Social Situations – Friendship

Five New Children’s Books for Pride Month

 

CHILDREN’S BOOKS FOR PRIDE MONTH

~ A ROUNDUP ~

Free Pride Clipart

 

Grandad's Pride cover Grandad carrying Pride flag at paradeGRANDAD’S PRIDE
Published in Partnership with GLAAD Series
Written and illustrated by Harry Woodgate
(Little Bee Books; $18.99, Ages 3-6)

★Starred Review – Kirkus

Following up the success of Grandad’s Camper, is Grandad’s Pride featuring the same characters readers got to know previously. Much like that book, I was immediately pulled into this story by the folksy art and in this case, a focus on the inviting locale by the sea.

When playing in Grandad’s attic, Milly, who is visiting once again for the summer, stumbles upon Grandpa’s old Pride flag. Curious what Pride is, Milly gets a wonderful description from Grandad who used to participate in marches and other Pride events when Gramps was still alive. “Pride is like a giant party where we celebrate the wonderful diversity of our communities and demand that everyone should be treated with
equality and respect – no matter who they love or what gender they are.” After hearing how important Pride had been for Grandad, Milly suggests they go to the city to participate in the next Pride event, but Grandad no longer feels comfortable in the big city.

Milly proposes a locale parade in the village instead and soon the entire village is involved. Not only does her idea present the opportunity to get to make new friends, it also is a moving way to honor Gramps’ memory. Grandad leading the parade in his pink camper is a fitting way to kick off this new tradition and not even a brief downpour can curtail the festivities.

You’ll want to read this lovely picture book slowly to take in all the details that Woodgate has included from the slogans on the posters, the diversity of the primary and secondary characters and the big heart this story exudes on every page. I could easily live in this welcoming community and can’t wait to see what Milly and Grandad get up to next!

 

I Can Be Me! cover diverse circle of kidsI CAN BE … ME!
Written by Lesléa Newman
Illustrated by Maya Gonzalez
(Lee & Low; $19.95, Ages 4-7)

For starters, I want to point out illustrator Gonzalez’s art description on the credits page: “The illustrations are rendered with pencil, watercolors, colored pencils, and love.” If the inclusion of the word ‘love’ doesn’t speak volumes about the care and thought that went into creating this picture book, I don’t know what does.

Newman’s masterfully crafted rhyming couplets take the reader through spread after jubilant spread as readers follow the real and make-believe activities of six diverse and “splendiferous” children and one plucky pooch. Imagination rules as the youngsters try out dress up, and pretend play where anything except the judgment of adults is possible. “I can aim for the basket and practice my throws,/ or wear a pink tutu and twirl on my toes.” There is no need to label and no need to discuss gender, race, or religion. Prepare for pure enjoyment. Kids being “their true selves” is what’s celebrated on every delightful page of this recommended read.

Click here for a Teacher’s Guide

 

The Wishing Flower girls wishing on dandelionTHE WISHING FLOWER
Written by A.J. Irving
Illustrated by Kip Alizadeh 
(Knopf BYR; $18.99, Ages 4-8)

★Starred Reviews – Kirkus, School Library Journal

This uplifting, inclusive picture book about making a like-minded friend and experiencing a first crush is getting a lot of buzz, and deservedly so. The cover alone conveys the pleasure these two girls find in each other’s company then the prose and art throughout continue to capture that emotion. Author Irving states in her website intro, “My deepest wish for my readers is for them to feel seen and special,” and The Wishing Flower beautifully accomplishes that.

We first meet Birdie as she’s wishing on a dandelion to find a friend who shares her interests. “Birdie felt inside out at home and at school.” She generally kept to herself clearly not connecting with other kids until … Sunny “the new girl” arrives in her class. With her nature name, Sunny, like Birdie, enjoys all the same things: reading, rescuing, and painting. The girls are drawn to each other and Birdie “blushed when Sunny sat next to her at lunch.” She knew she needed to be brave to pursue the friendship and looks for the biggest wishing flower. At recess playing Red Rover, Sunny calls for Birdie, and Birdie’s heart soars. That excitement is palpable in the warm, emotive illustrations that bleed off the page. When this wonderful day spent together with her new friend ends, it’s so rewarding as a reader to see the two happy souls have had their wishes come true.

 

You Need to Chill! cover curly haired girl in yellow heart sunglassesYOU NEED TO CHILL!:
A Story of Love and Family
Written by Juno Dawson
Illustrated by Laura Hughes
(Sourcebook Jabberwocky; $18.99, Ages 4-8)

“In the next ten years, I don’t think there will be many classrooms in America where there isn’t a gender-diverse child, and the rest of the students will have to be friends with that kid. And how to you manage that? You manage it like the child in the book does. With kindness and humor and inclusion and with playfulness.” According to bestselling author Dawson, this is the goal of her debut picture book and I appreciated her introducing the topic in a light-hearted way that emphasizes a people-not-gender-first approach to identity.

I love when a story begins with artwork only before the title page as it does here. The main character is walking with an older girl to school. Once the main character gets settled in, her classmates begin asking where her brother Bill is. They haven’t seen him in a while. This is a fun part to read aloud as the girl’s classmates take wild guesses about where her older brother can be. “Was he eaten by a WHALE or SHARK? Was he munched up just like krill?”/ “That simply isn’t true,” I say./ “And hey, you need to chill.” With inquiring young minds bombarding the girl with a constant flow of zany questions (illustrated as whimsically as those questions), the cool retort calms everyone down. The repetition of “Hey, you need to chill,” is catchy and I can imagine children being eager to say it along with the narrator. While the kids are curious and confused, they also say they’re concerned. I’m glad that was included.

The little girl tells her classmates that her older brother Bill is now Lily. She honestly explains how the change took getting used to but ultimately, as the art shows, she knows that Lily is still the same deep down inside and very loved. She’s her sister’s ally. And as such, together the two can tell anyone who has a problem with Lily being a trans girl to just chill.

While the rhyme is not always even, the spirit, energy, and humor of this important story about a transgender child coupled with the buoyant art carry it along and make You Need to Chill! a worthwhile, fulfilling, and accessible read. Read about genderspectrum.org, a charity working to create gender sensitive and inclusive environments for all children and teens.

 

DUCK, DUCK, TIGER
Written and illustrated by Brittany R. Jacobs
(Beaming Books; $18.99, Ages 4-8)

Lili felt she didn’t belong, like a tiger among ducks. And if people found out more about her, she was sure she’d be left alone. Her solution then was to be more like a duck. If she changed things about herself then she’d fit in. And no one would know any better. No one would know her secret.

There was a catch, however. Trying to be someone she wasn’t made Lili feel sad. It’s definitely not easy to pretend to be something you’re not. So, after realizing this, she needed to confide in someone, someone who’d make her feel safe. Lili “revealed her secret” to Gran. “Her heart really raced.” But Gran confirmed that no matter who Lili was, one thing was certain. She was loved. And she should feel proud of who she was. Afterall, “Not everyone is a duck, and not all ducks flock together.” What is important is being her authentic, unique self. It may be tough, but in time, Lili could rest assured that she’d find her pride.

I always enjoy a picture book that offers hope to any child in Lili’s position, so they’ll know that one day they will be welcomed by people who appreciate the real them. This powerful message of acceptance should resonate with many young readers who feel like the other for whatever reason, not simply for being queer. I was surprised to learn that Jacobs is a self-taught artist. The gentle green palette she uses works well with the purple of her alter-ego, the tiger. I will note that in places the meter of the rhyme is not perfect and the rhymes slant in spots where ‘day’ is paired with ‘stayed’ or ‘terrible’ with ‘unbearable.’ However, picture books such as this affirming one are needed to bring comfort to children with its beautiful message of letting “your heart be your guide.”

 

Click here to read a review of a fave Pride picture book from last year.

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Picture Book Review – Anzu and the Art of Friendship

 

ANZU AND THE ART OF FRIENDSHIP

Written by Moni Ritchie Hadley

Illustrated by Nathalia Takeyama

(Albert Whitman & Co.; $18.99, Ages 4-8)

 

Anzu_and_the_Art_of_Friendship_cover_friends_making_origami

 

REVIEW:

Patience and the practice required for paper folding (aka origami) offer the promise of friendship in Anzu and the Art of Friendship written by Moni Ritchie Hadley and illustrated by Nathalia Takeyama.

If your child isn’t already familiar with origami, this multilayered picture book provides a gentle introduction to the beloved Japanese art form while also tackling a topic that should resonate with young readers: making new school friends after moving. When Anzu starts a new school, “her stomach folds in knots.” At the same time, the teacher Mr. Lee informs the class they are beginning a unit on origami.

 

AnzuandtheArtofFriendship int1 mrlee introduces Anzu
Interior art from Anzu and the Art of Friendship written by Moni Ritchie Hadley and illustrated by Nathalia Takeyama, Albert Whitman & Co. ©2023.

 

Readers have already seen Anzu’s creations hanging in her bedroom courtesy of Takeyama’s bold and expressive art that appears to be digitally rendered. That, along with Ritche Hadley’s prose, lets us know from the first page that Anzu adores origami. It’s especially sweet when Anzu’s ojiisan (grandfather) gives her a tsuru (crane) for good luck. Maybe Anzu’s origami skills can help her forge new friendships with her classmates.

Pretty soon Anzu sees her good intentions go unappreciated. She is disappointed that her classmates look for an easy, often silly way out despite her offers of help. At night she explains to Ojiisan what’s been happening. He thoughtfully suggests she try to be patient. The next day is not much better. Anzu’s classmates seem frustrated and look for quick solutions such as scissors and tape. Again she complains to Ojiisan. He compares the skill of creating origami with that of making new friends. She needs to give it time. Still, Anzu is sad about her move and misses her old friends.

 

AnzuandtheArtofFriendship int2 classmate wearing hat dances
Interior spread from Anzu and the Art of Friendship written by Moni Ritchie Hadley and illustrated by Nathalia Takeyama, Albert Whitman & Co. ©2023.

 

Things look up for Anzu the next day when “Mr. Lee displays an origami frog figure.” Always an attention-getter, the frog inspires curiosity and joy. But Anzu’s classmate Alex is frustrated he cannot put the frog back together after he’s unfolded it. This time, after Anzu does all the required folding, creasing, etc., she demonstrates how it can hop. Instead of losing interest, Alex asks Anzu to show him how to do it. At last! Anzu also tells Alex that the frog or the Kaeru, “is a symbol of good luck and a safe return when traveling.” Alex realizes the Kaeru is something meaningful he can give to his father to take on his next business trip. His interest in the paper creation prompts Anzu to come up with fun ways to engage her formerly reluctant classmates (see illustration above), and it works! Folding leads to friendship and Anzu’s spirits soar.

All the work involved in making origami as well as the symbolism of each figure serve as perfect metaphors for this book’s themes of perseverance, empathy, and kindness. Young readers will rejoice when they see how Anzu has truly mastered the art of friendship. They’ll also see the rewards of not giving up, whether that involves sticking with a tough project or trying to make a new friend. While in real life these things may take a little longer, the positive message conveyed in Anzu and the Art of Friendship makes this book easy to recommend.

The special meaning of the origami figures included in the story is explained in the back matter.

  • Reviewed by Ronna Mandel

BUY THE BOOK:

Support a local independent bookshop by clicking here to purchase Anzu and the Art of Friendship.

FIND THE AUTHOR AND ILLUSTRATOR ON SOCIAL MEDIA:

MONI –

Click here for Moni’s website.

https://www.instagram.com/bookthreader

https://www.twitter.com/bookthreader

https://www.facebook.com/bookthreader

 

NATHALIA –

Click here for more about Nathalia.

https://www.instagram.com/natztak

https://www.twitter.com/natztak

https://www.facebook.com/nathalia.takeyama/

Read a guest post by Moni about her debut picture book, The Star Festival.

Find out about The Star Festival here.

 

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An Interview with The Glow Show Author-Illustrator Susi Schaefer

 

 

AIXA PÉREZ-PRADO INTERVIEWS

AUTHOR-ILLUSTRATOR

SUSI SCHAEFER

ABOUT HER NEW PICTURE BOOK

THE GLOW SHOW

(SOURCEBOOKS EXPLORE; $14.99, AGES 4-8)

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The Glow Show cover purple octopus

 

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PUBLISHER’S SUMMARY:

Glow is a bioluminescent squid who loves to dance and twirl. And the faster he twirls, the brighter he GLOWS! He loves to show off his skills … and becomes quite a show-off with a bad attitude. He doesn’t like sharing the spotlight. And when he ditches his friends in search of fans, he loses his glow! Can Glow find his way home—and if he does, will his friends take him back?

As readers follow Glow’s journey, they’ll learn all about bioluminescence and fascinating ocean creatures along the way.

INTERVIEW:

Aixa Pérez-Prado: Congrats on your picture book, THE GLOW SHOW! How did you get into creating books for young readers?

Susi Schaefer: Thank you so much for the interview. I was born and raised in Austria, where I completed an apprenticeship as a glass painter. That style still influences my illustrations today.

Once I reached my early twenties, I got a case of Wanderlust and came to the U.S. to work as a nanny. While reading tons of picture books to the kids, I fell in love with the format. Eventually, I studied graphic design and worked in that field for many years.

And once I had my own kiddos, I decided to try my hand at illustrating and writing.  With the help of the SCBWI and my critique groups, I steadily improved my craft until I landed an agent in 2016. THE GLOW SHOW will be my third book.

 

The Glow Show int2 welcome to the Shallows sign
Interior spread from The Glow Show written and illustrated by Susi Schaefer, Sourcebooks Explore ©2023.

 

APP: Tell us what inspired this book.

SS: I am a huge nature lover and have always been fascinated by the ocean, partially because I grew up in a landlocked country. Soon after arriving here, I got my scuba diving certification to explore the underwater world for myself.

Then, a few years ago, we had a lot of bioluminescent plankton in the surf here in Southern California. I really became interested in glowing marine life.

Also, I wanted to tell a story about friendship versus followers or fans. And that’s how that idea for THE GLOW SHOW was born.

 

The Glow Show int3 glow twirls look at me
Interior spread from The Glow Show written and illustrated by Susi Schaefer, Sourcebooks Explore ©2023.

 

 

APP: Can you share your process?

SS: For this book, I started by illustrating a finished underwater scene, including a purple, bioluminescent squid. I loved the character so much that I began to write a messy first draft of the manuscript. After a couple of revisions, I created the dummy. The feedback from my critique group was very positive, and I decided to share the idea with my agent. She loved it and helped me refine the dummy. And then, we sent it out on submission and found a wonderful home.

My illustration process is digital collage combined with traditional watercolor washes. First, I create manual sketches on paper, then bring them into Procreate on my Apple iPad Pro and finalize each file in Photoshop on my Mac.

 

APP: Are you working on any projects you can tell us about?

SS: Yes, I am thrilled to share that I have recently signed two more contracts, one as an illustrator for a book scheduled for publication later in 2023 and the second as an author/illustrator for a book coming in 2025.

 

APP: Where can people find you out there?

SS: swww.susischaefer.com and on Twitter @susischaeferart and on Instagram @susischaeferart

 

BUY THE BOOK:

Click here to buy the book from Bookshop.org

 

Author Susi Schaefer Photo Credit Rich Schaefer
Susi Schaefer Photo Credit Rich Schaefer

AUTHOR-ILLUSTRATOR BIO:

Born and raised in the Austrian Alps, Susi Schaefer trained as a glass painter in the medieval town of Rattenberg. After moving to Southern California for sun and adventure, Susi studied graphic design. She’s the illustrator of ZOO ZEN by Kristen Fischer, author-Illustrator of CAT LADIES and THE GLOW SHOW. Susi lives in North Tustin, California, with her family. www.susischaefer.com

Twitter @susischaeferart and on Instagram @susischaeferart

 

 

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INTERVIEWER BIO:

Aixa Pérez-Prado is a native of Argentina who immigrated to the US as a small child. She is a writer, illustrator, translator, sensitivity reader and professor with a PhD in Social Science and Education. Aixa has lived in several different countries, and draws inspiration for her stories and illustrations from diverse locations. Her passion is writing and illustrating picture books aimed at giving diverse children a chance to see their multilayered identities represented through stories that resonate with heart and humor. Aixa writes in Spanish and English and enjoys mixing languages in her prose. Similarly, she loves illustrating by employing different techniques in a whimsical style that includes watercolor, acrylic, ink, and digital. She especially enjoys combining all of these elements through collage. Her 2023 books are CITY FEET (Reycraft), and OUR WORLD: ARGENTINA (Barefoot Books), and coming in 2024, MERCEDES SOSA: THE VOICE OF THE PEOPLE (Lee & Low). Aixa is represented by Joyce Sweeney from the Seymour Agency.

Twitter: @ProfessorAixa

Instagram: @aixasdoodlesandbooks

 

 

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Children’s Picture Book – You Can! Kids Empowering Kids

 

YOU CAN!: KIDS EMPOWERING KIDS

Written by Alexandra Strick

Illustrated by Steve Antony

(Candlewick Press; $18.99; Ages 4-8)

 

You Can! Kids Empowering Kids cover diverse kids

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FROM THE PUBLISHER:

Young people share valuable advice—words they wish they had heard growing up—to inspire, reassure, encourage, and say You’re enough, just as you are.

REVIEW:

You Can! Kids Empowering Kids uses simple phrases with powerful meanings on a journey with fourteen imaginary characters “as they grow from birth to eighteen.” Author Alexandra Strick’s prose opens each page with “You can …” placed alone in the left-hand corner, with inspirational messages spread throughout the book showcasing the power kids have while growing up.

Illustrator Steve Antony’s eye-catching colorful penciled art finished digitally, depicts children growing up before our eyes, and along the way they are being brave, exploring new worlds, and sharing feelings with a friend.

Below is a wonderful spread of kids lined up on the floor listening to a new friend playing the flute. One girl sticks her tongue out at a boy but the reader finds them hugging and “forgiving others and yourself” when seen again as teens. Watching the characters grow from babies to young adults was a fabulous way to experience them believing in themselves, dreaming big, and supporting each other.

 

You Can! int.1 you can be brave little kids
YOU CAN! KIDS EMPOWERING KIDS. Text copyright © 2021 by Alexandra Strick. Illustrations copyright © 2021 by Steve Antony. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Whoever young readers identify with, Antony’s diverse art provides the opportunity for children to be able to locate someone that resembles themselves or their actions. The closing pages show what becomes of our new friends. The girl in the wheelchair is an important figure sitting in front of a podium, while the boy with red hair grows up to become a pilot.

One page is filled with crowds of kids gathered together in costumes. There is a child dressed as a purple clown who prefers to follow along, while another walks with a cane choosing to lead the way. (Canes and wheelchairs are not going to prevent any of these kids from doing what they wish to do.) Turning the page, we read “do something big by doing something small, inspire and encourage others, stand up for what you believe in, and make a difference.” The words “Climate Action Now!”  head up a spread of kids picking up trash and collecting water bottles. We see kids working together uplifting each other and remaining friends.

An angled font for “do things you couldn’t do yesterday” accompanies a girl dressed in a green suit and cap swimming the ocean with two friendly whales by her side. When she grows up, we see a drawing of her again dressed in green taking photos of fish in the sea. Each child is matched to a color throughout the story, in this way readers can flip back to the beginning of the pages to remind themselves of the character’s backstory. This was a creative way to follow along with the group of children.

Readers see that it’s not just about doing things for others but doing things for themselves as well. Kids are cheered on as they run a race but it’s not about winning or losing, “Just give it a try,” Strick shares. The blind runner strapped to the guided runner is just one example of this positive and inspiring picture book.

 

You Can! .int.2 diverse people you can believe in yourself
YOU CAN! KIDS EMPOWERING KIDS. Text copyright © 2021 by Alexandra Strick. Illustrations copyright © 2021 by Steve Antony. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

The blue sky covers the last spread above with the kids all grown up standing on a green hill with the words “You can believe in yourself, be the best you can, be kind, dream big, and be yourself,” above their heads. That pretty much says it all right there.

In back matter, Strick explains the research behind the picture book, while Antony draws faces of himself and Strick in a zoom room with real kids from all backgrounds. The kids are asked what they feel is important to say in the text. It was heartwarming to learn that these are the words of the young contributors. This book belongs in every classroom to be read to students as a lesson in social-emotional learning. In a world full of chaos, it was gratifying to read a book that gives kids hope. Strick, from the U.K., is the co-founder of Inclusive Minds, a collective for people who are passionate about inclusion, diversity, and accessibility in children’s literature. 

  • Reviewed by Ronda Einbinder

 

 

 

 

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Children’s Picture Book Review – The Winter Bird

 

THE WINTER BIRD

Written by Kate Banks

Illustrated by Suzie Mason

(Candlewick Press; $18.99, Ages 3-7)

 

 

The Winter Bird cover

 

 

Written by Kate Banks and illustrated by Suzie Mason, The Winter Bird is a comforting and heartwarming story of friendship and perseverance, helping readers discover the quiet strength of patience and hope. 

During the time of year “when the sun [goes] to bed early,” brown bear and hedgehog prepare for their annual winter routines. Nestled in a thicket and nursing a broken wing, the nightingale watches the geese, starlings, and swallows fly away. “‘What will happen to me?’” the nightingale asks. As a spring bird, it “‘knows nothing of winter.’” 

 

The Winter Bird int1 injured nightingale watches geese fly
THE WINTER BIRD. Text Copyright © 2022 Kate Banks. Illustrations Copyright © 2022 by Suzie Mason. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

“‘You will learn … You will learn,’” hoots the owl who, along with other friendly animals like the rabbit and gray squirrel, provide food and shelter, helping the nightingale survive its new icy surroundings. 

Adapting to the slow, winter rhythm of nesting, waiting, and wondering, the nightingale learns the beauty in both the harshness and brilliance of the season. In lovely, lyrical language, we watch the landscape change as “the cold cre[eps] in on icy feet” and “the waltz of winter” begins. Beautiful illustrations in soft browns and grays, rounded edges, and spots of bright color let readers know:  though the storm is coming, all will be well.

 

 

The Winter Bird int2 forest animals in snow
THE WINTER BIRD. Text Copyright © 2022 Kate Banks. Illustrations Copyright © 2022 by Suzie Mason. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Throughout it all, the nightingale does what it knows how to do–sing. Whether singing of “winter’s woes” or “winter’s wonders,” it brings comfort to both itself and the other animals around it. A spring bird, the nightingale patiently learns how to “become a winter bird, too.” 

A soothing picture book for bedtime or quiet time, The Winter Bird invites readers to bundle up, settle in, and enjoy the wonder of winter.  

  • Reviewed by Armineh Manookian

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Terrific New Picture Book for Chinese New Year – Year of the Cat

 

 

 

YEAR OF THE CAT

Written by Richard Ho

Illustrated by Jocelyn Li Langrand

(Greenwillow Books; $18.99, Ages 4-8)

 

 

Year of the Cat cover art the back of a cat looking at zodiac animals

 

 

The story of the Chinese zodiac is beloved in my household. In Year of the Cat, Richard Ho digs deeper to follow up on how Cat feels about not receiving a calendar year—she was pushed into a river by Rat! This story is as good as the original and then some.

 

Year of the Cat int1 animal group around table discussing Cat
Interior spread from Year of the Cat written by Richard Ho and illustrated by Jocelyn Li Langrand, Greenwillow Books ©2022.

 

Jocelyn Li Langrand’s fun illustrations begin even before the title page. I especially like the behind-the-scenes scoop on the animals such as Rat lounging in his home with telling photos on the wall or the clever places each animal lives. The dragon? A fire station!

 

Year of the Cat int2 four animals clung to the speeding raft
Interior spread from Year of the Cat written by Richard Ho and illustrated by Jocelyn Li Langrand, Greenwillow Books ©2022.

 

Whether this is a familiar tale or your first read, kids will get a kick out of the teamwork and mishaps that lead to us finding out if Cat is upset she was unable to finish as one of the twelve animals. (Her answer may surprise you.) And, speaking of surprises, be sure to peek under the dust jacket to see the map-consulting image from inside the book repeated. Kids will love figuring out which paw, hoof, or claw goes with which animal, and adults can help kids count to twelve by following along the map’s edge.

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Picture Book Review – Over, Bear! Under, Where?

 

 

OVER, BEAR! UNDER, WHERE?

Written by Julie Hedlund

Illustrated by Michael Slack

(Philomel BYR; $17.99, Ages 4-8)

 

 

Over, Bear! Under, Where? cover

 

For the last day of Fat Bear Week, I’m delighted, (or should I say overjoyed?) to share my thoughts on Julie Hedlund’s uproarious read-aloud picture book, Over, Bear! Under, Where? with humorous art by Michael Slack.

Now don’t get me wrong, the titular Bear may be on the big side, but he’s actually a kind soul simply looking for pals to play with. But when you’re a bird (Over), a mole (Under), or a hot-dog dog (Dog) and that much smaller, a bear can be scary. That scenario is what unfolds to hilarious results as Over and Under hang out at the park.

 

 

Over, Bear! Under, Where? int1 seesaw
Interior spread from Over, Bear! Under, Where? written by Julie Hedlund and illustrated by Michael Slack, Philomel ©2021.

 

With wordplay galore, a relatable premise, and high marks for its readability, Hedlund’s book manages to entertain in just under 100 carefully chosen words. Young readers will adore the interplay of art and text as they see Over and Under’s punny back-and-forth banter on the see-saw and at their BBQ. They even invite a hot-dog dog called Dog to join them but run for their lives after spotting Bear in what is clearly a massive misunderstanding. 

 

Over, Bear! Under, Where? int2 hotdog
Interior art from Over, Bear! Under, Where? written by Julie Hedlund and illustrated by Michael Slack, Philomel ©2021.

 

Bear, we soon learn, wants to play, too, but Over, Under and Dog do not realize this right away. It’s only when Under points out a dejected-looking Bear … down that the trio makes amends and in doing so, makes a new friend.

Hedlund’s spare text may make adult readers think, “Oh hey, I could do that.” When in fact, to be able to convey the emotional heart of this story with so few words, is no easy task and takes a pro. It also takes terrific illustrations that bring the story to life, my favorite illustrations being those below.

 

Over, Bear! Under, Where? int3 bear behind
Interior art from Over, Bear! Under, Where? written by Julie Hedlund and illustrated by Michael Slack, Philomel ©2021.

 

There’s even a page of helpful backmatter providing examples of the compound words that were essential to inspiring this story’s humor when they were presented as separate words helped by just a comma in many places. Parents, teachers, librarians, and caregivers will not tire of  sharing this whimsical, original tale with its clever take, “You can’t judge a bear by its behind.” So Fat Bear Week or not, this book’ll keep you from hibernating.

 

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Picture Book Review by Armineh Manookian – The Garden We Share

 

THE GARDEN WE SHARE

Written by Zoë Tucker

Illustrated by Julianna Swaney

(NorthSouth Books; $18.95; Ages 4-8)

 

The Garden We Share cover

 

Seasons bring change–in the garden and in life–in author Zoë Tucker and illustrator Julianna Swaney’s tender, intergenerational story, The Garden We Share, about love, loss, and hope.

 

The Garden We Share int1
Interior spread from The Garden We Share written by Zoë Tucker and illustrated by Julianna Swaney, NorthSouth Books ©2022.

 

Walking into a community garden on a crisp spring morning, a little girl and her elderly friend plant seeds, “each little dot full of hope and promise.” Elderly friends join in to help and share each other’s company as they pass the time together, waiting patiently until the plants finally “burst into life” and the garden is “a riot of color.” Swaney’s soothing palette of olive greens, mustard yellows, peachy reds, and poppy-pumpkin oranges provides spaces filled with warmth and comfort. 

 

The Garden We Share int2
Interior spread from The Garden We Share written by Zoë Tucker and illustrated by Julianna Swaney, NorthSouth Books ©2022.

 

 

Sometimes relaxing under the sun and sometimes busy with garden work, the little girl and her friend take their treasures into the kitchen, processing the beautiful bounty they’ve collected–all of which culminates into a jubilant feast for the whole community. 

 

 

The Garden We Share int3
Interior spread from The Garden We Share written by Zoë Tucker and illustrated by Julianna Swaney, NorthSouth Books ©2022.

 

As the season grows cold, petals “fall, and colors fade,” the little girl’s special friend is sadly “gone.” All she’s left with are the seeds of last season’s crops. But as the spring season returns anew, those “tiny dots” she plants spring up “big memories” of patience, stewardship, and fellowship.

 With quiet and calming overtones, The Garden We Share invites gentle conversations about death while lovingly cultivating a spirit of hope.

  • Reviewed by Armineh Manookian
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Picture Book Review – I Am You: A Book About Ubuntu

 

 

I AM YOU:
A Book About Ubuntu

Written by Refiloe Moahloli

Illustrated by Zinelda McDonald

(Amazon Crossing Kids; $17.99, Ages 4-8)

 

 

 

 

★Starred Review – School Library Journal

 

Originally published in South Africa, I Am You:  A Book About Ubuntu written by Refiloe Moahloli and illustrated by Zinelda McDonald, is a stunning visual and textual reminder of our shared humanity that could not be more timely.

An ancient philosophy of many African cultures, ubuntu means “I am, because you are” and embraces the idea that “a person is a person through other people.” Opening lines emphasize this interconnectedness:  “When I look into your eyes, I see myself.” On the following page, readers will need to turn the book vertically to enjoy a spread that illustrates this love, not only for others but for the natural world and all creation. 

 

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Interior spread from I Am You: A Book About Ubuntu written by Refiloe Moahloli and illustrated by Zinelda McDonald, Amazon Crossing Kids ©2022.

 

In loving, lyrical language, Moahloli’s text helps us realize that though the time we spend with others and the kindnesses we share may seem like small, inconsequential acts,  they’re in fact powerful expressions of our deep love for each other and for our own selves. “[W]hen I laugh as I hear you laugh, when I hold your hands as you cry, I love you, and I love myself, too.” Similarly, if we choose to “hurt,” “tease,” or “ignore” another, we are committing those very acts on ourselves.   

 

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Interior art from Interior spread from I Am You: A Book About Ubuntu written by Refiloe Moahloli and illustrated by Zinelda McDonald, Amazon Crossing Kids ©2022.

 

 

Rendered in digital media, McDonald’s bold and beautiful jewel-toned illustrations place an endearing cast of characters front and center in virtually every page. Readers are drawn into the smiling faces and welcoming gaze of an inclusive group of children from all backgrounds and abilities, playing together in country, city, and oceanside settings. 

A great conversation starter for themes of community, friendship, kindness, and love, I Am You shines light on the truth that we are all one. 

     •Reviewed by Armineh Manookian

 

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Picture Book Review – Little Narwhal, Not Alone

 

LITTLE NARWHAL, NOT ALONE

BY TIFFANY STONE

ILLUSTRATED BY ASHLYN ANSTEE

(GREYSTONE KIDS; $17.95; AGES 4-8)

 

Little Narwhal Not Alone cover

 

 

Children’s poet and critically acclaimed picture book author Tiffany Stone has brought ocean life to the surface in Little Narwhal, Not Alone, a story that is based on the unlikely real-life friendship between two different species of whales—beluga whales and narwhals who usually do not interact.

Poetic, rhyming language flows through each page, while playful illustrations by Ashlyn Anstee guide the reader on this unexpected journey. We are introduced to the sweet little narwhal, with the blue and white tusk protruding from his head, who loves his frozen home. However, the mischievous little whale is also prone to wandering away. “But little narwhal longs to roam, to see the sea beyond this ice, past polar bears to brand-new sights. And so while others hunt and play, narwhal sets off on his way.”

 

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Interior spread from Little Narwhal, Not Alone written by Tiffany Stone and illustrated by Ashlyn Anstee, Greystone Kids ©2021.

 

Anstee’s childhood summers swimming in the waters of the Canadian west coast are reflected through her cool palette of colorful fish art and the greens of the “northern sky.” This little narwhal swims by schools of fish with Stone’s inviting onomatopoeia of SWISH SWISH! and WHEEEEE! sure to entice young readers to repeat out loud as they join the fun adventure.

Well, needless to say, the fun adventure may not be as much fun as Little Narwhal thought. While looking for narwhal friends to play with, he unexpectantly swims towards a new noise.  But instead of friends, he sees a boat propeller and dives deep to get away. “He swims … and swims … and swims some more. His flippers ache. His fluke is sore. But far off from his frozen home, little narwhal’s all alone.”

 

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Interior spread from Little Narwhal, Not Alone written by Tiffany Stone and illustrated by Ashlyn Anstee, Greystone Kids ©2021.

 

 

His head popping out from the green waters, the far-from-home narwhal sees something in the icy distance. When he reaches his destination he discovers whales that seem familiar yet at the same time look like nothing he has ever seen. Anstee draws beluga whales missing the protruding tusk, and readers are now aware that something is different about these whales. “They look like him-or close enough-though no one sports a twisty tusk.”

 

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Interior art from Little Narwhal, Not Alone written by Tiffany Stone and illustrated by Ashlyn Anstee, Greystone Kids ©2021.

 

Introducing the reader to the theme of acceptance and overcoming differences, Narwal’s wave hello is not understood by the beluga whales. He is determined to find something he shares with the white tuskless creatures so when the pod swims away he follows.

It’s easy to feel the narwhal’s initial sadness and discouragement, and want to reach through the page and give him a big hug. But soon enough  “all the whales begin to play. And … SQUIRT … the new whales welcome him!” Narwhal plays old games and new games with the beluga whales who have now become his friends.

 

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Interior art from Little Narwhal, Not Alone written by Tiffany Stone and illustrated by Ashlyn Anstee, Greystone Kids ©2021.

 

Marine Biologist, Marie Noel, Ph.D., explains in the back matter that a young narwhal was spotted in the St. Lawrence River estuary in Quebec, Canada, among a group of young belugas four years in a row. Typically, she says, beluga whales and narwhals do not interact but this young narwhal may have been adopted by the group of young belugas. Every summer, researchers are now keeping an eye on the whales of the St. Lawrence and this remarkable friendship.

The unique nature of this unlikely friendship tale makes Little Narwhal, Not Alone a powerful read for young children modeling that they may not be exactly like their friends, but despite differences, there are many things that can bring them together.

  •  Reviewed by Ronda Einbinder

 

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Picture Book Review – The Bad Mood!

THE BAD MOOD!

Written by Moritz  Petz

Illustrated by Amélie Jackowski

(NorthSouth Books; $17.95; Ages 4-8)

 

The Bad Mood cover

 

 

Badger woke up in a bad mood! After working in his garden, he starts to feel better but knows he must make amends when he finds out that his grumpy, rude remarks from the morning have left his friends upset with him in The Bad Mood! written by Moritz Petz, with illustrations by Amélie Jackowski. Now available as an unjacketed hardcover, this beloved classic has been translated into more than ten languages.

Bad moods are quite contagious and relatable to most children and adults. Like Badger ultimately realizes, a bad mood can consume all of our senses. Jackowski’s drawing of Badger’s long face says it all as does Petz’s prose when Badger says, “I’m in a bad mood today! This might be dangerous. Maybe I’d better stay at home.” If only he’d gone with his gut.

Deciding that his forest friends should notice that he is in a bad mood, Badger angrily sets out to begin his day. “Everybody ought to know how miserable I feel.” The pale green sky is the only thing calm as he stomps away from the door of his treehouse causing the mail to fly out of the mailbox.

 

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Interior spread from The Bad Mood written by Mortiz Petz and illustrated by Amélie Jackowski, NorthSouth Books ©2021.

 

Turning the page, the reader is greeted by cheerful Raccoon with his long striped black-and-white tail and yoyo in hand. Raccoon does what we assume he does whenever he is greeted by a friend and wishes Badger a good morning. “’Good morning? What’s so good about it?’ Badger replied, and stomped off.” Raccoon stood there shocked that not even so much as a goodbye was offered!

 

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Interior spread from The Bad Mood written by Mortiz Petz and illustrated by Amélie Jackowski, NorthSouth Books ©2021.

 

Badger’s mood becomes more explosive when Moose asks if he slept well and Badger counters it is “none of your business.” Badger is pleased with his response liking that both Deer and Raccoon know he is in a bad mood. He continues along his walk and passes more friends and “He was as rude to them as he could be.” This becomes a teachable moment for parents and caregivers. A discussion on how to treat people may even be initiated by little ones who realize this behavior does not win friends.

After Badger’s walk, he begins to work in his garden and as he was “digging and weeding, the strangest thing happened. His bad mood just slipped right off him.” But when he went out to play with the animals in the late afternoon the woods were silent. Unfortunately, the tables had turned and Raccoon was in a bad mood. So were Squirrel, Mouse, and Hare.

 

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Interior spread from The Bad Mood written by Mortiz Petz and illustrated by Amélie Jackowski, NorthSouth Books ©2021.

 

It is then that Badger confides in Crow and the two come up with an idea to have a “bad-mood party.” Jackowski’s gorgeous art decorates the forest with smiling friends and colorful lanterns. Children see a happy scene when Badger asks for forgiveness and it’s given.

Petz’s words model for youngsters how to apologize when they have done something they are not proud of. This beautifully written story is sure to invite multiple reads. Its simple but valuable lesson, that it’s normal to sometimes be in a bad mood, reminds kids that taking a deep breath is much better than taking it out on your friends. The Bad Mood! needs to be added to the mindfulness section in school classrooms.

  • Reviewed by Ronda Einbinder

 

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Picture Book Review – Where’s My Cow?

WHERE’S MY COW?

Written by Susan Blackaby

Illustrated by Scott Brundage

(Sleeping Bear Press; $16.99; Ages 5-8)

 

 

Where's My Cow cover

 

Anxious Egret is afraid to fly beyond the pasture which means leaving his constant companion Cow. That is until Cow devises a way to stand out in a crowd so Egret will know where to fly and find her in Where’s My Cow? a heart-warming story by Susan Blackaby with illustrations by Scott Brundage.

A bucolic setting forms the calm backdrop for this charming picture book. The reader opens the book to sunrise with the herd of cows wandering the pasture, a flock of birds heading off to explore, and one egret in particular perfectly content perched on his friend cow’s head. Why not just remain when there is so much that can go wrong if one goes too far?

 

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Interior spread from Where’s My Cow? written by Susan Blackaby and illustrated by Scott Brundage, Sleeping Bear Press ©2021.

 

The worldly cow with so many stories to tell is the perfect pal for the apprehensive egret. Riding on the cow’s rump, Egret enjoys tales about all the places Cow has been. “She knew about ukuleles and picnics. She discussed kites and kayaks. She had once tasted a toasted marshmallow. The cow’s stories gave the egret ideas.”

Brundage draws uncertainty in the egret’s eyes as he announces one sunny morning that he might be ready to fly. Cow listens with the facial expressions a concerned mom might give to a child whom she knows suffers from a bit of separation anxiety. Cow encourages the bird to see the beach, reinforcing the idea that Cow will be waiting the whole time. The dialogue between the two is so relatable for any child wanting to venture beyond their comfort zone but worried to leave a parent behind.

The problem is realized when the egret flies above the pasture only to look down and see the large herd, uncertain which one is his friend. Egret is so nervous he Ker-thumps to the ground to the surprised cow. “’I didn’t go,” said the egret. “How would I ever find you again?’”

 

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Interior spread from Where’s My Cow? written by Susan Blackaby and illustrated by Scott Brundage, Sleeping Bear Press ©2021.

 

Blackaby’s creativity is demonstrated with how best an anxious egret could locate his cow friend amongst the herd. The cow wags his ears but that is hard to see. “The cow thought about it. Next time I’ll switch my tail.” Great idea but all the “…tails switched and hitched every which way. Where’s my cow? WHERE’S MY COW?”

The illustrations of sea and sand take the reader along on the journey with Egret looking for ways to make the cow stand out. And with every bit of confidence he gains knowing he can now locate the cow, the egret creates his own adventures. The patient cow goes along with ribbons, seashells, and sticks tied to his body never complaining like any parent would do. “And at the end of the day, when the rosy sky is full of birds and the pasture is full of cows, the little egret wonders, Where’s my cow? And there she is.”

This book is recommended for any child wanting to explore the world but worried that their parent will not be there upon their return. This is a relatable story and a reassuring read to share before a young child goes off to their first birthday party, playdate, or any event that will separate them from those with whom they feel comfortable and safe.

  • Reviewed by Ronda Einbinder

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Picture Book Review – Gitty and Kvetch

GITTY AND KVETCH

Written by Caroline Kusin Pritchard

Illustrated by Ariel Landy

(Atheneum BYR; $17.99, Ages 4-8)

 

 

Gitty and Kvetch cover

 

 

Take one glass-half-full girl named Gitty and add one glass-half-empty bird named Kvetch and you’ve got the makings of one unusual and entertaining pair of pals in the new picture book, Gitty and Kvetch. Although he kvetches (complains) a lot, Kvetch is more realist than pessimist which is a quality I love and appreciate.

The story opens with Gitty painting a picture and seeking out her “unflappable friend” so he can accompany her on the “perfect day to hang the perfect painting in our perfect, purple tree house.”

 

Interior illus by Ariel Landy from GITTY AND KVETCH by Caroline Kusin Pritchard 2
Interior art from Gitty and Kvetch written by Caroline Kusin Pritchard and illustrated by Ariel Landry, Atheneum BYR ©2021.

 

A great touch is how Gitty’s dialogue is colored purple throughout the book while Kevtch’s is appropriate in blue. Yiddish words are successfully infused into the story as the friends shlep off together. No matter what Gitty sees, including cow poop, her upbeat mood cannot be brought down by Kvetch’s seemingly gloom and doom.

 

 

Interior illus by Ariel Landy from GITTY AND KVETCH by Caroline Kusin Pritchard 4
Interior spread from Gitty and Kvetch written by Caroline Kusin Pritchard and illustrated by Ariel Landry, Atheneum BYR ©2021.

 

 

Even when a storm approaches, Gitty sees “the perfect cloud covering the perfect sun on the perfect day to hang the perfect painting.” Her enthusiasm for all she encounters is infectious and a stark contrast to her friend Kvetch. That is until the delightful drizzle becomes a heavy rain. When Gitty sees her perfect painting has been ruined by the rain, she is distraught. Here the roles of the BFFs suddenly shift and it’s time for Kvetch to rise to the occasion to cheer up Gitty. That’s when an idea he has convinces his friend, in the most perfect colorful way, what perfect is really all about.

Kvetch’s Glossary of Yiddish words on the endpapers is a wonderful way for him to explain all the words used in the story. I found more and more to enjoy in this story with every read. Landy’s cheerful and energetic illustrations kept my interest, inviting me back for more. Pritchard’s prose, especially the repetition, flowed easily over the fast-reading 48 pages with lovely alliteration. The story should resonate with young readers who have likely found themselves in a similar predicament at one time or another. The dynamic of Gitty and Kvetch provides the opportunity for kids to see the power of friendship and empathy at play.

  •  Reviewed by Ronna Mandel
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Children’s Early Graphic Novel – Scaredy Squirrel in a Nutshell

 

SCAREDY SQUIRREL IN A NUTSHELL
(Book #1 in Scaredy’s Nutty Adventures)

By Melanie Watt

(Penguin Random BYR; $12.99, Ages 6-9)

 

 

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WARNING! This book is absolutely … NUTS!

Award-winning author and illustrator Melanie Watt, well known for her Scaredy Squirrel picture book series, has created her first graphic novel, Scaredy Squirrel in a Nutshell, featuring a squirrel beset by many (and often improbable) fears about life outside his beloved nut tree. To his credit, Scaredy Squirrel confronts each challenge with an elaborate and hilarious action plan that’s often doomed to failure. From the potential alien landing to deadly dust bunnies, Scaredy Squirrel not only has a plan but a backup as well (play dead). 

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Interior art from Scaredy Squirrel in a Nutshell written and illustrated by Melanie Watt, Penguin Books for Young Readers ©2021.

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Since childhood, Scaredy Squirrel has kept himself and his nut tree safe from dreaded “trespassers” who could damage his tree. Who knows when a mammoth may want to uproot it? Or a cat might scratch it. So Scaredy Squirrel has developed a strategy to protect the tree. He places objects around his tree to distract the trespassers, such as a fake tree for the mammoth to uproot or a scratching post for the cat.

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Interior art from Scaredy Squirrel in a Nutshell written and illustrated by Melanie Watt, Penguin Books for Young Readers ©2021.

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However, there’s a downside to this ambitious plan: these objects get dusty and from the dust springs notorious dust bunnies! So this quick-thinking squirrel comes up with a detailed plan to prevent dust bunnies … vacuum all the decoy objects! All well and good until the vacuum gets clogged and now Scaredy Squirrel must develop a plan to unclog the vacuum cleaner. As you can imagine, more problems emerge which entail more plans and greater chaos. Inevitably (despite playing dead) he finds himself face to face with a real bunny who would like to be his friend. Which of course necessitates a new plan …

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Interior art from Scaredy Squirrel in a Nutshell written and illustrated by Melanie Watt, Penguin Books for Young Readers ©2021.

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Watt’s familiar cartoon-like illustrations go nicely with the graphic novel format. Simple geometric shapes are used to create the characters and setting. Faces are wonderfully expressive. Panels are well organized on the pages with a clean and uncluttered look, making this book perfect for newly independent readers. Witty word plays and expressions such as “going out on a limb” and “dust bunnies,” keep the narrative lively and make this a good read-aloud as well. Delightfully quirky features include a “Nutty (Table of) Contents,” and some silly and interactive features to be taken before it is “safe” to begin the story. 

Parents, caregivers, and teachers are sure to appreciate that, despite the zany humor of the book, Scaredy Squirrel manages to demonstrate, in a light-hearted way, how children can face their fears and develop problem-solving skills such as writing down action plans, to face real-life challenges. While the age is listed as 6-9, younger children would certainly enjoy having the story read to them.

  • Reviewed by Dornel Cerro

Click here and here to read more squirrel stories.

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An Interview with Annelouise Mahoney, Author-Illustrator of Julius and Macy

AN INTERVIEW WITH

ANNELOUISE MAHONEY

AUTHOR-ILLUSTRATOR OF

JULIUS AND MACY:
A Very Brave Night

(Two Lions/Amazon Children’s Publishing; $17.99, Ages 3-7)

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Julius And Macy A Very Brave Night Cover

 

 

SUMMARY OF JULIUS AND MACY: A VERY BRAVE NIGHT

Julius and Macy like to play heroes. Julius pretends he’s the defender of the forest, while Macy has a quieter strength. When their snack disappears one night, they decide to track down the only one who could have taken it―the Night Goblin. They both have to be brave in their own ways, and they ultimately discover that the real thief isn’t anything like they imagined.

With its endearing characters, this gently told tale reminds us that we each have courage within us and that kindness can make all the difference.

 

INTERVIEW WITH ANNELOUISE MAHONEY

GoodReadsWithRonna: Congratulations on your author-illustrator debut, Annelouise! Does it feel surreal right now after all your hard work to hold Julius and Macy: A Very Brave Night in your hands? How long has it been since you first began this creative journey in general and specifically for this picture book?
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Annelouise Mahoney: Hi Ronna. Thank you so much for having me over today. Yes! Surreal is the perfect word for how it feels. Surreal and grateful! It’s been a long journey into picture books. It took about 10 years of serious focus to break into children’s books and of those 10 years, it took 5 years for the making of Julius and Macy. 
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GRWR: I adore bravery stories since I was not the bravest of kids, nor were my children. Tell us how you decided on this topic for your picture book.
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AM: I adore bravery stories too! I didn’t set out with a definite topic for this book at the beginning. It was more finding the characters that resonated with me and asking questions as I drew them over and over again. So the characters came first. The more I drew Julius and Macy the clearer their story became.
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Interior art from Julius and Macy: A Very Brave Night written and illustrated by Annelouise Mahoney, Two Lions/Amazon Children’s Publishing ©2021.
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GRWR: Burning question. Are you more Julius or more Macy?  
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AM: That’s a fun question! Honestly, I think I’m a little bit of both. I love to go after something I’m passionate about but feel bravest with someone by my side. I feel the younger me is more adventurous like Julius, but the older me is more cautious like Macy.
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GRWR: Please walk us through your approach to writing and illustrating. Did you conceive the text first and then illustrate it, vice versa, or did everything happen simultaneously?
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AM: I’ve learned to stick to the illustrations first. Not full illustrations, but loose sketches of ideas, and build from there. I gather all the loose sketches into a folder and begin placing them into a small thumbnail template. The template is an 8×11 piece of paper where I can see the story in one place. When I can see the story, and feel the visual narrative is working, then it’s time to add the words. This part of the process takes a long time for me. It’s a lot of experimenting to get the words right. If I start with the text too soon, I usually end up straying from my story.
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GRWR: Can we talk about your gorgeous artwork and how you create it?
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Photo courtesy of Annelouise Mahoney
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AM: In the beginning when I’m moving away from the very loose thumbnail sketch and planning out the compositions for each spread, I use Post-it notes to redraw certain elements, or add to what I already have. This part of the process takes a long time for me. It’s figuring out compositions and looking for how to express a feeling. I’m also looking for areas that may be repetitive and looking for the most interesting way to show the story. There is a lot of experimenting happening at this stage. The Post-it notes help me to not get attached to any single idea as I can just take it off or move it around without having to redraw the whole spread.
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Photo courtesy of Annelouise Mahoney
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When I think what’s happening on the page is working, I scan the sketches into the computer and make the images bigger in photoshop. I’m looking for more specific information I can give to each spread, making sure the compositions work within the trim size and add the text to make sure everything reads well in the space. 
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This dummy stage will then repeat as I go through revisions with my agent and then my editor until the story is fleshed out and polished.
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Once the story is polished, I begin all over again with small thumbnails but this time I’m focusing only on color. For Julius and Macy: A Very Brave Night, I made a color guide to help me navigate the color choice for each spread before going into final art. I found this part extremely helpful because I was painting in watercolor and I had to know how I was going to approach each painting.
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Photo courtesy of Annelouise Mahoney
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I then repeated the process of scanning in the tiny thumbnails in Photoshop and making them much bigger to fit into the book template. I was interested to see where I need to focus on adding details and how the images read in the true size of the book. It’s checking and double-checking that the text will fit and I’m getting the color transitions right. Once the loose wash looks right and I can see where I’m going, I took large sheets of Arches 140lb cold press watercolor paper and cut them down a little larger than print size.

I painted each page in watercolor, with lots and lots of wash layers. I would work on a few spreads at a time so there was time for the paint to dry, and time to look away from a work in progress. There is an uncomfortable moment in each illustration where it looks ugly and messy and doesn’t feel like it will work before it does. When the painting was dry and complete, I scanned each painting into the computer and used photoshop and my Wacom tablet to set each painting into the picture book template provided by my publisher, Two Lions.
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GRWR: Now that you have one book under your belt, are you busy with promoting it, or are you also making time for more artistic pursuits?
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AM: Promotion does take a lot of time, and I’m enjoying this moment very much. But yes, I’m working on two other book dummies at the moment and I’m hoping to get them submission-ready soon. 
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GRWR: Do you have a routine you like to stick to when working on a project?
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AM: I really need to be flexible as a working mom and often bring my book dummies, Post-it notes and pencils with me wherever I go. As far as a routine, I definitely wake up early each day before the demands of my family take over, and I work at night when there is another wave of calm. Those precious hours are protected for when I really need to concentrate.
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Interior spread from Julius and Macy: A Very Brave Night written and illustrated by Annelouise Mahoney, Two Lions/Amazon Children’s Publishing ©2021.
 
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GRWR: Is there a spread in Julius and Macy that really resonates with the child in you and the mother in you?
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AM: Oh wow, what a beautiful question. The spread of the book with panels of Julius and Macy walking into and through the dark cave resonates with me as a mother.  When my daughters were very young they would slip into pretend play very easily. They craved adventure and enjoyed little scary moments where they were challenged to be brave. The Los Angeles zoo has a man-made cave meant for little ones to explore. We’d visit it often and my girls would become more and more brave to venture through it, their imaginations on fire as they explored every corner.
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As an author, I find writing a children’s book a bit like walking in the dark. There are times when I don’t know where I’m going, I can’t see the story, I can easily spook myself, but there is the need to keep going even if the unknown feels scary. As a child, I craved adventure stories and had a very active imagination. I think I’d be excited to walk into a cave, as long as I had a friend beside me and it wasn’t completely dark.
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GRWR: What would you love for children to take away from reading your book?
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AM: I would love children to explore what bravery means to them and see the many ways they’ve been brave in their own life. I’d like children to know that there is a unique form of bravery to reach out to someone, especially when you notice someone struggling to belong, as well as the bravery and trust to reach back.
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GRWR: Has anyone in particular been influential in your kidlit career?
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AM: I had a brave moment myself, and enrolled in a class taught by Marla Frazee at Art Center College of Design. She lit the way for me when I was really struggling to understand the craft of writing for children. She taught in a way I could understand by breaking things down to get to the heart of the story, finding the emotion in the art, trusting what your sketches are trying to tell you. Most importantly, when writing as an illustrator, stick to the sketching first. I’m still learning and growing, but those lessons influence how I write and how I create a book. 
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GRWR: What important lesson or invaluable piece of advice have you learned along the way in your children’s publishing experience that you’d like to share today?
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AM: I believe that if you want to write for children, be passionate about it. Really put in the time and love to learn the craft. Be passionate about what you are working on. Publishing takes time and you want the love for your story to carry you through the rejections, revisions, and care that will ultimately polish your book better than you could ever do alone. 
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GRWR: What can we expect next?
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AM: I hope to make many more books! That’s really all I want to do. Whether I have the honor of working with another author to create a book together or have the opportunity to publish more of my own stories. It’s the greatest privilege to make books for kids. 
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GRWR: Is there anything I haven’t asked that you’d like to mention? 
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AM: I’d like to mention to your readers that I have activity pages that correspond to my book available for download on my website. www.WoodlandAbbey.com 
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Also, I’m a member of a wonderful group of children’s book authors, The Picture Book Scribblers. We are all available for school visits paired by theme or individually. You can find us here https://picturebookscribbl.wixsite.com/home
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Thank you so much, Ronna. It’s been an absolute pleasure to chat with you today!
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GRWR: What a wonderfully frank and informative interview. Thank you, Annelouise, and best of luck with Julius and Macy: A Very Brave Night.
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BRIEF BIO

Annelouise Mahoney photo courtesy of ©Michael Chang

Annelouise Mahoney has worked in animation for DreamWorks, DIC Animation, Sony, and Saban Entertainment. She has also worked as a colorist for Marvel and Image Comics on such series as Uncanny X-Men, Generation X, and others. This is her first picture book, and it was inspired by the depths of her daughters’ friendships and the many ways they are brave, especially with someone on their side. She loves to explore the forest, can’t resist a cave, and has a lot of love for all those named Julius in her life. Annelouise lives in Southern California with her family. Learn more about her at www.woodlandabbey.com.
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Order your copy of Julius and Macy: A Very Brave Night: Mahoney today.

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SOCIAL MEDIA

Facebook: Woodland Abbey

Twitter: @WoodlandAbbey

Instagram: Annelouise Mahoney 

 

CLICK HERE FOR DOWNLOADABLE ACTIVITY PAGES

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Julius and Macy A Very Brave Night-4 GiveawayTWO GIVEAWAY OPPORTUNITIES

1. Enter our Twitter giveaway @goodreadsronna for a chance to win a signed copy of Julius and Macy: A Very Brave Night together with a special Giveaway Prize Package from Annelouise that includes an 8×11 print of cover, a sticker sheet, and a round sticker. Eligible for U.S.  only. One winner will be selected at random and announced at 6 pm PDT on Friday, April 9.

 

             WIN!          WIN!          WIN!          WIN!

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2. Additionally, five lucky winners will each receive three fabulous books celebrating the art of making and keeping friends, including Julius and Macy: A Very Brave Night, courtesy of Two Lions. Details and entry form can be found here (US addresses).

 

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Click here to read another recent author-illustrator interview.

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