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Picture Book Review – Adam and His Tuba

 

ADAM AND HIS TUBA

Written by Ziga X Gombac

Illustrated by Maja Kastelic

Translated by Olivia Hellewell

(NorthSouth Books; $18.95, Ages 4-8)

 

 

 

Adam_and_His_Tuba_cover_Adam_leaving_circus_tent

 

 

Starred review – Foreword Reviews

 

The Von Trapeze circus family travels the world in their painted wagons performing to audiences who reward them with flowers and applause. But, not everyone in the family enjoys acrobatics, or applause, in Slovenian author Ziga X Gombac’s picture book Adam and His Tuba illustrated by Maja Kastelic.

 

Adam and His Tuba int1 Grandma Antonia breathing plumes of fire.
Interior spread from Adam and His Tuba written by Ziga X Gombac and illustrated by Maja Kastelic, NorthSouth Books ©2023.

 

 

I love how each family member’s first name begins with the letter ‘A.” There’s Grandma Antonia, who breathes blazing plumes of fire; Grandpa Angus who swallows swords; Papa Alexi and Mama Anastasia who bravely walk the tightrope; and twin sisters Aria, who rides a unicycle, and Alea who crawls into cannons. But what trick does the youngest son Adam perform?

Everything in the Von Trapeze family is just as it should be. Except … Young Adam is illustrated sitting alone in a tent surrounded by stage props and a unicycle while he’s reading what appears to be a book, but my guess is that it’s sheet music. The family tries desperately to get him to participate in the acrobatics. Grandma Antonia tried to spark an interest in fire-breathing. But it was no use. The reader sees a drawing of Grandma trying to put out the flame, as Adam stands behind her with his hands clasped together. Grandpa Angus tries to teach Adam how to handle a sword but instead finds his cape cut in half. It was no use.

 

Adam and His Tuba int2 Von Trapeze family closed the doors quietly.
Interior spread from Adam and His Tuba written by Ziga X Gombac and illustrated by Maja Kastelic, NorthSouth Books ©2023.

 

 

The Von Trapeze family gathers in a tent to try to come up with a solution. “He could iron everybody’s clothes and darn their socks,” one family member called out. “Why don’t we ask Adam what he likes doing?” The family wasn’t sure who called out that question, but as soon as it happened they heard a magical melody. Sitting on the bed with an enormous tuba was Adam. He played with so much skill. The family couldn’t believe what they were hearing and why didn’t anyone ever notice him before? The family had been so caught up in their own circus tricks they hadn’t paid much attention. The family felt awful but Adam wasn’t sad or mad. From that day forward the world-famous Von Trapeze circus family featured a new performer.

 

Adam and His Tuba int3 Adam and his tuba accompanies family circus act.
Interior spread from Adam and His Tuba written by Ziga X Gombac and illustrated by Maja Kastelic, NorthSouth Books ©2023.

 

This enchanting story about choosing your own path, even when it goes against the rest of the family, is a good message for young readers and a good conversation starter. What is right for one family member isn’t always right for another. The family realized they had been so focused on their own stuff they hadn’t noticed Adam. And when they eventually did, how wonderful that everyone could agree that Adam’s contribution to the circus made it that much better. Adding to the pleasure of this 40-page picture is the excellent artwork. Slovenian illustrator Maja Kastelic uses warm sepia colors throughout the story: black, gold, and orange, lovely bursts of light, and characters with red flushed cheeks that give the book an appealing historic vibe. A recommended read for kids who want to make their own kind of music in this world.

Find out more about the translator here.

  • Reviewed by Ronda Einbinder
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Picture Book Review for Grandparents Day – Mama Shamsi At The Bazaar

 

MAMA SHAMSI AT THE BAZAAR

Written by Mojdeh Hassani and Samira Iravani 

Illustrated by Maya Fidawi

(Dial BYR; $18.99, Ages 4-8)

 

Mama Shamsi at the Bazaar cover Grandmother and grandaughter walking to bazaar

 

 

Written by mother-daughter duo Mojdeh Hassani and Samira Iravani and illustrated by Maya Fidawi, Mama Shamsi At The Bazaar shares the loving bond between grandmother and granddaughter as they venture out to share a new experience together.

 

Mama Shamsi at the Bazaar int1 ready to go to bazaar
Interior spread from Mama Shamsi at the Bazaar written by Mojdeh Hassani and Samira Iravani, and illustrated by Maya Fidawi, Dial Books for Young Readers ©2023.

 

Getting ready to go to the bazaar with her grandmother for the very first time, Samira is afraid she’ll get lost in the crowd. Again and again, she tries to coax Mama Shams into letting her hide under the protection of her veil. “‘Let’s get in line, under your chador, you in front, me behind!’” But each time, Mama Shams responds with a resounding “Na, na, na” followed by an exaggerated explanation of how silly they might look to passersby. “‘I’d look like a fool with four legs below me just like a mule!” 

 

Mama Shamsi at the bazaar int2 Samira and Mama Shamsi near bazaar
Interior spread from Mama Shamsi at the Bazaar written by Mojdeh Hassani and Samira Iravani, and illustrated by Maya Fidawi, Dial Books for Young Readers ©2023.

 

Textually, this lovely rhyming interchange between grandmother and granddaughter adds much humor and whimsy, while also providing a place for young readers of all backgrounds to stay grounded in the story as Mama Shamsi suggests the different types of animals she may be mistaken for if she acquiesces to Samira’s wish.

 

 

Mama Shamsi at the Bazaar int3 Mama Shamsi tells Samira to use her eyes and ears
Interior spread from Mama Shamsi at the Bazaar written by Mojdeh Hassani and Samira Iravani, and illustrated by Maya Fidawi, Dial Books for Young Readers ©2023.

 

Visually, their conversation introduces readers to the bustling capital of Iran, Tehran. Fidawi’s expressive illustrations are wonderfully and thoughtfully detailed from home to city life during the 1960s/’70s, reflecting the time period author Hassani grew up there. My personal favorites include the seated vendor on the street, prayer beads in hand, and chai brewing on a portable burner next to him, a grandmother on the balcony of a nearby apartment hanging clothes to dry, and another vendor selling my favorite Iranian street food: steamed beets. When they finally arrive at the bazaar, Samira feels assured that with Mama Shamsi by her side, she is safe to enjoy and explore her new world. 

For those seeking an intergenerational, diverse, sweet, and/or humorous story with a touch of social-emotional learning, this picture book ticks off all of the boxes. A recommended read for National Grandparents Day and year-round.

  • Reviewed by Armineh Manookian
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Picture Book Review – Sora’s Seashells

SORA’S SEASHELLS
A Name Is a Gift to Be Treasured

Written by Helena Ku Rhee

Illustrated by Stella Lim
With Ji-Hyuk Kim

(Candlewick Press $17.99, Ages 4-6)

 

Sora's Seashells cover Sora and Halmoni at beach picking shells

 

 

Sora’s Seashells, written by Helena Ku Rhee and illustrated by Stella Lim with Ji-Hyuk Kim, is so much more than a beach or summer story. It’s a multi-layered, moving, and intergenerational picture book about a grandmother and granddaughter relationship. Gentle in tone with art that beautifully captures the book’s mood, the story is also about loss, and passing kindness forward to other’s lives, including strangers. Additionally, Sora’s Seashells addresses the meaning of a name and how it can bring joy.

 

Sora's Seashells int1 Sora and Halmoni comb for shells
SORA’S SEASHELLS. Copyright © 2023 Helena Ku Rhee. Illustrations Copyright © 2023 Stella Lim and Ji-Hyuk Kim. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

When Sora’s grandmother (Halmoni), visits each summer from South Korea, the pair spend special time together gathering seashells at the beach. Though lovely, the prettiest shell that Halmoni picks is intended for someone else. “It’s a gift,” Halmoni tells Sora, left “For anyone who sees its beauty.” Sora is a bit confounded at first. Parents, however, may explain to children being read the story what a thoughtful gesture Halmoni has made.

Not quite understanding the largesse in Halmoni’s action of spreading kindness, Sora tucks away a few of her favorite finds when she and Halmoni go back to the beach the next day. Later at home, Halmoni can be seen in art glancing from Sora’s bedroom door at her granddaughter who inspects her collection that brings her such happiness.

 

Sora's Seashells int2 empty bench at beach
SORA’S SEASHELLS. Copyright © 2023 Helena Ku Rhee. Illustrations Copyright © 2023 Stella Lim and Ji-Hyuk Kim. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

At the beginning of Kindergarten, some classmates tease Sora about her unusual name, wondering if it’s really supposed to be Sara. The bullies persist over several weeks but Sora chooses not to tell her parents. When she learns her Halmoni has passed away, she is beset by sadness for so many reasons all at once. Sad she’ll no longer be able to spend summers with Halmoni. Sad at remembering times together and the way Halmoni said Sora’s name. And sad how the bullies treated her at school. “I hate my name. I want to be Sara!” Sora tells her parents through a steady stream of tears.

A restorative trip to the beach and learning that her name means seashell in Korean, helps Sora get things in perspective. Most of all, Sora’s mom explains that Halmoni felt finding a perfect shell was like receiving a wonderful gift. Sora was that gift!

And if that doesn’t tug at your heartstrings, when Sora shares the meaning of her name at show and tell, and gives each of her classmates a shell, including those who’d teased her, my eyes welled up with tears. She knew she mattered, took the high road, and was rewarded. I was especially touched when Sora left her last shell on the bench at the beach exactly as Halmoni had. What a meaningful way to end the book.  The art, rendered in warm watercolor and finished digitally, is soothing and sensitive. Full of caring and love, hope, and kindness, Sora’s Seashells is the kind of feel-good read that is easy to recommend.

  • Reviewed by Ronna Mandel
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Picture Book Review – Just Like Grandma

JUST LIKE GRANDMA

Written by Kim Rogers

Illustrated by Julie Flett

(Heartdrum; $19.99; Ages 4-8)

 

 

Just Like Grandma cover grandmother and Becca

 

 

Written by Kim Rogers and illustrated by Julie Flett, Just Like Grandma invites readers to Becca and her grandparents’ home where Native American family traditions and cultural knowledge are lovingly strengthened and celebrated. 

 

Just Like Grandma int1 at the pow wow
Interior spread from Just Like Grandma written by Kim Rogers and illustrated by Julie Flett, Heartdrum ©2023.

 

Grandma creates beautiful things, and Becca is right behind her wanting to give each one a try. Whether Grandma is beading buckskin moccasins, dancing barefoot outside like a beautiful butterfly, painting “a colorful sunrise” inside her art studio, or dancing at the weekend powwow, Becca wants to be a part of her grandmother’s world. “More than anything, [she] wants to be just like Grandma.” In a heartwarming twist in the second half of the book, the roles change. This time “[m]ore than anything, Grandma wants to be just like Becca.” Watching her granddaughter play basketball, Grandma “sprints outside” and says, ‘Let me try.’” Grandma, too, wants to be a part of Becca’s world. 

Rogers’ lyrical and rhythmic text provides comfort and connection while Flett’s clean and simple earth-toned illustrations highlight the quiet strength of family bonds. Throughout their activities, Grandpa is present welcoming them back inside the home at the end of each day to nourish them with his homemade dishes:  corn soup, fry bread, and to:kic, a traditional Wichita meat dish. 

 

Just Like Grandma int2 Becca on the steps of the house
Interior spread from Just Like Grandma written by Kim Rogers and illustrated by Julie Flett, Heartdrum ©2023.

 

A publisher’s note, an author’s note, a glossary, and a note on beadwork can be found in the back matter of this story perfect for those seeking a heartfelt picture book about cultural heritage and intergenerational love.

  • Reviewed by Armineh Manookian

Click here forHeartdrum’s Educator Guide

 

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Five New Children’s Books for Pride Month

 

CHILDREN’S BOOKS FOR PRIDE MONTH

~ A ROUNDUP ~

Free Pride Clipart

 

Grandad's Pride cover Grandad carrying Pride flag at paradeGRANDAD’S PRIDE
Published in Partnership with GLAAD Series
Written and illustrated by Harry Woodgate
(Little Bee Books; $18.99, Ages 3-6)

Starred Review – Kirkus

Following up the success of Grandad’s Camper, is Grandad’s Pride featuring the same characters readers got to know previously. Much like that book, I was immediately pulled into this story by the folksy art and in this case, a focus on the inviting locale by the sea.

When playing in Grandad’s attic, Milly, who is visiting once again for the summer, stumbles upon Grandpa’s old Pride flag. Curious what Pride is, Milly gets a wonderful description from Grandad who used to participate in marches and other Pride events when Gramps was still alive. “Pride is like a giant party where we celebrate the wonderful diversity of our communities and demand that everyone should be treated with
equality and respect – no matter who they love or what gender they are.” After hearing how important Pride had been for Grandad, Milly suggests they go to the city to participate in the next Pride event, but Grandad no longer feels comfortable in the big city.

Milly proposes a locale parade in the village instead and soon the entire village is involved. Not only does her idea present the opportunity to get to make new friends, it also is a moving way to honor Gramps’ memory. Grandad leading the parade in his pink camper is a fitting way to kick off this new tradition and not even a brief downpour can curtail the festivities.

You’ll want to read this lovely picture book slowly to take in all the details that Woodgate has included from the slogans on the posters, the diversity of the primary and secondary characters and the big heart this story exudes on every page. I could easily live in this welcoming community and can’t wait to see what Milly and Grandad get up to next!

 

I Can Be Me! cover diverse circle of kidsI CAN BE … ME!
Written by Lesléa Newman
Illustrated by Maya Gonzalez
(Lee & Low; $19.95, Ages 4-7)

For starters, I want to point out illustrator Gonzalez’s art description on the credits page: “The illustrations are rendered with pencil, watercolors, colored pencils, and love.” If the inclusion of the word ‘love’ doesn’t speak volumes about the care and thought that went into creating this picture book, I don’t know what does.

Newman’s masterfully crafted rhyming couplets take the reader through spread after jubilant spread as readers follow the real and make-believe activities of six diverse and “splendiferous” children and one plucky pooch. Imagination rules as the youngsters try out dress up, and pretend play where anything except the judgment of adults is possible. “I can aim for the basket and practice my throws,/ or wear a pink tutu and twirl on my toes.” There is no need to label and no need to discuss gender, race, or religion. Prepare for pure enjoyment. Kids being “their true selves” is what’s celebrated on every delightful page of this recommended read.

Click here for a Teacher’s Guide

 

The Wishing Flower girls wishing on dandelionTHE WISHING FLOWER
Written by A.J. Irving
Illustrated by Kip Alizadeh 
(Knopf BYR; $18.99, Ages 4-8)

Starred Reviews – Kirkus, School Library Journal

This uplifting, inclusive picture book about making a like-minded friend and experiencing a first crush is getting a lot of buzz, and deservedly so. The cover alone conveys the pleasure these two girls find in each other’s company then the prose and art throughout continue to capture that emotion. Author Irving states in her website intro, “My deepest wish for my readers is for them to feel seen and special,” and The Wishing Flower beautifully accomplishes that.

We first meet Birdie as she’s wishing on a dandelion to find a friend who shares her interests. “Birdie felt inside out at home and at school.” She generally kept to herself clearly not connecting with other kids until … Sunny “the new girl” arrives in her class. With her nature name, Sunny, like Birdie, enjoys all the same things: reading, rescuing, and painting. The girls are drawn to each other and Birdie “blushed when Sunny sat next to her at lunch.” She knew she needed to be brave to pursue the friendship and looks for the biggest wishing flower. At recess playing Red Rover, Sunny calls for Birdie, and Birdie’s heart soars. That excitement is palpable in the warm, emotive illustrations that bleed off the page. When this wonderful day spent together with her new friend ends, it’s so rewarding as a reader to see the two happy souls have had their wishes come true.

 

You Need to Chill! cover curly haired girl in yellow heart sunglassesYOU NEED TO CHILL!:
A Story of Love and Family

Written by Juno Dawson
Illustrated by Laura Hughes
(Sourcebook Jabberwocky; $18.99, Ages 4-8)

“In the next ten years, I don’t think there will be many classrooms in America where there isn’t a gender-diverse child, and the rest of the students will have to be friends with that kid. And how to you manage that? You manage it like the child in the book does. With kindness and humor and inclusion and with playfulness.” According to bestselling author Dawson, this is the goal of her debut picture book and I appreciated her introducing the topic in a light-hearted way that emphasizes a people-not-gender-first approach to identity.

I love when a story begins with artwork only before the title page as it does here. The main character is walking with an older girl to school. Once the main character gets settled in, her classmates begin asking where her brother Bill is. They haven’t seen him in a while. This is a fun part to read aloud as the girl’s classmates take wild guesses about where her older brother can be. “Was he eaten by a WHALE or SHARK? Was he munched up just like krill?”/ “That simply isn’t true,” I say./ “And hey, you need to chill.” With inquiring young minds bombarding the girl with a constant flow of zany questions (illustrated as whimsically as those questions), the cool retort calms everyone down. The repetition of “Hey, you need to chill,” is catchy and I can imagine children being eager to say it along with the narrator. While the kids are curious and confused, they also say they’re concerned. I’m glad that was included.

The little girl tells her classmates that her older brother Bill is now Lily. She honestly explains how the change took getting used to but ultimately, as the art shows, she knows that Lily is still the same deep down inside and very loved. She’s her sister’s ally. And as such, together the two can tell anyone who has a problem with Lily being a trans girl to just chill.

While the rhyme is not always even, the spirit, energy, and humor of this important story about a transgender child coupled with the buoyant art carry it along and make You Need to Chill! a worthwhile, fulfilling, and accessible read. Read about genderspectrum.org, a charity working to create gender sensitive and inclusive environments for all children and teens.

 

DUCK, DUCK, TIGER
Written and illustrated by Brittany R. Jacobs
(Beaming Books; $18.99, Ages 4-8)

Lili felt she didn’t belong, like a tiger among ducks. And if people found out more about her, she was sure she’d be left alone. Her solution then was to be more like a duck. If she changed things about herself then she’d fit in. And no one would know any better. No one would know her secret.

There was a catch, however. Trying to be someone she wasn’t made Lili feel sad. It’s definitely not easy to pretend to be something you’re not. So, after realizing this, she needed to confide in someone, someone who’d make her feel safe. Lili “revealed her secret” to Gran. “Her heart really raced.” But Gran confirmed that no matter who Lili was, one thing was certain. She was loved. And she should feel proud of who she was. Afterall, “Not everyone is a duck, and not all ducks flock together.” What is important is being her authentic, unique self. It may be tough, but in time, Lili could rest assured that she’d find her pride.

I always enjoy a picture book that offers hope to any child in Lili’s position, so they’ll know that one day they will be welcomed by people who appreciate the real them. This powerful message of acceptance should resonate with many young readers who feel like the other for whatever reason, not simply for being queer. I was surprised to learn that Jacobs is a self-taught artist. The gentle green palette she uses works well with the purple of her alter-ego, the tiger. I will note that in places the meter of the rhyme is not perfect and the rhymes slant in spots where ‘day’ is paired with ‘stayed’ or ‘terrible’ with ‘unbearable.’ However, picture books such as this affirming one are needed to bring comfort to children with its beautiful message of letting “your heart be your guide.”

 

Click here to read a review of a fave Pride picture book from last year.

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Picture Book Review – Anzu and the Art of Friendship

 

ANZU AND THE ART OF FRIENDSHIP

Written by Moni Ritchie Hadley

Illustrated by Nathalia Takeyama

(Albert Whitman & Co.; $18.99, Ages 4-8)

 

Anzu_and_the_Art_of_Friendship_cover_friends_making_origami

 

REVIEW:

Patience and the practice required for paper folding (aka origami) offer the promise of friendship in Anzu and the Art of Friendship written by Moni Ritchie Hadley and illustrated by Nathalia Takeyama.

If your child isn’t already familiar with origami, this multilayered picture book provides a gentle introduction to the beloved Japanese art form while also tackling a topic that should resonate with young readers: making new school friends after moving. When Anzu starts a new school, “her stomach folds in knots.” At the same time, the teacher Mr. Lee informs the class they are beginning a unit on origami.

 

AnzuandtheArtofFriendship int1 mrlee introduces Anzu
Interior art from Anzu and the Art of Friendship written by Moni Ritchie Hadley and illustrated by Nathalia Takeyama, Albert Whitman & Co. ©2023.

 

Readers have already seen Anzu’s creations hanging in her bedroom courtesy of Takeyama’s bold and expressive art that appears to be digitally rendered. That, along with Ritche Hadley’s prose, lets us know from the first page that Anzu adores origami. It’s especially sweet when Anzu’s ojiisan (grandfather) gives her a tsuru (crane) for good luck. Maybe Anzu’s origami skills can help her forge new friendships with her classmates.

Pretty soon Anzu sees her good intentions go unappreciated. She is disappointed that her classmates look for an easy, often silly way out despite her offers of help. At night she explains to Ojiisan what’s been happening. He thoughtfully suggests she try to be patient. The next day is not much better. Anzu’s classmates seem frustrated and look for quick solutions such as scissors and tape. Again she complains to Ojiisan. He compares the skill of creating origami with that of making new friends. She needs to give it time. Still, Anzu is sad about her move and misses her old friends.

 

AnzuandtheArtofFriendship int2 classmate wearing hat dances
Interior spread from Anzu and the Art of Friendship written by Moni Ritchie Hadley and illustrated by Nathalia Takeyama, Albert Whitman & Co. ©2023.

 

Things look up for Anzu the next day when “Mr. Lee displays an origami frog figure.” Always an attention-getter, the frog inspires curiosity and joy. But Anzu’s classmate Alex is frustrated he cannot put the frog back together after he’s unfolded it. This time, after Anzu does all the required folding, creasing, etc., she demonstrates how it can hop. Instead of losing interest, Alex asks Anzu to show him how to do it. At last! Anzu also tells Alex that the frog or the Kaeru, “is a symbol of good luck and a safe return when traveling.” Alex realizes the Kaeru is something meaningful he can give to his father to take on his next business trip. His interest in the paper creation prompts Anzu to come up with fun ways to engage her formerly reluctant classmates (see illustration above), and it works! Folding leads to friendship and Anzu’s spirits soar.

All the work involved in making origami as well as the symbolism of each figure serve as perfect metaphors for this book’s themes of perseverance, empathy, and kindness. Young readers will rejoice when they see how Anzu has truly mastered the art of friendship. They’ll also see the rewards of not giving up, whether that involves sticking with a tough project or trying to make a new friend. While in real life these things may take a little longer, the positive message conveyed in Anzu and the Art of Friendship makes this book easy to recommend.

The special meaning of the origami figures included in the story is explained in the back matter.

  • Reviewed by Ronna Mandel

BUY THE BOOK:

Support a local independent bookshop by clicking here to purchase Anzu and the Art of Friendship.

FIND THE AUTHOR AND ILLUSTRATOR ON SOCIAL MEDIA:

MONI –

Click here for Moni’s website.

https://www.instagram.com/bookthreader

https://www.twitter.com/bookthreader

https://www.facebook.com/bookthreader

 

NATHALIA –

Click here for more about Nathalia.

https://www.instagram.com/natztak

https://www.twitter.com/natztak

https://www.facebook.com/nathalia.takeyama/

Read a guest post by Moni about her debut picture book, The Star Festival.

Find out about The Star Festival here.

 

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Children’s Picture Book Review – My Grandpa, My Tree, and Me

MY GRANDPA, MY TREE, AND ME 

Written by Roxanne Troup

Illustrated by Kendra Binney

(Yeehoo Press; $17.99, Ages 4-8)

 

My Grandpa My Tree and Me cover granddaughter grandfather sit beneath pecan tree

 

There’s a timeless, feel-good quality to Roxanne Troup’s debut fiction picture book My Grandpa, My Tree, and Me, illustrated by Kendra Binney. After finishing it, I wanted to sit back and imagine myself in the bucolic surroundings where the story takes place.

Binney’s appealing artwork transported me to a pecan orchard for the first time where the action unfolds as a little girl spends time with her grandfather and narrates, “My grandpa planted a tree for me on the day I was born.” She also tells us that, despite having an orchard full of pecan trees, Grandpa’s favorite tree is that particular one, thus establishing the strong bond these two characters share.

 

My Grandpa, My Tree, and Me int1 girl and grandpa spreading mulch
Interior spread from My Grandpa, My Tree, and Me written by Roxanne Troup and illustrated by Kendra Binney, Yeehoo Press ©2023.

 

Through changing seasons starting in winter when it’s pruning time, and the annual growth cycle of the orchard, we learn how pecans mature and are harvested. At the same time, the special relationship between the child and her grandpa exudes from the warm, muted illustrations coupled with Trout’s lyrical prose. I especially felt that each time I read the lovely repeating phrase “But not my tree.” In spread after spread the young girl describes how the other pecan trees are treated en masse as part of the commercial harvesting process, while hers receives individualized care from her grandpa. Together the two tend to her tree with love and respect which also serves as a metaphor for their relationship.

 

My Grandpa My Tree and Me int2 prepping pecans for harvester
Interior illustrations from My Grandpa, My Tree, and Me written by Roxanne Troup and illustrated by Kendra Binney, Yeehoo Press ©2023.

 

At last, when the husks open, it’s harvest time. The joy is palpable on the page. Then “Grandpa attaches a padded arm to his tractor. It hugs the trees’ trunks and shakes until leaves and twigs and pecans rain down.” When it’s her turn and with Grandpa there to savor the experience, the girl uses a long pole to make the pecans drop. The orchard’s pecans will be collected by the harvester for sale but the girl’s pecans will be baked into a scrumptious pecan pie. And, not to spoil the beautiful ending, suffice it to say that Troup and Mother Nature’s miraculous cycle of growth delivers a delightful and very satisfying dénouement in this touching layered tale.

 

My Grandpa, My Tree, and Me int3 eating pecan pie time
Interior illustrations from My Grandpa, My Tree, and Me written by Roxanne Troup and illustrated by Kendra Binney, Yeehoo Press ©2023.

 

 

Troup, who is not a newcomer to writing, knows how to tell an engaging and tender story while infusing interesting information into it, clearly owing to her extensive nonfiction background. The pacing of My Grandpa, My Tree, and Me moves forward easily like the seasons in the orchard. There’s a soothing rhythm to the language that makes the book an ideal read any time of the day, including bedtime. Did you know that pecans are considered a native nut to North America? Find an All About Pecans note detailing the history of the commercial pecan industry along with a helpful glossary in the back matter.

Download a free teacher’s guide here.

  • Reviewed by Ronna Mandel

 

NOTE: I’m thrilled that Roxanne is a reviewer at this blog so subscribe today so you don’t miss her thoughtful coverage.

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Three Picture Books for Ramadan and Eid al-Fitr

 

PICTURE BOOKS FOR RAMADAN AND EID AL-FITR

~ A ROUNDUP ~

 

 

 

 

Moon's Ramadan cover kids on balcony cheering moonMOON’S RAMADAN
Written and illustrated by Natasha Khan Kazi 
(Versify; $18.99, Ages 4-8)

Starred Review – School Library Journal

I’m a big fan of personification in picture books so I was curious how Kazi would bring the moon to life in her new Ramadan story. In her debut, she shows a cheerful crescent moon grinning at a diverse group of Muslims across the planet.

Ready for a month of peace and fasting from sunrise to sundown, people are busy cleaning and preparing. Moon’s view of celebrants takes us first to Egypt, then to Turkey. We learn the early morning meal is called Suhoor. The daylight hours are devoted to good deeds and kindness. When Moon glances down at Indonesia, it’s time to break the fast at Iftar. Here we’re treated to a spread of a dining room table filled with all the delicious foods of the holiday including dates. In the United Kingdom, Moon lights the way for children “delivering baskets of dried fruit and honey-soaked pastries.” Zakat, or charity during Ramadan, is discussed by leaders of the community in New Zealand. One example is by putting coins in sadaqah jars for those in need.

As the days pass, Moon grows fuller. So by the time this story reaches Somalia, it is full, signaling the halfway mark of the holiday. An Iman leads worshippers in the nightly prayer of Taraweeh. One of my favorite spreads, in rich purples and blues, is about breaking bread with people of different faiths. Set in the United States. Moon has reached its last quarter and is shaped like a loaf of bread that has risen. In Dubai Moon gets a glimpse of smiles and hennaed hands. A gorgeous star-lit outdoor scene greets a new Moon in Argentina as she “magically melts into mulberry and lavender hues.” People fill the streets as the month of fasting nears its end. First India for Chaand Raat, the night of the moon, and then for our return back to where everything in Kazi’s picture book began, in Egypt for the joyful Eid al-Fitr festivities. The positive energy of Kazi’swarm art, achieved using scanned watercolor textures and digital pencil, and uplifting prose pulsates from the pages!

The endpapers depict the phases of the moon and back matter includes an Author’ Note, a Ramadan Glossary, illustrations of different foods, and Ramadan items such as the lantern, the sadaqah jar, the traditional skullcap, and more. A rewarding read now and for years to come!

 

The Night Before Eid cover grandmother hugging grandchildTHE NIGHT BEFORE EID
Written by  Aya Khalil
Illustrated by Rashin Kheiriyeh

(Christy Ottaviano Books; $18.99, Ages 4-8)

 Starred Review – Kirkus

Introduce your children to Eid al-Fitr, the Muslim holiday that begins with a crescent moon above, by sharing this heart-warming new picture book.

Zain is so excited that Teita has finally arrived from Egypt. Everyone will help her make the delicious dessert called ka’ak that she is known for. She’s brought along special ingredients, too. The mouth-watering cookies take time and patience to make and though Zain is eager to get started, author Khalil takes us back to Egypt via several fabulous flashback spreads to when Zain’s Mama and Teita were younger. That was a time when the whole family would stay up all night to bake the ka’ak and then offer them as gifts to others. Those three pages of recollections convey the significance of this tradition that Zain’s family continues.

Zain brings the cookies to school where they are a hit even with his class’s pickiest eater. This is a super scene because it’s inclusive—there’s a student in a wheelchair, a Black student, a White student, one girl in a headscarf, and one boy wearing a yarmulke. When Zain’s teacher wants the recipe he is filled with pride. Wait until he tells Teita! You can feel the love emanating from the huge hugs and smiles he shares with his teita once home.

The charming illustrations, which include a lively kitty popping up in fun poses and places, have a childlike quality that I find appealing and feels so right for this story. They were created using mixed media including acrylic, oil, ink, spray paint, crayon, and pencil on watercolor paper. The saturation of colors such as pink, orange, and teal adds vibrancy to this tale that is already so full of life.

Seeing the scenes when Mama was a child helps reinforce how the memories of time spent together during the holiday are a cherished part of the experience. Young readers are treated to not only the history of ka’ak going back to the pharaohs’ rule but to the fun involved when everyone pitches in now to help prepare them. Khalil’s prose makes us almost taste their sweetness and shows how important it is to honor this joyful tradition. Six pages of back matter end the book with an explanation of Eid, a ka’ak time line, lovely author photos, and a recipe to try your hand a ka’ak making. Don’t miss this timeless intergenerational story!

 

Zahras Blessing cover girl wishing on the moonZAHRA’S BLESSING
Written by Shirin Shamsi
Illustrated by Manal Mirza
(Barefoot Books; Available in Hardcover $17.99, Paperback $9.99, + Spanish, Ages 4-9)

I loved where this wonderful story went and how the title can be interpreted to refer to more than one blessing that occurs in Zahra’s Blessing. One clue is given in Nirza’s beautiful cover artwork.

The story begins at bedtime with the main character, Zahra, telling her teddy bear that during the Ramadan moon, her mama says “… blessings are all around us during this month.” So Zahra prays for a sister, someone to bake with. I’m adding play with, read to, and love because it’s clear Zahra is a girl full of love.

One blessing during the holiday is to give to others so along with her Mama, Zahra chooses clothing to box up and donate. Afterward, she realizes that she cannot find Teddy, her stuffed animal, despite a thorough search. This loss weighs on her. A sister could help her look for Teddy.

When they bring their items to a refugee shelter, they will also spend time there volunteering. And though Zahra is missing her beloved Teddy, her mother explains the shelter residents have lost so much more since fleeing their homelands. That helps Zahra understand their difficult circumstances. Mama introduces Zahra to “someone special,” a young refugee named Haleema who is painting. This a second clue kids might not pick up on. They may also not get that Haleema refers to her parents in the past tense. Her Baba was an artist she tells Zahra. Her mama was an architect. Here I must note I did wonder if kids will infer Haleema’s parents had died. What is clear is that Zahra and Haleema bond over painting, reading stories, and then breaking the fast together. Soon it was time to go home and I was moved when Zahra longs to find Teddy so she can give him to Haleema who was sad to see her new friend go. Moments like this demonstrate Zahra’s maturity and humanity.

Over Ramadan, Zahra and Haleema spend more time together, growing closer every day. Just before “Eid Day dawned dazzling bright” Zahra’s parents share a delightful secret with her which readers ultimately learn a few spreads later. Zahra’s wish for a sister has come true in the most wonderful way so when Eid festivities end, this family of three grows to a family of four with Haleema! There was no denying the blessing of Ramadan that Zahra’s family could feel.

The two pages of back matter explain the holiday, and its customs, and also address displacement, shelters, and foster care. The interconnectedness of Shamsi’s lyrical writing with Mirza’s jewel-toned, ebullient art makes this a standout story for children. Zahra’s Blessing presents a story of empathy, kindness, and the joy of giving in an engaging and accessible way while beautifully blending the richness of Ramadan and Eid.

  • Reviewed by Ronna Mandel
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Children’s Book Review – Gracie Brings Back Bubbe’s Smile

 

GRACE BRINGS BACK BUBBE’S SMILE

Written by Jane Sutton

Illustrated by Debby Rahmalia

(Albert Whitman & Co.; $17.99, Ages 4-8)

 

GracieB rings Back Bubbes Smile cover girl with grandma

 

Author Jane Sutton and illustrator Debby Rahmalia’s picture book, Gracie Brings Back Bubbe’s Smile, was easy to enjoy. It brought me back to my childhood as I recalled all the Yiddish words my parents and other relatives used when I was growing up. I knew conversations were about money when I heard them use the word gelt. When kinder was mentioned, they were talking about me, my brother or my cousins. Yet this book is so much more than a book to introduce Yiddish to young readers. It’s a sweet, thoughtful story about how Gracie comes up with a way to help her grieving Bubbe (grandma) following her Zayde’s (grandfather) death.

Rather than come right out and tell Bubbe what she’s doing, Gracie uses her genuine curiosity to take her grandmother’s mind off her husband’s death by having her focus on something else. What a mature approach!

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Interior spread from Gracie Brings Back Bubbe’s Smile written by Jane Sutton and illustrated by Debby Rahmalia, Albert Whitman & Co. ©2022.

 

Gracie may not have been grieving to the extent that her Bubbe was, but she still felt the loss. Her late Zayde had taught her many things and she missed spending time with him. And she could not help but notice how sad Bubbe was. So when Bubbe told her she didn’t feel like drawing a picture together and called her Bubala, recalling how  “Zayde and I loved using Yiddish words together,” Gracie grew interested in finding out more.

 

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Interior spread from Gracie Brings Back Bubbe’s Smile written by Jane Sutton and illustrated by Debby Rahmalia, Albert Whitman & Co. ©2022.

 

By asking Bubbe to teach her Yiddish words, Gracie is able to help her grieving grandmother engage and at the same time continue doing something meaningful. They can spend time together as Bubbe shares more Yiddish words and their meanings while keeping the memory of Zayde alive. In the end, not only does Gracie bring back Bubbe’s smile, but she also bonds with her in joyful new ways that heal them both. Sutton’s tenderly written multigenerational story of bereavement and healing is treated with care in Rahmalia’s cheerful illustrations that depict Bubbe’s loving relationship with her granddaughter. With its unique Yiddish angle, this picture book is a thoughtful, educational, and accessible read for children processing a loss.

  • Reviewed by Ronna Mandel
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Halloween Picture Book Review – So Not Ghoul

 

SO NOT GHOUL

Written by Karen Yin

Illustrated by Bonnie Lui

(Page Street Kids; $18.99, Ages 4-8)

 

 

So Not Ghoul cover

 

 

Rod Stewart’s “You Wear It Well” is the song that crossed my mind as I read So Not Ghoul, the multi-layered picture book written by Karen Yin and illustrated by Bonnie Lui where the main character Mimi learns to embrace her uniqueness and cultural identity.

 

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Interior spread from So Not Ghoul written by Karen Yin and illustrated by Bonnie Lui, Page Street Kids ©2022.

 

Mimi is a Chinese American ghost who haunts a school but feels constrained by the outdated demands of her ancestors. “Good Chinese girl ghosts must cover their faces with their hair,” says Baba, her father. Her other ancestors say, “They must stick out their tongues,” and the list goes on, much to Mimi’s dismay. She knows she must abide by their restrictions but …

 

So Not Ghoul int2 ancestor rules
Interior spread from So Not Ghoul written by Karen Yin and illustrated by Bonnie Lui, Page Street Kids ©2022.

 

what they all add up to is one “So not ghoul” ghost girl. Her ghoulmates seem to have what it takes to scare school kids. Mimi, on the other hand, dressed in an old Chinese gown from her great-great-great-great-great-ghost grandmother is told by the others she “couldn’t scare a scaredy-cat.” In an attempt to fit in, Mimi’s idea for a new look fails miserably. At school, she is bullied by the ghoul gang and the outfit also offends her ancestors.

The next day, the biggest ghoul bully, Lisette, appropriates Mimi’s original antique gown look, hoping she’ll be told she wears it better. Readers will cheer when the bully’s plan backfires. Not only does Mimi call Lisette out, but her ancestors “glow with pride” after she speaks up. She’s found more than her voice.

A happy ending ensues when at last Lisette looks inward (is that possible for a ghost?) and apologizes for her ghoulish behavior. Mimi and Lisette call a truce and now the new friends can focus their attention on the school’s open haunted house. Yin has filled the story with engaging wordplay and with conversation starters at many different levels. So Not Ghoul can be approached for bullying and prejudice, culture appropriation, diversity and bicultural pride as well as multigenerational families or simply a rewarding girl-power ghost story. Lui’s jewel-toned and textured art colorfully conveys Mimi’s moods, ideal for this spirited story!

  • Reviewed by Ronna Mandel

 

 

 

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Picture Book Review – Until the Blueberries Grow

 

UNTIL THE BLUEBERRIES GROW

Written by Jennifer Wolf Kam

Illustrated by Sally Walker

(PJ Publishing; $8.99; Ages 5-8)

 

Until the Blueberries Grow cover

 

 

In the sweet picture book, Until the Blueberries Grow, it’s time for Ben’s great-grandpa to move—into a home he can care for on his own. But Ben is not ready to say goodbye. Maybe Zayde (Yiddish for grandpa) can stay until the blueberries grow . . . or the grapes are ripe . . . or the snow falls . . . or the flowers bloom.

 

Until the Blueberries Grow int1
Interior spread from Until the Blueberries Grow written by Jennifer Wolf Kam and illustrated by Sally Walker, PJ Publishing ©2022.

 

From Kirkus: “Ben tries to convince his great-grandfather to stay in his house just a little longer as the two celebrate a yearly cycle of Jewish holidays together. This sweet story of family abounds with food, flowers, and quality time with loved ones.”

Until the Blueberries Grow int2
Interior illustrations from Until the Blueberries Grow written by Jennifer Wolf Kam and illustrated by Sally Walker, PJ Publishing ©2022

 

As a loving great-grandfather, Zayde always seems to find a reason to spend a little more time at home with his great-grandchild.

Until he can’t.

 

Until the Blueberries Grow int3
Interior spread from Until the Blueberries Grow written by Jennifer Wolf Kam and illustrated by Sally Walker, PJ Publishing ©2022

 

Sally Walker’s expressive art pairs perfectly with Jennifer Wolf Kam’s dialogue-driven storyline to depict a beautiful, multigenerational relationship between Ben and Zayde. This charming story would make an excellent introduction to Jewish terms and holidays, yet it’s the universal challenge of dealing with change that makes this story relatable to any child, regardless of religious affiliation.

  • Reviewed by Roxanne Troup

 

Click here for a reading guide.

 

 

 

 

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Picture Book Review – Amah Faraway

AMAH FARAWAY

Written by Margaret Chiu Greanias 

Illustrated by Tracy Subisak 

(Bloomsbury Children’s Books; $18.99, Ages 4-8)

 

Amah Faraway cover

 

Starred Reviews – School Library Journal, Shelf Awareness

 

Cultural connections, intergenerational love, and adventure-seeking await readers in author Margaret Chiu Greanias and illustrator Tracy Subisak’s touching Amah Faraway

Since “[v]ideo chats [aren’t] the same as real life,” Kylie is nervous about visiting her Amah who lives so far away in Taipei, despite their weekly time together online. Once they arrive, Amah encourages Kylie to explore the city together,  “Lái kàn kàn! Come see!” But Kylie finds everything strange:  Amah’s apartment, dining with her extended family, city life, the night market. Everywhere they go, Kylie hesitantly “trail[s] behind Amah and Mama.”

 

Amah Faraway int1
Interior art from Amah Faraway written by Margaret Chiu Greanias and illustrated by Tracy Subisak, Bloomsbury Children’s Books ©2022.

 

But on the day they visit the hot springs, something changes for Kylie. Dipping her toe in the warm water, she relishes in the joy of that moment and, in the days to follow, all the other experiences Taipei has to offer. From this point on, Greanias cleverly flips the lines of the story, repeating the same lines as the first part, but this time in reverse order with slight changes in context and punctuation to emphasize Kylie’s wholehearted embrace of the culture around her. 

 

Amah Faraway int2
Interior art from Amah Faraway written by Margaret Chiu Greanias and illustrated by Tracy Subisak, Bloomsbury Children’s Books ©2022.

 

Amah’s welcoming refrain has now become Kylie’s. “Lái kàn kàn!” she calls out to Amah and Mama as she leads them to the places Amah has taken her before, only now Kylie sees them with fresh, new eyes. Energetic lines in a soft color palette weave through the book which includes Taiwanese Mandarin text in speech bubbles inviting readers to join in on the fun. 

Included in the back matter are the Taipei sights mentioned in the story,  meanings behind Taiwanese foods, and a note from both the author and illustrator about their experiences visiting their own grandmothers in Taiwan.

An engaging story set in a vibrant, diverse city, Amah Faraway illustrates how to face your fears by leaning on familial love.

  •  Reviewed by Armineh Manookian
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Picture Book Review – The Boy and the Sea

THE BOY AND THE SEA

Written by Camille Andros

Illustrated by Amy Bates

(Abrams BYR; $17.99, Ages 6-8)

 

 

 

 

Written by Camille Andros and illustrated by Amy Bates, The Boy and the Sea is a contemplative, thought-provoking story that depicts growing up as the ebb and flow of questions not easily answerable. 

The story begins with the main character, a little boy, who lives by the sea. Like the sea, the boy is sometimes “dark and dangerous” and at other times “tranquil and tender.” These descriptors become refrains as we watch the boy grow from his elementary and adolescent years into adulthood, wondering and wrestling all the while with the thoughts that surface with each life stage

 

TheBoyandtheSea int03
Interior spread from The Boy and the Sea written by Camille Andros and illustrated by Amy Bates, Abrams BYR ©2021.

 

Lifelong friends who know each other intimately, the boy and the sea feel “the pull of something more,” something bigger. This deep dive into life’s purpose and meaning leads to many questions. “Some … [have answers] … but many [do] not.” The boy is drawn back to the sea for answers that, in turn, pull him deeper still into life’s mystery. Andros’ sparse and lyrical text combined with Bates’ sometimes calming, other times distressing blue palette encourage us readers to pause and hone our skills in listening, examining, and learning. 

 

TheBoyandtheSea int07
Interior spread from The Boy and the Sea written by Camille Andros and illustrated by Amy Bates, Abrams BYR ©2021.

 

While children in the older picture book age range will pick up on the book’s self-reflective nuances, younger readers will find intrigue in its quiet, meditative pull. The Boy and the Sea is a great bedtime read to let go of a racing mind and wind down from a busy day. 

  •  Reviewed by Armineh Manookian
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The Star Festival or Tanabata Matsuri – A Guest Post by Moni Ritchie Hadley

FIND OUT IN THIS GUEST POST

WHY DEBUT AUTHOR MONI RITCHIE HADLEY

CHOSE TO WRITE ABOUT THE STAR FESTIVAL 

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StarFestival CVR

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Starred Review – School Library Journal

THE STAR FESTIVAL, also known as the Tanabata Matsuri, takes place in Japan on the seventh day of the seventh month. It is celebrated on July 7th in regions following the gregorian calendar and August 7th of the lunar calendar.

I researched many beautiful landscapes and images, knowing that one would eventually become the backdrop of my story. Which were my top choices, and how did I choose?

Hanami Matsuri, the Cherry Blossom Festival, takes place in the Spring determined by the sakura, or cherry blossom, forecast in particular regions. Sometimes performances and tea ceremonies are performed under the trees, but the main activity is to picnic under the pink-blossomed sky.

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Hanami Festival
“Hanami Festival” by dvdhaven :-) is licensed under CC BY-NC-ND 2.0

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Hina Matsuri has many names, the Japanese Doll Festival, Girl’s Day, and the Peach Festival, due to the time of year that it’s held-March 3rd. Originally, dolls made of paper and straw were sent down a river to set misfortunes adrift. In modern times, fancier dolls displayed inside homes invite prosperity and happiness.

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 Hinamatsuri Japanese Doll Festival or Girls' Day
“Japanese Doll Festival, Girls’ Day: Hinamatsuri, Kyoto; ひな祭り、ひな人形、京都” by Nullumayulife is licensed under CC BY 2.0
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Yuki Matsuri, the Sapporo Snow Festival, is celebrated in Hokkaido, a colder region of Japan. Famous for its ice sculptures, this modern-day festival began in 1950 when a group of high school students sculpted snow figures in Odori Park. Contests are held every February and attract visitors from all over the world.
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Yuki Matsuri Japanese Ice Temple photo by Aaron Quigley
“Yuki-Matsuri Japanese Ice temple” by Aaron Quigley is licensed under CC BY-NC-ND 2.0
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The festival that became the backdrop to my story is equally beautiful to all of these mentioned. It was the folklore behind the Star Festival that drew me in. Orihime and Hikoboshi, two star-crossed lovers, forbidden to see each other but once a year, cross the Milky Way bridge and meet on the day of the Tanabata, offering a parallel to Keiko, my main character, crossing a sea of celebration to find her Oba or grandmother.

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Keiko's bridge The Star Festival
Interior spread from The Star Festival written by Moni Ritchie Hadley and illustrated by Mizuho Fujisawa, Albert Whitman & Company ©2021.
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In a few days, you can celebrate the Tanabata Matsuri in your home or town. Gaze at the stars and make a tanzaku (paper wish) to hang on a tree.

Wishes come true at the Star Festival!

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             • Guest Post by Moni Ritchie Hadley
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Author Website: MoniRitchie.com
On Twitter and Instagram – @bookthreader
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Illustrator Website: Mizuho Fujisawa
On Instagram @mizuhofujisawa
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Kids Picture Book – Bella’s Recipe for Success

 

BELLA’S RECIPE FOR SUCCESS

Written by Ana Siqueira

Illustrated by Geraldine Rodriguez

(Beaming Books; $17.99, Ages 4-7)

 

 

Bella's Recipe for Success cover

 

 

It only takes a quick glance at the title to know that we’re in for a treat! In Bella’s Recipe for Success, the debut picture book by Ana Siqueira, we can assume that Bella, the Latina main character, will be engaging in disastrous recipes, resulting in a delicious and successful outcome.

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int art pg5-6 Bellas Recipe
Interior art from Bella’s Recipe for Success written by Ana Siqueira and illustrated by Geraldine Rodriguez, Beaming Books ©2021.

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The story begins with Bella and her Abuela in the kitchen. As her siblings brag about piano playing and cartwheeling, Bella wonders about herself. She attempts to discover her own talents but loses hope and resigns herself to not being good at anything. Taking comfort with her Abuela, she asks to make polvorones con dulce de leche. To Bella’s surprise, her brother and sister make mistakes too. So she persists. Sometimes the dough is hard as a rock. Other times it crumbles apart. But Bella keeps trying. She beats, blends, stirs, and bakes her way to success! In the end, she realizes that she is good at more than baking polvorones!

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int art pg7-8 Bellas Recipe
Interior spread from Bella’s Recipe for Success written by Ana Siqueira and illustrated by Geraldine Rodriguez, Beaming Books ©2021.

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Ana Siqueira does a great job writing language that reads quickly and light in the spirit of cheering Bella up. She creates delightful similes comparing her somersaults to jirafas rolling downhill and dulce de leche to cocodrilo skin. Spanish words are easily understood through context and round out the setting in the Latinx, intergenerational home. Playful images by illustrator Geraldine Rodriguez also capture Bella’s emotional journey making this an engaging book for young readers.

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int art pg13-14 Bellas Recipe
Interior spread from Bella’s Recipe for Success written by Ana Siqueira and illustrated by Geraldine Rodriguez, Beaming Books ©2021.

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This book reinforces that everyone makes mistakes and that they are okay and even necessary to achieve success. It is el perfecto libro for kids who might need a little boost in confidence.

A sweet bonus: The polvorones con dulce de leche cookie recipe at the end of the story. Are you ready to put your baking talents to the test?

BUY THE BOOK

Order signed copies of BELLA’S SECRET FOR SUCCESS here.

or from the publisher here: Bella’s Recipe for Success | Beaming Books

 

SOCIAL MEDIA

Find more about Ana and her books at: https://anafiction.com/

Twitter: https://twitter.com/SraSiqueira1307

Instagram: https://www.instagram.com/asiqueira1307/?hl=en

Goodreads: https://www.goodreads.com/author/show/20267025.Ana_Siqueira

Pinterest: https://www.pinterest.com/asiqueira1307/_saved/

ABOUT THE ILLUSTRATOR

Twitter:  @GeryRdz
Instagram: @geryrdzart
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