ANGRY COOKIE Written by Laura Dockrill Illustrated by Maria Karipidou (Walker Books; $16.99, Ages 3-7)
Written byLaura Dockrilland illustrated byMaria Karipidou, Angry Cookie is a hilarious and clever way to engage young children with the topic of emotions. Ironically, the conversation begins because of Angry Cookie’s every effort to shut us out.
On the book jacket, Cookie warns us readers with an adorably menacing look, “You opened the book! You better not read it … I am very angry, and there is NOTHING you can do about it!” He calls us (silly) names, he bids us an abrupt farewell, and even tries to end the story prematurely with a curt “The end.”
Try as he may, he knows he can’t get rid of us. In fact, our presence begins to slowly shed light on his dark mood. Though he may feel anger gives him a sense of power, we see it’s his way of protecting his hurt feelings. Dockrill’s sense of humor creates a safe space for children to approach the issue of anger and the multiple layers of emotion it masks. When you’re angry every little thing gets on your nerves—even the fact that you have to use the “grown-up spicy” toothpaste when the “delicious, yummy, strawberry-pudding” one ran out. But it’s never about the toothpaste … or the bad haircut … or the ice cream parlor running out of your favorite “most wonderful vanilla sundae.” Underneath the anger, feelings of rejection, pain, and loneliness trouble Cookie. Illustrations wonderfully balance this vulnerable side of the story. Karipidou’s soft pastels create a friendly space with Cookie being at the center of many pages, drawing our attention to his voice (and, on two occasions, his butt!).
Once his anger is gone, Cookie can finally see the truth—that the person he found “annoying” is really the friend he needed to care about him and lend a listening ear. Feeling validated, Cookie can shed off his former perspective and start enjoying the things that previously bothered him. He can separate himself from his feelings and recognize that, though he was acting like a “grumpy lump,” he’s not the same cookie anymore.
This book is a wonderful resource parents, educators, and caregivers can use to talk to young children about how anger feels as they’re going through it themselves or when they notice it in someone else. Angry Cookie will leave readers feeling anything by angry.
I practically live in my local library so I’ve always found books about them quite appealing. Josh Funk’s latest, Lost In The Library, is no exception. Even the colors illustrator Stevie Lewis has used look like library colors: warm browns and beiges, deep rusts, soft greens and grays. I could even feel the cool hallways, hear the echoes of feet and the crisp flipping of page turns and, last but not least, smell centuries-worth of books, some old and dusty, others new and slick.
That brings me to Funk’s wonderful story about two iconic library lions who sit atop plinths in front of the Main Branch of the New York Public Library. Patience and Fortitude, so dubbed by Mayor LaGuardia, have rested in those spots since the 1930s. Lost in the Library, a rhyming picture book, begins with Fortitude noticing that Patience is missing. He then heads into the Stephen A. Schwarzman Building (aka the Main Branch) to find his friend and, thanks to his search, provides readers a vicarious visit inside this 100 plus years-old library. While hunting in the wee morning hours before opening time, Fortitude meets various statues, paintings and even a lion fountain located throughout the building’s abundant and beckoning rooms and halls. Each new encounter brings him closer to Patience with hints for savvy youngsters that the lion is no stranger to the vast corridors of the NYPL.
During a well-timed moment of reflection, Fortitude shares how he and Patience weren’t always pals. In fact Fortitude initially mistook Patience’s shyness for rudeness but with time the lions grew close. The main feature that helped form the bond of their friendship was Patience’s gift of storytelling. “Fortitude cherished each one.” Determined now to find his buddy, Fortitude, with the help of a trusty Visitor’s Guide, finally locates Patience in the place most adult readers likely suspected, The Children’s Center. With its bright, welcoming colors, the room is filled with everyone’s favorite books by their beloved authors and illustrators. It seems the storytelling lion’s secret source was there on the shelves of the library all along!
There aren’t a lot of people in the story, but artist Lewis has given those who briefly appear a cool retro style which adds to the timeless quality of the library’s decor so beautifully illustrated. And I love how Funk seamlessly weaves Fortitude’s quest for Patience with the library tour and notable library attractions. I cannot wait to go back to NYC to have another visit and I bet attendance has soared since this book’s publication! The back matter includes interesting information about the library’s lions and other facts that even I, a former New Yorker, didn’t know. This touching tribute to libraries everywhere and the enduring power of great stories will endear it to readers young and old. Getting lost never felt better.
Be Prepared, a middle grade graphic novel written and illustrated by VeraBrosgol, is the book I needed in middle school. Aside from the fact that I never actually got to go to summer camp, I imagine my experiences would have been eerily similar to the protagonist’s trials and tribulations, including the torture of the unknown when it came to outhouse bathrooms. (I did go camping a lot and have never met a Port-a-Potty I liked, but then, who has?). The expressive and verdant illustrations truly capture the specific tumultuous emotions of tweens and beyond and captured my heart with the integrity and honesty given to this age group.
Even though your kids are back to school with visions of summer lingering in their heads, Brosgol’s novel will help quell some of those summer pangs. Written from the perspective of a young Russian girl named Vera who is trying to fit in with her peers, Be Prepared simultaneously pulls the reader into an immediate place of recognition as well as a fresh perspective from a Russian family.
While her friends have big houses and to-die-for birthday parties, Vera struggles to gain acceptance in her smaller home she shares with her Mom and little brother. When Vera finds out from a Russian friend at Temple that a special summer camp exists geared towards Russian kids, she almost explodes with delight at the thought of going to a camp where she can relate to her peers and make some new friends. Since her school peers have been to sleep away summer camps and trips all over the world, Vera listens intently and absorbs information as they talk extensively about it all, hoping that following this summer she’ll have camp stories to share as well.
Vera and her brother have never been to summer camp, and she is determined to convince her mom that they should both go. And they do. As the first day of camp approaches, Vera is bursting at the seams. Her younger brother remains apprehensive. Thrown into the midst of a tent with two older campers who are seasoned participants, Vera’s welcome is not what she had in mind. Initially frowned upon for being so young, Vera’s artistic skills impress the older campers and they start asking for drawings. In return, Vera is suddenly at the center of attention she always thought she wanted. But giving away her art quickly turns into giving away her contraband candy stash as well as turning a blind eye to other campers she might have a genuine connection with. When Vera is caught with candy in her shared tent by the camp counselor, every bunk is raided until all the candy is gone, and Vera’s popularity with the older girls plummets. Adding to Vera’s stress and dismay is the fact that her younger brother seems to be enjoying camp just fine and isn’t anxious to leave as soon as possible like she is.
The turning point for Vera is her camp counselor encouraging her to find friends that don’t ask for something in return for “friendship.” Soon Vera finds out that a young camper with a missing guinea pig is an interesting and fun person to hang out with. At the end of camp both Vera and her younger brother come to terms with some of the pros and cons of summer camp on the drive home and, in a tender moment of sibling connection, find out that they have both struggled.
Check out Be Prepared and feast your eyes on the amazing artistry and storytelling skills of Vera Brosgol, an author your kids are sure to want more of.
MAXIMILLIAN VILLAINOUS Written by Margaret Chiu Greanias Illustrated by Lesley Breen Withrow (Running Press; $16.99, Ages 4-8)
THE REMEMBER BALLOONS Written by Jessie Oliveros Illustrated by Dana Wulfekotte (Simon and Schuster; $17.99, Ages 5-9)
are reviewed today by Cathy Ballou Mealey.
The monster members of Max’s family cannot understand why he is SO good and not at all villainous, as they are. MAXIMILLIAN VILLAINOUS is kind, helpful and constantly scrambling to make amends for his family’s mischievous misdeeds. When Max brings home a bunny, his family decides to offer him the ultimate test. He must complete three devious, villainous tasks in order to keep his sweet, fluffy and otherwise unsuitable pet.
Max and bunny do try to tackle their tricky To Do list, but they are too nice! They fail repeatedly and humorously, although they persist in finding creative solutions. Eventually Max begins to despair that he can succeed in behaving badly. Will he be forced to give up his beloved rabbit? With comic antics and heart-tugging earnestness, eager readers will be delighted to discover whether Max and his bunny can uncover a solution that saves the day.
Withrow’s adorable illustrations are colorful, bright and filled with expression. Max and his family are clearly monsters, adorned with horns, fangs and claws, but they are also incredibly child-friendly, cute and appealing. Clever, whimsical elements are tucked onto every page for young readers to discover. Greanias’ playful dialogue and crisp pacing enhance the odds that MAXIMILLIAN VILLAINOUS will become a read-it-again, monstrous favorite in many homes.
In THE REMEMBER BALLOONS, debut author Oliveros features a three-generation family coping with an elderly grandfather’s memory loss. Using colored balloons to represent treasured memories, each family member carries bunches ranging from small to large. “This one’s my favorite,” says the young boy narrator as he points to a blue balloon. It’s filled with special scenes from his birthday party. “When I look at it I can see the pony again. I can still taste the chocolate frosting.”
But Grandpa’s balloons are beginning to slip away, one by one, as his memories start to fade. The narrator struggles with sadness and anger as he witnesses his grandfather’s decline, metaphorically paired with the shrinking number of balloons. His helplessness is palpable, as is his deep love for his grandfather. When even a most precious memory of a special fishing trip is lost, the boy’s parents step in to offer consolation. Although it is bittersweet when the boy discovers that the number of his balloons continues to grow, the tale arrives at a comforting and heartwarming conclusion that will satisfy all.
Wulfekotte’s adept illustrations place detailed vignettes of special memories within a broad spectrum of delicately tinted balloons. The family, in soft, black and white lines and gray shading, is often nestled in close, companionable connection. Settings are simple and understated, allowing the significance of the balloons to hold the focus.Oliveros uses clear, direct language to relay this poignant story in a manner that keeps it accessible for a wide range of readers. THE REMEMBER BALLOONS beautifully expresses the enduring love and importance of family memories in a gracious and meaningful book. Kirkus, starred review
Reviewed by Cathy Ballou Mealey
Where obtained: I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.
I Thought I Saw A Dinosaur!by Lydia Nichols is part of the “I Thought I Saw A” series—the other title right now being I Thought I Saw A Lion! This compact square-shaped, 10-page board book includes a slide-and-seek feature that encourages manually dexterity. Just move the easy-to-spot loop (it looks like a ring-shaped life preserver) in every spread to the opposite end of the cut-away area and presto, behold the dino! It could be anywhere in the house. Maybe behind the sofa or maybe in the shower (the shower curtain is my favorite slider). One thing is for sure, this chartreuse green dino is adorable and friendly so youngsters will be thrilled to find it. Nichols’s artwork has a cool retro feel, but most of all it’s warm and welcoming and makes for an entertaining game of slide-and-seek at home or on the road.
What’s more fun than playing alone? Playing with a friend! In fact, everything’s more fun together and toddlers will agree. First they’ll see bear resting, but after they slide apart the sturdy board book pages, they’ll see bear’s pal revealed. Is bunny crawling into her empty burrow? Nope her little ones await her! Use this 12-page book to discuss friendship, types of animals then come up with your own take on the colorful cast of characters including a cat, an elephant, a fish and some kids. Each slide-and-see page of Take a Look. More Fun Together!, a delightful interactive board book, holds a sweet surprise. An adorable year round read.
Let one, five or ten fingers linger on every page to explore the tactile fun that is TouchThinkLearn: Wiggles. The “fluorescent die-cut dots and playful, grooved paths” will entertain and engage children as they learn about shapes, color and movement in a totally unique way. According to Handprint Books, “The premise is simple: Hear an instruction, repeat its words, and playfully trace out its action.” Children won’t be able to resist. I couldn’t either, from my very first touch of the book’s spine and cover. The spirals inside pulled me in, but maybe it will be the the squiggles, dots or zigzags for your toddlers and preschoolers. Whatever captures their interest, they’re sure to find new ways to interact with this 26-page, vibrantly colored board book. Its innovative design and exuberant language promises to spark sensory curiosity in little learners. Find half a dozen other books in the terrific TouchThinkLearn series including Little Critters, Fly and ABC.
Samantha’s sad that her burger’s been stolen, “And that’s the second one this week!” she cries to her brother who has a plan—concoct something that resembles a burger only fill it with fake food designed to hide creepy crawlies. What a wonderfully distasteful way to get back at the thief! That’ll certainly give the culprit something to chew on. This convincing, cleverly designed three-dimensional, lift-the-flap book is not for those who easily get queasy. Sam’s Hamburger is a satisfying sequel to the best-selling Sam’s Sandwich, first published in 1990. It will introduce a new generation of young readers to this bright, bold, over-the-top, but cooked to perfection recipe for sweet (or sour) revenge.
The award-winning classic from 1989 has had many iterations, but this latest, We’re Going on a Bear Hunt: Changing Picture Book, is one I think will please even Bear Hunt purists because it’s just so much fun. There are seven transforming pages including the cover in this 20-page board book. Each one brings movement and excitement to the spread where the changing pictures have been designed. The pull-down tabs switch from illustration only to illustration and the beloved sounds we all love repeating and in many cases have memorized: Swishy swashy! Splash splosh! Squelch squerch! Stumble trip! Hoo woo! and the ultimate, IT’S A BEAR! So when thinking of a baby shower gift, add this version to your list and help new parents have a beautiful day or plan on having one yourself!
Unlikely friends have delightfully different, unexpected adventures in two new picture books from debut, Epic 18 authors.
PENGUIN & TINY SHRIMP DON’T DO BEDTIME! Written by Cate Berry Illustrated by Charles Santoso (Balzer + Bray; $17.99, Ages 4-8)
IVER & ELLSWORTH Written by Casey W. Robinson Illustrated by Melissa Larson (Ripple Grove Press, $17.99, Ages 4-8)
are reviewed today by Cathy Ballou Mealey.
What do a penguin and a shrimp have in common? It’s their dogged insistence that PENGUIN & TINY SHRIMP DON’T DO BEDTIME!, no matter what sleep aids and comfy settings surround them. Author Berry poises the pair in the midst of a typical toddler bedtime routine. With toothbrushing over and jammies on, Penguin and Shrimp remain positive that they are not heading to bed. Their anti-bedtime speech bubbles pop in counterpoint across the page, tracking their sleep evasion tactics despite big soft beds, cozy covers, or squishy soft pillows.
The story quickly ramps up as the pair celebrate colorful fireworks, escape from lions, swing on rainforest vines and ride hot air balloons. Minute by minute, they grow zanier and more out-of-control as their desperate-but-denied need for sleep escalates. Song, jokes, and the arrival of a uni-hippo aside, the pair confidently assert that, “One thing this book will never do is make you tired … This book will never make you yawn.”
Santoso’s comic digital art contradicts and amplifies the duo’s predicament in bright, strong colors and crisp outlines. Penguin and Tiny Shrimp gush personality with big eyes and expressive mouths which eventually–inevitably–transition to droopy eyelids and gigantic yawns. The fun and games draw to an appropriately snoozy conclusion that will ring true with all parents who must wrangle not-sleepy kids and toddlers to bed.
Another unlikely pair, a solitary senior factory worker and an immense, inflatable polar bear, star in IVER & ELLSWORTH, a sweet story about steadfast friendship and devotion. Iver, a trim, mustachioed gentleman with square rimmed spectacles, packs his lunch and heads to work in an urban factory. Ellsworth, a chubby and observant bear, remains tethered to the factory roof. High above the city, the stationary bear watches the world rushing by. Iver visits at lunchtime, offering commentary on the view and bustling traffic.
Robinson makes it clear that the two share a bond built over many years. Iver tenderly cares for Ellsworth season after season. He dries away spring rain, sweeps away autumn leaves, and clears snow before his daily final check to make certain the anchor ropes are secure. But one day, the day Iver is retiring from his factory job, he is slow to perform his tasks and say farewell to his faithful, inflatable friend.
Illustrator Larson employ several wordless spreads to show us the separate adventures that unfold next. Iver begins to embrace retirement, and Ellsworth becomes unmoored from the factory roof. Her delicate pencil and watercolor images are restrained and subtle, ranging from muted gray greens to glorious rosy sunsets. The peaceful landscapes pair beautifully with Robinson’s spare, understated text, leaving ample room for readers to absorb and appreciate this unique friendship tale that ends with joyful reunification. IVER & ELLSWORTH is a cozy book perfect for reassuring readers that true friendship endures.
Reviewed by Cathy Ballou Mealey
Where obtained: I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.
Read another of Cathy’s recent Epic 18 reviews here.
Trailer for PENGUIN & TINY SHRIMP DON’T DO BEDTIME! here:
THE FIELD Written by Baptiste Paul Illustrated by Jacqueline Alcántara (NorthSouth Books; $17.95, Ages 4-8)
“is a debut masterpiece of collaboration and skill,” says reviewer Ozma Bryant.
In a friendly game of soccer (futbol), the magic of not only the sport but the players involved, comes into brilliant light splayed across the pages of The Field, a debut picture book by Baptiste Paul.
With a tropical rainstorm threatening the game, the players band together, solidifying their connection through love of playing ball and sportsmanship. Challenges such as the weather won’t intrude on this precious time together. The story, I might add, is really about a group of kids—the “main character” is never mentioned by name but she’s on all the pages.
My favorite moment is when one of the opposing players is knocked down, and our main character, in her white jersey #3, reaches her hand out to him on the muddy ground asking, “Ou byen? You okay?” He responds, “Mwen byen. I’m good.” You can practically reach out and touch the splattered mud and rain that splashes across the pages as the players muscle on through, seeing the game to completion.
The sun creeps back out as the game continues, even as Mamas call the players home. Hearing a firm command “Vini, abwezan! Come now!” the children end the game then go their separate ways to rest up and rejuvenate for a new day of play.
Caked with mud and filth, children slip into tubs of warm water, smiling … reveling in the magic that is a game well played. Dreams of new games and friendship forming float overhead, as the field lingers even in sleep.
Alcántara’s gorgeous art propels the reader forward with spare language infused with Creole words from the author’s native home in the Caribbean. The author of this amazing story explains in the back matter that Creole is rarely written, mostly spoken, and so new words are constantly being added or old ones modified in this language. A Creole Glossary is also included.
One of my dear friends hails from Haiti, and speaks Creole. He was the initial reason I was excited to read this book and learn from it. One of the first things I learned from him was that soccer was also ‘futbol’. When I saw the young girl on the cover, I wanted to put this book into his young daughter’s hands immediately. I must ask if she plans to watch the FA Cup this weekend!
I am so thankful for this incredible book and hope to share it with many readers who can also identify with its themes of friendship, connection, teamwork and not giving up in the face of adversity.
ALBIE NEWTON Written by Josh Funk Illustrated by Ester Garay (Sterling Children’s Books; $16.95, Ages 5-9)
Happy Book Birthday to author Josh Funk and illustrator Ester Garay on the publication of their terrific new picture book, Albie Newton, today! I know I’m not alone when I say how excited I get when a Josh Funk book arrives on my doorstep. I carefully unwrap the package, cradle the book in my hands, study the cover close up (this one’s a dazzling red I first saw when the cover was revealed on social media), smell the new book smell, feel the smoothness of the pages and then savor the surprise of his story. And, like previous Funk picture books, this one does not disappoint. It’s witty like so many of Funk’s books and is written with well-metered rhyme and no superfluous words or sentences to tell the tale of the titular main character. To put it another way, it simply works wonderfully like one of Albie Newton’s well constructed inventions!
Albie Newton is smart, but when his passion for inventing collides with his desire to make friends, it causes a bit of a brouhaha in his new preschool. Watch out what you’re doing fellow preschoolers because the new kid in class, Albie Newton, just may have his eye on what you’re playing with. The thing is that while Albie thinks his plan to “construct a special gift before the school day ends,” will win him friends, it ends up doing the opposite.
How’s a child prodigy to know? Taking things from others, whether it’s for your top secret invention or not, is not looked upon kindly by other kids. If you seem to show off too much or swipe things without asking, that’s bad manners. People may actually misconstrue such behavior and label it self-centered, single-minded and rude. Fortunately classmate Shirley is clued in. Certain kids excel in some ways and not in others. Shirley realizes Albie is oblivious to the havoc he is unintentionally wreaking and wonders if maybe his cool creation can take everyone’s mind off the mess he’s made trying to forge new friendships. Will they let Albie off the hook? As it turns out, Shirley’s one darn clever preschooler, only in a different way than Albie.
With Albie Newton, Funk has honed in on the meaningful topic of a child’s desire to make friends while not necessarily knowing how to do it. Just because Albie doesn’t know the right way to go about befriending others doesn’t mean he can’t learn how nor does it mean that having friends doesn’t matter to him.
Garay’s upbeat and eye-catching illustrations will charm and entertain Albie Newton readers. I would recommend looking at the artwork more than once to catch all the clever things she’s included. From the cute kitty, the fabulous facial expressions and the colorful kids’ clothing to the pictures hanging on the wall, random book titles and ultimately Albie’s invention itself, there is so much to enjoy. The diverse classroom population and student names also provide a positive representation for youngsters to see and hear when they read the picture book or are being read to.
Albie’s social skills may not be as fine tuned as his inventions, but that doesn’t mean his heart’s not in the right place. It often takes a caring person like classmate Shirley in this case, to gently lead the way.
BUT THE BEAR CAME BACK Written by Tammi Sauer Illustrated by Dan Taylor (Sterling Children’s Books; $16.95, Ages 4-6)
In the charming new picture book, But the Bear Came Back by Tammi Sauer with illustrations by Dan Taylor, it’s a classic case of “You Don’t Know What You Have Until It’s Gone” which so many of us know oh too well.
What’s an unsuspecting kid supposed to do? When a hulking brown bear toting a tiny blue suitcase knocks on his front door, eager to enter and become friends, a little boy (the story’s narrator) sends him away with the reminder that “bears do not belong in houses.” The sweet and gentle looking bear is persistent and on his second visit he’s got a flamingo in tow. Once again the big guy is told to leave. Determined to become pals, Bear returns not once but multiple times, intent on insinuating himself into the little lad’s life, all in the nicest possible way. Taylor’s tender and top notch illustrations clearly depict the boy’s displeasure with the bear’s benign presence, but it’s not easy to stop a bear from wanting to read together, paw paint or commandeer the bathtub.
When finally the story’s narrator yells for the bear to go home, Bear departs and doesn’t come back. That’s when the youngster soon finds out that doing things he had done with the bear are now no longer fun alone. So he enlists the help of his neighbors and posts missing bear signs in the vicinity. He even sets out a bowl of berries. When he’s finally convinced Bear will never return, the boy is delighted to get just one more knock on the door. The bear has come back and the narrator is truly grateful. The final line, “And that was that,” is a wonderful rhetorical device we see repeated many times throughout the story so that when Bear does indeed come back it is not only expected, but fitting and satisfying.
But the Bear Came Backprovides a welcome conversation starter to have with kids. I can imagine parents and/or teachers pausing at certain points while reading the story with children to chime in and say, “He sure didn’t appreciate Bear when he was around, did he?” or “Is this a good way to make a friend or keep one?” The narrator’s behavior in the beginning of the book versus in the end are examples of what the right and wrong ways to treat other people are, how to be respectful and how important it is to be grateful for our friends (old and new) and family because “You Don’t Know What You Have Until It’s Gone.”
In this story we meet a delightfully frustrated and itchy Elephant desperate for a good back scratch. We all know how good that feels! Elephant groans every time a new friend tries to help. But the bumps, tickles, fangs and other animals’ offerings are far from what our poor pachyderm protagonist needs. When he’s reached his limit and sits down to sob over his situation, a friendly hedgehog comes by.
Hedgehog would love to help, and his body is the perfect level of pokey-ness for the task at hand. Elephant lifts Hedgehog by the trunk and uses him as a back scratcher, gaining immediate relief. So much relief, in fact, that he sighs in utter euphoria and absentmindedly flings Hedgehog away by the trunk.
And now poor Hedgehog is stuck—belly up—in the ground by the very pokey part of his body that previously helped the Elephant. Not only is he stuck, but his belly starts to itch. Won’t anyone help him out? In the bright of day, Sloth notices Hedgehog’s dilemma and offers to help.
Climo’s cartoon illustrations and bubbled read-aloud thoughts of each animal attempting to help the itchy Elephant are silly, fun and perfect for the intended audience. What a great LOL combination!
Read Can Somebody Please Scratch My Back? to find out if Sloth can make it in time to deliver Hedgehog from his agony.
SNAPPSY THE ALLIGATOR AND HIS BEST FRIEND FOREVER (PROBABLY) Written by Julie Falatko Illustrated by Tim Miller (Viking BYR; $16.99, Ages 4-8)
Rarely, is a sequel to a fantastic picture book better than the first.
Don’t get all excited. Alright, it’s not necessarily BETTER, but by golly it sure is just as incredible as the first and every page enjoyable to the fullest.
Snappsy the Alligator and His Best Friend Forever (Probably) written by Julie Falatkoand illustrated by Tim Miller is a picture book all kids can appreciate in terms of friendship woes. From as early as they can talk with friends, children are ready to define their friendships into categories––quickly going from “You’re my best friend!” to “You’re not invited to my party!” within the course of a day or even hours.
What’s so terrific about this book is the way you see two friends who are at odds find a way to share their joy. Sometimes friends need space, sometimes friends need a breather before they can play. And that’s okay.
Tim Miller’s comic style illustrations bring Snappsy and Bert’s (the narrator) struggle to find common ground to life with laugh out loud scenarios cleverly constructed by Julie Falatko.
At one point Bert exclaims, “Let’s play pinochle! Wear pizza hats! Braid my hair!” to an exasperated Snappsy who just wants time to himself and has no clue what pinochle is or how in the world to braid a chicken’s hair. As Snappsy spends time alone he realizes how much fun it is to be with his friend Bert, and invites him in to play.
Don’t miss the chance to share Snappsy The Alligator and His Best Friend Forever (Probably), a new and entertaining read by the same team behind Snappsy the Alligator (Did Not Ask to be in This Book). My preschool kids request this book multiple times daily and I never tire of reading it aloud and hearing their giggles of sheer delight.
A REVIEW & GIVEAWAY FOR BEATRICE ZINKER, UPSIDE DOWN THINKER by Shelley Johannes
Disney-Hyperion sent Good Reads With Ronna a copy to check out, and we’re delighted they’re partnering with us for the giveaway!
Read the review then scroll down to enter the giveaway today!
REVIEW: In Shelley Johannes’s charming debut, Beatrice Zinker, Upside Down Thinker, the main character is appealing in a cute and quirky way. She’s someone whose personality will no doubt resonate with many different thinkers when they see themselves reflected on the pages of this delightful new chapter book series for tweens and pretweens.
Beatrice approaches life from a creative and different perspective. In other words, she does her best thinking upside down. Up until third grade, this singular skill has been accepted, even rewarded by her school teachers. But things are about to change as the summer of second grade ends and it’s time to head back to school. Not one to make promises easily unless it’s very important (a running sight gag throughout this illustrated story), and involves her BFF Lenny Santos, Beatrice is dressed and ready for third grade in her ninja attire as was agreed upon when second grade ended. The outfits signified the girls’ participation in a secret plan called Operation Upside that was supposed to be put into action on day one. Then why does Lenny, unrecognizable in pink instead of her brother’s black hand-me-downs, seem to have forgotten? Maybe her new friend and neighbor Chloe has something to do with it and that’s why they’ve also chosen desks right next to each other! Beatrice, on the other hand, has to sit up front, under the watchful eyes of the strict Mrs. Tamarack.
Beatrice is determined to find a way to convince Lenny to reconsider the mission when it’s obvious that, with Chloe now in the picture, the stealth operation has been put on hold. Being an upside down thinker, Beatrice develops an unusual and risky plan that winds up including a dangerous fall and a clandestine visit to the staff room, something no ordinary student could ever concoct. Will Beatrice win back her friend and give Operation Upside a reboot? It seems there’s a lot at stake for this thoughtful third grader whose resilience is demonstrated in the most original ways, and who is certain to inspire young readers rooting for her success.
Johannes does a terrific job of engaging readers right from The Very Beginning, the title of Chapter One. Young Beatrice is hanging onto a branch in the first of many marvelous illustrations “created with felt-tip pen, brush marker, and colored pencil on tracing paper,” and using only black, grays and orange. And it works wonderfully. There’s occasional rhyme and an easy flow from chapter to chapter in this 155-page book kids should breeze through. The problem-solving and different thinker theme is age appropriate and should encourage interesting conversations about creativity, inclusiveness and friendship. The 20 chapters are short and Johannes makes sure there are no loose ends which can sure get in the way if you’re an upside down thinker! I’m eager to see what this amiable tween who marches to her own drummer gets up to in Book#2.
Reviewed by Ronna Mandel
GENERAL DETAILS: Beatrice Zinker, Upside Down Thinker By Shelley Johannes Release September 19, 2017 Recommended chapter book for ages 7-10
ABOUT THE BOOK … Beatrice does her best thinking upside down.
Hanging from trees by her knees, doing handstands . . . for Beatrice Zinker, upside down works every time. She was definitely upside down when she and her best friend, Lenny, agreed to wear matching ninja suits on the first day of third grade. But when Beatrice shows up at school dressed in black, Lenny arrives with a cool new outfit and a cool new friend. Even worse, she seems to have forgotten all about the top-secret operation they planned!
Can Beatrice use her topsy-turvy way of thinking to save the mission, mend their friendship, and flip things sunny-side up?
ABOUT THE AUTHOR … Shelley Johannes previously spent ten years in architecture— where she fell in love with felt-tip pens, tracing paper, and the greatness of black turtlenecks. She lives in Michigan with her husband and two sons. Beatrice Zinker, Upside Down Thinker is the first book she’s written. Find her online at shelleyjohannes.com.
FIND OUT MORE: Visit the Official Site here. Follow Disney-Hyperion on Twitter and Instagram Like Disney Books on Facebook Hashtags #BeatriceZinker #UpsideDownThinker
GIVEAWAY DETAILS: Be An Upside Down Thinker! One (1) winner receives: Copy of Beatrice Zinker, Upside Down Thinker And branded pencil case and notepad!
Open to US addresses only. Prizing and samples provided by Disney-Hyperion. This giveaway ends 10/12/17 12:00am PT so don’t wait! Enter today for your chance to win a copy and cool BZUDT swag!
DEAR DRAGON Written by Josh Funk Illustrated by Rodolfo Montalvo (Viking BYR; $16.99, Ages 4-8)
★ starred review – Kirkus Reviews
Back in the olden days when kids still wrote letters, I had a pen pal named Melanie Vafiades from London. I never met her so for all I know she could have been a dragon like George’s pen pal in dear Dragon (I mean don’t most dragons live there?), or perhaps she was a unicorn (England’s full of enchanted forests, right?). I’m all for active imaginations and making new friends sight unseen which is exactly what author Josh Funk’s new picture book inspires. Kids’ll love the premise of this endearing story that pairs human students (unbeknownst to them but not their teachers) with dragons as pens pals.
Between Funk’s cheerful, well-paced rhyming text (the students were told to put their correspondence in verse) and Montalvo’s light-hearted, inviting illustrations, readers will get a strong sense of how the two main characters grow from being reluctant about having to actually write something to someone they don’t know, and do it in rhyme no less, to discovering interesting things about each other over the course of the assignment.
The illustrations capture how George, the human, and Blaise, the dragon, innocently interpret the descriptions in each other’s letters based on their personal paradigms. Consider George’s science project volcano (see first image above) as compared to Blaise’s real one, or George’s backyard cardboard fort (see second image) versus Blaise’s and you’ll get the point both author and illustrator have humorously driven home. As the two students continue to write, readers will notice the degree of familiarity increase with every new letter. What ensues when our earthbound boy and his new flying, fire-breathing friend ultimately meet up in person can only be described as pure positivity in picture book form. Funk’s story presents the perfect opportunity to reinforce the important message that you simply cannot judge a book by its cover, although the cover of dear Dragon is pretty darned adorable!
Fans of The Wig in the Window eagerly awaited the arrival of its companion book, The Tiara on the Terrace, and were rewarded this past January with its release. But even if you’ve never read Kittscher’s first book, her latest, The Tiara on the Terrace, can most certainly be read as a stand alone and is terrifically entertaining and awash in the adventures of Young and Yang.
In this funny, clever novel, perfect for fans of Pseudonymous Bosch and Gordon Korman and a companion to The Wig in the Window, tween sleuths Sophie Young and Grace Yang go undercover at Luna Vista’s Winter Sun Festival to catch a murderer before he—or she—strikes again. Sophie Young and Grace Yang have been taking it easy ever since they solved the biggest crime Luna Vista had ever seen. But things might get interesting again now that everyone is gearing up for the 125th annual Winter Sun Festival—a town tradition that involves floats, a parade, and a Royal Court made up of local high school girls. When Festival president Jim Steptoe turns up dead on the first day of parade preparations, the police blame a malfunctioning giant s’more feature on the campfire-themed float. But the two sleuths are convinced the mysterious death wasn’t an accident. Young and Yang must trade their high tops for high heels and infiltrate the Royal Court to solve the case. But if they fail, they might just be the next victims.
INTERVIEW WITH THE TIARA ON THE TERRACE AUTHOR, KRISTEN KITTSCHER
Good Reads With Ronna: Are detective stories what you read growing up?
Kristen Kittscher: I was a voracious reader. I read all kinds of things so detective stories weren’t the only things I read but they were some of my favorites. I was a big big Nancy Drew and Hardy Boys fan as I’m sure many people are. I love Encyclopedia Brown. I just loved solving the puzzles that were involved. One of my very favorite books as a kid was From the Mixed Up Files of Mrs. Basil E. Frankweiler and that kind of mystery [where] they’re locked in a museum. I always loved solving puzzles but really I read widely. Judy Blume was an absolute favorite of mine. I think Blubber was a one of my all-time favorite books growing up. And Cynthia Voigt’s Homecoming was another book I loved.
GRWR: Empowerment is prevalent in both novels. Was this a goal of yours?
KK: It’s interesting. After the book was out in the world I’d hear that a lot and it wasn’t an actual focus of mine when I was writing … I think it’s because I taught at an all-girls school many years and I was swimming in girl power without realizing it. I was teaching 7th grade where girls are starting to become more self-conscious. But at that school they were very much themselves and not worried about how they were coming across. And I think I was definitely trying to write a story for them and was very influenced by their joie-de vivre and general sense of fun and curiosity and smarts as I was writing. I didn’t think about it. It just came out that way.
GRWR: What qualities do Sophie, Grace and their quirky pal, Trista have in common with you?
KK: Well maybe I’ve given them qualities I don’t have because that’s the fun of writing fiction, right? I’m definitely very curious myself and always loved a sense of intrigue. I’m pretty silly and they’re pretty silly. I think in a way they probably have more attributes of my students but Trista’s practicality and her kind of ability to just sort of, kind of plug on no matter what. I definitely have a bit of that as well. She’s a bit like my father was and I’m a bit like him so I always think I definitely have a little bit of Trista in me. The other quality definitely is the lack of confidence that Sophie has in coming into her own. I just started writing late in life – this is the first thing I ever wrote – or ever finished – and I really was focused on teaching and not writing. So, the thought of saying I want to be a writer is like saying I want to become a rock star or something like that. The story of The Wig in the Window is a mystery but it’s also kind of paralleling my journey in finding my voice as a writer.
GRWR: Getting into the heads of two twelve year olds isn’t easy. What helped you?
KK: Well, it helps to kind of be 12 in my head mostly! Well I think it goes back to my teaching middle school for a long time. I can’t remember what I was like before I was teaching 7th grade, whether I was also still 12 or if they helped me get back in touch with my youthful self. But definitely having that be my world day in and day out for a long time definitely rubbed off on me. As to Sophie and Grace, their perspective was relatively easy for me to access. The other part that makes it easy for me is having moved a lot as a kid. I moved almost every two years when I was growing up. So each place at each age I was, I remember it really vividly. I’s a very separate point in time and it’s relatively easy for me to go back to a certain place geographically in my mind and get back in touch with the feelings I had at that time. So it was a blessing in a way having moved so much because then I can remember each place individually.
GRWR: Where were you at age 12?
KK: At age 12, I was in the South Bay so basically Torrance, Palos Verdes area. For those people who don’t know, it’s this beautiful peninsula at the bottom of Los Angeles. It’s one of the most beautiful places I ever lived. You’re right by the beach. I think at the time as a kid you don’t realize how beautiful it is so when I set out to write something that came back to me very much and I knew it would be a fun setting for other people to read about too.
GRWR: Was there any pushback from the Tournament of Roses organization to change the similarities?
KK: No. But definitely the fictional town of Luna Vista is a combination between Pasadena and the place I just described, Palos Verdes and Torrance area. It’s my observing my students here in Pasadena and my own memories back when I was 12. And the town of Luna Vista has AmStar (which is very similar to the Jet Propulsion Laboratory) so we have a great deal of scientists, actual rocket scientists as Pasadena does, and that makes it lots of fun to explore lots of technological things. That’s where the idea of Trista having such technological savvy comes from but as far as pushback from the tournament, no. One of my former students was on the royal court and she sat down with me and told me all about her experience as a princess so I actually had a lot of cooperation. Other former students told me about the audition process, other colleagues, longtime Pasadena volunteers and parade goers definitely helped me with all of their memories and observations. And then when the book was finished the Tournament House was considering even doing a launch there as well. Unfortunately the launch of the book came three days after the Rose Parade itself. So I don’t know if their lack of cooperation after the fact had more to do with the fact that they were focusing on their event because, as you know, it’s a huge operation and requires thousands of volunteers and all kinds of things. I haven’t experienced any direct pushback, but there is of course some gentle fun that I’m poking at the parade so we’ll see.
GRWR: How did you know the Wrigley Mansion so well?
KK: Well, for those who don’t know there’s a mansion in Pasadena called the Wrigley Mansion, which is the tournament headquarters and it was donated by Mr. Wrigley, the chewing gum magnate you all know so well. So I thought it would be fun to create this sort of parallel world where Mr. Ridley who is a root beer magnate has his whole thing because basically I wanted a literal root beer float in the parade. Right? That makes it much more fun. I definitely had that outside of the mansion in my head as I was writing. Also you can take tours of the mansion and while it’s been renovated into offices, some of the rooms I definitely had in mind as I was writing so maybe that helped add a little flair to the setting.
GRWR: What else did you do for research?
KK: I was also an embedded undercover agent in float decorating. Every year in Pasadena before the parade begins, students pour out to volunteer in what are called the Float Barns which are these huge warehouses where the floats are. Actually before ever writing the story the inspiration where it comes from is my volunteering as a float decorator on the Trader Joe’s float one year. I was there gluing on flowers and climbing around on scaffolding so in the opening of the novel, Sophie, the main character, nearly falls from the scaffolding. Well that’s directly related to my own fear of heights crawling around on the scaffolding which I thought was highly unsafe for a 12-year-old. I also would constantly be Googling and referring back to different news articles just to get more inspiration and details. I don’t know a lot about flowers and obviously flowers are a very important part of the float decorations. So all the different kinds of things that are used to create different colors I would constantly be having to check back on, and say oh they used cinnamon for the brown part. I only knew what my tasks were as the decorator. I didn’t know what other flowers are used and I’m sure I messed it all up.
GRWR:Do they use a lot of different flowers?
KK: Oh, no they’re endless- I mean that’s part of their creativity – every single bit of surface area of a float needs to be decorated with some sort of living material. Even the tires of the float – they’re black, right? But we need to keep them black so they cover the tires with sheets of sea weed. Those little squares of seaweed that you got – that is really what they do. In order to win any of the prizes everything needs to be organic material of some kind.
GRWR: And there are people underneath the float?
KK: Yes, a major plot point of The Tiara in the Terrace is Trista working on a driver-less float because she finds that it would revolutionize the festival not to have people in these cramped compartments. One of the other things that is also very true about the parade is the need for what they call the pooper scooper brigade of kid volunteers who shovel up after the horses. The reason for that isn’t just to keep the parade route clear it’s because if they don’t clean up after the horses the wheels of the float kick up the remains of the horse poop into the eyes of the float drivers and gets in the ventilation system of their float. We’re getting right down to the nitty gritty.
GRWR: Because The Tiara on the Terrace is for middle grade students and includes murder, did you have to diffuse it with humor? How do you go about bringing that into a story?
KK: It’s true. It’s pretty hard to write a murder mystery for kids. You have to make it silly in some cases, but you know that kids also love the stakes being potentially high or real. In this case, you have what’s a potential murder. All the adults believe that the Winter Sun Festival president has been the victim of a tragic accident – a giant dancing animatronic S’more on a parade float has swung down and killed Mr. Steptoe. So you have this really really silly situation but also this tragic accident and that gives that distance and silliness that makes it kind of okay. And also it’s maybe a bit silly that the kids think that this could possibly be murder. Right? As the kids say, seriously? murder by marshmallow? … By giving that distance it helps explore a dark er side.
GRWR: How hard was it to put your red herrings into your story because there are a bunch of them?
KK: Thank you for recognizing that! The Wig in the Window was not hard, because well, it was hard to write for other reasons, but there’s always something, right? But mystery-wise it’s much more of a thriller, like a psychological thriller for middle schoolers where [the questions are] is this person bad, or is my imagination running away with me or not? So that’s a very simple structure, really. The Tiara in the Terrace is much more like an Agatha Christie novel or a typical cozy mystery as they call it, where you have many suspects in a large cast. It was really hard to trickle in all the clues at the same time that we’re exploring all the social dynamics in friendships. I think as you’re reading you can think oh, gosh, here we have some sort of detour, some sort of social friend detour and you don’t realize oh, wow, all the clues are being laid out at the same time. And so it’s kind of hard pacing-wise to keep the tension going at the same time, your reader might not realize that all of those red herrings are being placed in that sense. It takes a lot of outlining and even reverse outlining. Really knowing the crime, if there is a crime.
GRWR: You totally got me … I love being tricked!
KK: And I love tricking people. I think in this one you might know who it is but you might not know why. And then all the why is very, I think, very satisfying and very fun. (Ronna talking). One thing I know about kids is they often don’t just read a book once unlike adults and so it’s very important to me to make sure that everything matches up. That if you’re going to read this again, you’re going to see everything a second time and have just as much fun figuring out how it’s constructed as the reading itself. Also, my favorite scene is the parade scene at the end which of course has to be bombastic and spectacular and I really had the most fun writing that.
GRWR:Do you ever find, when you hear from young readers, that they’re inspired to write their own mysteries after reading yours? Afterall it is inspiring to see these three young girls go about solving mysteries in their own communities.
KK: Oh definitely … I also run some workshops in writing mysteries so I get kids going that way as well. Last summer I was at The James Thurber House in Ohio and they have a summer writing camp and they also go out in the community. All the kids would love trying to create their own mysteries after reading so I had a great time teaching those workshops. I think kids love the idea of uncovering secrets, I mean we all do, but particularly adult secrets because they don’t have full access to that world. It’s fun to imagine what could be happening in worlds they don’t know about.
GRWR: Will the girls be back for another adventure?
KK: Each book was separate. I like that a lot because they stand alone. If you read carefully there might be mild spoilers that you probably wouldn’t remember but each of those books can stand by itself so I didn’t sell The Wig in the Window as a series.
GRWR:So your publisher came back to you after book #1?
KK: Right. So that’s a good transition to say, ” Buy The Tiara on the Terrace, everybody, so there can be a third Young and Yang adventure.
GRWR: Can you speak briefly about the TV show that’s been optioned?
KK: Yeah, I’m really excited that both books have been optioned by a producer and I’m co-writing the first season – the pilot right now. It’s really exciting to be able to imagine giving Young and Yang new life in this form because they can be much more equally represented. You know, both The Wig in the Window and The Tiara in the Terrace are from Sophie Young’s point of view. Now we can step back and look at these families from the outside a little bit and also get much more access to Grace Yang’s point of view and possibly the worlds of the villains. So I’m having a really good time figuring out how to adapt the story and getting a lot of help with it as well. The first season is The Wig and the Window stretched out over 12 episodes so you almost have strangely more opportunity to see more elements of their school life and family life within that kind of episodic structure as opposed to the three act structure of a book. So The Wig in the Window the ongoing mystery travels over the course of the season, but each episode has its own exploration of things that are going on between Young and Yang and their families and school and love interests.
GRWR: Did I leave anything out that you would like to add?
KK: I don’t know if I can think of a direct question but something I really like to get across about why I write in general and especially The Wig in the Window and The Tiara on the Terrace is that I love giving kids a sense of adventure and wonder. In my observations as a teacher, kids can be like little business people these days. They have their rolling back packs and their schedules they have their playdates, they have their extra-curriculars. And their world is very constricted much more so then mine was growing up, and I feel that through books or through these adventures you can kind of restore that sense of wonder but also the feeling that kids can have real power and trust themselves to go on all kinds of fun adventures so I like opening that up to them through books and that’s something that I don’t get asked about much but I love to get across. That books have this power to open up some avenues of freedom for kids in their otherwise sometimes overly scheduled world.
Interview by Ronna Mandel (with special thanks to Armineh Manookian for all her help!)
KRISTEN KITTSCHER is the author of bestselling tween mystery The Wig in the Window (Harper Children’s, 2013) which garnered a starred review from School Library Journal and was on ten Best of the Year lists. A graduate of Brown University and a former middle school English teacher, Kristen was named the James Thurber House Children’s Writer-in-Residence in 2014. She lives with her husband in Pasadena, home of the Rose Parade—the inspiration for her latest novel, The Tiara on the Terrace. Visit kristenkittscher.comor follow her on Facebook and Twitter (@kkittscher).
Enter below to win a copy of The Tiara on the Terrace by Kristen Kittscher plus an exclusive spy kit with Moleskine notebook. spy pen, magnets and book marks. Receive an extra entry for following Good Reads With Ronna on Facebook.
First published in Germany as Herr Glück & Frau Unglück, Mr. Happy & Miss Grimm shows us how kindness, unstoppable and contagious in its nature, can soften even the hardest of hearts.
As his name suggests, Mr. Happy is happy. All the time. Morning to night time. Rain or shine. His belongings, too, have an air of cheerfulness and comfort to them. On the day he moves to his new home, Mr. Happy brings with him a big cushy chair, lots of books, a teapot, friendly pets, plants, and a ladder we come to find out he uses to climb up to light the moon’s lantern. As we read the stickers on his luggage of the countries he has visited, we know Mr. Happy has spread his cheerfulness to all corners of the earth.
Moving next to neighbor Miss Grimm, however, proves to be a challenge and a nuisance-that is, for Miss Grimm. From her “bleak little” unit #13 home to her drab clothing and suspicious disposition, Miss Grimm seems to take morbid curiosity in Mr. Happy’s everyday tasks. Mr. Happy plants flowers and trees. He “greet[s] the rain when it rain[s], the snow when it snow[s], and the wind when it bl[ows].” The more annoyed Miss Grimm is with her neighbor, the more lush Mr. Happy’s garden grows and the more friendly her and Mr. Happy’s pets become with each other. Like children innocent of adult prejudices, the animals take an immediate liking to each other, thus beginning the slow transformation of Miss Grimm’s home.
It first starts with the small plant on Miss Grimm’s windowsill, lifeless at first, but after Mr. Happy arrives it springs to life almost overnight. Soon enough, too, the neighbors’ roofs share a wire. Strasser’s mixed media, monoprint, crayons, and digital collage produce an Alice in Wonderland effect for Mr. Happy’s side of the spread, while, on Miss Grimm’s side, sudden bursts of color and texture highlight her gradual change. Readers will enjoy flipping the pages back and forth to mark how and when these changes take place.
Despite her every effort to remain her mean old self, even slamming the door in Mr. Happy’s face, Miss Grimm is not the same person. Like the way the wind carries Mr. Happy’s seeds or the way his garden thrives, love grows simply because it’s there–simply because it has its own set of rules that change us to become a better version of ourselves.