Written by mother-daughter duo Mojdeh Hassani and Samira Iravani and illustrated by Maya Fidawi, Mama Shamsi At The Bazaar shares the loving bond between grandmother and granddaughter as they venture out to share a new experience together.
Getting ready to go to the bazaar with her grandmother for the very first time, Samira is afraid she’ll get lost in the crowd. Again and again, she tries to coax Mama Shams into letting her hide under the protection of her veil. “‘Let’s get in line, under your chador, you in front, me behind!’” But each time, Mama Shams responds with a resounding “Na, na, na” followed by an exaggerated explanation of how silly they might look to passersby. “‘I’d look like a fool with four legs below me just like a mule!”
Textually, this lovely rhyming interchange between grandmother and granddaughter adds much humor and whimsy, while also providing a place for young readers of all backgrounds to stay grounded in the story as Mama Shamsi suggests the different types of animals she may be mistaken for if she acquiesces to Samira’s wish.
Visually, their conversation introduces readers to the bustling capital of Iran, Tehran. Fidawi’s expressive illustrations are wonderfully and thoughtfully detailed from home to city life during the 1960s/’70s, reflecting the time period author Hassani grew up there. My personal favorites include the seated vendor on the street, prayer beads in hand, and chai brewing on a portable burner next to him, a grandmother on the balcony of a nearby apartment hanging clothes to dry, and another vendor selling my favorite Iranian street food: steamed beets. When they finally arrive at the bazaar, Samira feels assured that with Mama Shamsi by her side, she is safe to enjoy and explore her new world.
For those seeking an intergenerational, diverse, sweet, and/or humorous story with a touch of social-emotional learning, this picture book ticks off all of the boxes. A recommended read for National Grandparents Day and year-round.
Sora’s Seashells, written by Helena Ku Rheeand illustrated by Stella Lim with Ji-Hyuk Kim, is so much more than a beach or summer story. It’s a multi-layered, moving, and intergenerational picture book about a grandmother and granddaughter relationship. Gentle in tone with art that beautifully captures the book’s mood, the story is also about loss, and passing kindness forward to other’s lives, including strangers. Additionally, Sora’s Seashells addresses the meaning of a name and how it can bring joy.
When Sora’s grandmother (Halmoni), visits each summer from South Korea, the pair spend special time together gathering seashells at the beach. Though lovely, the prettiest shell that Halmoni picks is intended for someone else. “It’s a gift,” Halmoni tells Sora, left “For anyone who sees its beauty.” Sora is a bit confounded at first. Parents, however, may explain to children being read the story what a thoughtful gesture Halmoni has made.
Not quite understanding the largesse in Halmoni’s action of spreading kindness, Sora tucks away a few of her favorite finds when she and Halmoni go back to the beach the next day. Later at home, Halmoni can be seen in art glancing from Sora’s bedroom door at her granddaughter who inspects her collection that brings her such happiness.
At the beginning of Kindergarten, some classmates tease Sora about her unusual name, wondering if it’s really supposed to be Sara. The bullies persist over several weeks but Sora chooses not to tell her parents. When she learns her Halmoni has passed away, she is beset by sadness for so many reasons all at once. Sad she’ll no longer be able to spend summers with Halmoni. Sad at remembering times together and the way Halmoni said Sora’s name. And sad how the bullies treated her at school. “I hate my name. I want to be Sara!” Sora tells her parents through a steady stream of tears.
A restorative trip to the beach and learning that her name means seashell in Korean, helps Sora get things in perspective. Most of all, Sora’s mom explains that Halmoni felt finding a perfect shell was like receiving a wonderful gift. Sora was that gift!
And if that doesn’t tug at your heartstrings, when Sora shares the meaning of her name at show and tell, and gives each of her classmates a shell, including those who’d teased her, my eyes welled up with tears. She knew she mattered, took the high road, and was rewarded. I was especially touched when Sora left her last shell on the bench at the beach exactly as Halmoni had. What a meaningful way to end the book. The art, rendered in warm watercolor and finished digitally, is soothing and sensitive. Full of caring and love, hope, and kindness, Sora’s Seashells is the kind of feel-good read that is easy to recommend.
Written byKim Rogers and illustrated byJulie Flett, Just Like Grandma invites readers to Becca and her grandparents’ home where Native American family traditions and cultural knowledge are lovingly strengthened and celebrated.
Grandma creates beautiful things, and Becca is right behind her wanting to give each one a try. Whether Grandma is beading buckskin moccasins, dancing barefoot outside like a beautiful butterfly, painting “a colorful sunrise” inside her art studio, or dancing at the weekend powwow, Becca wants to be a part of her grandmother’s world. “More than anything, [she] wants to be just like Grandma.” In a heartwarming twist in the second half of the book, the roles change. This time “[m]ore than anything, Grandma wants to be just like Becca.” Watching her granddaughter play basketball, Grandma “sprints outside” and says, ‘Let me try.’” Grandma, too, wants to be a part of Becca’s world.
Rogers’ lyrical and rhythmic text provides comfort and connection while Flett’s clean and simple earth-toned illustrations highlight the quiet strength of family bonds. Throughout their activities, Grandpa is present welcoming them back inside the home at the end of each day to nourish them with his homemade dishes: corn soup, fry bread, and to:kic, a traditional Wichita meat dish.
A publisher’s note, an author’s note, a glossary, and a note on beadwork can be found in the back matter of this story perfect for those seeking a heartfelt picture book about cultural heritage and intergenerational love.
I’m a big fan of personification in picture books so I was curious how Kazi would bring the moon to life in her new Ramadan story. In her debut, she shows a cheerful crescent moon grinning at a diverse group of Muslims across the planet.
Ready for a month of peace and fasting from sunrise to sundown, people are busy cleaning and preparing. Moon’s view of celebrants takes us first to Egypt, then to Turkey. We learn the early morning meal is called Suhoor. The daylight hours are devoted to good deeds and kindness. When Moon glances down at Indonesia, it’s time to break the fast at Iftar. Here we’re treated to a spread of a dining room table filled with all the delicious foods of the holiday including dates. In the United Kingdom, Moon lights the way for children “delivering baskets of dried fruit and honey-soaked pastries.” Zakat, or charity during Ramadan, is discussed by leaders of the community in New Zealand. One example is by putting coins in sadaqah jars for those in need.
As the days pass, Moon grows fuller. So by the time this story reaches Somalia, it is full, signaling the halfway mark of the holiday. An Iman leads worshippers in the nightly prayer of Taraweeh. One of my favorite spreads, in rich purples and blues, is about breaking bread with people of different faiths. Set in the United States. Moon has reached its last quarter and is shaped like a loaf of bread that has risen. In Dubai Moon gets a glimpse of smiles and hennaed hands. A gorgeous star-lit outdoor scene greets a new Moon in Argentina as she “magically melts into mulberry and lavender hues.” People fill the streets as the month of fasting nears its end. First India for Chaand Raat, the night of the moon, and then for our return back to where everything in Kazi’s picture book began, in Egypt for the joyful Eid al-Fitr festivities. The positive energy of Kazi’swarm art, achieved using scanned watercolor textures and digital pencil, and uplifting prose pulsates from the pages!
The endpapers depict the phases of the moon and back matter includes an Author’ Note, a Ramadan Glossary, illustrations of different foods, and Ramadan items such as the lantern, the sadaqah jar, the traditional skullcap, and more. A rewarding read now and for years to come!
Introduce your children to Eid al-Fitr, the Muslim holiday that begins with a crescent moon above, by sharing this heart-warming new picture book.
Zain is so excited that Teita has finally arrived from Egypt. Everyone will help her make the delicious dessert called ka’ak that she is known for. She’s brought along special ingredients, too. The mouth-watering cookies take time and patience to make and though Zain is eager to get started, author Khalil takes us back to Egypt via several fabulous flashback spreads to when Zain’s Mama and Teita were younger. That was a time when the whole family would stay up all night to bake the ka’ak and then offer them as gifts to others. Those three pages of recollections convey the significance of this tradition that Zain’s family continues.
Zain brings the cookies to school where they are a hit even with his class’s pickiest eater. This is a super scene because it’s inclusive—there’s a student in a wheelchair, a Black student, a White student, one girl in a headscarf, and one boy wearing a yarmulke. When Zain’s teacher wants the recipe he is filled with pride. Wait until he tells Teita! You can feel the love emanating from the huge hugs and smiles he shares with his teita once home.
The charming illustrations, which include a lively kitty popping up in fun poses and places, have a childlike quality that I find appealing and feels so right for this story. They were created using mixed media including acrylic, oil, ink, spray paint, crayon, and pencil on watercolor paper. The saturation of colors such as pink, orange, and teal adds vibrancy to this tale that is already so full of life.
Seeing the scenes when Mama was a child helps reinforce how the memories of time spent together during the holiday are a cherished part of the experience. Young readers are treated to not only the history of ka’ak going back to the pharaohs’ rule but to the fun involved when everyone pitches in now to help prepare them. Khalil’s prose makes us almost taste their sweetness and shows how important it is to honor this joyful tradition. Six pages of back matter end the book with an explanation of Eid, a ka’ak time line, lovely author photos, and a recipe to try your hand a ka’ak making. Don’t miss this timeless intergenerational story!
I loved where this wonderful story went and how the title can be interpreted to refer to more than one blessing that occurs in Zahra’s Blessing. One clue is given in Nirza’s beautiful cover artwork.
The story begins at bedtime with the main character, Zahra, telling her teddy bear that during the Ramadan moon, her mama says “… blessings are all around us during this month.” So Zahra prays for a sister, someone to bake with. I’m adding play with, read to, and love because it’s clear Zahra is a girl full of love.
One blessing during the holiday is to give to others so along with her Mama, Zahra chooses clothing to box up and donate. Afterward, she realizes that she cannot find Teddy, her stuffed animal, despite a thorough search. This loss weighs on her. A sister could help her look for Teddy.
When they bring their items to a refugee shelter, they will also spend time there volunteering. And though Zahra is missing her beloved Teddy, her mother explains the shelter residents have lost so much more since fleeing their homelands. That helps Zahra understand their difficult circumstances. Mama introduces Zahra to “someone special,” a young refugee named Haleema who is painting. This a second clue kids might not pick up on. They may also not get that Haleema refers to her parents in the past tense. Her Baba was an artist she tells Zahra. Her mama was an architect. Here I must note I did wonder if kids will infer Haleema’s parents had died. What is clear is that Zahra and Haleema bond over painting, reading stories, and then breaking the fast together. Soon it was time to go home and I was moved when Zahra longs to find Teddy so she can give him to Haleema who was sad to see her new friend go. Moments like this demonstrate Zahra’s maturity and humanity.
Over Ramadan, Zahra and Haleema spend more time together, growing closer every day. Just before “Eid Day dawned dazzling bright” Zahra’s parents share a delightful secret with her which readers ultimately learn a few spreads later. Zahra’s wish for a sister has come true in the most wonderful way so when Eid festivities end, this family of three grows to a family of four with Haleema! There was no denying the blessing of Ramadan that Zahra’s family could feel.
The two pages of back matter explain the holiday, and its customs, and also address displacement, shelters, and foster care. The interconnectedness of Shamsi’s lyrical writing with Mirza’s jewel-toned, ebullient art makes this a standout story for children. Zahra’s Blessing presents a story of empathy, kindness, and the joy of giving in an engaging and accessible way while beautifully blending the richness of Ramadan and Eid.
AuthorJane Suttonand illustratorDebby Rahmalia’spicture book,Gracie Brings Back Bubbe’s Smile, was easy to enjoy. It brought me back to my childhood as I recalled all the Yiddish words my parents and other relatives used when I was growing up. I knew conversations were about money when I heard them use the word gelt. When kinder was mentioned, they were talking about me, my brother or my cousins. Yet this book is so much more than a book to introduce Yiddish to young readers. It’s a sweet, thoughtful story about how Gracie comes up with a way to help her grieving Bubbe (grandma) following her Zayde’s (grandfather) death.
Rather than come right out and tell Bubbe what she’s doing, Gracie uses her genuine curiosity to take her grandmother’s mind off her husband’s death by having her focus on something else. What a mature approach!
Gracie may not have been grieving to the extent that her Bubbe was, but she still felt the loss. Her late Zayde had taught her many things and she missed spending time with him. And she could not help but notice how sad Bubbe was. So when Bubbe told her she didn’t feel like drawing a picture together and called her Bubala, recalling how “Zayde and I loved using Yiddish words together,” Gracie grew interested in finding out more.
By asking Bubbe to teach her Yiddish words, Gracie is able to help her grieving grandmother engage and at the same time continue doing something meaningful. They can spend time together as Bubbe shares more Yiddish words and their meanings while keeping the memory of Zayde alive. In the end, not only does Gracie bring back Bubbe’s smile, but she also bonds with her in joyful new ways that heal them both. Sutton’s tenderly written multigenerational story of bereavement and healing is treated with care in Rahmalia’s cheerful illustrations that depict Bubbe’s loving relationship with her granddaughter. With its unique Yiddish angle, this picture book is a thoughtful, educational, and accessible read for children processing a loss.
NOTE FROM RONNA: As a grammar fanatic,I’m thrilled to be able to share this fun and informative interview by Moni Ritchie Hadley with Rebecca Kraft Rector and Shanda McCloseky, author and illustrator respectively of the new picture book LITTLE RED AND THE BIG BAD EDITOR. Celebrate its book birthday with us by reading on because I know you’re going to devour this chat!
INTERVIEW
Moni Ritchie Hadley: Welcome, Rebecca Kraft Rector and Shanda McCloskey! Thank you for taking the time to chat about your new book and writing and illustration processes. Rebecca, this story creatively spins a popular fairytale with a new narrative. What was the original pitch for LITTLE RED AND THE BIG BAD EDITOR?
Rebecca Kraft Rector: In this fractured fairytale, the Big Bad Wolf is so distracted by Little Red’s poorly written thank you note to her grandmother that he keeps missing the chance to eat her.
MRH:Based on the educational subject matter and the structure of a fractured fairytale, this story seems to be the type of book a kid would love, and a parent or teacher would want to purchase. How did you come up with the concept?
RKR: I like to play with words and came up with Little Red WRITING Hood. The idea that Little Red’s poorly-written thank you note to Granny would distract the Big Bad Wolf grew from there.
MRH:Do you begin your stories with pencil and paper or on the computer?
RKR: I mostly use the computer, but I also jot down phrases and ideas in a notebook that I keep beside my bed. Some of my best ideas come when I’m only half awake.
MRH:Today, kids primarily use technology to communicate. Do you feel that kids will relate to a thank-you note written with pencil and paper?
RKR: I hope so! Kids still use pencil and paper in the early grades, and the Common Core Standards include things like using capital letters and punctuation. I’ve heard from teachers that there’s even a letter-writing unit in most first-grade classes.
MRH:Shanda, as the illustrator, what attracted you to this manuscript?
Shanda McCloskey: The happiness I felt when I read it for the very first time! Rebecca definitely knows how to have fun with words :)
SM: I spent a few days drawing/redrawing character look possibilities for this book. When I saw something good in a character sketch, I would just “follow the light” and then tried drawing the character again, leaving in the good and stripping the bad, over and over until the characters felt “right-ish.”
LITTLE RED AND THE BIG BAD EDITOR was drawn digitally, printed onto paper, and painted with watercolors.
Little Red’s cape had to be red (obviously), so I started there. I found that Little Red popped best when her colors were warm in contrast to a cooler background. Wolf needed to blend into the background sometimes, so he is cool-toned as well. Then, I stuck in some of my favorite colors for fun, like Little Red’s pink and purple outfit.
The first dummy took me two months or so. Then it went through a couple of versions with feedback from the publishing team over several months. Things like character consistency, spread variation (ex., full bleeds, vignettes, panels), hair and skin color, etc., were tinkered with.
MRH:Were you able to collaborate?
RKR: No.
MRH:Shanda, when illustrating a book based on an existing story, how do you separate the images of the past and make them fresh?
SM:It happens automatically when you are working with new characters in a new world. But it’s also cool when my “style” shows through in all my books, at least a little bit. Also, every book is a leveling-up experience for me. There may be a new technique I’m using or a mood I’m trying to achieve. There’s always something in my craft to tinker with or improve upon with each book.
MRH: You are an author of children’s books as well as an illustrator. Is it easier to illustrate someone else’s words or to illustrate your own? How is the process different?
SM:They both have various perks! When illustrating my own stories, I can add a speech bubble with a joke if the notion hits me. But it’s not really my place to do that when I’m illustrating someone else’s words. But on the flip side, having limitations can sometimes be nice and clean, and it sure is nice to launch a book with a partner. If it flops, it’s not just on you!
MRH:Rebecca, this is your second picture book. Where do you usually get stuck in the writing process, and how do you get out of it?
RKR: Ha! I get stuck all over the place—the beginning, the middle, the end—everywhere! Sometimes I’ll print out what I have, and seeing it on paper makes it easier to figure out what to do next. If I can let myself play and have fun with the story, I find my writing goes more smoothly. My critique groups are big help with both brainstorming and pointing out where I’ve gone astray.
MRH:Are you more like Little Red or the Big Bad Editor? How so?
RKR:Hmm, I guess I’m more like the Big Bad Editor because, like him, I’m frequently frustrated by bad grammar and punctuation.
SM: Hmmm. I identified with both of them! I can definitely be a stickler for what I think is “the right way” to do something. But I can also appreciate how Red didn’t wait until she had a perfect letter to say thank you to her granny. She just went for it and improved along the way! #amwriting #amillustrating
MRH: Are there any other secret insights that you can share about this book?
RKR:Unlike all the other stories I’ve written, I wrote the last line first. Also, the entire time I was writing and revising the story, I thought I was filling the story with fun metaphors. Nope! Every single one was really a simile. I still can’t write metaphors.
SM: I put my own real kids’ artwork on the refrigerator in Granny’s kitchen :) And there’s usually some nod to a book I’ve previously worked on. Such as the fire truck (FIRE TRUCK VS. DRAGON) and the snuggle bunny (BEDTIME BALLET) on Little Red’s shelf in her room on the first spread.
LITTLE RED AND THE BIG BAD EDITOR releases today! Thank you both for chatting with us.
Since “[v]ideo chats [aren’t] the same as real life,” Kylie is nervous about visiting her Amah who lives so far away in Taipei, despite their weekly time together online. Once they arrive, Amah encourages Kylie to explore the city together, “Lái kàn kàn! Come see!” But Kylie finds everything strange: Amah’s apartment, dining with her extended family, city life, the night market. Everywhere they go, Kylie hesitantly “trail[s] behind Amah and Mama.”
But on the day they visit the hot springs, something changes for Kylie. Dipping her toe in the warm water, she relishes in the joy of that moment and, in the days to follow, all the other experiences Taipei has to offer. From this point on, Greanias cleverly flips the lines of the story, repeating the same lines as the first part, but this time in reverse order with slight changes in context and punctuation to emphasize Kylie’s wholehearted embrace of the culture around her.
Amah’s welcoming refrain has now become Kylie’s. “Lái kàn kàn!” she calls out to Amah and Mama as she leads them to the places Amah has taken her before, only now Kylie sees them with fresh, new eyes. Energetic lines in a soft color palette weave through the book which includes Taiwanese Mandarin text in speech bubbles inviting readers to join in on the fun.
Included in the back matter are the Taipei sights mentioned in the story, meanings behind Taiwanese foods, and a note from both the author and illustrator about their experiences visiting their own grandmothers in Taiwan.
An engaging story set in a vibrant, diverse city, Amah Faraway illustrates how to face your fears by leaning on familial love.
THE STAR FESTIVAL, also known as the Tanabata Matsuri, takes place in Japan on the seventh day of the seventh month. It is celebrated on July 7th in regions following the gregorian calendar and August 7th of the lunar calendar.
I researched many beautiful landscapes and images, knowing that one would eventually become the backdrop of my story. Which were my top choices, and how did I choose?
Hanami Matsuri, the Cherry Blossom Festival, takes place in the Spring determined by the sakura, or cherry blossom, forecast in particular regions. Sometimes performances and tea ceremonies are performed under the trees, but the main activity is to picnic under the pink-blossomed sky.
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“Hanami Festival” by dvdhaven :-) is licensed under CC BY-NC-ND 2.0
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Hina Matsuri has many names, the Japanese Doll Festival, Girl’s Day, and the Peach Festival, due to the time of year that it’s held-March 3rd. Originally, dolls made of paper and straw were sent down a river to set misfortunes adrift. In modern times, fancier dolls displayed inside homes invite prosperity and happiness.
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“Japanese Doll Festival, Girls’ Day: Hinamatsuri, Kyoto； ひな祭り、ひな人形、京都” by Nullumayulife is licensed under CC BY 2.0
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Yuki Matsuri, the Sapporo Snow Festival, is celebrated in Hokkaido, a colder region of Japan. Famous for its ice sculptures, this modern-day festival began in 1950 when a group of high school students sculpted snow figures in Odori Park. Contests are held every February and attract visitors from all over the world.
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“Yuki-Matsuri Japanese Ice temple” by Aaron Quigley is licensed under CC BY-NC-ND 2.0
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The festival that became the backdrop to my story is equally beautiful to all of these mentioned. It was the folklore behind the Star Festival that drew me in. Orihime and Hikoboshi, two star-crossed lovers, forbidden to see each other but once a year, cross the Milky Way bridge and meet on the day of the Tanabata, offering a parallel to Keiko, my main character, crossing a sea of celebration to find her Oba or grandmother.
It only takes a quick glance at the title to know that we’re in for a treat! In Bella’s Recipe for Success, the debut picture book by Ana Siqueira, we can assume that Bella, the Latina main character, will be engaging in disastrous recipes, resulting in a delicious and successful outcome.
The story begins with Bella and her Abuela in the kitchen. As her siblings brag about piano playing and cartwheeling, Bella wonders about herself. She attempts to discover her own talents but loses hope and resigns herself to not being good at anything. Taking comfort with her Abuela, she asks to make polvorones con dulce de leche. To Bella’s surprise, her brother and sister make mistakes too. So she persists. Sometimes the dough is hard as a rock. Other times it crumbles apart. But Bella keeps trying. She beats, blends, stirs, and bakes her way to success! In the end, she realizes that she is good at more than baking polvorones!
Ana Siqueira does a great job writing language that reads quickly and light in the spirit of cheering Bella up. She creates delightful similes comparing her somersaults to jirafas rolling downhill and dulce de leche to cocodrilo skin. Spanish words are easily understood through context and round out the setting in the Latinx, intergenerational home. Playful images by illustratorGeraldine Rodriguezalso capture Bella’s emotional journey making this an engaging book for young readers.
This book reinforces that everyone makes mistakes and that they are okay and even necessary to achieve success. It is el perfecto libro for kids who might need a little boost in confidence.
A sweet bonus: The polvorones con dulce de leche cookie recipe at the end of the story. Are you ready to put your baking talents to the test?
Swimming season is upon us so I’ve invited author Stephanie Wildman to talk about her new picture book, Brave in the Water, for parents and caregivers of reluctant swimmers to share with children.
Intro:
Thank you so much, Ronna, for having me on your blog. I’m excited to tell your readers about my debut picture group Brave in the Water and to encourage them to get in the water!
Learning to swim can be daunting. I should know – I didn’t learn until I was twenty-six years old! I didn’t want my own children to grow up afraid, so I took them for swim lessons at an early age. They both became competitive swimmers. One founded and coached an award-winning swim program for vulnerable youth. One swam for Team USA in the 2008 Olympics, winning a gold medal. So getting them in the water was one thing I did right as a parent, not passing on my own fear. I hope this book reaches children who might be afraid like I was and shows them that they can have fun in the water.
More about the book:
Diante is afraid to put his face in the water, but he is torn because he would like to play in the pool with other children. He’s not afraid to hang upside down on the monkey bars, though, and he’s surprised to learn his grandma is afraid to be upside down in an inverted yoga pose. Can Diante help Grandma and become brave in the water?
Spoiler alert: He can and he does. Grandma tells Diante about the feathered peacock yoga pose that she aspires to do. Diante wants to try it. Grandma explains that “Breathing is important for trying something new.” They practice slow, deep inhalations and exhalations together.
Before trying the pose Diante learns to control his breathing (pranayama).
He wonders if pranayama can help him put his face in the water. He goes back to the pool to try and thinks for a long time, finally remembering pranayama. Finally, step by step, slowly breathing Diante enters the water and puts his face in. He is on his way to learning how to swim.
Here is what Bonnie Tsui, New York Times best-selling author of Why We Swim and Sarah and the Big Wave, said about Brave in the Water in her back cover blurb:
“Being brave is something we work on all our lives. Stephanie Wildman shows us how to help each other through — one breath at a time — to reach the essential joy of the water.”
By the way, I would love you to check out my debut group NewBooksforKids.com. I have been lucky to meet this group of kidlit debut authors, all with books I want to buy and read. Remember you can always support children’s books by requesting your local library to order them or by buying one for a Little Free Library. This group will give you some great ideas.
Stephanie M. Wildman served as John A. and Elizabeth H. Sutro Chair at Santa Clara Law and directed the school’s Center for Social Justice and Public Service before becoming Professor Emerita. Her books include: Brave in the Water (2021); Privilege Revealed: How Invisible Preference Undermines America 2d (2021) (with contributions by Armstrong, Davis, & Grillo); Race and Races: Cases and Resources for a Diverse America 3d (with Delgado, Harris, Perea, & Stefancic) (2015); Social Justice: Professionals Communities and Law (with Mahoney & Calmore) (2013); Women and the Law Stories (with Schneider) (2011). She is a member of the Writers Grotto. She is a grandmother, mother, spouse, friend, good listener, and she is able to sit “criss-cross apple sauce” thanks to her yoga practice.
Where to buy the book:
The book is available for order anywhere books are sold. Here are some links for purchasing online:
We’d love you to support your local independent bookseller by placing your order there.
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Green Apple Books may still have signed copies. And a Spanish language version –Valiente en el Agua (translated by Cecilia Populus-Eudave) is also available from booksellers.
My homebody nana sewed, cooked, and baked, unlike the senior center tennis champion nana in Nana Says I Will Be Famous One Daywritten by Ann Stottand illustrated by Andrew Joyner. She is incredibly involved in many aspects of her grandchild’s life so the obvious contrast between the two grandmas intrigued me. I was eager to learn about a real hands-on grandma. I know my nana loved me like this nana loves her grandson but the similarities end there. By the way, this nana is also a poodle-like character and her grandson is a precious pup.
From the first two spreads, readers realize that Nana and her grandson, the story’s narrator, are the two members of a mutual admiration society. “Nana was my very first word.” He then says, “My whole life, Nana has been my biggest fan. She comes to all my games and school events. I can usually find her in the front row.”
This set up works well with the puppy’s description of the various things that Nana does to always be there for him. That’s sweet of course. However, Nana has what I’d call a quasi pushy way to get front and center for the pup, and the examples of that behavior build beautifully throughout the book’s 32 pages. Whether she’s practically shoving her grandpup’s teammates off the bench at the pool or parking herself near the football field’s fifty-yard line to offer playing tips, her presence is ubiquitous.
At the pup’s basketball game, Nana suffers a setback “trying to get a front-row seat.” It’s actually good that Stott has shown a consequence for Nana’s in-your-face fawning. She is advised to stay off her injured foot. Never one to sit still, Nana is now forced to curb her active enthusiasm. Can she handle temporarily relinquishing her role as fan #1? Readers will be delighted to see there’s a very good chance that being on the receiving end of all the attention will make both Nana and her grandpup very happy. e
Stott’s taken a grandma’s adoration to an extreme and it’s fun, especially if parents or caregivers reading the story to a child know someone with similar qualities. Joyner’s canine characters are not just charming but full of expression and humor. Be sure to check out the art more closely for book title names in several of the illustrations. This is a terrific read for National Grandparents Day or any time spent with a fan. Rah-rah!
Reviewed by Ronna Mandel e Clickhereto order a copy of Nana Says I Will Be Famous One Day. e Disclosure: Good Reads With Ronna is now a Bookshop.org affiliate and will make a small commission from the books sold via this site at no extra cost to you. If you’d like to help support this blog and its team of kidlit reviewers, please consider purchasing your books from Bookshop.org using our affiliate links above (or below). Thanks! e e Recommended Reads for Children Week 9/7 e
DID YOU KNOW? e
Like Mother’s Day and Father’s Day, we also have a whole day dedicated to our grandparents. On the first Sunday after Labor Day, we celebrate National GrandparentsDay. This year the date falls on September 13. e
In 1977, Senator Randolph, with the help of other senators, introduced a joint resolution to the senate requesting the president to “issue annually a proclamation designating the first Sunday of September after Labor Day of each year as ‘National Grandparents’ Day’.” e
Congress passed the legislation, proclaiming the first Sunday after Labor Day as National Grandparent’s Day. On August 3, 1978, Jimmy Carter signed the proclamation, and the day was finally celebrated the following year. e
The holiday experts at National Today share five facts about the holiday: e 1. It Has Its Own Song
The official song for National GrandparentsDay is “A Song for Grandma and Grandpa” by Johnny Prill. 2. It Has Its Own Flower
The official flower is the “forget-me-not” flower. 3. It’s Not Actually a Public Holiday
Even though it was signed in as a national holiday it is celebrated more as an observance than a public holiday. 4. On Average 4 Million Cards Were Sent
People are honoring their grandparents with cards, it’s the least we can do. 5. Highest Day for Visits in Nursing Homes
There are many days you’d want to spend with your grandparents but National GrandparentsDay was on average the highest day for nursing home visits. Although you may not be able to see them in person this year, make sure to give them a call!
The Arabic Quilt, written by Aya Khalil with art by Anait Semirdzhyan, is a thoughtful picture book that sensitively conveys the experience and emotions of any child who has ever felt uncomfortable with or ashamed of a second language spoken, or other customs practiced and foods eaten, at home whether a recent immigrant or not. When my husband’s family moved to America from Israel in 1955 they chose to speak only English and, while I understand their motivation of wanting to fit in, it’s sad my husband never learned Hebrew, or Yiddish and German for that matter, all the languages of his parents.
The main character in this story is Kanzi whose family is newish to America, hence the sub-title. When she later introduces herself in class at her new school she says “I am Egyptian-American. I love to swim. I love to write poetry.” But also on her first day of third grade she deliberately leaves behind a kofta (meatball) sandwich so that her somewhat less typical meal wouldn’t stand out. Much to her dismay, Kanzi’s mother shows up at school with the forgotten lunch and embarrasses her daughter in front of classmates when calling her an affectionate name in Arabic. This part resonated with me even though I never had that exact experience. But who cannot relate to that awful feeling of being ‘the other’ in some situation during their school years whether it was from being teased for crying, being un-athletic, wearing glasses, or having an uncommon background?
The theme of Khalil’s story feels current and fresh. No one apologizes for their differences and should not have to. The Arabic Quilt honors Kanzi’s family’s history and language which is empowering, and no one does it better than Kanzi’s teacher. I love how Mrs. Haugen knows just what to say and do to comfort her upset student after being teased, “Oh Kanzi, being bilingual is beautiful.” In fact, the story not only features Arabic words throughout, but Khalil’s included a helpful glossary at the end.
Mrs. Haugen suggests Kanzi bring the handmade quilt into school and, following the positive response, announces a special project. Kanzi and her mother will write the students’ names in Arabic and then Kanzi’s classmates can design their own paper quilt pieces. Even the class across the hall is inspired by Mrs. Haugen’s project that celebrates Kanzi’s Arabic language. The book aptly ends with Kanzi composing a poem to her parents where she thanks her parents for encouraging her to be proud of her unique language and how, like the assorted pieces of her teita’s quilt, language can actually bring us together.
One of my favorite Semirdzhyan illustrations depicts Kanzi writing poetry following her difficult first day while reassuringly wrapped in her cherished quilt from her teita (grandma) far away in Cairo. Another is the happy faces of the children admiring the finished paper quilt, the look of contentment on Mrs. Haugen’s face, and the pure joy on Kanzi’s face. The book’s art brings added warmth to this already meaningful story, and the ample white space allows the focus to be on the students, their interaction, and ultimately their own collage quilt that binds the kids in class together. Kanzi’s individual story is now woven into theirs, separate yet together. Between its important message of accepting differences, and being proud of one’s culture and language, The Arabic Quilt would make a welcome gift for Eid or for anyone eager to expand their child’s multicultural horizons. I recommend this lovely debut from Aya Khalil and hope you get a copy for yourself or for your child’s school from your local indie bookseller today.
Written by Paulette Bochnig Sharkey and illustrated by Samantha Woo,A Doll for Grandma captures that unshakeable bond between a little girl and her grandmother, a bond that tenderly adapts to the changes brought on by Alzheimer’s disease.
Kiera and Grandma enjoy each other’s company and have a lot of fun together. From painting nails to knitting to baking “special occasion” molasses cookies based on an old, family recipe, Kiera learns a lot from Grandma. So it is strange when, seemingly all of a sudden, Grandma starts behaving in ways outside of her usual character.
Through a child-centered, gentle tone, Sharkey’s direct language addresses these changes. “Grandma’s brain is forgetting how to remember,” Kiera’s mother explains. For Kiera, the differences in who Grandma was and who she is now are painfully evident. Most touching are the small, subtle changes. Grandma’s long and “shiny” painted fingernails that once made a “rat-a-tat-tat sound on the table” are merely “bare and … short.” “No more rat-a-tat-tat.” I admire the book’s honest portrayal of the challenges in letting go and accepting the new reality of Alzheimer’s.
Yet, despite these challenges, Kiera discovers a way to be present with her grandmother by gifting a doll to Grandma. Kiera brings her own doll during her visits, and the two connect, nurturing their dolls in pretend play. Woo’s colorful illustrations contribute to this connection by focusing on the facial expressions of the characters, driving home the point that what matters most is the emotional bond the characters share as they engage in positive sensory experiences together. A helpful discussion in the back matter by author and advocate Judy Cornish provides a wonderful tool for parents, caregivers, and teachers.
A powerful story and important resource, A Doll for Grandma brings clarity and healing to families struggling to find connection with that special person living with Alzheimer’s disease.
The 12-page, pull-the-tab board book, Christmas Puppy, begs to be read and enjoyed by parents and youngsters alike. Who can resist a furry tail that either parents or children can pull each time there’s a puppy pal sound effect?
Puppy knows there’s a gift waiting for him under the tree, but which one will it be? Each time he thinks he’s found it, that particular present is actually intended for either Mouse, Hamster or Cat. Readers can imitate the accompanying animal squeaks, chirps and meows while pulling the wagging tail tab to their hearts’ content. Yoon’s sweet story with its four adorable animals concludes with Puppy finding and unwrapping his special gift. Have fun with Puppy and friends and enjoy a wag-ful Christmas.
Now available in board book, Grandma’s Christmas Wishcelebrates the unique bond between a grandmother bunny and her grandbunny. It’s a gentle reminder that multi-generational relationships mean so much and can bring such joy.
I love how this grandma bunny expresses herself so beautifully in her rhyming couplets. As the pair frolic in the burrow and the snow covered woods, Grandma shares her wishes which are so much more than material ones. Instead they’re about spending time together and her feeling of unconditional love for her grandbunny. “But, you with your grin and all of your charms, you’re my best present, just wrapped in my arms.” Be prepared to smile with every lovely page turn in this heartwarming story just perfect for any little one’s first Christmas.
The merry, colorful illustrations and simple rhyming text of Christmas is Awesome! convey exactly what children think of when describing Christmas. “… Twinkling Lights, Silent Nights, Busy Elves, Jingle Bells!” Joy jumps off every page of this charming new board book from the sisters who founded Hello!Lucky, “the award-winning letterpress greeting card and design studio committed to using creativity to spread joy, fun, and kindness.” They succeed.
In addition to the festive feel of this 24-page board book, there are many laughs in store. Inside readers will find humorous spreads—I’m partial to the “Ugly Sweaters” one—that are study-worthy to see what surprises have been included. For example, a lump of coal gets up to all sorts of antics and experiences all sorts of emotions in every spread. I discovered new things with every read and children will enjoy doing the same. Kids will love the variety of animals featured throughout the book such as an elephant, a mole, a penguin, a cat, a squirrel, a dog, a mouse and lots more. Easy to memorize, this terrific read-aloud is recommended for little ones who like the fun and funny side of Christmas.
SANTA’S COOKIE IS MISSING! Written by Chris Ayala-Kronos Illustrated by Anne Passchier (HMH Books; $8.99, Ages 0-3)
Die-cut board books are always popular with toddlers and Santa’s Cookie is Missing! is no exception. I like the premise of this story; after a family’s Christmas Even dinner has ended, the narrator (a young girl) notices that the cookie usually saved for Santa has disappeared. The child sets off to solve the mystery first at home, then outdoors, and then inside again.
Every new die-cut reveals something related to the narrator’s search in a circle shape that will hopefully lead to the missing snack. Whether it’s a plate, a Christmas tree ornament, a snowball, the hollow of an old oak tree or even a mug of hot cocoa, there are lots of places to look and several possible suspects. Make note of the cat and dog in the artwork and see if your kids can anticipate who might be the culprit. I’ll admit I was surprised, but maybe that’s because I was too busy checking out all the pretty die-cuts. The tree-ornament and the present with their respective sparkly and shiny designs were my faves. What will be your youngsters’ faves? Don’t miss picking up a copy of this book to gift or to enjoy at home.
This compact book (not really a board book, but the same size) makes a wonderful gift to bring to family and friends for the holiday season. It’s packed with playful gnomes in watercolor illustrations coupled with proverbs inspired by author illustrator Sevig’s Norwegian family and her childhood. Though raised in America, Sevig explains that she and her sister were brought up “in the only Norwegian speaking household on the block.” Clearly her fond memories have influenced the warm upbeat tone of this collection.
Early on, Sevig points out how the meaning of the word gnome actually has a double meaning that’s depicted in every illustration. Not only is a gnome a small woodland creature, it’s also a “wise, pithy saying” and The Little Winter Book of Gnomes is filled with them. I knew the majority of the sayings, but the way they’re lovingly paired with assorted gnomes is the true pleasure that’s to be taken away from any reading. Read just several at a time or sit back, have a cup of warm tea and delight in all 128 cheerful pages. Some noteworthy gnomes include “A tree with strong roots laughs at the storm,” “A warm drink is a hug in a mug,” and “Don’t waste time looking back. You aren’t going that way.” Marzipan and Rice Cream with Berry Sauce are just a few of the recipes that are also included, making this book a go-to read when the weather turns cold and party plans get underway.
Reviewed by Ronna Mandel
Have you read IF ANIMALS CELEBRATED CHRISTMAS by Ann Whitford Paul? Illustrated by David Walker, Paul’s book is now out in board book format.
Read my review of the picture book from last year here.
Looking for more Christmas book reviews? Click here.
SHUBH DIWALI!
Written by Chitra Soundar
Illustrated by Charlene Chua
(Albert Whitman & Co.; $16.99, Ages 4-8)
Every fall I celebrate the Jewish Festival of Lights, better known as Hanukkah, which lasts eight days. But there is another Festival of Lights celebrated by Hindus called Diwali that is “celebrated across five days,” depending on where one lives. This year Diwali begins on Sunday, October 27 so I wanted to share this new picture book about the holiday called Shubh Diwali! written by Chitra Soundar and illustrated by Charlene Chua.
From the very first pages when “Grandpa watches the waning moon. The festival is coming soon,” readers feel a sense of anticipation knowing that something wonderful is about to happen. Chua’s cheerful and brightly colored artwork depicts preparations underway as a multi-generational Indian family tidies their home in the days leading up to Diwali. I love how we see everyone involved, even the adorable dog, eager for the celebration to begin.
Told in rhyme, Shubh Diwali! introduces youngsters to the numerous holiday customs such as hanging bunting made from mango leaves, creating striking Rangoli art (“traditional floor decorations and patterns made from rice flour and colored powders”), and wearing new clothes. There’s plenty of storytelling by elders, in this case recounting tales of gods who “fought evil against all odds,” as well as time together with the whole family to reflect when hymns are chanted and bells are rung. Of course there’s also a lot of eating and playing because, well because that’s what happens when there’s a houseful of kids and adults!
The picture book is filled with a diverse group of friends and neighbors who are invited to share in the lovely and meaningful Diwali rituals such as lighting the lamps, exchanging presents and candy, and watching brilliant fireworks light up the skies. I learned in the interesting back matter that on the third day of this festival, which happens to be when the New Year is celebrated, people “offer food and support to those less privileged than themselves.” Also the fifth day, called Bhai Dooj, is devoted to brothers and sisters getting together to “celebrate their love for one another.”
I recommend sharing this charming picture book with children so, like me, they can learn about Diwali and its beautiful traditions. There are many holidays based on the lunar calendar and it’s a good idea to expose kids to as many as possible in order to gain a greater understanding of different cultures at home and abroad and maybe make our world a little smaller.
Review by Ronna Mandel
Read a review about another book illustrated by Charlene Chua here.
