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When a Pachyderm Plops Down In Traffic – Poe Won’t Go

POE WON’T GO
Written by Kelly DiPucchio
Illustrated by Zachariah OHora
(Disney-Hyperion Books; $17.99, Ages 3-5)

POE WON’T GO written by Kelly DiPucchiowith pictures by Zachariah Ohora, will consistently charm your children and delight adults through multiple re-reads. The artist behind WOLFIE THE BUNNY infuses this picture book with his clever and colorful style that often reminds me of the Corduroy books I read as a child.

int art of crowd pushing Poe from Poe Won't Go

Unassuming pachyderm Poe just won’t go. He has mysteriously landed in the middle of Prickly Valley only to remain sitting in the middle of traffic amidst the outcries of the townspeople.They try everything to make him go; including one of my favorite artistic spreads of the book that includes a motivational speaker with a sign proclaiming “You Can GO!”

When the Mayor gets involved things quickly escalate and our poor Poe sits miserably in the mess he has created just by existing. When Marigold, a young child who has taken an interest in Poe, speaks up, the Mayor is hesitant to listen. Backed up by a reporter covering the case, Marigold simply speaks to Poe and finds out what he is waiting for. The incredulous Mayor watches the young child and on-site reporter solve the dilemma and Poe happily goes on his way, reminding the reader that sometimes all it takes is a little kindness and patience to discover the problem at hand. Listening to Poe’s perspective made all the difference.

int spread of Marigold from Poe Won't Go

I highly recommend POE WON’T GO for preschool and elementary teachers everywhere and any parent eager to jumpstart a discussion about how easy it is to make and be a friend.

Reviewed by Ozma Bryant

Click here for a review of another Kelly DiPucchio book.

Click here for a review of another Zachariah OHora book.

Swing, a Novel-in-Verse by Kwame Alexander with Mary Rand Hess

SWING
Written by Kwame Alexander
with Mary Rand Hess
(Blink YA Books; $18.99, Ages 14-18)

★Starred Reviews – Kirkus, School Library Journal

Kwame Alexander’s Newbery Award-winning novel, The Crossover, used basketball as the backdrop for the story. His new book, written with Mary Rand Hess, is a novel-in-verse called Swing with a prologue beginning:

We were halfway through

junior year.

Rounding the bases.

About to score

it’s a good bet that the title refers to baseball.However, Hess and Alexander also collaborated on the 2017 novel Solo about rock and roll, and it turns out that Swingis as much about swinging the beat as swinging the bat. Most of all, though, it’s about putting yourself out there and embracing life.

The book opens as narrator Noah and his best friend Walt (AKA “Swing”) have again failed to make their high school baseball team. Noah wants to give up, lamenting:

But the truth is

we suck.

Our baseball dream

is a nightmare.

It haunts me.

Noah defines himself by what he can’t do. He can’t play baseball, and he can’t tell his longtime crush, Sam, how he feels about her. With Walt’s encouragement, Noah tries writing poetry for her, but it’s not very — well, see for yourself:

I want you

to be my symphony

…

Your legs

two piccolo trumpets

blazing through

the air.

Even Walt agrees the poem is not good enough to give to Sam, but when Noah buys a second-hand Louis Vuitton Keepall as a birthday gift for his mom, he finds old love letters stashed in the lining that inspire him to try again.

Tonight, I’m ready

To tear courage

Out of the book of dares

And make it mine.

The love letters give him a scaffold for creating art worth sharing. Noah uses them to make blackout poetry — he blacks out some words so that the ones that remain legible form a new poem — and then adds original graphic elements with his pen. The resulting mixed media art stands out, even in this book composed entirely of poems. They make me curious; I have to figure out which letter Noah uses for which piece. They make me want to try writing blackout poetry myself, and they make Noah more confident, able to express himself and impress the girl he loves.

As wonderful as Noah’s art is, my favorite creation in this book is, simply, Walt. I want to reread Swingto spend more time with him. Noah describes him and his quirks like this:

My best friend

Walt Disney Jones

is obsessed with jazz,

baseball,

dead famous people,

and finding cool,

if it’s the last thing

we ever do.

…

But Walt’s a

self-proclaimed expert

on how to

never give up

until you win.

When it comes to “finding cool,” especially with regard to girls, Walt relies on his older cousin Floyd and a podcast called The Woohoo Woman. He won’t give up, whether he’s practicing baseball or finding a date for prom. He even gets a tattoo inspired by Tupac Shakur’s acronym THUG LIFE. Walt’s tattoo says HUG LIFE, exhorting everyone who sees it to embrace the world, and all its people and opportunities, wholeheartedly.

Noah’s quest to win Sam over from her boyfriend takes flight after Noah’s parents go on a trip, leaving him home alone for a few weeks. Noah’s grandmother is supposed to supervise him but doesn’t believe it’s necessary. Walt, on the other hand, moves right in, believing Noah absolutely needs supervision if he’s going to win Sam’s heart. Walt anonymously sends Sam one of Noah’s poems, but it’s still up to Noah to decide how and when to reveal himself. Will he ever convince Sam to promote him out of the friend zone?

Swing is most of all a coming-of-age story, but there is a mystery in the background throughout. People find American flags left on lawns, stuck on windshields, and painted on freeway exit signs, and the town debates whether the flags represent a show of patriotism or a sinister warning.

…no one can agree

on why the flags are here,

who’s planting them,

and whether or not

we should be

happy or offended

that they’re growing

like dandelions.

The flag mystery leads a fairly light story into heavier territory. I believe in building empathy and understanding through books about difficult topics; however, in Swing, the social justice issues are not well developed. Because of this, I felt unprepared for a tragedy (caused by police using excessive force) at the end of the book, and I think younger, sensitive readers in particular may have the same experience. Most of us dislike spoilers, but with Swing I think it’s fair to provide readers with a little warning before reading and a lot of opportunities for discussion afterward. In that context, I recommend Swing to readers fourteen and up as both a funny coming-of-age buddy story and a serious vehicle for discussing the people we as a society forget, fear, or abuse.