Skip to content

Graphic Novel Chapter Book Review – Trial and Error

TRIAL AND ERROR

Written by Robin Newman

Illustrated by Deborah Zemke

(Creston Books; $18.99, Ages 7-11)

 

 

 

Trial and Error cover art scale of justice with animals.

 

 

HONORS:

A 2026 Bank Street College of Education Best Book

Northern Lights Book Award

IPPY Bronze Medal

 

REVIEW:

In her much-lauded new series, Robin Newman has made law and order accessible and enjoyable for second- to fifth-graders. Trial and Error, a punny 64-page graphic novel chapter book, features four animal-populated cases, each a new chapter. The whimsical black-and-white illustrations by Deborah Zemke, who has teamed up with Newman on four previous books, are winners as well. Just check out the book’s cover if you want to get a sense of the humor that’s infused on every page.

Readers are introduced to Sawyer, an ant known as the “Critter Lawyer,” who, from an early age, had a penchant for following rules. Inspired by a bookworm’s advice, Sawyer became a lawyer. Think Lincoln Lawyer as an insect. But in order for this attorney’s career to take off, Sawyer needed clients.

 

Trial and Error int1 Squirrels 1.
Interior spreads from Trial and Error, written by Robin Newman and illustrated by Deborah Zemke, Creston Books ©2025.

 

As someone who cares about fairness, I found that Trial and Error resonated with me. Newman does a wonderful job of showing that “rules exist for a reason” through cleverly conceived cases that illustrate what a lawyer does, and the types of cases they handle. That includes taking a case to trial before a judge and working with clients to mediate and negotiate a settlement. Case #1 involves an alleged speeding snail, and readers’ first introduction to Officer Opossum and Judge Wise Owl; Case #2  involves two squabbling squirrels (with a surprise twist); Case #3 involves a hogging hog unhappy about his neatness-obsessed sty-mate who happens to be his twin brother; and Case #4, The Jaywalking Chicken, brings back Officer Opossum. Adding to the pleasure of reading Trial and Error is witnessing the triumphs of savvy Sawyer, whose services are sure to be in demand down the road.

 

Trial and Error int2 Squirrels 2
Interior spreads from Trial and Error, written by Robin Newman and illustrated by Deborah Zemke, Creston Books ©2025.

 

e

It’s great how varied each case is and how each one touches on different aspects of the law. Newman uses legal terminology sparingly throughout the book, and when she does, it is easy to understand from context (e.g., docket, ordinance, testimony). She then breaks it down in a glossary called Legal Notes. The backmatter also contains an In Brief section explaining the role of a lawyer and how laws and rules have been created “to help people live safely together in communities.” She even applies this to home life and school.

I’m happy that Trial and Error is the first in a new graphic chapter book series, and I look forward to seeing Sawyer return with more critter cases to resolve.

Click here for a helpful curriculum guide.

Click here for a word search.

Watch a video here.

Share this:

How I Published a Graphic Novel as an Author by Lydia Lukidis

 

 

HOW I PUBLISHED A GRAPHIC NOVEL
AS AN AUTHOR
—AND HOW YOU CAN TOO

A GUEST POST BY LYDIA LUKIDIS

 

 

THE INSIDE SCOOP:

If you’re an author dreaming of publishing a graphic novel but you’re “just” the writer, I’ve been there—and I’m here to say it can be done, though it may be challenging. My graphic novel Groucho the Grouchy Groundhog (book 1- Pancake Panic) hit shelves on July 15th, and it’s the culmination of a journey that began way back in grade five when I was editor of my elementary school newspaper, Pizzazz. Inspired by Garfield comics, I created a grouchy comic strip character who—believe it or not—started as a dog named Squeak. Years (and many revisions) later, he evolved into Groucho, the grumpy groundhog crime-fighter of Critter Creek.

 

Groucho the Grouchy Groundhog int1 Good Morning Neighbor!
Interior art from Groucho the Grouchy Groundhog, written by Lydia Lukidis and illustrated by Tara J. Hannon, Andrews McMeel Publishing ©2025.

 

 

The road to publication wasn’t quick. It took about three years to fully develop Groucho’s character before I even began scripting the book. For this book, character came before plot—I had to know exactly who Groucho was before telling his story. The manuscript itself took about a year to write, and the second volume came a bit quicker at eight months.

 

As a writer only, submitting a graphic novel can be tricky. Publishers often prefer to work with author-illustrator packages, since GNs are labor-intensive. After receiving a helpful rejection from a major publisher, I decided to take that feedback and apply it to my work. Then I decided to team up with an illustrator. I already knew and admired Tara—she’d illustrated a previous book of mine, No Bears Allowed—and when I pitched Groucho, she jumped onboard and created character sketches and sample pages. That collaboration was key. Keep in mind, she did all that for free so she had to feel passion for the project. She took a chance, as did I. Anytime we submit our work, we’re taking a chance. That’s part of the journey.

 

Groucho the Grouchy Groundhog int2 Critter Creek is in BIG trouble.
Interior art from Groucho the Grouchy Groundhog, written by Lydia Lukidis and illustrated by Tara J. Hannon, Andrews McMeel Publishing ©2025.

 

 

Tara and I both have agents, and they submitted the project together. We included a thorough proposal: character sketches, a synopsis, a chapter breakdown, and sample spreads. After some rejections and radio silence, we got an offer from Andrews McMeel Publishing six months later. It was a two-book deal. I found out while sitting at my daughter’s swim meet at 9 pm—proof that publishing news rarely arrives at a glamorous moment!

 

Here’s the truth: being the author-only of a graphic novel means your advance may be smaller than the illustrator’s. That’s fair—illustrators spend months, even years, creating visuals. But I was thrilled just to bring Groucho to life. The revision process, which included input from critique partners, agents, and editors, was extensive and collaborative. And though I obsessed over formatting (there’s no one “right” way), clarity and consistency are key when writing a GN script.

 

 

Groucho the Grouchy Groundhog int3 the new plan.
Interior art from Groucho the Grouchy Groundhog, written by Lydia Lukidis and illustrated by Tara J. Hannon, Andrews McMeel Publishing ©2025.

 

So, if you’re writing a graphic novel without illustrating it, don’t give up. Find a creative partner, lean into feedback, be patient, and keep submitting. It took me about five years from seriously diving into graphic novels to selling my first one. And remember that rejection isn’t failure—it’s redirection. Every “no” sharpens your “yes.” Keep going!

 

 

Author Lydia Lukidis Photo Credit Magenta Studios.
Lydia Lukidis Photo Credit: Magenta Studios.

BIOGRAPHY:

Lydia Lukidis is an award-winning author of 60+ trade and educational books for children. Her titles include UP, UP HIGH: The Secret Poetry of Earth’s Atmosphere (Capstone, 2025), DANCING THROUGH SPACE: Dr. Mae Jemison Soars to New Heights (Albert Whitman, 2024), and DEEP, DEEP, DOWN: The Secret Underwater Poetry of the Mariana Trench (Capstone, 2023) which was a Crystal Kite winner for the Canada and North America division, Forest of Reading Silver Birch Express Honor, a Cybils Award nominee, and winner of the Dogwood Readers Award.

 

A science enthusiast from a young age, Lydia now incorporates her studies in science and her everlasting curiosity into her books. Another passion of hers is fostering a love for children’s literacy through the writing workshops she regularly offers in elementary schools across Quebec with the Culture in the Schools program. Lydia is represented by literary agent Miranda Paul from Aevitas Creative Management.

 

e
BUY THE BOOK:

Here’s a link for U.S. purchases.

https://bookshop.org/p/books/groucho-the-grouchy-groundhog-volume-1-lydia-lukidis/21883985?ean=9781524898397&next=t&affiliate=1688

Here’s a link to Lydia’s fave bookstore for Canadians:

https://livresbabarbooks.com/item/pTAB62uRFDrUgOXAvK0QEQe

SOCIAL MEDIA LINKS:

Website: http://www.lydialukidis.com/

Blog: https://lydialukidis.wordpress.com/

Twitter/X: https://twitter.com/LydiaLukidis

FB: https://www.facebook.com/LydiaLukidis/

Bluesky: https://bsky.app/profile/lydialukidis.bsky.social

 

Share this:

Best Children’s Books for Passover 2025

 

 

SEVEN NEW CHILDREN’S BOOKS

FOR PASSOVER 2025

~  A ROUNDUP ~

 

 

 

If only I had more time! This year’s offering of new Passover books for children seems to be the largest I’ve seen in a long time. It was so hard to choose what to include, and I really hoped to cover them all. Please scroll to the end to see other books I was unable to review but recommend.

 

REVIEWS:

My Seder Plate cover seder plate shaped board book.MY SEDER PLATE
Written by Kristen Weber
Illustrated by Yaara Cellier
(Clarion Books; $10.99, Ages 0-4)

My Seder Plate: A Passover Book is Kristen Weber’s debut, and it’s a charming one! This book would have been a big hit in my home when my children were growing up. It’s not only richly illustrated, but it includes interesting seder details for those who are older. At the same time, it can be appreciated as a clever interactive way for little ones to simply enjoy the pictures during the celebration. Traditionally, the seder plate, like the board book, is round, “with spots for special foods.” Each food represented is significant in the retelling of the Passover story.

Open the sturdy book to reveal the seder plate and its contents on one side, a multigenerational family on the other. It includes the food name in Hebrew and in English. One word I have learned in Hebrew from attending many seders is Beitzah, egg, the second food shown. Each food item explained is in bold. The font is smaller for the more detailed portion, which a relative might explain, or perhaps an older sibling, a cousin, or a family friend. I also like how the first paragraph is in verse, which will add to a youngster’s engagement.

“A roasted egg sits on our plate,
warm and round and hard,
a symbol of the cycle of life
and hope for a new start.

The egg can be both a reminder
of the sacrifices Jewish people have
made and a symbol of new life.”

Now that all the Passover foods are covered, it’s time to try them! A big positive about My Seder Plate is that children can keep it with them and follow along while also being entertained by the art and the surprises that await them with every page turn. Chag Passover Sameach! •Reviewed by Ronna Mandel

 

Matzah Day cover family members holding matzah.MATZAH DAY!
Written by Charlotte Offsay
Illustrated by Jason Kirschner
(Holiday House; $18.99, Ages 3-6)

Charlotte Offsay has a talent for writing picture books with rhyme that 1. always entertain, 2. propel the story forward, and 3. employ a catchy rhyme scheme that invites read-alouds. She did it with Challah Day! and succeeds once again with Matzah Day!

This lively written and whimsically illustrated holiday story celebrates the popular Passover cracker made from water, salt, and flour that can be enjoyed in as many ways as matzah is spelled. You can even see it in this roundup spelled matzah, matzoh, and some times matza, and matzo. Are there other spelling variations that I don’t know about? Maybe! But no matter how you spell it, there is much to love about the food that came to be when “The Jewish people fled from Egypt in such a hurry that they didn’t have time to wait for their dough to rise.”

Don’t miss the three recipes included to try with the help of a parent, as well as information about exactly what matzah is, what Passover is, and why we eat matzah for Passover. I appreciated the tight rhyme when Offsay describes the different (and delicious) ways matzah can be eaten as the family gets fuller and fuller. “Like it salty, plain, or sweet? No wrong way to eat this treat! Toffee, chocolate, salted top. Once you start, it’s hard to stop.” Too right. It’s one of my Passover weaknesses, along with matzah brei, a breakfast matzah mashup my family loves year-round. The zany spreads where Kirschner has made the family members smaller sized as they play on the larger scaled ingredients are quite funny. As a feline fan, I also appreciate the adorable kitty added for good measure. What a great new read to add to your family’s Passover picture book collection. •Reviewed by Ronna Mandel

 

Written by Alan Katz
Illustrated by Adam Auerbach
(Harper Collins BYR; $12.00, Ages 4-8)

The Cohen family is enjoying the Passover seder at Grandpa Murray and Grandma Norma’s home. It is time to hide the afikomen and Grandpa Murray is searching for the perfect spot which his grandchildren won’t be able to locate. However, when he hears that the matzah ball soup is being served, he rejoins his family. After the meal, it’s time to find the afikomen . . .  but the kids don’t know where their grandfather hid it, and Grandpa Murray doesn’t remember either! So, where is the afikomen? We probably all can relate to this.

Young detectives will enjoy the pen and ink illustrations, which combine different angles and vantage points, adding both interest and a sense of mystery to the story, which has a simple yet satisfactory solution. Reviewed by Freidele Galya Soban Biniashvili

 

 

Happy Passover, Edie Rose cover Edie hugging young neighbor Mia.HAPPY PASSOVER, EDIE ROSE!
Written by Joy Preble
Illustrated by Valeria Cis
(Kar-Ben Publishing; $18.99, Ages 4-9)

Though not new to writing for children, Joy Preble’s debut picture book, Happy Passover, Edie Rose!, is a heartwarming take on the Passover story. Young readers will admire the meaningful relationship between an older woman, Edie Rose, and a young girl, Mia, neighbors in their close-knit apartment building. Edie Rose has created a tradition with her neighbors where they gather together in her home for a Passover seder that not only includes matzah ball soup and charoset but takes them on a journey similar to the one Moses and the Jewish people took from Egypt to the land of Israel.

Early on, Valeria Cis’s appealing artwork details Edie Roses’s seder to-do list along with illustrations of the smiling and diverse mix of neighbors. And, of course, Edie’s adorable red and white dog, Mo, is always by her side. Turning the page, we see memories of past seders with Edie and her friends coloring paper frogs and crossing through Edie’s living room pretending it’s the Red Sea. Mia spends a great deal of time with Edie when her mother works late, and despite being from different generations, the two have become great friends.

Next up, Edie is baking her chewy macaroons just before this year’s Passover. Mia’s mom walks through the door as Edie carries the hot, out-of-the-oven macaroons from the kitchen. Preble skillfully sets up the scene as Mo, unable to control his sniffer and overjoyed by the yummy aroma, dashes up to steal a cookie. The two collide. Macaroons scatter everywhere. Edie ends up in the hospital with a broken arm. Mia, with her caring neighbors’ help brings Passover to Edie. Just like in the Passover story, young Mia creates the best seder ever. “We marched together,” Mia tells Edie proudly. “All of us. Like you said.”

This charming tale with a twist asks kids why this night is different from all other nights, but this year, the answer is that all the neighbors worked together for Edie Rose—a wonderful lesson in kindness and gratitude. I loved how it showed that holidays don’t always have to be spent with blood relatives. Friends are family, too. •Reviewed by Ronda Einbinder

 

roadside seder cover seder on a logROADSIDE SEDER
Written by Anna Levine
Illustrated by Naama Lahav
(Apples & Honey Press; $19.95, Ages 5-8)

Dad, Mom, Grandpa, Grandma, Benjy, and Matzah the dog are on their way to their seder in Jerusalem when the traffic comes to a standstill. What is the cause of the jam? How will they, and all of the other people on the road, reach their seders? Will there even be any seder that night? A story that keeps you guessing will also keep you turning the pages!
As sundown approaches, Benjy, dressed in his Moses get-up, comes up with the solution for a perfect seder for everyone present. And when it’s time to find the afikoman, the reader is invited along to find it in the drawing. A Passover story that gets youngsters involved is pure fun! Beautiful, inclusive representation of the religious and ethnic diversity in Israel is depicted in the colorful and cheerful cartoon-like illustrations. A letter from the author, words to know, and a recipe for charoset round out this joyous celebration of sharing Passover traditions, even in the most unusual circumstances. Reviewed by Freidele Galya Soban Biniashvili

 

Ellis Island Passover cover immigrants on ship seeing Statue of Liberty.ELLIS ISLAND PASSOVER
Written and illustrated by Marissa Moss
(Creston Books; $19.99; Ages 5-10)

Sometimes, you read a book that brings you back to a time long ago, and that’s what happened to me as I sat down to read award-winning author-illustrator Marissa Moss’s latest picture book, Ellis Island Passover. The story begins with a seven-year-old girl in a grumpy mood. (That was relatable.) Her family is coming over for the first night of Passover, and she has already been yelled at by her mom for bad behavior and sent to her room by her father for leaving a messy kitchen. She’s clearly not having a good day.

Moss’s evocative pastel drawings of the extended family being welcomed into the little girl’s home include Great Uncle Ezra, who has arrived from Chicago with slicked-back grey hair and glasses. He lives so far away that this is his first Passover with the little girl and her family. She doesn’t say hello to him, but no one notices—except Uncle Ezra. “’What is wrong with my cupcake?’ he asks.” She wonders if he can see she is in a bad mood. He sits on the floor with her and begins to tell her a story.

The story begins when he is nine years old. He’s shipped from Russia to America to live with his brother to escape the intolerable conditions the Jewish people were subjected to in their birth country. My grandfather escaped Russia as well, and reading Moss’s words made me remember the stories he told us.

Life in America had to be better than life in Russia. Once in New York, Ezra was put on a small boat to Ellis Island, the big immigration center. Ezra was given one week to stay there while authorities searched for his brother Mendel—and if Mendel couldn’t be found, he would be returned to his homeland. During his stay on Ellis Island, Ezra realized it was Passover. The Jews on Ellis Island did not have a Haggadah to read, so they decided to tell the stories with a Hebrew Bible. They didn’t have matzoh, so they used American crackers. That night, each of us was reading the story of Exodus and living the story of our own exodus, from the old world to the new, from oppression to freedom. And though Uncle Ezra has celebrated many Passovers since that first one on Ellis Island, this night, he had a new Passover story—his first Passover with his niece.

This picture book beautifully puts into words how Passover has been spent over generations while teaching Jewish children the history of their ancestors. The faded tones and pale palette of the art felt just right for this immigration story. My kids may be adults, but I still plan to share this story with them so they can understand what their great-grandfather endured for them to live in a free country. •Reviewed by Ronda Einbinder

 

One Little Goat cover boy and goat time traveling.ONE LITTLE GOAT: A Passover Catastrophe
Written by Dara Horn
Illustrated by Theo Ellsworth
(Norton Young Readers; $18.99. Ages 8-12)

e
I was not prepared for the wild and wonderfully rewarding reading adventure that Horn and Ellsworth’s graphic novel took me on. Inspired by Horn’s thoughts during Passover when she was growing up, this rollercoaster ride of a story should resonate with many young readers. When I opened the first page of One Little Goat, the narrator, known as the “wise child,” quickly pulled me in when he said his seder had gone horribly wrong. I had to find out how.
Anyone who has ever attended a Passover seder that seems to go on forever will find this novel’s tongue-in-cheek humor relatable. Can you remember your stomach’s constant growling, the one relative who insists on doing things a certain way, and definitely the long way, an older cousin dipping his pinkie in the wine a little bit too much, or never finding the afikoman and winning the dollar coin? These are just a few of the Passover things we have come to expect, all captured over six chapters in 152 pages, though I wish there were more!
We meet the narrator as the seder begins, and the house is packed with family. From our safe spot, like a fly on the wall, we watch as the chaos unfolds. We learn that Dad was originally from the Soviet Union, where he could not practice Judaism, and Mom is pregnant with her fifth child. Great-Grandma, at 98, is a Warsaw Ghetto survivor. And somehow, over time, the meaning of the seder has been lost on the narrator.
To end the seder, the afikoman, or half the piece of matzah that gets hidden early on, needs to be found. However in The Little Goat, it goes missing when the baby sister tosses it into a portal where the titular goat finds and hides it someplace safe in another time zone. But he can’t recall exactly when or where. Without that important piece of matzah, the seder continues for six months! Thankfully, those I’ve attended have never lasted so long, though they may have felt that way. Talk about taking an idea and going over the top! Even more outrageous is that this particular seder is one taking place on top of layers of seders occurring concurrently over millennia. The narrator learns this when that cheeky little talking goat shows up and leads him back in time to seders of old. It’s an eye-opening experience for him as he travels through the space-time continuum, learning about the significance of the Exodus from Egypt and all the hardships the Jewish people have endured from the Spanish Inquisition to WWII where his brave Great Grandmother lived in the Warsaw Ghetto, from Minsk, USSR 1981 where his father grew up, or New York City, 1990, where his mother lived as a child.
I enjoyed how the story’s wicked humor and educational aspect paired perfectly. Ellsworth’s artistic interpretation, in black and white, of Horn’s text is impressive and easy to follow. The two work so seamlessly together that it’s hard to believe that not just one creator did it all. The novel ends in such a satisfying way that I was ready to sit back down and start it all over again. Don’t miss this recommended read. •Reviewed by Ronna Mandel

 

MORE RECOMMENDED PASSOVER READS:

MY MATZAH
Written and illustrated by Ann Koffsky
(Apples & Honey Press; $10.95, Ages 0-5)

 

 

 

The Curious Case of the Pot Roast cover child detective inspecting roast.THE CURIOUS CASE OF THE POT ROAST
Written by Jamie Kiffel-Alcheh
Illustrated by Menahem Halberstadt
(Green Bean Books; $13.99, Ages 4-7)

Available for purchase in the U.K. now.
Available for purchase in the U.S. on May 30, 2025

 

A Purr-fect Passover cover cats at seder.A PURR-FECT PASSOVER
Written by Jenna Waldman
Illustrated by Erica J. Chen
(Apples & Honey Press; $19.99, Ages  3-6)

 

 

 

Next Year in The White House cover Obama first seder.NEXT YEAR IN THE WHITEHOUSE
Written by Richard Michelson
Illustrated by E.B. Lewis
(Crown Books for Young Readers with PJ Library; $18.99, Ages 4-8)

Starred Review  Booklist, Kirkus

 

 

 

Zayde_Babysits_Before_Passover_cover_Zayde_and_Ruthie_at_supermarket Zayde Babysits Before Passover cover Zayde and Ruthie at supermarket. ZAYDE BABYSITS BEFORE PASSOVER
Written by Jane Sutton
Illustrated by Kate Chappell
(Kar-Ben Publishing; $18.99, Ages 4-9)

 

 

 

Passover on Everest cover two hikers and tents below.PASSOVER ON EVEREST
Written by Rachelle Burk
Illustrated by Craig Orback
(Intergalactic Afikomen; $19.99, Ages 4-10)

 

Share this:

A New Poetry Middle Grade Graphic Novel – Poetry Comics

 

APRIL IS NATIONAL POETRY MONTH SO …

 IT’S TIME FOR

POETRY COMICS

Written and illustrated by Grant Snider

(Chronicle Kids; $18.99, Ages 8-12)

 

 

Poetry Comics cover four panels of tree in four seasons.

 

 

★ Starred Reviews – Kirkus Reviews, Publishers Weekly

 

Reading a well-crafted poem always fills me with awe. I wonder how the poet made it look so easy. The words flow magically on the page yet I know the great skill involved in composing one. That describes my first impressions of this middle-grade graphic novel. Add to that the joyful comic-style artwork and you’ve got the winning Poetry Comics by Grant Snider, a celebration of seasons and so much more, beginning with spring.
Poetry Comics int1 sprinting through sprinkler.
Interior art by Grant Snider from Poetry Comics written and illustrated by Grant Snider, Chronicle Kids ©2024.
Snider’s book puts four seasons of poetry at children’s fingertips. He captures the everyday world from their perspective. Here’s a short one I love. “Joy is the feeling of sprinting through the first sprinkler of spring.” (See the art above.) It resonated with me even though I no longer partake in this warm weather ritual. Seeing the child’s delight in this activity, filled my heart and reminded me of when my kids were growing up.
Another in this section that will spark imaginations, is the impressive “Shape Story” where the mix of shapes and verse morph into a clever story about a girl flying a kite on a sunny but windy day as rain clouds roll in. (See the art below.)
Poetry Comics int2 Shape and Balloon poems
Interior art by Grant Snider from Poetry Comics written and illustrated by Grant Snider, Chronicle Kids ©2024.
Poems come in vibrant colors and various lengths. They feature end rhymes, subtle internal rhymes, assonance, consonance, and an uplifting lyrical quality that matches the cheerful illustrations. I found myself pausing frequently to admire this engaging approach. As I read I felt this book would have inspired me as a child to try my hand at composing a poem or two along with drawings or doodles. I think it’s going to do the same for young readers today. Teachers can embrace this book for its multiple entry points whether that be for comic and graphic novel fans, reluctant readers, or poetry lovers who want to stretch that creative muscle more.
Poetry_Comics_int3_summer_ferris_wheel Poetry Comics int3 summer ferris wheel
Interior art by Grant Snider from Poetry Comics written and illustrated by Grant Snider, Chronicle Kids ©2024.

 

I could go on and on about how much I enjoyed this unique poetry book but instead, I recommend you see for yourselves and let me know what you think.

Click here for another National Poetry Month review.

Share this:

Early Graphic Novel – Burt the Beetle Doesn’t Bite!

BURT THE BEETLE DOESN’T BITE!

Written and illustrated by Ashley Spires

(Kids Can Press; $12.99, Ages 5-8)

 

 

burt the beetle doesnt bite cover

 

 

Sticky Burt is a bug who hugs!

 

Burt the Beetle Doesn’t Bite! is the first in a new series by Ashley Spires, the author and illustrator of The Most Magnificent Thing and the Binky adventure series.

Meet Burt, he’s a ten-lined June (or watermelon) beetle. Burt has feathered antennae, a large body, a sticky abdomen, and can flail his legs when he falls on his back (but needs assistance flipping over). He notices that other insects have special or “super” abilities. A bumblebee is a “super hard worker” and ants can carry heavy loads. So what makes Burt special? Well, he’s trying to figure this out. As Burt meets more insects and learns about their amazing features, he wonders what his “super” ability is. Would winking count? How about hanging out around porch lights? Trying to imitate other insects’ super abilities doesn’t work either and Burt continually ends up on his back.

 

Burt The Beetle int2-3
Interior artwork from Burt the Beetle Doesn’t Bite! written and illustrated by Ashley Spires, Kids Can Press ©2021.

 

When Burt discovers a spider web with insects trapped in it, he’s amazed to find that their super abilities cannot free them from the web. As the venomous spider taunts Burt, he realizes he does have some super abilities. Burt’s a hugger and he happens to be sticky, too. Furthermore, he’s big and heavy enough to tear up the spider’s web when he falls on it, saving the other insects–and landing on his back once again. This time he has very grateful friends to help him flip over!

Burt The Beetle int4-5
Interior artwork from Burt the Beetle Doesn’t Bite! written and illustrated by Ashley Spires, Kids Can Press ©2021.

 

Cheerful and upbeat humor shines in this book. Commenting on his feathery antennae, Burt notes “it’s a style choice.” Gentle quips are exchanged between characters. When the spider, firmly stuck to Burt’s abdomen, asks “is this ever going to end?” Burt replies “I guess you’re stuck with me. Get it?” Exaggerated bodies and expressive faces, especially “bug” eyes, add to the enjoyment. 

 

Burt The Beetle int18-19
Interior artwork from Burt the Beetle Doesn’t Bite! written and illustrated by Ashley Spires, Kids Can Press ©2021.

e

Spires has created a graphic novel designed for younger readers, especially those new to the graphic novel format. The panels are clean and well organized, without a lot of distractions. The number of characters and speech bubbles in a panel are kept to a minimum and the print is bold and slightly larger than usual.  This book is appropriate for independent readers or as a read-aloud for emerging readers.  

The book includes some themes which could be used to invite children to discuss character and friendship. Burt’s search for what makes him unique is something children also explore for themselves. Perseverance is a challenge for children, but Burt’s positive “can do” type of behavior in the face of repeated failures may encourage them to keep trying. He takes care of his friends and “doesn’t bite because that’s not how you make friends.”

Lastly, this graphic novel engages children in the natural world around them, weaving in factual information about insects and including “awesome insect super facts” in the back matter. Hopefully, it will inspire children to continue exploring the world of insects and their “super” abilities. 

  • Reviewed by Dornel Cerro
Share this:

Dinosaurs Before Dark Graphic Novel – Mary Pope Osborne’s Magic Tree House Series

DINOSAURS BEFORE DARK GRAPHIC NOVEL

Mary Pope Osborne’s Magic Tree House series

Written by Jenny Laird

Illustrated by Kelly and Nichole Matthews

(Random House BYR; $16.99, Ages 6-9)

 

DinosaursBeforeDark MTH graphicnovel cover

 

 

“I wish I could go there…”

 

Any reader of Osborne’s beloved Magic Treehouse chapter book series knows that uttering those magical words while holding a book in the Magic Tree House will instantly transport the child back into the time and place of the book and an action-packed adventure.

e

Dinosaurs Before Dark GN Int1
Interior art from Dinosaurs Before Dark Graphic Novel, Mary Pope Osborne’s The Magic Tree House series illustrated by Kelly Matthews and Nichole Matthews and adapted by Jenny Laird, Random House BYR ©2021.

e

This first title in the graphic novel adaptations of the chapter book series, Dinosaurs Before Dark, introduces eight-and-a-half-year-old Jack and his younger sister, Annie, residents of Frog Creek, Pennsylvania. While playing in the wooded area near their home, they discover a tree house filled with books. As they excitedly explore the books, Jack finds a book about dinosaurs. Gazing at one of the illustrations, he wishes he could go there. Suddenly, a giant wind begins to spin the tree house and whoosh! It whisks them away to the Cretaceous Period.

While exploring this new environment, they encounter a few of the period’s dinosaurs without incident until a very large and frightening Tyrannosaurus Rex comes roaring and stomping their way. After some hair-raising attempts to dodge it, they make it back to the tree house. Now they just need to figure out how they can get home in one piece … and in time for dinner!

e

Dinosaurs Before Dark GN Int2
Interior art from Dinosaurs Before Dark Graphic Novel, Mary Pope Osborne’s The Magic Tree House series illustrated by Kelly Matthews and Nichole Matthews and adapted by Jenny Laird, Random House BYR ©2021.

 

Laird remains true to the original story and her dialogue, along with the Kellys’ illustrations, propel the storyline. Like the chapter book, the graphic novel is neatly organized into short chapters, each ending on a cliffhanger.

Illustrators Kelly and Nichole Matthews have modeled Jack and Annie after the Sal Murdocca illustrations for the chapter book. The Matthews, who are twin sisters, creatively combine detail, color, and a more complex layout to help interpret the chapter book’s narrative. The panels sequencing the tremendous wind that spins the house back into history include a vivid two-page spread (pp 26-27) that conveys the force of the wind. Another full page is used to dramatize the height of the tree house as Jack and Annie descend from it to a world no humans have ever seen (p. 62).

e

Dinosaurs Before Dark GN Int3
Interior art from Dinosaurs Before Dark Graphic Novel, Mary Pope Osborne’s The Magic Tree House series illustrated by Kelly Matthews and Nichole Matthews and adapted by Jenny Laird, Random House BYR ©2021.

e

This graphic novel adaptation is a great introduction to the chapter book series for younger and emerging readers and could actually replace it in popularity since the format is much more vibrant and engaging than the original chapter book series. So while it’s recommended for ages 6-9, I think children as young as five years old would find it an entertaining read.

Check out this YouTube video to hear how Jenny Laird adapted Osborne’s novel. And for more about the Matthews sisters, visit their website. Fans can also check out the Magic Tree House website here.

  •  Reviewed by Dornel Cerro
Share this:

Children’s Early Graphic Novel – Scaredy Squirrel in a Nutshell

 

SCAREDY SQUIRREL IN A NUTSHELL
(Book #1 in Scaredy’s Nutty Adventures)

By Melanie Watt

(Penguin Random BYR; $12.99, Ages 6-9)

 

 

e

 

WARNING! This book is absolutely … NUTS!

Award-winning author and illustrator Melanie Watt, well known for her Scaredy Squirrel picture book series, has created her first graphic novel, Scaredy Squirrel in a Nutshell, featuring a squirrel beset by many (and often improbable) fears about life outside his beloved nut tree. To his credit, Scaredy Squirrel confronts each challenge with an elaborate and hilarious action plan that’s often doomed to failure. From the potential alien landing to deadly dust bunnies, Scaredy Squirrel not only has a plan but a backup as well (play dead). 

Scaredy Squirrel in a Nutshell tree Page 2
Interior art from Scaredy Squirrel in a Nutshell written and illustrated by Melanie Watt, Penguin Books for Young Readers ©2021.

e

Since childhood, Scaredy Squirrel has kept himself and his nut tree safe from dreaded “trespassers” who could damage his tree. Who knows when a mammoth may want to uproot it? Or a cat might scratch it. So Scaredy Squirrel has developed a strategy to protect the tree. He places objects around his tree to distract the trespassers, such as a fake tree for the mammoth to uproot or a scratching post for the cat.

e

Scaredy Squirrel in a Nutshell vacuum Page 4
Interior art from Scaredy Squirrel in a Nutshell written and illustrated by Melanie Watt, Penguin Books for Young Readers ©2021.

e

However, there’s a downside to this ambitious plan: these objects get dusty and from the dust springs notorious dust bunnies! So this quick-thinking squirrel comes up with a detailed plan to prevent dust bunnies … vacuum all the decoy objects! All well and good until the vacuum gets clogged and now Scaredy Squirrel must develop a plan to unclog the vacuum cleaner. As you can imagine, more problems emerge which entail more plans and greater chaos. Inevitably (despite playing dead) he finds himself face to face with a real bunny who would like to be his friend. Which of course necessitates a new plan …

e

Scaredy Squirrel in a Nutshell pompom Page 7
Interior art from Scaredy Squirrel in a Nutshell written and illustrated by Melanie Watt, Penguin Books for Young Readers ©2021.

e

Watt’s familiar cartoon-like illustrations go nicely with the graphic novel format. Simple geometric shapes are used to create the characters and setting. Faces are wonderfully expressive. Panels are well organized on the pages with a clean and uncluttered look, making this book perfect for newly independent readers. Witty word plays and expressions such as “going out on a limb” and “dust bunnies,” keep the narrative lively and make this a good read-aloud as well. Delightfully quirky features include a “Nutty (Table of) Contents,” and some silly and interactive features to be taken before it is “safe” to begin the story. 

Parents, caregivers, and teachers are sure to appreciate that, despite the zany humor of the book, Scaredy Squirrel manages to demonstrate, in a light-hearted way, how children can face their fears and develop problem-solving skills such as writing down action plans, to face real-life challenges. While the age is listed as 6-9, younger children would certainly enjoy having the story read to them.

  • Reviewed by Dornel Cerro

Click here and here to read more squirrel stories.

Share this:

Five Recommended Reads for Kids – Black History Month 2021

 

FIVE CHILDREN’S BOOKS FOR BLACK HISTORY MONTH

∼A ROUNDUP∼

 

BlackHistoryMonthgraphic clipart

This year choosing books to include in our Recommended Reads for Kids – Black History Month Roundup has been more difficult than ever because there are dozens of excellent ones being published and more on the way. Here is just a small sample of great reads, from picture book to graphic novel to young adult fantasy that are available for kids and teens to enjoy.

 

 

TheABCsofBlackHistory cvrTHE ABCs OF BLACK HISTORY
Written by Rio Cortez
Illustrated by Lauren Semmer
(Workman Publishing; $14.95, Ages 5 and up)

A NEW YORK TIMES BESTSELLER
Starred Review – Kirkus

The ABCs of Black History is the kind of inspiring book children and adults will want to return to again and again because there is so much to absorb. In other words, it’s not your mother’s ABC book. Written in uplifting rhyme by Pushcart Prize-nominated poet Rio Cortez, this gorgeous 60-page picture book is at once a look back in time and a look to the future for young Black children. However it is recommended reading for children of all races and their families.

Cortez has shined a lyrical light on places, events and figures familiar and less familiar from Black history with comprehensive back matter going more in depth. Take H for example: “H is for Harlemthose big city streets! / We walked and we danced to our own jazzy beat. / When Louis and Bessie and Duke owned the stage, / and Langston and Zora Neale Hurston, the page.” J is for Juneteenth and S, which gets double coverage, is for scientists and for soul. Adding  to the hopeful tone of Cortez’s rhyme are Semmer’s bold and vibrant graphics which jump off the page. The dazzling colors pull you in and the variety of composition keep you hooked.

The ABCs of Black History is a book you’ll want to read together with your young ones and let your older children discover and savor on their own. It’s not only a visual and aural treat, it’s a sweeping celebration and exploration of Black culture and history that is beautiful, compelling, thought provoking and thoroughly unputdownable!
• Reviewed by Ronna Mandel

 

WE WAIT FOR THE SUN
Written by Dovey Johnson Roundtree and Katie McCabe

Illustrated by Raissa Figueroa  
(Roaring Brook Press; $18.99, Ages 4-8)

Starred Reviews – Booklist, Kirkus, and Publishers Weekly

Adapted from the final chapter of Dovey Johnson Roundtree’s autobiography Mighty Justice, We Wait for the Sun is an intimate look at a tender moment in Dovey’s childhood. The book opens with a preface about the main character, Dovey, who grew up to be a legendary figure in the fight for racial equality-all through the influence of her beloved grandmother, Rachel Bryant Graham. Dovey loved to share stories of Grandmother Rachel; this book is the story she loved best. 

In “the midsummer night” when it’s “dark and cool,” Dovey and her grandmother walk “through the darkness toward the woods” to pick blackberries. Lyrical language and textural illustrations awaken the senses and draw us into their adventure.

Other women join in and the trip goes deeper still into the forest. Staring at Grandma’s shoes, Dovey is literally following her grandmother’s steps into the darkness. But Grandma Rachel provides comfort and reassurance. “If you wait just a little, your eyes will learn to see, and you can find your way.” 

Through such examples of wisdom and encouragement, it’s clear to see why Grandma Rachel was such an inspiration to Dovey and her later work as a civil rights lawyer. As they sit in the forest and listen to its  “thousand sounds,” a double page spread shows an aerial view of their meditative moment, immersed in the magic of their surroundings. 

And when they reach the berries, they’re every bit worth the wait-plump, juicy, and sweet-like the lush layers of purple, blue, and pink illustrations that display a beautiful berry-colored world as dawn, bit by bit, turns to day. Wrapped in each other’s arms, Grandma and Dovey watch the sun rise in its golden splendor. Grandma’s steadfast waiting for the light, despite the present darkness, is a moving message of hope, resilience, and bravery.

Back matter includes an in-depth note from co-author Katie McCabe chronicling Dovey’s fight against barriers in the law, military, and ministry. For anyone interested in the powerful ways family and history intersect, We Wait for the Sun is a must-have in every library.  • Reviewed by Armineh Manookian

 

Opening the Road coverOPENING THE ROAD:
Victor Hugo Green and His Green Book
Written by Keila V. Dawson
Illustrated by Alleanna Harris
(Beaming Books; $19.99, Ages 4-8)

While white Americans eagerly embarked on carefree car travel around the country, in 1930s Jim Crow America the road was not a safe or welcoming place for Black people. In Opening the Road: Victor Hugo Green and His Green Book, Keila V. Dawson explores the entrepreneur Victor Green and his successful The Negro Motorist Green Book which was borne out of dire need.

Young readers will learn about the limitations that were in place restricting the freedoms of Black Americans to have access to the same conveniences whites did due to segregation laws. For instance, a road trip for a Black family meant bringing food, pillows, and even a portable toilet since most establishments along a route were for whites only. The same applied to hotels, service stations, auto-mechanics and even hospitals. And in “Sundown” towns, where Blacks could work but not live, those individuals had to be gone by sunset or risk jail or worse.

In this fascinating 40-page nonfiction picture book, Dawson explains in easy-to-understand prose exactly what obstacles faced Black travelers and why Green, a mail carrier, together with his wife Alma, decided to publish a directory. Inspired by a Kosher guide for Jews who also faced discrimination, Green began collecting information from people on his postal route about where safe places were in New York.

Eventually, with word-of-mouth expanding interest in Green’s book, he began corresponding with mail carriers nationwide to gather more recommendations for The Negro Motorist Green Book on more cities. Soon everyone from day-trippers to celebrities were using the Green Book. Green even made a deal with Standard Oil for the book to be sold in Esso gas stations where it “flew off the shelves.” Harris’s illustrations take readers back in time with colorful, realistic looking scenes of big old cars, uniformed service station attendants and locations in Black communities that opened their doors to Black travelers. Apart from a break during WWII, the book was sold until the need for it finally ended with the last edition in 1966-67.

Equality both on and off the road was the ultimate goal for Black Americans. That may have improved somewhat from when the first Green Book was published in 1936, but Victor did not live to see the Civil Rights Act of 1964 enacted, having passed away in 1960. However there is still a long road ahead because, unlike Victor’s Green Book, racism has not disappeared and being Black while driving can still be dangerous, even deadly.

Dawson dives into this in her five pages of back matter that include a clever roadway timeline graphic from the beginning of Green’s life in 1892 until the Green Book ceased publication. This is a helpful, thoughtfully written book to share with children to discuss racism, and a good way to begin a discussion about self-advocacy, ingenuity, and how to treat one another with respect. It’s also a welcome example of how Green channeled his frustration and dissatisfaction into a guide that ultimately changed people’s lives for the better. Click here for an essential Educator’s Guide. • Reviewed by Ronna Mandel

 

black cowboys cover origBLACK HEROES OF THE WILD WEST
Written and illustrated by James Otis Smith
with an introduction by Kadir Nelson
(Toon Books; HC $16.95, PB $9.99, Ages 8+)

Junior Library Guild Selection
Starred Review – Booklist

Kadir Nelson, in his interesting introduction to James Otis Smith’s graphic novel Black Heroes of the Wild West points out that cowboys, ranchers, homesteaders and other people from the Old West (west of the Mississippi River “during and after the American Civil War”) were historically portrayed in books, movies and TV through a white lens. In reality up to “a third of the settler population was African American.” I couldn’t wait to find out more about Mary Fields, known as “Stagecoach Mary” in her day, Bass Reeves, the first black Deputy U.S. Marshal west of the Mississippi, and “mustanger” Bob Lemmons, perhaps the original Texas horse whisperer.

All three individuals were forces to be reckoned with. First there’s Mary Fields, born into slavery in Tennessee. In her lifetime, she maintained fierce loyalty to friends, loved children, was generous to a fault, and had strength and energy second to none. She’s most noted, however, for her reputation as a banjo strumming, card playing, first African American female stagecoach driver who never missed a delivery and was not easily thwarted by wolves or bad weather.

I was blown away learning about Bass Reeves’s bravery in outwitting some murderous outlaws on the Most Wanted List. In the account Smith shares, Reeves single-handedly put himself into a dangerous situation by turning up as an impoverished loner looking for any kind of work to earn his keep. By cleverly offering up his services to the mother of the villains, earning her trust, and ultimately that of the bad guys too, he was able to capture them completely off guard. This plus thousands of other arrests cemented his place in history. The best part was how Smith’s illustrations conveyed Reeves in the particular scenario of capturing the outlaws by surprise which in turn surprised and satisfied me immensely.

Last but definitely not least is Bob Lemmons who was hired to corral wild mustangs and whose humane technique was not deadly to any of the horses, something other mustangers had not been able to manage. Smith takes readers on a journey of the senses along with Lemmons as he follows a group of mustangs he intends to wrangle, and details in both art and text how eventually Lemmons becomes one with the stallion leading the “manada” (mares and colts). “Bob knew their habits, their body language, their sounds. Like them, he flared his nostrils sniffing for danger.” You don’t have to be a horse lover to be impressed how Bob’s slow and steady approach made the mustangs think he was one of them.

Eight comprehensive pages of fascinating back matter round off this excellent middle grade read that will no doubt have tweens eager to find out more about these and other Black heroes. • Reviewed by Ronna Mandel

 

The Gilded Ones coverTHE GILDED ONES
by Namina Forna
(Delacorte Press; $18.99, Ages 12 and up)

Starred Review – Booklist
A NEW YORK TIMES BESTSELLER

The Gilded Ones is book one of a West African-inspired epic fantasy series that will grab you from its first page. When girls turn sixteen, they must undergo The Ritual of Purity where they are bled to see if they can become a member of their village. However, if a girl’s blood runs gold, then she’s found impure and faces a fate worse than death. If Deka’s father had the money, he would have sent her to the House of Purity the year before the ritual, keeping her protected from sharp objects. Instead, Deka must be careful while she worries and prepares.

When Deka fails, she’s tortured until a mysterious woman she names White Hands offers an option out. The empire’s being attacked by seemingly invincible Deathshriek creatures. Deka becomes an alkali soldier fighting alongside other girls like her with powers that make them nearly immortal.

Namina Forna says, “The Gilded Ones is a book about my anger at being a woman. Sierra Leone was is very patriarchal. There were things I was expected to do as a girl because I was a girl.” This emotion is harnessed into the story, revealing societal inequities in an intricately woven plot that will surprise and enflame you.

Deka has the best “sidekick” ever—a shapeshifter called Ixa. Though there are elements of romance, it’s strong females who rule the plot. This book provides a fresh look at the “gods and goddesses” trope. The Gilded Ones is fierce, brutal, and relevant. Read it. • Reviewed by Christine Van Zandt (www.ChristineVanZandt.com), Write for Success (www.Write-for-Success.com), @ChristineVZ and @WFSediting, Christine@Write-for-Success.com

 

Click here to read another Black History Month review.
e

Additional Recommendations:

Ruby Bridges This Is Your Time by Ruby Bridges (Delacorte Press)
The Teachers March! by Sandra Neil Wallace and Rich Wallace w/art by Charly Palmer (Calkins Creek)
Stompin’ at the Savoy by Moira Rose Donohue w/art by Laura Freeman (Sleeping Bear Press)
Overground Railroad by Lesa Cline-Ransome w/art by James Ransome (Holiday House)
R-E-S-P-E-C-T: Aretha Franklin, the Queen of Soul by Carole Boston Weatherford w/art by Frank Morrison (Atheneum BYR)
Finding a Way Home by Larry Dane Brimner (Calkins Creek)
Changing the Equation: 50+ Black Women in STEM by Tonya Bolden (Abrams BYR)

 

Share this:

New Halloween Books for Kids 2020

NEW HALLOWEEN READS

A ROUNDUP

 

pumpkin freeclipart

 

 

This seven-book roundup covers wickedly wonderful Halloween season reads. From a gentle book about the fall season to spooky ghouls, goblin-witches, ghosts, vampires, a witch’s hut, and a haunted house, we’ve got you covered.

 

The Little Kitten coverTHE LITTLE KITTEN
Written and illustrated by Nicola Killen

(Paula Wiseman Books; $16.99, Ages 3-6)

Starred Review – Kirkus

With whimsical art in blacks, whites, and grays offset with oranges and foil accents, The Little Kitten embodies the spirit of autumn. Leaves blow across the pages, bringing movement that propels Ollie on her adventure. As promised by the title, there is a little kitten, but also Ollie’s cat, Pumpkin. Nicola Killen’s art and storyline

beautifully convey the playful, loving spirit of this book. It’s a pleasure to see a gentle story that’s engaging and fulfilling—it even has a surprise ending, shh!

She Wanted to be Haunted cvrSHE WANTED TO BE HAUNTED
Written by Marcus Ewert
Illustrated by Susie Ghahremani

(Bloomsbury; $17.99, Ages 4-8)

I’m a sucker for a great book title and just had to read Marcus Ewert’s She Wanted to Be Haunted—plus, what a great idea! As promised, Clarissa, an “adorable and pink” cottage finds herself disappointed with her appearance. Her father is a castle and her mother a witch’s hut, but Clarissa got the short end of the broomstick with her undeniable cuteness. “Daisies grew around her, / squirrels scampered on her lawn. / Life was just delightful! / —and it made Clarissa yawn.”

What kid hasn’t felt bored when things were mellow and nice? Susie Ghahremani’s hand-painted artwork brings Clarissa to life in (dreaded!) upbeat colors. Inside, on Clarissa’s fuchsia, wallpapered walls, we sneak a peek at her family’s photos and, yes, she’s surely the oddball of the bunch. My favorite scenes involve the surprise ending. If you want to know if Clarissa’s attempts to gloom-down her appearance work, you’ll have to read the book. Trust me, the ending is awesome! Click here for a coloring page.

Scritch Scratch coverSCRITCH SCRATCH
Written by Lindsay Currie
(Sourcebooks; $16.99, Ages 9-12)

Scritch Scratch—the title of this middle-grade novel by Lindsay Currie will get under your skin as all good spooky books should. Because, of course, this sound is made by the ghost haunting Claire. Prior to this, science-minded Claire absolutely did not believe in ghosts and found her Dad’s ghost-themed bus tour and book embarrassing. So why did this ghost choose her? Claire’s too afraid to sleep and should have plenty of time to solve this mystery. However, since her BFF’s hanging around with the new girl, Claire may need to figure it out alone.

I’ve never been on a haunted bus tour, but, after reading this book I want to if they’re all as interesting as the one in this story. “Forgotten” facts about Chicago are cleverly woven in—what a great way to sneak in a history lesson! Click here for a discussion guide.

Embassy of the Dead cvrEMBASSY OF THE DEAD
Written by Will Mabbitt

Illustrated by Taryn Knight
(Walker Books US; $16.99, Ages 8-12)

This book opens with a warning from the Embassy that “[b]y signing, you hereby accept all responsibility for any death, dismemberment, or condemnation to the Eternal Void that results from reading.” How irresistible! When Jake Green receives a kind of creepy package in error, a fun adventure ensues dodging bonewulfs and their master Mawkins (a grim reaper). Accompanied by ghosts Stiffkey, Cora, and, an adorable fox named Zorro, the unlikely group tries to avoid being sent into the Eternal Void—a fate worse than death.

Will Mabbitt’s well-developed characters are very likable and Taryn Knight’s art plays up the humor. I appreciate the Embassy of the Dead’s new ideas about ghosts and their companions such as Undoers (someone who helps a ghost trapped on the Earthly Plane move on to the Afterworld). Mabbitt nails a perfectly written ending. I’ll gladly follow Jake and his friends onto the next book in the series. Click here to read a sample chapter.

Ghostology coverGHOSTOLOGY: A True Revelation of Spirits, Ghouls, and Hauntings
Written by Dugald A. Steer; Lucinda Curtle
Illustrated by Anne Yvonne Gilbert; Garry Walton; Doug Sirois
(Candlewick Press; $27.99, Ages 10+)

Fans of the beautifully made Ologies series won’t be disappointed in the latest addition, Ghostology. Packed full of stories, this book will keep you haunting its pages because there’s so much information from psychics and mediums, to fakes and frauds. Want to know what’s in a ghostologist’s field kit (sketchbook, accurate timepiece, and, of course, a ghost-detecting device, just to name a few items), or how to hunt ghosts? You’ve come to the right place. Pay attention to the “Types of Ghosts” chapters.

Beyond reading, the book is a sensory experience with its sealed pages, official documents envelope, flaps, and textures. If there’s such a thing as a coffee table kid’s book, this is it. The icy blue color scheme of the cover is offset by a large faceted red “gem.” Raised letters just beg you to run your hand over them and invite you to look inside. The thought and detail in this book are phantom-astic!

beetleandthehollowbone cvrBEETLE & THE HOLLOWBONES
Written and illustrated by Aliza Layne
Coloring by Natalie Riess and Kristen Acampora
(Atheneum BYR; $21.99, Ages 8-12)

Starred Reviews – Booklist, Kirkus, Publishers Weekly, School Library Journal

In Aliza Layne’s middle-grade graphic novel, Beetle & the Hollowbones, Beetle is a twelve-year-old goblin-witch being homeschooled by her gran. Beetle, however, would rather hang out with her current BFF Blob Ghost at the old mall (where they are inexplicably trapped). When Beetle’s previous BFF, Kat Hollowbones, returns home after completing her sorcery apprenticeship at a fast-track school, their friendship isn’t the same. Kat’s aunt Marla is the wonderfully drawn skeletal antagonist.

With well-developed characters and plenty of action, this fast-paced book will bewitch you. The struggles of moving through school and friendships falling apart are accurately depicted. The panels, grouped into chapters, capture your attention with their fantastic illustrations, engaging colors, and lively text. I like how Layne includes some concept art at the end, inspiring other artists with a behind-the-scenes peek.

vampiresnevergetold cvrVAMPIRES NEVER GET OLD: Tales With Fresh Bite
Editrixes: Zoraida Córdova and Natalie C. Parker
Other authors include Tessa Gratton, Rebecca Roanhorse, Julie Murphy, Heidi Heilig, Samira Ahmed, Kayla Whaley, Laura Ruby, Mark Oshiro, Dhonielle Clayton, and Victoria “V.E.” Schwab
(Imprint/Macmillan; $17.99, Ages 12 and up)

Starred Review – Publishers Weekly

Vampires Never Get Old: Tales with Fresh Bite is a YA short story anthology with the goal to “expand on and reinvent traditional tellings.” How awesome is that?? Editrixes Zoraida Córdova and Natalie C. Porter’s story, “Vampires Never Say Die,” is a suspenseful, modern tale about a teen and vampire who meet online. They also provide the introduction and insightful commentary after each piece, delving into the many areas of the vampire myth. There are so many wonderful things in this collection; I’ll give you a few nibbles to whet your appetite.

“Bestiary” by Laura Ruby is set in a near dystopian future; Jude works at the zoo and has a special connection with animals. This story stood out for me because the reader must piece together the truth. It’s quite a different twist on thirst and the theft of blood and humanity.

“Seven Nights for Dying” by Tessa Gratton opens with the line, “Esmael told me that teenage girls make the best vampires” (because they’re “both highly pissed and highly adaptable, and that’s what it takes to survive the centuries”). We follow Esmael’s chosen girl through a week of uncertainty as she considers joining the undead. This cleverly layered story demands to be reread to truly appreciate Gratton’s well-crafted words.

Weaving in old superstitions, “The Boy and the Bell” by Heidi Heilig expands upon the Victorian tradition of burying their loved ones with a bell (allowing them to call for help if mistakenly buried alive). Set at the turn of the century, Will is a graverobber for all the right reasons—he wants to become a doctor, and “acquiring” freshly buried bodies allows him to trade for a spot at the back of the amphitheater where dissections take place. With only a few glimpses at Will’s thoughts, we find out volumes about his struggles.

This anthology breathes life into the short story and lets readers appreciate the many perspectives and styles from a very talented array of writers. My favorites tend to have unexpected endings. There’s something for everyone. Just read it already!

 

  •  ADDITIONAL RECOMMENDED READS FROM RONNA
    e

    IT’S HALLOWEEN, LITTLE MONSTERIts Halloween Little Monster cvr

    Written by Helen Ketteman
    Illustrated by Bonnie Leick
    (Two Lions; $17.99, Ages 3-7)
    e
    When I began reading It’s Halloween, Little Monster, one of the Little Monster series of picture books, I thought I was reading about the first time I took my son out trick-or-treating 15 years ago. All he had to do was see one or two kids in scary costumes and he hightailed it home before anyone could say boo! I’m so glad Helen Ketteman wrote this picture book because I’m sure it’s going to help make the first Halloween experience for reluctant little ones a lot easier.

    e
    In this gentle rhyming story, Little Monster heads out for Halloween accompanied by his dad. The reassuring presence of a parent sets the tone. Dad will be right there to calm Little Monster’s fears no matter who or what they encounter. “Don’t fret Little Monster. / See there in the street? / That’s not really a ghost / it’s a kid in a sheet!”
    e
    Together the pair see all kinds of spooky creatures while trick-or-treating, but the dad anticipates what might frighten his child and is always one step ahead. I like how the papa monster not only comments on assorted pirates, witches, and vampires but scary sounds, too. Leick’s muted blue and purple toned palette of the detailed illustrations will only add to the enjoyment of this charming Halloween read. It’s an enjoyable pairing of prose and art. By the time the surprise ending happens, Little Monster’s smiling just like the children having this story read to them.
    e
    e

  •  OTHER RECOMMENDED HALLOWEEN SEASON READS:
    e
    CHRISTOPHER PUMPKIN by Sue Hendra and Paul Linnet with art by Nick East
    (Board Book for Ages 0-3, Little Brown BYR)
    e
    THAT MONSTER ON THE BLOCK by Sue Ganz-Schmitt with art by Luke Flowers
    (Picture Book Ages 4-8, Two Lions)
    e
    THE REVENGE OF THE WEREPENGUIN by Allan Woodrow with art by Scott Brown
    (Middle Grade illustrated novel for Ages 8-12, Viking BYR)
  • Disclosure: Good Reads With Ronna is now a Bookshop.org affiliate and will make a small commission from the books sold via this site at no extra cost to you. If you’d like to help support this blog, its team of kidlit reviewers as well as independent bookshops nationwide, please consider purchasing your books from Bookshop.org using our affiliate links above (or below). Thanks!
    e
    Recommended Reads for the Week of 10/26/20

 

Share this:

Graphic Novel Review: Dear Justice League by Michael Northrop Blog Tour

✹BLOG TOUR✹

DEAR JUSTICE LEAGUE

Written by Michael Northrop

Illustrated by Gustavo Duarte

(DC Zoom/DC Entertainment; $9.99, Ages 6-10)

 

Dear Justice League cover

 

Good Reads With Ronna is delighted to be part of the Dear Justice League blog tour celebrating this week’s launch of a rollicking good read and recommended middle grade graphic novel from DC Zoom.

The premise is a simple yet oh so satisfying one. Fictitious kids from all over America pen Dear Abby-type letters to their fave superheroes and then lo and behold, they get replies. Not what you were expecting, right?

Middle grade readers, reluctant and struggling readers as well as fans of graphic novels will enjoy every single page of Northrop’s and Duarte’s fast and uproarious read. It’s playful and action-packed, and who doesn’t love a story where there’s never a dull moment? Northrup delivers dynamic dialogue that pairs perfectly with Duarte’s art.  His hilarious illustrations, full of every facial expression possible, jump off the page and pull you in. They deserve to be looked at multiple times.

I got into the novel quickly, intrigued by the first question posed to none other than my childhood hero, Superman. Wondering if the Man of Steel had ever messed up, the letter writer is shown having botched up his attempt at an invention. And while you’d think heroes are especially busy saving the day in multiple ways with no time for correspondence, Clark Kent’s alter ego surprises young Ben Silsby with an answer. Texting, flying and superhero-ing however do not safely go together leading to a hilarious string of close calls demonstrating that it’s not just Kryptonite that can bring him down.

Wonder Woman 7 int art from Dear Justice League
Interior artwork from Dear Justice League written by Michael Northrop and illustrated by Gustavo Duarte, DC Zoom ©2019.

 

I especially loved having the chance to meet seven other members of the Justice League, each presented in their own chapter addressing a particular issue raised via email, text or snail mail. Hawkgirl, Aquaman, Wonder Woman, Flash, Green Lantern, Cyborg, and Batman all make appearances and make you want to spend more time with them. The Dear Justice League questions range from silly (does Hawkgirl eat small mammals, does Aquaman smell like fish) to those that will resonate with the targeted age group about bullying, moving to a new school, being perfect, fitting in, friendship and teamwork.

Dear Batman 10
Interior artwork from Dear Justice League written by Michael Northrop and illustrated by Gustavo Duarte, DC Zoom ©2019.

 

Another aspect of the book that worked well was the thread running through the entire story about an invasion of evil, insect-like Shock Troopers from the planet Molt-On. Here’s where I was first introduced to Hawkgirl and was impressed by her sense of humor though a bit wary of how much soda she seemed to consume. But most of all, I enjoyed seeing the superheros hang out at HQ, chatting together while revealing snippets of their characters. When they ultimately fought off the Shock Troops through a well coordinated team effort, I felt happy and eager to read more about each of them individually and as a league. Next up for me is definitely Superman of Smallville, available 9/3/19.

Dear Aquaman 20
Interior artwork from Dear Justice League written by Michael Northrop and illustrated by Gustavo Duarte, DC Zoom ©2019.

 

The start of a new school year is an ideal time to share this graphic novel showing sometimes serious, yet often tongue-in-cheek adventures that demonstrate how even superheroes have the same vulnerabilities kids have. They may fight foes but are far from perfect. So head to your local independent bookseller to buy a copy of Dear Justice League for your kids because these graphic novels are bound to win new DC superhero fans and delight old ones.

Click here to read a preview.

  • Reviewed by Ronna Mandel

CHECK OUT MORE BLOG TOUR POSTS HERE:

THE BOOK RAT
BOOKISH REALMS REVIEWS
THE MAGIC OF WOR(L)DS
THE CHILDREN’S WAR
WORD SPELUNKING
THE MAGIC OF WOR(L)DS

 

Share this:

Mr. Wolf’s Class – A Graphic Novel by Aron Nels Steinke

MR. WOLF’S CLASS: The First Day of School 
Written and illustrated by Aron Nels Steinke
(Graphix; $18.99, Ages 7-10)

 

Mr. Wolf's Class book cover art

 

Mr. Wolf’s Class: Book #1 The First Day of School  by Aron Nels Steinke is not your mother’s back-to-school middle grade chapter book. It’s a smart, funny, insightful look at fourth-grade in graphic novel format and I enjoyed every page. From the realistic, contemporary dialogue to the perfectly captured facial expressions on the diverse line up of teachers and students, Steinke succeeds in helping readers connect with and care about an assorted and appealing cast of characters. And that’s a good thing since this is Book #1 in a new series that is sure to captivate even the most reluctant kid.

In this first book, we’re introduced to Mr. Wolf, a new teacher at Hazelwood Elementary. In fact, even before Chapter One (there are eleven chapters in total), anthropomorphic artwork full of color and movement shows Mr. Wolf conscientiously preparing his classroom followed by frames of each student, with illustration clues, as a quick and clever way to hint at their personality or issue. There’s new-in-town student, Margot, eager to start school but nervous about making friends; there’s Penny, poor, wiped out Penny, whose constantly crying baby sibling is keeping her from getting a good night’s sleep; there’s Aziza, a dedicated student but slightly snarky; and there’s Sampson, who’s brought something special to school to share at show-and-tell.

As an elementary school teacher and parent, Steinke totally gets this age group and the ever-changing dynamic of the classroom. One minute there’s silent reading and the next there’s chaos. All types of conflicts caused by all kinds of kids can occur throughout the day and Steinke’s chosen a few good ones to portray in Mr. Wolf’s Class. He’s included geeks and smart alecks, thoughtful and mean kids. He’s also got bossy and meek ones, tattle tales and show offs. With that kind of composition, anything can and does happen under Mr. Wolf’s supervision including a missing student, show-and-tell, and a burgeoning friendship. 

I’d like to emphasize here that this book can be appreciated year round for its wit, its engaging illustrations and the delightful depiction of fourth-grade from multiple perspectives. Join Mr. Wolf and his students to see first-hand what’s happening at Hazelwood Elementary.

 

  • Reviewed by Ronna Mandel

 

Share this:

All’s Faire in Middle School by Victoria Jamieson

ALL’S FAIRE IN MIDDLE SCHOOL
Written and illustrated by Victoria Jamieson
(Dial BYR; $20.99, Ages 8-12)

 

cover image for All's Faire in Middle School by Victoria Jamieson

 

Starred Reviews – Kirkus, Publishers Weekly
A New York Times Editor’s Choice
An Autumn Kids’ Indie Next List top pick

 

Victoria Jamieson’s graphic novel, All’s Faire in Middle School, provides a much-needed glimpse into alternative lifestyles. Twelve-year-old Imogene has been homeschooled by parents who work at Florida’s Renaissance Faire. When Imogene starts public school for the first time, she faces a very different world than at the faire where she is a knight-in-training.

Each chapter begins with brief synopsis of the brave heroine’s plight, conveyed in somewhat Old English. With much of the book set at the faire, readers gain insight into this medieval reenactment where people choose which role to play. Imogene never wanted to be the princess, but she questions whether she is destined to be a knight—maybe she’s more like Cussie, the hermit. Sometimes, Imogene behaves like the dragon.

The story explores Imogene’s turbulent journey to self-discovery. This is a tale of acceptance, forgiveness, friends, and blossoming sexuality. Imogene is every preteen, learning what it takes to fit in at school. She is teased for wearing thrift-store clothes with the wrong shoes. Imogene’s family becomes an embarrassment to her when they show up still dressed in Elizabethan costume and think nothing of it. Before entering sixth-grade, Imogene hadn’t noticed her family was different and how this is viewed suspiciously.

As with Jamieson’s successful Newbery Honor Book Roller Girl, in All’s Faire, the protagonist is a tough girl struggling with prepubescent emotions. The love of Imogene’s family—including her “faire-mily”—is a constant. Even when at odds with her parents and brother, in the end, Imogene realizes that the bullies and popular kids at school are something to suffer in passing. Her philosophy of what’s important shifts—and that makes all the difference.

Imogene makes unkind choices, acting out against others because of her own frustration. Her journey to finding the right path is a realistically portrayed ongoing battle. In life, there are no easy answers. Family can embarrass us by just being themselves. We all make mistakes, yet, each day, we can choose which character we wish to play. The book concludes with an understanding that, if you believe there are happy endings in sixth-grade, then you haven’t attended middle school—a declaration which will resonate with readers everywhere.

 

 

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

SaveSave

SaveSave

SaveSave

Share this:

Lost in NYC: A Subway Adventure by Nadja Spiegelman & Sergio Garcia Sanchez

Lost in NYC: A Subway Adventure
Written by Nadja Spiegelman
Illustrated by Sergio Garcia Sanchez
(Toon Books; $16.95, Ages 8-12)
Also available in Spanish

LostinNYCcvr.jpg

 

A Junior Library Guild Selection
Starred Reviews – Kirkus Reviews, School Library Journal & Booklist

Ever gotten lost on a subway? In New York? I have and I’m from New York! But once you’ve navigated your way around and feel you’ve got the hang of the subway, it’s like you’re on top of the world, not 35 feet underground (like at the 42nd St. Station). You might never take the bus again.

intimageLostinNYC.jpgI’ll start this review by pointing out that a purchase of Lost in NYC: A Subway Adventure, is like getting multiple books in one! First there’s the graphic novel adventure featuring Pablo, a boy new to both his school and to the city. Alicia, a classmate, volunteers to partner with him on a field trip to the Empire State Building using public transportation. At the uptown Manhattan subway station (96th St.), the pair get separated from their class and have to find their way alone. Eventually even Alicia and Pablo get separated which may seem frightening, but it’s never presented that way. In fact, it’s empowering for kids to see their peers commuting this way successfully. Demonstrating common sense, the two make tracks individually to the Empire State Building, one on foot, the other using a cross town train. Ultimately, across a crowded lobby, Pablo and Alicia are reunited in time to join the tour, running towards each other like in a scene from a film. They’re clearly overjoyed, but Mr. Bartles, their teacher, is not as impressed.

intspreadLostinNYC.jpg
Interior image from Lost in NYC: A Subway Adventure by Nadja Spiegelman with illustrations by Sergio Garcia Sanchez, Toon Books ©2015.

In addition to the adventure, there’s the budding friendship story. As the bungled journey evolves, Pablo eventually comes to appreciate Alicia’s gesture of kindness to buddy up on the field trip which he so vehemently rejected at the beginning of the book.

“I was only trying help.” – Alicia
“Help?” – Pablo
“What makes you think I need help! I don’t need anything.” – Pablo
“I thought maybe you wanted a friend…” – Alicia

It’s through this friendship that Pablo is able to  look at New York with new eyes and begin to feel at home.

731540
Interior image from Lost in NYC: A Subway Adventure by Nadja Spiegelman with illustrations by Sergio Garcia Sanchez, Toon Books ©2015.

Another draw is the NYC subway system, like an extra character, with its express and local lines, the colorful maps, and the various stops or stations in the city. I was delighted to see my old subway stop in Queens even made it into the book! Fans of transportation trivia will enjoy the enlightening repartee between Mr. Bartle and his students as he educates them on their subway knowledge. I lived in New York for 30 years and had no idea why the Y and U letters were never used. After reading the fact-filled end pages I learned it’s because the MTA (Metropolitan Transportation Authority) worried the public would be confused thinking they sounded too much like “why” and “you.”

Last but not least is the inclusion of archival photographs from old New York taking readers back in time to the 1800s and into the 20th century for a glimpse of what early subway stations and construction on them looked like. There are also more details about the Empire State Building and a Further Reading & Resources for those who, like me, cannot resist finding out more about the Big Apple’s history. Author Spiegelman has packed a plethora of interesting information into this engaging and extremely original book. I had no idea that the Empire State Building, where my uncle once worked, has its own zip code (10118) and had its grand opening on May 1, 1931, 84 years ago today! Lost in NYC closes with Tips for Parents, Teachers, and Librarians to make young readers’ experience of diving into a TOON graphic novel more pleasurable.

I have to give a shout out to the amazingly detailed illustrations by Garcia Sanchez. My favorite is the angled perspective of the Empire State Building as the school children zoom up to the observation deck in one of seventy-three elevators. Early on I noticed a man taking photos in almost every scene, but I didn’t notice the policeman watching him. Sanchez, while on a reconnaissance mission for the book, must have aroused suspicion. In a humorous touch, the artist has cleverly inserted himself and the cop who followed him into the story so be on the lookout!  Between the diverse cast of characters, the compelling storyline and the excellent artwork, I have to say I am very happy to have found Lost in NYC: A Subway Adventure. 

Click here to download a guide for teachers.

– Reviewed by Ronna Mandel

Share this:

Bird & Squirrel on Ice by James Burks

Bird & Squirrel on Ice

Written and illustrated by James Burks

(Scholastic/Graphix; $8.99, Ages 7-10)

 

 

Bird & Squirrel on Ice cover

 

 

I knew I was in for a treat when I picked up James Burks’ most recent Bird & Squirrel graphic novel called Bird & Squirrel on Ice. This second book in the series brings the buddies to the South Pole where they’ve crash-landed, despite Bird’s over-confident insistence on calling it “Another perfect landing!” They immediately encounter spear-wielding Sakari, an absolutely adorable purple-hued penguin who proclaims Bird to be The Chosen One.

“Legend tells of a day when a winged bird will fall from above …
And bring peace and prosperity to our penguin village.”

But there’s a catch. Being The Chosen One means battling to free the villagers from the voracious and exhausting appetite of The Great Whale. It doesn’t take long before the honor of becoming The Chosen One goes straight to Bird’s head, annoying the heck out of Squirrel. However, Bird’s antics while soaking up his newly found celebrity, will crack kids up! Burks definitely gets the mix of humor and adventure right in Bird & Squirrel on Ice, and is certain to pull in even reluctant readers. His colorful characters, gallivanting through panels filled with lots of chilly blues, are perfect for the South Pole setting. Scenes of ice and snow are fantastic as are all the ones including the penguin villagers and The Great Whale.

When Squirrel and Sakari learn that Bird is actually going to be sacrificed to appease the whale “for the good of the village,” these two team up and eventually get a rather reluctant Bird on board. The buddies and their penguin pal launch a last-ditch effort to save Bird from being served up as whale food and in doing so demonstrate the bonds of friendship and trust.  This fast-paced story with its fantastic artwork and several satisfying plotlines invites multiple reads for those just getting into graphic novels, as well as for those more well-versed in the pleasures of this format.

  • Reviewed by Ronna Mandel
Share this:

Lowriders in Space by Cathy Camper

Lowriders in Space written by Cathy Camper
and illustrated by Raul The Third (Raul Gonzalez III)
(Chronicle Books, 2014; paperback $9.99, hardcover $22.99, Ages 8-12)

✩Starred Reviews – Kirkus & Publishers Weekly

Lowriders-in-space-cvr.jpg

Last month I met the editor of Lowriders in Space at an SCBWI (Society of Children’s Book Writers an Illustrators) event and her enthusiasm about this new graphic novel was contagious. I couldn’t wait to read it and find out what all the buzz was about.  Now I know and intend to spread some serious bajito y suavecito (translation: low and slow) love your way! Lowriders in Space worked for me on so many levels, but I’ll start with Camper’s creative storyline since that’s what will capture kids’ attention and it’s what drives this novel forward.

Lowriders-in-Space-int-art.jpg
Interior artwork from Lowriders in Space by Cathy Camper with illustrations by Raul The Third, Chronicle ©2014.

Middle grade readers will easily get on board with Lupe Impala, El Chavo Flapjack, and Elirio Malaria, the three amiable and unusual main characters whose impressive automobile-related skills help them reach new heights. The trio are eager to leave the used car dealership where they work and in order to do so they decide to enter the Universal Car Competition. With its grand prize haul of  “… a carload of cash and a solid gold steering wheel,” winning the UCC would provide the seed money needed to open their own garage. They immediately get started with a broken down shell of a car, ” … so slow it didn’t even go.” Then, utilizing their individual expertise (Lupe’s a self-taught auto-mechanic – YES, she fixes cars like a girl, Elirio’s a detail artist, and Flapjack’s an eight-armed cleaning marvel), they make a plan of action. The three contribute whatever funds they can muster up and find spare rocket parts at an old airplane junkyard. Will the resulting lowrider be special enough to win first place?

Camper’s tale is unique and engaging. It’s obvious she had a blast writing it. Now that I’ve read it, I can’t imagine it with anything but Raul’s original artwork and the impressive interplay between text and illustration. His ballpoint pen illustrations in black, blue and red on a yellowy-beige background are going to grab readers (even the most reluctant ones), pull them in and keep them thoroughly entertained. He’s created a retro feel that joyfully took me back to my youth, when buying comic books with my allowance was a much anticipated weekly outing. This book deserves multiple visits to pick up the many details included, so read, observe and admire.

Another highlight for me was how Camper’s incorporated many Spanish words and phrases for the reader to learn. Whenever there’s an * readers can find the translation below, plus there’s a glossary in the back with Mexican-American slang, car and astronomy terms (oh and don’t miss this section because there’s more to read afterwards and readers can get their appetites whet for Book 2).  So, in addition to having a strong Latino female character who repairs cars, Lowriders in Space also introduces readers to the culture of lowriders, it mixes in facts about outer space, and is equally accessible to reluctant readers as well as those simply seeking a rollicking ride that’s totally cosmic and caliente. In other words, this lowrider delivers!

– Reviewed by Ronna Mandel

Share this:
Back To Top