngsters will happily follow the visuals while learning the words because the modes of transportation are easily identifiable and the rhythmic language is easy to memorize. What a fun way to get excited about things that go Roar! Honk! and Crunch! So make tracks to your local bookseller and get a copy to help your child’s imagination soar.

  • Reviewed by Ronna Mandel

Follow Frances Gilbert on Twitter @gogirlsgobooks

Follow Allison Black on Twitter @allisonblackart

Click here to read a guest post by Frances Gilbert about using rhyme in Go, Girls, Go!

 

Share this:

Editor and Author Frances Gilbert on Rhyming Picture Books

 

A GUEST POST

ON THE CRAFT OF RHYMING PICTURE BOOKS

BY EDITOR

&

GO, GIRLS, GO! AUTHOR

FRANCES GILBERT

 

 

Today I’m happy to share an enlightening post on craft by Doubleday Books for Young Readers Editor-in-Chief, and Go, Girls, Go! author, Frances Gilbert. Many picture book authors face a challenge when writing in rhyme. Does the meter work? Does the rhyme feel forced? Is the story best told in rhyme? Frances offers helpful insights into her approach from both sides of the editor’s desk so please read on.

 

ON RHYMING PICTURE BOOKS BY FRANCES GILBERT

I’ve been a children’s book editor for over 25 years and one of the most common reasons I reject picture book manuscripts is that they rhyme badly. So why, for my first foray into writing a picture book myself, would I choose to write Go, Girls, Go! in rhyme??! Rhyming, we’re so often told – by editors, by agents, by fellow writers – is not encouraged. Bound to fail, hard to translate. But I love rhyming books. I love reading them, and I love publishing them. Turns out, I love writing them too.

The number one mistake in rhyming texts is when the rhyme overwhelms the story rather than serving the story. The monotony of a 32-page story all told in the same rhythm can wear a reader down after a few pages. As an editor, I often start these submissions thinking, “Okay, let’s see if this can be sustained . . .” and after a few stanzas say, “Oh please stop. I can’t do this anymore.” The sing-song-y-ness of “dah-duh dah-duh dah-duh, dah-dah” in line after line pummels a reader with sameness. It also encourages authors to make terrible word choices: odd or forced descriptions or line endings because that last word HAS. TO. RHYME. My test: Extract a line out of your rhyming text and ask yourself if you’d write it the same way if it DIDN’T have to rhyme. If the answer is no, it’s a bad line. The rhyming has to feel effortless.

Effortless AND creative. Listen to the “Hamilton” soundtrack. I know it’s a high bar, but learn from how Lin-Manuel Miranda wrote an entire musical in tight, creative rhyme full of variety and rhythm changes and surprises and cleverness and word-play delights. Internal rhymes, humorous rhymes, break-outs into a different rhythm altogether. A surprise around every corner. Now imagine if all two hours and forty-five minutes of “Hamilton” had been “dah-duh dah-duh dah-duh, dah-dah.” That’s not a ticket you’d have paid $300 for.

 

GoGirlsGoIntArtPg3

Interior artwork from Go, Girls, Go! written by Frances Gilbert and illustrated by Allison Black, Simon & Schuster BYR ©2019.

 

I broke “Go, Girls, Go!” into four primary sections, each one showcasing three girls, their vehicles, and the sound of their vehicles. It starts: “Emma drives a fire engine, / Meg conducts a train, / Jayla steers a big red tractor hauling loads of grain.” Those lines alone are not breaking any creativing writing boundaries. It’s a pretty standard A-B-B rhyme scheme. Had the rest of my text been in the same rhythm and rhyme scheme, it could have gotten old quickly. But my next two scenes actually don’t rhyme at all; they introduce the sound words and, after another page turn, end in a rallying cheer: “Vroom! goes Emma. / Hoot! goes Meg. / Clank! goes Jayla! / Go, girls, go!” The break from rhyming in these scenes, while still maintaining a bouncy rhythm, gives the reader a different reading experience for a few pages before launching into the next set of girls.

 

GoGirlsGoIntArtPg4

Interior artwork from Go, Girls, Go! written by Frances Gilbert and illustrated by Allison Black, Simon & Schuster BYR ©2019.

 

This is the pattern for four sets of girls, and then for the finale we break into a different rhythm and rhyme scheme, A-A-A-B this time: “Girls can race and girls can fly. / Girls can rocket way up high. / What about you? Give it try! / Go, girl, go!” It gives the reader an indication that the book is approaching a crescendo, and then it lands on one final cheer on the last page (which doesn’t rhyme with anything).

 

GoGirlsGoIntArtPg5

Interior artwork from Go, Girls, Go! written by Frances Gilbert and illustrated by Allison Black, Simon & Schuster BYR ©2019.

 

Frances Gilbert photo courtesy of Lance Ehlers

Photo of Frances Gilbert by ©Lance Ehlers

Did I plan this structure deliberately ahead of time? No, I just wrote it. But I followed this mantra the entire time: “Don’t bore your reader. Don’t wear your reader down. Let the rhyme serve the story.”

I was grateful that reviewers picked up on this: Booklist called the rhyming “propulsive”, which is the best descriptor I could have hoped for, with the style of the rhyme matching the forward-moving vehicles in the book. And Kirkus said, “With repeated readings, pre-readers will be reciting the words on their own,” which thrilled me, because rhyming can help kids quickly get the hang of reading along if the rhythm grabs them. And that leads to repeated readings, which is the test of any good picture book.

So don’t be afraid of writing in rhyme, but please remember: “Don’t bore your reader. Don’t wear your reader down. Let the rhyme serve the story.”

 

Follow Frances Gilbert on Twitter: @GoGirlsGoBooks 

Click here to read more about Frances in an SCBWI Kite Tales interview by Christine Van Zandt.

Come back tomorrow (Wednesday) for my review of Go, Girls, Go!

Share this:

Kids Cookbook Review – The Silver Spoon for Children (New Edition)

THE SILVER SPOON FOR CHILDREN (NEW EDITION):

FAVORITE ITALIAN RECIPES

Edited by Amanda Grant

With illustrations by Harriet Russell

(Phaidon; $24.95, Ages 7-10)

 

silver spoon for children AE cover

 

The popular and influential Italian cookbook for children, The Silver Spoon for Children, has been updated for its tenth anniversary with a newly designed edition. Forty traditional recipes show kids and tweens it’s easy to create delicious meals from a few, quality ingredients. The opening pages include some background about Italian cooking, followed by equipment identification, and helpful techniques—a good place to start if your child is new to cooking, or, needs a review.

 

silver spoon for children AE 6019 pp 178 179

The Silver Spoon for Children: Favorite Italian Recipes, 10th Anniversary Edition,  Edited by Amanda Grant with illustrations by Harriet Russell, Phaidon (New Edition); Stuffed Peaches, step-by-step recipe (pages 178-179).

 

Kids comfortable in the kitchen can dive right in, selecting relatively straightforward snacks like Prosciutto & Melon, or making their own dough (for Pizza, Pasta, or Focaccia), or testing delectable desserts such as Hazelnut Cake or Fruits of the Forest Ice Cream. Each recipe has four pages, enticing the reader while clearly conveying the instructions. Recipes begin with an overview listing ingredients alongside a full-page color photograph of that dish. The next two pages have written directions beside illustrations, teaching in two different ways.

 

silver-spoon-for-children-AE-6019-pp-180-181

The Silver Spoon for Children: Favorite Italian Recipes, 10th Anniversary Edition,  Edited by Amanda Grant with illustrations by Harriet Russell, Phaidon (New Edition); Stuffed Peaches, step-by-step recipe (pages 180-181).

 

Our ten-year-old daughter chose to make Baked Maccheroni with Parmesan and we were pleased with the tasty results. This recipe has simple ingredients but requires some diligence to properly complete the sauce, developing it from roux to béchamel. (What a difference from boxed Mac & Cheese!) As with many of these Italian staples, once a child has mastered a basic recipe, they can add their own flair or vary the ingredients each time thereafter.

 

silver spoon for children AE 6019 pp 128 129

The Silver Spoon for Children: Favorite Italian Recipes, 10th Anniversary Edition,  Edited by Amanda Grant with illustrations by Harriet Russell, Phaidon (New Edition); Beans With Sausages, step-by-step recipe (pages 128-129).

 

While many recipes were familiar favorites, I was happy to discover new gems such as the Banana Cream dessert. It calls for just six ingredients that we usually have around the house and can be assembled in minutes—the perfect weeknight treat.

Parents, if you’re using this cookbook more than your child, there’s also the new and luxurious The Silver Spoon Classic adult cookbook. Put both on your holiday wish list, or treat yourself! Pair the books with an apron or wooden spoons and a whisk for the perfect gift year round.

Find out more about Amanda Grant here.
Find out more about Harriet Russell here.

 

Click here for another kids cookbook review.

Share this:

Reasons to be Thankful – New Thanksgiving Board Books for Kids

THANKSGIVING 2019
∼A BOARD BOOKS ROUNDUP∼

 

free Thanksgiving Clip Art

 

 

look and be grateful bbcoverLOOK AND BE GRATEFUL
Written and illustrated by Tomie dePaola
(Holiday House Publishing; $7.99, Ages 0-3)

This sturdy board-book edition of the hardcover picture book from 2015 is great to share all year long. With just 24 pages of spare and inspiring text, dePaola’s peaceful, pleasing art takes center stage. The little boy on the cover wakes up to behold the beauty of a new day and the wonderful things that surround him. “Open your eyes, and see, and say thank you.” Children learn with each simple sentence and illustration to be present and look at each day as a gift. Look and be Grateful is a gentle and sweet introduction to mindfulness and gratitude which are never too early to share.

 

Be Thankful PoutPout Fish cvrBE THANKFUL, POUT-POUT FISH
by  Deborah Diesen
Pictures based on illustrations created
by Dan Hanna
(Farrar Straus Giroux BYR; $5.99, Ages 0-3)

Little fans of the beloved Pout-Pout Fish will be delighted he’s back, under the sea, serving up tasty dishes for Thanksgiving in Be Thankful, Pout-Pout Fish. Mr. Fish has invited friends and family from near and far to join him at the celebration. It’s a pot-luck dinner for which all of the guests are grateful. When the meal is over and everyone’s full, Mr. Fish is feeling especially thankful not only for the food, but for the full feeling in his heart.

Told in 12 full-color pages, this rhyming board-book makes a sweet addition to any toddler’s Pout-Pout Fish book collection. It’s also an ideal gift when visiting during the holiday. Dive into a copy and share today.

 

five little thank yous coverFIVE LITTLE THANK-YOUS
Written by Cindy Jin
Illustrated by Dawn M. Cardona
(Little Simon; $7.99, Ages 0-3)

I love the die-cut turkey feathers design of this 12-page board book. Inspired by the hand-print turkey art craft so many children proudly create at Thanksgiving time, each finger/feather in Five Little Thank-Yous represents a paper-cut illustrated spread devoted to a particular thank-you message. It starts off with “Thank you for this sweet, warm home, blessed with family all my own.” The four other feathers mention thanks for food, friends, love and “…most of all, I’m thankful to be the one and only, special me.” What a terrific and important message to impart to children at Thanksgiving.

 

 

T is for Turkey cvrT IS FOR THANKS (AND TURKEY!)
A Flanimals Book
Written by Melinda Rathjen
Illustrated by Amy Husband
(WorthyKids; $7.99, Ages 1-3)

Fab and felt-clad Turkey (on the cover) is just one of the adorable Flanimals animal characters in this 20-page cumulative concept board book.T is for Thanks (and Turkey!) explores themes of gratitude and friendship courtesy of the letter T. The story begins when Tiger gives Turtle some tulips in a tea pot as a gift. Such a lovely gesture! Sadly, the present breaks when Turtle sneezes. Turkey’s on hand to offer some tissues. In fact he humorously always wants to be included in the cumulative repetition that kids will love. “T is for Thanks and Tape and Thunderstorm. And Turkey!” Some tape mends the broken tea pot and Turkey’s wings keep the rain off Tiger while Turtle’s retreated into his shell.

It’s great how the friends get up to some fun antics that kids will relate to all while sticking to the letter T. Things get messy though when Turkey gets onto a trampoline with tacos given to him by Toad. That causes no end of trouble as you might imagine. But with caring, thoughtful friends, everything will work out in the end providing everyone (and Turkey!) is on good behavior.

This book provides many levels of entertainment and positive reinforcement whether it’s counting the tulips (three), noting with little ones how all the animals’ names begin with T, seeing what else they can spot in the art that might pertain to thankfulness and the letter T, and most importantly, seeing the kind way friends treat each other.

  • Reviewed by Ronna Mandel

Click here to read a review of another Thanksgiving book.

Share this:

Kids Picture Book Review – Mr. Scruff

MR. SCRUFF

Written and illustrated

by Simon James

(Candlewick Press; $16.99, Ages 3-7)

 

MrScruff book cover

 

Junior Library Guild Selection

In this heartwarming story about companionship, award-winning author and illustrator Simon James shows readers that you don’t have to be perfect to find your perfect fit. Mr. Scruff tells the story of a large, scruffy dog who had no one until he finds his certain someone, even if it’s someone that may not have been initially considered the perfect match.

 

MrScruff int.1

MR. SCRUFF. Copyright © 2019 by Simon James. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA on behalf of Walker Books, London.

 

The  story opens in a park setting of fall colored leaves and happy people walking their children and pets. Running ahead on the grassy pathway is a little dog named Polly, with her curly hair and red ribbon on top of her head. We turn the page and see a woman walking Polly in a stroller, who also has curly hair and a red ribbon on top of her head. “She belongs to Molly.” Simon’s illustrations clearly show that these two are visually quite the match.

They say dogs start looking like their owners and that is definitely the case with the dogs we meet. (My own dog Bailey had red hair matching my husband’s!) Eric, hairless, with his nose pointed in the air, is on a leash crossing the street with a hairless man. “He belongs to Derek.”

“But who’s this? It’s Mr. Scruff …” We find the unkempt bottom heavy beige dog with a long face sitting alone inside a cage surrounded by a dog bed, a bowl and a toy ball. The next room shows the vet with a small boy and his small dog.

 

MrScruff int 2

MR. SCRUFF. Copyright © 2019 by Simon James. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA on behalf of Walker Books, London.

 

Page after page of adorable artwork in ink and watercolor with a warm Quentin Blake quality introduces readers to various dogs whose names and features resemble their beloved owners. “But things are looking rough for poor old Mr. Scruff. Wait a minute! Who’s this?”

The seemingly sad story of Mr. Scruff takes a positive turn when an unsuspecting new character is introduced. He is small, not big; black not beige; young not old and his name does not rhyme with Mr. Scruff. But “They seem to like each other.” The boy, Jim, and his parents know Mr. Scruff “needs a place to call his very own and that is what matters.”

This poignant story of companionship is a super fun read with its uplifting rhymes. The drawings and story left me with a smile on my face, demonstrating that we can always find friends that are both similar and not so similar. Teachers and parents alike can share the message that we are surrounded by a whole world of people who may look different than us, but who still may be our most perfect companions. Jim gave Mr. Scruff a chance and together they became an absolutely perfect fit! And what happens to the little dog named Tim and scruffy, old Mr. Gruff? Shhh! You have to read the book to find out …

  • Reviewed by Ronda Einbinder

 

Read a review of another picture book about friendship here.

 

 

Share this:

Kids Picture Book Biography – Feed Your Mind by Jen Bryant

FEED YOUR MIND: A STORY OF AUGUST WILSON

Written by Jen Bryant

Illustrated by Cannaday Chapman

(Abrams BYR; $17.99, Ages 6-9)

 

 

Starred Review – School Library Journal

Jen Bryant, who has won numerous awards for her books for children, which include biographies of poet William Carlos Williams, and Charlotte’s Web author E.B. White, has written the biography of August Wilson. The picture book, presented in two acts and 48 pages, is an inspiring and lyrical introduction to the two-time Pulitzer Prize-winning Black playwright who died in 2005.

Young readers are probably unfamiliar with Wilson’s work and Bryant writes mostly about his early years at school and the beginning of his career.

 

FYM Interior2

Interior spread from Feed Your Mind written by Jen Bryant and illustrated by Cannaday Chapman, Abrams Books for Young Readers ©2019.

 

Frederick August Kittel, Jr. was raised with a sister and single mother, who cleaned houses. His mother, Daisy, made sure Frederick learned to read, telling him, “If you can read, you can do anything – you can be anything.” Bryant tells about the racism Wilson and his family experiencedbrick-throwing, name-calling, fights, and accusations of cheatingdriving Wilson from school after school, setting him on a course of self-education, reading all day in libraries. Wilson finds the “universe opens wide” when, as a teenager, he encounters Black authors Langston Hughes, Richard Wright, and Ralph Ellison.

His first paid writing job was completing his sister’s homework; he bought a used typewriter, composing poems after he finished washing dishes at the diner. The talk and stories of Black men in his community, many working at menial jobs, provided the dialogue for his poems and plays. Working odd jobs in a soup kitchen, Wilson listened to stories. “Who’s there? What are they saying … and why?” he asked himself, and these figures became characters in his dramas.

 

FYM Interior3

Interior spread from Feed Your Mind written by Jen Bryant and illustrated by Cannaday Chapman, Abrams Books for Young Readers ©2019.

 

Debut illustrator Cannaday Chapman uses a limited color palette of earth tones to show the expressions on Wilson’s face and his connection to his environment.

Bryant includes a detailed Author’s Note explaining her interest in Wilson, her extensive research, and her process for writing the book. Students will enjoy her description of spreading her pages down her hallway. Feed Your Mind is an important book about an author of color, who endured poverty and racism, and whose life shows the power of literacy and community.

  • Guest review by Julia Wasson, veteran educator and curriculum developer.

Read another picture book biography here.

Share this:

Kids Thanksgiving Picture Book – Around the Table That Grandad Built

AROUND THE TABLE THAT GRANDAD BUILT

Written by Melanie Heuiser Hill

Illustrated by Jaime Kim

(Candlewick Press; $16.99; Ages 3-7)

 

Around the Table That Grandad Built cvr

 

The warmth of a family gathering for a meal is captured beautifully in Around the Table That Grandad Built, written by picture book debut author Melanie Heuiser Hill and illustrated by Jaime Kim.

Like the cumulative tale and nursery rhyme, “This is the house that Jack built,” Heuiser Hill’s text similarly “builds” the setting up of the dinner table. Grandad initiates the opportunity for a family gathering by constructing “this table,” and the rest of the family pitches in bit by biteach one contributing a layer or detail that adds richness and diversity. The multifaceted colors, textures, and patterns in Kim’s illustrations reflect the movement and excitement in getting together. In simple lines and shapes, each page highlights the delighted facial expressions of the multicultural family members who have gathered to share a meal made from scratch.

 

Around The TableTGB.int.1

AROUND THE TABLE THAT GRANDAD BUILT. Text copyright © 2019 by Melanie Heuiser Hill. Illustrations coypright © 2019 by Jaime Kim. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

In fact everything set on the table is a hands on, homemade creation. The “sunflowers picked by … cousins,” the “napkins sewn by Mom,” and the meal itself come straight from the heart. Every object has sentimental value. Even the everyday “forks and spoons and knives” honor those loved ones who have passed on. “Gifts from Dad’s grandma long ago,” the utensils allow past generations to be present at the table.

 

Around the Table TGB.int.2

AROUND THE TABLE THAT GRANDAD BUILT. Text copyright © 2019 by Melanie Heuiser Hill. Illustrations coypright © 2019 by Jaime Kim. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

For those who love multicultural and multigenerational themes, Around the Table That Grandad Built is a wonderful addition to the home library. Equally importantespecially in this day and ageare the opportunities the book provides to talk about essential values. Thankfulness, hard work, love, and selflessness can be discussed anytime you’re around the table. Consider sharing for Thanksgiving!

Around the Table WeGiveThanks

 

  • Reviewed by Armineh Manookian

 

Read about last year’s Thanksgiving books here.

Share this:

Children’s Book Blog Tour – Greta and the Giants

 

AN INTERVIEW WITH ZOE PERSICO

ILLUSTRATOR OF GRETA AND THE GIANTS

 

 

ABOUT GRETA AND THE GIANTS
(Frances Lincoln Children’s Books; $17.99, Ages 4-7) 

Greta is a little girl who lives in a beautiful forest threatened by Giants. When the Giants first came to the forest, they chopped down trees to make houses. Then they chopped down more trees and made even bigger homes. The houses grew into towns and the towns grew into cities, until now there is hardly any forest left. Greta knows she has to help the animals, but how? Luckily Greta has an idea that will lead to the Giants and the animals working together in harmony. An additional section at the back explains that in reality the fight against the giants isn’t over and Greta needs the reader’s help.

This book has been printed sustainably in the UK on 100% recycled paper. By buying a copy of this book, you are making a donation of 3% of the cover price to Greenpeace UK

INTERVIEW WITH ZOE PERSICO

zoe persico

Self-portrait of Zoe Persico

Please tell us how you came to be a picture book illustrator? 

Growing up I had many artistic influences that led me to go into what I do today, especially in books. I struggled with reading, but the illustrations always kept me eagerly invested and inspired. I originally wanted to be an animator, but quickly figured out that illustrating was my passion and wanted to figure out how I could achieve it as my career. I returned to my love for children’s books and knew I wanted to create works of art that would help others like they did for me. With family, friends, my partner, and educators who always supported me every step of the way I signed onto my current agency, got an early jump start into my career, and graduated college. I’ve been working as a freelance illustrator for over five years now and happily receiving great projects such as Greta and the Giants.

 

Greta and the Giants.Interior Spread1

Interior artwork from Greta and the Giants written by Zoë Tucker and illustrated by Zoe Persico, Frances Lincoln Children’s Books ©2019.

 

What medium/technique did you use to create the illustrations in GRETA AND THE GIANTS and how did the metaphor of the giants as symbols of corporate greed influence your choices?

I use Photoshop CS6 and a Wacom Cintiq Pro 24 to create my illustrations, though I am heavily influenced by traditional materials and try to capture the magic of them through digital means. I use custom brushes that emulate watercolor, gouache, colored pencils, and so on. Before starting the final art for Greta and the Giants I knew that I really wanted to push some new painting techniques, so I practiced using traditional materials beforehand to figure out how I can capture them digitally.

The giants were quite a challenge! I needed to figure out how to portray the giants in a fantastical, but realistic way. It would have been too easy to use stereotypes as a crutch for their design and using certain physical traits to show how “ugly” they are is harmful because that’s telling readers having those traits are negative. I thought that illustrating them mostly from perspectives of Greta and the citizens of the forest, such as them looking up and only seeing their shoes and pants as well as not being able to see their faces as clearly due to the massive distance between them, was a perfect and simple way to achieve that the giants “have their heads in the clouds” more than anything else. They realize that they are causing harm and want to do better and I wanted to make sure their designs were an easy transition to the last spreads of the book as well. They have always worn normal clothes just like everyone else and their size doesn’t change. They are still giants! The change comes into how the new compositions show a better connection and understanding between them and the forest dwellers.

I was taken immediately by the gorgeous jewel tones in your palette. Please explain the decision behind that.

Thank you! I had a lot of fun with this palette for this book. When the design team told me they really wanted to a painterly look and using light for color and mood contrast I was immediately excited. I’ve always tried to push these elements in my personal work and I knew I wanted to push myself even more for this project. Since I have been painting traditionally on the side more, I’ve found new color palettes that I wanted to emulate in Greta and the Giants. I used warm tones for heavily lit areas and went with cool tones for shadows. I mixed colors on top of each other like I would with watercolors to keep interest and connection in each area. I have been in love with using a very bright candy red lately and knew it would be the perfect accent color in a sea of multiple shades of green. For the last spread I wanted to go with a sunset palette to help end the book on a warm and uplifting note. Overall, I would say the goal for this book was to have a mostly nature-inspired palette (greens, browns, oranges) with accents of fantasy-inspired colors (pinks and blues).

 

Greta and the Giants.Interior Spread2.jpg

Interior artwork from Greta and the Giants written by Zoë Tucker and illustrated by Zoe Persico, Frances Lincoln Children’s Books ©2019.

 

What inspired you about this particular story?

Throughout the years I’ve been finding ways to alleviate my carbon footprint on the planet as best as I can and having the chance to work on this project was right up my alley. I was inspired on now only how I can help show others on what we can do to help fight climate change, but to come together and speak up against “giants” by the power of your voice. I hope the illustrations in Greta and the Giants inspire children to ask questions. I hope it inspires parents and guardians to teach them about what is happening. I hope it inspires adults to speak out and vote.

Do you have a favorite illustration in the book?

Yes! Funny enough my favorite illustrations are the spreads that include the city. I rarely paint urban subjects and it was a fun challenge to depict what the giant city could look like from a distance. I’m proud of how it turned out!

I also enjoy illustrating animals as well. Any time I got to paint the fox was always fun for me!

What was the biggest challenge of creating the art for this picture book that’s dealing with a serious topic aimed at younger readers?

I would say finding the right visual balance of fantastical and visually showing a depiction of a real life issue. I wouldn’t be doing the message justice if I went a super happy and bright route for the illustrations. I want to show the dark sides of what’s happening to our home and make it easy to readers to understand that. I also wanted to show signs of hope and warmth as well. I use bright and inviting colors and character designs that young readers can gravitate towards. I paint light shining down on characters such as Greta to show that she is a beacon of hope. It’s little things like this that I add in my illustrations to help readers understand that things are serious, but we don’t have to be kept in the dark. It’s amazing how color and light and design choices can naturally click in your brain to know when something is “relaxing” or “melancholic” or “frustrating”. Illustrations are so important and I love that I get to create them.

 

Greta and the Giants.Interior Spread3.jpg

Interior artwork from Greta and the Giants written by Zoë Tucker and illustrated by Zoe Persico, Frances Lincoln Children’s Books ©2019.

 

As the giants learn about the negative impact of all their building and polluting, they begin to take on less fierce qualities. Was this intentional?

Absolutely. As I mentioned in the previous question regarding the giants, I really wanted to portray the giants in a way that they aren’t so different from the rest of the forest dwellers. Earlier spreads of the book emphasize how tall they are, how hard it is to see their faces from far away, and so on. There’s a disconnect and the giants aren’t aware of the damage they are causing. Towards the last spreads you can see their faces better and their postures and expressions are much more approachable. They are still giants, but there is now a more positive relationship between them and the folks living below them. I am hoping our real life “giants” can listen and start a positive dialogue with us to a better and healthier future.

Which illustrators have most influenced you as an artist?

I have so many! Some illustrators that have influenced me include Amélie Fléchais, Elena and Olivia Ceballos, Yvan Duque, Matthew Forsythe, Rebecca Green, Robin James, and many many more.

 

Thank you Zoe for your thoughtful answers. I hope everyone picks up a copy of Greta and the Giants to appreciate the beautiful artwork you’ve described in the interview and to see how wonderfully it complements the story.

• FIND OUT MORE ABOUT ZOE ON HER WEBSITE.
• PUBLICATION DATE IS NOVEMBER 19 BUT YOU CAN PRE-ORDER A COPY HERE TODAY.
• CLICK HERE FOR A HELPFUL DISCUSSION GUIDE.

READ MORE!

Visit the below bloggers for reviews and other Greta and the Giants related coverage.

Tuesday 11/12: This West Coast Mommy

Wednesday 11/13: Happily Ever Elephants 

Thursday 11/14: Here Wee Read

Friday 11/15: Picture Book Play Date  

 

  • Interview by Ronna Mandel

 

Share this:

Kids Picture Book Review – Fractured Fairy Tales Roundup

FRACTURED FAIRY TALES
A ROUNDUP

 

 

 

 

the most terrible of all coverTHE MOST TERRIBLE OF ALL
Written by Muon Thị Văn
Illustrated by Matt Myers
(Margaret K. McElderry Books; $17.99, Ages 4-8)

If you like fairy tales, Muon Thị Văn’s new spin on Snow White will enchant you. Snow White and the dwarfs aren’t featured, rather the focus is on the Magic Mirror used by the Evil Queen. In The Most Terrible of All, the queen has been replaced by Smugg, a lovable monster. Smugg is certain he’s the most terrible beast in the land—his mirror tells him so. Until, one day, when he’s out-terribled by someone new, someone “a million times more terrible.” Not one to sit idly by, Smugg goes in search of this interloper. His quest takes him all the way . . . next door where a houseful of fiends are all potential contenders for the title of Most Terrible.

This ghoulish fractured fairy tale delighted me. Matt Myers’s art features lovely blues, greens, purples, and pinks giving the book a calm vibe even though the action’s quite exciting. His “ginormous sea serpent” is wonderfully scary and my favorite creature in the book.

Kids will enjoy this picture book because it’s a funny version of a story they already know. The monsters are charming and the ending is just perfect.

Moldilocks book coverMOLDILOCKS AND THE THREE SCARES: A ZOMBIE TALE
Written by Lynne Marie

Illustrated by David Rodriguez Lorenzo
(Sterling Children’s Books; $16.95, Ages 4-8)

Goldilocks has gone ghoulish in Lynne Marie’s picture book, Moldilocks and the Three Scares: A Zombie Tale. The Scare family—a monster dad, mummy mom, and vampire daughter—are enjoying a lovely night together preparing a midnight snack of sliced finger sandwiches and Alpha-Bat soup. But, of course, the soup is too hot; it boils Dad’s bolts, causes Mama to unravel, and gives Baby a fang-ache.

David Rodriguez Lorenzo illustrations are deathly cute. Details enliven each scenes. The page that enchants me is Moldilocks zombie-stumbling across the dining table with a fly escort. The three chairs are perfectly suited for each family member. Their décor is skeletal chic. A skull vase displays withering flowers, an old-fashioned TV’s rabbit ears appear to be femurs, and the standing lamp is a headless skeleton holding up its lampshade.

Pay attention to the opening pages because those lines will come back to haunt you with the book’s modern ending. When the Scares catch Moldilocks in their ghastly abode, Mama muses that her “nightmares have been answered”; I think Moldilocks would agree.

Reading Beauty cover

READING BEAUTY
Written by by Deborah Underwood

Illustrated by Meg Hunt
(Chronicle Books; $17.99, Ages 6-8)

The winning team of Deborah Underwood and Meg Hunt from Interstellar Cinderella are together again in Reading Beauty, another rhyming fractured fairy tale picture book. In this version, instead of the princess pricking her finger on a spinning wheel, Princess Lex lives in a book-loving kingdom and is cursed to go into a deathlike sleep from a paper cut. Therefore, all books are secreted away on her fifteenth birthday.

“Without its books, their world grew bleak, consumed by dark and gloom.” Luckily Lex’s cute puppy, Prince, has been trained to fetch her things to read. I like how this smart princess takes matters into her own hands, especially the funny scene where Lex fools the fairy.

The art pops from the page. A bright blend of classic fairy tale and futuristic wonder will delightfully transport readers into a modern world. You’ll have to pick up your own copy to discover the creative ending.

 

Share this:

Kids Picture Book Review – Anxious Charlie to the Rescue

ANXIOUS CHARLIE TO THE RESCUE

Written and illustrated by Terry Milne

(Candlewick Press; $16.99, Ages 4-6)

 

Anxious Charlie book cover

 

Every day Charlie kept his routine the same, fearful that something bad would happen if it changed. Anxious Charlie to the Rescue, written and illustrated by Terry Milne, tells the story of Charlie, the little dachshund, who forgets his own fears when his friend Hans needs his help.

 

int spread 2 from Anxious Charlie to the Rescue by Terry Milne

ANXIOUS CHARLIE TO THE RESCUE. Copyright © 2018 by Terry Milne. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

“Change is a difficult thing Charlie,” Big Bruce, the large pup with floppy ears, tells Charlie in the opening page as Milne illustrates a shaky Charlie. Milne escorts the reader through Charlie’s day beginning every morning with hopping out of bed, “One, two, three … hop like a flea” to walking once around the fire hydrant on his way to the market and continuing as he walks on the same side of the oak tree.

In the illustrations the little brown dog with the large eyes is surrounded by fire hydrants and soft colored trees set on white paper. His fear continues at night as he checks under the bed and behind the curtains, arranging his toys in a neat row. The picture bubbles depict Charlie’s thoughts as he memorizes what he did today, so he can repeat them tomorrow because today “things turned out ok!”

 

anxious charlie.int.3

ANXIOUS CHARLIE TO THE RESCUE. Copyright © 2018 by Terry Milne. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

“Early one morning the phone rang. It was Duck. Their friend Hans was stuck.” Charlie was in such a hurry to save his friend that he and Duck rushed past the fire hydrant and went the wrong way around the old oak tree. Charlie wanted to start all over again, but his friend needed him. He had no time to worry! Charlie’s friends had tried everything to free Hans (who had chosen a pipe to hide in during their game of hide-and-seek), but it was Charlie who had the successful idea.

“On his way home, Charlie felt so happy that he didn’t think about which way he passed the old oak tree.” Charlie collapsed onto his bed and thought “I forgot everything today, but things turned out ok.”

Milne’s colorful drawings and sweet expressions on the animals’ faces draw the reader into this charming friendship circle. And the rhyming prose provide an upbeat rhythm as well as giggles for the reader. The feeling of satisfaction Charlie experiences after helping his friend proves to be greater than his need for routine. This time Charlie realized that “nothing bad would happen and maybe what did happen would be wonderful!” That positive self-talk message is so important.

Anxious Charlie to the Rescue is a helpful read for parents who watch their own young children struggle with anxiety and obsessive compulsive behaviors, and for children to see they are not alone with these thoughts. It can also lead to meaningful discussions. The idea for this story came from Milne’s own daughter who struggles with anxiety and repetitive behavior. Both children with anxiety, and those who may have a friend or sibling with anxiety, will see that as hard as it is to change behaviors it can turn out okay. Everyone has some fears and Charlie shows young readers that when you let go of those fears wonderful things can happen.

  • Reviewed by Ronda Einbinder

 

Read a review about facing fears here.

Share this:

Middle Grade Book Review – Look Both Ways: A Tale Told in Ten Blocks

LOOK BOTH WAYS: A TALE TOLD IN TEN BLOCKS

Written by Jason Reynolds

Illustrated by Alexander Nabaum

(Atheneum/Caitlyn Dlouhy Books; $17.99, Ages 10-14)

 

look both ways book cover

 

∼A National Book Award Finalist∼

Starred Reviews – BCCB, Booklist, BookPage, Horn Book, Kirkus Reviews, Publishers Weekly, SLJ

Jason Reynolds once again nails it with his unique storytelling skills. In Look Both Ways, ten vignettes cover ten blocks of a neighborhood, following what happens to kids on the same day after Latimer Middle School lets out. Stories overlap and intertwine or do their own thing. Kids are captured in their every dimension from exuberance to anxiety. Boogers, bullying, dogs, and disease—yup, it’s all there.

The most poignant story for me was about Canton, whose mother is a crossing guard at his school. One day, she instinctively rushes forward to push a toddler frozen in the path of a bus out of the way, taking a minor hit herself. A week later, she’s back on duty, but her son doesn’t recover. Mortality is a subject we wish our kids didn’t have to grapple with. Reynolds shows how this boy is traumatized by the incident. Canton feels he can keep his mother safe from harm if he’s there on time each day, watching over her as she works.

How many parents have hovered over their sleeping child for no reason other than to ensure that child’s safety? We all know if something were to happen, the odds are slim that we’d be standing there at the right time with the right response. Yet, we do it—just as Canton believes his presence will somehow safeguard his mother. Before he can fall too deeply into this abyss, the school’s custodian (recalling how a dog made his wife feel better after their daughter went off to college) makes Canton a dog from an old broom. Worrying its tattered top enables the boy to quell his panic attacks.

Throughout, Reynolds captures a child’s emotional scope succinctly and accurately. An older reader will appreciate the craft required to weave these pieces with their connections and resets, forming a cohesive narrative arc. A kid will love the book for being funny, honest, and a different kind of reading experience. No matter where you’re coming from, the book will wow.

See more artwork by cover and chapter headings illustrator Alexander Nabaum here.

 

 

Share this:

Kids Halloween Picture Books 2019

 

KIDS HALLOWEEN PICTURE BOOKS 2019

YES, ANOTHER ROUNDUP, BUT IT’S OUR *LAST ONE!

(*Which means we’ll be back next year with more Halloween reads,
but for now, please go out and pick up some books at your local indie bookstore to share with kids.)

 

free clip art pumpkin

 

 

dino halloween book coverDINO-HALLOWEEN
Written by Lisa Wheeler
Illustrated by Barry Gott
(Carolrhoda Books; $  Ages 5-9)

Dinosaur loving kids will find Dino-Halloween right up their rhyming Halloween alley! A bevy of big and small dinos get together to do their trick or treat thing as only dinos can in the latest picture book in the series.

“Come October, nights are longer.
Moon looms bigger. Winds blow stronger.”

The scene is set for a dino-mite Halloween romp that’s more silly than scary, making this a safe go-to story for younger children. Between the read-aloud rhyme and the animated, jewel-toned illustrations, each page is bursting with the excitement of this special night.

Meet Pterodactyl, Triceratops, Diplodocus, Apatosaurus, Iguanodon and many more, all on hand (or claw) to have fun. The dinos head to a haunted house then spend time carving pumpkins (“Iguanodon has no finesse. He’s smeared with pumpkin. What a mess!”). After that comes costume-making or buying for the Costume Ball. Picture Raptor stuffing his clothes with hay to make himself into a scarecrow. The ball’s where readers will find all the dinos dancing before heading out for some serious trick or treating. They call it a night after overdoing it on treats, but everyone agrees it’s been a blast and look forward to celebrating the next holiday⁠—Thanksgiving!

pick a pumpkin book coverPICK A PUMPKIN
Written by Patricia Toht
Illustrated by Jarvis
(Candlewick Press; $16.99, Ages 3-7)

Starred Review – Booklist

This atmospheric read is certain to become a family fave for getting into the Halloween spirit. What better way to get ready for Halloween than going to a pumpkin patch to find that special one.

“Pick a pumpkin from the patchtall and lean or short and fat. Vivid orange, ghostly white, or speckled green might be just right.”

An autumn glow fills every page of Pick a Pumpkin. The country setting (look out for Jarvis art supplies and Patty’s book shop!) and the country-colors palette of the artwork add anticipation that something special is on the horizon. Soon a diverse group of friends and family gather at home. Preparations begin for each guest to become part of the PUMPKIN CARVING CREW! Toht’s top-notch rhyme sparkles beside the warm illustrations as the fun gets underway. “A kiss. A frown. A toothy grin. A zigzag gap cut long and thin.” Every possible pumpkin design is explored and presented in two beautiful spreads with joyful and satisfied children.

Before the happy kids can light their new creations, it’s time for setting up the decorations and putting on costumes. And when at last the pumpkins are lit, a dazzling light transforms the illustration into pure magic to beholda Jack-O’-Lantern. Read this with your children or students before wishing everyone a very Happy Halloween! I have no doubt this lovely book will be revisited again and again every fall.

 

paint by sticker kids Halloween coverPAINT BY STICKER KIDS: HALLOWEEN
(Workman; $9.95, Ages 5-9)

This latest activity book in the Paint by Sticker series is perfect for families who are keen on keeping the Halloween celebration mess-free. This portable, non-electronic entertainment will keep kids busy and happy before or after trick or treating. Plus all the stickers are glow-in-the-dark! Here’s how it works.

Children choose one of the ten Halloween-themed pictures including a witch, a bat, “a tuxedo-suited vampire,” “a creepy unraveling mummy,” pumpkins and a haunted house. Then they turn to the back of the book to find the corresponding sticker page for their illustration. Then, let the peeling begin! It’s easy to peel and stick in place by matching the numbers and voilà, their masterpiece is ready to remove and even frame. All of the pages are perforated making removing the picture and sticker page easy peasy. Say good-bye to paint spills and hello to neat stickers this Halloween. 🎃

 

 

  • Reviewed by Ronna Mandel

Click here to read a previous Halloween Books roundup.

 

OTHER RECOMMENDED READS:

Mother Ghost Nursery Rhymes cvrMOTHER GHOST: NURSERY RHYMES FOR LITTLE MONSTERS
Written by Rachel Kolar
Illustrated by Roland Garrigue
(Sleeping Bear; $16.99, Ages 5-7)

 

 

 

Monsters Come Out Tonight cvrMONSTERS COME OUT TONIGHT!
Written by Frederick Glasser
Illustrated by Edward Miller
(Abrams Appleseed; $8.99, Ages 3 and up)

 

 

 

No More Monsters Under Your Bed cvrNO MORE MONSTERS UNDER YOUR BED! 
Written by Jordan Chouteau
Illustrated by Anat Even Or
(Jimmy Patterson Books; $16.99, Ages 3 – 6)

 

 

Snack Attack book coverSNACK ATTACK!
by Terry Border
(Philomel; $17.99; Ages 3-7)

 

 

Share this:

Halloween Picture Books 2019 – A Roundup

BEST NEW PICTURE BOOKS FOR HALLOWEEN

A ROUNDUP

PART 3

free clip art pumpkin

 

 

Skulls book coverSKULLS!
Written by Blair Thornburgh
Illustrated by Scott Campbell
(Atheneum BYR; $17.99, Ages 4-8)

For Halloween or any day for that matter, Skulls! will entertain young readers with its eye-opening facts and fun watercolor illustrations featuring oblong faces and childlike representation.

Blair Thornburgh’s hit the nail on the head with this unique picture book that introduces kids to an important part of the human body via an adorable young narrator. Made up of twenty-two different smaller bones, the skull accounts for “about 10 percent of our body weight” but we often don’t think about it. When we do, as Thornburgh points out so perfectly, it’s absolutely amazing, kind of gross and thoroughly entertaining.

We tend to take for granted how a skull is “like a car seat for your brain,” keeping it safe and in place. It’s also actually full of holes otherwise it would be so much heavier. “But most important of all: skulls are not trying to be scary.” Once kids learn about all the cool skull-related things shared in Skulls!, they’ll probably want to share them with you, especially the jaw and mouth ones. And when they do, they’ll probably ask for a grilled cheese sandwich which means they’ve learned something. After they’ve eaten they’ll probably thank you for helping their “skull grow hard and strong.” In turn, you can use your mandible bone and connecting muscles to smile.

Happy Halloween Pirates book coverHAPPY HALLOWEEN, PIRATES!
Written by W. Harry Kirn
Illustrated by Inna Chernyak
(Clever Publishing; $12.99, Ages 3 and up)

Happy Halloween, Pirates! is a large-sized, kid-friendly, 18-page lift-the-flap board book that’s a rollicking, rhyming read aloud for Halloween. Toddlers will love hearing the story then peeking under the flaps to see what treasures the illustrator has buried beneath.

Shiver me timbers! A pirate crew receives an invitation via crow to a Halloween party. The action starts immediately as they and assorted pirate ship creatures (a cat, some mice) plan their costumes.

Next the pirates go ashore to have some fun with friends galore. They find the haunted party house and join in the festivities. Whoa! The kids who invited their sea-faring pirate pals surprise them by dressing up as pirates themselves on board a mini pirate ship! Between the flowing rhyme, the interactivity of the flaps and the vibrant artwork, children will stay entertained this Halloween as they play with and say Happy Halloween, Pirates! And who doesn’t enjoy a pirate party?

Ghastly Ghosts Book CoverGHASTLY GHOSTS
Written by Teresa Bateman
Illustrated by Ken Lamug
(Albert Whitman & Co.; $16.99, Ages 4-8)

My level of manageable frightening can be found in Ghastly Ghosts. This pleasing and well paced rhyming picture book starts off by setting a Halloweenish mood, but the main character, Old Dave, refuses to be scared by the moaning noises emanating from coal shed. The rhyme works wonderfully in moving the story forward with a subtle upbeat vibe so as not to make little ones’ (or my) hair stand on end. The art style is appealing with a lovely palette that also keeps the fright level slight.

Old Dave wishes for some company as it gets lonely up in the middle of nowhere which is exactly where he lives. But alas, no one goes out on a night so dark and freezing, and if they do it’s not to the place where a ghostly choir can be heard loudly saying, “Ghastly ghosts in the old coal shed!” Oh how I admire Old Dave’s guts. Rather than cower at the scary sounds, our hero faces off with the spirits who he reckons might also enjoy the warmth of his cottage once he replenishes his coal supply. Still more of the “Ghastly ghosts …” chorus erupts, but they’re interrupted by brave Old Dave. “I know. I do. I’d like to bet you’re cold ghosts too.” Together with the ghosts, Old Dave’s coal pail gets filled and everyone is welcome in his now warm and cozy place. “In fact, they’re quite good company. His friendless nights are history.”

clever little witch book coverCLEVER LITTLE WITCH
Written by Muon Thi Van
Illustrated by Hyewon Yum
(Margaret K. McElderry Books; $17.99, Ages 4-6)

Clever Little Witch is more of a sibling tale than a Halloween one, but since witches abound during this season, it still feels appropriate to share. Plus Thi Van has written a story that will definitely resonate with older kids who’d like nothing more to get rid of their younger siblings.

In this charming picture book narrated by Little Linh, we learn instantly from her that she’s “the cleverest little witch on Mãi Mãi Island” if she does say so herself! She tells us what she needs which are a broomstick, a book of spells and a rare and magical pet. What she doesn’t need is an annoying baby brother who does things like ride her broom without asking, chew pages from her spell book or use her magical mouse “as a flashlight.” Yup, the little guy’s gotta go!

Baby Phu is offered around by his older sister, but no one on the island has any desire to take her little bro off her hands. Nope, not the troll, not the forest fairy queen and not the Orphanage for Lost and Magical Creatures. Youngsters will get a huge kick out of these scenes when the reasons why Baby Phu is rejected are explained. The troll, for instance, got hiccups from the last baby brother he ate.

When Little Linh turns to her magical book of spells she sees that “Baby Phu had eaten half the spell.” Clever as she was, she could certainly figure out what the rest was and transform her brother into a goldfish. When the spells go awry and she creates first a frog, then a seal and finally a dragon that steals her wand, things are not looking good. The story’s heroine chases the dragon on her broom. But when the dragon’s tail accidentally knocks down the broom and Little Linh begins falling, guess who comes to her rescue before she crashes to the ground? YESthe dragon, much to her surprise! Does the dragon stay a dragon or does he turn back into Baby Phu who becomes more appreciated? Ahh, you’ll have to visit Mãi Mãi Island to see for yourself! Hyewon Yum’s illustrations of acrylic gouache and color pencil are full of energy. The variety of colors she uses exudes a warm and happy feeling with every page turn. What a sweet, humorous and imaginative sibling story to share with kids!

Ginny Goblin Cannot Have a Monster cvrGINNY GOBLIN CANNOT HAVE A MONSTER FOR A PET
Written by David Goodner
Illustrated by Louis Thomas
(HMH BYR; $17.99, Ages 4-7)

Starred Review – Kirkus Reviews

Ginny is a force of nature and, though perhaps not the best role model for children, will definitely make them laugh and maybe even answer back to the narrator speaking right to them, and that’s just what an ideal read aloud like Ginny Goblin Cannot Have a Monster for a Pet should do.

As I read this picture book, the follow-up to Ginny Goblin is Not Allowed to Open This Box, I thought about a little girl some 22 years ago. No matter what her parents told her, she’d do the opposite. I always worried about her, but she’s actually doing great now that she got all those wild escapades out of her system … and a horse as a pet.

What’s so fabulous about this story is that Ginny’s crazy antics ultimately get her just what she wanted in the first place which is a goat, a non-monsterish pet unlike all the unbelievable others she goes in search of page after riotous page to drive her point home. Whether it’s on a beach where the narrator hopes “she’ll find a tropical fish, or a cute little hermit crab,” Ginny always has something else in mind and goes for it. In one case that means going into the deep, dark sea in a submarine seeking a kraken. We’re reminded that krakens “are unfathomable monsters, and Ginny Goblin cannot have a monster for a pet.” I can just hear the kids at story time repeating that phrase and loving it.

So what do you suppose happens next? You guessed it, as will young readers. Down she goes into a cave in search of a dragon. That sized pet won’t fit in a house will it? So of course Ginny’s taken to a forest where birds who make great pets live. Ha! Instead Ginny catches a basilik, but a magical pet isn’t the answer either. If you think she’s done thinking about getting a monster for a pet because she’s distracted by a visit to a space museum, think again. Ginny commandeers a rocket to outer space where an acid-spitting alien is on her agenda but not the narrator’s.

Goodner skillfully brings the readers and Ginny back to Earth where the idea of a pet like a goat is suddenly looking a lot better than it originally did! Paired with Thomas’s whimsical gouache and pen-and-ink artwork, Goodner’s prose take youngsters on an amusing and mischievous  journey that will delight them and anyone lucky enough to read the story to them.

  • Reviewed by Ronna Mandel

 

Read another Halloween Books Roundup here.

 

Share this:

Five New Halloween Books for Kids – A Roundup Part 2

BEST NEW KIDS BOOKS FOR HALLOWEEN

∼ A ROUNDUP ∼

PART 2

 

 

 

Beneath the Bed coverMISTER SHIVERS: BENEATH THE BED AND OTHER SCARY STORIES
Written by Max Brallier
Illustrated by Letizia Rubegni
(Acorn/Scholastic; $4.99, Ages 5-7)

Acorn books, designed for early readers, brings five scary stories to children in this Mister Shivers series. Beneath the Bed and Other Scary Stories has 64 pages packed with full-color artwork while some other Acorn books have 48 pages. Either way, there’s something for every new reader seeking “relatable characters and experiences” written and illustrated by some of the best known names in children’s literature.

Beneath the Bed and Other Scary Stories opens with a letter from Mister Shivers about a mysterious box delivered to him in which he found items pertaining to each story and a promise to share the stories in the book. Like all the stories in this book, evocative, muted illustrations help reinforce the easy-to-read text of these fast paced short stories. That’s certainly the case in “Beneath the Bed” about a boy dared by kids at school to visit the local haunted house. Upon entering the house with his sister who he brought along for courage, the pair discover a sinister doll with glowing eyes under a bed in the attic bedroom.

“A Hair Down to My Stomach” as the title implies, is equal parts gross and unsettling, with just the type of visuals accompanying it to make it succeed. “The Statue” will have kids talking back to the book as they turn the pages and tell the mom in the story as her son tries to do, “Don’t buy the statue!” Of course, she does. What follows is the reason why Mr. Shivers’ mysterious box contained a piece of quilty. He never mentioned if it was smelly like the quilt in “The Statue.” All I know is the young boy should have listened to the statue’s owner when she warned the buyers not to remove the quilt. The same goes for Oliver in “A Dark and Stormy Night” who should have done as his parents’ wished and brought his toys inside. Instead, they were left out in the rain to be ruined by the elements. Toys don’t like being forgotten and seek their revenge when that happens. Poor Oliver! And as for the scraping sound in “The Noise at the Window,” I know this well. Only I’ve been fortunate to find a tree outside where I heard the clawing coming from a branch. The little girl in this tale wasn’t so fortunate!

Okay spine, start tingling because these five stories are guaranteed to make you keep the lights on.

The Okay Witch book coverTHE OKAY WITCH
Written and illustrated by Emma Steinkellner
(Aladdin; $12.99, Ages 8-12)

Get ready to be caught under the spell of Emma Steinkellner’s The Okay Witch, a terrific debut middle grade graphic novel.

Tween readers will be charmed by the main character Moth Hush, who at 13 learns she is part witch with special powers, something she had only dreamed of up until that point. Living above her single mom Calendula’s second hand store, Moth has never felt the warm and fuzzies from her classmates in her Massachusetts hometown of Founder’s Bluff nor in the community at large. She soon learns there’s a good reason why and goes exploring back in time via her mother’s diary.

In 1692 a group of women suspected of being witches, her grandmother Sarah being one of them, was run out of town. They were indeed witches but good ones and many townspeople secretly went to them to avail of magic to help them. When ousted, Sarah led the women to a timeless land she created called Hecate, but Calendula refused to live there. She returned to Founder’s Bluff to live a normal non-witch life for herself having fallen in love with a human. Sadly, Sarah cast a spell to make this man have no memory of Calendula. Pregnant, the brokenhearted, Calendula raised Moth alone with no magic.

In school Moth befriends another fish-out-of-water named Charlie who is new to Founder’s Bluff. Little does Moth know that there’s a connection between her family and Charlie’s that could test their friendship. I got a kick out of the magical cat, Mr. Laszlo, the spirit of Keeper’s Secondhand Store who had taken Calendula in and, when he passed away, left the store to her. The talking feline’s speech is peppered with Yiddish and in my head I heard Billy Crystal doing the dialogue.

Steinkellner must have had such fun writing and illustrating this story which reads quickly and nicely ties all the loose threads together at the end. The artwork wonderfully and convincingly conveys the moments when Moth experiences the power of magic. I especially liked the historical scenes and when Moth visits Hecate, but to be honest, all the illustrations brought the story alive. The novel is filled with humor, sarcasm, action, fantasy, pride and most of all, love as evidenced by Moth’s efforts to navigate the magical world of her grandmother and the real world in which Calendula has chosen to raise her. She’s new to the witch world and she’s far from perfect, making her The Okay Witch we care about and want to see happy and at home with her mom.

Graphic novel fans will quickly be swept up into Moth’s witchy world of time travel, timelessness, tween curiosity and relationships as Moth tries to learn more about herself. Will the way in which her family’s life intersects with that of Founder’s Bluff  be a reason to stay or retreat to Hecate? The fun’s in the finding out in this enchanting, recommended read that’s definitely not just for Halloween.

Ghoulia and the Mysterious Vistor cvrGHOULIA AND THE MYSTERIOUS VISITOR (Book #2)
Written and illustrated by Barbara Cantini
Translated from Italian by Anna Golding
(Amulet Books; $9.99, Ages 6-8)

You don’t need to have read Book#1 in order to enjoy Ghoulia and the Mysterious Visitor (Book #2), a chapter book series about a friendly zombie called Ghoulia and the dead and not-so-dead inhabitants of Crumbling Manor. Billed as Clue meets Little Shop of Horrors, this full-color illustrated book is sure to get young readers in a Halloween mood.

The story opens with Ghoulia feeling bored. When cranky cousin Dilbert arrives unexpectedly, Ghoulia looks for her Auntie Departed to explain why this relative she’d never even heard of got invited to Crumbling Manor. But her Chatterbox-Ivy-obsessed aunt is nowhere to be found. Ghoulia thinks it’s odd when more friends turn up, each with an invitation to a surprise dinner the young vampire knows nothing about.

As Ghoulia and her pals search Crumbling Manor for Auntie Departed, a friend Theresa also goes missing. Something weird is happening so the remaining guests split up to find those who’ve disappeared while trying to help Ghoulia figure out who sent the invitations.

This delightful chapter book will hook confident young readers ages 6 to 8 who still love beautifully illustrated stories that aren’t scary yet have an air of mystery about them. I’m not sure kids will recognize famous individuals such as Hitchcock and Poe in framed pictures on Crumbling Manor’s walls, but they’re certainly a treat for adult readers. In fact every illustration is a treat and worthy of a thorough scanning to see what special things Cantini has hung up on the walls or placed in each room. Her prose and pictures provide the perfect foreshadowing for kids quick to pick up clues. At the end there are bonus activities including how to write an invitation and fill out an envelope, how to start a garden and how to make Dilbert’s special pumpkin juice (minus the spiders’ eggs)! Watch out for Ghoulia and the Ghost With No Name (Book #3) coming soon!

THE CURSE OF THE WERE PENGUIN
Written by Allan Woodrow
Illustrated by Scott Brown
(Viking BYR; $17.99, Ages 8-12)

Described by Chris Grabenstein, #1 New York Times bestselling author, as “Young Frankenstein meets The Princess Bride in the most hysterically hilarious book I’ve read in years,” and I could not agree more. I smiled my whole way through The Curse of the Werepenguin, a clever, funny and original story within a story. I read it over two days and could not wait to see how author Allan Woodrow would end it. As I suspected, it’s TO BE CONTINUED so now I have to find out where he takes this wild and feathery tale of an orphan boy named Bolt.

Meet Humboldt Wattle (aka Bolt), a twelve-year-old boy abandoned as a baby at The Oak Wilt Home for Unwanted Boys. There’s little about him that makes him stand out except a large bird-shaped birthmark on his neck. When suddenly his life changes overnight, Bolt’s unusual marking will take on tremendous significance in his life. He’s been summoned to the distant land of Brugaria by a wealthy baron who no one wishes to disobey. Could this mean the family he’s been hoping for is finally ready to reunite with him?

The catch is that Baron Chordata is not only a cruel person feared by most inhabitants of Brugaria, he looks like he’s the same age as Bolt. On top of that, he dresses in tuxedos even at home, and consumes massive quantities of fish, every kind imaginable, including live goldfish. Woodraw’s descriptions of eating seafood have to be some of the funniest and disgusting ones I’ve ever read and I lapped up every slimy, slithery sentence. I also may never look at fish sticks the same way again!

In a trance from his first experience playing video games, Bolt unknowingly agrees to a request by Baron Chordata. This eventually leads to his being bitten on the neck. The result? Bolt turns partially into half boy, half penguin or werepenguin, so maybe a quarter … Anyway, after three days the full effect of the transformation will be complete. When the full moon shines, which is every night in Brugaria, the change in Bolt occurs. His feet turn webbed and orange, he sprouts wild tufts of hair, wings, an enormous nose and has cravings for seafood. Then he, along with all the other werepenguins including the baron, bark, wreak havoc and steal fish whenever possible.

Fortunately or unfortunately for Bolt, a girl named Annika who tried to rob and kidnap him because she’s “the world’s great bandit,” becomes an ally (or not) in trying to help Bolt escape the baron’s wicked clutches and rid himself of the werepenguin curse. The curse is not the only thing Bolt’s dealing with. He’s got this wacky, whale-loving cult leader named Günter determined to destroy him. Günter’s weapon of choice, a loaf of French bread! Plus Bolt’s learned that the werepenguins, led by power and fish hungry werepenguin-in-chief, Baron Chordata, are orchestrating a takeover of Brugaria the same day the curse on Bolt goes into full force. Someone has to do something and Bolt realizes it’s him. What that something is, he’s not totally sure, but still …

You’ll LOL at the Cloris Leachman-like “lowly housekeeper” called Frau Farfenugen, a greenish, warty and miserable woman who is not what she seems, Blazenda, a fortune-telling witch whose cackles drive Bolt crazy, but who may hold the key (or tooth) to Bolt’s freedom, and a cast of colorful characters, some of whom scream and faint whenever the name Baron Chordata is said aloud, that will entertain you and have you sitting on the edge of your seat or wherever it is that you read fantastic books.

Ultimately, Bolt has to decide what real family is. Is it Annika and her bandit dad and his buddies or is it the rook of penguins that, we learn in the novel’s prologue, should never be split up? I’m not going to spoil it by telling you, but I will say that joining Bolt on his journey is something you’ll love doing. So start cooking some fish sticks, grab a baguette and get reading!

Ghost book coverGHOST: THIRTEEN HAUNTING TALES TO TELL
A Collection by Illustrátus
(Chronicle Books; $21.99, Ages 9-12)
Starred Reviews – Kirkus Reviews, School Library Journal

I made sure I read this book when my husband was home because I’m a big chicken. When I did read Ghost, I realized the stories are not only fantastic ghost stories for Halloween, but also ones to commit to memory to share around a campfire. You could also bring the book along but you many not want the hauntingly illustrated, white embossed cover to get dirty. “Contributors to this chilling collection include authors Blaise Hemingway and Jesse Reffsin, and illustrators Chris Sasaki and Jeff Turley,” and Kit Turley, and they’ve done a fantastic job of scaring me although, as I said above, I do scare easily.

As I settled down to read each of the thirteen eerie tales, an owl hooted from my back yard adding to spooky feeling the stories exude. The tales, brief but powerfully creepy, are ideal for tweens who love to feel the hair on their necks stand up. The subjects range from a girl getting a tap tap tap from her mirror and then being imprisoned in it by her evil reflection, to two boys going ice fishing who disregard a shopkeeper’s advice to avoid the north of Point Whitney. The reasonit’s haunted by the ghost of Max Whitney, the former owner of the bait and tackle shop. Do the boys catch a lot of fish? Yep. Do they return safely home to share their experience? I’m not telling. There’s another one that takes place by a pond. Suffice it to say that, unlike the main character in this tale, a boy named Samuel who hears his drowned sister call out to him and follows her cries, I would never go out of my house in the middle of the night with a lantern by myself. The artwork throughout Ghost has a spare quality about it with a very limited palette which is appropriate for the collection. And though created digitally, all the illustrations resemble wood block prints and imbue every tale with as frightening an effect as the words themselves.

The tale that particularly resonated with me was about a girl who finally gets a room of her own away from her younger sister. Now alone in her new bedroom, the girl is terrified of the ghostly night noises but thinks if she just huddles under the covers and keeps her eyes tightly closed, everything will be okay. And it is, but how long can she keep her eyes shut? Did I mention that as a child I had my dad install a lock on my bedroom closet door? I will not easily forget the story of the young boy, Michael Alvey deep sea diving to a WWII sub wreck in search of the bodies of his deceased parents. They died just after their last communication was, “Please! Help! They’re coming.” When I found out who “they” were, I was shocked and readers will be, too. I caution young readers to avoid basements, elevators, hiking or making a trip after midnight to a cemetery right after reading Ghost.

Some stories unhinged me more than others, “The Descent” being one of them. That’s not to say they weren’t all good because they were, but certain stories played off of my deepest fears more than others. That being said, it might be best to read this book with a cat curled up on your lap or with a big dog nearby during the day!

  • Reviewed by Ronna Mandel

Read another Halloween Books roundup here.

 

Share this:
Back To Top
%d bloggers like this: