by Frank Murphy and Carla Murphy
Illustrated by Kayla Harren
(Sleeping Bear Press; $16.99; Ages 4-8)
In A Girl Like You teacher/coach/author Frank Murphy, and first time picture book author Carla Murphy, along with illustrator Kayla Harren, celebrate all the wonderful ways there are to be a girl in this world and empower girls to be strong, daring, brave and bold.
Harren’s beautifully composed art introduces a diverse group of people and age ranges packed together as our confident main character stands amongst them with her companion dog right by her side reminding the reader that there may be billions of people but you are the only YOU there is! The eye-catching water colors brighten the pages as the reader travels through the life of this young girl as she runs for student council, stands up for herself and finds new talents. And in each colorful circular drawing her sweet little pup is always there for support. Bold letters highlight that Brave, girl, try new things.
Young readers see that there are endless possibilities and that childhood is a great time to try new things. (Adults will see that it’s not too late for them either). The authors’ words tell the reader that she can work hard at things. Mistakes are essential to success. So stick with it. As the reader turns the page, another line of bold letters say Bold girl, speak up. Harren paints girls of all sizes raising their hands in schooI.
This empowering picture book teaches children about friendship, thoughtfulness and empathy, topics so crucial to our times, while emphasizing how important taking care of yourself is in order to fulfill your dreams. Smart girl, take care of your heart. Embrace and care for the body you are in. Your unique traits are what make you especially beautiful. And ESPECIALLY you!
Witnessing America’s first Black and South Asian female vice president being sworn in has helped girls see that their dreams can come true. Reading this book is a another great example showing girls they should take pride in being [the] one and only you. Unlike anyone else, ever before. Murphy and Murphy’s words resonate. Simple yet powerful, they recognize everyone’s uniqueness
The Author’s Note explains how children are treated differently whether boy, girl or other gender identity and that their purpose for this book was to help kids feel empowered to find their passions and strengths. Pediatric nurse, Carla Murphy, encourages the reader to make choices that serve their health. Writing teacher, Frank Murphy, includes a writing activity for kids to create a gratitude journal with parents or teachers asking them to record three things a day.
This story, a companion title to A Boy Like You, brought joy to my heart and I believe will positively impact children and adults who read it as well. Its beautiful, warm message should be read over and over again because the world needs a girl … a caring and strong girl, a bold and brave girl, an unstoppable girl. A girl like you.
- Reviewed by Ronda Einbinder
AN INTERVIEW WITH AUTHOR SUSAN KUSEL
ABOUT HER DEBUT PICTURE BOOK
THE PASSOVER GUEST
(Neal Porter Books; $18.99, Ages 4-8)
In The Passover Guest, written by Susan Kusel and illustrated by Sean Rubin, Muriel assumes her family is too poor to hold a Passover Seder this year, but an act of kindness and a mysterious magician change everything.
GoodReadsWithRonna: Welcome, Susan! Congratulations on your debut picture book, The Passover Guest!
Susan Kusel: Thank you so much for having me here! I am honored to be on this blog
GRWR: How does it feel as a synagogue librarian and indie bookstore book buyer to know your new book,
The Passover Guest, has landed on shelves?
SK: It’s an absolutely surreal feeling to know that my book has a spot in some of my favorite libraries and bookstores. I am humbled by the idea of a child pulling it off the shelf and reading it.
GRWR: When did the seed to become a storyteller first plant itself in your soul? Can you recall the first books that sparked your imagination?
SK: I’ve wanted to be a writer for so long, it’s hard to remember the exact moment I started. I do remember the first time I ever wrote a complete book though. It was for a 5th grade English assignment and was about a Russian Jewish girl named Rachel. I remember being very proud of the special folder I put the book into.
My mom used to read to me every night when I was a child and some of my favorite books then were Cars and Trucks and Things That Go by Richard Scarry, Walter the Baker by Eric Carle, Mr. Popper’s Penguins by Richard and Florence Atwater, Mike Mulligan and His Steam Shovel by Virginia Lee Burton and of course, The Magician by I.L. Peretz, adapted by Uri Shulevitz.
GRWR: What inspired you to write The Passover Guest as a retelling of the classic I. L. Peretz’s story adapted by Uri Shulevitz in 1973 rather than create a new tale?
SK: As I mentioned above, The Magician was in regular reading rotation by my mother when I was younger and so it’s a story I’ve been in love with for a long time. When I rediscovered the book in a library as an adult, I still thought it was an amazing story, but I noticed some plot elements that I wished were different. That started me down the path of doing an adaptation of Peretz’s story, a process that took about ten years.
GRWR: Aside from setting the story in 1933 Depression-era D.C. are there any other notable changes you wanted to make for 21st-century young readers?
SK: The most significant change I made was adding the character of Muriel. In the Peretz version, the story is about a couple but I thought that it was very important to add a child character. There are also a number of subtle changes I added, such as Muriel putting a penny in the Magician’s hat, the rabbi coming to Muriel’s seder, the whole community filling the house, the matzah breaking itself in two, and several smaller plot points. My goal was to stay true to Peretz’s message while making the story my own.
GRWR: What were your go-to Jewish holiday books growing up and right now? Do you have a collection?
SK: Jewish stories have always been very important to me, but when I was growing up, we owned very few. Our whole book collection, which took up half a shelf in my brother’s closet, was primarily obtained from library book sales. We supplemented these with library books. I only had a few Jewish books including The Power of Light by Isaac Bashevis Singer and Potato Pancakes All Around by Marilyn Hirsh (which we used then, and I still use now for the latke recipe).
As for now, I am typing this while sitting in my home library surrounded by picture books, including several shelves just for Jewish books. Current favorites include Hershel and the Hanukkah Goblins by Eric Kimmel (no holiday list is complete without it!), I Know an Old Lady Who Swallowed a Dreidel by Caryn Yacowitz, The Matzah Papa Brought Home by Fran Manushkin (sadly out of print but still extraordinary), and Here is the World by Lesléa Newman. That’s really just a small sample though because there are so many Jewish holiday books I love.
GRWR: Has your experience on the Caldecott Medal selection committee or as chair of the Sydney Taylor Book Award Committee influenced your writing in any way?
SK: One of the most common pieces of advice given to writers is to read extensively in your field. I think those committees, as well as others I’ve been on, have certainly helped me with that. When you are reading hundreds and hundreds of books in a genre, it does give you a better sense of what is currently published. Being on so many committees has helped me see what the conventions are, and how they can be broken and how I can be a better writer.
GRWR: Sean Rubin’s art is as magical as your prose and the mysterious guest himself. Do you have a particular favorite spread from the book you can tell us about?
SK: I think Sean did a truly extraordinary job on the illustrations and picking just one of them is like trying to pick a favorite child. I think his work adds so much to the book and makes it complete.
I could easily go on at length about every individual spread and how much I love it, but if I can only pick one, it would be when Muriel goes to the synagogue to consult the rabbi. Over the course of one continuous spread, Sean shows us four completely separate and distinct scenes and the cause and effect of each one of them. And all of this against the astonishingly beautiful and majestic background of the Sixth and I Synagogue, a D.C. Jewish landmark.
GRWR: Early on in The Passover Guest Muriel meets an unusual street performer to whom she gives her last penny. Can you speak to the story idea of magic and how, especially in tough times, this kind of belief can help people?
SK: I think it’s always a good time to believe in the possibility of magic, especially during difficult times. You never know who that bedraggled stranger might turn out to be. Faith and hope are so important.
GRWR: Where do you find the time to write with all your other commitments? Do you have a daily routine?
SK: I’d love to be able to say that I sit down in the same place at the same time every day and write for the same amount of time. But the truth, as you alluded to in this question, is that I have multiple jobs, commitments, and children, and I do my best to write as much as I can when I can.
GRWR: You mentioned in your author’s note that Passover has always been your favorite holiday, can you tell us why?
SK: I love so many things about Passover: the coming of spring, getting the seder plate ready, singing songs, finding the afikomen, eating too much charoset, being with family, and much more. It’s always been a magical holiday for me and I’m delighted that this book lets me share some of that magic.
GRWR: Are you working on your next book? Will it have a Jewish theme?
SK: I’m working on several next books, all with Jewish themes. I have a real commitment to telling Jewish stories.
GRWR: It’s been wonderful having you as a guest here today, Susan! I really appreciate your thoughtful replies and am looking forward to sharing a review of your book when we get closer to Passover.
Susan Kusel has turned a life as a book lover into many careers as an author, librarian, and buyer for a bookstore. She has served on many book award committees including the Caldecott Medal and the Sydney Taylor Book Award. She loves biking, cross-stitching, and of course, reading. Learn more about Susan on her website and by following her on social media.
Click here to read another picture book author interview.
(NorthSouth Books; $17.95, Ages 4-8)
It’s Day One of the CHICK CHAT BLOG TOUR as well as its book birthday! Peep! Peep! GRWR is so happy to participate and celebrate the hatching. Please enjoy the following interview with Chick Chat author-illustrator Janie Bynum and her insights on this fun new read-aloud picture book for children.
CHICK CHAT SUMMARY:
Friendship comes in all shapes and sizes.
Peep, peep, peep! Baby Chick has a lot to say!
Everyone in Chick’s family is too busy to chat with her. But when chatty baby Chick adopts a large egg—she finally finds a friend who is a good listener. When her egg goes missing, Chick is heartbroken, until she finds that it has hatched into a brand-new friend!
INTERVIEW WITH CHICK CHAT AUTHOR-ILLUSTRATOR JANIE BYNUM
GoodReadsWithRonna: Hi Janie! Welcome to the blog. I’ve got lots of questions for you today.
In your author bio on the book’s copyright page, you mention how talkative you were as a child. Can you expand on this and how it influenced creating your main character Baby Chick?
Janie Bynum: Being an inquisitive, talkative, and determined child, I’m sure I tested the patience of my family—and quite a few teachers. Baby Chick and I share all of those personality traits—as well as being a fairly self-reliant youngest sibling. As I wrote and revised Baby Chick’s story, this very talkative youngest sibling emerged. So I ended up writing from a perspective (with a voice, as it were) that I understood as a kid.
In early versions of the manuscript, Baby Chick actually spoke instead of only peeping. But, I ultimately chose to have her peep in such a way that sounds like she knows exactly what she’s saying (and she does). This way kids can interpret what she may be saying—either inferred by the illustrations or by whatever words they imagine for her.
GRWR: Which came first, the Baby Chick character design or the story?
JB: The Baby Chick character art came first.
GRWR: It was funny how everyone in Baby Chick’s family is unaffected (to the point of almost ignoring her while they’re otherwise occupied) by her nonstop peeping while she carries on joyfully by herself. Is there something to be learned from her sheer self-contentedness?
JB: Possibly … by enjoying our own company, not being entirely dependent on others to “make” our happiness for us. Baby Chick is creative and makes her own fun; and, in doing so, she discovers something to nurture, which ultimately hatches into a friend who listens.
GRWR: I was absolutely convinced Baby Chick had found a rock not a big egg. Was this deliberate?
JB: No. The giant Galapagos tortoise’s egg—which I used for reference—looks very much like a round stone. Only at first, when she hasn’t fully unearthed the object, does Baby Chick not know that it’s an egg. But once she uncovers it, she realizes it’s some sort of egg—maybe not a chicken egg because it’s so round. But Baby Chick either doesn’t notice the difference or doesn’t care. It’s an egg without anyone to tend it, so she decides to be its guardian.
GRWR: I’m curious why you decided to make the baby turtle a quiet character rather than one “with a lot to say” like Baby Chick?
JB: I could’ve made the baby turtle/tortoise even more talkative than Baby Chick, which would’ve been funny. But I wanted Baby Chick to be rewarded (for all her nurturing and protection of the egg) with a friend who likes to listen. It’s also a sort of celebration of the yin/yang relationship, how seemingly opposites are actually complementary (in this case extrovert/introvert).
GRWR: Do you see Chick Chat as primarily a friendship story or did you feel there were other themes you wanted the book to explore?
JB: The friendship theme is wrapped around a story about self-sufficiency; and, as you noted earlier, self-contentedness. So, it really has two main themes.
GRWR: What medium do you work in when creating your artwork?
JB: I used a combination of digital media and traditional watercolor, which is the way I generally work. For Chick Chat art, I worked on my iPad (in an app called Procreate) and in Photoshop on my Mac computer with large monitor. I used traditional watercolor for some areas, and added real paper and paint textures (with Photoshop layers) to give more depth to some of the digital color.
GRWR: As someone who began telling stories first visually, do you usually create your dummy with thumbnails and then add the prose later?
JB: I usually have a character in mind first that I must draw so that I can get to know them. A seed of a story germinates as I’m drawing. As I start writing the story, I sometimes create a simplified mind map to look at arc, action, and direction possibilities. Then I write some more. And I revise. And then I revise the text some more.
When I feel like I have a fairly finished manuscript, I start thumbnails. Inevitably, the text changes as I work on thumbnails and rough sketches. So, as I create the rough dummy, I work back and forth between words and pictures until I feel confident that the story (both visual and written) is ready to submit to my agent.
GRWR: I enjoyed a lot of the little unexpected details you included in the illustrations like Baby Chick’s grasshopper friend (or cricket), and the punny titles of the books Sister is reading. Did you do this in all the books you illustrate even if you didn’t write them?
JB: Thank you. Since I write/illustrate for a fairly young audience, I try to add details that older readers (especially adults) will enjoy. While I don’t include a small observer character (who sometimes participates) in all of the books I illustrate and/or write, I have done so in a few. In Otis, which I wrote, a red bird appears in many of the pictures; and, in Porcupining, written by Lisa Wheeler, a grasshopper observes and sometimes participates.
GRWR: What do you do to spark your creativity? Is your process to work daily, inspired or not?
JB: In addition to creating children’s books, I work as a creative director and graphic designer (outside of children’s publishing), so creative problem-solving is part of my day every day. But, one of the things I do as a creativity spark—at least several times per week—is just draw for no reason at all, with nothing in mind until pencil meets paper (or stylus meets iPad). Many times character ideas come from these sessions.
GRWR: How long did it take to complete Chick Chat from the idea stage to the final book we can order from bookstores today?
JB: Roughly two years: story and book dummy, spring 2019; art delivered January 2020; published book January 2021.
GRWR: Who are some of your current kidlit illustrator faves and why?
JB: I have soooo many favorites, and for so many different reasons.
I love the color and stylized work of Felicita Sala. I adore the haunting stylized art of illustrators like Isabelle Arsenault and the cheery whimsy of Louise Gay. Carter Goodrich’s dogs are divinely humorous, and he possesses quite a deft hand with paint. With Sophie Blackall’s art, I’m inspired by her use of color, texture, and pattern. Her work is retro and contemporary, both at the same time.
Oliver Jeffers’ composition on the page (including an amazing sense of negative space) and his sensitive use of color and line inspires me. Matthew Cordell’s spontaneous linework and non-complicated watercolor embodies a spontaneous loose feel that I aspire to in my own work.
I like Ryan T. Higgins’s ink line coupled with his graphic use of shape and color (and, of course, his humor); the gorgeously strange art of Mateo Dineen; and the Matisse’esque art of Olivier Tallec.
GRWR: What’s in the works for your next book?
JB: A very creative beetle is the hero of my current work-in-progress. Also, I’m considering creating something for Gary the Worm to star in. (To find out who Gary is, visit my Instagram @janiebynum.)
GRWR: Is there anything else you’d like to add that perhaps I haven’t addressed?
JB: I’d like to let educators (including parents and grands) know that they can find Chick Chat activities at my website (janiebynum.com) and at northsouth.com/resources. And last, but not least, thank you for including me in your blog!
GRWR: It’s been such a pleasure being the first stop on your blog tour and getting to know you and Chick Chat better. Thanks for your terrific answers!
Janie Bynum grew up in Texas and graduated with a BFA in graphic design with an emphasis on illustration. As an author/illustrator, she has created many lovable characters and stories for younger children. Her work has been recognized as a Junior Library Guild Selection. She loves to travel and experience other cultures, drawing inspiration from the people, landscape, and cuisine. Known to her friends as a bit of a nomad, Janie lives in a nearly-100-year-old storybook house in southwest Michigan—for now.
CHICK CHAT BLOG TOUR PARTICIPANTS AND DATES
· Dulemba.com – January 28
· Dreamreaderkids – February 2 Instagram/Blog review +giveaway
· Storymamas – March 10 review + giveaway
· Kidlit411 – March 26 illustrator spotlight
CLICK HERE TO READ ANOTHER AUTHOR-ILLUSTRATOR INTERVIEW
Written by Sy Montgomery
Illustrated by Rebecca Green
(HMH BYR; $17.99, Ages 4-7)
★Starred Reviews – Kirkus, School Library Journal
Sy Montgomery’s New York Times best-selling memoir, How to Be a Good Creature: A Memoir in Thirteen Animals, inspired the picture book, Becoming a Good Creature. Herein she conveys her beliefs that we can—and should—learn from animals. Montgomery’s fundamental messages include “respect others,” “find good teachers,” and “see for yourself.” She encourages us to take a closer look at the world and everything inhabiting it. In doing so, we are bound to “love little lives” and find ways to nurture them because we’re all in this together.
While naturalist and adventurer Montgomery has led an extraordinary life, traveling the world and living with animals, we don’t have to fly far away to find something worth exploring.
During the pandemic, my family has discovered and interacted with previously overlooked insects in our garden. Becoming a Good Creature reinforces such behavior. It also shows that women can make their own families and forge their own paths.
Rebecca Green’s paintings, full of delightful animals, depict Montgomery from girl through woman and showcase how curiosity inspired her positive interactions with animals around the globe. For example, alongside the beautifully poignant illustrations of an octopus, a young Montgomery wonders what could we possibly have in common with them; the answer is playing! This uplifting book stresses the importance of communication and caring—much-needed actions for successful coexistence on our planet.
- Click here then scroll down the page to learn more about Rebecca Green’s artwork.
- Read a review of another picture book about animals here.
Written by Karen Rostoker-Gruber
Illustrated by Holly Sterling
(Kar-Ben Publishing; $7.99, Ages 1-4)
Happy Birthday, Trees!, written by Karen Rostoker-Gruber and illustrated by Holly Sterling, is a 12-page board book that just exudes joy and one I can easily recommend for the annual holiday of Tu B’Shevat, a Jewish Arbor Day. Tu B’Shevat or Tu BiShevat has, over the years, grown to become a celebration of nature and the environment and a time to reflect on the importance of trees since we are their only caretakers. This year, the holiday begins on the evening of January 27 and ends the following night.
In this charming rhyming board book, three diverse children go through all the steps of planting a tree with a soothing repetition that reinforces the progression of the actions. First, they dig a hole. Then they carefully place the tree in the hole and, after a few other important steps, the youngsters watch the tree as it grows and changes through the seasons.
I love how Rostoker-Gruber, in such a short story, has managed to convey not only the pleasure of the planting process but the complete cycle a tree experiences. Sterling’s cheerful illustrations full of movement and expression show readers how, in the year following the initial planting, the tree ultimately blossoms, spreading its perfume for all to enjoy. Happy Birthday, Trees! is truly a Tu B’Shevat treet!
- Reviewed by Ronna Mandel
Click here for a Happy Birthday, Trees! Teaching Guide.
Click here to read a review of another Jewish holiday book.
A Fractured Fairy Tale
Written and illustrated by Anne Lambelet
(Page Street Kids; $17.99, Ages 4-8)
Good effortlessly thwarts evil in this reimagined Snow White story, The Poisoned Apple: A Fractured Fairy Tale, by author/illustrator Anne Lambelet.
Irritated with a princess who is much too wholesome and “sweet” for her own good (how dare she be!), a witch is on the search for rare ingredients to concoct a “single apple-poisoning spell.” Kids will get a kick out of watching the witch carefully collect these ingredients in her hopes of getting rid of the princess once and for all; some ingredients on her list include such delightfully repulsive items as the toenail of a giant monster.
Readers will equally love seeing the spooky font and haunting artistry whenever the words “the poisoned apple” are repeated in the text. It adds to the humor by highlighting the seriousness of the situation—the princess does, after all, accept the apple easily. But the phrase also hints at the unlikeliness of anything dangerous from actually happening due to the ripple effect of kindness.
Goodness has a way of growing as the princess’s compassion for her hungry friend, one of the seven dwarfs, leads her to give the apple to him. In turn, when he notices “a couple of hungry forest animals,” he passes on the snack to them. They also show pity to a “foraging squirrel” who is “desperate for something to feed her babies.” Kids will erupt with laughter when they notice the horror and disappointment in the witch’s face as her perfect plan crumbles. She follows the squirrel, climbing ever higher and higher on the tree until a hilariously illustrated double-paged spread exposes the natural consequences of her greed. (Readers will enjoy holding the book up vertically to get the full effect). Down and down she falls, and when she comes to, a special gift awaits her, given by the squirrel out of genuine concern. The adage, what comes around goes around, plays out perfectly in this last scene.
Lambelet’s gorgeous illustrations, rich in texture, muted colors, and geometric shapes capture this intersection of whimsy and mystery. For those who enjoy a bit of dark humor and clever retellings of classic tales, The Poisoned Apple is an excellent choice. NOTE: Remove the jacket cover to enjoy the lovely illustration beneath.
Click here for a fantastic activity guide.
If you’d like to read more fractured fairy tales, click here for a roundup of recommendations.
- Reviewed by Armineh Manookian
THE GREAT PET HEIST
Written by Emily Ecton
Art by Dave Mottram
(Atheneum BYR; $17.99, Ages 8-12)
In The Great Pet Heist, when elderly Mrs. Food slips on some dog barf and ends up too injured to return possibly ever, her pets must fend for themselves. Walt (don’t call me Lucretia) is an Oriental shorthair and the sly female lead. Her sidekick is lovable but slow at times Butterbean, a male long-haired wiener dog, whose claim to fame is his nostril-probe lick. The main crew is comprised of Oscar the smart mynah bird, and the amiable rats Marco and Polo.
A girl from their building named Madison comes by to take care of the basics, but the pets know it’s hasta la vista soon. Their situation seems dire until they stumble upon a possible criminal in their building who may have enough gold coins to give the animals riches to care for themselves. Once the heist is launched, a series of funny antics will keep you wondering whether these characters will succeed, or if it’s off to the pound.
Throughout, Dave Mottram’s art is beautifully done, adding another layer of humor to Ecton’s story. Though Walt was my favorite character, I fell for Chad the octopus once I saw him rising out of toilet bowls and tripping up the villain. Take a close look at the image next to the title page of The Great Pet Heist to find Chad.
- Reviewed by Christine Van Zandt (www.ChristineVanZandt.com), Write for Success (www.Write-for-Success.com), @ChristineVZ and @WFSediting, Christine@Write-for-Success.com
Click here for another humorous middle-grade novel about pets reviewed by Christine.
Written by Cheryl B. Klein
Illustrated by Qin Leng
(Abrams BYR; $16.99, Ages 4-8)
If ever there was a year of wonders, I think 2020 would be it, both for adults and children, the whole world over. For this reason, I found Cheryl B. Klein’s A Year of Everyday Wonders especially meaningful though clearly her thoughtful book was created without the pandemic in mind.
The book follows a young girl, along with the people in her world, through all the “firsts” during the year. Some of the lines are poetic, like “First green in the gray” when spring arrives or “First gold in the green” when fall arrives. The hopeless romantic in me liked the scenes of “First cold” when the protagonist is ill, which is immediately followed by “First crush” when a classmate of hers offers his tissue box. Equally touching was how “Second crush” comes about. The book eventually comes full circle as it begins and ends with “First day of the new year.” These seemingly small events of childhood will resonate with readers young and old who have likely experienced one or all of the beautifully depicted moments, the memories of which may last a lifetime.
Qin Leng’s illustrations, rendered with ink and watercolor, portray each wonder with simplicity and emotion. There is lots of white space around many of the pictures, instilling a sort of quiet feeling, which is perfect for reading with your youngsters and reminiscing about all the “firsts’ they have had and will have in the future, depending on their ages.
Like I mentioned at the beginning of this review, 2020 was a year like no other, a year of many firsts for everyone: first lockdown, first virtual classroom learning, and first masks. With this last one, I admit that my mind is so focused on the pandemic in our new world that when I actually read the line “First masks” in A Year of Everyday Wonders, it took me a minute to realize that it was not referring to pandemic masks. Let’s hope that 2021 is a year of wonders indeed, of only the best kinds that children should experience.
★Starred Reviews – Bulletin of the Center for Children’s Books, Publishers Weekly and School Library Journal
- Reviewed by Freidele Galya Soban Biniashvili
Click here to read another book review by Freidele.
A Hunger Games Novel
Written by Suzanne Collins
(Scholastic; $27.99, Ages 12 and up)
Coriolanus Snow: Anyone who has read or seen The Hunger Games knows this man. Yet, who was he before becoming the evil overload of Panem? In The Ballad of Songbirds and Snakes, we meet Snow at age eighteen. His cousin, Tigris—yes, that Tigris—and his Grandma’am are all he’s got. They haven’t had enough food in ages and aren’t far from losing their once-luxurious housing. Facing an uncertain future upon graduation, Snow must achieve personal recognition at school, in hopes of being awarded funds toward University tuition.
It’s reaping day again and this year the kids from Snow’s class are assigned tributes to mentor as their final project. His District 12 girl is quite a letdown at first. Yet, once she’s in the spotlight, Lucy Gray proves to be a charmer and that may get her through for a while. Snow, at first, sees Gray’s performance in the Games merely as an assignment to score highly on but, soon, a complex relationship builds.
Suzanne Collins reveals the surprising origin of the Games. The book, as expected, is fast-paced with many plot twists. Snow and his classmates who are also assigned tributes are drilled by Dr. Gaul, the wonderfully creepy Head Gamemaker (who may just lock you in a cage in her lab for fun). She prods kids with questions such as what the Capitol’s strategy should be now that the war is over but may never truly never be won. When questioned whether there is a point to the neon colors of her snakes, she answers, “There is a point to everything or nothing at all, depending on your worldview.” These moments with Gaul reveal the book’s deeper messages about power, whether wielded with a weapon or a rose.
I’m a fan of the trilogy and very much enjoyed this glimpse into what happened decades before the girl on fire burst onto the scene and the screen. I would be happy to continue along with Snow, filling the gap, until the day he sees Katniss Everdeen become District 12’s first volunteer for the 74th Annual Hunger Games. The folk tune, “The Hanging Tree,” reaches across the years, uniting the stories.
Written by Carrie Finison
Illustrated by Brianne Farley
(G. P. Putnam’s Sons BYR; $16.99; Ages 3-7)
Sharing batch after batch of homemade doughnuts is what thoughtful friends do. But what’s LouAnn the bear to do just before hibernation when her stomach growls from hunger and no doughnuts remain? Such is the predicament presented in Carrie Finison’s debut counting/math practice picture book DOZENS OF DOUGHNUTS with illustrations by Brianne Farley.
Farley’s fun art introduces the reader to a variety of delicious-looking doughnuts, each numbered to 24. Pink Sprinkles, Swirly, Jelly-Filled, and Nibbled (with a bite taken from this purple glazed doughnut) set the stage for the story to come.
A big brown bear is seen through her kitchen window busy stirring the big bowl of batter. She’ll eat some sweet treats, then, warm and well-fed, she’ll sleep away winter, tucked tight in her bed. The orange and yellow leaves show off the colors of fall as we see a beaver nearing the front door.
Although one dozen doughnuts are hot from the pan and ready for LouAnn the bear to devour, an unexpected DING-DONG! gets the story going in a whole new direction. Do you have enough for a neighbor to share? Woodrow the beaver asks. The reader counts the 12 red doughnuts on the large plate as LouAnn places 6 doughnuts on her plate and 6 doughnuts on Woodrow’s plate. Now the real counting begins.
With DING-DONG! after DING-DONG!, Finison’s rhymes welcome friend after friend at the bear’s front door. You’re welcome. Dig in! I’ll make more, says LouAnn. She measures and mixes as fast as she can. Clyde the Raccoon, Woodrow, and LouAnn are seen with four doughnuts on each plate, but note the smile leaving our kind-hearted bear’s face. Page after page, we see more friends arriving until there are no doughnuts remaining for our generous and exasperated hostess LouAnn.
She’s ready to sleep through the snow, ice, and sleet. But winter is near, and there’s nothing to eat! As the page turns, LouAnn lets loose a dramatic ROAR! and readers see the group of friends scram. Soon though they’re back, having realized they need to make things right for their pal. They return the kindness and become the bakers. (Another great lesson for young readers).
This sweet (after all it is about doughnuts) rhyming book is such an entertaining and clever way to teach kids how to count to 12 and also divide 12 by 2, 4, or 6. Conveying the importance of sharing is the icing on top. I felt empathy for LouAnn, who almost began hibernation hungry until her friends came through for her. Finison’s words show young readers why being considerate matters while cleverly sneaking in how to count and divide. Plus we see how many flavors of yummy doughnuts can be made!
NOTE: Read this book after a meal otherwise be sure to have donuts on hand!
- Reviewed by Ronda Einbinder