New York Times best-selling authorDavid Elliott’s latest picture book feels like a classic.In the Woodsspotlights fourteen woodland animals, capturing their essence in verse. I appreciate the inclusion of favorites such as the bear, fox, and raccoon but even more so the animals we may not know much about. My favorite of these outliers was the fisher cat: “Does not like fish. / Is not a cat. / I don’t know what / to make of that. / But when you are / as fierce as she, / there’s no need for /consistency.” This seeming puzzle is explained in the back matter where relevant and interesting facts elaborate on the poems. For example, it takes five to six sprays to deplete a skunk’s scent, then about ten days to produce a new batch.
The poems are easy to approach for young readers, using simple ideas plus humor. Kids may be surprised a poem can be two words. “The Moose”: “Ungainly, / mainly.” Or that the words in poems can be manipulated, adding to their depth. The millipede poem has a blank space running down the middle; some words are broken to create effect. As kids in this book’s age range are beginning to learn about verse in school and tasked with writing some themselves, Elliott’s poems introduce poetry in a fun, playful manner.
Rob Dunlavey’saccompanying art, done in watercolor and mixed media, adds another level to each glimpse. Echoing the woodland theme, the pictures speak of nature yet cleverly placed highlights or splashes of color guide your eye to what’s important: the flight of the scarlet tanager, the inquisitive muzzle of a raccoon, or the dangerous headlights that will just miss the porcupine crossing the road. The illustrations are big, memorable, and beautiful.
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From the moment you open this beautiful picture book and see the textures and tones of the end pages, you know you are in for a treat! Written in expressive rhyme,Numenia and the Hurricane by Fiona Halliday tells the harrowing story of a young whimbrel (a large and elegant northern shorebird) named Numenia, who becomes separated from her two siblings and the other migrating birds when a powerful hurricane rips her away from them. The detour leaves Numenia weak, tired and lost, but she manages, with the help of a kind stranger and strong instincts, to literally weather the storm and reunite with her family.
Fiona’s artwork is graphic, stylized and bursting with layers and texture. Her treatment of the birds is so delicate that it makes you want to reach into the paintings and feel their feathers. The color palette shifts as Numenia’s journey—both emotional and external—progresses, from the pale and stormy blues of the skies at the beginning to the rich yellows and greens of her final destination. The juxtaposition of soft and sharp edges along with bold shapes, fine details, and great use of perspective makes each page a visual delight.
In the back matter readers will find the true story which inspired the book. Between 2009 and 2011 scientists from the Center for Conservation Biology at the College of William and Mary tracked whimbrels in order to learn about their migration. In 2011 scientists witnessed a bird called “Hope” fight her way her way through a dangerous storm for 27 hours, non-stop, and survive. Fiona Halliday recounts the event as a beautiful tale of courage, strength, persistence and joy. Her poetic language combined with her stunning illustrations will inspire children to revisit this book again and again.
Guest Review by Molly Ruttan
Visit the publisher, Page Street Kids, website here.
Greta is a little girl who lives in a beautiful forest threatened by Giants. When the Giants first came to the forest, they chopped down trees to make houses. Then they chopped down more trees and made even bigger homes. The houses grew into towns and the towns grew into cities, until now there is hardly any forest left. Greta knows she has to help the animals, but how? Luckily Greta has an idea that will lead to the Giants and the animals working together in harmony. An additional section at the back explains that in reality the fight against the giants isn’t over and Greta needs the reader’s help.
This book has been printed sustainably in the UK on 100% recycled paper. By buying a copy of this book, you are making a donation of 3% of the cover price to Greenpeace UK
INTERVIEW WITH ZOE PERSICO
Please tell us how you came to be a picture book illustrator?
Growing up I had many artistic influences that led me to go into what I do today, especially in books. I struggled with reading, but the illustrations always kept me eagerly invested and inspired. I originally wanted to be an animator, but quickly figured out that illustrating was my passion and wanted to figure out how I could achieve it as my career. I returned to my love for children’s books and knew I wanted to create works of art that would help others like they did for me. With family, friends, my partner, and educators who always supported me every step of the way I signed onto my current agency, got an early jump start into my career, and graduated college. I’ve been working as a freelance illustrator for over five years now and happily receiving great projects such as Greta and the Giants.
What medium/technique did you use to create the illustrations in GRETA AND THE GIANTS and how did the metaphor of the giants as symbols of corporate greed influence your choices?
I use Photoshop CS6 and a Wacom Cintiq Pro 24 to create my illustrations, though I am heavily influenced by traditional materials and try to capture the magic of them through digital means. I use custom brushes that emulate watercolor, gouache, colored pencils, and so on. Before starting the final art for Greta and the Giants I knew that I really wanted to push some new painting techniques, so I practiced using traditional materials beforehand to figure out how I can capture them digitally.
The giants were quite a challenge! I needed to figure out how to portray the giants in a fantastical, but realistic way. It would have been too easy to use stereotypes as a crutch for their design and using certain physical traits to show how “ugly” they are is harmful because that’s telling readers having those traits are negative. I thought that illustrating them mostly from perspectives of Greta and the citizens of the forest, such as them looking up and only seeing their shoes and pants as well as not being able to see their faces as clearly due to the massive distance between them, was a perfect and simple way to achieve that the giants “have their heads in the clouds” more than anything else. They realize that they are causing harm and want to do better and I wanted to make sure their designs were an easy transition to the last spreads of the book as well. They have always worn normal clothes just like everyone else and their size doesn’t change. They are still giants! The change comes into how the new compositions show a better connection and understanding between them and the forest dwellers.
I was taken immediately by the gorgeous jewel tones in your palette. Please explain the decision behind that.
Thank you! I had a lot of fun with this palette for this book. When the design team told me they really wanted to a painterly look and using light for color and mood contrast I was immediately excited. I’ve always tried to push these elements in my personal work and I knew I wanted to push myself even more for this project. Since I have been painting traditionally on the side more, I’ve found new color palettes that I wanted to emulate in Greta and the Giants. I used warm tones for heavily lit areas and went with cool tones for shadows. I mixed colors on top of each other like I would with watercolors to keep interest and connection in each area. I have been in love with using a very bright candy red lately and knew it would be the perfect accent color in a sea of multiple shades of green. For the last spread I wanted to go with a sunset palette to help end the book on a warm and uplifting note. Overall, I would say the goal for this book was to have a mostly nature-inspired palette (greens, browns, oranges) with accents of fantasy-inspired colors (pinks and blues).
What inspired you about this particular story?
Throughout the years I’ve been finding ways to alleviate my carbon footprint on the planet as best as I can and having the chance to work on this project was right up my alley. I was inspired on now only how I can help show others on what we can do to help fight climate change, but to come together and speak up against “giants” by the power of your voice. I hope the illustrations in Greta and the Giants inspire children to ask questions. I hope it inspires parents and guardians to teach them about what is happening. I hope it inspires adults to speak out and vote.
Do you have a favorite illustration in the book?
Yes! Funny enough my favorite illustrations are the spreads that include the city. I rarely paint urban subjects and it was a fun challenge to depict what the giant city could look like from a distance. I’m proud of how it turned out!
I also enjoy illustrating animals as well. Any time I got to paint the fox was always fun for me!
What was the biggest challenge of creating the art for this picture book that’s dealing with a serious topic aimed at younger readers?
I would say finding the right visual balance of fantastical and visually showing a depiction of a real life issue. I wouldn’t be doing the message justice if I went a super happy and bright route for the illustrations. I want to show the dark sides of what’s happening to our home and make it easy to readers to understand that. I also wanted to show signs of hope and warmth as well. I use bright and inviting colors and character designs that young readers can gravitate towards. I paint light shining down on characters such as Greta to show that she is a beacon of hope. It’s little things like this that I add in my illustrations to help readers understand that things are serious, but we don’t have to be kept in the dark. It’s amazing how color and light and design choices can naturally click in your brain to know when something is “relaxing” or “melancholic” or “frustrating”. Illustrations are so important and I love that I get to create them.
As the giants learn about the negative impact of all their building and polluting, they begin to take on less fierce qualities. Was this intentional?
Absolutely. As I mentioned in the previous question regarding the giants, I really wanted to portray the giants in a way that they aren’t so different from the rest of the forest dwellers. Earlier spreads of the book emphasize how tall they are, how hard it is to see their faces from far away, and so on. There’s a disconnect and the giants aren’t aware of the damage they are causing. Towards the last spreads you can see their faces better and their postures and expressions are much more approachable. They are still giants, but there is now a more positive relationship between them and the folks living below them. I am hoping our real life “giants” can listen and start a positive dialogue with us to a better and healthier future.
Which illustrators have most influenced you as an artist?
I have so many! Some illustrators that have influenced me include Amélie Fléchais, Elena and Olivia Ceballos, Yvan Duque, Matthew Forsythe, Rebecca Green, Robin James, and many many more.
Thank you Zoe for your thoughtful answers. I hope everyone picks up a copy of Greta and the Giants to appreciate the beautiful artwork you’ve described in the interview and to see how wonderfully it complements the story.
• FIND OUT MORE ABOUT ZOE ON HER WEBSITE. • PUBLICATION DATE IS NOVEMBER 19 BUT YOU CAN PRE-ORDER A COPY HERE TODAY. • CLICK HERE FOR A HELPFUL DISCUSSION GUIDE.
Visit the below bloggers for reviews and other Greta and the Giants related coverage.
THE DAM Written by David Almond Illustrated by Levi Pinfold (Candlewick Studio; $17.99, Ages: 5-9)
★Starred Review – Kirkus, Publishers Weekly
Poignant words and haunting illustrations tell this tale based on a true story of love, loss, and rebirth in The Damwritten by David Almond and illustrated by Levi Pinfold.
“He woke her early. ‘Bring your fiddle,’” a father tells his daughter. Through these sparse words, the book opens with an immediate sense of urgency. A dam under construction will soon flood a valley cherished by Kathryn and her father. Once home to beloved musician friends, this valley will forever “be gone” and “washed away.” Pinfold’s illustrations echo the somber tone in a palette of gray, green, and white. While his “snapshot” pictures highlight samples of the delicate flora and fauna that will be lost, his double page spreads bring a bigger perspective to the vastness of the English countryside—the vastness of the loss and of the task at hand.
“‘Take no notice. There’s no danger,’” Kathryn’s father tells her. Tearing off boards on the abandoned houses they once gathered in to dance and sing, Kathryn’s father asks her to enter the rooms and play her fiddle. I couldn’t help but pause after reading these lines in the book. No danger? Had this story taken place in America, such an area would be visibly marked off with miles of flourescent yellow “CAUTION” tape and multiple “NO TRESPASSING” signs. Though the illustrations in the book show no such signage, it’s quite possible the characters’ presence in the valley was to some degree illegal. Though whatever physical danger there may have been, they faced an even greater one: the danger of the grieving process.
I compare tearing off boards from house to house to tearing off the bandage on a deep wound, acknowledging its pain, and being present with the discomfort. Kathryn plays and “Daddy sing[s],” lifting spirits “gone and … still to come” up and out of the houses and setting them free to become part of the landscape—the earth, the sky, the animals, and people. What a profound mystery of the human spirit, that we can find the safety of healing only by taking the risk to be vulnerable. Father teaches daughter there really is no danger when we grieve fully and wholeheartedly.
“The lake is beautiful” the author tells us, reflecting on how Kathryn and her father embrace the new creation. And just as before, Pinfold’s illustrations give us both detailed and wide-angled views of the landscape. Peaceful blues, gentle greens, and flowy whites restore what was once lost. Even the movement of the little fish mimic the dance of the spirits. Though the valley is gone, music continues to be celebrated.
Both multi-award winners, Almond and Pinfold complement each other beautifully. I strongly recommend the book to caregivers and educators alike, especially as an introduction to issues of change and loss for younger elementary-age children and to issues of death and bereavement for older ones.
Reviewed by Armineh Manookian
Read a review of another David Almond book here. Read another review by Armineh here.
100 BUGS! A COUNTING BOOK Written by Kate Narita Illustrated by Suzanne Kaufman (Farrar, Straus and Giroux, $17.99, Ages 5-7)
FLYING DEEP: Climb Inside Deep-Sea Submersible ALVIN Written by Michelle Cusolito Illustrated by Nicole Wong (Charlesbridge Books, $17.99, Ages 5-9)
are reviewed today by Cathy Ballou Mealey.
Sharpen your math and science observation skills with two new, detail-packed STEM-rich picture books from debut authors.
In100 BUGS! A COUNTING BOOK, two young summer explorers aren’t bugged by insects at all. They are on a seek-and-find counting quest from the pond to the field to the forest and everywhere in between. Armed with a butterfly net and magnifying glass, the daring duo discover and count an astonishing variety of interesting insects.Naritaemploys bouncy repetitive couplets to keep the mathematical and entomological journey moving at a quick pace in increasing sets of ten.
Kaufman’sbright, colorful collage-style art is engaging and cheerful, adeptly including an impressive accumulation of bugs throughout every page. A beautiful array of wildflowers and plants are also featured, complementing the detailed and intricate insects. Kaufman adds lots of birds and animals as well as an enthusiastic dog who follows the children on their adventures. With so much visual interest, young readers will be captivated. Notes at the end provide additional information on the insects and plants, making this a great STEM book selection.
InFLYING DEEP readers will imagine an underwater journey of exploration with the pilots of ALVIN, a deep-sea submersible. Their mission is to observe and analyze creatures and structures from the depths of the ocean floor, and to collect samples for further research at the surface. Cusolitouses a narrative logbook structure, inviting readers to ponder practical and procedural questions as if they are one of the crew members. What might you eat? How will you breathe? What will you see? Exciting discoveries and the possibility of danger raise the stakes for readers who will soak up this immersive science adventure.
Digital illustrations fromWongenrich this tale with incredible scenes from inside and outside the ALVIN. Realistic details abound, including the amazing variety of sea life and the riveted, technical components of the ALVIN itself. Wong uses light to her advantage, balancing sunlight and ALVIN’s spotlights above and below the ocean surface to focus attention on the stunning discoveries. A glossary, resources for further reading and notes from the author and illustrator round out this unique, informative book.
100 BUGS and FLYING DEEP were both recipients of starred reviews from Kirkus!
Where obtained: I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.
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Bruce Springsteen, Superstorms, and Fortune Telling on the Boardwalk
Inspiration for Mira Forecasts the Future
Guest Post for Good Reads With Ronna
By Kell Andrews
Brief Summary of Mira Forecasts the Future: Telling the future is a gift: you either have it, or you don’t. And Mira, daughter of the famous fortune teller Madame Mirabella, just doesn’t. When Madame gazes into the crystal ball, magic swirls. When Mira looks . . . nothing. Then one day Mira gets a pinwheel and a windsock, she finds her own form of “magic” in the science of predicting the weather—and saves the day for everyone! This engaging tale, with a fun touch of science thrown in, helps kids understand that we all have our own special talent.
Guest Post: I’m a Belmartian by marriage, which means I claim the beach town of Belmar, NJ, as a home. During Superstorm Sandy, Belmar’s boardwalk was destroyed, and many homes were damaged or demolished.
My beach town was on my mind when I was looking for a picture book idea, and it combined with a line from a Bruce Springsteen song, “Asbury Park, Fourth of July (Sandy).” “Did you hear the cops finally busted Madam Marie for tellin’ fortunes better than they do.”
Sandy, storms, boardwalks, fortune tellers — they all came together in Mira Forecasts the Future, the story of the daughter of a boardwalk fortune teller who can’t see the future with magic, so she learns to predict the weather with science.
Mira learns about weather, and this book is the story of a girl who saves a surfing contest and the day. It doesn’t take place in the present or in the past, despite Lissy Marlin’s gorgeous Boardwalk Empire inspired ilIustrations, but somewhere in between.
It doesn’t take place in New Jersey — it could be Coney Island, Santa Cruz, or any beach town. Boardwalks and beach towns seem like tourist traps to those visiting, but there are real people who live there. I wanted to capture a warm small-town environment — flavored with salt water taffy and pizza by the slice, soundtracked by calliope music and the crash of waves.
In Mira Forecasts the Future, I mixed together facts and fiction, and not just about the weather. There was a real Madam Marie, Marie Castello, who told fortunes on the Asbury boards, just as her granddaughter still does. Madam Marie was never arrested, so the fortunes she told must have come true.
There isn’t a real Mira. I hope instead there are a lot of them — kids who learn to use science to learn about nature, forecast the future, avert disaster, and make the world a better place.
Visit Kell Andrews’ website hereto find out more about the author, book signings and more.
DIANA’S WHITE HOUSE GARDEN Written by Elisa Carbone Illustrated by Jen Hill (Viking BYR; $17.99, Ages 5-8)
Diana’s White House Garden takes place in 1943 when the US is at war. Ten-year-old Diana Hopkins lives in the White House because her father, Harry Hopkins, is President Roosevelt’s chief advisor. When the president announces, “we all need to do our part to win this war,” Diana considers how she can contribute and soon tests her skills as a spy and a city official. Clearly, she’s better at playing with the Roosevelts’ little Scottish terrier, Fala. Next, Diana tries leaving sharp pins in the satin chairs to deter the enemies; it doesn’t have the effect she hoped for.
President Roosevelt decides to ship most of the food grown by US farmers to the soldiers, ensuring they are well fed and strong. He declares that Americans should grow their own food, turning backyards and vacant lots into Victory Gardens, starting with one on the White House lawn. Diana offers to help, excited to begin.
She works with Eleanor Roosevelt and the groundskeeper. Soon the garden sprouts—only to be nibbled down by hungry rabbits. Enlisting Fala does the trick; the dog is able to keep the rabbits out while Diana learns from Mrs. Roosevelt that, “sometimes you just have to start over.”
The story comes to fruition with their first delicious harvest. As Diana and her father dine with the Roosevelts, the reader gains intimate access into a world rarely revealed to the general public. This book successfully conveys the human element at the heart of all meaningful relationships, whether between president and citizen or girl and dog.
Sepia-tone paper perfectly accompanies the lively illustrations which depict well-researched scenes from the 1940s. We travel through this important historical period with Diana, understanding the timelessness of childhood. The opening line says it all, “Diana Hopkins lived in a white house.” An enduring need for community—whether you live in a white house or in the White House—connects this seventy-three-year-old story with families today.
Find educational resources and more about author Elisa Carbone here. Visit illustrator Jen Hill’s website here.
THEY JUST KNOW: ANIMAL INSTINCTS Written by Robin Yardi Illustrated by Laurie Allen Klein (Arbordale Publishing; $17.95 hardcover, $9.95 paperback, Ages 4-8)
Kids are curious. They wonder about everything they see in nature, especially about living creatures. So if your child has ever asked you how animals know what to do in any given situation, it’s the perfect time to introduce the concepts of instinct and learned behaviors with They Just Know: Animal Instincts, a terrific nonfiction picture book.When those questions start you’ll definitely want to have a copy of this helpful resource on hand not just for your kids but as a refresher for you parents and caregivers
While gently teaching about instinct versus learned behaviors, life cycles and metamorphosis, the young and their parents, They Just Know shows children that throughout the animal kingdom, all kinds of creatures are growing and changing, learning and succeeding and ultimately making it on their own.
Just like no one tells a baby when to cry, “no one reminds a caterpillar to eat her leaves, or to make a chrysalis when she’s old enough. Caterpillars just know.” Using this and other excellent animal examples, author Robin Yardi, and illustrator Laurie Allen Klein, introduce us to black swallowtails, horn sharks, king snakes, ladybugs, loggerhead sea turtles and spring peepers. The light-hearted artwork that anthropomorphizes the animals, imagines them in humorous situations preparing and studying for what actually comes naturally. Kids will find these depictions so funny. My favorite is the illustration of the horn shark sitting in his inflatable wading pool, wearing a float which, in all its contrariness, captures the text, “Nobody tells a horn shark to stay in the shallow end until he can swim.”
The book’s back matter includes four pages of learning activities in a section entitled For Creative Minds and it’s also a great conversation starter for the youngest of readers. Make sure to spend some time reading They Just Know: Animal Instincts before your next visit to the aquarium or zoo and I’m sure some enjoyable and entertaining discussions are bound to happen.
Reviewed by Ronna Mandel
Find author Robin Yardi here. Find illustrator Laurie Allen Klein here. Click here for They Just Know teaching activities. They Just Know is also available in Spanish Paperback, Ebook, and Spanish EBook
BRINGING THE OUTSIDE IN Written by Mary McKenna Siddals Illustrated by Patrice Barton (Random House BYR; $17.99, Ages 3-7)
The essence of childhood play is beautifully conveyed in Mary McKenna Siddals’ sing songy picture book, Bringing the Outside In. In this ode to outdoor pleasures, four pals spend carefree time galavanting in nature and their joy is contagious. Siddals’ rhymes and Barton’s seasonal artwork make every page loads of fun to read aloud and look at any time of year.
I must add here that even if there were no lovely, action-filled illustrations by Patrice Barton, you could still imagine the scene easily: kids dashing about with rain jackets and umbrellas, splishing and sploshing to their hearts’ content. Whether in the garden or at the beach, in the rain or in the snow, the children always find something to do outside. Then, when they’re inside, they can delight in the memory of having been together by looking at photos.
Siddals has included simple yet catchy repetition to engage the youngest of readers who’ll want to have the story read over and over. Bringing the Outside In is a great book to encourage outdoor play with the promise of wonderful treasures of nature to discover everywhere.
Ava Dreams of Water began with the image of a boy in the remote Peruvian Amazon village of Yomybato …
In the sixteen years since the publication of A Long Walk to Water, awareness of the global need for clean water has grown, but unfortunately, so has the problem. Ava Dreams of Water strives to introduce younger kids to the issue, along with ideas for how they can help, and the power of friendship and dreams. I was inspired by the work of the non-profit Rainforest Flow, which brings clean water and sanitation systems to the Peruvian Amazon. Its founder, Nancy Santullo, told me about an amazing young boy in Yomybato – where a suspension bridge and slow sand filtration system had been built – who brings people across the local river in his family’s boat. In Ava Dreams of Water, I decided to connect this boy to a child in the United States by having them meet in their dreams. With a dash of magical realism, and the wondrous illustrations by Sara McCall Ephron, the characters of Ava and Juan have a true impact on one another, as I hope the book will have on the reader/pre-reader!
Clean water is one of the most fundamental needs that humans have. Earth Day gives kids the opportunity to think about what they have, what others might be lacking, and what they can do to help. Clean, healthy drinking water is a resource that no one should take for granted! This is a global issue and, indeed, there’s a growing awareness and urgency regarding the lack of healthy water in some of our American communities as well. Books about the environment, green living, conversation, and the natural world all contribute to young readers’ breath of knowledge and curiosity. Knowing that other children do not have healthy water opens the door to empathy and action.
Ava Dreams of Wateris about a real place where children just like themselves have had their lives transformed by the clean water and sanitation systems that been brought to them. Across the world, water is a health, economic, and overall quality of life issue. With a story of imagination, dreams and friendship, Ava Dreams of Water strives to embody the spirit of Earth Day by informing and inspiring a new generation of caretakers of the planet! The ability of children’s books to open minds, explore worlds, and spur creative and constructive imagination is extremely powerful. It’s our hope that Ava Dreams of Watershares the idea that it is possible to change the world for the better, one drop at a time.
A portion of the proceeds from Ava Dreams of Water goes to Rainforest Flow, a non-profit 501(c)(3) organization that has brought clean water to villages in the Amazon of Peru since 2003.
About Nancy Moss – Nancy lives in Los Angeles with her twin sons, Gabriel and Elias. She is a former film executive and screenwriter. Learn more about Nancy and Ava Dreams of Waterhere.
About Sara McCall Ephron – Sara writes, illustrates, and teaches art in NYC. See more of Sara’s illustrations here.
HAPPY 10th ANNIVERSARY, STINK MOODY! It’s Children’s Book Week and We’re Celebrating.
We’re delighted to get all Stinky with it as the Stink series marks ten years on the scene. And what better way to celebrate Judy Moody’s hilarious and curious younger brother than with a generous giveaway of books courtesy of Candlewick Press! We’ll be following up this giveaway with an in-depth interview with author Megan McDonald so please watch this space.
If you’ve read or heard of the popular Judy Moody series of books by Megan McDonald, then you’ll also be familiar with Judy’s younger brother, Stink. The last decade has seen Stink get his own book series (he’s got more than nine titles now if you count his Stink-O-Pedias) while growing in popularity, so much so that he’s even getting his own celebration from publisher Candlewick Press. The best thing about the Stink series is how McDonald weaves STEM into every plot, whether it’s about the solar system, sharks and guinea pigs or sneaker sniffing, and makes it fun. There are fascinating facts along with Reynolds’ funny cartoons included in every book so children learn while laughing. Sure to pull in reluctant readers, these chapter books are filled with just the right amount of illustrations, Stink-y humor, and lovable characters to keep kids coming back for more.
In honor of this super sniffer, letter S loving “spotlight stealer,” we’re singing Stink’s praises and giving away three books including a brand new illustrated first chapter book and two new paperback releases. All books are perfect for adding to your child’s collection or for giving away to a fun-loving fan or school library.
When a first chapter is called There Will Be Sharks you just have to read on! The Moodys have won an overnight trip to the aquarium and everyone’s going to be there including Stink’s best buddy Webster, that oh-so-annoying classmate, Riley Rottenberger, and sharks, lots of ’em. But there’s just one catch, after an evening full of activities, Stink’s heard a scary story about Bloody Mary and he’s creeped out so much that he can’t fall asleep. A ghostly red glow and mysterious noise coming from a door nearby doesn’t help matters. Stink might have to pull a prank, or two, because Judy is sleeping a little too peacefully in the presence of sharks.
Click here to read a sample chapter. Click here to download an activity kit. Click here for a teacher’s guide.
Judy Moody and Friends: Stink Moody in Master of Disasterby Megan McDonald with illustrations by Erwin Madrid (Candlewick; $12.99, Ages 4-6) Geared for “newly independent readers,” the Judy Moody and Friends series will breed a whole new flock of Judy and Stink fans. There are just a few chapters, large print, colorful illustrations and an engaging storyline. As this story begins, Judy and Stink are sleeping out in the backyard in the hopes of seeing comet P/2015OZ4, also known as the Sherman-Holm comet. Or in Stink’s case, the Sherlock-Holmes comet. The space theme is carried through when Stink, convinced that a giant asteroid is speeding toward Earth, decides to build an asteroid-proof bunker in the basement, transforming into Asteroid Boy to save the day.
With its cool glow-in-the-dark title on the cover, this paperback edition of Judy Moody & Stink: The Big Bad Blackout is certain to entice some nighttime reading under the covers by flashlight. A big storm, a blackout and time off from school – what could get more exciting than that? Add Grandma Lou visiting with a host of her pets to the mix and you’ve got a recipe for fun family time together. And some great stories to boot. Speaking of boots, Judy and Stink are going to be needing them with the amount of rain that’s in store. But there are double rainbows at the end plus tips on what things kids can do during a blackout (reading books by candlelight, flashlight or headlamp is one of ’em) making this book a must-have for any home library.
I love larger-than-life characters who never let defeat get in their way. I think of Inspector Clouseau in the Pink Panther series; there’s also the self-proclaimed genius Wile E. Coyote whose only success is consistently failing to catch his adversary. No matter how many times they fail or get rejected, these characters’ shameless ineptitude has us laughing clearly at, not with, them.
Hoot Owl: Master of Disguise uses this larger-than-life character trait in the loveable Hoot Owl who invites us to laugh right along with him. Hoot Owl’s flair for overly dramatizing his predatory skills consistently botches his ability to catch any real dinner. Even before the dedication page, we feel the suspenseful tone build up in the warning posted on page 1: “Watch out! I am Hoot Owl! I am hungry. And here I come!” In his first picture book for children, Jullien, of course, eases the hearts of even the youngest reader. Hoot Owl’s egg shaped head and wide eyes peeking from the bottom corner of the page assure us no animals (illustrated or otherwise) were harmed in the making of this book.
Especially appealing in this character driven story are the similes Hoot Owl uses to describe his supposed deftness at flying through the “darkness of midnight…as quick as a shooting star…like a wolf in the air…like a knife.” On his first attempt to catch dinner, Hoot Owl boasts of the “sharp beak” that will soon “gobbl[e] that rabbit up!” But Hoot Owl isn’t just any old owl; he is an owl of great mental prowess too. Before he closes in for the kill, he states: “Everyone knows owls are wise. But as well as being wise, I am a master of disguise.” And so our hero disguises himself as a (not-so-convincing) carrot. The bunny’s calm smile confirms our suspicions that Hoot Owl is more likely to win an Academy Award for Best Performance Before Dinnertime than to actually catch anything to eat. The adorably bespectacled “juicy little lamb” and mellow “trembling” pigeon are next on our predator’s supposed hit list, highlighting once more the comic disconnect between Taylor’s sensational diction and Jullien’s heartwarming illustrations.
That Hoot Owl shares with us he’s in on this comedy, too, is what I find most endearing about his character. “The shadowy night stretches away forever, as black as burnt toast,” he says using a simile so forced you know deep down he’s laughing at his own incompetence. Adults and children will be pleased and surprised at the dinner our hero finally does catch—then back again into the “enormousness of the night” Hoot Owl glides stealthily, warning us of his return….which readers of all ages will, without a doubt, impatiently await.
Spring is only a few short weeks away, and most of the country can’t wait to thaw out. In anticipation of sunshine and warmer temperatures, here are two picture books about different types of gardens.
In Lola Plants a Garden, young Lola is inspired to plant a garden after reading the “Mary, Mary, quite contrary” poem. First, she conducts her research with books from the library. Next, she and Mommy make a list of Lola’s favorite flowers. Then they’re off to buy seeds and carefully follow the instructions on the seed packets. But growing a garden doesn’t happen quickly, and Lola has to wait. Not to worry, as Lola and her parents have plenty of ways to keep busy.
Lola makes her own flower book…She finds shells and some old beads. She even makes a little Mary Mary. Daddy helps Lola hang her shiny bells. Lola finds Mary Mary a special spot. It’s just perfect. And, before Lola knows it, her flowers grow and her friends visit. They share the crunchy peas and sweet strawberries…What kind of garden will Lola plant next?
This sweet book highlights the fun of getting back to nature and teaches the virtues of hard work and patience. Good things come to those who wait, and Lola must wait for her flowers to sprout and grow. With the help of her parents, Lola doesn’t dwell on the waiting and enjoys her time with related activities. I just adore the illustrations. They are bright with the little details that convey so much meaning. We know Lola is working hard on her flower book when we see her tongue stick out from the corner of her mouth. And pulling weeds isn’t easy as we can tell from Lola wiping her brow. I especially liked seeing how Mommy and Lola lean into each other as they make cupcakes. These touches are the illustrator’s mastery. The font is also spot on with just the right size and style (modern with clean lines) to help emerging readers identify letters and words.
In Marys’ Garden brings to life a true story of art and inspiration. Mary Nohl was a little girl in Wisconsin who loved to create, invent, and build things. Mary tried woodworking. She helped her father build a house on the shore of Lake Michigan. She won the first place prize in her industrial arts class for building a model airplane. This was unusual for the time, as girls were supposed to follow traditional paths. In fact, Mary was one of only two girls in the class. But Mary had an intrepid spirit and a keen eye for art. As she grew older, she traveled the world and drew inspiration from everywhere. One summer, her dogs, Sassafras and Basil, found driftwood on the lakeshore. Mary then began to hunt for more items—old keys, shiny rocks, feathers, cogs, combs, and on. She began to create. It took a long time to put together all the odds and ends and bits and bobs, but finally Mary was done. The creature was magnificent. She continued to create art piece after art piece in her garden and then in her home. After her death, Mary’s art is being preserved.
My daughters and I greatly enjoy this story. It shows a woman who follows her own path and mind. Despite society’s conventions, Mary Nohl kept true to herself and her muse. These are lofty concepts, but even young children can understand the idea that a person can do what she loves. Older children will hopefully take away the lesson that gender shouldn’t stop someone from achieving milestones and following a dream. The book ends with factual information and photographs of Mary and her garden.
The book’s art is traditional watercolor with digital painting, collage and vintage papers. Postcards, patterns, and writing are used as backgrounds for the main illustrations and offer a look at Mary’s creativity. The “creatures” (statues and creations) are unconventional but fun to study. They demonstrate Mary’s incredible imagination. There’s a lot to take away from In Mary’s Garden—creativity, inspiration, challenging society’s norms, being true to yourself—and it’s well worth the read.
The recent discovery of the Olinguito, a new species of mammal resembling “…a cross between a cat and a furry teddy bear …” prompted Ecuadorian author Cecilia Velástegui to write a contemporary children’s fable about respect for others and for the world’s wildlife.
Shy Olinguito helps forgetful Tómas, an ancient Galapagos tortoise, recall how he ended up far from his native island and in Ecuador’s cloud forest. Due to Tómas’ memory loss and confusion, the other animals think his stories are “tall tales” and tease him. Olinguito finds the other animals treatment of Tómas disrespectful and sets out to help Tómas prove the truthfulness of his stories. With Olinguito’s support, Tómas reveals the twists and turns that took him from his island home to the cloud forest.
While the story focuses on its moral: “honor our elders and cherish our wildlife,” Velástegui uses the fable to gently point out the threats to the diverse wildlife referred to in her story. Through the long-lived and widely traveled Tómas, Velástegui hints at mankind’s devastating impact on the nature. In his narrative, Tómas refers to several “friends” who are now “gone” or “rarely seen” such as the Pinta Island (Galapagos) Tortoises, the Galapagos Petrel, and the cloud forest’s Harlequin Frogs.
Despite the dismay readers will experience over the loss of the many and striking species, the book ends on some positive notes: Olinguito shows young readers the importance of respect for others and the natural world and of standing up for friends who are being bullied or teased. Again, through Tómas, children will learn that some species, such as the Galapagos Pink Land Iguanas, are thriving and that other new species, such as the Galapagos deep sea catshark have been discovered.
Additional front and end material includes a brief note on the discovery of the olinguito, a “Facts/Datos” page, a colorful map of South America dotted with cheerful symbols marking significant cultural, historic, and wildlife locations, and photos of an olinguito and a giant tortoise.
As the book is bilingual, the layout consists mostly of two page spreads. On the left are the English and Spanish versions of the story. The right side features an accompanying illustration. Occasionally, illustrator Fang takes advantage of the expanse of the two page spread to create an illustration that floats across both pages. The illustrations contribute to the story, realistically capturing characteristics of the animals in the misty and diffused light of the cloud forest.
Primarily a fable, use this picture book with younger children as bibliotherapy for social and/or emotional issues around respect, aging, friendship, teasing and bullying. This book could be used with older children to introduce them to South American geography and ecosystems, threatened or extinct or new animal species, and the effects of exploration, colonialism, and development on the natural world and indigenous people. Needless to say it could also be used with children as a springboard for writing their own fables.
Visit the Olinguito Speaks Upwebsite for more author info, facts, and a book trailer.
The author won First Place in Adventure Fiction at the International Latino Book Awards for her adult novel Missing in Machu Picchu.
FLASHLIGHT BY LIZI BOYD IS REVIEWED BY RONNA MANDEL
Lizi Boyd’s wordless picture book, Flashlight (Chronicle Books, $15.99, Ages 2-6) makes darkness delightful, full of fun creatures to be found by a little boy camping out in the woods.
Just one flashlight shining upwards highlights bats, a surprised looking owl and raccoons all hidden in their normally pitch black homes. Shining downwards and watch out! Some skunks are nearby. Boyd’s artwork of simple grays and whites and a touch of color creates the woodsy environment suddenly brought to life by the beam of the boy’s flashlight. There’s a chalkboard quality about the illustrations that will appeal to all ages. And it wasn’t until I turned to the second enchanting spread that I noticed the clever die cuts revealing new nighttime treasures with every turn of the page.
Without words, and only images to steer the story forward, this book enables parents to take advantage of a wonderful opportunity to make up a narrative or listen as youngsters invent their own tale. Boyd’s sense of humor shines, too, as the woods get more and more full of animals and then the little boy trips, only to have his flashlight picked up by one of the forest creatures, then another and more still. This unexpected yet welcome turn of events is sure to please even the littlest of readers. It will make the next camping trip your family takes a most looked-forward-to adventure.
Buy this book, add an adorable roaring tiger flashlight or even a mini MagLite, and you’ve got yourself one birthday present that will light up the face of any child that receives it.