ILLUSTRATOR OF GRETA AND THE GIANTS
ABOUT GRETA AND THE GIANTS
(Frances Lincoln Children’s Books; $17.99, Ages 4-7)
Greta is a little girl who lives in a beautiful forest threatened by Giants. When the Giants first came to the forest, they chopped down trees to make houses. Then they chopped down more trees and made even bigger homes. The houses grew into towns and the towns grew into cities, until now there is hardly any forest left. Greta knows she has to help the animals, but how? Luckily Greta has an idea that will lead to the Giants and the animals working together in harmony. An additional section at the back explains that in reality the fight against the giants isn’t over and Greta needs the reader’s help.
This book has been printed sustainably in the UK on 100% recycled paper. By buying a copy of this book, you are making a donation of 3% of the cover price to Greenpeace UK
INTERVIEW WITH ZOE PERSICO
Please tell us how you came to be a picture book illustrator?
Growing up I had many artistic influences that led me to go into what I do today, especially in books. I struggled with reading, but the illustrations always kept me eagerly invested and inspired. I originally wanted to be an animator, but quickly figured out that illustrating was my passion and wanted to figure out how I could achieve it as my career. I returned to my love for children’s books and knew I wanted to create works of art that would help others like they did for me. With family, friends, my partner, and educators who always supported me every step of the way I signed onto my current agency, got an early jump start into my career, and graduated college. I’ve been working as a freelance illustrator for over five years now and happily receiving great projects such as Greta and the Giants.
What medium/technique did you use to create the illustrations in GRETA AND THE GIANTS and how did the metaphor of the giants as symbols of corporate greed influence your choices?
I use Photoshop CS6 and a Wacom Cintiq Pro 24 to create my illustrations, though I am heavily influenced by traditional materials and try to capture the magic of them through digital means. I use custom brushes that emulate watercolor, gouache, colored pencils, and so on. Before starting the final art for Greta and the Giants I knew that I really wanted to push some new painting techniques, so I practiced using traditional materials beforehand to figure out how I can capture them digitally.
The giants were quite a challenge! I needed to figure out how to portray the giants in a fantastical, but realistic way. It would have been too easy to use stereotypes as a crutch for their design and using certain physical traits to show how “ugly” they are is harmful because that’s telling readers having those traits are negative. I thought that illustrating them mostly from perspectives of Greta and the citizens of the forest, such as them looking up and only seeing their shoes and pants as well as not being able to see their faces as clearly due to the massive distance between them, was a perfect and simple way to achieve that the giants “have their heads in the clouds” more than anything else. They realize that they are causing harm and want to do better and I wanted to make sure their designs were an easy transition to the last spreads of the book as well. They have always worn normal clothes just like everyone else and their size doesn’t change. They are still giants! The change comes into how the new compositions show a better connection and understanding between them and the forest dwellers.
I was taken immediately by the gorgeous jewel tones in your palette. Please explain the decision behind that.
Thank you! I had a lot of fun with this palette for this book. When the design team told me they really wanted to a painterly look and using light for color and mood contrast I was immediately excited. I’ve always tried to push these elements in my personal work and I knew I wanted to push myself even more for this project. Since I have been painting traditionally on the side more, I’ve found new color palettes that I wanted to emulate in Greta and the Giants. I used warm tones for heavily lit areas and went with cool tones for shadows. I mixed colors on top of each other like I would with watercolors to keep interest and connection in each area. I have been in love with using a very bright candy red lately and knew it would be the perfect accent color in a sea of multiple shades of green. For the last spread I wanted to go with a sunset palette to help end the book on a warm and uplifting note. Overall, I would say the goal for this book was to have a mostly nature-inspired palette (greens, browns, oranges) with accents of fantasy-inspired colors (pinks and blues).
What inspired you about this particular story?
Throughout the years I’ve been finding ways to alleviate my carbon footprint on the planet as best as I can and having the chance to work on this project was right up my alley. I was inspired on now only how I can help show others on what we can do to help fight climate change, but to come together and speak up against “giants” by the power of your voice. I hope the illustrations in Greta and the Giants inspire children to ask questions. I hope it inspires parents and guardians to teach them about what is happening. I hope it inspires adults to speak out and vote.
Do you have a favorite illustration in the book?
Yes! Funny enough my favorite illustrations are the spreads that include the city. I rarely paint urban subjects and it was a fun challenge to depict what the giant city could look like from a distance. I’m proud of how it turned out!
I also enjoy illustrating animals as well. Any time I got to paint the fox was always fun for me!
What was the biggest challenge of creating the art for this picture book that’s dealing with a serious topic aimed at younger readers?
I would say finding the right visual balance of fantastical and visually showing a depiction of a real life issue. I wouldn’t be doing the message justice if I went a super happy and bright route for the illustrations. I want to show the dark sides of what’s happening to our home and make it easy to readers to understand that. I also wanted to show signs of hope and warmth as well. I use bright and inviting colors and character designs that young readers can gravitate towards. I paint light shining down on characters such as Greta to show that she is a beacon of hope. It’s little things like this that I add in my illustrations to help readers understand that things are serious, but we don’t have to be kept in the dark. It’s amazing how color and light and design choices can naturally click in your brain to know when something is “relaxing” or “melancholic” or “frustrating”. Illustrations are so important and I love that I get to create them.
As the giants learn about the negative impact of all their building and polluting, they begin to take on less fierce qualities. Was this intentional?
Absolutely. As I mentioned in the previous question regarding the giants, I really wanted to portray the giants in a way that they aren’t so different from the rest of the forest dwellers. Earlier spreads of the book emphasize how tall they are, how hard it is to see their faces from far away, and so on. There’s a disconnect and the giants aren’t aware of the damage they are causing. Towards the last spreads you can see their faces better and their postures and expressions are much more approachable. They are still giants, but there is now a more positive relationship between them and the folks living below them. I am hoping our real life “giants” can listen and start a positive dialogue with us to a better and healthier future.
Which illustrators have most influenced you as an artist?
I have so many! Some illustrators that have influenced me include Amélie Fléchais, Elena and Olivia Ceballos, Yvan Duque, Matthew Forsythe, Rebecca Green, Robin James, and many many more.
Thank you Zoe for your thoughtful answers. I hope everyone picks up a copy of Greta and the Giants to appreciate the beautiful artwork you’ve described in the interview and to see how wonderfully it complements the story.
Visit the below bloggers for reviews and other Greta and the Giants related coverage.
Tuesday 11/12: This West Coast Mommy
Wednesday 11/13: Happily Ever Elephants
Thursday 11/14: Here Wee Read
Friday 11/15: Picture Book Play Date
- Interview by Ronna Mandel
If you like fairy tales, Muon Thị Văn’s new spin on Snow White will enchant you. Snow White and the dwarfs aren’t featured, rather the focus is on the Magic Mirror used by the Evil Queen. In The Most Terrible of All, the queen has been replaced by Smugg, a lovable monster. Smugg is certain he’s the most terrible beast in the land—his mirror tells him so. Until, one day, when he’s out-terribled by someone new, someone “a million times more terrible.” Not one to sit idly by, Smugg goes in search of this interloper. His quest takes him all the way . . . next door where a houseful of fiends are all potential contenders for the title of Most Terrible.
This ghoulish fractured fairy tale delighted me. Matt Myers’s art features lovely blues, greens, purples, and pinks giving the book a calm vibe even though the action’s quite exciting. His “ginormous sea serpent” is wonderfully scary and my favorite creature in the book.
Kids will enjoy this picture book because it’s a funny version of a story they already know. The monsters are charming and the ending is just perfect.
Goldilocks has gone ghoulish in Lynne Marie’s picture book, Moldilocks and the Three Scares: A Zombie Tale. The Scare family—a monster dad, mummy mom, and vampire daughter—are enjoying a lovely night together preparing a midnight snack of sliced finger sandwiches and Alpha-Bat soup. But, of course, the soup is too hot; it boils Dad’s bolts, causes Mama to unravel, and gives Baby a fang-ache.
David Rodriguez Lorenzo illustrations are deathly cute. Details enliven each scenes. The page that enchants me is Moldilocks zombie-stumbling across the dining table with a fly escort. The three chairs are perfectly suited for each family member. Their décor is skeletal chic. A skull vase displays withering flowers, an old-fashioned TV’s rabbit ears appear to be femurs, and the standing lamp is a headless skeleton holding up its lampshade.
Pay attention to the opening pages because those lines will come back to haunt you with the book’s modern ending. When the Scares catch Moldilocks in their ghastly abode, Mama muses that her “nightmares have been answered”; I think Moldilocks would agree.
The winning team of Deborah Underwood and Meg Hunt from Interstellar Cinderella are together again in Reading Beauty, another rhyming fractured fairy tale picture book. In this version, instead of the princess pricking her finger on a spinning wheel, Princess Lex lives in a book-loving kingdom and is cursed to go into a deathlike sleep from a paper cut. Therefore, all books are secreted away on her fifteenth birthday.
“Without its books, their world grew bleak, consumed by dark and gloom.” Luckily Lex’s cute puppy, Prince, has been trained to fetch her things to read. I like how this smart princess takes matters into her own hands, especially the funny scene where Lex fools the fairy.
The art pops from the page. A bright blend of classic fairy tale and futuristic wonder will delightfully transport readers into a modern world. You’ll have to pick up your own copy to discover the creative ending.
Written and illustrated by Terry Milne
(Candlewick Press; $16.99, Ages 4-6)
Every day Charlie kept his routine the same, fearful that something bad would happen if it changed. Anxious Charlie to the Rescue, written and illustrated by Terry Milne, tells the story of Charlie, the little dachshund, who forgets his own fears when his friend Hans needs his help.
“Change is a difficult thing Charlie,” Big Bruce, the large pup with floppy ears, tells Charlie in the opening page as Milne illustrates a shaky Charlie. Milne escorts the reader through Charlie’s day beginning every morning with hopping out of bed, “One, two, three … hop like a flea” to walking once around the fire hydrant on his way to the market and continuing as he walks on the same side of the oak tree.
In the illustrations the little brown dog with the large eyes is surrounded by fire hydrants and soft colored trees set on white paper. His fear continues at night as he checks under the bed and behind the curtains, arranging his toys in a neat row. The picture bubbles depict Charlie’s thoughts as he memorizes what he did today, so he can repeat them tomorrow because today “things turned out ok!”
“Early one morning the phone rang. It was Duck. Their friend Hans was stuck.” Charlie was in such a hurry to save his friend that he and Duck rushed past the fire hydrant and went the wrong way around the old oak tree. Charlie wanted to start all over again, but his friend needed him. He had no time to worry! Charlie’s friends had tried everything to free Hans (who had chosen a pipe to hide in during their game of hide-and-seek), but it was Charlie who had the successful idea.
“On his way home, Charlie felt so happy that he didn’t think about which way he passed the old oak tree.” Charlie collapsed onto his bed and thought “I forgot everything today, but things turned out ok.”
Milne’s colorful drawings and sweet expressions on the animals’ faces draw the reader into this charming friendship circle. And the rhyming prose provide an upbeat rhythm as well as giggles for the reader. The feeling of satisfaction Charlie experiences after helping his friend proves to be greater than his need for routine. This time Charlie realized that “nothing bad would happen and maybe what did happen would be wonderful!” That positive self-talk message is so important.
Anxious Charlie to the Rescue is a helpful read for parents who watch their own young children struggle with anxiety and obsessive compulsive behaviors, and for children to see they are not alone with these thoughts. It can also lead to meaningful discussions. The idea for this story came from Milne’s own daughter who struggles with anxiety and repetitive behavior. Both children with anxiety, and those who may have a friend or sibling with anxiety, will see that as hard as it is to change behaviors it can turn out okay. Everyone has some fears and Charlie shows young readers that when you let go of those fears wonderful things can happen.
- Reviewed by Ronda Einbinder
Read a review about facing fears here.
Written by Jason Reynolds
Illustrated by Alexander Nabaum
(Atheneum/Caitlyn Dlouhy Books; $17.99, Ages 10-14)
∼A National Book Award Finalist∼
★Starred Reviews – BCCB, Booklist, BookPage, Horn Book, Kirkus Reviews, Publishers Weekly, SLJ
Jason Reynolds once again nails it with his unique storytelling skills. In Look Both Ways, ten vignettes cover ten blocks of a neighborhood, following what happens to kids on the same day after Latimer Middle School lets out. Stories overlap and intertwine or do their own thing. Kids are captured in their every dimension from exuberance to anxiety. Boogers, bullying, dogs, and disease—yup, it’s all there.
The most poignant story for me was about Canton, whose mother is a crossing guard at his school. One day, she instinctively rushes forward to push a toddler frozen in the path of a bus out of the way, taking a minor hit herself. A week later, she’s back on duty, but her son doesn’t recover. Mortality is a subject we wish our kids didn’t have to grapple with. Reynolds shows how this boy is traumatized by the incident. Canton feels he can keep his mother safe from harm if he’s there on time each day, watching over her as she works.
How many parents have hovered over their sleeping child for no reason other than to ensure that child’s safety? We all know if something were to happen, the odds are slim that we’d be standing there at the right time with the right response. Yet, we do it—just as Canton believes his presence will somehow safeguard his mother. Before he can fall too deeply into this abyss, the school’s custodian (recalling how a dog made his wife feel better after their daughter went off to college) makes Canton a dog from an old broom. Worrying its tattered top enables the boy to quell his panic attacks.
Throughout, Reynolds captures a child’s emotional scope succinctly and accurately. An older reader will appreciate the craft required to weave these pieces with their connections and resets, forming a cohesive narrative arc. A kid will love the book for being funny, honest, and a different kind of reading experience. No matter where you’re coming from, the book will wow.
See more artwork by cover and chapter headings illustrator Alexander Nabaum here.
- Reviewed by Christine Van Zandt (www.ChristineVanZandt.com), Write for Success (www.Write-for-Success.com), @ChristineVZ and @WFSediting, Christine@Write-for-Success.com
YES, ANOTHER ROUNDUP, BUT IT’S OUR *LAST ONE!
(*Which means we’ll be back next year with more Halloween reads,
but for now, please go out and pick up some books at your local indie bookstore to share with kids.)
Dinosaur loving kids will find Dino-Halloween right up their rhyming Halloween alley! A bevy of big and small dinos get together to do their trick or treat thing as only dinos can in the latest picture book in the series.
“Come October, nights are longer.
Moon looms bigger. Winds blow stronger.”
The scene is set for a dino-mite Halloween romp that’s more silly than scary, making this a safe go-to story for younger children. Between the read-aloud rhyme and the animated, jewel-toned illustrations, each page is bursting with the excitement of this special night.
Meet Pterodactyl, Triceratops, Diplodocus, Apatosaurus, Iguanodon and many more, all on hand (or claw) to have fun. The dinos head to a haunted house then spend time carving pumpkins (“Iguanodon has no finesse. He’s smeared with pumpkin. What a mess!”). After that comes costume-making or buying for the Costume Ball. Picture Raptor stuffing his clothes with hay to make himself into a scarecrow. The ball’s where readers will find all the dinos dancing before heading out for some serious trick or treating. They call it a night after overdoing it on treats, but everyone agrees it’s been a blast and look forward to celebrating the next holiday—Thanksgiving!
★Starred Review – Booklist
This atmospheric read is certain to become a family fave for getting into the Halloween spirit. What better way to get ready for Halloween than going to a pumpkin patch to find that special one.
“Pick a pumpkin from the patch—tall and lean or short and fat. Vivid orange, ghostly white, or speckled green might be just right.”
An autumn glow fills every page of Pick a Pumpkin. The country setting (look out for Jarvis art supplies and Patty’s book shop!) and the country-colors palette of the artwork add anticipation that something special is on the horizon. Soon a diverse group of friends and family gather at home. Preparations begin for each guest to become part of the PUMPKIN CARVING CREW! Toht’s top-notch rhyme sparkles beside the warm illustrations as the fun gets underway. “A kiss. A frown. A toothy grin. A zigzag gap cut long and thin.” Every possible pumpkin design is explored and presented in two beautiful spreads with joyful and satisfied children.
Before the happy kids can light their new creations, it’s time for setting up the decorations and putting on costumes. And when at last the pumpkins are lit, a dazzling light transforms the illustration into pure magic to behold—a Jack-O’-Lantern. Read this with your children or students before wishing everyone a very Happy Halloween! I have no doubt this lovely book will be revisited again and again every fall.
PAINT BY STICKER KIDS: HALLOWEEN
(Workman; $9.95, Ages 5-9)
This latest activity book in the Paint by Sticker series is perfect for families who are keen on keeping the Halloween celebration mess-free. This portable, non-electronic entertainment will keep kids busy and happy before or after trick or treating. Plus all the stickers are glow-in-the-dark! Here’s how it works.
Children choose one of the ten Halloween-themed pictures including a witch, a bat, “a tuxedo-suited vampire,” “a creepy unraveling mummy,” pumpkins and a haunted house. Then they turn to the back of the book to find the corresponding sticker page for their illustration. Then, let the peeling begin! It’s easy to peel and stick in place by matching the numbers and voilà, their masterpiece is ready to remove and even frame. All of the pages are perforated making removing the picture and sticker page easy peasy. Say good-bye to paint spills and hello to neat stickers this Halloween. 🎃
- Reviewed by Ronna Mandel
Click here to read a previous Halloween Books roundup.
OTHER RECOMMENDED READS:
MOTHER GHOST: NURSERY RHYMES FOR LITTLE MONSTERS
Written by Rachel Kolar
Illustrated by Roland Garrigue
(Sleeping Bear; $16.99, Ages 5-7)
MONSTERS COME OUT TONIGHT!
Written by Frederick Glasser
Illustrated by Edward Miller
(Abrams Appleseed; $8.99, Ages 3 and up)
NO MORE MONSTERS UNDER YOUR BED!
Written by Jordan Chouteau
Illustrated by Anat Even Or
(Jimmy Patterson Books; $16.99, Ages 3 – 6)
by Terry Border
(Philomel; $17.99; Ages 3-7)
For Halloween or any day for that matter, Skulls! will entertain young readers with its eye-opening facts and fun watercolor illustrations featuring oblong faces and childlike representation.
Blair Thornburgh’s hit the nail on the head with this unique picture book that introduces kids to an important part of the human body via an adorable young narrator. Made up of twenty-two different smaller bones, the skull accounts for “about 10 percent of our body weight” but we often don’t think about it. When we do, as Thornburgh points out so perfectly, it’s absolutely amazing, kind of gross and thoroughly entertaining.
We tend to take for granted how a skull is “like a car seat for your brain,” keeping it safe and in place. It’s also actually full of holes otherwise it would be so much heavier. “But most important of all: skulls are not trying to be scary.” Once kids learn about all the cool skull-related things shared in Skulls!, they’ll probably want to share them with you, especially the jaw and mouth ones. And when they do, they’ll probably ask for a grilled cheese sandwich which means they’ve learned something. After they’ve eaten they’ll probably thank you for helping their “skull grow hard and strong.” In turn, you can use your mandible bone and connecting muscles to smile.
Happy Halloween, Pirates! is a large-sized, kid-friendly, 18-page lift-the-flap board book that’s a rollicking, rhyming read aloud for Halloween. Toddlers will love hearing the story then peeking under the flaps to see what treasures the illustrator has buried beneath.
Shiver me timbers! A pirate crew receives an invitation via crow to a Halloween party. The action starts immediately as they and assorted pirate ship creatures (a cat, some mice) plan their costumes.
Next the pirates go ashore to have some fun with friends galore. They find the haunted party house and join in the festivities. Whoa! The kids who invited their sea-faring pirate pals surprise them by dressing up as pirates themselves on board a mini pirate ship! Between the flowing rhyme, the interactivity of the flaps and the vibrant artwork, children will stay entertained this Halloween as they play with and say Happy Halloween, Pirates! And who doesn’t enjoy a pirate party?
My level of manageable frightening can be found in Ghastly Ghosts. This pleasing and well paced rhyming picture book starts off by setting a Halloweenish mood, but the main character, Old Dave, refuses to be scared by the moaning noises emanating from coal shed. The rhyme works wonderfully in moving the story forward with a subtle upbeat vibe so as not to make little ones’ (or my) hair stand on end. The art style is appealing with a lovely palette that also keeps the fright level slight.
Old Dave wishes for some company as it gets lonely up in the middle of nowhere which is exactly where he lives. But alas, no one goes out on a night so dark and freezing, and if they do it’s not to the place where a ghostly choir can be heard loudly saying, “Ghastly ghosts in the old coal shed!” Oh how I admire Old Dave’s guts. Rather than cower at the scary sounds, our hero faces off with the spirits who he reckons might also enjoy the warmth of his cottage once he replenishes his coal supply. Still more of the “Ghastly ghosts …” chorus erupts, but they’re interrupted by brave Old Dave. “I know. I do. I’d like to bet you’re cold ghosts too.” Together with the ghosts, Old Dave’s coal pail gets filled and everyone is welcome in his now warm and cozy place. “In fact, they’re quite good company. His friendless nights are history.”
Clever Little Witch is more of a sibling tale than a Halloween one, but since witches abound during this season, it still feels appropriate to share. Plus Thi Van has written a story that will definitely resonate with older kids who’d like nothing more to get rid of their younger siblings.
In this charming picture book narrated by Little Linh, we learn instantly from her that she’s “the cleverest little witch on Mãi Mãi Island” if she does say so herself! She tells us what she needs which are a broomstick, a book of spells and a rare and magical pet. What she doesn’t need is an annoying baby brother who does things like ride her broom without asking, chew pages from her spell book or use her magical mouse “as a flashlight.” Yup, the little guy’s gotta go!
Baby Phu is offered around by his older sister, but no one on the island has any desire to take her little bro off her hands. Nope, not the troll, not the forest fairy queen and not the Orphanage for Lost and Magical Creatures. Youngsters will get a huge kick out of these scenes when the reasons why Baby Phu is rejected are explained. The troll, for instance, got hiccups from the last baby brother he ate.
When Little Linh turns to her magical book of spells she sees that “Baby Phu had eaten half the spell.” Clever as she was, she could certainly figure out what the rest was and transform her brother into a goldfish. When the spells go awry and she creates first a frog, then a seal and finally a dragon that steals her wand, things are not looking good. The story’s heroine chases the dragon on her broom. But when the dragon’s tail accidentally knocks down the broom and Little Linh begins falling, guess who comes to her rescue before she crashes to the ground? YES—the dragon, much to her surprise! Does the dragon stay a dragon or does he turn back into Baby Phu who becomes more appreciated? Ahh, you’ll have to visit Mãi Mãi Island to see for yourself! Hyewon Yum’s illustrations of acrylic gouache and color pencil are full of energy. The variety of colors she uses exudes a warm and happy feeling with every page turn. What a sweet, humorous and imaginative sibling story to share with kids!
★Starred Review – Kirkus Reviews
Ginny is a force of nature and, though perhaps not the best role model for children, will definitely make them laugh and maybe even answer back to the narrator speaking right to them, and that’s just what an ideal read aloud like Ginny Goblin Cannot Have a Monster for a Pet should do.
As I read this picture book, the follow-up to Ginny Goblin is Not Allowed to Open This Box, I thought about a little girl some 22 years ago. No matter what her parents told her, she’d do the opposite. I always worried about her, but she’s actually doing great now that she got all those wild escapades out of her system … and a horse as a pet.
What’s so fabulous about this story is that Ginny’s crazy antics ultimately get her just what she wanted in the first place which is a goat, a non-monsterish pet unlike all the unbelievable others she goes in search of page after riotous page to drive her point home. Whether it’s on a beach where the narrator hopes “she’ll find a tropical fish, or a cute little hermit crab,” Ginny always has something else in mind and goes for it. In one case that means going into the deep, dark sea in a submarine seeking a kraken. We’re reminded that krakens “are unfathomable monsters, and Ginny Goblin cannot have a monster for a pet.” I can just hear the kids at story time repeating that phrase and loving it.
So what do you suppose happens next? You guessed it, as will young readers. Down she goes into a cave in search of a dragon. That sized pet won’t fit in a house will it? So of course Ginny’s taken to a forest where birds who make great pets live. Ha! Instead Ginny catches a basilik, but a magical pet isn’t the answer either. If you think she’s done thinking about getting a monster for a pet because she’s distracted by a visit to a space museum, think again. Ginny commandeers a rocket to outer space where an acid-spitting alien is on her agenda but not the narrator’s.
Goodner skillfully brings the readers and Ginny back to Earth where the idea of a pet like a goat is suddenly looking a lot better than it originally did! Paired with Thomas’s whimsical gouache and pen-and-ink artwork, Goodner’s prose take youngsters on an amusing and mischievous journey that will delight them and anyone lucky enough to read the story to them.
- Reviewed by Ronna Mandel
Read another Halloween Books Roundup here.
∼ A ROUNDUP ∼
MISTER SHIVERS: BENEATH THE BED AND OTHER SCARY STORIES
Written by Max Brallier
Illustrated by Letizia Rubegni
(Acorn/Scholastic; $4.99, Ages 5-7)
Acorn books, designed for early readers, brings five scary stories to children in this Mister Shivers series. Beneath the Bed and Other Scary Stories has 64 pages packed with full-color artwork while some other Acorn books have 48 pages. Either way, there’s something for every new reader seeking “relatable characters and experiences” written and illustrated by some of the best known names in children’s literature.
Beneath the Bed and Other Scary Stories opens with a letter from Mister Shivers about a mysterious box delivered to him in which he found items pertaining to each story and a promise to share the stories in the book. Like all the stories in this book, evocative, muted illustrations help reinforce the easy-to-read text of these fast paced short stories. That’s certainly the case in “Beneath the Bed” about a boy dared by kids at school to visit the local haunted house. Upon entering the house with his sister who he brought along for courage, the pair discover a sinister doll with glowing eyes under a bed in the attic bedroom.
“A Hair Down to My Stomach” as the title implies, is equal parts gross and unsettling, with just the type of visuals accompanying it to make it succeed. “The Statue” will have kids talking back to the book as they turn the pages and tell the mom in the story as her son tries to do, “Don’t buy the statue!” Of course, she does. What follows is the reason why Mr. Shivers’ mysterious box contained a piece of quilty. He never mentioned if it was smelly like the quilt in “The Statue.” All I know is the young boy should have listened to the statue’s owner when she warned the buyers not to remove the quilt. The same goes for Oliver in “A Dark and Stormy Night” who should have done as his parents’ wished and brought his toys inside. Instead, they were left out in the rain to be ruined by the elements. Toys don’t like being forgotten and seek their revenge when that happens. Poor Oliver! And as for the scraping sound in “The Noise at the Window,” I know this well. Only I’ve been fortunate to find a tree outside where I heard the clawing coming from a branch. The little girl in this tale wasn’t so fortunate!
Okay spine, start tingling because these five stories are guaranteed to make you keep the lights on.
Get ready to be caught under the spell of Emma Steinkellner’s The Okay Witch, a terrific debut middle grade graphic novel.
Tween readers will be charmed by the main character Moth Hush, who at 13 learns she is part witch with special powers, something she had only dreamed of up until that point. Living above her single mom Calendula’s second hand store, Moth has never felt the warm and fuzzies from her classmates in her Massachusetts hometown of Founder’s Bluff nor in the community at large. She soon learns there’s a good reason why and goes exploring back in time via her mother’s diary.
In 1692 a group of women suspected of being witches, her grandmother Sarah being one of them, was run out of town. They were indeed witches but good ones and many townspeople secretly went to them to avail of magic to help them. When ousted, Sarah led the women to a timeless land she created called Hecate, but Calendula refused to live there. She returned to Founder’s Bluff to live a normal non-witch life for herself having fallen in love with a human. Sadly, Sarah cast a spell to make this man have no memory of Calendula. Pregnant, the brokenhearted, Calendula raised Moth alone with no magic.
In school Moth befriends another fish-out-of-water named Charlie who is new to Founder’s Bluff. Little does Moth know that there’s a connection between her family and Charlie’s that could test their friendship. I got a kick out of the magical cat, Mr. Laszlo, the spirit of Keeper’s Secondhand Store who had taken Calendula in and, when he passed away, left the store to her. The talking feline’s speech is peppered with Yiddish and in my head I heard Billy Crystal doing the dialogue.
Steinkellner must have had such fun writing and illustrating this story which reads quickly and nicely ties all the loose threads together at the end. The artwork wonderfully and convincingly conveys the moments when Moth experiences the power of magic. I especially liked the historical scenes and when Moth visits Hecate, but to be honest, all the illustrations brought the story alive. The novel is filled with humor, sarcasm, action, fantasy, pride and most of all, love as evidenced by Moth’s efforts to navigate the magical world of her grandmother and the real world in which Calendula has chosen to raise her. She’s new to the witch world and she’s far from perfect, making her The Okay Witch we care about and want to see happy and at home with her mom.
Graphic novel fans will quickly be swept up into Moth’s witchy world of time travel, timelessness, tween curiosity and relationships as Moth tries to learn more about herself. Will the way in which her family’s life intersects with that of Founder’s Bluff be a reason to stay or retreat to Hecate? The fun’s in the finding out in this enchanting, recommended read that’s definitely not just for Halloween.
You don’t need to have read Book#1 in order to enjoy Ghoulia and the Mysterious Visitor (Book #2), a chapter book series about a friendly zombie called Ghoulia and the dead and not-so-dead inhabitants of Crumbling Manor. Billed as Clue meets Little Shop of Horrors, this full-color illustrated book is sure to get young readers in a Halloween mood.
The story opens with Ghoulia feeling bored. When cranky cousin Dilbert arrives unexpectedly, Ghoulia looks for her Auntie Departed to explain why this relative she’d never even heard of got invited to Crumbling Manor. But her Chatterbox-Ivy-obsessed aunt is nowhere to be found. Ghoulia thinks it’s odd when more friends turn up, each with an invitation to a surprise dinner the young vampire knows nothing about.
As Ghoulia and her pals search Crumbling Manor for Auntie Departed, a friend Theresa also goes missing. Something weird is happening so the remaining guests split up to find those who’ve disappeared while trying to help Ghoulia figure out who sent the invitations.
This delightful chapter book will hook confident young readers ages 6 to 8 who still love beautifully illustrated stories that aren’t scary yet have an air of mystery about them. I’m not sure kids will recognize famous individuals such as Hitchcock and Poe in framed pictures on Crumbling Manor’s walls, but they’re certainly a treat for adult readers. In fact every illustration is a treat and worthy of a thorough scanning to see what special things Cantini has hung up on the walls or placed in each room. Her prose and pictures provide the perfect foreshadowing for kids quick to pick up clues. At the end there are bonus activities including how to write an invitation and fill out an envelope, how to start a garden and how to make Dilbert’s special pumpkin juice (minus the spiders’ eggs)! Watch out for Ghoulia and the Ghost With No Name (Book #3) coming soon!
Described by Chris Grabenstein, #1 New York Times bestselling author, as “Young Frankenstein meets The Princess Bride in the most hysterically hilarious book I’ve read in years,” and I could not agree more. I smiled my whole way through The Curse of the Werepenguin, a clever, funny and original story within a story. I read it over two days and could not wait to see how author Allan Woodrow would end it. As I suspected, it’s TO BE CONTINUED so now I have to find out where he takes this wild and feathery tale of an orphan boy named Bolt.
Meet Humboldt Wattle (aka Bolt), a twelve-year-old boy abandoned as a baby at The Oak Wilt Home for Unwanted Boys. There’s little about him that makes him stand out except a large bird-shaped birthmark on his neck. When suddenly his life changes overnight, Bolt’s unusual marking will take on tremendous significance in his life. He’s been summoned to the distant land of Brugaria by a wealthy baron who no one wishes to disobey. Could this mean the family he’s been hoping for is finally ready to reunite with him?
The catch is that Baron Chordata is not only a cruel person feared by most inhabitants of Brugaria, he looks like he’s the same age as Bolt. On top of that, he dresses in tuxedos even at home, and consumes massive quantities of fish, every kind imaginable, including live goldfish. Woodraw’s descriptions of eating seafood have to be some of the funniest and disgusting ones I’ve ever read and I lapped up every slimy, slithery sentence. I also may never look at fish sticks the same way again!
In a trance from his first experience playing video games, Bolt unknowingly agrees to a request by Baron Chordata. This eventually leads to his being bitten on the neck. The result? Bolt turns partially into half boy, half penguin or werepenguin, so maybe a quarter … Anyway, after three days the full effect of the transformation will be complete. When the full moon shines, which is every night in Brugaria, the change in Bolt occurs. His feet turn webbed and orange, he sprouts wild tufts of hair, wings, an enormous nose and has cravings for seafood. Then he, along with all the other werepenguins including the baron, bark, wreak havoc and steal fish whenever possible.
Fortunately or unfortunately for Bolt, a girl named Annika who tried to rob and kidnap him because she’s “the world’s great bandit,” becomes an ally (or not) in trying to help Bolt escape the baron’s wicked clutches and rid himself of the werepenguin curse. The curse is not the only thing Bolt’s dealing with. He’s got this wacky, whale-loving cult leader named Günter determined to destroy him. Günter’s weapon of choice, a loaf of French bread! Plus Bolt’s learned that the werepenguins, led by power and fish hungry werepenguin-in-chief, Baron Chordata, are orchestrating a takeover of Brugaria the same day the curse on Bolt goes into full force. Someone has to do something and Bolt realizes it’s him. What that something is, he’s not totally sure, but still …
You’ll LOL at the Cloris Leachman-like “lowly housekeeper” called Frau Farfenugen, a greenish, warty and miserable woman who is not what she seems, Blazenda, a fortune-telling witch whose cackles drive Bolt crazy, but who may hold the key (or tooth) to Bolt’s freedom, and a cast of colorful characters, some of whom scream and faint whenever the name Baron Chordata is said aloud, that will entertain you and have you sitting on the edge of your seat or wherever it is that you read fantastic books.
Ultimately, Bolt has to decide what real family is. Is it Annika and her bandit dad and his buddies or is it the rook of penguins that, we learn in the novel’s prologue, should never be split up? I’m not going to spoil it by telling you, but I will say that joining Bolt on his journey is something you’ll love doing. So start cooking some fish sticks, grab a baguette and get reading!
GHOST: THIRTEEN HAUNTING TALES TO TELL
A Collection by Illustrátus
(Chronicle Books; $21.99, Ages 9-12)
★Starred Reviews – Kirkus Reviews, School Library Journal
I made sure I read this book when my husband was home because I’m a big chicken. When I did read Ghost, I realized the stories are not only fantastic ghost stories for Halloween, but also ones to commit to memory to share around a campfire. You could also bring the book along but you many not want the hauntingly illustrated, white embossed cover to get dirty.
As I settled down to read each of the thirteen eerie tales, an owl hooted from my back yard adding to spooky feeling the stories exude. The tales, brief but powerfully creepy, are ideal for tweens who love to feel the hair on their necks stand up. The subjects range from a girl getting a tap tap tap from her mirror and then being imprisoned in it by her evil reflection, to two boys going ice fishing who disregard a shopkeeper’s advice to avoid the north of Point Whitney. The reason—it’s haunted by the ghost of Max Whitney, the former owner of the bait and tackle shop. Do the boys catch a lot of fish? Yep. Do they return safely home to share their experience? I’m not telling. There’s another one that takes place by a pond. Suffice it to say that, unlike the main character in this tale, a boy named Samuel who hears his drowned sister call out to him and follows her cries, I would never go out of my house in the middle of the night with a lantern by myself. The artwork throughout Ghost has a spare quality about it with a very limited palette which is appropriate for the collection. And though created digitally, all the illustrations resemble wood block prints and imbue every tale with as frightening an effect as the words themselves.
The tale that particularly resonated with me was about a girl who finally gets a room of her own away from her younger sister. Now alone in her new bedroom, the girl is terrified of the ghostly night noises but thinks if she just huddles under the covers and keeps her eyes tightly closed, everything will be okay. And it is, but how long can she keep her eyes shut? Did I mention that as a child I had my dad install a lock on my bedroom closet door? I will not easily forget the story of the young boy, Michael Alvey deep sea diving to a WWII sub wreck in search of the bodies of his deceased parents. They died just after their last communication was, “Please! Help! They’re coming.” When I found out who “they” were, I was shocked and readers will be, too. I caution young readers to avoid basements, elevators, hiking or making a trip after midnight to a cemetery right after reading Ghost.
Some stories unhinged me more than others, “The Descent” being one of them. That’s not to say they weren’t all good because they were, but certain stories played off of my deepest fears more than others. That being said, it might be best to read this book with a cat curled up on your lap or with a big dog nearby during the day!
- Reviewed by Ronna Mandel
Read another Halloween Books roundup here.
∼ A Roundup ∼
Award-winning creator Salina Yoon captures your little one’s attention with this adorable children’s board book, Halloween Kitty (A Wag My Tail Book). The orange and white tabby has a sturdy orange felt tail that little hands can easily move by pulling a tab or touching the tail itself. The cute kitty wants to find a friend but the animals she encounters are all too busy. Luckily, her persistence pays off. This 12-page book is suitable for preschoolers on up. Even adults will feel drawn to zen-like pleasure of wagging the tail. Makes a great party gift!
Give Me Back My Bones! reminds me of a modern version of the “Dem Bones” song—you know, “the toe bone’s connected to the heel bone.” However, Kim Norman’s picture book changes the story from a spiritual to a fun romp at the ocean bottom where a stormy night has scattered a skeleton’s bones. Her smart rhyme summons the reader to “Help me find my head bone, / my pillowed-on-the-bed bone, / the pirate’s flag-of-dread bone— / I’m scouting for my skull.”
Kids will unwittingly learn a bone’s name and function as they seek the bones—some are being absconded by various creatures. The lively beat of the lines is fun to read aloud as the skeleton is pieced back together until, once again, ready to set sail.
Bob Kolar’s art expands the playfulness of the book; bones seem to glow against a muted backdrop of ocean water. Sea critters lend a friendly fin, tail, or tentacle. I like how the skeleton, true to pirate fashion, has a peg leg in place of one of its tibia bones.
Don’t forget to peek under the jacket for a full-length “bone-rattling” poster. This extra detail elevates the book from a great read to one you’ll want to buy.
As much as I love Halloween, the classic story of Bunnicula had somehow eluded me. But, a pet rabbit who may be a vampire sounded irresistible and I was not disappointed. The book pulls you right in from the Editor’s Note (explaining how the manuscript was delivered to her door by a “sad-eyed, droopy-eared dog”) to first-person narration by Harold, the Monroe’s family dog. We soon discover that the problem is a new edition to the family: a black and white bunny found in the movie theater showing a Dracula movie.
Harold already shares the household with Chester the cat. Adding another animal takes some adjusting but weird things start happening to vegetables. For example, a tomato turns white and seemingly has teeth marks! As Harold and Chester try to solve this mystery, we discover the true charm of this book is crafty elusion. Is Bunnicula a vampire rabbit? What do you think?
This 40th anniversary pocket-sized edition has a plush red velvet cover and an Introduction by James Howe about the story’s origins and various renditions over the past four decades. Throughout, Alan Daniels’s art enlivens the story with humor and detail. At the end, best-selling authors Max Brallier, Holly Black, and Dav Pilkey share their personal experiences about this book. Bunnicula has six popular sequels and a spin-off series Tales from the House of Bunnicula and Bunnicula and Friends.
- Reviewed by Christine Van Zandt (www.ChristineVanZandt.com), Write for Success (www.Write-for-Success.com), @ChristineVZ and @WFSediting, Christine@Write-for-Success.com
Click here for a link to last year’s Halloween Books Roundup.
Written by Chitra Soundar
Illustrated by Charlene Chua
(Albert Whitman & Co.; $16.99, Ages 4-8)
Every fall I celebrate the Jewish Festival of Lights, better known as Hanukkah, which lasts eight days. But there is another Festival of Lights celebrated by Hindus called Diwali that is “celebrated across five days,” depending on where one lives. This year Diwali begins on Sunday, October 27 so I wanted to share this new picture book about the holiday called Shubh Diwali! written by Chitra Soundar and illustrated by Charlene Chua.
From the very first pages when “Grandpa watches the waning moon. The festival is coming soon,” readers feel a sense of anticipation knowing that something wonderful is about to happen. Chua’s cheerful and brightly colored artwork depicts preparations underway as a multi-generational Indian family tidies their home in the days leading up to Diwali. I love how we see everyone involved, even the adorable dog, eager for the celebration to begin.
Told in rhyme, Shubh Diwali! introduces youngsters to the numerous holiday customs such as hanging bunting made from mango leaves, creating striking Rangoli art (“traditional floor decorations and patterns made from rice flour and colored powders”), and wearing new clothes. There’s plenty of storytelling by elders, in this case recounting tales of gods who “fought evil against all odds,” as well as time together with the whole family to reflect when hymns are chanted and bells are rung. Of course there’s also a lot of eating and playing because, well because that’s what happens when there’s a houseful of kids and adults!
The picture book is filled with a diverse group of friends and neighbors who are invited to share in the lovely and meaningful Diwali rituals such as lighting the lamps, exchanging presents and candy, and watching brilliant fireworks light up the skies. I learned in the interesting back matter that on the third day of this festival, which happens to be when the New Year is celebrated, people “offer food and support to those less privileged than themselves.” Also the fifth day, called Bhai Dooj, is devoted to brothers and sisters getting together to “celebrate their love for one another.”
I recommend sharing this charming picture book with children so, like me, they can learn about Diwali and its beautiful traditions. There are many holidays based on the lunar calendar and it’s a good idea to expose kids to as many as possible in order to gain a greater understanding of different cultures at home and abroad and maybe make our world a little smaller.
- Review by Ronna Mandel
Read a review about another book illustrated by Charlene Chua here.
HOME IN THE WOODS
Written and illustrated by Eliza Wheeler
(Nancy Paulsen Books; $17.99, Ages 5-8)
★Starred Reviews – Booklist, Horn Book, Kirkus
“This book is inspired not only by the stories from [my grandmother],” says Wheeler, “but by the entire generation that experienced the Great Depression. They will soon be gone, and if we haven’t yet collected their stories, the time is now.”
Home in the Woods, the latest picture book by Eliza Wheeler is a treat for the eyes and soul. The embossed title on the book jacket is gorgeous as is the winter scape underneath. The water color and ink artwork is simply stunning.
Travel back in time as this compelling story, based on Wheeler’s grandmother’s life in the Wisconsin woods during the Great Depression, pulls readers right into each meticulously and movingly illustrated page.
Told from the perspective of Wheeler’s grandmother, Marvel, Home in the Woods introduces readers to the six-year-old and her seven siblings along with Mum, a newly widowed and stoic 34-year-old. This 40-page book unfolds over four seasons beginning in Summer when the time is ideal to move into an abandoned tar-paper shack they find in the woods. “You never know what treasures we’ll find,” says Mum. While Marvel doesn’t believe the rundown hut can ever be a treasure let alone a home, she carries on nonetheless relying on the closeness of her family and her mother’s optimism. That energy is conveyed in scenes like the one where seven of the siblings (the youngest, at 3- months-old, is at home with Mum) happily collect berries. Wheeler subtly shows how nature plays an important role in both the family’s struggle and survival.
The blue tones of Summer shift when Autumn arrives and “rust and ruby leaves” provide a beautiful backdrop for this season’s art. Everyone in the family pitches in whether it’s splitting wood to heat the shack or pulling weeds and picking “veggies.” As baby Eva munches a carrot, Mum cooks preserves and the children prepare for winter by stocking up the cellar with whatever they were able to harvest.
On a visit to Bennett’s General Store, the siblings look longingly at the inviting shop window, but they have learned how to do without. They can only afford to “buy some basics.” Cleverly, the kids have invented a game they’ve dubbed General Store that keeps them entertained for hours. Beside the hut, Marvel displays “mud sweets,” little Lowell is the jeweler, older sister Bea sells fine hats (note the creativity of the hats Mum is admiring), and the others all find fulfilling counters to man.
When Winter’s bitter winds blow, the family huddles by the pot-belly stove as the two oldest boys “trek out to hunt for food.” Blue tones return, but the flames of the fire, the glowing lantern, the gold in the children’s crowns, and in the patchwork pieces as Mum teaches Bea to quilt all depict a warmth that is the fabric of this loving family. Marvel shares how her brother Rich teaches her to read in another touching illustration that is rich with contentment.
The illustration above clues readers into Mum’s silent fears for her family while the words, “But Mum stays awake into the night …” tell us what we’ve guessed all along. Living in the woods, barely eking out a living, and supporting her family of nine has taken its toll on this strong woman. Mum prays for her children to get safely through winter and the Depression.
The cycle of seasons culminates in Spring. “The cottonwoods are all in bloom” and a spirit of rebirth and renewal fills everyone’s hearts just as the family’s pail is filled with fresh milk at Erickson’s Farm. The children rejoice in the thrilling sound of birdsong and the blossoming of flowers. Enveloped by hope, the family has gotten through the harsh Wisconsin winter and emerged to find that the power of togetherness, teamwork and love has brought to them the promise of better days ahead and the true meaning of home.
- Reviewed by Ronna Mandel