Difficult Discussions

Picture Book Review – Dear Star Baby

 

 

DEAR STAR BABY

Written by Malcolm Newsome

Illustrated by Kamala Nair

(Beaming Books; $18.99, Ages 3-8)

 

 

Dear Star Baby cover family look at stars

 

 

I wish Dear Star Baby had been around when I was a child. It would have helped me understand the silence in my house when my mom came home from the hospital following her two miscarriages. Thankfully Malcolm Newsome and Kamala Nair’s picture book is available for young readers now to help them cope with the loss as a result of either miscarriage or stillbirth in a moving, meaningful way.

 

Dear Star Baby int1 we're having a baby
Interior spread from Dear Star Baby written by Malcolm Newsome and illustrated by Kamala Nair, Beaming Books ©2023.

 

The narrator of the story is a boy who dreams of becoming an older brother. He’s ecstatic when he learns that his dream will come true. The tale is told via a letter he’s writing to the unborn sibling. The spreads in the book when the family is preparing for the baby’s arrival are full of joy and light. “Mama took me shopping. She let me pick your blankets and a toy (well, two toys).”

 

Dear Star Baby int2 mom in hospital I knew something was wrong.
Interior spread from Dear Star Baby written by Malcolm Newsome and illustrated by Kamala Nair, Beaming Books ©2023.

 

Sadly, “Mama needed to rest in bed …” but she soon needed to go to the hospital where she miscarried. The touching spread above is told in language easy for youngsters to understand, and never speaks down to them. The loss of his unborn sibling is gently shared by the boy’s parents in a loving and caring moment. “She said you went to be with the stars instead.”

 

Dear Star Baby int3 in car returning from hospital now I wonder which star you are.
Interior spread from Dear Star Baby written by Malcolm Newsome and illustrated by Kamala Nair, Beaming Books ©2023.

 

At home, the grieving child sees changes in his parents. His mother cries and there is not much conversation with his father as they deal with the loss. But being together helps and being held helps even more. So when the family looks at the night sky and discusses their Star Baby, everyone has a different feeling which is absolutely fine. Dad sees Star Baby far away and Mama feels him close by. There is no right answer, no right way to feel. What matters is being able to experience the grief and ultimately healing in a way that works for each individual. That’s why I loved this sentence from the child, “I think you’re in both places. Here with us even though I can’t see you.”

Nair’s warm palette for her art is soothing for this sensitive topic.  I especially liked the evening scenes where the night sky bursting with stars conveys hope and comfort like the hugs the family shares.

Newsome’s Author’s Note brought me to tears when he wrote about his own personal experience after his wife’s miscarriages and I’m so glad he wrote Dear Star Baby so others can benefit too. This is a thoughtfully written book that will prompt important discussions for families dealing with grief and bereavement.

  • Reviewed by Ronna Mandel
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Tiffany Golden Interviews Amanda Davis, Author of Moonlight Memories

 

TIFFANY GOLDEN INTERVIEWS AMANDA DAVIS,

AUTHOR OF MOONLIGHT MEMORIES

Illustrated by Michelle Jing Chan

(WorthyKids; $17.99, Ages 4-7)

 

Moonlight Memories cover art girl holding teddy under moon

 

 

Publisher’s Summary of Moonlight Memories:

Discover how a young girl gains healing and hope as she processes the loss of a loved one in this beautifully sensitive story.
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… Whether children choose to use art as their outlet or find another way, the message is clear: they can carry the memories of their loved ones with them. An ending Note to Parents features guidance from a licensed children’s counselor about how to use the book and where to find additional resources. Written from a place of personal experience, this story strives to bring comfort to children hurting after loss.

 

INTERVIEW:

Tiffany Golden: Let’s start with a speed round…

  • Top three favorite children’s books of all time? This is such a hard one, so I’m going to default to recency here and say, If You Find a Leaf, written and illustrated by Aimee Sicuro (love the imaginative text and mixed media illustrations), Saving American Beach by Heidi Tyline King and Ekua Holmes (loved learning about the life of MaVynee Betsch and am a big fan of Holme’s gorgeous collage art), I Love You Because I Love You by Muon Thi Van and Jessica Love (love the sweet, lyrical text and Jessica Love is another favorite artist of mine). I also love Muon Thi Van’s other book, Wishes, illustrated by Victo Ngai (spare text yet so powerful in both words and imagery)!   
  • Coffee, tea (or neither)? Herbal tea all the way-caffeine makes me jittery! 
  • Where is your safe place? The ocean and anywhere with my pup.
  • Dogs, cats, (or neither)? I love all animals, but our pup Cora is the best. 
  • Early bird or night owl? Used to be a night owl but with an 18-month-old, I’ve been forced to take a serious look at my bedtime routine and have been making an effort to get to bed earlier as part of my self-care. 
  • Three words to describe what it takes to make it in the kidlit world … a big heart.

Okay, now down to the serious stuff….

TG: Please dish us the dirt on who you are and your journey into the fabulous world of children’s books. 

Amanda Davis: My love for art and writing stems back to my childhood. My father passed away when I was young, and I turned to art and writing to cope and process my emotions. This is what led me to teach art and later write and illustrate children’s books. I want to show kids the power in our stories-whether through writing, reading, or visual art. In 2012, I took a continuing education course at the School of the Museum of Fine Arts, Boston, called, Illustrating Children’s Books, with illustrator Ilse Plume. This course was eye-opening for me and kick-started my career in kidlit. I realized that children’s books combine all three of my passions: art, writing, and stories. After completing that course, I dove headfirst into the craft of writing and illustrating for children (while balancing my job as a full-time high school teacher). I joined SCBWI, 12×12, and found a local and online critique group. I tried to soak in all the knowledge I could about the kidlit industry. I began to query literary agents and editors with a few of my stories. Looking back, I probably queried those stories too early, but hey, that’s part of the learning process. The story that finally landed me an agent and later a deal is my debut creative nonfiction picture book titled 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG, illustrated by Sally Wern Comport, which published in 2021 with WorthyKids/Hachette Book Group. 

 

Moonlight Memories int Spread1 Piper grieving
Interior spread from Moonlight Memories written by Amanda Davis and illustrated by Michelle Jing Chan, WorthyKids ©2023.

 

MOONLIGHT MEMORIES is my second picture book with the wonderful team at WorthyKids. The story is beautifully illustrated by Michelle Jing Chan and released earlier this month. This story holds a special place in my heart as it was inspired by my own personal experience with loss.

Amanda Davis and her dad when she was young
Amanda Davis and her dad when she was young.

As mentioned above, my father died when I was young. After his death, I was unsure of how to cope with this unexpected loss. I don’t remember many people talking to me about it or being given any resources to help me process. It wasn’t until I found art and writing that I was able to fully process the thoughts and emotions surrounding his death. I found my outlet. I found my voice. I soon realized that my father would always live on through the memories I was creating with my words and visuals.

MOONLIGHT MEMORIES tells the story of a young girl who is dealing with the loss of a loved one and finds comfort and healing through creativity. I have a third (unannounced) nonfiction picture book forthcoming that also has themes of loss and healing in it. Clearly, this is an important topic to me, ha! I hope my books can offer hope to readers and foster meaningful dialogue to help children process and heal from essential life events. 

 

TG: What inspires your work?

AD: My own experiences inspire my creativity. I like to write and draw about the things I’ve been through in my life (both joyous and difficult), the places I travel, people I meet, and the lessons I’ve learned. I’m inspired by kindness, nature, animals, and family. Often these aspects find their way into my work. Creativity is all around us, we just need to pay attention.

 

Moonlight Memories int Spread2 Mama face in stars
Interior spread from Moonlight Memories written by Amanda Davis and illustrated by Michelle Jing Chan, WorthyKids ©2023.

 

 

TG: What advice do you have for fellow kidlit creatives?

AD: There is no right or wrong way to get published. Each person’s story is different. Sometimes it’s a short, smooth journey, and sometimes it’s long and bumpy. Try not to compare. Instead, keep going. With every pass, send another query out. This industry has taught me not to take anything personally. You want to work with an editor or an agent who is going to love your work wholeheartedly. The truth is, not everyone is going to. And that’s okay. Art is subjective. With that in mind, there is strength in solidarity. This can be a very isolating business if we let it, so remember to reach out for help and to connect. The children’s book industry is one of the most welcoming communities I’ve been a part of. There is so much talent and wisdom. Connect with people. Ask questions. Never stop learning from one another. We are all on this creative journey together. 

AD: Thank you for interviewing me, Tiffany, and thanks for hosting us, Ronna! Thanks to all those for reading and supporting my work!

✦                                     ✦                                                       ✦                                              ✦                                                  ✦

TIFFANY’S THOUGHTS ABOUT MOONLIGHT MEMORIES:

This book is such a love letter to those experiencing a profound loss. This book found its way to our family soon after the loss of my sister. There’s a sweetness in looking to the sky and processing through art. The words are heartwarming, and the images are enchanting. This is one we’ll read over again.

 

BUY MOONLIGHT MEMORIES:

Local indie for signed copies (Upon checkout, type in the comments how you’d like the book personalized): https://www.buttonwoodbooksandtoys.com/page/moonlight-memories-amanda-davis

 

Amanda Davis Headshot Photo Credit Angela Wood Photography
Author Amanda Davis Photo Credit: Angela Wood Photography

AUTHOR BIO:

Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. Amanda is the author of MOONLIGHT MEMORIES, 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG, and a yet-to-be-announced forthcoming title. She also has poetry and illustrations featured in The Writers’ Loft Anthology: Friends & Anemones: Ocean Poems for Children. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her family and her rescue pup, Cora. You can learn more about Amanda at www.amandadavisart.com and on Twitter @amandadavisart and Instagram @amandadavis_art.

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INTERVIEWER BIO:

Tiffany Golden writes picture books, middle-grade, and YA fiction, mostly inspired by her experiences as a Black, disabled woman. She is also the winner of Lee and Low’s New Visions Award for 2021. She teaches creative writing to third-to-fifth grade students, is a member of SCWBI, and received the Judith Tannenbaum Teaching Artist Fellowship.

Find out more at www.tiffanygolden.com on Twitter @mstee13 and Instagram @tiffany.golden.13

WEBSITE AND SOCIAL MEDIA LINKS FOR AMANDA DAVIS:

Website: http://www.amandadavisart.com

Twitter: https://twitter.com/amandadavisart

Instagram: https://instagram.com/amandadavis_art

WEBSITE AND SOCIAL MEDIA LINKS FOR MICHELLE JING CHAN:
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Children’s Picture Book Review – Saturday at the Food Pantry

 

SATURDAY AT THE FOOD PANTRY

Written by Diane O’Neill

Illustrated by Brizida Magro

(Albert Whitman & Company; $16.99, Ages 4-8)

 

 

Saturday at the Food Pantry cover

 

 

Part of Albert Whitman & Company’s Social and Emotional Learning collection, Saturday at the Food Pantry by author Diane O’Neill and illustrator Brizida Magro encourages discussions about food insecurity and highlights the truth that all of us need help sometimes.

As their food supply dwindles and Mom pours the last cup of milk to make her special “fancy milk” drink, Molly learns they’ll be visiting a food pantry the next day. “What’s a food pantry?” Molly asks. “It’s a place for people who need food,” Mom answers. “Everybody needs help sometimes.” 

 

Saturday at the Food Pantry int1
Interior art from Saturday at the Food Pantry written by Diane O’Neill and illustrated by Brizida Magro, Albert Whitman & Co. ©2021.

 

 

In gentle ways, O’Neill and Magro illustrate the characters’ hesitance and anxieties while they wait in line for the pantry to open. Molly sees her classmate, Caitlin, standing in line with her grandmother. To Molly’s surprise, Caitlin expresses feelings of shame for being there. Walking back to her mom, Molly feels confused. Is “there something wrong with needing help?” Once inside, even Mom “look[s] like she want[s] to be invisible.” But Molly reminds her, “Everybody needs help sometimes.” Later, Molly points out to Caitlin ways they themselves helped “cheer up” the grown-ups in the pantry.  

 

 

Saturday at the Food Pantry int2
Interior art from Saturday at the Food Pantry written by Diane O’Neill and illustrated by Brizida Magro, Albert Whitman & Co. ©2021.

 

 

Open, honest conversations between Caitlin’s grandmother and Mom about finding and keeping employment allow for a safe space to share. Muted illustrations using straight, geometric lines provide a sense of structure, order, and calm. With minimal background in the settings, Magro allows readers to focus on each individual character, driving home the point: everyone is important, everyone needs help, and most of all, we need each other. A note in the back matter for adults and caregivers about food insecurity by Kate Maehr, Executive Director and CEO of the Greater Chicago Food Depository, provides additional details on child hunger and resources to help. 

 

Saturday at the Food Pantry int3
Interior spread from Saturday at the Food Pantry written by Diane O’Neill and illustrated by Brizida Magro, Albert Whitman & Co. ©2021.

 

 

Whether in the classroom or family room, readers young and old can benefit from this positive, heartfelt message of hope.

  •  Reviewed by Armineh Manookian
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Picture Book Review – A Last Goodbye

A LAST GOODBYE

Written by Elin Kelsey

Illustrated by Soyeon Kim

(Owlkids Books; $ 18.95, Ages 4+)

 

A Last Goodbye cover

 

★Starred Review – Kirkus

Today I’m reviewing A Last Goodbye. This moving picture book is recommended for PreK-3, but could be appreciated by all ages.

Humans have long believed that they are the only species to care for the ill and dying and grieve the loss of a loved one. But are we?  

Nearly two years ago, Tahlequah, a female Orca, was spotted pushing the body of her newborn calf off the waters off Puget Sound. Although the calf only survived for a few hours, the mother had bonded with her daughter. For 17 days, people  around the world watched and grieved with Tahlequah as she kept her daughter’s body close to her. After traveling for nearly 1000 miles, she finally released it into the ocean. Responding to questions about the mother Orca’s actions, researchers noted  “ … it’s common for marine mammals to show signs of grief.”

As I write this review the number of deaths in the United States from the covid-19 has exceeded 125,000 and will climb higher still. Tragically, there are many children who have faced or will face the loss of someone they love due to this deadly virus. How can we help children cope with their fears and their grief over illness, death, and loss? The calm and soothing narrative of A Last Goodbye will give children a safe space and the opportunity to discuss their anxieties by exploring how animals tend to the dying and say goodbye to those who have passed away.

Using an intimate, first person narrator, the author guides children through the difficult process of death and grief, by looking at how animals comfort the dying, care for the remains, and grieve for their loss. The evenly paced and lyrical narrative allows for many moments to pause, reflect, and encourage questions and discussion in this recommended read for families.

As children move through the book, they see the care different animals give to comfort the dying.
An elephant reassures a dying member of its herd:

“I will wrap my trunk around you 

and support you with my tusks.” 

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A Last Goodbye int art 2
Interior spread from A Last Goodbye written by Elin Kelsey with art by Soyeon Kim, Owlkids Books ©2020.

 

As a family of chimpanzees minister to their failing member, they:

“… will tuck soft bedding behind your back

and carefully tend to your hair.”

Kim’s stunning and delicate dioramas convey the concern and the grief of the family for the dying, whose fragility is shown in a slumped or sleeping body, outlined in a soft,  glowing line. 

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A Last Goodbye int art 3
Interior spread from A Last Goodbye written by Elin Kelsey with art by Soyeon Kim, Owlkids Books ©2020.

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And what happens when a loved one dies? How do we respond? Kelsey shows that animals, like their human counterparts, have many ways of expressing their grief: 

“And when you die

I will gently stroke your body …”

“I will cry out in sorrow … or watch in quiet sadness.”

After death, Kelsey shows children those tender actions we take to honor the dead by observing what animals do: some will gather around the body, others might cover it with leaves. Some return later to 

“… visit the place where your body rests.”

Kim’s diorama is dotted with stars ascending from the bodies of the deceased to the night sky (the book’s end pages also depict a constellation-like map of a variety of animals with their scientific and common names).

Kelsey helps children understand what happens to the body as it sinks into the earth or sea. While death is final, the body nourishes the earth and provides for future generations. She asks the children to wonder: 

“Will tiny roots take hold

and tall trees grow 

in the rich soil you nourish?

Kim’s dioramas depicting how the bodies disintegrate into new life are particularly  breathtaking and turn something painful and frightening into a beautiful and life affirming event. Throughout the book, Kim’s illustrations enhance the narrative’s comforting and soothing tone,

Finally, the author addresses the grief and sense of loss that will always be there:  

“I will miss you forever.”

Yet, she reminds children that the pain of grief is not forever, and that there will be happiness and pride in remembering: 

“ … one day soon,

 I will think of you and feel joy.”

“You, me, all of us.

Every species on Earth.

Our lives plant a long line of love …”

Kelsey and Kim have partnered before with OwlKids Books on You Are Stardust, Wild Ideas, and You are Never Alone. All have received starred reviews from Kirkus. A Last Goodbye is their fourth book together. 

RECOMMENDED RESOURCES

An eight page teacher guide can be found here. Also watch the interview with the publisher and author here. Check out this video to learn about how the illustrations were created and photographed. 

Bekoff, Marc. A Last Goodbye: a Kid’s book about Animals, Dying, and Death.” Psychology Today, March 31, 2020. 

Pierce, Jessica. “Do Animals Experience Grief?” Smithsonian Magazine, Aug 24, 2018.

Are Animals Aware of Death?

You can find many lists of children’s books about death on the internet. Here’s a few:

Children’s Books about Death, Loss and Grieving (New York Public Library),

7 Beautiful Picture Books to Help Children Understand Death

I would also add City Dog and Country Frog by Mo Willems, illustrated by Jon Muth, a simple yet moving story of friendship, loss, and new beginnings.

•Review by Dornel Cerro

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Picture Book Review – A Doll for Grandma

A DOLL FOR GRANDMA:
A Story about Alzheimer’s Disease

Written by Paulette Bochnig Sharkey

Illustrated by Samantha Woo

(Beaming Books; $17.99, Ages 4-8)

 

A Doll for Grandma cover

 

Written by Paulette Bochnig Sharkey and illustrated by Samantha Woo, A Doll for Grandma captures that unshakeable bond between a little girl and her grandmother, a bond that tenderly adapts to the changes brought on by Alzheimer’s disease.

ADollforGrandma int1
Interior art from A Doll for Grandma: A Story About Alzheimer’s Disease written by Paulette Bochnig Sharkey and illustrated by Samantha Woo, Beaming Books ©2020.

 

Kiera and Grandma enjoy each other’s company and have a lot of fun together. From painting nails to knitting to baking “special occasion” molasses cookies based on an old, family recipe, Kiera learns a lot from Grandma. So it is strange when, seemingly all of a sudden, Grandma starts behaving in ways outside of her usual character.

 

ADollforGrandma int2
Interior art from A Doll for Grandma: A Story About Alzheimer’s Disease written by Paulette Bochnig Sharkey and illustrated by Samantha Woo, Beaming Books ©2020.

 

Through a child-centered, gentle tone, Sharkey’s direct language addresses these changes. “Grandma’s brain is forgetting how to remember,” Kiera’s mother explains. For Kiera, the differences in who Grandma was and who she is now are painfully evident. Most touching are the small, subtle changes. Grandma’s long and “shiny” painted fingernails that once made a “rat-a-tat-tat sound on the table” are merely “bare and … short.” “No more rat-a-tat-tat.” I admire the book’s honest portrayal of the challenges in letting go and accepting the new reality of Alzheimer’s.

 

A Doll for Grandma int4
Interior art from A Doll for Grandma: A Story About Alzheimer’s Disease written by Paulette Bochnig Sharkey and illustrated by Samantha Woo, Beaming Books ©2020.

 

Yet, despite these challenges, Kiera discovers a way to be present with her grandmother by gifting a doll to Grandma. Kiera brings her own doll during her visits, and the two connect, nurturing their dolls in pretend play. Woo’s colorful illustrations contribute to this connection by focusing on the facial expressions of the characters, driving home the point that what matters most is the emotional bond the characters share as they engage in positive sensory experiences together. A helpful discussion in the back matter by author and advocate Judy Cornish provides a wonderful tool for parents, caregivers, and teachers.

A powerful story and important resource, A Doll for Grandma brings clarity and healing to families struggling to find connection with that special person living with Alzheimer’s disease.

•Reviewed by Armineh Manookian

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Kids Book: On Yom HaShoah – Hand in Hand by Andria Warmflash Rosenbaum

HAND IN HAND
 by Andria Warmflash Rosenbaum
Illustrated by Maya Shleifer
(Apples & Honey Press; $17.95, Ages 7 and up)

 

Maya Shleifer cvr art _ Hand in Hand by Andria Warmflash Rosenbaum

 

With recent surveys showing that fewer and fewer adults and children know about the Holocaust, the need to continue sharing this information with new generations by reading books such as Hand in Hand is vital. The annual commemoration of Holocaust Remembrance Day or Yom HaShoah, which this year begins the evening of May 1 and ends the evening of May 2, is a good time to honestly but sensitively approach the subject both at home and in school for children ages seven and up.

Andria Warmflash Rosenbaum’s new picture book, Hand in Hand with illustrations by Maya Shleifer, provides the ideal vehicle to start the conversation about what the Holocaust was and how it impacted families. In this case the emphasis is on the tragedy of family separation, a topic with significance even today. Written from the perspective of anthropomorphic rabbits, the story introduces readers to Ruthi, her little brother Leib and their mother. According to the author notes, this family (apart from being bunnies) represents a fictional combination of countless real people whose moving tales of courage and strength inspired Rosenbaum. It’s not clear where the characters live but some of the language, like when Mama escapes late one night, leaving her children, and says—”Don’t worry, my doves. Sometimes walls rise up. Still, there is always a way … forward.”—I get the impression the city is Warsaw. Although it could really be any number of European cities where Jews lived during WWII.

 

int art from Hand in Hand They Hovered Over Our Heads
Interior spread from Hand in Hand written by Andria Warmflash Rosenbaum with illustrations by Maya Shleifer, Apples and Honey Press ©2019.

 

Rosenbaum effectively employs similes like the one in the illustration above—”They hovered over our heads like tidy rows of storm clouds – threatening to burst.”—to gently establish the ominous presence of Nazi Storm Troopers, perhaps the ones Mama was running away from early on in the story when she departs in haste. Maybe the soldiers had already taken her husband.

 

Hand in Hand siblings separated interior illustration
Interior spread from Hand in Hand written by Andria Warmflash Rosenbaum with illustrations by Maya Shleifer, Apples and Honey Press ©2019.

 

The strong bond between brother and sister is evident on every page. Ruthi is seven and Leib is four when Mama goes away and she must now look out for him in their mother’s absence. A neighbor brings the children to an orphanage where they remain among hundreds, abandoned or left parent-less. The expression on Leib’s face as depicted in Shleifer’s art, when he is soon adopted, is both powerful and bittersweet. Pulled apart, like the torn photo of the siblings, from the loving hands of her brother, Ruthi refuses to say good-bye. Leib will be saved because of his Aryan “blonde curls and sapphire eyes.” At just seven she must find a way to survive, in the woods, underground, anywhere until the war ends.  Then “The nightmare … came to a halt.

 

Hand in Hand int illustration of Ruthi on boat to new country
Interior spread from Hand in Hand written by Andria Warmflash Rosenbaum with illustrations by Maya Shleifer, Apples and Honey Press ©2019.

 

In the optimistic illustration of the boat above, it seems as though Ruthi has been sent to Palestine where she lives on a kibbutz and makes a new life for herself in Israel. Years pass. She marries, has children but always, always thinks about finding Leib. Her children and grandchildren urge her to add her name to an enormous list of people seeking family members. But is there any chance to be reunited with a brother who could be living anywhere or perhaps even no longer alive?

 

Searching for her lost sibling int illustration from Hand in Hand
Interior spread from Hand in Hand written by Andria Warmflash Rosenbaum with illustrations by Maya Shleifer, Apples and Honey Press ©2019.

 

Here’s when we can rejoice. Ruthi’s efforts to locate Leib succeed. It’s heartwarming to see the siblings together once more after decades apart. Now an old man, though still younger than Ruthi, Leib greets her with tenderness, “Shalom, my big sister, Ruthi!” For her part, Ruthi notes “His blue eyes had lost their sapphire luster, but through my tears my heart knew Leib’s strawberry smile.” This framing of a similar line Rosenbaum used in the book’s opening brings the story full round.

I have been moved and impressed with every re-read of Hand in Hand at how well Rosenbaum’s symbolism and subtlety say so much. There’s no need to go into detail about the brutality and harshness of the Holocaust. That’s for parents and teachers to decide before having this important discussion with kids. Each child, especially the younger ones, has a different threshold for how much information about the Holocaust they can handle. What works so well is that Rosenbaum has chosen to focus on a relationship as a way into the subject of war and/or genocide and the aftermath. Shleifer’s illustrations convey the the sorrowful times Ruthi has experienced without Leib but does so delicately and only twice uses very dark tones when Ruthi is first separated from her brother. This touching book is one of boundless love, faith in family and faith for the future. I hope this picture book will resonate with you as much as it did with me.

  • Reviewed by Ronna Mandel

Find other Holocaust Remembrance Day reads here.

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The Remember Balloons & Maximillian Villainous – Two Heart-filled Books

MAXIMILLIAN VILLAINOUS
Written by Margaret Chiu Greanias
Illustrated by Lesley Breen Withrow
(Running Press; $16.99, Ages 4-8)

&

THE REMEMBER BALLOONS
Written by Jessie Oliveros
Illustrated by Dana Wulfekotte
(Simon and Schuster; $17.99, Ages 5-9)

 

are reviewed today by Cathy Ballou Mealey.

cover art from Maximillian Villainous The monster members of Max’s family cannot understand why he is SO good and not at all villainous, as they are. MAXIMILLIAN VILLAINOUS is kind, helpful and constantly scrambling to make amends for his family’s mischievous misdeeds. When Max brings home a bunny, his family decides to offer him the ultimate test. He must complete three devious, villainous tasks in order to keep his sweet, fluffy and otherwise unsuitable pet.

Max and bunny do try to tackle their tricky To Do list, but they are too nice! They fail repeatedly and humorously, although they persist in finding creative solutions. Eventually Max begins to despair that he can succeed in behaving badly. Will he be forced to give up his beloved rabbit? With comic antics and heart-tugging earnestness, eager readers will be delighted to discover whether Max and his bunny can uncover a solution that saves the day.

Withrow’s adorable illustrations are colorful, bright and filled with expression. Max and his family are clearly monsters, adorned with horns, fangs and claws, but they are also incredibly child-friendly, cute and appealing. Clever, whimsical elements are tucked onto every page for young readers to discover. Greanias’ playful dialogue and crisp pacing enhance the odds that MAXIMILLIAN VILLAINOUS will become a read-it-again, monstrous favorite in many homes.

cover art from The Remember BalloonsIn THE REMEMBER BALLOONS, debut author Oliveros features a three-generation family coping with an elderly grandfather’s memory loss. Using colored balloons to represent treasured memories, each family member carries bunches ranging from small to large. “This one’s my favorite,” says the young boy narrator as he points to a blue balloon. It’s filled with special scenes from his birthday party. “When I look at it I can see the pony again. I can still taste the chocolate frosting.”

But Grandpa’s balloons are beginning to slip away, one by one, as his memories start to fade. The narrator struggles with sadness and anger as he witnesses his grandfather’s decline, metaphorically paired with the shrinking number of balloons. His helplessness is palpable, as is his deep love for his grandfather. When even a most precious memory of a special fishing trip is lost, the boy’s parents step in to offer consolation. Although it is bittersweet when the boy discovers that the number of his balloons continues to grow, the tale arrives at a comforting and heartwarming conclusion that will satisfy all.

Wulfekotte’s adept illustrations place detailed vignettes of special memories within a broad spectrum of delicately tinted balloons. The family, in soft, black and white lines and gray shading, is often nestled in close, companionable connection. Settings are simple and understated, allowing the significance of the balloons to hold the focus. Oliveros uses clear, direct language to relay this poignant story in a manner that keeps it accessible for a wide range of readers. THE REMEMBER BALLOONS beautifully expresses the enduring love and importance of family memories in a gracious and meaningful book. Kirkus, starred review

  • Reviewed by Cathy Ballou Mealey

Where obtained:  I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.

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Two Creative Crop Tales: Rice From Heaven & Hey, Hey, Hay!

RICE FROM HEAVEN:
THE SECRET MISSION
TO FEED NORTH KOREANS
Written by Tina Cho
Illustrated by Keum Jin Song
(Little Bee; $17.99, Ages 5-9)

&

HEY, HEY, HAY!:
A TALE OF BALES
AND THE MACHINES THAT MAKE THEM
Written by Christy Mihaly
Illustrated by Joe Cepada
(Holiday House; $17.99, Ages 4-7)

are reviewed today by Cathy Ballou Mealey.

 

Grasses and grains make great stories in two new August picture books from Epic18 authors.

Cover art from Rice From Heaven: The Secret Mission to Feed North KoreansDrawing from her own personal experience, author Tina Cho writes a compelling fictional story about RICE FROM HEAVEN: THE SECRET MISSION TO FEED NORTH KOREANS.

Yoori, a young South Korean girl, has listened to her father, Appa, talk about his difficult childhood in North Korea. His compelling stories of hardship and hunger lead Yoori and Appa to volunteer for a secret nighttime mission; sending packages of rice over the border via special balloons.

When father and daughter arrive near the border, local villagers protest and chant, “Don’t feed the enemy.” In dismay Yoori says “The hope in my heart withers like a dying rice stalk.” But she rallies her courage and persists in completing the task at hand. With other volunteers, Yoori and Appa help inflate balloons, attach containers of rice, and send them floating over the border under starry skies.

Song’s vibrant illustrations markedly differentiate the two countries with a stark color palette. A verdant and lush South Korea features plentiful orange and pink flowers, fruits and green landscapes. Alternately, North Korea is shown isolated within a clear bowl, brown, barren and withered. The dramatic contrast peaks on a poignant double spread showing two North and South Korean girls face one another. While large grey mountains loom in the distance, the two children remain separated by nothing more than a small stream of clear running water.

Cho provides additional information on the political and cultural history of the Korean peninsula. This informative story is hopeful, compassionate and timely.

 

cover art from Hey, Hey, Hay!: A Tale of Bales and the Machines That Make ThemIn HEY, HEY, HAY!: A TALE OF BALES AND THE MACHINES THAT MAKE THEM author Christy Mihaly tells a summery story about the process of harvesting hay. The bales will be stored in the barn, ready to break out a bit of summer for a hungry horse on a cold winter day.

Standing in waist-high, thick green grass that spills across the long, rolling horizon, a young girl and her mother observe that the fields are ready for the haying to begin. “Mower blades slice through the grass. / A new row falls with every pass. / Stalks and stems are scattered ’round. / The scents of new-mown plants abound.” The rhythmic thunk-thunk, chunk-chunk phrases echo the mechanical beats of the machinery employed – a mower, tedder, rake and baler. Mihaly explains the terminology in a helpful glossary of “haymaking words” that add richness to the rhyming farming narrative.

As the mown hay dries, mother and daughter refresh themselves with switchel, a traditional cold haying drink of ginger, vinegar and maple syrup. For those inspired to try it, the recipe is included! Raking and baling finally lead to the satisfying conclusion of a crop safely stacked in the barn, and time to ride and play with the patiently waiting pony.

Cepada’s illustrations capture the vast fields, broad skies, and varied haying equipment with detail, vibrancy and color. Green grasses fade to olive-yellows as tinted clouds sweep across the pages. The tractors and barn are a cheerful, traditional red, and the immense rolled hay bales are textured with prickly perfection. Each generously proportioned oil-and acrylic image is paired with succinct and snappy text that explicates and enhances the unique and creative story.

Good reasons to harvest both of these titles about bounty on your bookshelves!
 

  • Reviewed by Cathy Ballou Mealey

Where obtained:  I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.

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Finn’s Feather & Sterling, Best Dog Ever, Two New Books by Epic18 Debut Authors

FINN’S FEATHER
Written by Rachel Noble
 Illustrated by Zoey Abbott
(Enchanted Lion; $17.95, Ages 4-8)

&

STERLING, BEST DOG EVER
Written and illustrated by Aidan Cassie
(Farrar, Straus and Giroux BYR; $17.99, Ages 3-6)

 

are reviewed today by Cathy Ballou Mealey.

 

A feather. A fork. These things mean more than they seem when viewed through the loving eyes of a family in two new picture books, FINN’S FEATHER and STERLING, BEST DOG EVER from debut authors.

 

Finn's Feather book cover illustrationFINN’S FEATHER features an upbeat and energetic child who discovers a white feather on his doorstep. He runs to show the new treasure to his mother, explaining that the feather is from his brother, Hamish. His mother responds with a deep breath and a big hug. His teacher’s reaction is likewise muted. But Finn’s friend Lucas understands and shares in his delight. Together they find ways to include the special feather in their playtime.

With the feather as an equal, adventuresome partner, it is as if Finn’s deceased brother is right beside them, sharing in the delight of a spring day. When Finn finally decides to write a letter to Hamish, he uses the feather as a pen. “I whish you were here,” he writes, and secures his message in a tree branch.

Abbott’s warm illustrations are clear and soft, setting off the emotional tale with gentle tenderness. Simple and generously spaced, the images leave ample room for Noble’s text to carry deeper meaning. The pastel color palette is attractively textured, drawing readers’ eyes to the ever-present, symbolic feather. This poignant book is ideal for helping children understand the range of complex emotions, grief and happiness, that accompany our experiences of loss and remembrance.

 

Sterling, Best Dog Ever book cover illustrationIt’s a fork, or a dog, that stars in STERLING, BEST DOG EVER. Although no home has ever wanted to keep Sterling, he is determined to find a family. Outside the Butlery Cutlery Factory, he comes up with a plan to be shipped inside a package of utensils. Sure, he may have to disguise himself as a fork to succeed, but he’s resourceful!

The Gilbert family is skeptical but accepting of Sterling, and their dog-obsessed daughter is delighted beyond measure. But Sterling’s role is not entirely clear. Did the family want a fork, a dog, or should he try to be a whisk, a rolling pin, or a chandelier? Young readers will giggle at Sterling’s enthusiastic attempts to carve out a place for himself in the new family order.

Cassie’s illustrations are colorful, humorous and well-paced. Even when attempting to fill-in as an inanimate household item, Sterling is imbued with emotion, expression and energy. His earnest efforts and the girl’s equally passionate yearning to help her “dog-fork” assimilate are heart-tugging and funny at the same time. STERLING is a quirky, clever tale of self-acceptance and love that will hold special appeal for readers with rescue dogs.

• Reviewed by Cathy Ballou Mealey

Click here to read another recent review by Cathy.

Where obtained:  I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.

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The Funeral by Matt James Depicts a Child’s Take on The Ritual

 

THE FUNERAL
Written and illustrated by Matt James
(Groundwood Books/House of Anansi Press; $18.00, Ages 4-8)

 

 

Matt James’s forty-page picture book, The Funeral, opens with a ringing phone at Norma’s house. A few days later, her family’s going to great-uncle Frank’s funeral. Norma has to practice her sad face in the mirror because, in actuality, she’s thrilled to miss a day of school and see her favorite cousin.

While the text engages our senses, the vivid illustrations capture the story’s emotional heart. In church, grays contrast with the bright colors of the stained-glass windows, “swirling song” of the organ, and familiar smell of Norma’s mom’s purse. The acrylic and ink art on Masonite has a layered qualify because of dimensional elements made from cut paper, masking tape, rolled-up twine, cardboard, and scroll-sawn Masonite (all painted with acrylic).

 

The Funeral by Matt James int. artwork
Interior illustrations from The Funeral written and illustrated by Matt James, Groundwood Books/House of Anansi Press ©2018.

 

This exploration of a funeral from Norma’s viewpoint demonstrates that, while she does reflect on the gravity of the occasion, it’s the details adults may take for granted that influence her perceptions of this unusual day. The girl’s wondrous childhood curiosity allows for philosophical questions alongside simple acts of fun.

★Starred Reviews – Booklist, Kirkus, Publishers Weekly and School Library Journal

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting,Christine@Write-for-Success.com

Read another recent review by Christine here.

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Solution-Seeking Girls Star in Debut Books The Breaking News & Doll-E 1.0

Smart, capable, solution-seeking girls star
in two new picture books
from debut author-illustrators reviewed today by Cathy Ballou Mealey.

 

THE BREAKING NEWS
Written and illustrated by Sarah Lynne Reul
(Roaring Brook Press; $18.99, Ages 4-8)

&

DOLL-E 1.0
Written and illustrated by Shanda McCloskey
(Little Brown Books for Young Readers; $17.99, Ages 4-8) 

 

The Breaking News cover illustration THE BREAKING NEWS by Sarah Lynne Reul brings us a glimpse of a community struggling to cope with upsetting developments, and highlights the role that a girl fulfills to restore and heal them. The book opens with a family happily engaged in potting plants at the kitchen table. But a television in the background interrupts with unsettling news, distracting the parents and disrupting the normal rhythm of life. The little girl, round-eyed and tender-hearted, notices the changes all around her. She becomes determined to act and restore balance to her family, school and community. 

Advised by her teacher to look for helpers, our heroine undertakes big and small acts of generosity and kindness. Bold gestures – washing dishes, putting on a silly show, and inventing imaginary force fields – fall flat. But slowly she discovers that many small gestures performed with love and care – tending to the dog, reading to her brother, caring for the recently-potted plant – begin to make a difference.

THE BREAKING NEWS is a helpful, heart-filled book. It bridges the gap between acknowledging distressing events and supporting the family circle where children learn to cope and counter sadness and fear. Reul’s balanced blend of warm and grey toned illustrations underscore the message of empowerment and hope. Reul brings together a brighter future and stronger community by the book’s end, making this a timely, helpful resource for families to discuss broader community issues.
★Starred Review – Publishers Weekly

cover illustration from Doll-E 1.0 by Shanda McCloskeyIt’s techno-trouble for clever Charlotte, the heroine of DOLL-E 1.0 by Shanda McCloskey, because she doesn’t comprehend the purpose of her new toy, a doll. With her trusty canine sidekick Blutooth, Charlotte is constantly on call for fixing the gadgets and devices that break and baffle her family. However, her constant coding and tinkering spark concern from her parents, who want Charlotte to unplug a bit.

The new “human-shaped pillow” doesn’t inspire much enthusiasm until a hidden battery pack is revealed. Charlotte tackles a doll upgrade, much to Blutooth’s dismay. Will his doggie destruction thwart Charlotte’s creative coding and clicking, or will it lead to a new appreciation for her technological ingenuity?

This STEM-friendly tale will appeal to young readers who appreciate and alternate between toys with and without power buttons. McCloskey’s action-filled, colorful characters are expressive and engaging. The scratchy, sketched appearance balances a sophisticated use of cartoon-panels. Full page illustrations pace the story nicely. Speech bubbles blend dialogue smoothly with text, while background details hint cleverly at Charlotte’s tools and organized interests. DOLL-E 1.0 is a smart, engaging and creative story with lots of contemporary charm.

  • Reviewed by Cathy Ballou Mealey

Where obtained:  I reviewed advanced reader’s copies from the publishers and received no other compensation. The opinions expressed here are my own.

Read another recent #Epic18 set of book reviews by Cathy Ballou Mealey here.

 

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Best Children’s Books for Father’s Day Roundup

BEST FATHER’S DAY BOOKS ROUNDUP 2016

 

This year there are more fab Father’s Day books than I’ve ever seen before so I found it rather difficult to narrow down my favorites to just a few.  Here are some of this year’s Father’s Day books I recommend.

 

Hammer And Nails Book CoverHammer and Nails
Written by Josh Bledsoe
Illustrated by Jessica Warrick
(Flashlight Press; $17.95, Ages 4-8)
Josh Bledsoe wrote this story about my husband, or at least he could have because the father in Hammer and Nails (love the wordplay in this title) has a heart of gold with a touch of pink. When his daughter’s playdate plans fall through, it’s dad to the rescue, declaring a daddy daughter day. The pair agree to trade off on completing their lists of activities they’d intended to do before things changed.

If you’ve ever known a father to play dress up with his daughter and even agree to have his hair and nails done, you’ll find that guy here, bonding beautifully with his child. At the same time, the dad asks his daughter to step outside her comfort zone to pound some nails into loose boards on their fence amongst other chores. “Princess, sometimes things you’ve never done end up being fun. Try it.” Everything about Hammer and Nails is fun and upbeat from Warrick’s silly scene of a laundry fight to daddy and daughter getting down with some celebratory moves. With each new page turn, this book will fill young readers with the joy of experiencing quality and creative time spent with a caring dad.

Beard in a BoxBeard_in_a_Box by Bill Cotter Book Cover
Written and illustrated by Bill Cotter
(Knopf BYR: $17.99, Ages 4-8)
Just when you think you’ve seen every kind of Father’s Day book, Beard in a Box arrives! A boy who is convinced the source of his dad’s coolness and power is his beard, decides it’s time to grow one of his own. Only he can’t, despite multiple imaginative efforts. Lo and behold, what should happen to be on TV while this lad is despairing his lack of facial hair – a commercial touting the amazing kid-tested, dad-approved Beard in a Box from SCAM-O. This simple five-step program appeared to work and there were all kinds of bristles available -from the Beatnik to the Biker, the Lincoln to the Santa. What the commercial failed to say was that after following all the required steps, the user had to wait 10-15 years to see results.

When little dude tells his dad how he was ripped off, he notices his father’s beard is gone. Can that mean his dad has lost his coolness? Maybe not with Cotter’s clever examples proving you can’t judge a dad by his beard! The hilarity of Beard in a Box begins with the cover and continues all the way through to the endorsements from satisfied Beard in a Box customers on the back cover: “Don’t take more than the recommended dose. Trust me on this.” – Bigfoot A not-to-miss new read for Father’s Day or any day you need a good laugh or your child yearns for a five o’clock shadow.

Dad SchoolDad_School book cover
Written by Rebecca Van Slyke
Illustrated by Priscilla Burris
(Doubleday BYR; $16.99, Ages 3-7)
Kids go to school to learn their ABCs so when a little boy’s dad says he also went to school, the youngster figures it had to be Dad school. Van Slyke and Burris have teamed up again after last year’s hit, Mom School, to bring readers a glimpse of all the skills a father must acquire to parent successfully.

“At Dad school, I think they learn how to fix boo-boos, how to mend leaky faucets, and how to make huge snacks …” There is a lot of wonderful humor in both the text and artwork that will not be lost on parents reading the story aloud, especially the parts about dads learning how to multi-talk or their failure to learn how to match clothes, brush hair, and clean the bathroom. Dad School is totally entertaining from start to finish, only I wish it hadn’t ended so soon. I loved the little boy’s imagination and am certain your kids will, too.

 

Monster_and_Son book coverMonster & Son
Written by David LaRochelle
Illustrated by Joey Chou
(Chronicle Books; $16.99, Ages 2-4)
Here’s a fresh take on Father’s Day, a look at the father/son dynamic from all kinds of monsters’ point of view. Filling the pages of this wild ride are yetis, werewolves, dragons, serpents and skeletons sharing their own special, often “rough and rowdy” type of love.

Chou’s visuals are modern. They feel bold and imaginative with colors perfectly suited for a monstrous read. LaRochelle has written Monster & Son using well-paced rhyme that adds to the various father/son activities featured on every page. Whether stirring up waves for a game of catch or frightening off a knight coming to the aid of a damsel in distress, these monster dads all have one thing in common, and though it may be giant-sized, it undeniably love.

 

The Most Important Thing: Stories About Sons, Fathers, and GrandfathersThe_Most_Important_Thing by Avi book cover
Written by Avi
(Candlewick Press; $16.99, Ages 10 and up)
This collection of seven short stories is sure to move middle grade readers and make them think about their own relationships with their fathers and grandfathers. According to the jacket flap, what the stories have in common is that they each explore the question: “What is the most important thing a father can do for his son?” Each story features a new character facing a different situation.

Stories flows easily one to the next meaning they can be read in one sitting or just one at a time. I’ve chosen three to highlight here. In the book’s opening story, Dream Catcher, Paul is an 8th grader who feels disconnected from his father. When circumstances require him to spend a week of school break with his estranged grandfather in Denver, Paul begins to understand the demons that have plagued his grandfather and caused the estrangement. Both Paul and his grandfather work together to forge a new relationship leaving the reader with hope that Paul’s father and grandfather may too at last be reconciled.

Beat Up introduces Charlie who has plans to attend a church dance despite a friend’s warning that gangs may be present. Though the dance goes off well, Charlie gets surrounded by a gang then beat up on his way home, only to be chastised by his unforgiving father for having pretended to be hurt and knocked out rather than fighting back and putting himself at greater risk. “Biderbiks don’t cry” is what Charlie’s dad believes, but Charlie is clearly not a coward for having sought a safe solution to his assault. Beat Up is a powerful tale of a son’s courage to speak up in the face of his father’s unjust fury.

Departed deals with the accidental death of Luke’s father before their camping trip that shakes up a family. When what appears to be the father’s ghost remains around the apartment, Luke realizes what he must do with his father’s ashes to set his soul free, and thus come to terms with his father’s passing. While there are not always happy endings, there are certainly realistic, satisfying, and sometimes heart wrenching conclusions offering much to learn from the various young men’s approach to life and the father/son dynamic.

Papa Seahorse’s SearchPapa_Seahorses_Search book cover
by Anita Bijsterbosch
(Clavis; $14.95, Ages 1-4)
A sturdy lift-the-flap counting book about a Papa Seahorse looking everywhere for his missing little seahorse. Numbers introduced range from 1-10 and the cast of characters making appearances behind and in front of the assorted flaps include a colorful puffer fish, sea turtles, angelfish, sea snake, crabs, a sea anemone, jellyfish, octopuses and shrimp. This book will provide interactive fun for pre-schoolers and toddlers alike.

 

Superhero_Dad by Timothy Knapman book coverSuperhero Dad
Written by Timothy Knapman
Illustrated by Joe Berger
(Nosy Crow; $15.99, Ages 3-7)
Kids will relate to the main character’s über admiration for his father in this rhyming read-aloud, Superhero Dad. Though not a new concept, the idea of a dad who can make a super breakfast though he’s only half awake, or make monsters disappear, is one that is always appealing to children. Coupled with comic book styled artwork, and a definitely cool die-cut cover, this humorous take on what qualities qualify for superhero-dom is a fast paced, fun read that is sure to please for Father’s Day.

 

Gator DadGator_Dad by Brian Lies book cover
Written and illustrated by Brian Lies
(Houghton Mifflin Harcourt; $17.99, Ages 4-7)
If you’re looking for something original, this is it. The father in Brian Lies’ Gator Dad knows how to show his kids a good time and that’s evident on every wild and wacky gator-filled page. Intent on squeezing in the most fun a day can offer with his three gator kids, Gator Dad can make roaming aimlessly in the park an adventure, make bath time the best time, and make bed time stories come alive. It’s obvious this dad gains the greatest joy giving his gator-all in everything he does with and for his children.

 

Additional recommended books include:

Be Glad Your Dad…(Is Not an Octopus!) 
Written by Matthew Logelin and Sara Jensen
Illustrated by Jared Chapman
(Little Brown BYR; $16.99, Ages 2-5)

Tell Me a Tattoo Story
Written by Alison McGhee
Illustrated by Eliza Wheeler
(Chronicle Books; $16.99, Ages 3-5)

  • Reviewed by Ronna Mandel
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The Goodbye Book by Todd Parr

THE GOODBYE BOOK
Written and Illustrated by Todd Parr
(Little, Brown Books for Young Readers; $17.00, Ages 3-6)

The-Goodbye-Book-cvr
The Goodbye Book written and illustrated by Todd Parr, Little, Brown Books for Young Readers ©2015.

Todd Parr, with his signature bold and bright style, gently approaches one of the toughest experiences of life with hope and the assurance of healing in The Goodbye Book.

Saying goodbye is never easy and sorting out the myriad emotions that arise from such an experience can seem impossible. At first glance, I felt Parr’s touching book was simply making the  “7 stages of grief” more accessible to children, but, in fact, the book deals with the issue of loss in a more in-depth and complex manner.

GoodbyeBookInt5
Interior artwork from The Goodbye Book written and illustrated by Todd Parr, Little, Brown Books for Young Readers ©2015.

Parr establishes a safe distance for children to relate to such scary feelings through his main character, the goldfish. As readers, we immediately sense the feeling of sadness after the goldfish is separated from his friend. Supporting characters, a girl and black & white dog, are also grieving. Through the simplicity of their expressions, you can feel a multitude of emotions; they don’t merely look sad but confused and even emotionally numb. At the same time, it’s important to note- herein lies the beginning of healing because the sadness is shared among friends.

But the pain of the loss is very fresh in the fish’s heart, so the range of emotions is wide: “You might be very sad. You might be very mad.  You might not feel like talking to anyone.” Your daily activities, like eating and sleeping, may be interrupted. You may also withdraw from activities you once enjoyed, like going to a birthday party. When you’re grieving doesn’t it seem everybody else is happy and living a perfect life? The celebration makes your sadness even more painful, and you think you’ll never be able to experience that kind of joy again. So when the goldfish drops the party hat and swims away from the party, we know exactly what he’s feeling.

The most touching page for me is when the fish sets a table for two “pretend[ing] it didn’t happen.” The expression on his face is heart wrenching, but through his sadness we readers realize–the fish is beginning to accept what has happened.  Through the passage of time and the memories of good times shared he “eventually …start[s] to feel better.”  We see positive changes in our fish’s behavior.  We see him reaching out to someone, talking to his friend, the dog, and expressing his feelings through drawing.  Most importantly, our hero’s actions show us there are things we can do to help with the coping process.  We need not feel ashamed of our feelings and can open up whenever we’re ready.  

The Goodbye Book can be used by parents and educators alike to talk about the spectrum of loss: from leaving behind a friend or relative who lives far away to the final farewell we experience when a loved one dies. As Parr shows us, healing is not a linear path from grief to happiness; acceptance takes time. In the end, the assurance of love is all we need to cope and recover. We find comfort in knowing that someone we love will be there to listen to us and hold us.

A gentle and loving approach to the tough subject of loss, Todd Parr’s The Goodbye Book is ideal for healing hearts.

  • Reviewed by Armineh Manookian
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