TREES: A ROOTED HISTORY
by Piotr Socha + Wojciech Grajkowski
Translated from Polish by Anna Burges
(Abrams BYR; $24.99, Ages 8-12)
★Starred Review – Publishers Weekly
Large-format middle-grade nonfiction book, Trees: A Rooted History, will engage readers with stunning full-page illustrations and fascinating information. Trees are the largest living things on Earth showcasing nature’s incredible power. They can be seen as sacred but also have practical purposes such as being used for wood or to make paper.
Leaves, roots, seasons, seeds—this we know. But what about tree eaters, tree dwellers, and the animals using trees for camouflage? We learn that the largest-diameter tree is a Montezuma cypress in Santa Maria del Tule, Mexico—so wide that not even twenty adults could link hands around its trunk. And that a quaking aspen in Utah, estimated to be at least 80,000 years old, is both a tree and an entire forest because it originated from a single seed and its root system has formed a 106-acre colony of trees.
There is much to consider in this book. For example, a tree can withstand the rise and fall of several civilizations, or may grow alongside as works of art are created or important inventions are made. It’s fascinating that a 400,000-year-old wooden tool (the sharpened end of a wooden spear) was found in the British town of Clacton-on-Sea and that countless legends and fairy tales are set in forests.
This beautiful book of discovery invites you to flip through its pages, stopping wherever your eye leads you.
NOAH BUILDS AN ARK
Written by Kate Banks
Illustrated by John Rocco
(Candlewick Press; $16.99, Ages 3-7)
★Starred Review – Kirkus Reviews
A slight tension fills the air as dark clouds approach Noah’s house. In the backyard, restless salamanders slither “to and fro” and beetles and mice try to take shelter. Getting his tools from the yard, Noah’s father makes a thought-provoking comment: “It’s going to be a beauty.” What is? The preparation, the storm, the aftermath?
Just as Noah’s parents work hard to prepare for the storm, Noah, similarly, takes thorough care of his garden friends’ needs. For shelter, he builds an ark out of his wagon and fills the space with all the comforts of home: food, furniture, water, and light from a flashlight. Whatever his parents provide for him and his sister, Noah, in turn, provides for his critters.
Rocco’s detailed pencil and watercolor illustrations emphasize this give and take motion. On the left side of the page, we readers see the actions his parents take and on the right we see Noah mimicking that action. When the storm arrives, the illustrations once again draw similarities between the two. Both groups huddle, share food, and pass the time with calming activities. One double-page spread is particularly poignant as it draws our attention to the slats of wood—wood that boards Noah’s window and wood that houses in his garden friends. It’s a powerful image of protection and community despite the raging rain “splash[ing] down like silver swords thrown from heaven.” Banks’ imagery captures, too, the beauty and danger of their situation.
When the clouds suddenly retreat and the “sun turn[s] its light back on,” Noah is treated to a wide and stunning rainbow. A sign of the covenant between God and the earth in the original story, the rainbow here represents a symbol of peace and restoration. Two by two the creatures leave the ark and resume their roles in Noah’s garden.
So what was “going to be a beauty” after all? Dedication in caring for one another, the sense of community during troubled times, and the healing qualities of the natural world are all beautiful themes in this story. For animal and nature lovers, for those familiar and new to Noah’s Ark, for those needing a quiet bedtime story and a suspenseful adventure, Noah Builds an Ark is for any child who enjoys a timeless tale.
- Reviewed by Armineh Manookian
GOOD READS WITH RONNA
GETS A 10 YEAR ANNIVERSARY MAKEOVER!
MEET AUTHOR + ILLUSTRATOR BETH SPIEGEL
WHO DESIGNED OUR NEW HEADER
I had the pleasure and good fortune to meet Beth Spiegel in 2018 at a children’s picture book study group. She told me she was participating in an upcoming artists’ open house close to where I lived. Curious about what she had produced over the years and keen on supporting a local woman artist, I stopped by to see her work. I was instantly struck by an illustration of a woman seated at a table in a bird’s nest hat. It could have been me if she’d had curly hair! Right there and then I told Beth that I had been eager for an illustrator to redesign the Good Reads With Ronna header for its 10 year anniversary and wondered if she’d be interested in creating something with a similar aesthetic.
I asked Beth if she could personalize the header with things I love including books, cats, travel and tea so they’d feature prominently in the new artwork. She agreed so we met and discussed the particulars of the image and the final version of Beth’s beautiful watercolor now graces the website, much to my delight. I’m thrilled to share the following interview highlighting Beth’s artistic journey and I want to give a great big shout out of thanks for her spot on interpretation of a kidlit book reviewer on the job.
AN INTERVIEW WITH BETH SPIEGEL:
GOOD READS WITH RONNA: Did you always plan to be an illustrator?
BETH SPIEGEL: Funny you should ask because I still have a book I made as an art project in the second grade and in the “back matter” I wrote …
“When I grow up, I want to have lots of pets and make lots of books.”
GRWR: What artists have influenced you or had an impact on your approach to illustrating?
BETH: There are so many. Looking at my bookshelf I see books illustrated by William Steig, Virginia Lee Burton, Roger Duvoisin, Mary Blair and Hillary Knight alongside the contemporary illustrators, Matthew Cordell, Melissa Sweet, Sydney Smith, Erin Stead, Benji Davis, and Hadley Hooper. There’s great illustration happening now. It’s inspiring but also intimidating.
GRWR: Please tell us about the books you’ve illustrated.
BETH: My first book was Rosa’s Room written by Barbara Bottner and published by Peachtree Publishing Company. The opportunity came about because Bottner saw an exhibition of my watercolors of abandoned buildings at the Pasadena Historical Museum. She says they inspired her to write a story.
“Bottner offers a heartwarming story of a young girl moving to a new house and a too-empty room … Spiegel’s softly colored watercolors are the perfect complement to the text, showing the transformation of both Rosa and her room … A welcome addition sure to calm the worries of youngsters facing a similar situation.” – Kirkus Reviews
Next was First Grade Stinks! written by Mary Ann Rodman, and also published by Peachtree. The story of a frustrated first grader pulled me in because I sympathized with the main character Haley from the start.
The third book I illustrated was written by Eve Bunting Will It Be a Baby Brother?, published by Boyds Mill Press. This came about because the art director saw my work on the “Picture Book Artists” website.
I got to meet author Eve Bunting a year after the book launched. I was a host illustrator for the Mazza Museum’s Studio Tour. Each year they travel to a different state and visit picture book illustrators that live there. I’ll never forget watching their giant tour bus pulling up in front of my studio house on my tiny street. Then 40 picture book enthusiasts getting off and amongst them was a special guest … Eve Bunting. I felt honored to be part of the Mazza tour and very happy to spend time with Eve. She’s very charming.
GRWR: What is in the pipeline?
BETH: To be honest I don’t know. Since the last book I illustrated, I’ve also started writing. In fact, I snuck a few of my titles into the painting I did for your banner. Look for Almost Flying, Excuse Me Mr. B., as well as The Yellow Umbrella, all of which I am writing and illustrating. It feels good to be doing both and am excited to start submitting them to agents and editors.
GRWR: What do you do when you’re not working on children’s books?
BETH: I take long walks. I recently moved near downtown L.A. so there’s new territory to explore. I love to get out to sketch and people watch. Travel is a passion.
GRWR: You’ve also worked on films over the years. How has that informed your children’s book art and writing?
BETH: I’ve been lucky to have received offers to edit documentaries for film and television. The majority were about subjects I care about … animals, artists and the environment. The most recent was “Pandas 3D” for Imax.
I liked editing films for Imax. The audience is young and one is challenged to find a way to express complicated ideas in a clear way fun way. While editing I also learned about pacing, and how to recognize those “story telling” moments. I think about all this when I work on illustrations.
Fortunately I’ve never stopped working on picture books. I joined a talented writing group a few years ago, that’s helping me develop my story ideas. I’ve also been working in my studio further developing/finding my “voice” as an illustrator.
Editing has been a great experience but now I’m excited to focus solely on making books. I love the picture book format. At best they are both simple and profound. To get that right, even a little, is a dream for me.
GRWR: What medium/s do you create with and does your process involve many steps and and any digital work?
BETH: I like to work in many mediums. Often I use pen and ink with watercolor, but recently started to paint digitally, which I like more than I thought I would. The important thing is that the medium suits the story.
I start every day journaling using pen and ink. Sometimes I write, sometimes I draw. Those messy marks help me start an illustration or a story and often get me going when I’m stuck. The painting of the lady reading, you liked for your banner, started as a morning doodle. As you see the bird’s nest was originally two mice nibbling some decorative fruit. Not sure why I changed it.
Here is what it looked like:
GRWR: What are some of your all-time favorite children’s books?
BETH: Oh there are so many, but a few are: Amos and Boris, Olivia Saves the Circus, Iridescence of Birds, Lost and Found, Little Gorilla and Hello Lighthouse.
My heartfelt thanks again to Beth for sharing her candid and interesting replies today. I’m looking forward to seeing what new books she will be writing and illustrating so watch this space!
- Interview by Ronna Mandel
WHEN SUE FOUND SUE:
SUE HENDRICKSON DISCOVERS HER T. REX
Written by Toni Buzzeo
Illustrated by Diana Sudyka
(Abrams BYR; $17.99, Ages 4-8)
★Starred Review – Booklist
We may not be able to find which date is the real National Dinosaur Day (dates online vary), but what we have found is a really great new picture book reviewed today by Christine Van Zandt!
Toni Buzzeo’s nonfiction picture book, When Sue Found Sue: Sue Hendrickson Discovers Her T. Rex, centers around how childhood curiosity can launch a life of discovery. As a girl, Hendrickson was good at finding things; in 1990, searching for dinosaur fossils in South Dakota, she unearthed the world’s largest Tyrannosaurus rex skeleton, distinguished for being exceptionally well-preserved and more than 90 percent complete. Aspiring paleontologists will appreciate the facts of the dig—both the excitement and the toiling excavation itself.
Diana Sudyka’s colorfully engaging water-colored art offers a glimpse of Hendrickson’s life, often with a pet at her side (a detail sure to appeal to kids). Peek under the cover for a bonus illustration.
In the back matter, we learn about the dispute over ownership of these magnificent bones—a fight between several parties but not involving Hendrickson herself. Hendrickson’s amazing life included working as a professional diver, specialist in paleontology fieldwork, specialist in fossil inclusions in amber, and long-standing member of the Franck Goddio marine archaeology team.
Self-educated and adventurous, Hendrickson shows where life will lead if you’re open to following your interests. The story reinforces that our innate talents and fascinations stay with us and can develop into rewarding lives. Hendrickson’s T. rex fossil resides in The Field Museum of Natural History in Chicago, a place where she spent much time as a child.
- Reviewed by Christine Van Zandt (www.ChristineVanZandt.com), Write for Success (www.Write-for-Success.com) @ChristineVZ and @WFSediting, Christine@Write-for-Success.com
CLICK HERE FOR A REVIEW OF ANOTHER BOOK BY TONI BUZZEO.
Written by Kenneth Oppel
Illustrated by Sydney Smith
(Knopf BYR; $17.99, Ages 8-12)
• A New York Public Library Best Book of the Year — top ten selection
I enjoy stories without obvious plots and Inkling is just that. Typical middle-grade characters are rendered with fresh perspectives. Ethan struggles to complete the illustrations for his group’s class project, but, unfortunately, he can’t draw; no one knows this, though the class bully Vika Worthington suspects. She’s the best artist in their grade and the daughter of Ethan’s dad’s boss. Throughout, Ethan relives the day Vika tornado-kicked him into a garbage can.
Sydney Smith’s illustrations intersperse the text, adding depth and delight. Vika’s furrowed brow is perfectly sinister. Graphic-novel images complement the story line.
Inkling resonates with the underlying grief Ethan’s family is trying to process; unspoken words cloud their days. Adults can appreciate the pressure of raising kids alone, having a special-needs child, or watching their creativity come to a grinding halt. Oppel’s clever plot will make you fall for Inkling and keep you hooked until the end.
If you liked The Care and Feeding of a Pet Black Hole (written and illustrated by Michelle Cuevas, Dial/Penguin, 2017), Inkling hits some similar notes, check it out.
BEST NEW CHILDREN’S BOOKS
FOR MOTHER’S DAY
– A ROUNDUP –
My Two Moms and Me, a sleek new 22-page board book, looks like it’s as much for the adults reading it as it is for the little ones listening and that makes turning every page a treat. It’s nice to find a board book depicting same-sex families for the littlest family members, their friends and relatives. Whether children have one mom, two moms or even no moms involved in parenting, it’s important they can see themselves and the life they live reflected on the pages of all kinds of books. Joosten, who has also written My Two Dads and Me, describes all the daily activities any family would do from the perspective of the child. The humorous tone of the language adds to the book’s appeal: “At breakfast, we each have a glass of juice. They both like orange, but I’m more of an apple person, myself.” I love that! The families change on every page which works well so readers meet many different kinds of families, some with one child, some with two, some with boys, girls or both, some biracial, some with babies and some with toddlers. Coupled with the cool, contemporary clothing illustrations by fashion illustrator Zenou, My Two Moms and Me is a worthy choice this Mother’s Day.
If you’re looking for a charming picture book with simple and slightly retro-looking pen and ink style illustrations in shades of coral and black, pick up a copy of Mom and Me, Me and Mom. Similar to My Two Moms and Me above in that a child narrates the story in an almost tongue-in-cheek style, this book captures a mother-daughter relationship and emphasizes its uniqueness. What’s also adorable is that the child conveys what she contributes to the dynamic whether that be helping her mom’s mood or keeping her secrets safe. My two favorite spreads are: in a museum where the mom is studying a modern art paining while the little girl is staring at the water cooler: “I show you how to see things differently.” And then outdoors: “I follow your lead,” which depicts both mom and daughter reading. This one particularly resonated with me having raised avid readers. I have a feeling there’s a quality or activity that Tanco’s chosen to highlight that will also resonate with most mothers.
Superhero Mom, an enjoyable follow up to last year’s Superhero Dad, introduces readers to a little girl who reveres her mom and it’s easy to see why. “She does so many things at once. She zooms from here to there—mending … mixing … making … taming tangles in my hair.” We all know someone like that, a mom with energy enough for two. There are lots of super powers on display, all shared in well-metered rhyme, demonstrating why Mom qualifies as a superhero. They’re totally relatable, too. She carries so much stuff ✓, she appears out of nowhere to kiss away tears ✓, she finds missing toys and, last, but not least, “Every mom’s a SUPERHERO and so is every GIRL!” The art is bold and bright and full of superhero-type energy so I recommend this as an ideal read aloud for any story time since moms are superheroes all year round!
CLICK HERE FOR A LINK TO LAST YEAR’S MOTHER’S DAY ROUNDUP
- Reviewed by Ronna Mandel
Written by Fran Wilde
(Amulet Books; $17.99, Ages 10-14)
★Starred Review – Booklist, Shelf Awareness
In Riverland a debut (older) middle grade novel by Fran Wilde, Momma promises everything will be all right, but sisters Eleanor and Mike know better. Things aren’t OK, no matter how hard they try to be good. The girls weave stories about how “house magic” will fix whatever’s wrong this time. When Poppa breaks the family heirloom (a glass witch ball), a river appears in their secret hiding place and the girls venture to a place where dreams grow in reeds.
A heron made of metal, glass, and driftwood explains that nightmares are made of “failed dreams, smoke, and the river mist” and that “the same magic that kept dreams and reality apart also held back the nightmares.” Anassa, a snake-headed monster, upsets the balance. As the damage in one world seeps to the next, the sisters try to understand their family’s guardian’s agreement while facing new kinds of danger and the possibility of never returning home. Sisterly love fiercely connects them, yet Eleanor worries her temper dooms her to become like Poppa.
Lines between fantasy and reality blurred long before the enchanted river. The girls and their mother live fearfully in denial, unwilling to admit Poppa’s abusive nature. Though Eleanor’s new friend Pendra and Pendra’s mom (school guidance counselor) surmise something’s wrong, Eleanor keeps up the façade and her friend at arm’s length; without confirmation others are powerless to help.
Riverland depicts children trapped in a dysfunctional home and the ways in which they escape reality. This important book shows a family’s coping mechanisms for domestic violence. Older middle graders and YA readers may be best suited to recognize and process the nuances of this story.
- Reviewed by Christine Van Zandt (www.ChristineVanZandt.com), Write for Success (www.Write-for-Success.com), @ChristineVZ and @WFSediting, Christine@Write-for-Success.com
Meet the Author:
Saturday, May 11 at 1:00pm – 2:00pm
Books of Wonder
18 West 18th Street
New York, NY 10011
Monday, May 20 at 7:00pm
Children’s Book World
10580 1/2 W. Pico Blvd
Los Angeles, CA 90064
HAND IN HAND
Written by Andria Warmflash Rosenbaum
Illustrated by Maya Shleifer
(Apples & Honey Press; $17.95, Ages 7 and up)
With recent surveys showing that fewer and fewer adults and children know about the Holocaust, the need to continue sharing this information with new generations by reading books such as Hand in Hand is vital. The annual commemoration of Holocaust Remembrance Day or Yom HaShoah, which this year begins the evening of May 1 and ends the evening of May 2, is a good time to honestly but sensitively approach the subject both at home and in school for children ages seven and up.
Andria Warmflash Rosenbaum’s new picture book, Hand in Hand with illustrations by Maya Shleifer, provides the ideal vehicle to start the conversation about what the Holocaust was and how it impacted families. In this case the emphasis is on the tragedy of family separation, a topic with significance even today. Written from the perspective of anthropomorphic rabbits, the story introduces readers to Ruthi, her little brother Leib and their mother. According to the author notes, this family (apart from being bunnies) represents a fictional combination of countless real people whose moving tales of courage and strength inspired Rosenbaum. It’s not clear where the characters live but some of the language, like when Mama escapes late one night, leaving her children, and says—”Don’t worry, my doves. Sometimes walls rise up. Still, there is always a way … forward.”—I get the impression the city is Warsaw. Although it could really be any number of European cities where Jews lived during WWII.
Rosenbaum effectively employs similes like the one in the illustration above—”They hovered over our heads like tidy rows of storm clouds – threatening to burst.”—to gently establish the ominous presence of Nazi Storm Troopers, perhaps the ones Mama was running away from early on in the story when she departs in haste. Maybe the soldiers had already taken her husband.
The strong bond between brother and sister is evident on every page. Ruthi is seven and Leib is four when Mama goes away and she must now look out for him in their mother’s absence. A neighbor brings the children to an orphanage where they remain among hundreds, abandoned or left parent-less. The expression on Leib’s face as depicted in Shleifer’s art, when he is soon adopted, is both powerful and bittersweet. Pulled apart, like the torn photo of the siblings, from the loving hands of her brother, Ruthi refuses to say good-bye. Leib will be saved because of his Aryan “blonde curls and sapphire eyes.” At just seven she must find a way to survive, in the woods, underground, anywhere until the war ends. Then “The nightmare … came to a halt.
In the optimistic illustration of the boat above, it seems as though Ruthi has been sent to Palestine where she lives on a kibbutz and makes a new life for herself in Israel. Years pass. She marries, has children but always, always thinks about finding Leib. Her children and grandchildren urge her to add her name to an enormous list of people seeking family members. But is there any chance to be reunited with a brother who could be living anywhere or perhaps even no longer alive?
Here’s when we can rejoice. Ruthi’s efforts to locate Leib succeed. It’s heartwarming to see the siblings together once more after decades apart. Now an old man, though still younger than Ruthi, Leib greets her with tenderness, “Shalom, my big sister, Ruthi!” For her part, Ruthi notes “His blue eyes had lost their sapphire luster, but through my tears my heart knew Leib’s strawberry smile.” This framing of a similar line Rosenbaum used in the book’s opening brings the story full round.
I have been moved and impressed with every re-read of Hand in Hand at how well Rosenbaum’s symbolism and subtlety say so much. There’s no need to go into detail about the brutality and harshness of the Holocaust. That’s for parents and teachers to decide before having this important discussion with kids. Each child, especially the younger ones, has a different threshold for how much information about the Holocaust they can handle. What works so well is that Rosenbaum has chosen to focus on a relationship as a way into the subject of war and/or genocide and the aftermath. Shleifer’s illustrations convey the the sorrowful times Ruthi has experienced without Leib but does so delicately and only twice uses very dark tones when Ruthi is first separated from her brother. This touching book is one of boundless love, faith in family and faith for the future. I hope this picture book will resonate with you as much as it did with me.
- Reviewed by Ronna Mandel
Find other Holocaust Remembrance Day reads here.
APRIL IS NATIONAL POETRY MONTH
Share a Poem Today!
It may be the last day of April, but I hope that won’t stop anyone from bringing poetry into the lives of children. Here’s a roundup of some recommended reads not just for National Poetry Month, but for every day of the year. Let the joy of a wonderful poem inspire kids. I know many people, myself included, who still can recall poems from their childhood. What a testament to the power of a great poem!
I chose Home Run, Touchdown, Basket, Goal! because the title was just so good, plus the idea of poetry for young athletes also seemed like a clever concept. The twelve poems, all rhyming, range from baseball to tennis and include others about biking, gymnastics, karate, ice skating, soccer and swimming and feel appropriate for the recommended age group. There are some super, energetic lines that kids will relate to, in this example, about football: Go long! I shout. You get the hint. You’re headed for the end zone—sprint! The sports selected are as diverse as the children participating. Every illustration shows both girls and boys, children of color and I even spotted one bald child although no child with a visible disability was depicted. Landry uses a pale palate of watercolors in simple spreads that each bleed off the page and convey movement and emotion. My favorite illustration is of three girls, mouths wide open, as you’d imagine, arms linked in friendship and for fun, cannonballing into a pool. Score!
I remember when my children were into all things ‘train.’ That meant playing with toy trains, reading train stories and traveling on trains too. Clackety Track is an ideal pick
for youngsters already loco for locomotives or eager to learn more about them. A variety of Brown’s poems, rhyming and not, cleverly cover interesting types of this transportation mode. “Steam Engine” for example, pays homage to the powerful granddaddy: Biggest beast you’ve ever seen. Gobbling up a coal cuisine. One hundred tons of steel machine. Belching out a steam smoke screen. Other poems tell of snow plows, zoo trains, underground trains, sleeper trains and more. Handy train facts at the end add to the book’s appeal and I like how they’re presented in the body of train. Christoph’s engaging, retro-style illustrations bring a cool look to the book. I especially liked the Swiss electric train spread because it reminded me of the ones I used to travel on when I lived in Europe. Kids are going to want to study every detail included in the artwork just like my children used to and then compare them to the real deal when they next travel by rail.
New and old poems by powerhouse poets from Kwame Alexander to Allan Wolf, all selected by the late Paul B. Janeczko, fill this fabulous collection that will inspire young readers. Have your child or student write their own How To poem and see where it takes them. You may laugh, cry and be surprised just like the emotions the poems in this anthology evoke. Kids’ imaginations will be fed by this feast of words and subjects. This 48-page picture book opens with “How to Build a Poem” by Charles Ghinga, Let’s build a poem made of rhyme with words like ladders we can climb, … Then 32 more follow including the humorous “Rules” by Karla Kuskin, “How to Bird-Watch,” a Tanka by Margarita Engle, “On the Fourth of July” by Marilyn Singer and proof how so few words can say so much, the book ends with April Halprin Wayland’s “How to Pay Attention.” Close this book. Look.
I absolutely adored the artwork by Richard Jones, too, and find it hard to pick a favorite because like the myriad poems, there are just too many great illustrations to note. But I’ll try: the expansive shades of orange image with a solo astronaut suited up in white that accompanies Irene Latham’s “Walking on Mars” is one I keep revisiting; the tail end of a dog in the scene of two friends making snow angels complements “How to Make a Snow Angel” by Ralph Fletcher; and Pat Mora’s “How to Say a Little Prayer” features a girl and her cat asleep on her bed that could be in a forest or her bedroom and reflect’s the poet’s lines, Think about a sight you like—yellow flowers, your mom’s face, a favorite tree, a hawk in flight—breathing slowly in and out. Pick your faves to read-aloud before bedtime or devour The Proper Way to Meet a Hedgehog in its entirety. A Junior Library Guild Selection
Leslie Bulion’s Superlative Birds succeeds by having that re-readability factor because of its poems, its subject matter, its facts and its artwork. While it’s not a grammar book, the superlative refers to the trait or characteristic that a certain bird has demonstrating “the highest or a very high degree of a quality (e.g. bravest, most fiercely ). Headings give a clue. For example the “Most Numerous” would have to be the queleas bird whose adult population is an estimated 1.5 billion! The bird with the widest wingspan is the albatross and the jacana, with its long, long toes can actually walk on a lily pad and not sink! And which bird has the keenest sense of smell? Why it’s the turkey vulture. A charming chickadee leads readers on the journey with informative speech bubbles and science notes for each bird helps us get the inside scoop on what makes the bird tick, or sing or scavenge. The gorgeous illustrations introduce us to the bird and there’s always something extra like an action or a funny expression to note in each image whether that be a mouse in a rowboat, a fleeing lizard or frightened rodent. Kids will LOL at the skunk covering his nose from the repulsive stink of the hoatzin, the smelliest bird. I noticed as I read that Bulion incorporated many different forms of poetry into the book and in the poetry notes in the back matter she describes what form of poem she used. There’s also a glossary, resource info and acknowledgements. And if you’re like me, you’ll check out the end papers because the ones in the beginning of the book are slightly different in one particular way than the ones at the end. If you’re keen on finding a new way to foster a love of birds and poetry coupled with crisp art and tons of detail, this may be the best book out there. ★Starred Reviews – Booklist, Kirkus, The Bulletin of the Center for Children’s Books.
As I read the first poem in The Day The Universe Exploded My Head, a humorous and enlightening picture book, ideal for middle graders, I thought of the Rolling Stones’ classic “Sympathy for the Devil” and the line Please allow me to introduce myself because that’s exactly what the character of Sun does in the first poem called “The Sun: A Solar Sunnet, er, Sonnet.” In this 14 line poem Sun introduces itself to readers in a more serious tone than its title and illustration, yet manages to convey the “gravity” of its existence. Wolf’s 29 poems always educate but entertain too so they are sure to grab and hold the attention of even the most reluctant of tween readers. Raff’s whimsical artwork that accompanies each poem gets it right by often anthropomorphizing planets, moons and stars who rock accoutrements and accessories from sunglasses and skirts to bow ties and baseball caps. It also includes cartoon-like images of astronauts, children and even Galileo.
Kids will learn while getting a kick out of poems that range from concrete “Black Hole”; sonnet, “Mars”; and rap, “Going The Distance” and many more that guarantee enthusiastic read-aloud participation. Wolf’s poems cover the universe and space exploration and share facts in such a fun and rewarding way. I think if I had to memorize facts about space, using poetry would be an excellent way. “Jupiter”: I’m Jupiter the giant. The solar system’s mayor: I’m gas and wind and clouds wedged into thick lasagna layers. Other poems pay tribute to “The Children of Astronomy,” those who died throughout the history of spaceflight, the moon, and eclipses. Four pages of back matter round out this explosively enjoyable book that’s truly out of this world.
- Reviewed by Ronna Mandel
A GREEN PLACE TO BE:
The Creation of Central Park
Written and illustrated by Ashley Benham Yazdani
(Candlewick Press; $17.99, Ages 7-10)
Ashley Benham Yazdani’s A Green Place to Be: The Creation of Central Park shines a light on a familiar subject in a new way. This historical nonfiction picture book gives a glimpse into 1858 New York City when the park’s design contest was held. Architect Calvert Vaux and park superintendent Frederick Law Olmsted teamed up to win.
Yazdani’s images capture the vast undertaking as Vaux and Olmsted draft the layout, called Greensward. I like the spread of the ten-foot-long drawing envisioning what could be done with the land. Though their design was entered after the deadline, they won but had to change the name to New York City’s Central Park.
Olmsted planned ahead—about 100 years ahead—using “the color and shape of each plant to create illusions in the landscape” so nature would be the focus for generations yet to come. “Amenities such as the Dairy were specifically built to help those living with less, and Olmsted’s and Vaux’s compassion for others is shown by their determination to create a park that welcomed all social classes.” The men were early environmentalists striving to conserve this patch of parkland in Manhattan.
Kids who like construction-type books will appreciate that boulders were blasted to bits. Nearly every piece of the swampy, sharp, and foul-smelling land was raised or lowered, rocks were relocated and reused. Thought was given on how to best move people through the park without disturbances from carriages.
The end matter sums up the lives of Olmsted and Vaux. A page of interactive questions with items kids can search for within the book adds an element of interactive fun. More detail is given on Seneca Village, the area of land which had to be cleared for the park. The freed African-Americans who lived there were first offered money, then forced out—a sad beginning to this story.