Famous Historical Figures

An Interview with Beth Anderson Author of Tad Lincoln’s Restless Wriggle

 

AN INTERVIEW WITH

BETH ANDERSON

AUTHOR OF

TAD LINCOLN’S RESTLESS WRIGGLE:

PANDEMONIUM AND PATIENCE IN THE PRESIDENT’S HOUSE

ILLUSTRATED BY S. D. SCHINDLER

(CALKINS CREEK; $18.99, AGES 7 to 10)

 

 

Tad Lincoln's Restless Wriggle cover

 

 

 

SUMMARY

Tad Lincoln’s boundless energy annoyed almost everyone but his father, President Abraham Lincoln. But Tad put that energy to good use during the tough times of the Civil War. Abraham Lincoln guided Tad’s wriggle on visits to hospitals, to the telegraph office, and to army camps. Tad greeted visitors, raised money for bandages, and kept his father company late into the night. This special and patient bond between father and son was plain to see, and before long, Tad had wriggled his way into the hearts of others as well. Beth Anderson and S. D. Schindler follow Tad’s antics during the Civil War to uncover the generous heart and joyful spirit that powered Tad Lincoln’s Restless Wriggle.

 

INTERVIEW

Colleen Paeff: Hi Beth! Congratulations on a busy couple of years! If I’m not mistaken, your debut picture book, An Inconvenient Alphabet: Ben Franklin and Noah Webster’s Spelling Revolution, came out in 2018 and by the end of 2023, you will have eight picture books out in the world, all nonfiction! That’s amazing! How do you manage to be so prolific?

Beth Anderson: Thank you, Colleen! It’s all very surreal! I don’t feel prolific. It takes me a long time to get a manuscript in shape. I think the surge for 2022 is due to a few manuscripts that I had worked on earlier that are finally making it out in the world, along with a scheduling change. I feel like my production of new stories has slowed as I learn to juggle more tasks. Only three of the eight technically qualify as nonfiction, but I think all but one will be shelved as biographies.

 

CP: Your books have covered stories from the 18th, 19th, and early 20th centuries. When you started writing for children did you know you would focus on mostly true stories from history or has your career evolved that way over time?

BA: I started off playing with fiction. But when I worked on a story I’d become familiar with in college (which sat in my head for a very long time!), I found my niche with historical stories. I love the discovery of little-known bits of history that open your eyes to a wider understanding of the world. The bonus of humor is irresistible. And ultimately, if a story opens your heart, too, that’s the best!

 

Tad Lincoln int1 goat sled
Interior spread from Tad Lincoln’s Restless Wriggle written by Beth Anderson and illustrated by S. D. Schindler, Calkins Creek ©2022.

 

CP: Do you have a favorite time period to write about?

BA: While I don’t have one favorite, I find the era surrounding the American Revolution fascinating. It may be because there is so much more there than what made it into textbooks and curriculum. There are so many contradictions and ironies, and so many aspects of revolution playing out in people’s lives. I love that Hamilton, the musical,  has brought intense interest to that time along with new ways of looking at it. Suddenly history is popular culture! Gotta love it!

 

CP: Absolutely! I love that Tad Lincoln’s Restless Wriggle shows readers a side of Abraham Lincoln that we don’t usually see in books. How did you discover this sweet relationship and what made you decide it would make a good book?

BA: I started out looking into Tad Lincoln as the instigator of the first presidential turkey pardon. (Lincoln had previously granted a pardon to one of Tad’s toy soldiers. 😄) When I dug deeper looking for the heart of the story, I discovered the very tender relationship between father and son. Each provided the other with what they desperately needed. Tad provided joy and hope when his father was in the depths of despair. And Papa patiently guided Tad with love and understanding when everyone else just wanted to shut him down. It was powerful to see a child play such an important role, and that became the heart of the story. For me, the goal is always to find the humanity in history, to connect as people. Seeing Lincoln as a caring father is a great reminder that historical figures are much more complex than the images we usually encounter.

 

CP: In the back matter you mention that the book focuses on one year in Tad Lincoln’s life. Why did you choose to limit yourself to one year and what made you choose 1863?

BA: As I collected stories of the two, I found a sort of transformation of Tad in 1863. By focusing on that year, I could eliminate some of the other Lincoln events, like Willie’s death and the assassination, and really hone in on Tad and Papa. I found an arc of events that took Tad from disruptive, to well-intentioned annoying, to slowly finding ways to appropriately help his father and others. The turkey pardon became a culminating event in which Tad found his voice and agency.

 

CP: What are some of your favorite stories about Tad that didn’t make it into the book?

BA: One that was cut—he sawed up the dining room table and used barrel staves to construct rocking chairs for the Old Soldiers’ Home. His toolbox disappeared after that one.

There are stories about Tad and Willie playing with the bell system in the President’s House and causing problems. They also played on the roof with pretend cannons, and they found all sorts of fun stuff in the attic. Tad used to ride his pony as “security detail” to accompany his parents in the carriage. There are many touching anecdotes that helped me get to know him.

 

CP: What fun stories! What do you hope readers will take away from Tad Lincoln’s Restless Wriggle?

BA: I hope children will see goodness and capableness in themselves and others despite what might appear to be annoying behavior or uncomfortable differences. To me, the story is about perspectives, too. Incapable boy vs a child with learning differences.  Undisciplined trouble vs unbridled good intentions. The President’s House vs home.

 

Tad Lincoln int art2 errands
Interior art from Tad Lincoln’s Restless Wriggle written by Beth Anderson and illustrated by S. D. Schindler, Calkins Creek ©2022.

 

CP: How do you go about finding little-known stories from history? Do you have any favorite resources?

BA: I subscribe to various news feeds, keep my eyes and ears tuned for possibilities, and often find something while I’m looking into a different topic. I explore history sites sometimes, but there’s no one place.

 

CP: How do you keep your research organized?

BA: I’ve slowly developed my system. I use a spiral for gathering information. I label the first page Table of Contents and use what has become a standard list of things I know I’ll need – like sources, contacts, title ideas, structure ideas, key concepts/themes, back matter possibilities, teacher ideas, timeline, character details, and much more. I need to be able to sort what I find into usable categories and capture ideas as they pop so I can locate those pieces when I need them. I did a post on my blog a few years ago called Organization Optimization. I often buy used copies of books I need so I can mark them up. I copy or print a lot of articles and relevant pages to have in hand. I keep all my accumulated pieces in a pocket file.  [see the photo of spiral below]

 

 

TAD spiral TofC
Table of Contents page for Tad Lincoln’s Restless Wriggle from Beth Anderson’s spiral notebook courtesy of the author.

 

CP: That sounds like a terrific system! I will definitely be stealing some organization ideas from you! What are some of the most surprising things you’ve learned in researching your books—all of them, not necessarily just the most recent?

BA: Now that I think about it, I think they are all about something that surprised me—like Ben and Noah’s efforts to change our spelling and “Smelly” Kelly’s nose. I guess that’s a lot of what draws me to a story.

A few tidbits. I was surprised to learn that Black men could have served on a jury in New York in 1855. To attend court, Elizabeth Jennings’ family would have had to walk across the ice to get from Manhattan to Brooklyn in February 1855. I was totally shocked that James Kelly pulled a 30” eel out of a subway sink drain. There are phones in the subway tunnels marked by blue lights. Horns were used as hearing aids—per S. D. Schindler’s illustration in Tad’s story. I didn’t know that men paid bounties for others to serve in their place in the Continental Army. (So really, the wealthy finding a way out of military service is nothing new. Actually, I get those surprises often, that some of the problems and situations we have are really nothing new.) Every story is full of surprises. There are the ones that bring you to the story, and then so many more as you write and vet for accuracy.

 

CP: Those kinds of surprises are what I love about writing nonfiction! What’s next for you, Beth?

BA: 2022 is a busy year with three releases! REVOLUTIONARY PRUDENCE WRIGHT: LEADING THE MINUTE WOMEN IN THE FIGHT FOR INDEPENDENCE, illustrated by Susan Reagan, releasing Feb. 1, and FRANZ’S PHANTASMAGORICAL MACHINE, illustrated by Caroline Hamel, releasing May 3 are up for pre-order now. CLOAKED IN COURAGE: UNCOVERING DEBORAH SAMPSON, PATRIOT SOLDIER, illustrated by Anne Lambelet, comes out Nov. 15.

I’m on pins and needles waiting to see what Jeremy Holmes does for our 2023 release, THOMAS JEFFERSON’S BATTLE FOR SCIENCE: BIAS, TRUTH, AND A MIGHTY MOOSE. And there’s another title in process, as yet unannounced.

 

CP: Incredible! I look forward to reading them all! Thank you so much for taking the time to chat.

BA: Thanks so much for inviting me to share TAD LINCOLN’S RESTLESS WRIGGLE with your readers! I’m honored!

 

Beth Anderson Headshot
Beth Anderson Photo ©Tina Wood Photography

BRIEF BIO

Beth Anderson, a former English as a Second Language teacher, has always marveled at the power of books. With linguistics and reading degrees, a fascination with language, and a penchant for untold tales, she strives for accidental learning in the midst of a great story. Beth lives in Loveland, Colorado where she laughs, ponders, and questions; and hopes to inspire kids to do the same. She’s the award-winning author of TAD LINCOLN’S RESTLESS WRIGGLE, “SMELLY” KELLY AND HIS SUPER SENSES, LIZZIE DEMANDS A SEAT!, and AN INCONVENIENT ALPHABET. Beth has more historical picture books on the way, including three more stories of revolution, wonder, and possibility in 2022.

 

BUY BETH’S BOOKS HERE

Click here or here for orders and pre-orders.

SOCIAL MEDIA LINKS

Website: bethandersonwriter.com

Twitter: @Bandersonwriter

Instagram: @Bandersonwriter

Pinterest: @Bandersonwriter

Facebook: https://www.beth.anderson.33671748

 

ABOUT INTERVIEWER COLLEEN PAEFF:

Colleen Paeff is the author of The Great Stink: How Joseph Bazalgette Solved London’s Poop Pollution Problem (Margaret K. McElderry Books), illustrated by Nancy Carpenter, and Rainbow Truck, co-authored with Hina Abidi and illustrated by Saffa Khan (available in the spring of 2023 from Chronicle Books).

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Five Recommended Reads for Kids – Black History Month 2021

 

FIVE CHILDREN’S BOOKS FOR BLACK HISTORY MONTH

∼A ROUNDUP∼

 

BlackHistoryMonthgraphic clipart

This year choosing books to include in our Recommended Reads for Kids – Black History Month Roundup has been more difficult than ever because there are dozens of excellent ones being published and more on the way. Here is just a small sample of great reads, from picture book to graphic novel to young adult fantasy that are available for kids and teens to enjoy.

 

 

TheABCsofBlackHistory cvrTHE ABCs OF BLACK HISTORY
Written by Rio Cortez
Illustrated by Lauren Semmer
(Workman Publishing; $14.95, Ages 5 and up)

A NEW YORK TIMES BESTSELLER
★Starred Review – Kirkus

The ABCs of Black History is the kind of inspiring book children and adults will want to return to again and again because there is so much to absorb. In other words, it’s not your mother’s ABC book. Written in uplifting rhyme by Pushcart Prize-nominated poet Rio Cortez, this gorgeous 60-page picture book is at once a look back in time and a look to the future for young Black children. However it is recommended reading for children of all races and their families.

Cortez has shined a lyrical light on places, events and figures familiar and less familiar from Black history with comprehensive back matter going more in depth. Take H for example: “H is for Harlem—those big city streets! / We walked and we danced to our own jazzy beat. / When Louis and Bessie and Duke owned the stage, / and Langston and Zora Neale Hurston, the page.” J is for Juneteenth and S, which gets double coverage, is for scientists and for soul. Adding  to the hopeful tone of Cortez’s rhyme are Semmer’s bold and vibrant graphics which jump off the page. The dazzling colors pull you in and the variety of composition keep you hooked.

The ABCs of Black History is a book you’ll want to read together with your young ones and let your older children discover and savor on their own. It’s not only a visual and aural treat, it’s a sweeping celebration and exploration of Black culture and history that is beautiful, compelling, thought provoking and thoroughly unputdownable!
• Reviewed by Ronna Mandel

 

WE WAIT FOR THE SUN
Written by Dovey Johnson Roundtree and Katie McCabe
Illustrated by Raissa Figueroa  
(Roaring Brook Press; $18.99, Ages 4-8)

★Starred Reviews – Booklist, Kirkus, and Publishers Weekly

Adapted from the final chapter of Dovey Johnson Roundtree’s autobiography Mighty Justice, We Wait for the Sun is an intimate look at a tender moment in Dovey’s childhood. The book opens with a preface about the main character, Dovey, who grew up to be a legendary figure in the fight for racial equality-all through the influence of her beloved grandmother, Rachel Bryant Graham. Dovey loved to share stories of Grandmother Rachel; this book is the story she loved best. 

In “the midsummer night” when it’s “dark and cool,” Dovey and her grandmother walk “through the darkness toward the woods” to pick blackberries. Lyrical language and textural illustrations awaken the senses and draw us into their adventure.

Other women join in and the trip goes deeper still into the forest. Staring at Grandma’s shoes, Dovey is literally following her grandmother’s steps into the darkness. But Grandma Rachel provides comfort and reassurance. “If you wait just a little, your eyes will learn to see, and you can find your way.” 

Through such examples of wisdom and encouragement, it’s clear to see why Grandma Rachel was such an inspiration to Dovey and her later work as a civil rights lawyer. As they sit in the forest and listen to its  “thousand sounds,” a double page spread shows an aerial view of their meditative moment, immersed in the magic of their surroundings. 

And when they reach the berries, they’re every bit worth the wait-plump, juicy, and sweet-like the lush layers of purple, blue, and pink illustrations that display a beautiful berry-colored world as dawn, bit by bit, turns to day. Wrapped in each other’s arms, Grandma and Dovey watch the sun rise in its golden splendor. Grandma’s steadfast waiting for the light, despite the present darkness, is a moving message of hope, resilience, and bravery.

Back matter includes an in-depth note from co-author Katie McCabe chronicling Dovey’s fight against barriers in the law, military, and ministry. For anyone interested in the powerful ways family and history intersect, We Wait for the Sun is a must-have in every library.  • Reviewed by Armineh Manookian

 

Opening the Road coverOPENING THE ROAD:
Victor Hugo Green and His Green Book
Written by Keila V. Dawson
Illustrated by Alleanna Harris
(Beaming Books; $19.99, Ages 4-8)

While white Americans eagerly embarked on carefree car travel around the country, in 1930s Jim Crow America the road was not a safe or welcoming place for Black people. In Opening the Road: Victor Hugo Green and His Green Book, Keila V. Dawson explores the entrepreneur Victor Green and his successful The Negro Motorist Green Book which was borne out of dire need.

Young readers will learn about the limitations that were in place restricting the freedoms of Black Americans to have access to the same conveniences whites did due to segregation laws. For instance, a road trip for a Black family meant bringing food, pillows, and even a portable toilet since most establishments along a route were for whites only. The same applied to hotels, service stations, auto-mechanics and even hospitals. And in “Sundown” towns, where Blacks could work but not live, those individuals had to be gone by sunset or risk jail or worse.

In this fascinating 40-page nonfiction picture book, Dawson explains in easy-to-understand prose exactly what obstacles faced Black travelers and why Green, a mail carrier, together with his wife Alma, decided to publish a directory. Inspired by a Kosher guide for Jews who also faced discrimination, Green began collecting information from people on his postal route about where safe places were in New York.

Eventually, with word-of-mouth expanding interest in Green’s book, he began corresponding with mail carriers nationwide to gather more recommendations for The Negro Motorist Green Book on more cities. Soon everyone from day-trippers to celebrities were using the Green Book. Green even made a deal with Standard Oil for the book to be sold in Esso gas stations where it “flew off the shelves.” Harris’s illustrations take readers back in time with colorful, realistic looking scenes of big old cars, uniformed service station attendants and locations in Black communities that opened their doors to Black travelers. Apart from a break during WWII, the book was sold until the need for it finally ended with the last edition in 1966-67.

Equality both on and off the road was the ultimate goal for Black Americans. That may have improved somewhat from when the first Green Book was published in 1936, but Victor did not live to see the Civil Rights Act of 1964 enacted, having passed away in 1960. However there is still a long road ahead because, unlike Victor’s Green Book, racism has not disappeared and being Black while driving can still be dangerous, even deadly.

Dawson dives into this in her five pages of back matter that include a clever roadway timeline graphic from the beginning of Green’s life in 1892 until the Green Book ceased publication. This is a helpful, thoughtfully written book to share with children to discuss racism, and a good way to begin a discussion about self-advocacy, ingenuity, and how to treat one another with respect. It’s also a welcome example of how Green channeled his frustration and dissatisfaction into a guide that ultimately changed people’s lives for the better. Click here for an essential Educator’s Guide. • Reviewed by Ronna Mandel

 

black cowboys cover origBLACK HEROES OF THE WILD WEST
Written and illustrated by James Otis Smith
with an introduction by Kadir Nelson
(Toon Books; HC $16.95, PB $9.99, Ages 8+)

Junior Library Guild Selection
★Starred Review – Booklist

Kadir Nelson, in his interesting introduction to James Otis Smith’s graphic novel Black Heroes of the Wild West points out that cowboys, ranchers, homesteaders and other people from the Old West (west of the Mississippi River “during and after the American Civil War”) were historically portrayed in books, movies and TV through a white lens. In reality up to “a third of the settler population was African American.” I couldn’t wait to find out more about Mary Fields, known as “Stagecoach Mary” in her day, Bass Reeves, the first black Deputy U.S. Marshal west of the Mississippi, and “mustanger” Bob Lemmons, perhaps the original Texas horse whisperer.

All three individuals were forces to be reckoned with. First there’s Mary Fields, born into slavery in Tennessee. In her lifetime, she maintained fierce loyalty to friends, loved children, was generous to a fault, and had strength and energy second to none. She’s most noted, however, for her reputation as a banjo strumming, card playing, first African American female stagecoach driver who never missed a delivery and was not easily thwarted by wolves or bad weather.

I was blown away learning about Bass Reeves’s bravery in outwitting some murderous outlaws on the Most Wanted List. In the account Smith shares, Reeves single-handedly put himself into a dangerous situation by turning up as an impoverished loner looking for any kind of work to earn his keep. By cleverly offering up his services to the mother of the villains, earning her trust, and ultimately that of the bad guys too, he was able to capture them completely off guard. This plus thousands of other arrests cemented his place in history. The best part was how Smith’s illustrations conveyed Reeves in the particular scenario of capturing the outlaws by surprise which in turn surprised and satisfied me immensely.

Last but definitely not least is Bob Lemmons who was hired to corral wild mustangs and whose humane technique was not deadly to any of the horses, something other mustangers had not been able to manage. Smith takes readers on a journey of the senses along with Lemmons as he follows a group of mustangs he intends to wrangle, and details in both art and text how eventually Lemmons becomes one with the stallion leading the “manada” (mares and colts). “Bob knew their habits, their body language, their sounds. Like them, he flared his nostrils sniffing for danger.” You don’t have to be a horse lover to be impressed how Bob’s slow and steady approach made the mustangs think he was one of them.

Eight comprehensive pages of fascinating back matter round off this excellent middle grade read that will no doubt have tweens eager to find out more about these and other Black heroes. • Reviewed by Ronna Mandel

 

The Gilded Ones coverTHE GILDED ONES
by Namina Forna
(Delacorte Press; $18.99, Ages 12 and up)

★Starred Review – Booklist
A NEW YORK TIMES BESTSELLER

The Gilded Ones is book one of a West African-inspired epic fantasy series that will grab you from its first page. When girls turn sixteen, they must undergo The Ritual of Purity where they are bled to see if they can become a member of their village. However, if a girl’s blood runs gold, then she’s found impure and faces a fate worse than death. If Deka’s father had the money, he would have sent her to the House of Purity the year before the ritual, keeping her protected from sharp objects. Instead, Deka must be careful while she worries and prepares.

When Deka fails, she’s tortured until a mysterious woman she names White Hands offers an option out. The empire’s being attacked by seemingly invincible Deathshriek creatures. Deka becomes an alkali soldier fighting alongside other girls like her with powers that make them nearly immortal.

Namina Forna says, “The Gilded Ones is a book about my anger at being a woman. Sierra Leone was is very patriarchal. There were things I was expected to do as a girl because I was a girl.” This emotion is harnessed into the story, revealing societal inequities in an intricately woven plot that will surprise and enflame you.

Deka has the best “sidekick” ever—a shapeshifter called Ixa. Though there are elements of romance, it’s strong females who rule the plot. This book provides a fresh look at the “gods and goddesses” trope. The Gilded Ones is fierce, brutal, and relevant. Read it. • Reviewed by Christine Van Zandt (www.ChristineVanZandt.com), Write for Success (www.Write-for-Success.com), @ChristineVZ and @WFSediting, Christine@Write-for-Success.com

 

Click here to read another Black History Month review.
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Additional Recommendations:

Ruby Bridges This Is Your Time by Ruby Bridges (Delacorte Press)
The Teachers March! by Sandra Neil Wallace and Rich Wallace w/art by Charly Palmer (Calkins Creek)
Stompin’ at the Savoy by Moira Rose Donohue w/art by Laura Freeman (Sleeping Bear Press)
Overground Railroad by Lesa Cline-Ransome w/art by James Ransome (Holiday House)
R-E-S-P-E-C-T: Aretha Franklin, the Queen of Soul by Carole Boston Weatherford w/art by Frank Morrison (Atheneum BYR)
Finding a Way Home by Larry Dane Brimner (Calkins Creek)
Changing the Equation: 50+ Black Women in STEM by Tonya Bolden (Abrams BYR)

 

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Kids Book Review for Women’s History Month – Remarkable Women

WOMEN’S HISTORY MONTH
A ROUNDUP OF THE BEST BOOKS FOR KIDS

 

The wonderful thing about nonfiction biographies is that, when done well, they will take us on a journey full of facts, stories, and struggles that will not only enlighten us but also keep us glued to the page, even when we know the outcome. The following books we’ve selected to share for Women’s History Month are excellent examples of recent biographies about extraordinary, trailblazing women whose legacies are enduring and whose contributions remain invaluable serving as powerful role models for generations to come. Find out more about Hedy Lamarr, Susan B. Anthony and Ada Byron Lovelace below.

 

cover art by Katy Wu from Hedy Lamarr's Double Life by Laurie WallmarkHEDY LAMARR’S DOUBLE LIFE: 
Hollywood Legend and Brilliant Inventor
Written by Laurie Wallmark
Illustrated by Katy Wu
(Sterling Children’s Books; $16.99, Ages 5 and up)

Wallmark’s chosen a fascinating woman to profile in her illuminating picture book biography of Hedy Lamarr. The Hollywood legend was more than dazzlingly beautiful actress, she was a secret inventor whose “greatest invention was the technology known as frequency-hopping spread spectrum” which has played a crucial role in keeping “our cell phone messages private” and keeping our computers hack-free. Although she knew she was more than just her looks, Lamarr chose to hide this talent from public and didn’t sell her inventions.

Born in Austria in 1920 (100 years after Susan B. Anthony), Hedy was a curious child who, when other kids would likely be out playing, was pre-occupied with how things worked. Her father encouraged her interest in science and technology which no doubt had a positive impact on the young girl. She also had a love of cinema and pretending so it was no surprise she gravitated towards a career in the movies. “I acted all the time … I was a little living copybook. I wrote people down on me.”  Eventually doors opened for Hedy when a famous film producer offered her a seven-year film contract. She left her homeland for the bright lights of Hollywood, had her name changed to Hedy Lamarr from Hedwig Eva Maria Kiesler and went on to star in films with some of the industry’s most popular leading men including Jimmy Stewart and Clark Gable.

With her wondering mind at work all the time, even after a day of filming, Lamarr always was thinking about a way to improve on things already in existence or to create something new. That was especially true during WWII. So when she met composer George Antheil, a former weapons inspector, she learned from him that the U.S. Navy, like the European ones, had trouble with the enemy jamming their weapons’ radio signals. Hedy wondered if there was a way to counter this. With the piano as the impetus for a new idea, Hedy thought there might be a way to change frequencies like playing the same keys on a piano in different octaves, and by doing so build a secure torpedo guidance system. And so, after a lot of hard work, they did. Together with Antheil they shared their invention and were told it was “red-hot” but it still needed more work to operate effectively. While the pair eventually received their patent, the Navy “refused to develop” this ground-breaking technology and even classified it as secret so no one else could use the idea. Ultimately they never earned a penny from this breakthrough.

Undeterred by her thwarted efforts to help her adopted homeland, Hedy found success by getting behind the war bond effort, selling millions. Lamarr also took time to meet with servicemen at the Hollywood Canteen and pitched in any way she could. She retired From the movie business in the late 50s and only in the last twenty years has been earning the recognition long overdue. Wu’s artwork is just the right amount of subject and space, and pulls us into every illustration, my favorite being the one where Lamarr and Antheil first meet at a dinner party. Her simple depictions of Lamarr’s big green eyes, sculpted nose and brown hair are terrific. Wallmark’s added a “Timeline” and “Secrets of the Secret Communications System” in the back matter for young readers to learn more about “jam-proofing” technology. I love how even the endpapers are filled with artwork and details about Lamarr. Plus readers will find a “Selected Bibliography,” “Additional Reading About Other Women in Stem” and a list of “Hedy Lamarr’s Films.” Award-winning author Wallmark’s also written picture book biographies about Ada Byron Lovelace and Grace Hopper.  Add Hedy Lamarr’s Double Life to the list of must-read biographies.

Susan B Anthony The Making of America by Teri Kanefield book cover image and artSUSAN B. ANTHONY:
The Making of America #4
Written by Teri Kanefield
(Abrams BYR; $16.99, Ages 10-14)

Prepare to be impressed by the tireless commitment and inroads Susan B. Anthony made for women’s suffrage as detailed by Teri Kanefield in Susan B. Anthony: The Making of America, book #4 in this inspiring series in which each volume “tells the story of an American leader who helped shaped the United States” that we know today. My review copy is so dog-eared to mark the countless passages I wanted to return to. What Kanefield successfully does from the Prologue forward is thoughtfully convey the most important aspects of Anthony’s life so kids will see the evolution of her beliefs beginning with her Quaker upbringing, her teaching years and all the way through to her time lecturing across America as an abolitionist and women’s rights activist.

What comes across to the reader is that Anthony, born in 1820, prior to the Victorian era, from an early age held strong convictions that everyone should be treated as equals. At that time in our country’s history women were supposed to raise families and keep their noses out of politics and practically everything else unless it concerned homemaking. They were only allowed to work in a limited amount of jobs: teacher, seamstress or nanny. They were prohibited from owning property and, in the case of estrangement in a marriage, the man gained custody of the children. In fact, it was not uncommon for a man to have his wife committed to an insane asylum if he wanted out of the marriage.

The immoral slave trade was the most divisive issue, even among Quakers at that time. To Anthony, people of color as well as women were not second class citizens, destined to remain subservient to white men. This was considered a radical idea in the early 19th century and she did not have an easy path as she tried, along with her friend and fellow activist, Elizabeth Cady Stanton, to bring about change and a new amendment to the Constitution giving women the vote. Frederick Douglass was a friend with whom she worked to help first abolish slavery and then gain constitutional protection for free slaves. However, before slavery was abolished and even after, prominent politicians and leaders cautioned her to put her agenda for women’s rights on hold. This was unacceptable. Anthony, along with her friend and staunchest ally, Stanton, challenged the notion that women had to forgo their wants and needs and remained determined “to ride roughshod over obstacles, ignore critics, and take help wherever they could get it.” The support of Anthony’s large family was a constant throughout her life and I wonder how she’d have managed without them during the numerous times she was broke or in debt. Her intelligence and quick wit made her the ideal person to speak on behalf of the suffrage movement but it’s worth noting that she also gravitated towards defending anyone whose rights were being abused.

This well-researched biography is filled with maps, photos, flyers, posters and advertisements that help paint a picture of American society during Anthony’s life. Even something like a lady’s corset could be symbolic of the self-imposed restrictions 19th century women placed upon themselves due to societal norms that a woman should have an hourglass figure. “Girls as young as seven were laced into overly tight corsets.” Also included are Notes, a Time Line, Selected Writings of Susan B. Anthony, a Bibliography, Acknowledgments and an Index.

By the time she died at age 86, four states allowed women to vote but it wasn’t until President Woodrow Wilson and the start of WWI that an amendment to give women the vote would gain traction, ultimately becoming the 19th Amendment to the U.S. Constitution, also called the Susan B. Anthony amendment, in 1920, fourteen years after her death. Kanefield’s invaluable biography paints a portrait of an American hero whose convictions  changed the course of American history

 

book cover illustration from Dreaming in Code Ada Byron Lovelace Computer PioneerDREAMING IN CODE
Ada Byron Lovelace, Computer Pioneer
Written by Emily Arnold McCully
(Candlewick Press; $19.99, Ages 12 and up)

I told everyone about Ada Byron Lovelace after finishing Dreaming in Code. I had heard her name in regards to code but it ended there. I knew nothing of the back story that led to this brilliant woman’s presaging today’s computer era almost two centuries ago!

Ada Byron Lovelace was born in England at the end of 1815, just five years before Susan B. Anthony. Augusta Ada Byron, was the daughter of the celebrated poet George Gordon, Lord Byron, and his “prim, religious” wife, Anne Isabella Noel, called Annabella, a woman of wealth and intelligence. The couple did not remain together due to his philandering and squandering of money among other things so Ada, as she became known, was raised by a single mother. Annabella was a self-centered hypochondriac yet quite philanthropic at the same time and left it to nannies, governesses and tutors to raise her child while she spent time away visiting her newly inherited holdings and helping the coal miners under her employ. McCully engagingly details how Ada flourished from her education although she remained removed from society until her mother deemed it necessary to find her a husband.

Around this time Ada met Charles Babbage, “famous inventor, philosopher (as scientists were then called) and mathematician”  who held Isaac Newton’s chair at Cambridge University. Theirs was to be a long and intense, though completely platonic, relationship as they discussed big ideas since both were passionate about math and science. Their friendship provided Ada with the outlet she needed for stimulation. However things grew complicated when she married William, Lord King who became the Earl of Lovelace and soon became a mother. Though not as cold as her own mother, Ada, too, found it difficult to parent when her loyalties lay elsewhere. These chapters were some of the most fascinating ones yet sad at the same time. She often felt ill and, as was common in the early 19th century, was prescribed Laudanum, a tincture of opium viewed as a cure-all. That addiction had to have contributed to her early death at age 37.

As Countess of Lovelace, Ada mixed with a cross-section of society and attended talks on science given by brilliant minds of the era such as Michael Faraday. Ada also wanted to help Babbage and his Analytical Engine and at the same time make her own mark in the science and math fields. Here’s where her genius shone through. While Babbage saw his invention as “arithmetical and numerical, rather than algebraical and analytical,” Ada believed the machine could do more than compute … “that numbers were symbols and could represent other concepts, is what makes Babbage’s engine a prototype-computer.” Sadly, Lovelace lived in era when women were overshadowed by men and women’s freedoms were limited. We can only begin to imagine what miraculous achievements she’d have made had she only lived longer.

With the very readable Dreaming in Code highlighting her meticulous research, McCully has shed light on Ada Byron Lovelace, an important historical figure whose contributions to the field of STEM are finally getting the recognition they deserve. I recommend this young adult nonfiction book for anyone seeking to get a better understanding of the era in which Lovelace lived and how she was inspired to think outside the box.

 

  • Reviewed by Ronna Mandel

 

Read about the friendship of Susan B. Anthony and Frederick Douglass here.
Read another book, Dare The Wind, illustrated Emily Arnold McCully here.

 

 

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Frederick’s Journey and an Interview with London Ladd

FREDERICK’S JOURNEY:
THE LIFE OF FREDERICK DOUGLASS
An Interview With Illustrator London Ladd

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Written by Doreen Rappaport
Illustrated by London Ladd
(Disney/Jump at the Sun; $17.99, Ages 6-8)

What’s the first thing I noticed when picking up my review copy of Frederick’s Journey: The Life of Frederick Douglass? The piercing eyes of Douglass in illustrator London Ladd’s cover portrait and the absence of a title on the front. Then, gripped by the story, I devoured the book, not once, but twice in my initial read throughs of this expertly crafted picture book. Part  of the Big Words series, Frederick’s Journey effortlessly pairs Rappaport’s thoughtful biography of this former slave turned author, abolitionist and ultimately free man with Douglass’ actual words. “Douglass had traveled far – from slave to free man, from illiterate to educated, from powerless to powerful. It had been a difficult journey.” The book ends with this quote from Douglass, “What is possible for me is possible for you.” As a picture book, Frederick’s Journey is brought to life by Ladd’s inspiring artwork. I’ve interviewed this talented illustrator once before, but felt compelled to reach out again, this time for his insight on creating the illustrations and what working on the book meant to him.

An Interview with London Ladd

GRWR: Please tell us how you came to be connected with this project?

London Ladd: The publisher contacted my agent at Painted Words, Lori Nowicki, to see if I would be interested. I read the title of the manuscript [and] the answer was a definite yes. Once I read the through the manuscript I was so moved by it, so eager to get started.

GRWR: How do you decide what medium you’ll use for each book you illustrate and what did you choose for Frederick’s Journey and why?

LADD: For my illustration career I’ve primarily use acrylic with minor touched of pastels and colored pencils on illustration board if necessary. People says acrylics are challenging to use, but I love its flexibility because you can make it look like watercolor with layered thin washes or heavy opaque application like oils. It’s something I’ve always been comfortable using and quick drying is excellent for fast approaching deadlines.

GRWR: You mention in the back matter Illustrator’s Note how deep you dove into the research to really understand your subject including actually posing yourself in front of a mirror and reciting lines. Was there any particular text from Rappaport or quote from Douglass that you found most inspiring for this story’s artwork?

LADD: Rappaport’s text was so excellent with the way she gracefully combined her text with Douglass’ own quotes. But his autobiography was so powerful because you’re getting a first hand account in all its detail of his experience as a slave during the 19th century. Each page was filled with so much raw, honest, brutal, heart breaking material. So many vivid images would pop into my head from sadness, anger.

GRWR: Was there one particular image in the book that most resonated for you?

LADD: I think the first three images [see below] as a whole really resonate for me deeply due to the range of emotions and sounds I hear from the heart wrenching scream of Frederick’s mother as he’s being taken from her, the peacefulness of the river when he’s fishing with his grandmother, and his low weeping as he suddenly realizes his grandmother is gone and now his new life begins in the institution of slavery.

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Interior artwork from Frederick’s Journey: The Life of Frederick Douglass by Doreen Rappaport with illustrations by London Ladd, Disney/Jump at the Sun ©2015.

 

GRWR: You travelled to a lot of places in Douglass’s history, which place made the biggest impression on you?

LADD: Wow it’s so hard to pick one. Visiting his home in Anacostia was powerful. But I’ll have to go with a trip to Rochester in 2006. During my last semester in college I enrolled in an African American religious history course and the final was this amazing project where you had to travel to historical locations involved in the Underground Railroad in and around the Central New York area like Harriet Tubman’s grave and church in Auburn, NY. Well it happens that Douglass’ grave at Mount Hope Cemetery (Susan B. Anthony is buried there, too) in Rochester NY was on the list. The cemetery is huge and his grave is by the front street nearby so vehicles drive by constantly so it can be a little noisy. When walking to his grave it was so quiet with only a slight wind blowing. Being at his gravesite was moving. I just stood there silently for 20 minutes with many emotions going through my mind. After visiting his grave there was this incredible interactive Douglass exhibit at a local nearby museum and I’ll never forget it. So much on display like his North Star press, part of a house with hidden area for slaves, a double-sided mirror that when you dim the lights Douglass’ face appeared on the other side, an exhibit where you lay in a really small area like slave did during the middle passage (that had a strong impact on me) and so much more. Ten years later and it’s still one of my favorite museum exhibits.

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Interior artwork from Frederick’s Journey: The Life of Frederick Douglass by Doreen Rappaport with illustrations by London Ladd, Disney/Jump at the Sun ©2015.

GRWR: Not many illustrators get a front cover portrait with no title as an assignment. That’s a huge honor and your cover is outstanding. Can you tell us more about how that decision was made?

LADD: Thank you so much. That’s what makes the Big Words series so unique from other book series because each biography has this beautiful portrait of a well known person with the title on the back. That’s why I worked so hard on trying to not only capture Douglass’ likeness, but his essence. 

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Interior artwork from Frederick’s Journey: The Life of Frederick Douglass by Doreen Rappaport with illustrations by London Ladd, Disney/Jump at the Sun ©2015.

GRWR: In a previous interview here you said “The human spirit interests me. I love stories of a person or people achieving through difficult circumstances by enduring, surviving and overcoming.” Douglass clearly exemplified that spirit. Who else, either living or deceased would you like to portray next in your artwork or in a story of your own creation?

LADD: Ernest Shackleton! I would love to illustrate Ernest Shackleton and the Endurance. An absolutely amazing story of when, in the early 20th century, he and his crew were stranded near Antarctica for nearly two years and everyone survived. It’s a testament to his tremendous leadership during the whole ordeal.

This Shackleton quote sums up my attitude towards any challenges I face. “Difficulties are just things to overcome, after all.”

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Interior artwork from Frederick’s Journey: The Life of Frederick Douglass by Doreen Rappaport with illustrations by London Ladd, Disney/Jump at the Sun ©2015.

 

GRWR: It’s said art is a universal language. What is it about making art and teaching it as well that speaks to you?

LADD: I think to be able to share with other people is something very important to me. I wouldn’t be here without the help of other people so it’s always been my goal to pay it forward when possible.

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Interior artwork from Frederick’s Journey: The Life of Frederick Douglass by Doreen Rappaport with illustrations by London Ladd, Disney/Jump at the Sun ©2015.

London_LaddGRWR: Can you share with us anything else about your experience working on Frederick’s Journey: The Life of Frederick Douglass?

LADD: I truly loved working on this book and I’m so thankful to have been part of such a special project. Hopefully young people will learn, enjoy and appreciate the life of Frederick Douglass.

A huge thank you to London Ladd for this candid and informative interview. 

Click here to download a teacher’s guide.

  • Interview by Ronna Mandel
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Kid Presidents: True Tales of Childhood from America’s Presidents by David Stabler and illustrated by Doogie Horner:

 Kid Presidents:
True Tales of Childhood from America’s Presidents,
written by David Stabler and illustrated by Doogie Horner
(Quirk Books, $13.95, Ages 8-12)

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Did you know that many of our presidents were pranksters when they were young? Grover Cleveland, Calvin Coolidge, Harry Truman, and Jimmy Carter all pulled pranks on their friends and family, and Lyndon Johnson and George W. Bush were even considered class clowns. Dwight Eisenhower, Andrew Johnson, and Barack Obama spent their childhoods standing up to bullies, and then stood up to even bigger bullies during their terms as president.

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Interior art from Kid Presidents by David Stabler and illustrated by Doogie Horner, Quirk Books, ©2014.

We sometimes forget that these powerful, influential men were once playful, individual children. This engaging nonfiction book, Kid Presidents: True Tales of Childhood from America’s Presidents, tells a myriad of stories about our presidents’ pasts. Through David Stabler’s engaging storytelling and Doogie Horner’s comical illustrations, we are reminded that the great leaders of this country all started out as kids, who liked to run around, get dirty, make jokes, explore hobbies, enjoy animals, climb trees, play sports, and hang upside-down from the jungle gym. We even learn that they were not perfect and made many mistakes in their lives, as we all do as human beings. Like any kids, they sometimes avoided chores, fought with their siblings, and had temper tantrums. They also experienced loss, disabilities, overbearing parents, and blended families. They had to persevere through adversity, not only on the road to the White House, but also on their journeys through life.

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Interior art from Kid Presidents by David Stabler and illustrated by Doogie Horner, Quirk Books, ©2014.

The stories are interesting and well told, the cartoon illustrations are funny and relatable, and the word choice is easy to grasp, but can still help kids build a better vocabulary. Best of all is that Stabler and Horner present a view of our presidents as everyday people, which allows readers to envision themselves sitting in that Oval Office someday. It ultimately shows kids that any single one of them can grow up to be great.

Visit the Kid Presidents website by clicking here to get a glimpse inside the book, and for teacher and librarian resources, too. – Reviewed by Krista Jefferies

 

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Famous Phonies: Legends, Fakes, and Frauds Who Changed History by Brianna DuMont

Famous Phonies: Legends, Fakes, and Frauds Who Changed History by Brianna DuMont
(Sky Pony Press, $14.95, Ages 10 – 14)

Famous-Phonies-cvr.jpgIt’s time for some historical horizon broadening courtesy of Famous Phonies, a new nonfiction book from Brianna DuMont that will not only enlighten young readers, but will make them eager for the next book in The Changed History series. Kids will enjoy this middle grade book written in a quirky, playful tone. “It’s especially aimed at reluctant readers, but it engages the parents too. (Always a bonus!),” says DuMont and she’s spot on! And don’t you just love that cover?!

Read the review then enter our Rafflecopter giveaway below for a chance to win one copy of the book.

Review:
Meet a dozen individuals whose legends are often larger than life: Confucius, George Washington, Pythagoras, Hiawatha, Gilgamesh, Major William Martin, William Shakespeare, Pope Joan, Homer, Prester John, Huangdi, and The Turk. Some you’ve heard of and others may initially produce a hunch of the shoulders. Either way, after reading Famous Phonies, you’ll know them all, learn how easily the facts of their lives got blown out of proportion and have a greater appreciation for the weeding out history buffs like DuMont do so that readers can see the whole picture. Plus it doesn’t hurt that she’s honed in on some fascinating details and shares them in a tongue in cheek way that middle graders will adore. The interesting factoids included for each personage also add to this book’s  appeal.

For example, how many disciples did Confucius really have – was it three thousand or seventy-two? And all this before social media! What facts were bent after his death and what were legit? Was he really over nine feet tall? I found out that Confucius’s father died a couple of years after his birth, and his wives (neither one Confucius’s birth mother) kicked him and his teen-aged birth mother out of the house. He traveled around seeking recognition, but it turns out, he wasn’t always the nicest or sharpest knife in the drawer. In fact, as a result of “his nasty personality, the actual Confucius had very little influence over others during his lifetime. But that just wouldn’t do for his followers, so they decided to jazz things up after Confucius’s death.”

And George Washington, who cannot tell a lie, actually lied through his removable teeth all the time. Here’s an excellent example: “When calling upon the Continental Congress to boycott all imported goods from Britain prior to the Revolutionary War, he was secretly ordering carriages, fancy clothing, guns, and Wedgewood pottery from London for his own personal use.” It’s not that DuMont was deliberately digging only for dirt, although she does have a degree in Archaeology, it’s just that finding out the truth is easy if you look for it. It’s also fascinating.

Being a huge Ian Fleming (creator of James Bond) fan, I’d have to say my favorite chapter was the one about Major William Martin. It seems that prior to penning his novels, Fleming worked for an Admiral concocting plans to trick the enemy, aka the Axis powers during WWII. To move the direction of the war from losing to winning, Britain and America knew they had to secure the island of Sicily because, “The Axis Powers used Sicily as a base for German Luftwaffe bombers to launch surprise attacks on the rest of Mediterranean Sea, destroying anything that flew or floated past.” However, the Allies couldn’t let the enemy know that this was their ultimate goal hence the need for a major deception or in this case “disinformation,” putting out false info to fool the Axis powers. This particular ploy, #28 to be precise, was originally devised by Fleming with his boss, as part of the secret list known as the “Trout Memo.” It would be implemented by a British spy named Ewen Montague and “use a dead body as a fake spy in order to plant false information in the mind of the enemy.” Brilliant, right? Ah, but it was a lot more difficult and complicated than it sounds involving a frozen corpse, fake documents and a backstory for said dead body (Major William Martin) that would not alert the Germans to the plot. Success could mean the tides of the war might turn in favor of the Allies. I won’t give it away, but suffice it to say that DuMont’s got all the elements of a gripping spy movie here that are guaranteed to pull your child into the intrigue and excitement that grabbed me.

Okay, so you know I thought Famous Phonies was a fabulous, fun read, but I think parents, teachers and librarians will like it, too. That’s in addition to your kids, of course! Nowadays lots of students do their research online. They think Wikipedia is the be all end all, but here’s a chance to get kids engrossed with historical figures and let them see that there are multiple sources for their fact finding missions. They can read the book in one sitting, or return to it on multiple occasions absorbing one chapter at a time. DuMont’s done a wonderful job of selecting subjects whose stories are interesting, and presenting them in a middle grade friendly manner sure to entertain even the biggest history-phobe. And that’s the truth!

– Reviewed by Ronna Mandel

A Rafflecopter Giveaway

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Candlewick Biographies about Handel and Darwin

The two Candlewick Biographies below are reviewed by Dornel Cerro.

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Handel, Who Knew What He Liked by M. T. Anderson with illustrations by Kevin Hawkes, Candlewick Press, 2013.

Handel, Who Knew What He Liked, written by M. T. Anderson and illustrated by Kevin Hawkes,
(Candlewick Press 2013, $14.99, Ages 8-12)

One Beetle Too Many: The Extraordinary Adventures of Charles Darwin, written by Kathryn Lasky and illustrated by Matthew Trueman, (Candlewick Press 2014, $14.99, Ages 7-10)

Did you know that composer George Frederick Handel was once challenged to a duel? Or that scientist Charles Darwin’s childhood nickname was “Gas” because of the deliberate explosions he and his brother set off in their makeshift laboratory?

The two books reviewed here are part of the Candlewick Biographies series for children. Each examines “…a turning point or defining moment in the life of a famous person and how it led to significant contributions.”

Both men were born to fairly well-off families and had domineering (but well-intentioned) fathers who wanted their sons to pursue more affluent careers. Despite their fathers’ objections, both men realized success in their chosen professions.

When his father refused to pay for music lessons, Handel (‘who knew what he wanted”) smuggled a clavichord into the attic and taught himself how to play it. In England, he found the British didn’t like his Italian operas. So he wrote them in English. Throughout his life, Handel, when challenged by the naysayers, found a way to make everything work and still do “…what he wanted.”

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One Beetle Too Many: The Extraordinary Adventures of Charles Darwin by Kathryn Lasky with illustrations by Matthew Trueman, Candlewick Press, 2014.

Darwin’s father wanted him to be a doctor. All young Darwin wanted to do was explore the natural world and collect specimens. So he did not apply himself to what his father wanted him to study (medicine, and when that didn’t work out, theology), causing his father tp accuse his son of disgracing the family. A botany professor recommended Darwin for the position of naturalist aboard the HMS Beagle, and, despite his father’s objections, embarked on a five year journey that gave birth to his theory of evolution.

These short biographies are engagingly and humorously written by award-winning authors. Complex topics and terminology are clearly explained in accessible language. Colorful and vibrant illustrations convey each man’s world from the wealth and privilege of European aristocracy to the exoticness of the Galapagos Islands. Previously published as oversized biographies, the new smaller format is conducive to individual reading and research, although the lively language makes for a great read aloud. Added tools such as indexes and resources aid research and learning. Highly recommended for children 8-12 years old as wonderful introductions to biography and nonfiction.

Others in this series include biographies of Fred and Adele Astaire, Ella Fitzgerald, and John Muir and Phillis Wheatley.

Read Ronna Mandel’s review of A Voice of Her Own: The Story of Phillis Wheatley, Slave Poet.

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How They Choked Written by Georgia Bragg & Illustrated by Kevin O’Malley

How They Choked:
Failures, Flops and Flaws of the Awfully Famous
by Georgia Bragg
with illustrations by Kevin O’Malley
(Walker Books for Young Readers, $17.99, Ages 10-14)

is reviewed today by Ronna Mandel.

 

 

Real People Make Mistakes

Your fifth through eighth grader is going to thank you for getting them this book to read over the summer. Bragg put pen to paper (okay may fingers to keyboard) and tongue in cheek when she wrote How They Choked, an entertaining and educational nonfiction book about how successful people from the 1400s through the 1900s botched up big time. If that’s not a great way to start off summer vacation, I don’t know what is?

When kids see O’Malley’s hysterical illustrations, it will be obvious the artist had as much of a blast as Bragg did bringing out all the humor and irony surrounding these often over-achieving historical figures. For example, when the greedy, neurotic and power hungry (to say the least) Queen Isabella started the Inquisition, O’Malley drew two signs on the page: “Heretics Out!” and another one “Leave Your Stuff.” From Marco Polo and Queen Isabella of Spain, to the Aztecs and Anne Boleyn, from Benedict Arnold and Susan B. Anthony to Vincent Van Gogh and Amelia Earhart and lots more in between, there are characters galore to learn about, laugh about and yes, I admit it, occasionally feel sorry for.

You may recall Bragg as being the author of How They Croaked, so it’s only fitting that she should carry on this riotous tradition, an engaging look at history full of chapter heading hooks to pull in even the most reluctant of readers – Dressed to Kill (about Custer) or Least Likely To Succeed (about Van Gogh). Her gift is being able to talk to the reader in language they’ll understand, language that is not dated, but is at times quite daring. Frankly that’s what made How They Choked all the more appealing to me and I’m confident your kids will feel the same way. Whether she’s dishing the dirt on Marco Polo’s dad who offered his son to royal and notorious Kublai Khan or Montezuma acting like a “real living god” and not seeing the writing on the stone once Cortes entered the picture, the historical anecdotes Bragg’s included make for a multitude of “Wow, really!?” moments.

I got such a kick out of the section on Anne Boleyn called Till Beheading Do Us Part. This social climbing lady-in-waiting should have resisted Henry VIII’s advances, but no, she had to outdo her older sister, Mary. When Henry grew tired of Mary and moved onto the younger sibling, it became impossible for Anne to refuse, what with jewels bestowed upon her and the temptation of being Queen. Never once though did she imagine she’d be losing her head over the King. And Benedict Arnold? I knew his name was synonymous with traitor, but I had no idea how absolutely despicable he was. Forgiven by George Washington not once, not twice, but three times, Arnold was an arrogant turncoat who “made more money than any other American officer in the American Revolution.”

The mistakes of today’s rulers and politicians pale in comparison to many of the excellent examples in How They Choked making this a must-read book for aspiring political science majors and anyone even slightly interested in history. The pages are filled with tales of larger than life individuals being knocked down to size so as the warning in the beginning of the book says: “If you only want to see people at their best, this book isn’t for you.”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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