The right to vote in one’s own country was an international issue. In 1920 American women won the right to vote with the passage of the Nineteenth Amendment. However “black women in the American South were still denied the franchise” with myriad obstacles put in place to prevent both men and women of color from voting until the Voting Rights Act of 1965. In Great Britain, propertied women, women married to property owners, and university graduates over age 30 won the right to vote in 1918. It wasn’t until the Equal Franchise Act in 1928 that women over the age of 21 could vote. Limited access to education, unequal pay and other discriminatory practices at home such as child custody in cases of divorce, and in the workplace including long factory hours and unsafe conditions, made the fight for a woman’s right to vote more important than ever. As we celebrate the 100 year anniversary of the Nineteenth Amendment in America, it’s important to recognize that although much has been achieved in terms of women’s rights due to countless women’s (and men’s) tireless efforts, we still have a long way to go.
I found myself so engrossed in this beautifully illustrated picture book that I lost all track of time. Roberts takes readers back to the early 20th century by combining engaging art and prose to shed light on the suffrage movement both in the U.S. and in the U.K.
Suffragettebegins with a helpful foreword by Crystal N. Feimster, PhD of Yale’s Department of African American Studies. It focuses on the fledgling U.S. and U.K. suffrage movements in the 19th and early 20th centuries and briefly details efforts all the way up to the Voting Rights Act of 1965. Then, Roberts’ intro tells readers how he accidentally first learned about suffragettes (he didn’t mention Mrs. Banks from “Mary Poppins”) when he was 14-years-old and had to both write and illustrate an end-of-year exam project. In class a striking black and white book cover illustration of imprisoned women caught his attention. Roberts grew more passionate about women’s heroic campaign to get the vote as he researched the brave suffragettes. His dissatisfaction with gender inequality began then and still remains thirty years on which is why he embraced the opportunity to write and illustrate this book.
In addition to the history behind women’s right to vote, readers also learn about key events and individuals in the suffrage movement from 1903 to 1928. Suffrage offers insights into famous historical figures such a Millicent Garrett Fawcett, Emmeline Pankhurst, Ida B. Wells, and Susan B. Anthony. While more of the book covers the U.K. since this book was originally published there, there is still quite a lot about the U.S. suffrage movement and every example is fascinating regardless of which country. For example, how many people know that Queen Victoria was against women voting—and that her daughter Princess Louise secretly supported suffrage—or that Frederick Douglass was one of the few men in attendance at the historic 1848 Seneca Falls Convention? Suffragette also delves into the philosophies of different groups that emerged during the campaign for women’s rights. It’s no surprise that some factions chose civil disobedience while others preferred a more peaceful approach. Then, of course, there were those strongly against giving women the vote. These people were referred to as “Antis” or anti-suffrage and even included at one point Winston Churchill who ultimately changed his mind but “voted in favor of limited women’s suffrage in 1918.”
From attention-seeking tactics like going on hunger strikes in prison to going up into the sky in a hydrogen-filled airship emblazoned with the words THE WOMEN’S FREEDOM LEAGUE on one side and VOTES FOR WOMEN on the other while dropping leaflets, there seemed to be no limit to what these determined women would get up to for their cause. On November 18, 1910, aka Black Friday, British Prime Minister Asquith abandoned a Conciliation Bill that would have given some women the right to vote. What followed were brutal attacks on suffragettes waiting outside Parliament. The newspapers printed pictures of women hurt by police. But while the government optics were awful, with no headway made, the suffrage movement felt they had to resort to more extreme measures.
The unrelenting struggle for women’s right to vote continued until WWI when hundreds of thousands of men left home to fight. Over a million women in both the U.K. and the U.S. went to work to support their countries. “For the first time, women became police officers and firefighters, railway porters and ticket collectors, carpenters and electricians, street car and bus conductors, even chimney sweeps and gravediggers—all jobs that had previously been thought exclusively as “men’s work.” The tide began to change for the suffrage movement. After all, “If a woman was as capable as a man of doing a job, surely she was as capable of voting.” Soon there was no looking back.
This highly recommended 128-page nonfiction book is eye-opening reading. It’s divided into more than 40 mini-chapters usually no more than two pages long, and presented chronologically inviting a quick read or a deep dive in. I enjoyed learning more about the heroes of the women’s suffrage movement, primarily in the U.K., not only because as a woman this topic resonates with me, but also because these women changed the world. I hope young people find Suffrage as inspirational a book as I did and I hope teachers will consider Roberts’ book when seeking resources about the suffrage movement.
HOORAY FOR WOMEN Written and illustrated by Marcia Williams (Candlewick Press; $17.99, Ages 8-12)
Check out Hooray for Women which highlights over 70
inspirational and amazing women including Marie Curie,
Joan of Arc, Wangari Maathai, Elizabeth I, Mae C. Jemison,
Frida Kahlo, Amelia Earhart, Cathy Freeman and Jane Austen.
Presented in a 48-page graphic novel format with colorful panels
filled with interesting information, this entertaining middle grade
picture book is perfect for Women’s History Month or any time of year.
The week of March 16-22 is International Teach Music Week and April is Jazz Appreciation Month so the timing couldn’t be better for a review of this interactive picture book that will get kids’ toes tappin’.
Author Carolyn Sloanhas written a joyous and swinging story that celebrates jazz, America’s music. Welcome to Jazztakes readers on a lively musical journey from the birth of jazz to present day.
When three cat friends visit The Ripe Tomato Jazz Club in New Orleans, they are curious about their new surroundings. One excited wide eyed cat tells his friends, “I can’t wait for the band to play.”
“What game are they going to be playing?” asks a second cat.
A third friend, decked out in cool jazzy sunglasses, clarifies the confusion by announcing, “The band will be playing music—jazz music.”
When the trio is invited to join in the music making, the fun begins. Readers will enjoy Sloan’s fast paced, fun dialogue between the feline friends and the likeable musicians in the band. The origins of jazz, a selection of instruments, musical greats and even the language of this swinging music are introduced through sidebar information on each page.
Gibson’svibrant full color two spread illustrations, allow us to follow these three cool cats as they become caught up in the celebration and spirit of the music.
With interactive sound and technology, Welcome to Jazz brings the wonder of this music to life and a better understanding of the concepts in jazz like: beat, rhythm, improvisation and scat singing. With the push of 12 chips on the side panel of the book, readers will want to dance and sing along as they join the cool cats and the band in a lively procession out of the club and into the streets of New Orleans.
Reviewed by Lisa Saint
Lisa Saint is a writer, artist, educator and an advocate for the arts. She teaches writing, illustration, graphic novels and bookmaking. Lisa is a member of SCBWI. She is also the daughter of legendary jazz great, Gil Bernal.
Click hereto read a review of another jazz related picture book.
If you have a child (ages 7-14) who likes to draw, craft, or create, check out The Kids’ Book of Paper Love. It pays homage to paper, that lovely substance we take for granted in our everyday lives. Young kids have art classes aplenty, but, as school becomes more of a focus, cutting and taping, creating and shaping moves aside. Bring it back to the table with this inspirational book.
Astrid van der Hulst(of Flowmagazine) and Irene Smit’sbook is packed with pages to pull out—just being able to tear up a book is a thrill! Find your section (Write, Craft, Play, and Share) and begin. If it’s a fun paper item, chances are it’s in there. Expect colorful pages, pull-outs, punch-outs, and even a three-foot-long “Dare to Dream” banner that magically accordions out. Some of the foldable items are a fortune-teller, box with lid, and very cool geometric bowl.
Stash away several copies of The Kids’ Book of Paper Love for those birthday gifts that sneak up on you. The book’s relatively small size packs surprises and is sure to please a wide variety of kids because it’s something different that can be used over and over again. One of my favorite pages is a template and instructions on how to make paper beads. Like many items, the beads are pleasingly simple. Finding one gem is satisfying, but having 180 pages of them is sheer delight. Channel your inner DIYer and have a blast—and don’t forget to include your kid too!
What a treat it was to read Artie Bennett’s new picture book biography,The True Story of Zippy Chippy: The Little Horse That Couldn’t(NorthSouth Books; $17.95, Ages 4-8) with illustrations byDave Szalay! Bennett, who’s best known for his humorous picture books in verse, hit the daily double by bringing out both the humor and humanity (equus-ity?) in this charming tale of a horse destined for fame, but not the winning races kind. You’ll no doubt be champing at the bit for a chance to read Zippy Chippy’s story after my interview with Artie Bennett below.
Zippy Chippy is descended from the leading legends of horse racing. He is destined for greatness and glory.
But . . . when the starting bell rings, it’s anybody’s guess what Zippy will do. Will Zippy go for a gentle trot around the track or stop and smell the roses? Or, perhaps, never even leave the starting gate?!
With mischief in his makeup, he’s known to stick his tongue out at people and chew up the hats of passersby. And he’s always trying to break out of his stall. What’s an owner to do? Try and try again! After all, he believes in Zippy—and, besides, the horse is now a part of the family. But as Zippy’s losses mount, a funny thing happens. People start to take notice of the hapless, cupcake-eating horse. Could it be that they’re betting on Zippy to win?
This remarkable story of the famed racehorse who lost every race is sure to win your heart!
Good Reads With Ronna:Artie, this picture-book biography is like nothing else you’ve written before. What motivated you to pursue this horse’s tale and diverge from your funny nonfiction writing in verse?
Artie Bennett: Yes, you’re right, Ronna. This one is very different. I like to say it’s a horse of a different color for me. For one thing, it was something of an experiment to see if I could write in prose. I wasn’t sure myself. My five previous picture books (The Butt Book, Poopendous!, Peter Panda Melts Down!, Belches, Burps, and Farts—Oh My!, and What’s Afoot! Your Complete, Offbeat Guide to Feet) are all in inspired verse. And I’m quite comfortable writing that way. I’ve worked hard to make the verses sing. I constantly tinker, and then when I’m finally satisfied, I tinker some more. But I knew I would have to take a different tack to write the tale of this remarkable horse. I had to transcend my impulse to rhyme. Curiously, the fact that Zippy Chippy’s own name rhymes may have drawn me to the subject, as well as helped to satisfy my itch to versify.
It was serendipity that drew me to the tale. I stumbled upon a newspaper article about the horse and knew right away that this story would resonate with young readers, just as it resonated with me. And after visiting the retired racehorse at his home in upstate New York, I was never more certain. Youngsters will identify with Zippy Chippy. He may have lost every single one of the 100 races he ran (Zippy won zip), but in the process, he became a folk hero, just like his champion ancestors. Zippy teaches us that just being in the game is enough. And he reminds us that sometimes we need to stop and smell the roses.
GRWR:Aside from being one of the losingest horses in racing history, what else did you learn about Zippy Chippy during your research that made you care about sharing his story?
AB: I was drawn to his quirkiness and his mischievous nature. And there was our shared love of ice cream, though I don’t know if he’s a three-scooper, like me! Free-spirited Zippy Chippy was always breaking out of his stall to go for a nice gallop. He was quite volatile in his youth and often ornery. He was known to kick and bite. He would even try to bite the other horses at the finish line. People were afraid to be around him. In fact, after Felix Monserrate, his third owner, acquired him, he greeted Felix with a sharp bite on the back. But despite being a terror to his handlers—which included the farrier, who fit Zippy with shoes—Zippy was always gentle and loving with Felix’s young daughter, Marisa. Once, eight-year-old Marisa went missing. Felix searched everywhere and finally found her in Zippy’s stall, being nuzzled by the temperamental horse, though the area was off limits to most everyone for safety’s sake. Zippy would blossom under the loving guidance of Felix, and he developed a strong familial bond with Marisa.
There were so many interesting aspects to Zippy Chippy’s story. One was how he happened to acquire his singsongy name. Another wonderful anecdote was how Felix had set up an exhibition race between his horse and a minor-league outfielder. His hope was that a victory, any victory, would boost Zippy’s morale. But the fleet-footed ballplayer bested Zippy in the forty-yard sprint.
Zippy Chippy is a model of determination and stick-to-itiveness. He raced until he was fifteen years old, giving it his all, whereas many racehorses retire by age four. There was a time, earlier in Zippy’s racing career, when Felix tried to retire him, but Zippy wouldn’t hear of it. He became crestfallen and stopped eating. Though defeat never disheartened Zippy, retirement did. Felix had to bring him back to the track for his own well-being. Because the horse was descended from so many legendary racehorses, including Man o’ War, Bold Ruler, War Admiral, Buckpasser, and Northern Dancer, racing was in his blood. He just wasn’t terribly good at it.
When I learned that Zippy Chippy was still alive, though quite ancient by horse standards, I made it my goal to write his story—and find a publisher—before the horse passed. This became something of a horse race, too. I’m so happy to note that Zippy, who will be 29 years old in April 2020, is still with us, lovingly looked after at Old Friends at Cabin Creek Farm, as the book publishes. I wanted the book to be a tribute to a living, breathing legend, not a eulogy. And I’m hoping that youngsters who are as moved by his story as I was may even pay him a visit.
GRWR:Your trademark sense of humor shines through many aspects of recounting this fascinating true story. Was it difficult to balance that with certain serious aspects of Zippy Chippy’s life and unsuccessful racing career?
AB: That’s a wonderful question. Yes, it was a balancing act. And it took me a while to find just the right tone. Writing in prose helped. Verse seems to invite mirth and laughter, but prose can be sober-sided. I had to rein in my sense of humor, for there are serious dimensions to the story. There’s a poignancy here that would be undermined by humor—how Zippy Chippy escaped the slaughterhouse by the skin of his teeth. But a touch of humor does uplift the tale. I love how Dave Szalay’s marvelous illustrations strike just the right balance, too, with many touching, memorable images.
GRWR: Can you explain the appeal of a horse who’d rather stop and smell the roses instead of competing against other horses, a dark horse, so to speak, for winning hearts, not races?
AB: I think Zippy Chippy is the quintessential Everyman, or Everyhorse, and therein lies his appeal. Few of us are blessed with exceptional athletic prowess, yet we still love to compete, to play the game. Zippy continued to run—and continued to love it!—even as he was amassing a rather lopsided won-loss record. But as his losses mounted, Zippy became a star attraction. And his oddball behavior just added to his appeal. Ever unpredictable, he would occasionally succumb to “dwelling,” failing to leave the starting gate at the sound of the bell. What was extraordinary was that later in his career, the horse often ran as the favorite to win, according to the betting line, despite his protracted lack of success. Racing fans were pulling for him. Spectators would besiege Felix for his autograph. Zippy had developed a cult following. He was the ultimate underdog. Horses are very intuitive animals and can pick up on people’s emotions, so Zippy would have known, and rejoiced, if he had won.
GRWR:For 15 years, Felix, Zippy Chippy’s owner, kept entering the unmotivated horse in races. That had to have been so frustrating for him. Why do you think he persisted?
AB: Yes, it must have been. But he was the horse’s biggest champion. He believed in Zippy with all his heart and felt, when he acquired the horse, that he would be the one to bring out the horse’s dormant greatness. Part of why he persisted was because he couldn’t disappoint the horse. We saw how Zippy spiraled into depression when Felix tried to retire him earlier in his career. And because he loved Zippy, he couldn’t let the horse down. He was also an eternal optimist and may have felt that the next race would be the one that Zippy would win, the one that would drape them both in glory. So there would always be one more race. And Zippy was actually highly motivated, though his idiosyncrasies might sometimes interfere with his motivation.
GRWR:What would you like young readers to take away from this picture book?
AB: I would love young readers to find inspiration in this book, but also acceptance. Inspiration can be found in the arc of Zippy’s story, as his popularity grew and grew from such inauspicious beginnings, despite his pedigree. He would even be featured in People magazine, though he was posed alongside a tortoise. Acceptance in the fact that we aren’t all blessed with the same gifts—and that’s okay, too. We need to accept our limitations, just as we celebrate our strengths. As Felix says, “Not everyone can be a winner.” But the important thing is to try. That’s where true courage lies.
GRWR:Has this experience motivated you to try your hand at more nonfiction in prose?
AB: Yes indeed. Though my first love will always be writing in verse, it’s not my only love. In fact, I’ve an idea for another crackerjack children’s biography, also with a protagonist ripe for revival. I’m doing research as we speak. But I also have ideas for more books in verse, so I hope to be moving back and forth between worlds. Additionally, I have two riotously funny joke and riddle books out (The Universe’s Greatest School Jokes and Rip-Roaring Riddles and The Universe’s Greatest Dinosaur Jokes and Pre-Hysteric Puns), so when I’m bubbling over with jokes (Knock, knock . . .) and riddles, there’s always that outlet.
GRWR:Is there anything else I haven’t asked that you’d like to add?
AB: Because I’m a word lover, I’ve tried to use a rich, creative vocabulary in telling the story. You’ll find words like “rambunctious,” “shenanigans,” “wafting,” “ballyhooed,” and much more, words that are evocative and fun to say. I hope young readers will make these words their own. And lastly, I want to thank you, Ronna, so very much for giving me the opportunity to share this captivating story. I’m deeply appreciative.
GRWR: Right back at you, Artie. I learned so much from your thoughtful replies and hope everyone makes tracks to pick up a copy of The True Story of Zippy Chippy:The Little Horse That Couldn’tto find out more about this truly unique horse.
Artie Bennett is an executive copy editor by day and a writer by night. He is the author of an inspiring picture-book biography of a hapless, though beloved, horse: The True Story of Zippy Chippy: The Little Horse That Couldn’t. He is also the author of a quintet of hilarious rhyming picture books: The Butt Book, his first “mature” work and winner of the Reuben Award; Poopendous!, his “number two” picture book; Peter Panda Melts Down!, an adorable departure from derrières and doo; the explosively funny Belches, Burps, and Farts—Oh My!; and his latest, What’s Afoot! Your Complete, Offbeat Guide to Feet, which is guaranteed to knock your socks off. And if that’s not enough, he’s the author of two riotous joke and riddle books: The Universe’s Greatest Dinosaur Jokes and Pre-Hysteric Puns and The Universe’s Greatest School Jokes and Rip-Roaring Riddles.
He and his wife, Leah, live deep in the bowels of Brooklyn, New York, where he spends his time moving his car to satisfy the rigorous demands of alternate-side-of-the-street parking and shaking his fist at his neighbors. The Show Me Librarian says: “Bennett’s use of rhyme is excellent; his stanzas flow and exude joviality in a manner that few writers since Dr. Seuss have truly mastered. Simply put, these books are a joy.” The Huffington Post says: “It appears there is no topic Mr. Bennett can’t make funny and educational.” VisitArtieBennett.com. . . before someone else does!
Want to read more of Artie’s books? Here’s alinkto my review of a personal fave.
It’s hard to imagine that our 16th President, who faced one of the toughest challenges in American history, was at one time a curious, barefooted boy roaming the “hills and hollows” of his hometown, Knob Creek, Kentucky. In Honey, The Dog Who Saved Abe Lincoln, author Shari Swanson and illustrator Chuck Groenink depict a gentle boy whose tenderhearted rescues of vulnerable animals shed light on Abe’s early and strong sense of justice.
To adults like Mr. John Hodgen, the miller, Abe seems irresponsible for “‘fool[ing] [his] time away,’” stopping to right the wrong he sees all around him. But to young Abe the “‘many little foolish things’” are the harm and injustices he must counter: a frog trapped inside a snake’s mouth, a possum stuck “‘in a hollow stump,’” and a honey-colored dog whimpering from a broken leg.
Abe shows kindness for rescuing the dog he befriends and names Honey. Loyal friends, the two become inseparable and share many adventures. One such adventure turns particularly perilous as Abe gets stuck between two boulders inside a cave. Honey returns home alone to get help and leads the search party to the cave. Assisting Abe’s rescue in this way, Honey pays Abe “‘back for mending his broken leg’” confirming the young boy’s belief that Honey will always do “‘good things’” for him.
Accompanying this comforting story is Groenink’s soft and muted color palette. Many illustrations place either Abe or the natural surroundings of the Kentucky woodlands at the center of the page, emphasizing the close relationship between the two. Equally, Swanson’s words engage us readers with the terrain. Mr. Hodgen uses “his cane-pole whistle” to call out to Abe in the cave. We see Abe’s resourcefulness and experience when he uses the “soft bark of a pawpaw bush to wrap around the sticks” that help set Honey’s leg. Undoubtedly, the surrounding wilderness deeply influences young Abe’s character.
A “Timeline of Abraham Lincoln and His Animal Encounters,” an author’s note, and a map of “the area around Hodgen’s Mill where Abe grew up” in the endpapers add fascinating (and funny) details to Abe’s early and later life. We learn further of his fights against animal cruelty and his bringing in many animals into the White House (goats included!). We also learn the author’s source of this story, a book written by J. Rogers Gore who wrote down the many tales Austin Gollaher, Abe’s childhood best friend, shared about his and Abe’s adventures.
Honey, The Dog Who Saved Abe Lincoln is a perfect book not only for little ones who love animals and adventures, but also for parents who can learn a thing or two about lending grace and understanding to a most curious child.
Reviewed by Armineh Manookian
Find a fun activity kit and curriculum guide here.
No matter how many children’s books I read about Abraham Lincoln, I continue to learn something new in each one. Sometimes something I already knew, but had long forgotten, is presented in such a way that I’ll now always remember it. Both these experiences apply toThe Superlative A. Lincolnby Eileen R. Meyerwith art byDave Szalay.
Perfect for Lincoln’s Birthday (yesterday, 2/12), Presidents’ Day or National Poetry Month, Meyer’s nonfiction picture book contains 19 poems that vary in style and content. Each poem is also accompanied by a factual paragraph on the bottom of the page to put the poem’s subject in context. Best of all, teachers can use the superlative poem titles such as “Best Wrestler”, “Worst Room Name,” and “Strongest Conviction,” and couple them with the excellent activities offered on Meyer’s website, for an engaging Language Arts lesson.
Did you know our 16th president was an inventor? Thanks to Meyer, in “Most Likely to Tinker,” we read how Lincoln’s penchant for problem solving resulted in his being awarded a patent for a design that helped “boats float over shallow river spots …” I didn’t recall Lincoln being a doting dad, but in “Most Permissive Parent,” we get a glimpse via Szalay’s charming woodcut looking illustration of First Sons, Willie and Tad, taking full advantage of their father’s parenting style. Throughout the book, Szalay’s art humanizes Lincoln and events whether in scenes of him chopping trees or meeting Frederick Douglass with a firm and friendly handshake. There’s a warm, folk art quality about the illustrations that pairs them perfectly with all of Meyer’s telling poems.
One of my favorite poems, “Best Advice” addresses Lincoln’s signature beard. What a surprise it was to learn he was the first president to sport one! I had no idea that growing whiskers had been recommended in a letter to candidate Lincoln by eleven-year-old Grace Bell. Lincoln even met with her on his travels to offer thanks. In addition to his beard, most children probably associate Honest Abe with his stovepipe hat. It certainly came in handy as a writing surface and a convenient place to carry things. “Best Use of an Accessory” cleverly conveys the hat’s perspective. “We don’t need a leather briefcase. / We don’t want an attaché. / You can keep that canvas knapsack. / I’m a traveling valet.” And by the way, “Least Favorite Nickname” enlightens young readers about Lincoln’s dislike of the nickname Abe. They would be hard pressed to find anyplace where he personally used it, preferring to sign his name Abraham Lincoln or A. Lincoln as in the book’s title.
The back matter in The Superlative A. Lincoln includes an author’s note, a comprehensive timeline as well as book and website resources and a bibliography. I could easily describe every poem in the book because I thoroughly enjoyed them all, but I’ll leave that pleasure for you. Instead I’ve chosen to end my review with one of many popular A. Lincoln quotes:
“I want it said of me by those who knew me best, that I always plucked a thistle and planted a flower where I thought a flower would grow.”
Written by Mia Wenjen
Illustrated by Nat Iwata
(Lee & Low Books; $18.95, Ages 4-7)
Sumo Joe, the charming and gently rhyming debut picture book by Mia Wenjen with art by Nat Iwata, opened my eyes to the history and popularity of this world renown Japanese style of wrestling. More than just a sport, “Sumo” writes Wenjen in the back matter glossary, “can be traced back to ancient Shinto rituals that were practiced to ensure a bountiful harvest and to honor the spirits.”
Wenjen’s chosen a fun way to introduce young readers to the sport and keep them interested by focusing on siblings Joe and his younger sister Jo. While the two share a close relationship, only Joe participates in sumo wrestling at home on Saturdays with his friends. I love how Iwata’s expressive illustration below shows Jo’s disappointment at not being included in the activity that traditionally has been for “boys-only.” Her tote bag clues us into where she might be going while her brother practices.
Throughout Joe’s sumo session, readers learn about the different terminology and traditions tied to the sport of trying to knock one’s opponent out of the ring. Perhaps most familiar is the outfit or special belt called a Mawashi. Due to the complexity of tying it, someone else has to wrap it around the wrestler. Compared to this, tying a tie seems easy and maybe even less tickly! The stomp move, called shiko, is intended to rid the space of demons. That makes total sense to me. Other moves in the drills that Joe and his buddies work on are also explained which is not only fascinating, but meaningful. Kids will be able to watch sumo with a better appreciation of why the wrestlers do what they do.
While Jo may understand what her brother’s doing, she’s tired of being left out. She returns from her outing ready to jump into action as Akido Jo. Yes, little sis has been getting lessons in the martial arts and challenges her big brother to a match. Joe’s pals say she’s not allowed, but Joe honors his sister’s wishes and the two face off in a lively, but loving and respectful contest of Sumo versus Akido.
Iwata’s upbeat, digitally rendered artwork complements Wenjen’s words and brings a wonderful energy to the story. I recommend Sumo Joe to parents, teachers and librarians eager to find out more about this traditional Japanese sport presented in an engaging and dynamic way. The author’s note plus the illustrated glossary round out what is an enlightening and delightful read.
Disclosure: I received a review copy of Sumo Joe as part of Multicultural Children’s Book Day.
Reviewed by Ronna Mandel
Multicultural Children’s Book Day 2020 (1/31/20) is in its 7th year! This non-profit children’s literacy initiative was founded by Valarie Budayr and Mia Wenjen; two diverse book-loving moms who saw a need to shine the spotlight on all of the multicultural books and authors on the market while also working to get those book into the hands of young readers and educators.
Seven years in, MCBD’s mission is to raise awareness of the ongoing need to include kids’ books that celebrate diversity in homes and school bookshelves continues.
MCBD 2020 is honored to have the following Medallion Sponsors on board
We’d like to also give a shout-out to MCBD’s impressive CoHost Team who not only hosts the book review link-up on celebration day, but who also works tirelessly to spread the word of this event. View our CoHostsHERE.
A 2019 Booklist Editors’ Choice A Publishers Weekly Best Book of the Year A Kirkus Reviews Best Book of the Year A School Library Journal Best Book of the Year
Martin Luther King Jr.’s most famous speech, “I Have a Dream”, will never cease to give me chills or bring tears to my eyes so I’m grateful for the meticulously researched backstory behind the composition thoughtfully presented in A Place to Land. While elementary-school-aged children may be familiar with King’s speech, they may not know how long it took to write, that it was delivered during the 1963 March on Washington, or that one of the most quoted parts of it was shared extemporaneously at the prompting of gospel great Mahalia Jackson. In this enlightening picture book, readers are privy to fascinating fly-on-the-wall moments that demonstrate King’s writing process and how his background as a preacher played a part in its creation.
Over the years I’ve reviewed myriad wonderful MLK Jr. books and A Place to Land, like those others, has focused on an impactful point in King’s life and magnified it so we may understand it better. Wittenstein’s lyrical writing shines and flows like a King speech, pulling us in with each new line. I found myself repeating many of the sentences aloud, marveling at what he chose to keep on the page and wondering how much he had to leave out. The revealing information Wittenstein details will inspire readers to reexamine well known orations throughout history, looking at their content through a new lens.
The story unfolds in three significant locations, the Willard Hotel in D.C., the Lincoln Memorial, and at the Edmund Pettus Bridge in Selma, Alabama just prior to, during and some years after King’s speech. Historical figures are woven into most of Pinkney’s spreads. Readers will be prompted to learn more about every individual noted and the comprehensive back matter provides the resources to do so.
I hadn’t known that the “I Have a Dream” speech was written at the Willard nor did I know how many influential colleagues contributed during the meeting of the minds prior to King’s drafting of the speech. “So Martin did what great men do. He asked for guidance.” I also hadn’t realized that MLK Jr. practically pulled an all-nighter writing it after the lengthy and honest discussions. How he managed to make such a powerful presentation after barely any sleep is beyond me, but clearly his adrenaline kicked in and his natural oratory skills took command at that lectern.
As a former speech writer, my favorite part of A Place to Land was reading about King’s exhaustive efforts to craft the speech late into the night while trying to integrate all the input he’d been given earlier in the meeting. In his message he wanted to convey the goals of his non-violent civil rights movement and continue to push for racial equality and the end of discrimination. He was also determined to honor those who came before him and those who would carry on his dreams. “… and so many others, —their faces forever seared into his memory.”
King found himself “Writing. Rewriting. Rephrasing, …” and then practicing his delivery before succumbing to sleep. I felt as though I were in the room with him, knowing as he did that there was an important element currently eluding him that was still to come.
Pinkney’soutstanding collage-style illustrations are so fitting for the subject matter. He seamlessly blends images of civil rights advocates with elements of the movement and the era. As I turned the pages, I couldn’t wait to see what people would appear and against what backdrop. It’s hard to imagine any other art marrying so well with Wittenstein’s or MLK Jr.’s words. I resoundingly recommend A Place to Land for parents, teachers and librarians. It’s a movingly written, motivating, educational and timeless read that I will definitely revisit.
Visit the publisher’s website pageherefor bonus material.
Click herefor a roundup of more recommended reads for MLK Day 2020.
GROWING UP GORILLA
Written by Clare Hodgson Meeker
(Millbrook Press; $31.99 Library Binding,
$9.99 Kindle, Ages 8-12)
Good Reads With Ronna is the second to last stop on a month long blog tour comprised of assorted great posts about Growing Up Gorilla. The goal is to help get the word out about this terrific new nonfiction book that will change the way you look at gorillas, their familial bonds and their socialization while you root for baby gorilla Yola and her mother Nadiri.
BOOK SUMMARY: Growing Up Gorilla chronicles the story of Yola, a baby gorilla at Seattle’s Woodland Park Zoo, and what happened after her mother gave birth for the first time and walked away from her. It is also the story of the dedicated zoo staff who found innovative ways to help Yola bond with her mother and with the rest of the family group.
Growing Up Gorilla is a nonfiction chapter book for ages 8-12 that focuses on the social structure of gorilla families and how they learn from each other as well as demonstrating the challenges zookeepers face when helping the animals they love. Filled with great photos, this will be a popular book for animal-lovers of all ages. With a durable library binding, it’s a must for any classroom or library collection.
BOOK REVIEW: As a reviewer I often try to read as little as possible about a book before I set eyes on it so that I can experience it the same way a reader would. Now that I’ve read Growing Up Gorilla I can report that I was hooked from the first page and can’t say enough good things about it.
Recounted chronologically in six chapters with additional info about gorillas plus an author note, a bibliography/further reading, and a glossary in the back matter, this nonfiction book makes for compelling reading. Meeker starts off by introducing readers to Nadiri, a nineteen-year-old gorilla who is about to give birth. The zookeepers and other pros who work with Nadiri are concerned that she will not bond with her baby because she herself was rejected by her birth mother. Nadiri was actually looked after for her first nine months of life by infant-care expert, Harmony Frazier. Eventually a surrogate mother for Nadiri was found, but the early days of mothering hadn’t been modeled for her by another gorilla.
I loved not knowing where the story would take me and found Meeker’s writing kept me turning the pages to see whether newborn Yola and Nadiri would connect right away. I was also eager to find out how the zookeepers and experts would plot their course of action should things go south. It was fascinating to see the commitment and selflessness of the zoo staff pay off. Like me, readers will realize how much they are learning while also being totally engrossed in the story.
As expected, Nadiri showed no interest in her offspring so the plans to win her over were launched. A den for Yola and her carer, Harmony, was made nearby Nadiri’s. This was so she could see the attention being paid to her baby by Harmony 24/7 for the first three days following birth. Perhaps that would spark her own maternal instincts. This also allowed the other gorillas to be introduced to Yola as the newest member of the troop safely from afar.
At first there were small victories like when Nadiri visited the den that Harmony and Yola inhabited. However, once Yola cried after not being held, Nadiri grew anxious and left. Another time she came over and patted the baby’s head and tucked her security blanket around her. That was considered quite a breakthrough moment. Still more was hoped for.
Zookeeper Judy Sievert took charge of Nadiri’s visits in an effort to get her interested in picking up and nursing the newborn before her milk dried up. Although the nursing window quickly passed, Nadiri began responding positively to other actions. The keepers would provide food treats and encouragement that Nadiri did not ignore. One of my favorite anecdotes was when Judy offered Nadiri apple pieces on a spoon. She placed the spoon right beside Yola’s face to lure her close to the baby. Nadiri approached but cleverly tried to grab the fruit with her hand. Judy gestured and said that Nadiri had to use her mouth and offered the spoon again. It worked! “Nadiri leaned in next to the baby’s face and ate the apple.” I was delighted when that happened so I can just imagine how Judy felt.
Many middle grade readers will relate to the tense dynamic between Nadiri and her attention-seeking half-sister, Akenji. I worried that Akenji might hurt Yola as she was more dominant than Nadiri, and perhaps jealous of her baby. Fortunately that never happened. Early on we also meet Leo, the silverback and another member of the troop, because he appears to be intrigued by Yola frequently watching her through a gate. Meeker makes sure to update us on how these relationships fare over the course of the book, too.
In Growing Up Gorilla, Meeker engagingly details the coordinated efforts of everyone at Woodland Park Zoo who was invested in Yola’s and Nadiri’s relationship. So much was at stake in their successful reunification and the emotion behind the efforts was palpable on every page. The fantastic full-color photos make it hard not to fall for baby Yola. Nadiri’s difficult past also invites our compassion. There are helpful sidebars throughout on interesting topics ranging from gorilla dens, gorilla families, gorilla vs. human development and gorilla talk, all designed to further educate us and help us to appreciate the complexity and importance of gorillas who “share 97.7 percent of the same genes” as humans. Since finishing the book, I’ve been sharing the uplifting story with everyone who loves a happy ending. I recommend this for animal lovers, budding zoologists and anyone who cares about the preservation of our primate cousins.
Reviewed by Ronna Mandel
ABOUT THE AUTHOR:
Find links below to Clare Meeker’s website and social media:
Today I’m happy to share an enlightening post on craft by Doubleday Books for Young Readers Editor-in-Chief, and Go, Girls, Go! author, Frances Gilbert. Many picture book authors face a challenge when writing in rhyme. Does the meter work? Does the rhyme feel forced? Is the story best told in rhyme? Frances offers helpful insights into her approach from both sides of the editor’s desk so please read on.
ON RHYMING PICTURE BOOKS BY FRANCES GILBERT
I’ve been a children’s book editor for over 25 years and one of the most common reasons I reject picture book manuscripts is that they rhyme badly. So why, for my first foray into writing a picture book myself, would I choose to write Go, Girls, Go!in rhyme??! Rhyming, we’re so often told – by editors, by agents, by fellow writers – is not encouraged. Bound to fail, hard to translate. But I love rhyming books. I love reading them, and I love publishing them. Turns out, I love writing them too.
The number one mistake in rhyming texts is when the rhyme overwhelms the story rather than serving the story. The monotony of a 32-page story all told in the same rhythm can wear a reader down after a few pages. As an editor, I often start these submissions thinking, “Okay, let’s see if this can be sustained . . .” and after a few stanzas say, “Oh please stop. I can’t do this anymore.” The sing-song-y-ness of “dah-duh dah-duh dah-duh, dah-dah” in line after line pummels a reader with sameness. It also encourages authors to make terrible word choices: odd or forced descriptions or line endings because that last word HAS. TO. RHYME. My test: Extract a line out of your rhyming text and ask yourself if you’d write it the same way if it DIDN’T have to rhyme. If the answer is no, it’s a bad line. The rhyming has to feel effortless.
Effortless AND creative. Listen to the “Hamilton” soundtrack. I know it’s a high bar, but learn from how Lin-Manuel Miranda wrote an entire musical in tight, creative rhyme full of variety and rhythm changes and surprises and cleverness and word-play delights. Internal rhymes, humorous rhymes, break-outs into a different rhythm altogether. A surprise around every corner. Now imagine if all two hours and forty-five minutes of “Hamilton” had been “dah-duh dah-duh dah-duh, dah-dah.” That’s not a ticket you’d have paid $300 for.
I broke “Go, Girls, Go!” into four primary sections, each one showcasing three girls, their vehicles, and the sound of their vehicles. It starts: “Emma drives a fire engine, / Meg conducts a train, / Jayla steers a big red tractor hauling loads of grain.” Those lines alone are not breaking any creativing writing boundaries. It’s a pretty standard A-B-B rhyme scheme. Had the rest of my text been in the same rhythm and rhyme scheme, it could have gotten old quickly. But my next two scenes actually don’t rhyme at all; they introduce the sound words and, after another page turn, end in a rallying cheer: “Vroom! goes Emma. / Hoot! goes Meg. / Clank! goes Jayla! / Go, girls, go!” The break from rhyming in these scenes, while still maintaining a bouncy rhythm, gives the reader a different reading experience for a few pages before launching into the next set of girls.
This is the pattern for four sets of girls, and then for the finale we break into a different rhythm and rhyme scheme, A-A-A-B this time: “Girls can race and girls can fly. / Girls can rocket way up high. / What about you? Give it try! / Go, girl, go!” It gives the reader an indication that the book is approaching a crescendo, and then it lands on one final cheer on the last page (which doesn’t rhyme with anything).
Did I plan this structure deliberately ahead of time? No, I just wrote it. But I followed this mantra the entire time: “Don’t bore your reader. Don’t wear your reader down. Let the rhyme serve the story.”
I was grateful that reviewers picked up on this: Booklist called the rhyming “propulsive”, which is the best descriptor I could have hoped for, with the style of the rhyme matching the forward-moving vehicles in the book. And Kirkus said, “With repeated readings, pre-readers will be reciting the words on their own,” which thrilled me, because rhyming can help kids quickly get the hang of reading along if the rhythm grabs them. And that leads to repeated readings, which is the test of any good picture book.
So don’t be afraid of writing in rhyme, but please remember: “Don’t bore your reader. Don’t wear your reader down. Let the rhyme serve the story.”
Jen Bryant, who has won numerous awards for her books for children, which include biographies of poet William Carlos Williams, and Charlotte’s Web author E.B. White, has written the biography of August Wilson. The picture book, presented in two acts and 48 pages, is an inspiring and lyrical introduction to the two-time Pulitzer Prize-winning Black playwright who died in 2005.
Young readers are probably unfamiliar with Wilson’s work and Bryant writes mostly about his early years at school and the beginning of his career.
Frederick August Kittel, Jr. was raised with a sister and single mother, who cleaned houses. His mother, Daisy, made sure Frederick learned to read, telling him, “If you can read, you can do anything – you can be anything.” Bryant tells about the racism Wilson and his family experienced—brick-throwing, name-calling, fights, and accusations of cheating—driving Wilson from school after school, setting him on a course of self-education, reading all day in libraries. Wilson finds the “universe opens wide” when, as a teenager, he encounters Black authors Langston Hughes, Richard Wright, and Ralph Ellison.
His first paid writing job was completing his sister’s homework; he bought a used typewriter, composing poems after he finished washing dishes at the diner. The talk and stories of Black men in his community, many working at menial jobs, provided the dialogue for his poems and plays. Working odd jobs in a soup kitchen, Wilson listened to stories. “Who’s there? What are they saying … and why?” he asked himself, and these figures became characters in his dramas.
Debut illustrator Cannaday Chapman uses a limited color palette of earth tones to show the expressions on Wilson’s face and his connection to his environment.
Bryant includes a detailed Author’s Note explaining her interest in Wilson, her extensive research, and her process for writing the book. Students will enjoy her description of spreading her pages down her hallway. Feed Your Mind is an important book about an author of color, who endured poverty and racism, and whose life shows the power of literacy and community.
Guest review by Julia Wasson, veteran educator and curriculum developer.
(Abrams Books for Young Readers; $14.99, Ages 3-5)
Fall is an ideal time to feed your body and calm your mind while also introducing yoga poses and nutrition to kids. Joy Bauer’sdebut children’s book, Yummy Yoga: Playful Poses and Tasty Treats, does just that. The New York Times bestselling author and professional nutritionist shares eight easy and accessible yoga poses and eight kid-friendly recipes with readers. Photographer Bonnie Stephens presents lively and adorable photos of kids demonstrating these easy-to-learn yoga poses while fruits and veggies practice the same poses!
“Welcome to Yummy Yoga!” is the title of a note from Bauer to adult readers. As “one of the nation’s leading health authorities,” Bauer explains how healthy foods can be delicious and how practicing yoga poses can be super fun. She encourages children to copy the yoga sculptures made out of tasty food created by Stephens. Parent and child can mix and match ingredients and are reminded that it may take a few tastes before starting to fall in love with a new food. “And now it’s time to stretch your body and your taste buds for a happier, healthier you!”
Bauer inserts messages throughout the book such as “always ask an adult for help, especially if you need to use a knife or the stove!” Each page is designed with a gatefold as in the one showing a young boy in green demonstrating Triangle Pose with the opposite page showing an avocado with a lime head and broccoli body doing the same. With “Lift the flap to stretch your taste buds with a creamy treat,” the green arrow points as parent or child find a recipe with how to make instructions for Broccomole Dip in the center.
Turning the page we find a recipe for Heart-y Artichokes, Green Beans and Leeks along side of Lotus Pose; Warrior II Pose, which “helps stretch out your legs and hips” is demonstrated by corn on the cob, with a twist to the corn on the cob recipe. The book closes with photos of the same diverse group of boys and girls performing yoga poses such as Plank Pose, Downward Facing Dog and Tree Pose with a more extensive explanation of how to properly perform each pose.
Yummy Yoga was a terrific read! As a yoga instructor myself, my spirits are always lifted when I find books that introduce the physical practice of yoga to children in an engaging way. Parents will enjoy practicing the poses alongside their children, and working together in the kitchen to create healthy foods. The ingredients for the scrumptious sounding strawberry and kiwi frozen snack Power Pops are on my shopping list, and that reminds me, it’s time to warm-up my spine with the Power Pops partner cat pose!
THIS IS A SEA COW
Written and illustrated by Cassandra Federman
(Albert Whitman & Co.; $16.99, Ages 4-8)
This Is a Sea Cow, the debut picture book by Cassandra Federman, will have kids laughing out loud at story time especially at the lines about how much a sea cow weighs, how her milk “squirts out of her armpits!” and the size of their brains. Federman knows how to quickly pull her readers into this funny and informative story about the popular underwater mammal perhaps better known as a manatee. The titular sea cow actually prefers to be called a manatee for multiple reasons kids will learn about. Fact: Happy faces plastered with huge grins will appear throughout the duration of this book.
One thing I particularly adore about This Is a Sea Cow is the format Federman uses. The story unfolds as a child’s school book report about sea cows. Soon, however, the sea cow, who is the subject of the report, begins responding to the facts presented. This interactive approach is certain to engage young readers. I’m guessing they’ll start talking back to the book much like the audience does in an English pantomime.
At first the adorable blue-crayon-colored sea cow disputes most of what the student writes when it’s not complimentary. Fact: weight of 1,000 pounds. Response: “Hey! That’s personal information.” With each eagerly awaited page turn, youngsters will note how the student author highlights a fact or two the sea cow cannot disagree with. There’s the small size of its brain (see bottom illustration) and how small-brained explorers thought sea cows were mermaids. The report’s flattered blue subject basks in being considered the mythical water nymph. Those irresistible illustrations are some of my faves.
The book’s colorful, kid-like artwork cleverly incorporates a variety of features guaranteed to keep a child’s interest. There are speech bubbles (just some of the bubbles they’ll read about … the others being gassy ones), hand lettering, hand drawings, and paper cutouts. Interspersed with these are photos of real objects such as scissors, crayons, shells, staples, paper clips and a backpack.
The pleasing twist at the end will charm children who, like the second grade writer, easily fall for the sea cow, small brain, gassiness, toenails and all! And if that’s not sweet and silly enough, several other cute creatures chime in after being mentioned. Federman’s adept use of kid-friendly prose in this light-hearted look at the much-loved manatee will make this a regularly requested read for animal lovers.
Helpful back matter provides kids, parents and teachers with additional interesting info about sea cows like where they live and how fast they can swim. The names of several websites where readers can adopt a manatee or help injured ones are also included. Head over to your local independent bookseller to pick up a copy today and make a manatee (and me) happy.
Reviewed by Ronna Mandel
Find This Is a Sea Cow activities for children on the Albert Whitman website here.
UNITED TASTES OF AMERICA: AN ATLAS OF FOOD FACTS & RECIPES FROM EVERY STATE!
Written by Gabrielle Langholtz
Drawings by Jenny Bowers
Photos by DL Acken
(Phaidon; $29.95, Ages 7-10)
Take a road trip with the United Tastes of America: An Atlas of Food Facts & Recipes from Every State!by Gabrielle Langholtz, a gorgeous cookbook for ages seven and up. Regional recipes are listed in alphabetical order by state (Guam, Puerto Rico, the US Virgin Islands, and Washington, DC, are included). Each location begins with two pages of fun facts surrounded by vibrant art; a full-color photo and clearly explained recipe follows. Because we had freshly picked blueberries, we tried Maine’s Blueberry Muffins recipe. It was delicious, and a good base recipe for swapping in other kinds of fruit.
It’s fun to look up the dish from your state—California is Cobb Salad—or explore new places. I really liked the US Virgin Islands entries featuring information about Dumb Bread, Jerk Chicken, Rødgrød, Fungi (not a fungi!), and Goat Water (a hearty stew made of goat meat, pawpaw, bread fruit, and Scotch bonnet peppers). The diversity of our country is wonderful: Green Jell-O Salad (Utah), Oven-Fried Chicken (Kentucky), Norwegian Meatballs (South Dakota), Jambalaya (Louisiana), Chicken Bánh Mì (DC). While expanding your culinary skills, you’ll also learn something about that region’s history, geography, and people.
The recipes are indexed by level of difficulty as well as in a standard index where you can search for ingredient (potato), cooking term (braising), or meal category (desserts, snacks). This handsome book would be an ideal gift for your foodie relatives and friends who live in other countries, or a lovely addition to your cookbook collection.
I agree with author Gabrielle Langholtz that, “Food is one of the best ways to learn about a place—its harvests, its history, and its people.” Langholtz was the award-winning editor of Edible Manhattan and Edible Brooklyn, the head of special projects and publicity at the NYC Greenmarket, and authored The New Greenmarket Cookbook (2014), and Phaidon’s America: The Cookbook (2017). She lives in Pennsylvania (state recipe, Soft Pretzels). Take this book on tour with you the next time you travel!
SEEK AND COUNT
Written and illustrated by Yusuke Yonezu
(MineditionUSA/Michael Neugebauer Publishing; $9.99, Ages 0-3)
If you’re looking for an original counting book, I recommend Seek and Count by Yusuke Yonezu. This 20-page board book’s bright graphic art will engage young hands. Each page’s number is accompanied by an image under the flap, a pleasant surprise the reader will enjoy repeating.
Seek and Count delights while teaching young children their numbers from one to ten. I appreciate clever details such as how the egg on the cover is pictured inside with a crack; when you peek under the flap, a chick emerges. Other images are a bit of a game: number seven could be a wild hairdo but turns out to be an anemone with seven clown fish swimming nearby.
Author-illustrator Yusuke Yonezu was born in Tokyo. As a child he loved to draw and make toys out of paper and boxes. Later, he studied design. He is the creator of The Rainbow Chameleon, Five Little Apples, Moving Blocks, the Guess What? series of board books, and Yum Yum!