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Owls Are Good at Keeping Secrets – Blog Tour

OWLS ARE GOOD AT KEEPING SECRETS:
AN UNUSUAL ALPHABET

Written by Sara O’Leary

Illustrated by Jacob Grant

(Random House Children’s Books; $17.99, Ages 3-7)

 

 

Owls Are Good at Keeping Secrets by Sara O'Leary book cover illustration

 

Starred Review – Booklist

While I never tire of alphabet books, I do see quite a lot so honestly, the more distinct, the better to catch my eye and then keep me reading. Owls Are Good at Keeping Secrets: An Unusual Alphabet fits that bill to a T. TtToads are terrific at tongue twisters. See what I mean?

O’Leary doesn’t waste a minute pulling readers into her adorable, smile inducing descriptions for every animal she’s included. In fact, I bet she had a blast coming up with all their different personality traits and quirks, helping to set this picture book apart from others. Some will catch you off guard: Dd: Dragons cry at happy endings. I love that there are no flames involved, just pure emotion and Pp: Penguins love a big family get-together. Who knew they were such party animals? My fave, the one that gets me laughing out loud, is Rr: Raccoons are always the first to arrive for a party because that sounded just like me. Which letters will resonate with your child? Will it be Ww: Wolves don’t like being told to smile or possibly Yy: Yaks giggle at their own jokes? Find alligators, elephants, meerkats and many more and use the often funny, thought-provoking descriptions to start a conversation about what makes everyone unique.

The choice of animals and their clever corresponding stories will entertain even those who feel they’re too old for alphabet books. Grant’s charming artwork in a warm, muted color scheme with ample white space allows the focus to center on the endearing animals and their actions. From photograph-taking foxes in the field with a parent waiting in the den below to a hedgehog observing the night sky, there is something for everyone in Owls Are Good at Keeping Secrets, an especially appealing approach to learning the letters A-Z.

  • Reviewed by Ronna Mandel

 

 

Books Make Great Holiday Gifts for Kids – A Roundup

CHILDREN’S BOOKS TO GIVE AS GIFTS

– A HOLIDAY SEASON ROUNDUP –

 

free clip art of Christmas tree

 

cover illustration from Drawn Together by Minh Lê with art by Dan Santat
Interior art from Drawn Together by Minh Lê and illustrated by Dan Santat

Interior illustrations from Drawn Together written by Minh Lê and illustrated by Dan Santat, Disney-Hyperion ©2018.

DRAWN TOGETHER
Written by Minh Lê

Illustrated by Dan Santat
(Disney Hyperion Books; $17.99, Ages 3-5)

 

Drawn Together is one of my favorite picture books of 2018 and not just because it has a clever title. Lê’s spare text perfectly captures the tale of a boy and his grandfather who are separated by words but find a way to connect through drawing—a feel-good story that crosses cultures and time.
int spread by Dan Santat from Drawn Together by Minh Lê

Interior spread from Drawn Together written by Minh Lê and illustrated by Dan Santat, Disney-Hyperion ©2018.

Santat’s gorgeous art alternates between vivid modern color for the grandson’s images and a black-and-white traditional style when the grandfather draws. The book’s beauty will move you. The publisher includes clever details such as a sharp pencil on the spine and a surprise image beneath the cover; the two characters’ contrasting art styles serve as lovely bookends.

This book would make an ideal gift for that special child in your life who speaks a different language than you do, although any child will find it speaks to them about connectivity and family ties. It is also befitting for kids who love to draw because the book shows how pictures open up worlds. 

Starred Review – BooklistKirkus Reviews, Publishers WeeklySchool Library Journal and The Bulletin of the Center for Children’s Books


THE DAY YOU BEGINThe Day You Begin book cover illustration
Written by Jacqueline Woodson

Illustrated by Rafael López
(Nancy Paulsen Books; $18.99, Ages 5-8)

 

Interior spread from The Day You Begin

Interior spread from The Day You Begin written by Jacqueline Woodson and illustrated by Rafael López, Nancy Paulsen Books ©2018.

The Day You Begin isn’t about the day you’re born. Instead, this heartening 32-page picture book invites you to make a space for yourself in the world. Woodson grabs the reader from the empathetic first line, “There will be times when you walk into a room and no one there is quite like you.” Those words give voice to the uneasiness we all experience. Yet, to forge connections we must learn to take a chance and open up. López takes the story beyond the words. His colorful artwork imaginatively captures the emotional tone, showing conflicting feelings of hope and despair, isolation and togetherness.This lovely tale reaches hearts of all ages. The Day You Begin would be an ideal gift for graduates, people seeking to begin anew, or anyone who needs a nudge to remember that life is a beautiful blend of our differences.This story was inspired by a poem in Woodson’s New York Timesbest-selling memoir, Brown Girl Dreaming.

Starred Review – Kirkus Reviews, Publishers Weekly, Shelf Awareness, School Library Journal and The Bulletin of the Center for Children’s Books

 

 

cover art from Atlas Obscura Explorer's Guide for the World's Most Adventurous Kid

 

Interior spread from The Atlas Obscura Explorer’s Guide for the World’s Most Adventurous Kid by Dylan Thuras and Rosemary Mosco with illustrations by Joy Ang, Workman Publishing ©2018.

THE ATLAS OBSCURA EXPLORER’S GUIDE FOR THE WORLD’S MOST ADVENTUROUS KID
Written by Dylan Thuras and Rosemary Mosco
Illustrated by Joy Ang
(Workman Publishing; $18.99, Ages 8-12)

 

int. spread from The Atlas Obscura Explorer’s Guide for the World’s Most Adventurous Kid

Interior spread from The Atlas Obscura Explorer’s Guide for the World’s Most Adventurous Kid by Dylan Thuras and Rosemary Mosco with illustrations by Joy Ang, Workman Publishing ©2018.

The Atlas Obscura Explorer’s Guide for the World’s Most Adventurous Kid is THE book for that kid on your holiday shopping list who loves extraordinary facts. Who knew there was a school in Iceland dedicated to the study of elves, or that fireflies in Tennessee blink in sync with one another?Travel to destinations in forty-seven countries on every continent in this entertaining journey to 100 real places. The book opens with a clever Packing List and Adventure Plan (Table of Contents). Readers can randomly choose places to explore, or read the book straight through. Each two-page spread highlights segments that are stand-alone entries, yet there’s a teaser at the end connecting a topic from that country to the next one. For example, after reading about how Cambodians built their own bamboo trains called “norries” (when the war damaged their rail system), you’re invited to read about another do-it-yourself system of transportation in Colombia—homemade zip lines! Parents who find themselves unable to put this book down can ask Santa for the adult version: #1 New York Times best-seller, The Atlas Obscura: An Explorer’s Guide to the World’s Hidden Wonders. Whether young or old, the Atlas Obscura books take you on a fascinating spin around the globe delivering strange facts in the most delightful way.

Starred Review – Booklist

 

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

New Chapter Book Series – Warren and Dragon by Ariel Bernstein

WARREN & DRAGON: 100 FRIENDS
Written by Ariel Bernstein
Illustrated by Mike Malbrough
(Puffin Books; $14.99 Hardcover, $5.99 Paperback, Ages 5-8)

&

WARREN & DRAGON: WEEKEND WITH CHEWY
Written by Ariel Bernstein
Illustrated by Mike Malbrough
(Puffin Books; $14.99 Hardcover, $5.99 Paperback, Ages 5-8)

 

cover art from Warren & Dragon 100 Friends Book 1book cover art from Warren & Dragon Weekend With Chewy Book 2

 

WHO AND WHAT I LOVE ABOUT THIS NEW CHAPTER BOOK SERIES:

Warren Nesbitt, a seven-year-old boy.
The realistic relationship (and dialogue) between siblings.
Dragon, a 122-year-old dragon who is real and only visible to Warren.
Dragon, the stuffed animal everyone thinks is what Warren is always referring to!
Warren’s twin sister, Ellie and her quick wit and snide comments.
Friendly next-door neighbors, Nia and Paula Berry, are a gay African-American couple with three children.
Michael Berry, first-grader and soon-to-be Warren’s good friend.
Alison Cohen, Warren’s classmate in Mrs. Tierney’s class.
The descriptions of lunchtime in Book 1.
The Nesbitt family need to move because Mom, an engineer, has been offered a job in a new city.
All of Alison Cohen’s pets in Book 2 and a burgeoning friendship.
Warren’s fear of Dragon eating Chewy in Book 2.

 

REVIEW:

In Warren & Dragon: 100 Friends (Book 1), the Nesbitt family move to Eddington. While his sister Ellie is not happy about having to leave all her friends, narrator Warren has his pal Dragon and doesn’t care much. After some goading from his sister, Warren decides to set a goal of making 100 new friends despite feeling uncomfortable doing it. However, there’s no way he’ll let Ellie get the better of him when she proclaims, “There’s no way you’re going to make more friends than me!” Luckily Dragon says he knows how to make friends as long as it involves massive amounts of marshmallows. When Warren’s first day of school isn’t going as well as he’d like, things go further south when Dragon goes missing. Soon he is recovered safe and sound, even content, helping Warren to realize that the experience has taught him how to make a new friend. The book works on several levels, one being the friendship aspect and another being a “new school” story. The sibling, family, and neighbor dynamics also add to the pleasure of reading this first installment in what promises to be a popular series.

Witty dialogue from all the main characters makes for fast flowing, always funny ten chapters in this very entertaining read. Initially I read it quickly, eager to find out how Warren fared in his new school. Then I read it more slowly a second time to see how Bernstein pulled me into her well-crafted tale. Kids are going to want to read every book in the series which is great for two reasons: 1) It’s engaging and relatable and 2) Book 2 is available and Book 3 in the series, Warren & Dragon: Scary Sleepover, comes out in 2019.

 

Warren & Dragon: Weekend With Chewy (Book 2) had me grinning enormously through all fourteen chapters, vicariously living through the experience of taking a class pet home since I never had the opportunity. In fact I’m not even sure we had class pets when I went to school. Anyway, once again Bernstein’s created a clever premise for this story. Warren gets chosen to take class hamster, Chewy, home for the weekend. He not only has to care for him, but he also has to write a report about it. The catch is, Warren already has plans and they’re exciting. He and his friend Michael from next door are going to construct a chute between their bedroom windows “to trade snacks after bedtime.” Warren convinces Dragon to hamster-sit Chewy so he can focus his energies on ramp building. At the same time, Warren’s twin sister Ellie wants a pet of her own and thinks that, in order for her parents to agree, she must demonstrate responsible behavior. Classmate Alison Cohen gets pulled into the picture when Warren wonders how to write up the report. Before long, everyone’s attention is focused elsewhere and that’s when Chewy goes AWOL. Can the kids find the missing rodent to ensure a happy ending? Things may be looking up, literally, when Warren at last lays eyes on Chewy at his bedroom window ready to take a ride on the “chute-of-doom.”

Malbrough’s charming illustrations, dotted throughout both books, are a welcome addition for children just transitioning to chapter books. These two chapter books confirm that Bernstein knows what type of story will appeal to young readers. I’m looking forward to more of Warren and Dragon’s adventures because anything goes as long as there are marshmallows in the mix! 

  • Review by Ronna Mandel 

    Find a review of a picture book by Ariel Bernstein here.

Creative Chaos Links Two Terrific Tales – Teach Your Giraffe to Ski and Scarlet’s Magic Paintbrush

TEACH YOUR GIRAFFE TO SKI
Written by Viviane Elbee,
Illustrated by Danni Gowdy
(Albert Whitman & Company, $16.99, Ages 3-7)

&

SCARLET’S MAGIC PAINTBRUSH
Written by Melissa Stoller 
Illustrated by Sandie Sonke
(Spork/Clear Fork Press, $16.99, Ages 3-7)

 

 

are reviewed today by Cathy Ballou Mealey.

 

Teach Your Giraffe to Ski.Teach Your Giraffe to Ski book cover illustration Although the chalet is cozy, nothing will deter Giraffe from donning skis and gliding with ease. A cautious child protagonist sticks close by, offering emotional support and practical advice to the novice skier.

Elbee adeptly mixes humor with tips on safety, etiquette and introductory ski technique. Giraffe grins through the typical goofs and gaffes associated with learning something new. Eager and fearless, Giraffe’s enthusiasm is tempered by the child’s caution and protective concern. Once she’s mastered the basics, they head to The Big Scary Slope! Readers will cling to the edge of their lift seats anticipating a slick, speedy, swerving conclusion to this snowy, sporting tale.

Gowdy’s cartoon-like illustrations are bright and colorful, incorporating a playful menagerie of unlikely skiers. The gleeful expressions of Giraffe and timid trepidation of the child are counterbalanced between spots and full page spreads. Slipping, sliding and gliding are conveyed via whipping scarf tails, swerving ski trails and exuberant snowy splatters. Whether you are bunny slope bound, black diamond material, or even a lodge loafer, Teach Your Giraffe to Ski is tons of fun.

 

cover art from Scarlet's Magic PaintbrushCreative determination also threads through Scarlet’s Magic Paintbrush, the story of a young artist who learns to appreciate the power of a hands-on, personal touch. This is a sweet debut book from author Melissa Stoller and illustrator Sandie Sonke.

Scarlet finds a magic paintbrush that does her bidding, creating fairies, unicorns and princesses that are perfect masterpieces. But losing the magic brush creates a dilemma for Scarlet. After she searches high and low for the magic brush, she tries painting with regular, non-magical brushes. While the results disappoint her, she doesn’t give up. In a clever twist, Stoller makes her protagonist get creative; painting with her left hand, trying a homemade brush and even using her fingers.

Sonke fills the pages with soft blue clouds and sparkling stars, framing Scarlet and her range of canvases with colorful detail. The magic paintbrush has emotional, animated expressions, and observant readers will enjoy following a faithful pooch that trails Scarlet throughout her artistic quest.

Scarlet’s Magic Paintbrush is an open invitation for young artists to explore ideas of perfection and frustration when it comes to mastering technique and finding a personal style. The magical paintbrush element will appeal to many, while the celebration of self-expression and creativity ultimately shine as the most important aspect of original work. A perfect book to pair with paint and canvas for budding artists!

 

  • Reviewed by Cathy Ballou Mealey

 

Where obtained:  I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.

 

Find another recent Epic18 debut review here.

Here Comes Hanukkah! A Children’s Book Roundup Part 2

HANUKKAH 2018
BEST NEW CHILDREN’S BOOKS ROUNDUP PART 2

 

 

Free Hanukkah clip art

 

 

D is for Dreidel book cover illustrationD IS FOR DREIDEL: A Hanukkah Alphabet
Written and illustrated by Greg Paprocki
A BabyLit Book
(Gibbs-Smith; $9.99, Ages 2-5)
NOTE: Today it’s on sale for $5.00 on their website.

Let your little learners thumb through all 32 pages of this colorful board book with its retro cartoonish feel while you gently introduce all the different Hanukkah related things included. While this is not the first primer in the series from Paprocki (there’s S is for Santa, L is for Love and B is for Boo), I’m glad Gibbs-Smith decided it was important to add this title. And expect two more soon (E is for Easter and R is for Ramadan) which can be pre-ordered now. I honestly wondered at first how the author/illustrator would find appropriate words for each letter, but surprising he did including Y is for yontiff (Yiddish for holiday). Saying “Gut yontiff” is how my parents and grandparents greeted fellow Jews at holidays throughout the year.  From alphabet to zaide, I found so many of the illustrations beautiful and welcoming with their jewel tones and cheerful settings. J is for jelly doughnut is another particular fave but truly there are many so you’ll just have to see for yourself. Then, perhaps you, too, will be as eXcited as I was to read the book.

 

 

book cover illustration from Meet the LatkesMEET THE LATKES
Written and illustrated by Alan Silberberg
(Viking BYR; $17.99, Ages 3-5)

Meet the Latkes by Alan Silberberg makes for an enjoyable read if parents seek something a bit less traditional and more whimsical to share this Hanukkah (or Chanukah!). Silberberg, an award-winning cartoonist and children’s TV creator, is both author and illustrator of this debut picture book.

The main characters in the story are Lucy Latke, her grandpa and her dog Applesauce. The humor comes into play when Grandpa tells Lucy his version of Chanukah or Hanukkah as is explained early on since the holiday can be spelled multiple ways. But these are the two most common. I suppose you could say Meet the Latkes is funny from the get go because we’re listening to latkes as opposed to people and that’s probably enough to get little ones giggling.

Rather than stick to the standard story of the heroic Maccabees, headed by Judah, who fought to keep the Jewish people safe from a brutal King Antiochus, Grandpa recounts the tale of the Mega-Bees. Their nemesis was a group of “Outer space spuds.” All the while Grandpa is telling his story, Applesauce is trying to explain the real version and growing increasingly frustrated.

Most young Jewish children know the Hanukkah story but it bears repeating annually. I never tire of reading new spins on an old tale and Silberberg has definitely done that. Children who aren’t Jewish or have never learned the story will find Silberberg’s way of conveying this historic tale most entertaining, especially if different voices are used for Grandpa and Applesauce. 

In Grandpa’s version, the evil tater tyrants ultimately get whipped into mash that, when mixed up with “EGG and ONION and a pinch of flour,” becomes what we know as latkes! Of course Applesauce goes on to explain the true tale which includes the miracle of the Maccabees’ discovery of a tiny amount of oil left “to light the holy menorah.” What should have been enough for one day lasted eight which is why we light candles for eight nights. My favorite part of Meet the Latkes is the teenage brother who always says “I don’t care!” and remains cloistered in his room until finally emerging near the end, making that just one more miracle to celebrate and one that may resonate with many families. In fact, I laughed upon discovering teen Lex Latke’s promotional blurb on the book’s back cover. “You want to know THE TRUE STORY OF HANUKKAH? Don’t ask me—read this book!” I agree. 

Light The Menorah! A Hanukkah Handbook cover artLIGHT THE MENORAH! A HANUKKAH HANDBOOK
Written by Jacqueline Jules
Illustrated by Kristina Swarner
(Kar-Ben Publishing; $18.99 Hardcover, $8.99 Paperback, Ages 4-10)

After so many years of celebrating Hanukkah, I thought there was nothing more to learn about the holiday but I was wrong. Jacqueline Jules has written an engaging picture book that I could easily see using with my grown-up family every year.

There’s an introduction, blessings, thoughtful verse to accompany each of the eight nights candle lighting along with a moving reflection to read silently, aloud or discuss together as a family. The second half of Light The Menorah! features four pages devoted to the Hanukkah story for which there are two versions, something I had never known. There’s the historical version and the rabbinic tradition which is the one I’ve always told about the oil from the damaged Temple lasting eight nights. The historic version says that since the Maccabees “couldn’t take a week to observe Sukkot properly, … they celebrated for eight days during the rededication of the Temple.”

The remaining pages answer common questions such as when does Hanukkah occur, where is it celebrated and more. I was delighted to read the section where Jules explains the role women played in the Hanukkah story. No one will be disappointed to see instructions for playing the dreidel game, latkes and jelly donut recipes in addition to easy crafts.

Swarner’s lovely watercolor illustrations dress up the text and are well paired on every page or spread. I was drawn to the book by the title and cover art and am glad I didn’t miss a single thing both Jules and Swarner had to share. This one’s a keeper and would make a wonderful gift to families just beginning to celebrate the Festival of Lights.

 

 

– Reviewed by Ronna Mandel

 

For more Hanukkah book ideas, click here.

 

 

 

 

Hooray For Hanukkah Books – Wednesdays With Once Upon a Time

WHAT WE’RE READING
WEDNESDAYS 
WITH ONCE UPON A TIME

A HANUKKAH BOOK ROUNDUP

Hanukkah free clip art

 

Two wonderful new books with a Hanukkah theme are reviewed below. However, though both books are Hanukkah-themed, these particular choices convey more about family and togetherness, an important part of the holiday, than about the Hanukkah story itself.

 

Hanukkah Hamster book cover illustrationHANUKKAH HAMSTER
Written by Michelle Markel
Illustrated by André Ceolin
(Sleeping Bear Press; $16.99, Ages 4-8)
I loved the feeling Hanukkah Hamster gave me as I was reading. Edgar, the cab driver, finds a hamster in his cab and, being a bit lonely living away from family in Tel Aviv, reluctantly brings him home. Gently but hesitantly he incorporates the animal into his Hanukkah celebrations. As Edgar dreads having the real owner claim the hamster, and sharing pictures of his “lost” hamster on his cell phone, it becomes clear that the little rodent, now called Chickpea, has become a big part of Edgar’s family. To my delight, a surprise, big-hearted resolution saves the day. I could easily see this story being read aloud to an elementary school library audience where kids might not know about lighting candles on a menorah, but certainly can relate to a lost pet! Ceolin’s artwork adds just the right mix of warmth and light to this terrific tale! Buy the book here: Hanukkah Hamster

 

all of a kind family hanukkah book cover artALL-OF-A-KIND FAMILY HANUKKAH
Written by Emily Jenkins
Illustrated by Paul O. Zelinsky
(Schwartz & Wade Books; $17.99, Ages 3-7)
Starred Review: Kirkus Review
All-of-a-Kind Family HANUKKAH, which is based on the classic books by Sydney Taylor, and written by Emily Jenkins and illustrated by Caldecott Award-winning artist Paul O. Zelinsky, is a gorgeously illustrated longer picture book set in the turn of the century. With a glossary of terms and various notes from author and illustrator, you could easily use this book to cook up some delectable potato latkes!  
Being from a large family with three sisters (and the lone brother), I can relate to this new story by Jenkins. The youngest girl, Gertie who is four-years-old, has older siblings and is always wanting to do whatever the older sisters are doing—even when it’s clear she is too young.  As the day progresses and the special latkes are being prepared (“… potatoes peeled, and potatoes grated, onions chopped …”) Gertie just demands to be included in the kitchen, but her tantrum sends her to her room until  Father kindly finds a way for Gertie to take part in the festivities. Jenkins’ rhythmic text makes you almost drool over the wonderful smells invoked from the baking the family is doing. Zelinsky’s illustrations capture the era completely and fill them with emotion, exuberance and tenderness. This is a classic story of family with warmth, joy and love all cooked in those delicious latkes!  See the author page here for her NY tour dates.
Buy the book here: All-of-a-Kind Family HANUKKAH

 

• Reviewed by Maureen Palacios, Owner
Once Upon a Time Bookstore

 

NOTE: Good Reads With Ronna makes no commission or profit from the sale of any book in this post. Our goal is to encourage the love of reading great books while supporting local independent bookstores.
Here are last year’s recommended reads for Hanukkah.

Hey, Kiddo – A Review and Interview with Jarrett J. Krosoczka

 HEY, KIDDO BY JARRETT J. KROSOCZKA
(Scholastic; $14.99, Ages 12-18)

A REVIEW & BRIEF INTERVIEW
COURTESY OF HILARY TABER

 

Hey Kiddo book cover art by Jarrett J. Krosoczka

 

 

REVIEW:

“It must be hard to write a graphic novel about one’s own childhood,” I thought to myself as I opened the book Hey, Kiddo. I remembered meeting the author, Jarrett Krosocszka, years ago in California. He was a bright, sweet man with an open demeanor and ready smile. He reminded me so much of my own brother. I had put that memory right next to his Lunch Lady books in my mind, and they sat on the shelf of memory happily together, side by side. I remember hearing about his forthcoming book, Hey Kiddo, and I knew both the writing about a troubled youth and the reading about it would be a challenge.

 

int_art_from_Hey_Kiddo_by_Jarrett_J_Kroscoczka

Interior illustration from Hey, Kiddo written and illustrated by Jarrett J. Krosoczka, Scholastic Books ©2018.

 

As it turns out, Jarrett has written so beautifully about that time that I could not be prouder of him if he had been my own family. Jarrett’s mother, Leslie, suffered from a heroine addiction. She was in and out of jail, and in and out of Jarrett’s young life. He never knew who his father was until he was older. His amazing and often exasperating grandparents stepped in as true parents. This book feels close to home in my heart because it’s about family. It’s Jarrett’s grandparents that I wanted to hug for all the sweet things they did for him. And at times I wanted to sit them down for a good talk! Still, how wonderful they were to him. Wonderful because they loved him deeply and it showed. For all that they smoked, drank, and quarreled all the while they loved Jarrett with a heart and a hat.

middle school int art from Hey Kiddo by Jarrett J. Kroscka

Interior illustration from Hey, Kiddo written and illustrated by Jarrett J. Krosoczka, Scholastic Books ©2018.

Hey, Kiddo sometimes reads as though Jarrett has written it from the perspective of a loving investigator of his own childhood. The author includes small and intimate touches like an image of the actual wallpaper pattern from his grandparent’s home. As we read we step into his childhood world. Also included are photographs of the family along with letters from his mother, Leslie, originating from her time in prison. There are drawings by Leslie just for Jarrett. It’s those letters that show how much she loved him and missed him. I read the book in one sitting, and when I put it down, I thought of Jarrett’s grandparents, Joe and Shirl. I thought that for all that Jarrett had been through, Joe and Shirl were always there for him. Actually, they still are in the way that love can never pass from us completely when it is given with such readiness and generosity. That kind of love death cannot touch. So, now on that same shelf of memory I have about Jarrett are his endearing personality, his ready smile, the Lunch Lady books, a difficult childhood and right beside that childhood is a place for Joe, Shirl, and their Love for him. That was, and is, a love with a capital “l” for sure.

Hey, Kiddo was a finalist for the National Book Award and is a highly recommended graphic novel for teens and grownups.

 

INTERVIEW:

HT: This is perhaps less of a question and more of an opportunity to tell us why author/illustrator visits to schools are so important. Clearly, a school visit from an illustrator changed your life. What would you say to a debut author or illustrator about what that school visit meant to you?

high_school_int_art_from_Hey_Kiddo_JJK_Studio

Interior illustration from Hey, Kiddo written and illustrated by Jarrett J. Krosoczka, Scholastic Books ©2018.

JJK: Yes, I vividly remember being a third-grader and sitting on the creaky, wooden floor of my school’s auditorium and listening to Jack Gantos talk about writing. While he said, “Nice cat,” to me that day, I have since had so many opportunities to say, “Nice Lunch Lady,” to many young artists. When I was in college, working towards a BFA in Illustration, none of my professors taught me about school visits. From a business perspective, it is a great way to promote your book, but it runs so much deeper than that. To newly published authors I would say:

  • Work on an engaging presentation to keep the students’ attention.
  • Enjoy the quiet moments where you can connect on a more one-on-one with the students.
  • Make sure you bring hand sanitizer. There’s always that one kid whose finger is up their nose throughout the entire presentation. That kid is going to want a high five. Just sayin’…

HT:  I think what I learned from reading your book, and reading in general, is that when we feel alone in a painful situation we seldom are. I think this book will resonate with so many readers. Thank you for it. It’s beautiful. To a kiddo who identifies with you while reading your book, who struggles with a parent who suffers from addiction, what would you tell them?

JJK: For those readers, I left a little something for you in the Author’s Note at the end of the book. I hope that you take solace in those words.

Writing transparently is cathartic but self-care is paramount—so write within your comfort zone but push yourself when you are ready.

 

 

Best Thanksgiving Books for Children 2018 – A Roundup

OUR FAVORITE NEW

THANKSGIVING CHILDREN’S BOOKS

– A ROUNDUP –


Thanksgiving clip art Give Thanks image

 

Fangsgiving by Ethan Long cover artFANGSGIVING
Written and illustrated by Ethan Long
(Bloomsbury; $16.99, Ages 3-6)

Fans of the Geisel Award-winning author and illustrator will love Ethan Long’s latest, Fangsgiving, which celebrates family and giving thanks in a most unusual and often kind of gross but ghoulisly good way. The Fright Club folks are cooking up a delicious holiday feast when unexpected family members show up. It seems Uncle Gus, Aunt Bessy and their boys have a better way to make the meal and that means changing a lot of the ingredients. Garlic mashed potatoes get eyeballs and earwax added, the turkey gets burned to a crisp and the pumpkin pie gets maggot meatballs thrown in. YUCK! Vladimir is not happy but is determined to look on the bright side given the holiday. But when the dining room goes dark because Uncle Gus can’t handle the daylight, his dog Spike has “devoured everything!”

Fortunately this provides a way for the Fright Club and family to team up to create another meal and make the most of their time together.  Long’s laughter inducing illustrations bring the revolting repas to life and will bring smiles to many young faces eager to see how the Fright Club fares under trying circumstances. This clever approach to the traditional Thanksgiving meal and holiday, though rather unappetizing, makes for a refreshing and fun new read this season.  – Reviewed by Ronna Mandel

 

Over The River and Through the Wood by Emma Randall cvr artOver The River and Through The Wood
by Lydia Maria Child
Illustrated by Emma Randall
(Penguin Workshop; $16.99, Ages 3-7)

Child’s poem turned song, Over The River and Through the Wood, is a perennial favorite at Thanksgiving time, but to be honest I never heard it in its entirety so I’m grateful to have this lovely paper-over-board picture book! In Randall’s version, the siblings, who I always imagined were in a great big sleigh beside a slew of family, are taking in nature’s beauty as they sleigh their way alone to Grandma’s house. But not for long. There are moose, beavers, foxes and bunnies to behold in the winter wonderland as well as majestic purple mountains. Soon dusk arrives but the horse knows the way so young readers don’t have to worry the children will get lost. It also appears in Randall’s illustrations that the animals are accompanying the kids on their journey, an added bonus when reading the book aloud and sharing the art. While it’s blistery cold outside, Grandma’s house is warm and welcoming inside, just the kind of place any child would love to visit. I was surprised at the ending when everyone sits around a table outside including a couple who are likely the children’s parents, but I don’t think kids will mind one bit. In fact, that way the animals are portrayed around the table makes the meal look extra special. Enjoy this festive read with family for a special holiday tradition. – Reviewed by Ronna Mandel

 

The Kiddie Table by Colleen Madden cover artTHE KIDDIE TABLE
Written and illustrated by Colleen Madden
(Capstone Editions; $15.95, Ages 4-8)

Colleen Madden’s brought this common holiday dilemma to the fore with her humorous take on sitting at The Kiddie Table, a fate worse than death for tweens or anyone for that matter who feels they should be seated with the adults. This fancy dressed young girl of eight is unhappy at having to share a table with little ones. Adding insult to injury is the sippy cup with a lid she’s been give along with table manners of the toddlers. One of my favorite lines, “Why am I stuck with this pacifier crowd?” drives home the point that the age and maturity range of the kids she’s sitting with leaves something to be desired. Told in slightly uneven rhyme, the story still resonates. When is a good age to move to the big people table? She doesn’t think it’s cool to be with a bunch of drooling, messy kids and that makes perfect sense. Only stewing in the situation doesn’t help.

When the miffed eight-year-old eventually melts down, yelling “This is the WORST Thanksgiving I’ve ever had in my entire life!” all the little ones erupt by throwing food and the grownups look aghast at the goings on. Luckily tween’s mom explains that asking to switch seats would have been a better approach than yelling but she also acknowledges how being seated with the babies might not have been easy. Ultimately things fall into place for the girl when she leaves the kiddie table and chats with an older cousin amongst the adults. As the evening comes to an end, the tween assumes more responsibility like cleaning up and helping the youngsters prepare to go home. Madden’s artwork is full of festive colors and expressions and reactions that pop off the page. I got a kick out of the girl’s face getting angrier and angrier and also when she yells so loud even a pregnant guest’s baby kicks! The cover alone made me want to dive in. The emotional build up of the art flows a bit better than the prose, but the essence of the story, about self-advocacy and that awkward in-between age rings true and something many children will relate to. – Reviewed by Ronna Mandel

 

Food Fight! cover illustrationFOOD FIGHT!: A Mouthwatering History
of Who Ate What and Why Through the Ages
Written by Tanya Steel
(National Geographic Kids; $19.99, Ages 8-12)

Food Fight! A Mouthwatering History of Who Ate What and Why Through the Ages is wealth of information for kids interested in food, history, trivia, or cooking. From the Prehistoric Era through the Future World, a variety of facts are communicated in manner that’s easily understood. Each section opens with “A Bite-Size History” segment and concludes with a fun-filled short quiz.

Laid out in colorful panels, the data is abundant and accessible. Thirty kid-tested and historically inspired recipes have captivating names such as Roast Mastodon on a Stick (mastodon not required), Rosie the Riveter’s Chocolate Bread Custard, and, just in time for the holidays, Astronaut Fruitcake.

A recurring column “Table Matters” tells us why, for example, kids sit at a different table for the Thanksgiving meal. “Yucky Habits of Yore” delights with disgusting dishes such as the popular Ring-Around-the-Tuna which, yes, involved a whole can of tuna, stuffed olives, celery, and onion encased in wobbly lime Jell-O. Kids who enjoy fact-filled books or cookbooks will lose themselves in these pages.

National Geographic Kids does not disappoint with gorgeous photos throughout. Best-selling author and global food industry leader Tanya Steel is a former editor at Bon Appetit and Food & Wine, former editorial director of Epicurious, Clean Plates, and Gourmet.com, and an originator of “The Healthy Lunchtime Challenge & Kids’ State Dinner” hosted by former First Lady Michelle Obama at The White House (a national recipe contest for kids aged 8 to 12 from 2012-2016).
– Reviewed by Christine Van Zandt, writer, editor, and owner of Write for Success www.Write-for-Success.com, @WFSediting,Christine@Write-for-Success.com

 

 

 

 

 

 

 

 

 

Mary Malhotra Interviews Swing Author Kwame Alexander

AN INTERVIEW WITH KWAME ALEXANDER

by Mary Malhotra

 

Author Kwame Alexander

Swing Author Kwame Alexander at Skylight Books. Photo ©2018 Shan Malhotra

Kwame Alexander recently celebrated publication of his new book with Mary Rand Hess, Swing (Oct 2018, BlinkYABooks; $18.99), at a Skylight Books event that also featured his mentor, acclaimed poet and activist Nikki Giovanni. Alexander is the Newbery Award-winning, NYT-bestselling author of more than two-dozen books. Swing is a novel-in-verse about two high school juniors, Noah and Walt, trying to find their “cool.” I enjoyed the event, and later caught up with Alexander by phone to talk about the book and some of his other projects. (The transcript below is edited for clarity and length.)

 

MM [Mary Malhotra]: This is your third book with Mary Rand Hess, so I thought I’d start by asking, how did the two of you decide to collaborate, and how does that work for you?

KA [Kwame Alexander]: We’re in a writer’s group together, and we had critiqued each other’s work for a couple of years. It was her idea, and I thought, “Well, let’s try it.”  I’m a huge fan of collaboration and we just seemed to gel. There were certain times when I took the lead and she was cool with that, and there were times when she took the lead because she had the expertise and I was cool with that. It was almost like putting a puzzle together.

MM: Obviously music is important in the book, and I was curious if Walt’s musical loves mirror yours or Mary’s?

KA: I am a jazz aficionado; Mary loves jazz. Whenever I’m writing, I listen to instrumental jazz, preferably bebop or straight-ahead jazz. Mary plays piano. Music plays a huge role in our lives, and I think that’s why we wanted to write about rock and roll in [our first novel] Solo, and really pay a tribute to jazz in Swing.

Mary Malhotra with Kwame Alexander at Skylight Books 2018

Swing Author Kwame Alexander with interviewer Mary Malhotra at Skylight Books. Photo ©2018 Shan Malhotra

MM: I know lots of adults who are intimidated by poetry, [yet] on your website you say if you want to get a reluctant reader engaged with literature, start with poetry. How do you go about making the poetry so accessible and relatable that it’s actually easier for a reluctant reader than a prose novel?

KA: I try to write stories that have you as the reader forgetting that you’re reading poetry. I want to use all of the techniques and the strategies that poetry allows me to use — figurative language, sparse text, rhythm, sometimes rhyme — but ultimately I want to tell such a compelling story that by page ten or twenty-seven you’ve forgotten that you’re reading poetry.

MM: I’d seen a synopsis that talked about a biracial friendship at the center of the book, and it still took me awhile to identify what race different characters were. I like diversity not being handled super explicitly, but some people really feel like we should be explicit. What’s your feeling?

KA: Isn’t that the goal, for us to be less explicit about race in real life, and to really begin to look past all those superficial things, and treat each other as if we are all human beings? When I was growing up and I was in high school and I played tennis, one of my best friends was a white guy. I didn’t wake up each day and go to the tennis court and say, “Oh hey, here’s my white guy!” It’s not an authentic approach to life, so why should it be an authentic approach to literature?

MM: As a white person, I’ve tried to be sensitive to arguments I’ve read about people who feel like, if I say, “I don’t see your race,” then I’m not seeing them as a whole person.

KA: I’m definitely not saying you don’t see race. I’m saying the race is obvious and evident in all of the books that I write, in my estimation. The race is a matter of fact.

Nikki Giovanni and Kwame Alexander at Skylight Books Swing Panel

Nikki Giovanni with Kwame Alexander at Skylight Books. Photo ©2018 Shan Malhotra

MM: When you started out [writing Swing], were you planning to write something political?

KA: Everything I write is political. I think to live in America, especially during this time, you either — what one of the characters says: “You either uphold the status quo, or you see what’s wrong and try to change it.”

MM: I read about your imprint [Versify, at Houghton Mifflin Harcourt], and saw that it’s accepting unsolicited submissions. What are you looking for?

KA: I’m looking for good books. Picture books, middle grade novels, YA novels, graphic novels. I’m looking for books that highlight the beauties, the hurdles, the woes, and the wonders of children coming of age. I’m looking for books that are going to help kids ultimately imagine a better world. I’m looking for books that are intelligent and entertaining.

MM: I also read that you’re starting a #HUGLIFE commitment in classrooms?

KA: It’s really just borrowing from Walt’s philosophy on life. Sometimes the world is not so beautiful, but you’ve got to stretch every inch of good as far as you can. I’m a big fan of saying “Yes” to what’s possible in life, and hugging life.

Swing Author Kwame Alexander with Wendy Calhoun at Skylight Books 2018

Swing Author Kwame Alexander and Wendy Calhoun at Skylight Books. Photo ©2018 Shan Malhotra

MM: Transforming [Tupac Shakur’s acronym] “THUG LIFE” into “HUG LIFE” —

KA: If you look at what Tupac’s acronym stood for — The Hell You Give Little Infants F’s Everyone — if you flip that around, don’tgive them hell. Hug them. Show them love. I went to a school one day in a prison. I told my wife I was never going back, and she said “Why?” And I said, “Because it was the hardest work I ever had to do.” And she said, “Well, that’s cool. Those kids probably aren’t expecting you to come back.” And of course, I ended up going back. And it changed my life, and it changed theirs. I’m not saying it’s going to be easy. I’m suggesting that hugging life, embracing the full humanity of all of us? It’s work, but the rewards are sacred, and beautiful, and life-giving, and life-saving.

Find more events at Skylight Books

Read Mary’s review of Swing here.

The Diamond and The Boy by Hannah Holt

THE DIAMOND AND THE BOY:
THE CREATION OF DIAMONDS AND THE LIFE OF H. TRACY HALL
Written by Hannah Holt

Illustrated by Jay Fleck
(Balzer & Bray; $17.99, Ages 4-8)

 

is reviewed today by Cathy Ballou Mealey.

 

The Diamond and The Boy book cover art

 

Starred Review – Booklist

Holt’s debut nonfiction picture book digs deep into family history, introducing readers to natural and industrial diamond creation with an engaging dual narrative structure.

Cleverly designed, THE DIAMOND AND THE BOY: THE CREATION OF DIAMONDS AND THE LIFE OF H. TRACY HALL is engineered to compare graphite, a common gray rock, and young Tracy Hall, an inventor and the author’s grandfather. Free-form poetry on facing pages invite easy associations between the rock and the boy, subjected to physical and societal pressures respectively, which transform them over time.

Tension builds naturally through Holt’s lyrical mirrored text. Of the graphite; “Mighty, unyielding, brilliant. The rock would dazzle if it had any light to reflect, but it doesn’t.” She writes of the boy; “Mighty, unyielding, brilliant. His inventions dazzle classmates, But Tracy is still penny poor, with so many ideas floating just out of reach.”

 

int spread rock boy from The Diamond and The Boy by Hannah Holt

Interior illustrations from The Diamond and The Boy written by Hannah Holt with artwork by Jay Fleck, Balzer & Bray ©2018.

 

The tale celebrates Hall’s perseverance and resolve in the face of poverty and bullying. These obstacles ultimately build his resilience as he develops an invention to produce industrial diamonds. For those interested in learning more about diamonds, Holt provides backmatter on the mined diamond industry including the DeBeers monopoly and “blood diamond” conflict in Africa. A timeline and bibliography are also appended.

 

int artwork small gray meager from The Diamond and The Boy

Interior illustrations from The Diamond and The Boy written by Hannah Holt with artwork by Jay Fleck, Balzer & Bray ©2018.

 

Fleck’s color-saturated illustrations are digitally enhanced and multi-layered, keeping the focus squarely on the man and the gem. Clever use of the color palette, alternating between the echoing narratives, helps balance the book visually. The contrast nicely reinforces the natural comparison of Hall’s and the diamond’s transformations. Fleck makes excellent use of angular elements such as the striations of the earth, books shelved in the library, diamond facets and kite strings, while occasional red-orange ‘explosions’ emphasize dramatic changes.

 

interior artwork from The Diamond and The Boy Waiting

Interior illustrations from The Diamond and The Boy written by Hannah Holt with artwork by Jay Fleck, Balzer & Bray ©2018.

 

In THE DIAMOND AND THE BOY, Holt offers a personal and noteworthy celebration of a man deep in substance and character. This book is a different and delightful choice for readers of history, industrial manufacturing, or STEM classroom libraries. The intersection of science and personal character development is a unique and rich format that will engage a variety of readers and potential young inventors.

Where obtained:  I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.

  • Reviewed by Cathy Ballou Mealey

When a Pachyderm Plops Down In Traffic – Poe Won’t Go

POE WON’T GO
Written by Kelly DiPucchio
Illustrated by Zachariah OHora
(Disney-Hyperion Books; $17.99, Ages 3-5)

 

Cover art from Poe Won't Go

 

POE WON’T GO written by Kelly DiPucchiowith pictures by Zachariah Ohora, will consistently charm your children and delight adults through multiple re-reads. The artist behind WOLFIE THE BUNNY infuses this picture book with his clever and colorful style that often reminds me of the Corduroy books I read as a child. 

 

 

int art of crowd pushing Poe from Poe Won't Go

Interior illustration from Poe Won’t Go written by Kelly DiPucchio and illustrated by Zachariah OHora, Disney-Hyperion ©2018.

 

Unassuming pachyderm Poe just won’t go. He has mysteriously landed in the middle of Prickly Valley only to remain sitting in the middle of traffic amidst the outcries of the townspeople.They try everything to make him go; including one of my favorite artistic spreads of the book that includes a motivational speaker with a sign proclaiming “You Can GO!”

 

 

int illustration from Poe Won't Go

Interior illustration from Poe Won’t Go written by Kelly DiPucchio and illustrated by Zachariah OHora, Disney-Hyperion ©2018.

 

When the Mayor gets involved things quickly escalate and our poor Poe sits miserably in the mess he has created just by existing. When Marigold, a young child who has taken an interest in Poe, speaks up, the Mayor is hesitant to listen. Backed up by a reporter covering the case, Marigold simply speaks to Poe and finds out what he is waiting for. The incredulous Mayor watches the young child and on-site reporter solve the dilemma and Poe happily goes on his way, reminding the reader that sometimes all it takes is a little kindness and patience to discover the problem at hand. Listening to Poe’s perspective made all the difference.

 

int spread of Marigold from Poe Won't Go

Interior illustration from Poe Won’t Go written by Kelly DiPucchio and illustrated by Zachariah OHora, Disney-Hyperion ©2018.

 

I highly recommend POE WON’T GO for preschool and elementary teachers everywhere and any parent eager to jumpstart a discussion about how easy it is to make and be a friend. 

  • Reviewed by Ozma Bryant
Click here for a review of another Kelly DiPucchio book.
Click here for a review of another Zachariah OHora book.

Swing, a Novel-in-Verse by Kwame Alexander with Mary Rand Hess

SWING
Written by Kwame Alexander
with Mary Rand Hess

(Blink YA Books; $18.99, Ages 14-18) 

 

Swing by Kwame Alexander and Mary Rand Hess book cover

 

 

Starred Reviews – Kirkus, School Library Journal 

Kwame Alexander’s Newbery Award-winning novel, The Crossover, used basketball as the backdrop for the story. His new book, written with Mary Rand Hess, is a novel-in-verse called Swing with a prologue beginning:

We were halfway through

junior year.

Rounding the bases.

About to score

it’s a good bet that the title refers to baseball.However, Hess and Alexander also collaborated on the 2017 novel Solo about rock and roll, and it turns out that Swingis as much about swinging the beat as swinging the bat. Most of all, though, it’s about putting yourself out there and embracing life.

The book opens as narrator Noah and his best friend Walt (AKA “Swing”) have again failed to make their high school baseball team. Noah wants to give up, lamenting:

But the truth is

we suck.

Our baseball dream

is a nightmare.

It haunts me.

Noah defines himself by what he can’t do. He can’t play baseball, and he can’t tell his longtime crush, Sam, how he feels about her. With Walt’s encouragement, Noah tries writing poetry for her, but it’s not very — well, see for yourself:

I want you

to be my symphony

Your legs

two piccolo trumpets

blazing through

the air.

Even Walt agrees the poem is not good enough to give to Sam, but when Noah buys a second-hand Louis Vuitton Keepall as a birthday gift for his mom, he finds old love letters stashed in the lining that inspire him to try again.

Tonight, I’m ready

To tear courage

Out of the book of dares

And make it mine.

The love letters give him a scaffold for creating art worth sharing. Noah uses them to make blackout poetry — he blacks out some words so that the ones that remain legible form a new poem — and then adds original graphic elements with his pen. The resulting mixed media art stands out, even in this book composed entirely of poems. They make me curious; I have to figure out which letter Noah uses for which piece. They make me want to try writing blackout poetry myself, and they make Noah more confident, able to express himself and impress the girl he loves.

As wonderful as Noah’s art is, my favorite creation in this book is, simply, Walt. I want to reread Swingto spend more time with him. Noah describes him and his quirks like this:

My best friend

Walt Disney Jones

is obsessed with jazz,

baseball,

dead famous people,

and finding cool,

if it’s the last thing

we ever do.

But Walt’s a

self-proclaimed expert

on how to

never give up

until you win.

When it comes to “finding cool,” especially with regard to girls, Walt relies on his older cousin Floyd and a podcast called The Woohoo Woman. He won’t give up, whether he’s practicing baseball or finding a date for prom. He even gets a tattoo inspired by Tupac Shakur’s acronym THUG LIFE. Walt’s tattoo says HUG LIFE, exhorting everyone who sees it to embrace the world, and all its people and opportunities, wholeheartedly.

Noah’s quest to win Sam over from her boyfriend takes flight after Noah’s parents go on a trip, leaving him home alone for a few weeks. Noah’s grandmother is supposed to supervise him but doesn’t believe it’s necessary. Walt, on the other hand, moves right in, believing Noah absolutely needs supervision if he’s going to win Sam’s heart. Walt anonymously sends Sam one of Noah’s poems, but it’s still up to Noah to decide how and when to reveal himself. Will he ever convince Sam to promote him out of the friend zone?

Swing is most of all a coming-of-age story, but there is a mystery in the background throughout. People find American flags left on lawns, stuck on windshields, and painted on freeway exit signs, and the town debates whether the flags represent a show of patriotism or a sinister warning.

no one can agree

on why the flags are here,

who’s planting them,

and whether or not

we should be

happy or offended

that they’re growing

like dandelions.

The flag mystery leads a fairly light story into heavier territory. I believe in building empathy and understanding through books about difficult topics; however, in Swing, the social justice issues are not well developed. Because of this, I felt unprepared for a tragedy (caused by police using excessive force) at the end of the book, and I think younger, sensitive readers in particular may have the same experience. Most of us dislike spoilers, but with Swing I think it’s fair to provide readers with a little warning before reading and a lot of opportunities for discussion afterward. In that context, I recommend Swing to readers fourteen and up as both a funny coming-of-age buddy story and a serious vehicle for discussing the people we as a society forget, fear, or abuse.

  • Review by Mary Malhotra

 

Seasonal and Celebratory – We Are Grateful: Otsaliheliga by Traci Sorell

WE ARE GRATEFUL: OTSALIHELIGA
Written by Traci Sorell
Illustrated by Frané Lessac
(Charlesbridge; $17.99, Ages 3-7)

 

is reviewed today by Cathy Ballou Mealey.

 

book cover art from We Are Grateful: Otsaliheliga

 

STARRED REVIEWS – Kirkus, School Library Journal, Shelf Awareness

 

Sorell’s delightful debut, WE ARE GRATEFUL: OTSALIHELIGA showcases ways that the universal value of gratitude can be expressed through a contemporary Cherokee lens. Using the phrase “Otsaliheliga” (oh-jah-LEE-hay-lee-gah) meaning “We are grateful” as a refrain, the book unfolds throughout the seasons. Measured, lyrical text engages readers with opportunities for gratitude both small and large, drawing upon tradition, nature and family.

The book opens in fall (uligohvsdi), introducing readers to the Great New Moon Ceremony and the Cherokee New Year through cultural symbols and traditions. Special foods, song and crafts appear to mark seasons and occasions. The refrain “Otsaliheliga” centers the narrative with poetic pause as one explores and celebrates with family and community.

 

interior artwork from We Are Grateful: Otsaliheliga

Interior spread from We Are Grateful: Otsaliheliga written by Traci Sorell with illustrations by Frané Lessac, Charlesbridge ©2018.

 

Each season is named in Cherokee, presented phonetically and in the Cherokee syllabary. Sorell’s tale builds bridges between old and new, past and present, honoring the legacy of ancestors while anticipating hope and joy for future generations.

Lessac’s vibrant illustrations are warm and contemporary, incorporating many rich details throughout double-spread community scenes and intimate family gatherings. Her bright gouache is cheerful, resonant with numerous opportunities to expand the gratitude-themed narrative. Text and illustrations blend seamlessly to uplift connections between history and tradition, past, present and future.

 

interior artwork from We Are Grateful: Otsaliheliga

Interior spread from We Are Grateful: Otsaliheliga written by Traci Sorell with illustrations by Frané Lessac, Charlesbridge ©2018.

 

Sorell’s backmatter includes more information on various ceremonies and observances, a Cherokee syllabary and pronunciation guide. Her author’s note discusses keeping balance between observing the ancestral and ceremonial way of life with demands of the modern, non-Cherokee world. Readers should also note her extensive acknowledgements in the book’s dedication, a true reflection of Sorell’s rich, respectful and authentic work.

 

interior artwork from We Are Grateful: Otsaliheliga

Interior spread from We Are Grateful: Otsaliheliga written by Traci Sorell with illustrations by Frané Lessac, Charlesbridge ©2018.

 

The final pages – “Every day, every season. Otsaliheliga” – are illustrated with a beautiful composite of fall, winter, spring and summer encircling one tree where people have gathered together in celebration and gratitude. Don’t miss this special book and the chance to embrace its message of thankfulness and appreciation.

  • Reviewed by Cathy Ballou Mealey

 

Where obtained: I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.

Find a teacher’s guide here.

Listen to Traci We Are Grateful  here.

See the book trailer here

 

A Fun Case of Mistaken Identity in Horse Meets Dog by Elliott Kalan

 

HORSE MEETS DOG
Written by Elliott Kalan
Illustrated by Tim Miller
(Balzer + Bray; $17.99, Ages 4-8)

 

Horse Meets Dog by Elliott Kalan cover illustration by Tim Miller

 

From the first pages, Horse Meets Dog is a fast dialogue-driven encounter fueled by mistaken identity. Hilarity ensues in a manner that’s easily conveyed to children both in Elliott Kalan’s spare text and Tim Miller’s bold images. The bright colors and stark black lines are reminiscent of a graphic novel.

 

int_spread by Tim Miller from Horse Meets Dog by Elliott Kalan

Interior artwork from Horse Meets Dog written by Elliott Kalan with illustrations by Tim Miller, Balzer + Bray ©2018.

 

The takeaway from Kalan’s forty-page picture book is that some friendships have a rocky start and, instead of making assumptions, we can learn from our differences. Children will see the world is bigger than who they are and bigger still than their direct circle of friends.

 

int_illustrations by Tim Miller from Horse Meets Dog by Elliott Kalan

Interior artwork from Horse Meets Dog written by Elliott Kalan with illustrations by Tim Miller, Balzer + Bray ©2018.

 

Elliott Kalan has written for television shows Mystery Science Theater 3000: The Returnand The Daily Show with Jon Stewartand the comic book series Spider-Man and the X-Men.

Tim Miller is the author-illustrator of Moo Moo in a Tutuand What’s Cooking, Moo Moo? and the illustrator of Snappsy the Alligator (Did Not Ask to Be in This Book), Snappsy the Alligator and His Best Friend Forever (Probably)!and Margarash, as well as the middle grade series Hamstersaurus Rex.

 

TOUR INFO:
Nov. 3 – 11am at Word Jersey City 123 Newark Ave., Jersey City, N.J.
Nov. 11 – 3pm at Skylight Books, 1818 N, Vermont Ave., Los Angeles

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

Halloween Horror – City of Ghosts, Ghoulia and Sam Wu is Not Afraid of Ghosts

BEST HALLOWEEN BOOKS 2018
A ROUNDUP
Part 2

 

Halloween clip art

 

interior spread from Ghoulia by Barbara Cantini

Interior artwork from Ghoulia by Barbara Cantini, Abrams/Amulet Books ©2018.

GHOULIA (BOOK 1)Ghoulia book cover art
Written and illustrated by Barbara Cantini
(Amulet Books; $9.99, Ages 6-8)

In her debut chapter book as author-illustrator, Cantini brings young readers Ghoulia, a friendly, warm and purple-loving zombie girl (can a zombie be warm, just asking?) who really has only one wish, to have friends. Stuck inside the grounds of Crumbling Manor, Ghoulia has been forbidden to leave the premises out of fear she and her Auntie Departed, her closest relative, will be made to leave the village should they be found out. In this first book of the series, and at just 64 illustration-filled pages, Ghoulia is a fast and fun read for anyone curious about zombie kids. Ghoulia’s cast of characters includes her Auntie Departed, Shadow the cat, Uncle Misfortune who happens to be a head and ideal candy bucket for Halloween, Tragedy the Albino greyhound and Grandad Coffin, a chess-playing distraction for a zombie granddaughter’s escape on Halloween. Ghoulia pulls off this daring feat (and that could be a pun since her body parts can come off whenever she wants) on Halloween when her brilliant idea to masquerade as herself in order to meet the local children is a huge success. But alas, what will happen when the village trick-or-treaters learn the truth and it’s revealed that Ghoulia’s not dressed up in a zombie costume but actually is one? A secret Monster Society is formed and everyone lives (well that’s not totally true of course) happily ever after. Cantini captures the atmosphere of Ghoulia’s off-beat world with page after wonderful page of whimsical illustrations and a sweet storyline. Book 2, Ghoulia And The Mysterious Visitor is up next in this winning new series so fans won’t have to wait long to find out what’s in store for the charming zombie girl. Several entertaining pages of bonus activities are included in the back matter.   • Review by Ronna Mandel

int spot art of Sam Wu running from Sam Wu is NOT Afraid of Ghosts

Spot art from Sam Wu is NOT Afraid of Ghosts by Katie and Kevin Tsang with illustrations by Nathan Reed, Sterling Children’s Books ©2018.

cover art from Sam Wu is NOT Afraid of GhostsSAM WU IS NOT AFRAID OF GHOSTS
Written by Katie and Kevin Tsang

Ilustrated by Nathan Reed
(Sterling Children’s Books; $12.95, Ages 7-12)

Chapter book, Sam Wu is NOT Afraid of Ghosts is a good match for reluctant readers because of its simple text, frequent illustrations, and funny asides in the margins or footnotes. As the title implies, there will be a lot of ironic humor; Sam Wu must face his fear of ghosts and reestablish himself in the eyes of his peers after a truly embarrassing incident. Luckily he’s learned a lot from his favorite TV program, “Space Blasters.” Now it seems there’s a ghost in Sam’s house, so Sam and his friends must prove they are brave ghost hunters.

Kids can sympathize with how it feels to not fit in. Sam introduces his friends to his favorite meal (roast duck and turnip cake) and urges them to take just one bite—even though the turnip cake does smell a lot like feet. Doing so, he successfully bridges their cultures using delicious food. Regaining some dignity with his classmates is harder, but Sam Wu demonstrates he’s no “Wu-ser” (as Ralph, the class bully, calls him).

Sam Wu is NOT Afraid of Ghosts int spot art

Spot art from Sam Wu is NOT Afraid of Ghosts by Katie and Kevin Tsang with illustrations by Nathan Reed, Sterling Children’s Books ©2018.

In the closing Q&A, authors Katie and Kevin Tsang explain how they’ve woven some of their own childhoods into the story, showing they are “definitely NOT afraid of answering some author questions.”

Nathan Reed livens up the story with hilarious images of the characters including the evil cat Butterbutt, and Fang, the toughest snake ever. There is visual interest on every page to keep kids engaged beyond the text of the story.

Sam Wu is NOT Afraid of Ghosts works well as a Halloween book for kids who prefer not-very-scary ghost stories with plenty of laughs.
• Review by Christine Van Zandt

 

 

 

cover art from City of Ghosts by Victoria SchwabCITY OF GHOSTS
Written by Victoria Schwab
(Scholastic; $17.99, Ages 9-12)

Looking for a spooky Halloween read? Check out Victoria Schwab’s middle-grade novel, City of Ghosts. The story opens when eleven-year-old Cassidy’s birthday gift sends her over the edge (literally) and she drowns (sort of—a boy-ghost named Jacob retrieves her from death). Soon after, Cass is drawn toward something she calls The Veil and discovers that she can cross over into the place where ghosts dwell.

Jacob and Cass travel to Scotland with Cass’s parents whose book The Inspecters (inspectors of specters) is being made into a television series. Cass meets another girl with the same sort of gift in Edinburgh, the city of ghosts. There, mysterious locales harbor dangerous inhabitants; Cass must quickly learn how to survive.

The reveal-and-conceal relationship between the lead characters in City of Ghosts is fascinating. There’s a lot to learn about the other side when adventures through The Veil become more complex. This book explores historical haunts and interesting folklore as the alluring story unfolds in ethereal delight.

Victoria Schwab is the #1 New York Times best-selling author of more than a dozen novels for young adults and adults, including the Shades of Magic series, Vicious, Vengeful, This Savage Song, and Our Dark Duet.  • Review by Christine Van Zandt Writer, editor, and owner of Write for Success www.Write-for-Success.com @WFSediting,Christine@Write-for-Success.com

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