(Sterling Children’s Books; $16.95, Ages 5 and up)
I like the play on words in the title, The Boy Who Thought Outside the Box, written by Marcie Wessels and illustrated by Beatriz Castro, which you’ll understand after you read the review of this interesting and recommended nonfiction picture book.
The book’s main character, Ralph Baer, was born in Cologne Germany and enjoyed doing things other kids his age did, like riding his scooter or playing stick hockey. Wessels doesn’t mention specific dates, but adults and older readers will know the action was unfolding in the 1930s during Hitler’s rise to power, which is mentioned. Around that time, readers are told, Hitler began making life difficult for the country’s Jewish people. And, since Ralph was Jewish, “Even former friends became enemies.” He was bullied, and attacks by the Nazis were not uncommon.
“With no one to play with, Ralph spent more time indoors, tinkering with his construction set.” Not only was Ralph able to complete all the models in the manual, he also came up with many clever ideas of his own.
Restrictions on Jews didn’t stop Ralph from learning even despite being kicked out of school at age 14 for being Jewish. In 1938 Ralph and his family fled Germany. Once in America, his inventiveness proved invaluable. When he saw a way to speed up handiwork that he, his sister and his mother were doing to help make ends meet, Ralph created a prototype machine. Soon they doubled the amount of projects being completed, increasing their earnings. Always industrious, Ralph took a radio repair course which led to “… fixing radios for the entire neighborhood.”
In the army, since necessity is the mother of invention, Ralph constructed a radio for his barracks from whatever bits and pieces he could find. Then, after WWII he learned how to build a TV set (the box in the title I referred to earlier). The advent of television heralded in a new era in family entertainment and Ralph saw immense “possibilities.” I was impressed with how Ralph’s career anticipated or paralleled the rise of home technology.
While Ralph saw the TV as a vehicle for playing games, his ideas were initially disregarded. He eventually held jobs building equipment for the U.S. military and for NASA. In fact “he embedded a radio transmitter in the handle of the video camera that astronaut Neil Armstrong took to the moon.” As time passed Ralph still envisioned the potential of TV and imagined “using an external box to control the TV to play games.” With the blessings and funding from one of his bosses, Ralph secretly created a home gaming system and “… the Brown Box, was born!” After numerous rejections, Magnavox took on Ralph’s invention and in 1972, the first iteration of the Odyssey went on sale. As we all know, the video game industry would grow in leaps and bounds over the decades and Baer can be credited with being one of its pioneers.
Wessels has made the story of Ralph Baer’s innovations an accessible and fascinating one. She’s managed to take a lifetime of Baer’s ingenuity and whittle it down to just 48 pages. While the book may read quickly, it definitely invites revisiting to let the scope of Baer’s achievements sink in. When children read the book or have it read to them, they’ll learn about more of Baer’s inventions and can find further sources for information in the back matter. Castro’s comic-like art wonderfully complements Wessel’s words. There is just enough realism to the illustrations when detailing the technology. She also conveys the right mood with the red palate during the dark days of Hitler. I’d love to see her do a graphic novel and could easily see Wessel’s story succeed in that format, too. The Boy Who Thought Outside the Box is a motivating STEM bio that will definitely resonate with unconventional thinkers and could very well inspire kids to pursue exciting new paths in learning.
Wednesday, April 22, is the 50th Anniversary of Earth Day which will be celebrated around the globe. Read below about some new picture books, both fiction and nonfiction, that Christine Van Zandt recommends to help your children understand the significance of this holiday.
One of my favorite things about Henry Cole’s gorgeous, wordless picture book, One Little Bag: An Amazing Journey, is the prologue. I was hooked from the first image: a forest where one tree—colored brown—stands out. Cole’s amazingly detailed black-ink drawings are juxtaposed by brown-colored items: the tree, first made into paper, becomes an unassuming lunch bag.
In the Author’s Note, Cole shares how, in 1970 for the first Earth Day, he decided to not throw out has lunch bag that day. Or the next one. Eventually, he used that bag about 700 times! Then, when he went to college, he passed the velvet-soft bag to his younger friend who used it for another year. Wow! This really hit home with me. I’m conscientious about noncompostables, but will now consider the possibilities of paper products.
Using a humble brown bag as its central element, the story follows the bag’s journey from creation to conclusion. We are emotionally engaged with the little boy as he grows to adulthood and the family members we meet along the way. This story drives home the messages that even seemingly insignificant choices matter and that kids have the power to change things. These workhorse lunch bags are relatively inexpensive and typically don’t garner a second thought. Cole’s true-life story brings this simple item to the front page of his book and the forefront of our attention. Bravo! ★Starred Review – Kirkus Reviews
When I think of the mischievously adorable Peter Rabbit, of course his creator, Beatrix Potter, comes to mind. But, who was the woman behind this famous character? Linda Elovitz Marshall’s picture book, Saving the Countryside: The Story of Beatrix Potter and Peter Rabbitfills in the blanks.
Potter was a bright artistic girl who lived in the city but cherished the family’s summers in the country. Too soon, it was back to the constraints of being a Victorian-era girl. Focusing on her drawings, Potter, later, was able to land a job—but only because the publisher thought she was a man. Throughout the story, we see Potter pushing against and past the bonds of what a woman was “supposed to do.” While these actions were commendable, Potter also took on the role of conservationist, buying up more than 4,000 acres of beloved land to keep it peacefully undeveloped; her donation to the UK’s National Trust allowed the area’s preservation.
The illustrator, Ilaria Urbinati, enlivens Potter’s story in a muted old-fashioned style complementary to the text. Be sure to check beneath the cover for a clever second image: a before-and-after of Potter in her cherished landscape.
This behind-the-scenes look at Potter’s life will engage kids because it’s relatable and inspirational—showing you can make a career doing what you love, break through societal limits, and care for our planet. What Potter managed in her 77 years was exceptional. ★Starred Review– Foreward Reviews
Land Wilson’s rhyming picture book, The Girl Who Spoke to the Moon: A Story About Friendship and Loving Our Planet, is a gentle story packing a powerful message. Little Sofia befriends the Moon and, one night when he’s blue, she imagines herself up there, seeing the Earth from a new perspective. The Moon sadly tells her, “With dirty waters, land, and air, it looks as though she’s in despair. Her people seem so unaware that what Earth needs is better care.”
Sue Cornelison’s soothing images are in the muted tones of a bedtime book, yet, the swoops of sparkles throughout give the story movement and feeling. Once Sofia realizes she must share her findings, we’re shown glimpses of children from around the world doing their part to help our planet.
The end matter provides explanations of how the Earth’s air, land, and water are polluted, followed by simple suggestions such as creating less trash and eating less meat. In the Author’s Note, Wilson shares how astronauts love looking back at our planet, but how that distance also brings an understanding of Earth’s vulnerability and precious importance. Wilson urges us to make the Earth’s well-being a priority: “When people work together, our power grows. But we need to work faster, harder, and smarter”—a message that should be taken to heart as we celebrate the 50th anniversary of Earth Day. I like how Wilson’s commentary is both realistic and optimistic, hopefully inciting readers to action.
I’m so happy to share this interview with popular SoCal author, Alexis O’Neill. Her new picture book biography introduces Jacob Riis, a determined New Yorker born in Denmark, to a new generation of readers. It’s hard not to feel as though you’ve traveled back in time as you learn about Riis, who is best known for his moving photographs of the plight of the poor tenement dwellers in the late 19th century and early 20th century.
In Jacob Riis’s Camera, a penniless immigrant, who becomes a reporter and social activist, uses new flash powder technology to illuminate desperate tenement living conditions and brings about changes for children and their families.
GOOD READS WITH RONNA:Did you happen upon Jacob Riis’s photos one day and find inspiration to write this picture book or did you intentionally set out to write his story?
ALEXIS O’NEILL: I’ve always been interested in photography and photographers. I used to live pretty much with a camera in my hand, and when I lived in central New York, I belonged to the Syracuse Camera Club, one of the oldest in the nation. I met Riis’s photos when I was researching child labor issues for other projects. Then later, I read his autobiography, The Making of an American. He wrote so vividly and personally that I felt as if he were right beside me, chatting with me in my living room. That’s when I knew I wanted to write a book about him.
GRWR:Despite my familiarity with Riis’s haunting b + w photos, I had no idea how influential he had been during his lifetime. What fact or facts about Riis surprised you the most?
AON: I was really surprised that Riis didn’t consider himself a photographer. In fact, he later carelessly tossed his glass plate negatives into his attic. Then, just before a wrecking ball was about to destroy the family home, the images were rescued, thanks to photographer Alexander Alland, Sr., and donated by Riis’s son, Roger William, to the Museum of the City of New York.
GRWR:Riis was a champion of the poor as early as his youth in Denmark. What impact would you say his photos have had on the way this segment of our society is treated?
AON: Riis’s photos were revolutionary. They inspired accountability and gave documentary evidence that helped force compliance of landlords with sanitary and building regulations.
GRWR: How big a role did Riis’s immigrant background play in his career?
AON: Like most immigrants, he had a driving work ethic. He was an educated Dane with carpentry skills, but he had a hard time finding work in America. He did all kinds of menial tasks in order to survive. He experienced homelessness and hunger. He experienced injustices and wanted to fix them—not just for himself, but for others.
GRWR: Is there a particular photo of Riis’s that particularly resonates with you?
AON: To me, his most heartbreaking photo is “The Baby’s Playground.” A toddler with a shaved head and filthy dress stands in front of an overflowing public sink at the top of a dark staircase that has a railing held together with rope. The wall behind the baby is coming loose. No child should have to live like that.
GRWR:Obviously this nonfiction bio involved a lot of research. How did you choose what to include or leave out when his rags to not-so-riches-but-fame story is so fascinating? Was there a portion or time period of his life that was most difficult to nail down?
AON: Riis’s relationship with his Danish sweetheart was complicated, so I treated that with a broad brush stroke.
GRWR:Why do you think no professional photographer had captured the lives of shelters and tenement dwellers prior to Riis?
AON: At the time, most photographers made pretty portraits or, like Matthew Brady, recorded historical events. Riis, in contrast, showed the underbelly of life. I think that when Riis read about the invention of flash powder, it came at the right time for him. Photographs taken with this new technological tool helped him convince officials to make changes in the tenements.
GRWR:Do you attribute Riis’s success to his talent as a photographer, his perseverance, good timing or all three?
AON: I believe Riis’s success can be attributed to his determination and tireless work to tell a complete story of the social injustice experienced by impoverished city inhabitants. He lived during a time of great interest in social reform.
GRWR: As a former New Yorker and lover of NYC’s Tenement Museum, I’ve always admired Riis’s photos. Why do you think his accomplishments are not better known today?
AON: Riis’s photos continue to impress people, and his contribution was unique. In his advocacy for improving substandard housing, he was one among many of his contemporaries who also advocated for changing laws on child labor, suffrage, public health, housing, and schools.
GRWR: What’s one of your favorite illustrations by Gary Kelleyin your book?
AON: I love Gary’s illustration of Jacob giving a lecture and pointing to his photograph of a tenement mother holding her swaddled infant. As he talks, Jacob gestures to the poignant image. This image makes me wish I could have heard Jacob in person!
Alexis O’Neill is the author of several picture books including The Recess Queen, the winner of several children’s choice awards, and The Kite That Bridged Two Nations, a California Young Reader Medal Nominee. Her new picture book biographies are Jacob Riis’s Camera; Bringing Light to Tenement Children and The Efficient, Inventive (Often Annoying) Melvil Dewey (due Fall 2020). Alexis received the California Reading Association’s award for making significant and outstanding contributions to reading throughout California and is an instructor for the UCLA Extension Writers’ Program.
Thank you so much, Alexis, for sharing your insights about Jacob Riis and giving us the inside scoop about your new picture book biography, Jacob Riis’s Camera. It’s so great to know how many children will now have a chance to learn about Riis’s important contributions to society.
It’s hard to imagine that our 16th President, who faced one of the toughest challenges in American history, was at one time a curious, barefooted boy roaming the “hills and hollows” of his hometown, Knob Creek, Kentucky. In Honey, The Dog Who Saved Abe Lincoln, author Shari Swanson and illustrator Chuck Groenink depict a gentle boy whose tenderhearted rescues of vulnerable animals shed light on Abe’s early and strong sense of justice.
To adults like Mr. John Hodgen, the miller, Abe seems irresponsible for “‘fool[ing] [his] time away,’” stopping to right the wrong he sees all around him. But to young Abe the “‘many little foolish things’” are the harm and injustices he must counter: a frog trapped inside a snake’s mouth, a possum stuck “‘in a hollow stump,’” and a honey-colored dog whimpering from a broken leg.
Abe shows kindness for rescuing the dog he befriends and names Honey. Loyal friends, the two become inseparable and share many adventures. One such adventure turns particularly perilous as Abe gets stuck between two boulders inside a cave. Honey returns home alone to get help and leads the search party to the cave. Assisting Abe’s rescue in this way, Honey pays Abe “‘back for mending his broken leg’” confirming the young boy’s belief that Honey will always do “‘good things’” for him.
Accompanying this comforting story is Groenink’s soft and muted color palette. Many illustrations place either Abe or the natural surroundings of the Kentucky woodlands at the center of the page, emphasizing the close relationship between the two. Equally, Swanson’s words engage us readers with the terrain. Mr. Hodgen uses “his cane-pole whistle” to call out to Abe in the cave. We see Abe’s resourcefulness and experience when he uses the “soft bark of a pawpaw bush to wrap around the sticks” that help set Honey’s leg. Undoubtedly, the surrounding wilderness deeply influences young Abe’s character.
A “Timeline of Abraham Lincoln and His Animal Encounters,” an author’s note, and a map of “the area around Hodgen’s Mill where Abe grew up” in the endpapers add fascinating (and funny) details to Abe’s early and later life. We learn further of his fights against animal cruelty and his bringing in many animals into the White House (goats included!). We also learn the author’s source of this story, a book written by J. Rogers Gore who wrote down the many tales Austin Gollaher, Abe’s childhood best friend, shared about his and Abe’s adventures.
Honey, The Dog Who Saved Abe Lincoln is a perfect book not only for little ones who love animals and adventures, but also for parents who can learn a thing or two about lending grace and understanding to a most curious child.
Reviewed by Armineh Manookian
Find a fun activity kit and curriculum guide here.
No matter how many children’s books I read about Abraham Lincoln, I continue to learn something new in each one. Sometimes something I already knew, but had long forgotten, is presented in such a way that I’ll now always remember it. Both these experiences apply toThe Superlative A. Lincolnby Eileen R. Meyerwith art byDave Szalay.
Perfect for Lincoln’s Birthday (yesterday, 2/12), Presidents’ Day or National Poetry Month, Meyer’s nonfiction picture book contains 19 poems that vary in style and content. Each poem is also accompanied by a factual paragraph on the bottom of the page to put the poem’s subject in context. Best of all, teachers can use the superlative poem titles such as “Best Wrestler”, “Worst Room Name,” and “Strongest Conviction,” and couple them with the excellent activities offered on Meyer’s website, for an engaging Language Arts lesson.
Did you know our 16th president was an inventor? Thanks to Meyer, in “Most Likely to Tinker,” we read how Lincoln’s penchant for problem solving resulted in his being awarded a patent for a design that helped “boats float over shallow river spots …” I didn’t recall Lincoln being a doting dad, but in “Most Permissive Parent,” we get a glimpse via Szalay’s charming woodcut looking illustration of First Sons, Willie and Tad, taking full advantage of their father’s parenting style. Throughout the book, Szalay’s art humanizes Lincoln and events whether in scenes of him chopping trees or meeting Frederick Douglass with a firm and friendly handshake. There’s a warm, folk art quality about the illustrations that pairs them perfectly with all of Meyer’s telling poems.
One of my favorite poems, “Best Advice” addresses Lincoln’s signature beard. What a surprise it was to learn he was the first president to sport one! I had no idea that growing whiskers had been recommended in a letter to candidate Lincoln by eleven-year-old Grace Bell. Lincoln even met with her on his travels to offer thanks. In addition to his beard, most children probably associate Honest Abe with his stovepipe hat. It certainly came in handy as a writing surface and a convenient place to carry things. “Best Use of an Accessory” cleverly conveys the hat’s perspective. “We don’t need a leather briefcase. / We don’t want an attaché. / You can keep that canvas knapsack. / I’m a traveling valet.” And by the way, “Least Favorite Nickname” enlightens young readers about Lincoln’s dislike of the nickname Abe. They would be hard pressed to find anyplace where he personally used it, preferring to sign his name Abraham Lincoln or A. Lincoln as in the book’s title.
The back matter in The Superlative A. Lincoln includes an author’s note, a comprehensive timeline as well as book and website resources and a bibliography. I could easily describe every poem in the book because I thoroughly enjoyed them all, but I’ll leave that pleasure for you. Instead I’ve chosen to end my review with one of many popular A. Lincoln quotes:
“I want it said of me by those who knew me best, that I always plucked a thistle and planted a flower where I thought a flower would grow.”
A 2019 Booklist Editors’ Choice A Publishers Weekly Best Book of the Year A Kirkus Reviews Best Book of the Year A School Library Journal Best Book of the Year
Martin Luther King Jr.’s most famous speech, “I Have a Dream”, will never cease to give me chills or bring tears to my eyes so I’m grateful for the meticulously researched backstory behind the composition thoughtfully presented in A Place to Land. While elementary-school-aged children may be familiar with King’s speech, they may not know how long it took to write, that it was delivered during the 1963 March on Washington, or that one of the most quoted parts of it was shared extemporaneously at the prompting of gospel great Mahalia Jackson. In this enlightening picture book, readers are privy to fascinating fly-on-the-wall moments that demonstrate King’s writing process and how his background as a preacher played a part in its creation.
Over the years I’ve reviewed myriad wonderful MLK Jr. books and A Place to Land, like those others, has focused on an impactful point in King’s life and magnified it so we may understand it better. Wittenstein’s lyrical writing shines and flows like a King speech, pulling us in with each new line. I found myself repeating many of the sentences aloud, marveling at what he chose to keep on the page and wondering how much he had to leave out. The revealing information Wittenstein details will inspire readers to reexamine well known orations throughout history, looking at their content through a new lens.
The story unfolds in three significant locations, the Willard Hotel in D.C., the Lincoln Memorial, and at the Edmund Pettus Bridge in Selma, Alabama just prior to, during and some years after King’s speech. Historical figures are woven into most of Pinkney’s spreads. Readers will be prompted to learn more about every individual noted and the comprehensive back matter provides the resources to do so.
I hadn’t known that the “I Have a Dream” speech was written at the Willard nor did I know how many influential colleagues contributed during the meeting of the minds prior to King’s drafting of the speech. “So Martin did what great men do. He asked for guidance.” I also hadn’t realized that MLK Jr. practically pulled an all-nighter writing it after the lengthy and honest discussions. How he managed to make such a powerful presentation after barely any sleep is beyond me, but clearly his adrenaline kicked in and his natural oratory skills took command at that lectern.
As a former speech writer, my favorite part of A Place to Land was reading about King’s exhaustive efforts to craft the speech late into the night while trying to integrate all the input he’d been given earlier in the meeting. In his message he wanted to convey the goals of his non-violent civil rights movement and continue to push for racial equality and the end of discrimination. He was also determined to honor those who came before him and those who would carry on his dreams. “… and so many others, —their faces forever seared into his memory.”
King found himself “Writing. Rewriting. Rephrasing, …” and then practicing his delivery before succumbing to sleep. I felt as though I were in the room with him, knowing as he did that there was an important element currently eluding him that was still to come.
Pinkney’soutstanding collage-style illustrations are so fitting for the subject matter. He seamlessly blends images of civil rights advocates with elements of the movement and the era. As I turned the pages, I couldn’t wait to see what people would appear and against what backdrop. It’s hard to imagine any other art marrying so well with Wittenstein’s or MLK Jr.’s words. I resoundingly recommend A Place to Land for parents, teachers and librarians. It’s a movingly written, motivating, educational and timeless read that I will definitely revisit.
Visit the publisher’s website pageherefor bonus material.
Click herefor a roundup of more recommended reads for MLK Day 2020.
Jen Bryant, who has won numerous awards for her books for children, which include biographies of poet William Carlos Williams, and Charlotte’s Web author E.B. White, has written the biography of August Wilson. The picture book, presented in two acts and 48 pages, is an inspiring and lyrical introduction to the two-time Pulitzer Prize-winning Black playwright who died in 2005.
Young readers are probably unfamiliar with Wilson’s work and Bryant writes mostly about his early years at school and the beginning of his career.
Frederick August Kittel, Jr. was raised with a sister and single mother, who cleaned houses. His mother, Daisy, made sure Frederick learned to read, telling him, “If you can read, you can do anything – you can be anything.” Bryant tells about the racism Wilson and his family experienced—brick-throwing, name-calling, fights, and accusations of cheating—driving Wilson from school after school, setting him on a course of self-education, reading all day in libraries. Wilson finds the “universe opens wide” when, as a teenager, he encounters Black authors Langston Hughes, Richard Wright, and Ralph Ellison.
His first paid writing job was completing his sister’s homework; he bought a used typewriter, composing poems after he finished washing dishes at the diner. The talk and stories of Black men in his community, many working at menial jobs, provided the dialogue for his poems and plays. Working odd jobs in a soup kitchen, Wilson listened to stories. “Who’s there? What are they saying … and why?” he asked himself, and these figures became characters in his dramas.
Debut illustrator Cannaday Chapman uses a limited color palette of earth tones to show the expressions on Wilson’s face and his connection to his environment.
Bryant includes a detailed Author’s Note explaining her interest in Wilson, her extensive research, and her process for writing the book. Students will enjoy her description of spreading her pages down her hallway. Feed Your Mind is an important book about an author of color, who endured poverty and racism, and whose life shows the power of literacy and community.
Guest review by Julia Wasson, veteran educator and curriculum developer.
With its catchy opening line of Ground Control to Major Baby, a play on popular David Bowie lyrics, Future Astronaut is off and running! You want cute? This is cute! Twenty-four pages playfully pit Alexander’s prose plus Black’s whimsical side by side illustrations of what it takes to be an astronaut against whether or not baby has what it takes to join NASA. Note its logo emblazoned on several uniforms worn by the adults. Healthy hearts, good eyes, and strong teeth are needed. Check! Baby’s passed that test. Astronauts swim and so does baby. Looks like baby’s on track so far! What about two astronauts working together as they float in orbit? Astronauts live and work in small spaces. On the opposite page are two friends playing inside cardboard boxes. Small spaces are Baby’s favorite places! My favorite illustrations show first an astronaut eating from her plastic dehydrated food packs while baby clearly enjoys playing with plastic too, though not as neatly! But cleverly, once space travel involves leaving home to visit “far-off places,” baby’s not quite ready to take the next step and Alexander wraps things up beautifully with a blissful baby ready to travel as far as dreamland.
Another fun interactive book in Aarts’s “Look, There’s a … ” series of board books, this one’s ideal for little hands of Moon and Mars minded toddlers. Ten sturdy die cut pages let youngsters peek through the holes to see what’s next while answering easy questions in the rhyming text. Look, there’s a star and some planets outside. / Can you see three comets? / What a bumpy ride! Here’s a chance to introduce space travel in a colorful way that rocketeers will find hard to put down.
The Moon has always held such a fascination for mankind. What is it like up there? Is the Moon affecting our mood in addition to our tides? How long will it take to get there? But Hill’s picture book, Moon’s First Friends, turns that curiosity on its head by presenting a story told from the Moon’s point of view.
This Moon, friendly and a bit lonely, is watching Earth and its inhabitants evolve. From dinosaurs to caveman, from bicycle riders to hot air balloonists, from early rocket engineers to the Apollo 11 crew, the Moon sees everything, hoping, waiting … until one day in July it happens. Earth men blast off into space towards the Moon. Hill’s lyrical language here capture’s not only Moon’s joy, but everyone on Earth’s too. “At thirty stories high and weighing six million pounds, the rocket rose into the air amid an explosion of flames.” Several days later the mission makes it to the Moon. Then the most amazing thing occurs in Moon’s lifetime (and it’s my favorite part of the story), men emerge from the module and walk on Moon’s surface. Nothing would ever be the same after that visit. Young readers will share the delight felt by the Moon as expressed through welcome gifts of rocks and moon dust offered to the visitors. The astronauts bestow a token of their friendship as well by leaving a plaque that reads: HERE MEN FROM THE PLANET EARTH FIRST SET FOOT UPON THE MOON / JULY 1969, A.D. / WE CAME IN PEACE FOR ALL MANKIND. They then plant an American flag and zoom back to Earth. The Moon is now confident others will follow suit.
Paganelli’s artwork is charming and cheerful, breathing life into the Moon and all the events leading up to July. Readers can find a selected bibliography in the front of the book as well as back matter about the Apollo 11 voyage plus a couple of photos. Another cool thing that’s been included is a scannable QR code so kids can listen to a recording of Neil Armstrong’s historic first words on the Moon!
Add Aliana Reaches for the Moon to your assortment of Moon books because, while this one’s not about that historic time in July 1969, it is about the Moon’s influence on one clever young girl.
Aliana is creative and observant, great qualities for an aspiring scientist. She tells Gustavo, her little brother, that she’s planning something secret to present him on his upcoming birthday. A calendar in the illustration that accompanies her dialogue shows that there will be a full moon on May 26, Gustavo’s big day. What is Aliana up to that involves making such a mess at home? Thankfully, her parents don’t complain because they know that whatever she’s creating will be worth it. Inspired by great women of science before her, Aliana wants to invent something unique for Gustavo but that requires a lot of reading and preparation so she takes out a ton of library books to begin researching.
When the full moon arrives at last, Aliana shares the glowing result of her experiment. Behold an amazing “magical birthday cake!” And all it took was the ingenuity of gathering up five (Gustavo’s turning five years old) vases and glasses, filling them with marbles, coins, pieces of quartz and topping them “with a crystal from her collection … ” and waiting for the full moon to shine. Roettiger’s story shows readers what’s involved in inventing with the goal of motivating children to experiment themselves. By using the moon as her source, Aliana has harnessed the lunar light to bring her invention to life. Boroff’s jewel toned illustrations complement Roettiger’s prose as they convey the joy and satisfaction transforming a dream into reality can bring. An author’s note at the end explains the moon cycles for budding inventors.
The fifteenth book in Meltzer’s best-selling “Ordinary People Change the World” series is like Armstrong himself, it doesn’t fail to deliver. Kids as well as adults will learn so much from the 40 pages of Armstrong’s biography. I didn’t know that even as a young child, the future first man on the Moon exhibited astronaut-worthy traits such as patience, bravery, and intelligence (he loved to read). He was obsessed with airplanes too. He worked hard from an early age to earn money for flying lessons, earning his pilot’s license even before his driver’s license!
After joining the navy and “flying in seventy-eight missions during the Korean War,” Armstrong went on to become a test pilot after college. He eventually heeded President Kennedy’s challenge of “… landing a man on the Moon” and applied to NASA and was accepted into their astronaut program. The rest as they say is history, but that doesn’t mean it’s not fascinating. A double gate-fold in the center of the book shows the Apollo 11 astronauts’ glorious view of the Moon and Eliopoulos’s other cartoon-style artwork playfully depicts the space journey with the Eagle ultimately landing on the Moon’s surface. Parents can remind children to keep an eye out for a picture of Meltzer hidden somewhere in this and all his other books in the series. I love how both astronaut John Glenn and mathematician Katherine Johnson are also featured in one of the illustrations because their contributions to our successful space exploration deserve recognition. As a humble individual, Armstrong always credited the entire team that helped put a man on the Moon.
When Armstrong took his first steps, “One-fifth of the world’s population was watching on TV.” Children love to learn facts like that which are not easily forgotten. I am Neil Armstrong provides age appropriate and always interesting information conveyed in a kid-friendly fashion that demonstrates how one man’s determination and humility changed the world forever. Meltzer mentions what Armstrong’s family said after he passed away: “Next time you walk outside on a clear night and see the Moon smiling down at you, think of Neil Armstrong and give him a wink.” Back matter includes a time line of the space race and several color photos including ones of the Apollo 11 crew.
Moonstruck!’s over 50 fab poems not only help children reflect on the momentous occasion from 50 years ago, but also touch upon so many different aspects of the moon orbit, landing as well as the mystery and majesty of the Moon itself. “The Lonely Side of The Moon” by Laura Mucha is about Michael Collins’ radio silence when he was separated from Armstrong and Aldrin for 48 minutes while Doda Smith’s “Dear Mr. Astronaut” features a child requesting some moon dust to add to his amazing collection of things. James Carter’s concrete poem, “The Moon Speaks!” is told from the moon’s perspective and B.J. Lee’s rhyming “Moon Marks” considers how long a dozen spacemen’s footprints will remain, frozen in time.
Classic poems from Emily Brontë and Robert Louis Stevenson join new ones from Catherine Benson and Celia Warren and many more. Not only is this an awe-inspiring anthology of moon-themed poetry from internationally known poets, it’s got interesting facts when they can add to the appreciation of a particular poem’s topic. Boxall’s beautiful black and white linocuts add another delightful dimension to what’s already an out of this world anthology. Keep this one on hand for National Poetry month!
★Starred Reviews – Kirkus Reviews, School Library Journal
If you love graphic novels, don’t miss picking up a copy of Brown’s Rocket to the Moon! because it’s an excellent way to experience the trajectory of space exploration in cartoon format. It’s also the first in what promises to be a super new series, “Big Ideas That Changed the World.” This fast yet engaging read taught me more than a thing or two about the history of rockets with its attention to detail both through the text and the illustrations. Celebrating “the hard-won succession of ideas that ultimately remade the world” the novel uses a narrator drawn from real life named Rodman Law to share the ups and downs of rocketry. We’re pulled into the story by this American daredevil’s attempt to launch a homemade rocket in the early 20th century.
Contrasting the entertaining introduction to the subject matter, Law takes us back in time to first century China where gunpowder was invented then fast forwards many centuries to explain how the British used rockets to bombard Fort McHenry in the War of 1812, hence Francis Scott Key’s lyrics in our national anthem, “… And the rockets’ red glare … ” We also find out how Jules Verne’s prescient science fiction novel, From the Earth to the Moon, influenced rocket scientists from Russia, Germany and the U.S. and how his vision translated into actual technology used during WWII. When the war ended, several German scientists surrendered to American authorities. Not long after, the space race began when the Soviets launched the first satellite and America, not be outshone by the Soviets, created NASA and the quest for U.S. travel beyond Earth began.
Brown goes above and beyond in recounting and depicting in his illustrations exactly how the competition played out which is what I’m sure tweens will enjoy. From sending dogs, mice, monkeys and chimpanzees into space (with some humorous and sad asides) to the ins and outs of peeing and pooping in a spacesuit, Brown doesn’t hesitate to illuminate us. But he manages to perfectly balance the funny facts with the serious ones including failed launches and devastating disasters resulting in death. About a month before President Kennedy announced the plan to land a man on the Moon, the Soviets sent Yuri Gagarin into space on the first manned trip. So, with the clock ticking, NASA’s planning began. We see and read about how many missions prior to Apollo 11 led the way for America’s historic achievement but it wasn’t easy and it didn’t happen overnight. It took dedication, smarts, teamwork, billions of dollars and eight years to get a man to the Moon. Yet Brown poignantly shows us how also, after all that had been accomplished, the last astronaut to walk on the moon was Apollo 17’s Gene Cernan in 1972, which is when Brown’s novel ends. Throughout the book, Brown’s artwork seamlessly succeeds at pushing the narrative forward and only adds to the emotional connection readers will feel with the subject matter. Ten pages at the end offer a helpful timeline, info about Rodman Law, Notes, a Bibliography and an Author’s Note. Needless to say, I devoured all 136 pages of Rocket to the Moon! It was carefully researched and presented in such an exciting format making it an invaluable and must-read graphic novel for middle grade kids.
The title of this middle grade nonfiction book, Countdown: 2979 Days to the Moon, refers to the amount of time it would take to land a man on the moon starting from May 25, 1961, the day President Kennedy first made his historic challenge. This clever date-driven concept, presented in winning free verse by Slade, combines with Gonzalez’s dramatic illustrations to give a well-rounded account of that critical time in our nation’s history. Black and white as well as color photos add to the energy that emanates from Countdown.
Readers will find they soar through the book as Slade deftly describes the missions from Apollo 1 through Apollo 11 including the tragic Apollo 1 fire that killed astronauts, Grissom, Chaffee and White. The sacrifice made by those three courageous men on January 27, 1967 was not in vain and resulted in life-saving improvements in subsequent missions. Following the fire Apollo 2 is grounded and “NASA decides there will never be a mission called Apollo 3.” Apollo 4 and 5 are unmanned and successful. “The dream is still alive.” Following that triumph, Apollo 6 fails and fears about the future loom large. Soon Apollo 7 is manned for space travel and will circle Earth. The crew even make TV appearances then return home jubilant. “It’s time for Apollo to head to the Moon!” Tweens may recognize the names of the Apollo 8 crew, Frank Borman, Jim Lovell, and Bill Anders. They become the first humans to fly above Earth orbit and to reach lunar orbit. I cannot imagine how it felt when they could see the Moon!
Slade intersperses actual astronaut dialogue which heightens the impact of these mind-blowing moments. She gets into more technical detail than I will here, but suffice it to say kids will learn the lingo and understand who and what’s involved in getting a mission off the ground. Apollo 9 and 10 are also monumental achievements, with their advanced space technology put into action with a space walk, a lunar and command module separation and re-connection, and flying the lunar module just miles from the Moon surface. Look out Moon, here we come! Of course Apollo 11 is given no short shrift but I’m out of space (no pun intended) so get this book and experience the excitement this 50th anniversary is celebrating. When the book ends, 18 astronauts will have braved the risks of space travel and fulfilled President’s Kennedy’s dream. On July 20, 1969, President Richard M. Nixon said of the Moon landing, “For one priceless moment in the whole history of man, all the people on this Earth are truly one; one in their pride in what you have done, and one in our prayers that you will return safely to Earth.”
This inside look at the Apollo missions confirms the contributions of a vast team of individuals (400,000) whose dedication to the shared vision “never wavered.” Slade and Gonzalez have clearly worked hard to brought that vision to every page of this beautiful book. Enjoy additional info in the Author’s and Illustrator’s Notes plus more photos in the back matter.
Prepare for liftoff, lift up (pop-up and pull really) then prepare to be wowed by the impressive and brilliantly executed paper engineering along with a fascinating first hand account by astronaut Buzz Aldrin, the second man to walk on the moon in To The Moon and Back.
Kids even younger than eight will enjoy the design element of this book but the text truly is geared for an older reader who will appreciate the candid and detailed commentary Aldrin has contributed to the book. In just 16 pages, readers are filled in on all that was involved in beating the USSR to a Moon landing and having the first men walk on its surface. I like how we’re pulled in immediately by the first spread showing photos of a newspaper headline, President Kennedy and the Apollo 11 crew positioned on top of a powerful image of the lunar module floating in space near the Moon. “Historians have called this story humanity’s greatest adventure” and I agree, especially considering how much was at stake.
The second spread and first pop-up depicts Aldrin’s space walk on the last Gemini flight, 12, juxtaposed against an enormous shot of Earth. It’s definitely the first “Wow!” moment but not the last! Here we learn Aldrin was nicknamed Dr. Rendezvous because of his excellent abilities at docking, a crucial element of the Moon mission. This page also features a recollection by Jan Aldrin, Buzz’s daughter about the day that Gemini 12 took off for space. Additional exclusive reflections can also be found on other pages. Filled with an insider’s anecdotes, this book is not only a great way to learn about Moon exploration, it’s also a fast, entertaining read.
What works in an interactive book like To the Moon and Back is how the story of Apollo 11 comes alive. By learning from Aldrin himself how he first came to join NASA in 1963 all the way through to his ultimate achievement of reaching the moon is inspiring. At the same time looking closely at the the pop-ups and other interesting images along with Jan Aldrin’s recollections, make this a powerful educational tool for kids. The engaging nature of the book means space enthusiasts can easily follow along on the successive missions, while reading about which astronauts were involved and what new goals were accomplished or sadly, sometimes not. Before that decade had ended, America had achieved what had once seemed impossible, confirming the “endless endurance of the human spirit.”
A bonus paper model to build is included. Tweens can assemble the Apollo11 Lunar Module and go tonatgeokids.com/to-the-moonfor additional step-by-step and video instructions.
There’s more to this book than simply a comprehensive history of “humanity’s journey into space.” It’s actually a book that’s been enhanced with augmented reality (AR). All readers need to do is download the Space Race AR app to be able to see detailed 3D spacecraft and vehicle models appear right on the pages of the book! Kids can also “watch videos come to life on the page, including real-life footage from NASA. How cool is that?
From Sergei Korolev, the Soviet Union’s chief rocket designer whose identity was kept top secret “for fear the Americans would assassinate him,” to the search for alien life (aka SETI, the Search for Extraterrestrial Intelligence), it’s all here to soak up in 96 fantastic pages.
The book is broken up into six accessible chapters averaging between 13-16 pages: “The Race for Rockets”, “Humans in Space,” “The Moon in View”, “Space Stations and Shuttles,” “Probing the Planets,” and “Into the Future.” Tweens can choose to read the book in order or pick their favorite topic and indulge themselves. What’s wonderful is that even without using the AR app, I found the illustrations absolutely gorgeous. There are also a tremendous amount of photographs that capture important moments in time, and quotes such as one from Gus Grissom before his tragic death on Apollo 1 when killed by fire, If we die, do not mourn for us. This is a risky business we’re in and we accept those risks.” One of my favorite spreads in Space Race is the one where we get a peak inside the Apollo spacesuits. Its designers really thought of everything and I’m sure Armstrong, Aldrin and Collins were grateful! For readers eager to learn more about living in space, the space station section offers detailed info on life aboard MIR.
This book will be a hit in classrooms, libraries and at home. Pick up a copy to be up-to-date on what’s happening in outer space and beyond the solar system.
Read a fascinating article about Katherine Johnson called “The Path to The Moon” written by Joseph Taylor in Cricket. Johnson, who worked at NASA “helped figure out the mathematics behind space travel—specifically the path astronauts would take to make it to the moon and back.”
The wonderful thing about nonfiction biographies is that, when done well, they will take us on a journey full of facts, stories, and struggles that will not only enlighten us but also keep us glued to the page, even when we know the outcome. The following books we’ve selected to share for Women’s History Month are excellent examples of recent biographies about extraordinary, trailblazing women whose legacies are enduring and whose contributions remain invaluable serving as powerful role models for generations to come. Find out more about Hedy Lamarr, Susan B. Anthony and Ada Byron Lovelace below.
Wallmark’s chosen a fascinating woman to profile in her illuminating picture book biography of Hedy Lamarr. The Hollywood legend was more than dazzlingly beautiful actress, she was a secret inventor whose “greatest invention was the technology known as frequency-hopping spread spectrum” which has played a crucial role in keeping “our cell phone messages private” and keeping our computers hack-free. Although she knew she was more than just her looks, Lamarr chose to hide this talent from public and didn’t sell her inventions.
Born in Austria in 1920 (100 years after Susan B. Anthony), Hedy was a curious child who, when other kids would likely be out playing, was pre-occupied with how things worked. Her father encouraged her interest in science and technology which no doubt had a positive impact on the young girl. She also had a love of cinema and pretending so it was no surprise she gravitated towards a career in the movies. “I acted all the time … I was a little living copybook. I wrote people down on me.” Eventually doors opened for Hedy when a famous film producer offered her a seven-year film contract. She left her homeland for the bright lights of Hollywood, had her name changed to Hedy Lamarr from Hedwig Eva Maria Kiesler and went on to star in films with some of the industry’s most popular leading men including Jimmy Stewart and Clark Gable.
With her wondering mind at work all the time, even after a day of filming, Lamarr always was thinking about a way to improve on things already in existence or to create something new. That was especially true during WWII. So when she met composer George Antheil, a former weapons inspector, she learned from him that the U.S. Navy, like the European ones, had trouble with the enemy jamming their weapons’ radio signals. Hedy wondered if there was a way to counter this. With the piano as the impetus for a new idea, Hedy thought there might be a way to change frequencies like playing the same keys on a piano in different octaves, and by doing so build a secure torpedo guidance system. And so, after a lot of hard work, they did. Together with Antheil they shared their invention and were told it was “red-hot” but it still needed more work to operate effectively. While the pair eventually received their patent, the Navy “refused to develop” this ground-breaking technology and even classified it as secret so no one else could use the idea. Ultimately they never earned a penny from this breakthrough.
Undeterred by her thwarted efforts to help her adopted homeland, Hedy found success by getting behind the war bond effort, selling millions. Lamarr also took time to meet with servicemen at the Hollywood Canteen and pitched in any way she could. She retired From the movie business in the late 50s and only in the last twenty years has been earning the recognition long overdue. Wu’s artwork is just the right amount of subject and space, and pulls us into every illustration, my favorite being the one where Lamarr and Antheil first meet at a dinner party. Her simple depictions of Lamarr’s big green eyes, sculpted nose and brown hair are terrific. Wallmark’s added a “Timeline” and “Secrets of the Secret Communications System” in the back matter for young readers to learn more about “jam-proofing” technology. I love how even the endpapers are filled with artwork and details about Lamarr. Plus readers will find a “Selected Bibliography,” “Additional Reading About Other Women in Stem” and a list of “Hedy Lamarr’s Films.” Award-winning author Wallmark’s also written picture book biographies about Ada Byron Lovelace and Grace Hopper. Add Hedy Lamarr’s Double Life to the list of must-read biographies.
Prepare to be impressed by the tireless commitment and inroads Susan B. Anthony made for women’s suffrage as detailed by Teri Kanefield in Susan B. Anthony: The Making of America, book #4 in this inspiring series in which each volume “tells the story of an American leader who helped shaped the United States” that we know today. My review copy is so dog-eared to mark the countless passages I wanted to return to. What Kanefield successfully does from the Prologue forward is thoughtfully convey the most important aspects of Anthony’s life so kids will see the evolution of her beliefs beginning with her Quaker upbringing, her teaching years and all the way through to her time lecturing across America as an abolitionist and women’s rights activist.
What comes across to the reader is that Anthony, born in 1820, prior to the Victorian era, from an early age held strong convictions that everyone should be treated as equals. At that time in our country’s history women were supposed to raise families and keep their noses out of politics and practically everything else unless it concerned homemaking. They were only allowed to work in a limited amount of jobs: teacher, seamstress or nanny. They were prohibited from owning property and, in the case of estrangement in a marriage, the man gained custody of the children. In fact, it was not uncommon for a man to have his wife committed to an insane asylum if he wanted out of the marriage.
The immoral slave trade was the most divisive issue, even among Quakers at that time. To Anthony, people of color as well as women were not second class citizens, destined to remain subservient to white men. This was considered a radical idea in the early 19th century and she did not have an easy path as she tried, along with her friend and fellow activist, Elizabeth Cady Stanton, to bring about change and a new amendment to the Constitution giving women the vote. Frederick Douglass was a friend with whom she worked to help first abolish slavery and then gain constitutional protection for free slaves. However, before slavery was abolished and even after, prominent politicians and leaders cautioned her to put her agenda for women’s rights on hold. This was unacceptable. Anthony, along with her friend and staunchest ally, Stanton, challenged the notion that women had to forgo their wants and needs and remained determined “to ride roughshod over obstacles, ignore critics, and take help wherever they could get it.” The support of Anthony’s large family was a constant throughout her life and I wonder how she’d have managed without them during the numerous times she was broke or in debt. Her intelligence and quick wit made her the ideal person to speak on behalf of the suffrage movement but it’s worth noting that she also gravitated towards defending anyone whose rights were being abused.
This well-researched biography is filled with maps, photos, flyers, posters and advertisements that help paint a picture of American society during Anthony’s life. Even something like a lady’s corset could be symbolic of the self-imposed restrictions 19th century women placed upon themselves due to societal norms that a woman should have an hourglass figure. “Girls as young as seven were laced into overly tight corsets.” Also included are Notes, a Time Line, Selected Writings of Susan B. Anthony, a Bibliography, Acknowledgments and an Index.
By the time she died at age 86, four states allowed women to vote but it wasn’t until President Woodrow Wilson and the start of WWI that an amendment to give women the vote would gain traction, ultimately becoming the 19th Amendment to the U.S. Constitution, also called the Susan B. Anthony amendment, in 1920, fourteen years after her death. Kanefield’s invaluable biography paints a portrait of an American hero whose convictions changed the course of American history
I told everyone about Ada Byron Lovelace after finishing Dreaming in Code. I had heard her name in regards to code but it ended there. I knew nothing of the back story that led to this brilliant woman’s presaging today’s computer era almost two centuries ago!
Ada Byron Lovelace was born in England at the end of 1815, just five years before Susan B. Anthony. Augusta Ada Byron, was the daughter of the celebrated poet George Gordon, Lord Byron, and his “prim, religious” wife, Anne Isabella Noel, called Annabella, a woman of wealth and intelligence. The couple did not remain together due to his philandering and squandering of money among other things so Ada, as she became known, was raised by a single mother. Annabella was a self-centered hypochondriac yet quite philanthropic at the same time and left it to nannies, governesses and tutors to raise her child while she spent time away visiting her newly inherited holdings and helping the coal miners under her employ. McCully engagingly details how Ada flourished from her education although she remained removed from society until her mother deemed it necessary to find her a husband.
Around this time Ada met Charles Babbage, “famous inventor, philosopher (as scientists were then called) and mathematician” who held Isaac Newton’s chair at Cambridge University. Theirs was to be a long and intense, though completely platonic, relationship as they discussed big ideas since both were passionate about math and science. Their friendship provided Ada with the outlet she needed for stimulation. However things grew complicated when she married William, Lord King who became the Earl of Lovelace and soon became a mother. Though not as cold as her own mother, Ada, too, found it difficult to parent when her loyalties lay elsewhere. These chapters were some of the most fascinating ones yet sad at the same time. She often felt ill and, as was common in the early 19th century, was prescribed Laudanum, a tincture of opium viewed as a cure-all. That addiction had to have contributed to her early death at age 37.
As Countess of Lovelace, Ada mixed with a cross-section of society and attended talks on science given by brilliant minds of the era such as Michael Faraday. Ada also wanted to help Babbage and his Analytical Engine and at the same time make her own mark in the science and math fields. Here’s where her genius shone through. While Babbage saw his invention as “arithmetical and numerical, rather than algebraical and analytical,” Ada believed the machine could do more than compute … “that numbers were symbols and could represent other concepts, is what makes Babbage’s engine a prototype-computer.” Sadly, Lovelace lived in era when women were overshadowed by men and women’s freedoms were limited. We can only begin to imagine what miraculous achievements she’d have made had she only lived longer.
With the very readable Dreaming in Code highlighting her meticulous research, McCully has shed light on Ada Byron Lovelace, an important historical figure whose contributions to the field of STEM are finally getting the recognition they deserve. I recommend this young adult nonfiction book for anyone seeking to get a better understanding of the era in which Lovelace lived and how she was inspired to think outside the box.
Reviewed by Ronna Mandel
Read about the friendship of Susan B. Anthony and Frederick Douglass here. Read another book, Dare The Wind, illustrated Emily Arnold McCully here.
OUT OF THIS WORLD: THE SURREAL ART OF LEONORA CARRINGTON Written by Michelle Markel Illustrated by Amanda Hall (Balzer + Bray; $17.99, Ages 4-8)
★Starred Review – Booklist
Named as one of Amazon’s Best Nonfiction Books for January 2019, Out of This World: The Surreal Art of Leonora Carrington engages us from the opening lines where we’re told that “Leonora’s parents wanted her to be like every other well-bred English girl. But she was not.” Carrington’s amazing history unfolds with her love of drawing at age four. In the early 1900s, women were expected to be proper ladies then wives. Yet even with few opportunities, Carrington boldly forged a life which allowed her imaginative spirit to flourish.
This is the second picture-book collaboration between Michelle Markel and illustrator Amanda Hall. (The first, also about a significant figure from art history, was award-winning and critically acclaimed The Fantastic Jungles of Henri Rousseau). Once again, Hall’s art infuses vibrant color and lively images. She succeeds in conveying “the spirit, themes, and sensibility [Carrington] explored in her creative output without attempting to re-create any of her actual imagery.”
This book introduces surrealism to kids in a fun manner, yet Carrington’s plight is also understood. Instead of conforming to her society’s ideas about a woman’s place in the world, Carrington’s paintings, sculptures, and writings shaped a path that brought wide recognition in her lifetime. Additional, fascinating details are summarized in the back matter.
Tension builds naturally through Holt’s lyrical mirrored text. Of the graphite; “Mighty, unyielding, brilliant. The rock would dazzle if it had any light to reflect, but it doesn’t.” She writes of the boy; “Mighty, unyielding, brilliant. His inventions dazzle classmates, But Tracy is still penny poor, with so many ideas floating just out of reach.”
The tale celebrates Hall’s perseverance and resolve in the face of poverty and bullying. These obstacles ultimately build his resilience as he develops an invention to produce industrial diamonds. For those interested in learning more about diamonds, Holt provides backmatter on the mined diamond industry including the DeBeers monopoly and “blood diamond” conflict in Africa. A timeline and bibliography are also appended.
Fleck’s color-saturated illustrations are digitally enhanced and multi-layered, keeping the focus squarely on the man and the gem. Clever use of the color palette, alternating between the echoing narratives, helps balance the book visually. The contrast nicely reinforces the natural comparison of Hall’s and the diamond’s transformations. Fleck makes excellent use of angular elements such as the striations of the earth, books shelved in the library, diamond facets and kite strings, while occasional red-orange ‘explosions’ emphasize dramatic changes.
In THE DIAMOND AND THE BOY, Holt offers a personal and noteworthy celebration of a man deep in substance and character. This book is a different and delightful choice for readers of history, industrial manufacturing, or STEM classroom libraries. The intersection of science and personal character development is a unique and rich format that will engage a variety of readers and potential young inventors.
Where obtained: I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.
AN INCONVENIENT ALPHABET: BEN FRANKLIN AND NOAH WEBSTER’S SPELLING REVOLUTION Written by Beth Anderson Illustrated by Elizabeth Baddeley (Paula Wiseman Books; $17.99, Ages 4-8)
is reviewed today by Cathy Ballou Mealey.
Anderson’s debut picture book, AN INCONVENIENT ALPHABET, will resonate with young readers who are in the thick of mastering the spelling oddities of American English. While some may doubt they have anything in common with Noah Webster or Ben Franklin, Anderson makes a convincing case why the two revolutionaries should be lauded for efforts to unite a young America through common spelling and language conventions.
Writer and printer Benjamin Franklin was frustrated by inconsistent spelling. He tried to simplify the alphabet by removing extraneous letters, but his work did not catch on. Post-Revolution, Noah Webster was also vexed by grammar and pronunciation differences. His solution was the creation of a written guide to American English, but that also did not win public favor.
When Franklin and Webster finally met in Philadelphia, their shared interests in reading, writing, language and education sparked a new synergy between them. They agreed that “Using twenty-six letters to write forty-four sounds caused nothing but trouble.” Together they decided to devise a new alphabet in which letters matched sounds and sounds matched letters.
Franklin, the elder partner, left young Webster to the task of winning the hearts and minds of Americans to these spelling reforms. It was a long, uphill battle, even for these two accomplished and educated thinkers, to reach their ambitious goal. Yet Webster’s ultimate solution – a dictionary – was successfully published in 1806 with 37,000 entries, laying the groundwork for the spelling and grammar resources we use today.
Anderson’s illuminating text incorporates playful examples of inconvenient homonyms and confusing phonetic spellings that readers will appreciate. Baddeley cleverly energizes the subtle wordplay with colorful block letters that envelop and accost the main characters. Whimsical wallpaper, silly signage and quirky colonial architecture offer bold and brilliant punny details. In addition, charming dog and cat characters, explained in the postscript, provide lighthearted counterpoint to the “two men wearing tights and ponytails” throughout.
Thoroughly researched and delightfully presented, AN INCONVENIENT ALPHABET is a unique look at a new kind of “revolution” and a lively choice for its approachable introduction to the history of American English.
WRITE ON, IRVING BERLIN! Written by Leslie Kimmelman Illustrated by David C. Gardner (Sleeping Bear Press; $16.99, Ages 6-9)
This quote says it all –
“Irving Berlin has no place in American music – he is American music.”
— Jerome Kern
It’s been almost 30 years since we lost the brilliant musical talent, Irving Berlin, but his music lives on. In fact, the great news is that we can frequently hear some of his most famous songs throughout the year at sporting events, at Christmastime and in musical revivals across the country. Write On, Irving Berlin! written by Leslie Kimmelman and illustrated by David C. Gardner is billed as a lyrical story of an immigrant and the composition of “God Bless America.” This picture book biography provided the interesting back story of the man behind so many hits including “Alexander’s Ragtime Band”, “Putting On The Ritz”, “White Christmas”, “Oh! How I Hate to Get Up in the Morning” as well as all the wonderful songs from Annie Get Your Gun, Easter Parade and many others.
When it became too unsafe to remain in Russia for Jews, five-year-old Israel Isidore Baline and his family traveled by ship to America in 1893 to begin a new life. Thousands of immigrants arrived at Ellis Island in New York with barely anything but memories of their homeland. But at least they were safe and free. In school, Israel went by the name of of Izzy but found it difficult to focus on learning. Music filled his head. That was no surprise. In Russia his father had been a cantor, “standing side by side with rabbis, singing and filing synagogues with beautiful music.” Sadly, Izzy’s father passed away when the boy was just thirteen. He left school and his family so as not to be an added burden and struck out on his own. What did he do? He sang wherever he could get a paying job. He also wrote song lyrics although he couldn’t read or write music! He actually hummed his tunes and had someone else write down what he created. Pretty impressive I’d say. By this time Izzy was calling himself Irving Berlin and had sold his first song for 37 cents. He found a job at a music publisher and, since ragtime music was all the rage, he wrote Alexander’s Ragtime Band which became “a smash.”
Soon Irving Berlin married but not long after the wedding, his wife Dorothy became ill and died. He turned to his music to get him through his grief, still grateful for all that his new country had given him. During WWI Berlin was drafted into the army where he wrote songs to lift the spirits of his fellow soldiers. After that he found love again with Ellin and wrote the song “Always” for her. One hit followed another and Berlin’s popularity grew. He seemed to live and breathe music and wrote songs at any time of the day or night and in any place, including the bathtub!
It probably took little time to write one of his all time greats, “God Bless America”, a song that celebrates its 100th or 80th anniversary this year depending on whether you count when he first composed it or when he released it decades later. I had no idea Berlin donated all the proceeds from the song to the Boy and Girl Scouts of America or that people weren’t happy that a Jewish man, an immigrant, had written the song. What stunned me was those same folks could again not embrace his other huge hit, “White Christmas” for the same reason. Despite that, Berlin is said to have told a friend he thought it was the best song anybody had ever written. There is more to learn about this amazingly talented man such as how he traveled to war zones during WWII to help entertain the troops and how his fount of song ideas seemed ever flowing. Kimmelman’s included an author’s note in the back matter where I learned Berlin not only helped found the American Society of Composers, Authors and Publishers (ASCAP) but in his lifetime he received not only the Medal of Merit from President Truman but the Congressional Medal of Honor from President Eisenhower as well.
Kimmelman’s shared just the right amount of information with her prose although there is so much material about Berlin to choose from given his long career. I liked how, since this is an anniversary year for “God Bless America”, she included that very line at various points throughout the book. Looking at Gardner’s beautiful historical imagery with its water color quality, readers will get a terrific sense of time, place and mood. Prepare to be transported back by both Kimmelman’s words and Gardner’s illustrations to a time when Tin Pan Alley was turning out the hits and Irving Berlin was at the top of his game. I recommend reading the book while playing a selection of some of his songs which can be found here.
The book tells the true tale of folk artist Nek Chand. In the small village where Chand is born, recycling and repurposing objects is a way of life. Dented buckets become scarecrow hats. Scraps of fabric become blankets. Sticks become toy rafts. And woven throughout the texture of daily life, there are stories. Stories of kings and goddesses, geese and monkeys, jungles and temples fill Chand’s imagination until one day, using sand and sticks and rocks, he builds the world of his imagination on the banks of a river. When partition splits India into two countries, however, Chand and his family are forced to leave their village behind for the cold concrete of India’s first planned city, Chandigarh. Nivola’s watercolor and gouache illustrations show the stark contrast between the colorful village of Chand’s childhood and his life in the city, where variations of beige reign.
Chand feels he doesn’t belong in the city, but then, he claims a patch of unused jungle on the outskirts of town. Over many years, using found objects and half-dead plants, he builds a secret kingdom of walkways, sculptures, arches, flowering plants, and trees. It’s a place where stories come to life, where castaway items are reborn, and where Chand, at last, belongs. Though his garden comes to cover many acres, Chand’s creation remains a secret for 15 years. When it’s finally discovered, government forces threaten demolition, but the people of Chandigarh step in. Chand’s secret kingdom comes to be known as “The Rock Garden of Chandigarh” and, to this day, draws visitors in the thousands from all over the world.
Rosenstock’s text paints a vivid picture of Chand’s life in India as he battles “clouds of mosquitoes and slithering cobras,” walks past “plowmen singing behind oxen” and gathers “broken glass bangles in red, blue, and green.” With the added visual of Nivola’s illustrations, this story of a man who, quietly and with determination, created the world he imagined–simply because it brought him joy–truly comes to life.
Fascinated by reptiles from an early age, Joan Procter followed her childhood passion for slithery, scaly, unusual animals to an internationally renowned career at London’s Zoo and the Natural History Museum. Valdez introduces us to young, curious Joan, holding tea parties with reptiles while her peers preferred dolls. As Joan grew, her interest did not wane, so at 16 years old she received a pet crocodile as a birthday gift!
In due time, Joan chatted up the director of Natural History museum about his work with reptiles. She began working there, surveying the museum’s vast collections, publishing research papers, and creating detailed, realistic models and drawings for the reptile exhibits. Given her enthusiasm, experience and extensive knowledge, Joan eventually became the Curator, an unusual role for a female scientist at the time.
When invited to re-design the London Zoo Reptile House, Joan fell in love with a new and exotic creature, the Komodo dragon. This so-called fierce, man-eating lizard was “rumored to be…Thirty feet long! Faster than a motorcar! Stronger than an ox!” Joan, undeterred, could not wait to study the dragons first-hand. Her deep connection with one Komodo called Sumbawa led to some of the most stunning and innovative work of her career.
Valdez keeps the paces of this fascinating story lively by introducing wonderful vocabulary woven carefully and completely within a child-friendly framework and perspective. She highlights her heroine’s passion and determination in an understated yet direct manner, giving Joan relevance and timeliness that transcend her time period. Joan Procter, Dragon Doctoris an essential addition for collections on women in STEM fields, with the broad appeal of reptiles and science for many young readers boosts this title to the top.
Salas illustrates dramatically, choosing with vibrant, rich colors for the settings, the tropical plants, and the starring-role reptiles. Joan is elegant yet serious, portrayed close to and interacting with her creatures, focused on them with great intensity, delight and passion. The reptiles themselves are marvelously textured and stylized, creeping, curving and twisting with dignified realism. Throughout the story, Salas provides tantalizing glimpses of early 20th century London through architecture and fashions of the era.
Valdez includes additional biographical information on Procter as well as on Komodo Dragons. A bibliography with primary and secondary sources is a helpful resource for young readers who wish to explore more. Don’t miss the opportunity to learn about this impressive scientist, her beloved ‘dragons’ and her trailblazing career in a book that is as beautiful and brilliant as it is important.
Where obtained: I reviewed an advanced reader copy from the publisher and received no other compensation. The opinions expressed here are my own.
ABOUT JOAN PROCTER, DRAGON DOCTOR
For fans of Ada Twist: Scientist comes a fascinating picture book biography of a pioneering female scientist–who loved reptiles!
Back in the days of long skirts and afternoon teas, young Joan Procter entertained the most unusual party guests: slithery and scaly ones, who turned over teacups and crawled past the crumpets…. While other girls played with dolls, Joan preferred the company of reptiles. She carried her favorite lizard with her everywhere–she even brought a crocodile to school!
When Joan grew older, she became the Curator of Reptiles at the British Museum. She went on to design the Reptile House at the London Zoo, including a home for the rumored-to-be-vicious Komodo dragons. There, just like when she was a little girl, Joan hosted children’s tea parties–with her Komodo dragon as the guest of honor.
With a lively text and vibrant illustrations, scientist and writer Patricia Valdez and illustrator Felicita Sala bring to life Joan Procter’s inspiring story of passion and determination.
★Starred Reviews: Booklist, Publishers Weekly, School Library Journal