by David Roberts
(Walker Books/Candlewick Press; $25.00, Ages 7-10)
★Starred Reviews – Kirkus Reviews, Publishers Weekly
The right to vote in one’s own country was an international issue. In 1920 American women won the right to vote with the passage of the Nineteenth Amendment. However “black women in the American South were still denied the franchise” with myriad obstacles put in place to prevent both men and women of color from voting until the Voting Rights Act of 1965. In Great Britain, propertied women, women married to property owners, and university graduates over age 30 won the right to vote in 1918. It wasn’t until the Equal Franchise Act in 1928 that women over the age of 21 could vote. Limited access to education, unequal pay and other discriminatory practices at home such as child custody in cases of divorce, and in the workplace including long factory hours and unsafe conditions, made the fight for a woman’s right to vote more important than ever. As we celebrate the 100 year anniversary of the Nineteenth Amendment in America, it’s important to recognize that although much has been achieved in terms of women’s rights due to countless women’s (and men’s) tireless efforts, we still have a long way to go.
I found myself so engrossed in this beautifully illustrated picture book that I lost all track of time. Roberts takes readers back to the early 20th century by combining engaging art and prose to shed light on the suffrage movement both in the U.S. and in the U.K.
Suffragette begins with a helpful foreword by Crystal N. Feimster, PhD of Yale’s Department of African American Studies. It focuses on the fledgling U.S. and U.K. suffrage movements in the 19th and early 20th centuries and briefly details efforts all the way up to the Voting Rights Act of 1965. Then, Roberts’ intro tells readers how he accidentally first learned about suffragettes (he didn’t mention Mrs. Banks from “Mary Poppins”) when he was 14-years-old and had to both write and illustrate an end-of-year exam project. In class a striking black and white book cover illustration of imprisoned women caught his attention. Roberts grew more passionate about women’s heroic campaign to get the vote as he researched the brave suffragettes. His dissatisfaction with gender inequality began then and still remains thirty years on which is why he embraced the opportunity to write and illustrate this book.
In addition to the history behind women’s right to vote, readers also learn about key events and individuals in the suffrage movement from 1903 to 1928. Suffrage offers insights into famous historical figures such a Millicent Garrett Fawcett, Emmeline Pankhurst, Ida B. Wells, and Susan B. Anthony. While more of the book covers the U.K. since this book was originally published there, there is still quite a lot about the U.S. suffrage movement and every example is fascinating regardless of which country. For example, how many people know that Queen Victoria was against women voting—and that her daughter Princess Louise secretly supported suffrage—or that Frederick Douglass was one of the few men in attendance at the historic 1848 Seneca Falls Convention? Suffragette also delves into the philosophies of different groups that emerged during the campaign for women’s rights. It’s no surprise that some factions chose civil disobedience while others preferred a more peaceful approach. Then, of course, there were those strongly against giving women the vote. These people were referred to as “Antis” or anti-suffrage and even included at one point Winston Churchill who ultimately changed his mind but “voted in favor of limited women’s suffrage in 1918.”
From attention-seeking tactics like going on hunger strikes in prison to going up into the sky in a hydrogen-filled airship emblazoned with the words THE WOMEN’S FREEDOM LEAGUE on one side and VOTES FOR WOMEN on the other while dropping leaflets, there seemed to be no limit to what these determined women would get up to for their cause. On November 18, 1910, aka Black Friday, British Prime Minister Asquith abandoned a Conciliation Bill that would have given some women the right to vote. What followed were brutal attacks on suffragettes waiting outside Parliament. The newspapers printed pictures of women hurt by police. But while the government optics were awful, with no headway made, the suffrage movement felt they had to resort to more extreme measures.
The unrelenting struggle for women’s right to vote continued until WWI when hundreds of thousands of men left home to fight. Over a million women in both the U.K. and the U.S. went to work to support their countries. “For the first time, women became police officers and firefighters, railway porters and ticket collectors, carpenters and electricians, street car and bus conductors, even chimney sweeps and gravediggers—all jobs that had previously been thought exclusively as “men’s work.” The tide began to change for the suffrage movement. After all, “If a woman was as capable as a man of doing a job, surely she was as capable of voting.” Soon there was no looking back.
This highly recommended 128-page nonfiction book is eye-opening reading. It’s divided into more than 40 mini-chapters usually no more than two pages long, and presented chronologically inviting a quick read or a deep dive in. I enjoyed learning more about the heroes of the women’s suffrage movement, primarily in the U.K., not only because as a woman this topic resonates with me, but also because these women changed the world. I hope young people find Suffrage as inspirational a book as I did and I hope teachers will consider Roberts’ book when seeking resources about the suffrage movement.
HOORAY FOR WOMEN
Written and illustrated by Marcia Williams
(Candlewick Press; $17.99, Ages 8-12)
Check out Hooray for Women which highlights over 70
inspirational and amazing women including Marie Curie,
Joan of Arc, Wangari Maathai, Elizabeth I, Mae C. Jemison,
Frida Kahlo, Amelia Earhart, Cathy Freeman and Jane Austen.
Presented in a 48-page graphic novel format with colorful panels
filled with interesting information, this entertaining middle grade
picture book is perfect for Women’s History Month or any time of year.
- Reviewed by Ronna Mandel
Written by Nanette Heffernan
Illustrated by Bao Luu
(Charlesbridge Publishing; $16.99, Ages 3-7)
In Earth Hour, an exquisite and educational book, Nanette Heffernan and Bao Luu take us around the world to glimpse people of many cultures using energy. From the simplicity of the lamp next to a child’s bed, to the grandeur of the pyramids in Egypt illuminated at night, the book beautifully and succinctly introduces children to the ways we, as people of the earth, use electricity. The text goes on to describe a world-wide celebration called “Earth Hour”. Back matter goes into detail. Started in 2007, this annual lights-out celebration, now managed by the World Wildlife Fund for nature (WWF), is observed at 8:30pm local time on a Saturday night in March (this year it’s March 28) near the equinox. It is celebrated on all seven continents, in almost every country, and involves millions of people as they turn off their lights for one hour as a pledge to live more sustainably and to conserve energy. (www.earthhour.org)
Heffernan’s friendly and inclusive text along with Luu’s detailed multi-generational, multi-cultural illustrations leaves lots of room for teachers and librarians, parents and guardians to talk to children about the importance of planetary conservation and climate change. The book will will no doubt spur many interesting and meaningful conversations and activities, not the least of which would be to participate in the event itself! The message of togetherness and unity at the end is uplifting and inspiring.
Bao Luu’s bold illustrations have a slightly retro feel, with high contrast scenes using rich tones of blues, greens and purples accented with golds, yellows and pinks. City lights and reflections pop against the deep hues, effectively showing the lights-out hour when the same settings are repeated without them. Starry skies remain throughout, emphasizing the fact that, as Heffernan states in the back matter, “here’s one thing we have in common: Earth is home to us all.”
- Guest Post by author-illustrator Molly Ruttan
Molly Ruttan’s illustration debut, I AM A THIEF! by Abigail Rayner from NorthSouth Books had its book birthday on September 3, 2019, and has earned a starred Kirkus review. Molly’s author-illustrator debut, THE STRAY, is forthcoming from Nancy Paulsen Books/Penguin Random House in May 2020. Molly Ruttan grew up in Hastings-on-Hudson, New York, and holds a BFA in graphic design from the Cooper Union School of Art. She lives, works and creates art in the diverse and historic neighborhood of Echo Park in Los Angeles, California. Find Molly online at www.mollyruttan.com, on Twitter @molly_ruttan and on Instagram @mollyillo
by Dave Matthews and Clete Barrett Smith
Illustrations by Antonio Javier Caparo
(Disney-Hyperion; $16.99, Ages 8-12)
If there’s a book you should read now, it’s If We Were Giants by Dave Matthews and Clete Barrett Smith. You may recognize the first author’s name as that of the world-renowned musician, environmentalist, and humanitarian. He’s teamed up with children’s book author Smith to write this timely middle-grade novel. Its underlying messages are about pulling together as a community, remembering the past, and taking care of nature. Kids will root for Kirra to find her way, and love the fun elements (such as living in trees and using their collective skills to become gigantic).
Hidden inside the walls of a dormant volcano, ten-year-old Kirra’s life is idyllic. Her people, the Zedu, respect nature and collaborate with one another, having assigned tasks. Kirra’s father is the Storyteller, the only Zedu who goes Outside—until recently, when Kirra begins to travel with him and learn this vocation. Her curiosity, however, leads her to make a grave mistake instigating the demise of her village by a violent new group called the Takers who seek only to conquer and destroy.
Jump forward four years and fourteen-year-old Kirra now lives aloft with the Tree People, taken in when she was in dire circumstances and treated with kindness ever since. To get by, Kirra must suppress memories of the past—until those memories become a reality.
The images by Antonio Javier Caparo provide glimpses into Kirra’s world. Framed by intertwining branches, the natural colors underscore the importance of working harmoniously with nature.
I appreciate how the book engages the reader with quick-moving, interesting scenes yet also tackles big issues affecting us today. This story delves into what family means and how you fit in. For Kirra, it’s also a coming-of-age tale as she finally faces her demons and finds her way.
- Reviewed by Christine Van Zandt (www.ChristineVanZandt.com),
Write for Success (www.Write-for-Success.com), @ChristineVZ and @WFSediting, Christine@Write-for-Success.com
Written by Sanna Anderson Baker
Illustrated by Tomie dePaola
(Abrams Appleseed $8.99; Ages 0-3)
Originally published in 1987 and available now as a board book, God is Great, God is Good simply and beautifully captures the message of the Old Testament’s Book of Job. Author Sanna Anderson Baker’s poetic language combined with Tomie dePaola’s familiar, warm illustrations emphasize the point that, ultimately, God is in control.
In the original story, Job is a righteous man who suffers insurmountable financial, physical, and personal loss. Grieving over the tragedies unfairly cast on him, he saves up many questions to ask God; when Job finally does get his day in court, God asks a series of His own: “Who knows the way to the house of light? And who knows where darkness dwells?” “Who tells Morning, ‘Sweep the stars from the sky’?” God highlights the wonders of the natural world and the orderly passage of time. In God is Great, God is Good, these questions are interrupted three times. Each break gives us the answer in a double page spread: God.
Baker’s lyrical text grounds these profound concepts with words and images familiar to children. Snow rests on the earth as “‘quiet as a cat.’” Whenever “‘Lightning dances’” Thunder “clap[s].” Forces of nature are personified; like people, they too have personality and a unique role in doing what they have been designed to do. While God uses examples from nature to illustrate His power, the last third of the board book focuses on His tender role as “friend,” provider, and protector of the animal world. He feeds, “takes care,” and “knows” His creation.
DePaola’s wonderful illustrations—always in a peaceful palette of colors—contribute to this feeling of comfort and safety. His signature style of outlining the edges of an object accentuates its shape and contains its form, making the object recognizable, like bringing order out of chaos. All three of the double page spreads remind me of Michelangelo’s The Creation of Adam. In dePaola’s depictions, God’s hand is reaching out to the heavens and emanating light from above to earth below.
By the end of the book, we learn, like Job, the restorative power of God’s presence. In the midst of chaos, the cycles and constant rhythms of the natural world satisfy our deep longings for comfort and peace.
A great book for bedtime, quiet time, Easter, or any time the world seems erratic (oh, so true at this very moment), God is Great, God is Good shows us the steady in unsteady times.
- Reviewed by Armineh Manookian
AN INTERVIEW WITH
BY CHRISTINE VAN ZANDT
Last month, my ten-year-old daughter and I attended an amazing event at the LA Zoo, hosted by DC Entertainment. A group of middle-grade graphic writers and illustrators wowed the crowd with their “superpowers” sharing the stories-behind-the-stories and demonstrating their lightning-fast art skills. VICTORIA YING caught our attention with her interpretation of Wonder Woman as a tween so I wanted to know more about the wonderful woman behind Wonder Woman.
CHRISTINE VAN ZANDT: Your new middle-grade graphic novel, Diana: Princess of the Amazons (DC Comics; $9.99, Ages 8-12) is about Wonder Woman as an eleven-year-old girl. As the only kid on Themyscira, the island of the Amazons, understandably, Diana’s a bit lonely. How did you go about envisioning the famous Princess Diana as a tween?
VICTORIA YING: We first looked at the original iconic design for Wonder Woman and then tried to imagine what she would look like as a kid! We wanted to have those shadows of the person she would become without being too obvious about it. She has her bracelets, a simple rope headband, and her pleated skirt. Things that would allude to her future, without showing our whole hand.
CVZ: You’ve illustrated pictures books before and are the author-illustrator of a wordless picture book, Meow! How was illustrating a graphic novel different?
VY: I was so lucky to be able to have Shannon and Dean Hale as collaborators for this project. It is my debut graphic novel project and they are industry veterans who really understand how to write for a visual medium. They left a lot of the decisions up to me, but would keep the important descriptions in the text.
CVZ: Tell us about your process.
VY: For comics, I first lay out my rough sketches with rough text in ComicDraw for the iPad. Then I submit this for approval. Once the sketches are approved, I take them and do a tracing paper style draw over of the rough sketches for a clean finished drawing in Procreate. Lark Pien was our colorist and she takes the work to its finish.
CVZ: Your middle-grade graphic novel, City of Secrets, is coming out in July (Viking, 2020). How does it feel to be both the writer and artist?
VY: I originally wrote City of Secrets as a NaNoWriMo project. I was so afraid to have to draw the city! When my friends commented that I had great story structure and good characters, but terrible description, I realized it was because I relied too much on my illustrator brain and decided to try it as a graphic novel instead. It turned out that I LOVED drawing the puzzle-box city!
CVZ: You’ve worked on films, picture books, middle grade novels—what’s next?
VY: City of Secrets has a sequel coming out in July of 2021, and I’ve just announced a new book with First Second Books called Hungry Ghost, a YA contemporary about an Asian-American girl struggling with an eating disorder. I have a wide range of interests and all kinds of stories I want to tell. I hope that my career will let me tell as many of them as I can handle!
CVZ: Thank you for taking time to talk with us. We look forward reading all your new stories!
Victoria Ying is an author and artist living in Los Angeles. She started her career in the arts by falling in love with comic books; this eventually turned into a career working in animation and graphic novels. She loves Japanese curry, putting things in her online-shopping cart then taking them out again, and hanging out with her dopey dog. Her film credits include Tangled, Wreck-It Ralph, Frozen, Paperman, Big Hero 6, and Moana. She illustrated the DC graphic novel, Diana: Princess of the Amazons. Watch for her authored graphic novel, City of Secrets, out July 2020.
Check out a preview here.
Check out a DC graphic novel review here.
A SWING-ALONG CELEBRATION OF AMERICA’S MUSIC
Written by Carolyn Sloan
Illustrated by Jessica Gibson
(Workman; $24.95, Ages 4-8)
The week of March 16-22 is International Teach Music Week and April is Jazz Appreciation Month so the timing couldn’t be better for a review of this interactive picture book that will get kids’ toes tappin’.
When three cat friends visit The Ripe Tomato Jazz Club in New Orleans, they are curious about their new surroundings. One excited wide eyed cat tells his friends, “I can’t wait for the band to play.”
“What game are they going to be playing?” asks a second cat.
A third friend, decked out in cool jazzy sunglasses, clarifies the confusion by announcing, “The band will be playing music—jazz music.”
When the trio is invited to join in the music making, the fun begins. Readers will enjoy Sloan’s fast paced, fun dialogue between the feline friends and the likeable musicians in the band. The origins of jazz, a selection of instruments, musical greats and even the language of this swinging music are introduced through sidebar information on each page.
Gibson’s vibrant full color two spread illustrations, allow us to follow these three cool cats as they become caught up in the celebration and spirit of the music.
With interactive sound and technology, Welcome to Jazz brings the wonder of this music to life and a better understanding of the concepts in jazz like: beat, rhythm, improvisation and scat singing. With the push of 12 chips on the side panel of the book, readers will want to dance and sing along as they join the cool cats and the band in a lively procession out of the club and into the streets of New Orleans.
- Reviewed by Lisa Saint
Lisa Saint is a writer, artist, educator and an advocate for the arts. She teaches writing, illustration, graphic novels and bookmaking. Lisa is a member of SCBWI. She is also the daughter of legendary jazz great, Gil Bernal.
Click here to read a review of another jazz related picture book.
Written by Shawn Achor and Amy Blankson
Illustrated by Claudia Ranucci
(Little Pickle Press; $17.99; Ages 4 and up)
It was Ripple the dolphin’s first day in her new aquarium and she was excited to make some new friends, but the water was still and quiet and all the animals looked scared and unhappy. So begins the picture book How to Make a Shark Smile written by bestselling authors, siblings and happiness pros, Shawn Achor and Amy Blankson, with illustrations by Claudia Ranucci.
The story opens with a smiling grey and white dolphin surrounded by the deep blue sea, and colorful plants and baby fish, anxious to make new friends. But as Ripple swims around looking for someone to play with “she saw electric eels with no zing.” She even notices “the seahorses weren’t horsing around.”
A spiky, black dotted, puffed up yellow blowfish appears with big bulging eyes and mouth wide open. Ranucci’s drawing shows the reader that our new friend is feeling anxious. As Ripple swims near “the blowfish began yelling, Shark alert! Shark alert! And Ripple realizes the blowfish, Bob, must think that she was the shark!” Ripple explains that she is a dolphin not a shark and the relieved Bob explains that Snark “the biggest, meanest shark ever seen eats entire tanks of fish when he wasn’t even hungry.” With a sweet smile still painted on Ripple’s face, the dolphin explains how she won’t let a shark spoil her happiness, the main message of this story.
Ripple invites Bob to play but Bob says “he is just a bite-sized fish trying to make it in the world.” Ripple replies, “Oh, my friend, it’s not my size or speed that makes me powerful or brave. It’s my mindset! I believe that my behavior matters. And today I choose to be happy.”
Snark is illustrated with an angry face swimming above Bob, whose face still displays fear. Ripple’s smile, however, remains constant. Ripple tells Bob she will teach him to play a game with Snark and this game will change Snark’s mindset. See if you think this game sounds familiar. Ripple looks into Bob’s face for seven seconds and tells him to try not to smile. Of course he smiles. The game catches on and soon the entire tank is laughing. That joy catches Snark’s attention, but being born means playing games is not his thing. Ripple challenges him, a deal is struck and Bob steps in to play the smile game with Snark. What ensues is unavoidable delight for the participants and for youngsters.
The colorful drawings depict the fish community coming together as they learn that happiness is a state of mind and a choice that’s up to them. Even outside of the tank the silhouettes of tourists can be seen snapping photos and watching in wonder as a “shark, a blowfish, and a dolphin” play together. Surely this was a sight to see!
The “Ripple effect” could be felt from that day on and the young reader learns that happiness can be a choice. Happy is as happy does! Achor and Blankson, who are both experts on cultivating happiness and have given TED talks on the subject, list helpful ways to develop a positive mindset in the back matter. They recommend fitting one or all of these techniques into your daily routine. This book is a great resource for teachers who are introducing mindfulness into their lesson plans, giving young kids tools they will take with them throughout their lives.
Read another picture book review by Ronda here.
- Reviewed by Ronda Einbinder
THE KIDS’ BOOK OF PAPER LOVE
by Irene Smit and Astrid van der Hulst
(Workman Publishing; $19.95, Ages 7-14)
If you have a child (ages 7-14) who likes to draw, craft, or create, check out The Kids’ Book of Paper Love. It pays homage to paper, that lovely substance we take for granted in our everyday lives. Young kids have art classes aplenty, but, as school becomes more of a focus, cutting and taping, creating and shaping moves aside. Bring it back to the table with this inspirational book.
Astrid van der Hulst (of Flow magazine) and Irene Smit’s book is packed with pages to pull out—just being able to tear up a book is a thrill! Find your section (Write, Craft, Play, and Share) and begin. If it’s a fun paper item, chances are it’s in there. Expect colorful pages, pull-outs, punch-outs, and even a three-foot-long “Dare to Dream” banner that magically accordions out. Some of the foldable items are a fortune-teller, box with lid, and very cool geometric bowl.
Stash away several copies of The Kids’ Book of Paper Love for those birthday gifts that sneak up on you. The book’s relatively small size packs surprises and is sure to please a wide variety of kids because it’s something different that can be used over and over again. One of my favorite pages is a template and instructions on how to make paper beads. Like many items, the beads are pleasingly simple. Finding one gem is satisfying, but having 180 pages of them is sheer delight. Channel your inner DIYer and have a blast—and don’t forget to include your kid too!
- Reviewed by Christine Van Zandt (www.ChristineVanZandt.com), Write for Success (www.Write-for-Success.com), @ChristineVZ and @WFSediting,Christine@Write-for-Success.com
Click here to read about another recommended craft book.
Written by Barbara Bietz
Illustrated by John Kanzler
(August House Little Folk; $8.95; Ages 4-8)
Purim is just around the corner! To celebrate this joyful Jewish festival in the 19th century, people of various backgrounds traveled by horse and buggy, and some by train, in Sweet Tamales for Purim, written by the award-winning team of writer Barbara Bietz and illustrator John Kanzler. This delightful and diverse picture book tells the story of a community coming together to combine cultural and religious traditions in a small southwestern town.
Kanzler’s illustrations of the bright blue sky and drawings of characters dressed in clothes from the 1800s introduce the reader to a time long ago reminding us that family traditions remain. The excitement on our main character Rebecca’s face is shown as she places Purim Party posters on the town walls, with her best friend Luis and her goat Kitzel, as old men from the town look on.
“We wear costumes on Purim,” Rebecca explains to Luis as her mother sews a crown of flowers for her head. Luis is not familiar with Purim “since his family celebrates different holidays from mine.” Bietz changes settings taking the reader through the story of the Evil Haman who plotted to harm the Jews in the city of Shushan. Through chalkboard drawings, Rebecca shows Luis Queen Esther’s Uncle Mordecai and Haman’s plot. Luis learns how the Jewish people were saved.
“When someone says Haman’s name during Purim, there’s lots of booing and shouting,” Rebecca explains to Luis. “Rebecca, can I bring my maracas?” Luis asked. “Maracas are perfect for Purim. Together, we’ll make lots of noise.”
After removing the delicious smelling sweet treat of hamantaschen from the oven, Luis and Rebecca go outside to play marbles. The story takes an unexpected turn when both Kitzel the goat and the hamantaschen go missing! (If you have a pet you probably figured this part out by now.) Purim was ruined, but Rebecca was determined to fix it. The reader anxiously turns the page to a new family tradition as Luis’s mama introduces us to her family’s tradition of Sweet Tamales. “Sweet Tamales for Purim!”
“When the husks were soft, Luis showed me how to spread the mixture on the corn husks and fill them with raisins and more sugar and cinnamon. His mama steamed the tamales in a giant pot.”
Bietz’s descriptive words and Kanzler’s real-life drawings welcome the reader into a time long ago. Adults and children alike see what happens when we all come together through kindness in both the past and the present. This beautifully told story about two children from different backgrounds is a great read about inclusion and reminds us how beautiful a town can be when people come together as one. Eating both hamantaschen and sweet tamales on Purim is a great idea! The Author’s Note explains the story of the late pioneers who settled in the Southwest where life was lonely and isolated. Bietz explains how her story was inspired by a true event that occurred in 1886 when the Hebrew Ladies Benevolent Society of Tucson, Arizona, planned a Purim Ball for the entire community. I learned something I did not know about Purim in the 1800s. I know this will be a great read for both Jewish and non-Jewish children.
- Reviewed by Ronda Einbinder
MULAN: BEFORE THE SWORD
by Grace Lin
(Disney-Hyperion; $16.99, Ages 8-12)
As much as I love fables, prior to reading Mulan: Before the Sword, my knowledge of Hua Mulan’s story came mainly from movie trailers. Grace Lin’s middle-grade prequel blew me away. I’m a fan of Lin’s prior best-selling middle-grade trilogy and her picture books, so I was expecting to really like this book; instead, I loved it. The fast-paced story is balanced by gorgeous prose, bringing legendary Asian history to life. Lin’s writing beautifully blends myth, action, and suspense. The opening line, “She disliked it when they transformed into spiders” had me hooked. The story’s viewpoints shift between the plotting, treacherous villains and Mulan’s adventure to save her sister Xiu’s life (she’s succumbing to a poisonous bite from the evil nine-legged spider).
Mulan tries to suppress her adventurous nature and struggles to be a more restrained daughter. Contrarily, Xiu exemplifies all the “right” female traits. Yet, Mulan’s abilities allow her to set off on a quest with the legendary Jade Rabbit where she begins to realize that, just maybe, she’s exactly who she needs to be.
It’s easy to care about Mulan and root for her to save the day. The characters and scenery come alive and tension builds as setbacks delay their progress. En route, Mulan learns of the prophecy that a member of her family is destined to, one day, save the Emperor. Figuring that person must be Xiu, Mulan risks her life, sacrificing for the greater good. Yet, all is not as it seems and this tale wends its way to an amazing conclusion. Mulan, a powerful warrior, also finds compassion for her adversaries.
Lin’s Author Note provides interesting historical detail; Mulan may have been a real person, the first know mention of her was in a fourth-century folk song, “The Ballad of Mulan.” Today, Mulan continues to be a cherished character as Lin skillfully adds another layer to the saga.
- Reviewed by Christine Van Zandt (www.ChristineVanZandt.com), Write for Success (www.Write-for-Success.com), @ChristineVZ and @WFSediting, Christine@Write-for-Success.com
Click here to read another MG book review by Christine.