History

Picture Book Review for Women’s History Month – Beatrice and the Nightingale

 

BEATRICE AND THE NIGHTINGALE

Written by Patricia Newman

Illustrated by Isabelle Follath

(Peachtree; $19.99, Ages 6-9)

 

 

Beatrice and the Nightingale cover Beatrice playing cello as bird sings.

 

 

 

From the publisher:

“In 1924, an audience of more than one million listeners across the world listened in amazement to the first live radio broadcast of a nightingale accompanying the young cellist Beatrice Harrison.”

 

From Booklist:

“A gentle gem of a story [with] charming ink-and-watercolor illustrations . . . A delightful introduction to a lesser-known life, and a welcome reminder of the wonder that exists in the natural world.”

 

Review:

Beatrice Harrison grew up surrounded by music: in her home, through her father’s regimental band …

 

Beatrice and the Nightingale int1 surrounded by music.
Interior art from Beatrice and the Nightingale, written by Patricia Newman and illustrated by Isabelle Follath, Peachtree Publishing, ©2026.

 

even in nature. But nothing stirred her heart quite like the cello. So when her mother brought one home, Beatrice practiced and practiced, dreaming of the day she would share its music with the world.

 

 

Beatrice and the Nightingale int2 Beatrice practiced.
Interior art from Beatrice and the Nightingale, written by Patricia Newman and illustrated by Isabelle Follath, Peachtree Publishing, ©2026.

 

By 17, she had won Germany’s highest musical prize. She went on to share music throughout Europe and Russia, even playing for the President of the United States.

One day, while practicing in her garden, a nightingale joined Beatrice, lending its voice whenever she stopped playing. Night after night, the pair performed, sparking an idea in Beatrice’s mind. What if everyone could hear their duet?

Beatrice struggled to convince the BBC of the merits of her plan—broadcasting her nature concert live on the radio—but eventually she did, and her concert was a huge success! For 12 years, the BBC recorded Beatrice’s annual concert with the nightingale and aired it to their worldwide audience.

 

Beatrice and the Nightingale int3 BBC and Beatrice awaiting the nightingale.
Interior spread from Beatrice and the Nightingale, written by Patricia Newman and illustrated by Isabelle Follath, Peachtree Publishing, ©2026.

 

Charming watercolor illustrations bring Beatrice and the Nightingale, this nonfiction biography by Patricia Newman and Isabelle Follath to life. Best known for her nonfiction STEM titles, Sibert Honor recipient Newman expands her repertoire with this STEAM-tastic book, highlighting the connection between music and science, while Follath’s whimsical conceptualization of musical sounds further marries that connection. As per usual, Newman’s extensive backmatter and teacher’s guide make this book perfect for the classroom—especially during Women’s History Month.

-Reviewed by Roxanne Troup

 

Please see below for links to more reviews from previous Women’s History Months.

Three Picture Books for Women’s History Month

Five Children’s Books for Women’s History Month

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An Interview with Author Tami Lehman-Wilzig

 

AN INTERVIEW WITH TAMI LEHMAN-WILZIG

A Guest Post by Michelle Orrelle

 

 

TLH Three Picture Book Covers.

 

 

INTERVIEW:

Michelle Orrelle: Tami, it’s such a pleasure to chat with you today! You and I live in Israel and share a passion for bringing authentic stories about Israel and Jewish life to young readers. Before we dive into your new books, I just want to say how much I admire your commitment to connecting children everywhere with our shared heritage.

Tami Lehman-Wilzig: Thanks so much, Michelle. Jewish content, which includes stories set in Israel, is definitely my niche. I cannot emphasize enough how important books connected to Israel are for young Jewish readers around the globe, especially now, during the troubled times we are living through. I am so grateful to PJ Library for sending out books tied to Israel and for all that they have done throughout our war. And we also have your wonderful initiative – the Am Yisrael Chai Children’s Books project, which you began after the horrendous events of October 7th, 2023, occurred, and Israel-bashing became rampant. Thanks to you, we have close to an additional 10 picture book titles connected to Israel being distributed to thousands of children throughout the United States through The JCC of North America.  

 

MO: Two of your new books – On the Wings of Eagles, and The Henna Helper – are part of what I call your Israel Lineup. Some of these books won awards, like Keeping the Promise and SOOSIE, The Horse That Saved Shabbat. Tell us a little bit about these books.

TLH: What you call my Israel Lineup are stories that are not just about Israel. They take place in Israel, reflect Jewish identity and values, and show Jewish children around the world that Israel is a country they can identify with. Take, for example, my book Stork’s Landing. The Jewish value of kindness to animals is reflected by the members of a kibbutz who nurture a wounded stork. SOOSIE, The Horse That Saved Shabbat has that element as well, but even more so shows how important Shabbat is on the weekly Jewish calendar. My new book, On the Wings of Eagles, reflects the eternal yearning of the Jewish people throughout the ages to return to Zion. Even two of my earliest books – Passover Around the World and Hanukkah Around the World are part of the Lineup because Israel was my open research lab. All of the customs in those books are still being practiced in Israel among the “tribes” that brought them over. By writing stories revolving around these traditions, the customs became accessible to all Jewish children. At the same time, they showed the mosaic that is Israel.

 

On the Wings of Eagles cover.MO: Let’s talk about On the Wings of Eagles—a powerful tale inspired by real events during Operation Magic Carpet, when nearly 50,000 Yemenite Jews were airlifted to Israel in 1949–1950. The story follows Haila, a young girl preparing to leave her village and fly to the Jewish homeland, capturing both the excitement and fear of that historic journey. The book is based on true people and events, and you dedicate it to Leah Ma’Udah, the real “Haila.” Can you share what it was like meeting her and how her memories shaped your storytelling?

TLH: Leah is such a special person. She has gone through a lot in her life, starting with her fleeing Rada, Yemen, when she was a little girl. Her entire world was her home and her city, and poof, it was shattered! Suddenly, she found herself being uprooted. That’s not easy for any child, and certainly the trek from Rada to Aden was terrifyingly difficult. It was riveting just sitting and listening to her. She remembered everything about her journey, including the robbery that figures into On the Wings of Eagles. She is a very soft-spoken woman, but her voice was full of intensity and passion while recounting the details of her trek. It helped me recreate her tale with a balance of factual accuracy and emotional storytelling.

 

The Henna Helper cover.MO: In your newest book – The  Henna Helper – you revisit the Yemenite-Israeli community in modern-day Israel and in a very different context. What do you hope readers—both Jewish and non-Jewish—will learn about Yemenite Jewry from this story?

TLH: I’m thinking Micro and Macro, so let’s start with the micro level of crafts and customs. The Jews of Yemen were the finest silversmiths in the land, and they brought their outstanding skill with them to Israel. During the early decades of Israeli statehood, Israeli jewelry was synonymous with Yemenite jewelry. Similarly, their gorgeous embroidery became another Israeli symbol. But let’s go to the macro level. The Henna Helper is a universal story about immigration. About new immigrants coming to a country with a totally different day-to-day way of life. Little Gali represents the immigrant who wants to integrate. Why does her cousin Yael have to hold a pre-wedding Henna ceremony? Who needs this old-fashioned custom? After all, Yael is a modern Israeli. Gali is at odds with her grandmother who holds on to tradition, who wisely shows Gali that one can be cool and with it while maintaining honored customs. I think that all children who have descended from immigrants who have contributed to their country can relate to this. Specifically for Israel, Yemenite Jews have made enormous contributions to Israeli culture – from music, jewelry, and fashion to cuisine.

 

Rembrandt's Blessing cover.MO: You have three new books. Let’s talk about your third new title, Rembrandt’s Blessing,  which just received a fabulous review from CLCD, Children’s Literature Comprehensive Database. I want to quote from it:  “This charming picture book gracefully introduces young readers to the world of the incredible master painter, Rembrandt van Rijn, and his unexpected relationship with Amsterdam’s Jewish community at the time … The narrative, grounded in historical fact yet told with a gentle fictional touch, explores themes of curiosity, respect, and cultural intersection.”
How does this story connect to your broader body of work?

TLH: I am in love with my Jewish heritage, and I want readers to understand that Judaism is more than just a religion. It’s a culture and a way of life that has a rich history, and Rembrandt plays into that. Rembrandt loved the bible and created over 300 works – paintings, drawings, and etchings – of biblical scenes. As my book shows, his close friendship with Sephardi Dutch rabbi Menashe ben Israel had a tremendous impact on his work. I discovered Rembrandt’s deep ties to the Amsterdam Jewish community around twenty years ago during my first trip to Amsterdam. I felt it was an important story for children because it shows a cross-cultural, inter-religious friendship that had a very positive effect. I think that Rembrandt’s Blessing fits in beautifully with two other books of mine that have historical connections: The Boston Chocolate Party and Luis de Torres Sails to Freedom.

 

MO: Let’s talk a bit about craft. You write primarily for older picture book readers, ages 5–9. What do you think first-time authors should know about the process?

TLH:  First and foremost, study the market. If you have a book idea, find out what’s out there. Maybe it’s already been done. If that’s the case and you still want to write the story, how will you make it different? Next, Vitamin P: Patience and Persistence. Writing a good story is not, as they say in Israel, “Chick-Chack” – something done quickly.

 

MO: That leads me to my next question. What has your experience been like working with editors, publishers, and critique groups?

TLH: Let’s start with critique groups: an absolute MUST. Develop the skin of an elephant because you want criticism. You want to know what should be changed, how can your story be improved. And don’t think the critique stops with your group. It is rare that a book is accepted and the editor does not want changes. I have learned so much from my editors. Let me take this opportunity to give a special shout-out to Aviva Lucas Gutnick, who was my editor for all my books at Apples and Honey Press. Her sharp eye and ear added so much to my stories.

 

MO: What are you working on now? What’s next for you?

TLH: I have a hyperactive brain so I’m juggling a lot of ideas, and even drafts. I’ve just finished the first draft of a bible story revolving around a character who has never been touched but is so very important to the Jewish story. I also have two other stories that I’m working on. One deals with a female Israeli scientist, and the other takes place in Italy. And I’m flirting with a story idea that takes place in Japan.

 

MO: Tami, thank you so much for sharing your time, insight, and passion with us.

TLH: Thank you for interviewing me. It was a special treat!

GRWR: Thanks to you both for this enlightening discussion! I hope readers will visit their local independent bookstore to purchase the books mentioned, or order online via Bookshop.org.

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Author Tami Lehman-Wilzig Photo Credit: Sharon Lapidot
Author Tami Lehman-Wilzig, Photo Credit: Sharon Lapidot

TAMI’S BIO: 

Tami Lehman-Wilzig is an award-winning author of sixteen picture books. Originally from Manhattan, she and her husband moved to Israel 48 years ago.  She served as one of Israel’s leading English language advertising copywriters for 35 years. Her career as a children’s picture book author began over 20 years ago during the second Intifada, which she hopes no Jew will ever have to go through again. At that time, business was down so she decided to see if she could turn her hobby of writing children’s stories into a second career.
For more on Tami and her books: https://www.tlwkidsbooks.com/

FIND TAMI HERE:

Author Michelle Orrelle Photo Credit Sarah Raanan
Author Michelle Orrelle, Photo Credit: Sarah Raanan

MICHELLE’S BIO: 

Michelle Orrelle is an Australian-Israeli children’s book author. Her debut board book Todah, I Am Grateful, and debut picture book Habima Magic will be published by Kar-Ben Publishing in 2026 and 2027.  Along with her husband, she founded Crew 972, an animation production company, and she is also a guide at ANU – Museum of the Jewish People in Tel Aviv, where she helps visitors connect with Jewish history, culture, and tradition.
For more about Michelle: www.michelleorrelle.com

FIND MICHELLE HERE:

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Picture Book Review – The Juneteenth Alphabet

 

 

THE JUNETEENTH ALPHABET

Written by Andrea Underwood Petifer

Illustrated by Ana Latese

(Sourcebooks; $14.99; Ages 3-6)

 

 

 

The Juneteenth Alphabet cover children marching and playing instruments.

 

 

 

Review:  

For decades, advocate and teacher Opal Lee fought to give Juneteenth the recognition it deserves. In 2021, her hard work and dedication came to fruition when the U.S. government, under President Joe Biden, officially recognized Juneteenth as a holiday. Author Andrea Underwood Petifer saw the recognition as an opportunity to educate both young children and adults about the history behind June 19th, which inspired her newly released children’s book, The Juneteenth Alphabet, with illustrations by Ana Latese.

 

 

The Juneteenth Alphabet int1 A is for Album.
Interior spread from The Juneteenth Alphabet written by Andrea Underwood Petifer and illustrated by Ana Latese, Duopress ©2025.

 

 

Creating a story that explains 200 years of slavery, the Emancipation Proclamation that was meant to end all slavery, and the resistance of Texas to follow through with freeing the slaves for over two years is a lot for children (and quite honestly, adults) to grasp. Petifer has articulated the complexity in an alphabet book that breaks down the history from A to Z, starting with A is for Album (photo album that is) and Ancestors, and ending with Z is for Zeal, “an eagerness to endure after hearing no. It is brave, it is hope, it is joy, it is determination.”

Before the reader dives into the alphabet story, Petifer opens with the background of Juneteenth and how it’s regarded in African American communities as the second Independence Day. Four million African American people were not thought of when the Declaration of Independence was created, so this holiday celebrates the troops from the Union Army arriving in Galveston, Texas, two and a half years after independence was declared to free the remaining slaves.

 

 

The Juneteenth Alphabet int2 F is for flag and freedom.
Interior art from The Juneteenth Alphabet written by Andrea Underwood Petifer and illustrated by Ana Latese, Duopress ©2025.

 

 

Illustrator Ana Latese creates full-color jubilant art that beautifully complements the story using Procreate, iPad Pro, or Apple Pencil. The spreads feature brown and black hands held high, a red, white, and blue Juneteenth flag flown, and the African American community smiling while parading in the streets as gospel singers belt out the hymn Happy Day drawn above H is for Happy.

 

 

The Juneteenth Alphabet int3 H is for happy.
Interior art from The Juneteenth Alphabet written by Andrea Underwood Petifer and illustrated by Ana Latese, Duopress ©2025.

 

One of my favorite items in this book is the fact/info bubbles. The reader is asked to turn to their child and discuss questions that pertain to the topic on the page. Underneath the letter H, the bubble asks, “What are you feeling?” and then asks the child to share their thoughts with the reader. I think introducing social and emotional learning is a great way for kids to better understand this challenging and complex time in history. J is for Joy explains that when we express joy, we take back our story. Great words of wisdom!

Representing the letter O, Opal Lee, dressed in bright purple, stands at a podium with the White House behind her as she petitions the government to recognize the holiday. And, of course, the reader turns the page to S is for the Sounds of Songs that are Sweet and Savory; while T is for Talents and Traditions. Black rodeos, parades, and poetry readings prove there is more than just pain to the story.

The Juneteenth Alphabet concludes with a brief summary of terms (there are A LOT of new words for young readers). Children learn the meaning behind Equality, the quality of being the same. This was a very informative book, and I have to admit, I learned a lot about Juneteenth history that I was unaware of before reading this picture book. Parents can share this book over and over again, explaining the past while teaching their children the importance of treating all people the same. Latese creates a banner that reads “Fight for the Future,” and I think those are imperative words to ponder on June 19th. Happy Juneteenth, everyone!

 

  • Reviewed by Ronda Einbinder

 

 

 

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An Interview with Debut Picture Book Author Leah Schanke

AN INTERVIEW WITH

DEBUT AUTHOR LEAH SCHANKE

ABOUT HER NEW HISTORICAL FICTION PICTURE BOOK

FREEDOM AT DAWN

(Albert Whitman & Co.; $18.99, Ages 4-8)

 

Freedom_at_Dawn_cover_Smalls_and_Lizzy

 

 

 

 

INTERVIEW:

GoodReadsWithRonna: Welcome, Leah. Congratulations on your debut picture book, Freedom at Dawn: Robert Smalls’s Voyage Out of Slavery. It’s terrific to have this chance to chat with you on the blog. I’m guessing most people don’t know about the courageous escape to freedom made by enslaved boat pilot or wheelman Robert Smalls during the Civil War. Can you tell us how you first learned about him and what inspired you to write about this historic event?

Leah Schanke: I first learned about Robert Smalls when I was researching another US Civil War story. Smalls was a Civil War hero, yet he was forced out of a streetcar in Philadelphia because of the color of his skin. I made a note to myself to learn about Smalls because I was not familiar with this important figure in US history. I was inspired by his daring, dangerous plan, his fearlessness, and his accomplishments after the escape to freedom. I also feel a personal connection to his story because of my family roots in South Carolina.

 

 

Freedom at Dawn int1 attack on Fort Sumter.
Interior spread from Freedom at Dawn: Robert Smalls’s Voyage Out of Slavery, written by Leah Schanke and illustrated by Oboh Moses, Albert Whitman & Co. ©2025.

 

 

GRWR: I love how you’ve made Lizzy Smalls, the oldest of Robert Smalls’s two children, the narrator. It brings the reader right on board the Planter with the family. Did you try other approaches?

LS: In 2012, I wrote a picture book biography of Robert Smalls. There were already other picture book biographies, and mine didn’t stand out or offer anything unique. I put the story aside until 2020. My critique group did a brainstorming exercise, and one of the items was to tell a story from a different perspective. That is when I decided to try telling the story from Smalls’ daughter’s perspective.

 

GRWR: Readers learn from Lizzy that soon the Union will launch an attack on Charleston, meaning the harbor will be harder than ever to escape unless they leave right away. It helps that Smalls knows the secret whistle code to pass Confederate boats. You build tremendous tension in these scenes as Mama, Lizzy, and baby Robert wait for Papa’s boat to arrive. Then, once on board the Planter, Lizzy’s descriptions make my heart race with every read. “The guards on shore must think Papa is the real captain.” What would they do if they saw he was not white?. Was this one of the most challenging parts of the book to write, or was it when they raised the white flag?

LS: Writing the suspenseful elements of the story was a lot of fun. It was more difficult writing the part about raising the white flag. In an earlier version of the story, I gave Lizzy more agency in which she shouts to the crew to pull down the Confederate and South Carolina flags (and replace them with the white flag of surrender). I agreed with a critique I received that this deviated too much from the historical facts.

 

 

Freedom at Dawn int2 Someone's pulled the whistle cord.
Interior art from Freedom at Dawn: Robert Smalls’s Voyage Out of Slavery, written by Leah Schanke and illustrated by Oboh Moses, Albert Whitman & Co. ©2025.

 

 

GRWR: What was your reaction the first time you saw Oboh Moses’ stunning artwork? He manages to capture the atmosphere on board and the strong emotions all the escapees are feeling as they hide below deck in this life-or-death situation. Do you have a favorite spread?

LS: When I first saw black and white illustrations, I was impressed at how Oboh Moses captured the story, but when I saw them with color, to say I was absolutely amazed is an understatement. My favorite spread is the battle at Fort Sumter (top illustration). The spread really shows a very important battle in US history in an engaging way. I hope it sparks curiosity in learning more about the US Civil War.

 

GRWR: How long did it take you to write Freedom at Dawn, and then how long to find an agent and sell the book? I applaud you for making it look easy.

LS: Writing Freedom at Dawn took about one month for the first draft because I already knew the story well from the traditional biography I had written years earlier. I had an agent when I wrote the story, who showed little interest in it and with whom I parted ways. I submitted to agents in the hopes of another agent relationship, but it didn’t lead to an offer. I sold Freedom at Dawn on my own through the fall 2023 Savvy Authors Pitchfest and engaged a literary attorney to negotiate the contract on my behalf.

 

 

Freedom at Dawn int3 I try to be brave.
Interior spread from Freedom at Dawn: Robert Smalls’s Voyage Out of Slavery, written by Leah Schanke and illustrated by Oboh Moses, Albert Whitman & Co. ©2025.

 

 

GRWR: I learned even more about Robert Smalls from the backmatter. Are there any interesting facts that stand out to you after all your research?

LS: It was important to me to give information in the backmatter about Elizabeth (Lizzy) Smalls’ life since I told the story of the escape from her perspective. I was amazed that she lived to be 101 years old and had 11 children.

I had a timeline that had to be removed from the backmatter to maintain the 32-page format. It was very interesting to learn that in the summer after the escape, Robert Smalls traveled to Washington, DC, and met with President Abraham Lincoln, Secretary of the Navy, Gideon Welles, Secretary of War, Edwin Stanton, and Secretary of the Treasury, Salmon Chase. Although the details of the meetings are unknown, it is believed Smalls was an instrumental voice in reminding them that African American men were capable and willing to join the fight against the Confederacy.

 

GRWR: What’s it like after so many years to finally have a debut? Does it seem surreal at times?

LS: It’s been a thirteen-year journey to reach this point! It does feel surreal, but I’m so glad I stuck with it and kept working on improving my storytelling craft. I hope my long journey to publication helps other writers to not give up. The submission process and passes or no response at all can wear you down. Sometimes it helps to recharge by disengaging from submitting, and focusing on writing stories and reconnecting to the love of writing for children.

 

 

Freedom at Dawn int4 Raising the white flag.
Interior spread from Freedom at Dawn: Robert Smalls’s Voyage Out of Slavery, written by Leah Schanke and illustrated by Oboh Moses, Albert Whitman & Co. ©2025.

 

 

GRWR: What is your writing regimen? Do you write daily? And do you have a favorite place where your ideas can flow unimpeded?

LS: I work full-time and commute over one hour in each direction to the office. During the morning commute, I focus on anything writing-related, e.g., writing, revising, critiquing, and catching up with social media. I also go to the library on the weekend to do research and write.

 

GRWR: Have you always been focused on writing for children?

LS: Yes, I have always been focused on stories for children. I enjoy bringing stories about little-known but important figures and events in US history to a younger audience.

 

 

 

Freedom at Dawn int5 Mama with Baby Robert in her arms.
Interior spread from Freedom at Dawn: Robert Smalls’s Voyage Out of Slavery, written by Leah Schanke and illustrated by Oboh Moses, Albert Whitman & Co. ©2025.

 

 

GRWR: Please let me know if there’s anything I didn’t ask that you’d like to mention.

LS: While the story is focused on the escape and Smalls’ skills and fearless leadership, he could not have pulled off the escape on his own. He needed the crew to operate the ship. There was a community of people on board who worked together and risked their lives for freedom. Everyone on the ship was brave. I’d like readers to understand that there are different ways to be brave, and that in the story Lizzy learns that she is brave too.

 

GRWR: Thank you, Leah, for sharing your perspective with us today. I’m excited for children to read Freedom at Dawn!

BUY THE BOOK:

Purchase copies of Freedom at Dawn here.

 

Author Photo Credit: Clifford Mason

BIOGRAPHY:

Leah Schanke is a children’s book author whose multicultural heritage and interest in U.S. history inspire her to write historical fiction and nonfiction books for children with a focus on little-known but significant figures and events. FREEDOM AT DAWN, illustrated by Oboh Moses, is Leah’s first children’s book. With family roots in South Carolina, she was especially intrigued by the idea of telling a children’s story about Robert Smalls’ heroic life. Leah lives on Long Island, NY, with her family.

Find out more at https://www.leahschanke.com

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FOLLOW LEAH:

https://www.instagram.com/leahschanke/

https://bsky.app/profile/leahschanke.bsky.social

ILLUSTRATOR OBOH MOSES INFO:

https://www.instagram.com/obohdraws

https://bsky.app/profile/obohdraws.bsky.social

Portfolio: https://www.agoodson.com/portfolios/oboh-moses/

 

 

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Three Picture Books for Women’s History Month

 

 

THREE PICTURE BOOKS
FOR WOMEN’S HISTORY MONTH

∼A ROUNDUP∼

 

women's history month clip art

 

 

 

Unshakable Eleanor cover Eleanor Roosevelt giving speech.UNSHAKABLE ELEANOR
Written by Michelle Markel
Illustrated by Alejandro Mesa
(Balzer + Bray; $19.99, Ages 4-8)

I felt the author’s admiration for our former First Lady, Eleanor Roosevelt, from the very first page of this timely, well-written biography. As the longest-serving First Lady, Roosevelt’s human rights impact was unmatched. This picture book details how Roosevelt’s powerful voice and popularity grew throughout her lifetime, leaving an impressive legacy of leadership that has profoundly impacted the role of first lady.

But, Eleanor wasn’t always outspoken. As a child growing up an orphan in New York, Eleanor is described by Markel as shy. “She’s been told she’s homely and made to feel like a failure.” Not exactly confidence-building. Yet this persevering young girl found love and encouragement in the letters from her late father. She clearly was well-to-do since the Roosevelt name carried clout and connections. We also learn she was sent to “finishing school” overseas. Eleanor came into her own during this period, already eager to help poor immigrants. Throughout the book, Mesa’s illustrations do a terrific job of conveying emotion and atmosphere.  Young readers may not know that Eleanor was a distant cousin of Franklin Delano Roosevelt and that their eventual marriage proved to be a powerful combination. While FDR focused on politics, Eleanor focused on unfair practices from child labor and unsafe factory conditions. Her work as a reformer was just getting started.

When she became First Lady, the country was in the throes of the Great Depression. In her new role, Eleanor brought women’s issues to the fore and even persuaded FDR to appoint women to high ranking positions. But she didn’t stop there. She helped people fight poverty and starvation as she traveled across the USA. She got involved in the struggles of Black Americans against “white lynch mobs” and worked tirelessly to help them be treated as equals. And while she faced a lot of pushback and bad press, she never let it deter her. “Every small victory makes a difference.” Eleanor always managed to keep those in need of justice on her radar, so it seemed fitting when the newly formed United Nations invited her to “lead a committee on the rights and freedoms of all human beings.” This Universal Declaration of Human Rights still exists. With a career as long and as storied as Eleanor Roosevelt’s was, Markel manages to keep to her theme and provide many jumping off points for further research for older readers (and I do think kids as old as 10 would enjoy this book). The highlighted examples reinforce Roosevelt’s vast accomplishments for the younger ones, making her a role model for budding activists. Four fantastic pages of backmatter detail just how much good Eleanor did and include a timeline where I learned the Ku Klux Klan once placed a $25,000 bounty on Eleanor’s head! There’s also a select bibliography, a section about “More About People of Color and Women During the Depression,” one on “People of Color and Women During the New Deal,” and one on “Mary McLeod Bethune, Walter White, and the Roosevelt Administration.” I’m glad to still be learning new things about Eleanor Roosevelt all these years later.

 

 

One Girl's Voice cover Lucy Stone in DC.

ONE GIRL’S VOICE:
How Lucy Stone Helped Change the Law of the Land
Written by Vivian Kirkfield
Illustrated by Rebecca Gibbon
(Calkins Creek; $18.99, Ages 7-10)

I hope that reading about the women movers and shakers from the 19th and 20th centuries in this roundup motivates young girls today to continue making their voices heard as Lucy Stone did from a very young age.

Enlightening quotes from this women’s rights advocate are used throughout One Girl’s Voice making Stone’s advocacy that much more meaningful when you consider the era during which she grew up. Kirkfield notes that in 1830, in Massachusetts and across the United States, the law said the voices of girls and women didn’t count. In other words, they should be seen, especially in the kitchen, and not heard, out in public that is. Even Lucy’s father agreed with that sentiment, which caused Lucy no end of anguish.

Lucy was determined to show that women’s voices mattered despite how her father and society felt. She’d earn her own money to pay for books, and then college, but a rude awakening awaited her at Oberlin College. Women were not permitted to speak in the public speaking class! So Lucy met with other women and practiced debating in secret. But they still had to put their newly acquired skills to the test. And though she persuaded her professor to let the women speak in the classroom, when the administration got wind of this, all future debates by women were banned. This blatant lack of equality irked on many levels since Lucy also discovered she was working to pay for college at half the pay her male classmates received. Lucy wrote a letter arguing against this inequity and was rewarded with equal pay. A small but meaningful triumph. After the college invited her to compose a speech for graduation, she learned a male student would deliver the speech so she withdrew. But, soon she was offered a job by the head of the New England Anti-Slavery Society, and that position secured her national reputation as an inspirational orator. “Now all we need is to continue to speak the truth fearlessly, and we shall add to our number those who will turn the scale to the side of equal and full justice in all things.”

The art, rendered in vivid acrylic ink and colored pencil, creates just the right tone for this story of one woman’s unwavering perseverance and gift of persuasion. Stone, allow me the word play, left no stone unturned in her quest for equality for all. She fought for the abolition of slavery as well as suffrage for all regardless of gender or race. She also pushed for the passing of a law that gave married women property rights. And while she wouldn’t live to see women gain the right to vote, it was her powerful and unceasing voice that helped lead the way. Six pages of backmatter contain an Author’s Note, a timeline and a personal fave, “Fun Facts.” It’s here I learned that Lucy Stone kept her married name just like I did. Women who chose to do so back then were referred to as Lucy Stoners!  This is a recommended year-round read that reinforces how important all voices are.

 

 

Hiding in Plain Sight cover Kate Warne Detective Abraham Lincoln.HIDING IN PLAIN SIGHT:
Kate Warne and the Race to Save Abraham Lincoln
Written by Beth Anderson
Illustrated by Sally Wern Comport
(Calkins Creek; $18.99, Ages 7-10)

Starred review – Booklist

I knew about Kate Warne’s involvement in the famed Pinkerton Detective Agency, but I never knew about the foiled plot to assassinate Lincoln that this picture book covers. Beth Anderson has chosen an episode in history that is not that easy to explain since major logistics were involved for the mission to be a success. Between Anderson’s storytelling and Wern Comport’s mixed-media collage art with maps, old photos, and pencil drawings that evoke a bygone era just a few months before the Civil War, Hiding in Plain Sight weaves a tale of intrigue that kept me turning the page.

The book’s design, with dates and locations on most spreads, makes navigating Lincoln’s thirteen-day train journey from Springfield, Illinois, to his D.C. inauguration full of tension despite knowing he avoids harm. Kids will find Kate Warne’s spying skills rather cool, especially for a 19th-century woman when that kind of career would have been frowned upon. Pretending to be a “Mrs. Barley” she fit in with the Baltimore crowd and learned about the rebel’s plan to kill Lincoln when his train passed through Baltimore, the only way to get to Washington. She alerted Allan Pinkerton, who seemed to already know about the plot. They had to let the future president know his life was in danger. That meant delivering a message to his assistant, Mr. Judd. Now, imagine the pressure Kate was under. She had only a few days to thwart the plot, but she also needed Lincoln’s okay to change his schedule.

When Lincoln “refused to cancel plans,” Kate and Pinkerton had only one other option, which I won’t reveal here. Spies were probably everywhere, and the new plan left no room for error. Here, Anderson keeps the suspense at a fever pitch. Even though I knew Lincoln would be safe, I worried. How would they pull this off when anyone could leak details of this top-secret mission? Well, as history proves, Kate and Pinkerton succeeded, and Lincoln made it to his inauguration in D.C. Phew!! Seven pages of interesting backmatter featuring an Afterword, photos, a Great Western Railroad Time Card, code names, and more add to this picture book’s appeal.

 

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Picture Book Biography – As Edward Imagined

 

AS EDWARD IMAGINED:
A Story of Edward Gorey in Three Acts

Written by Matthew Burgess

Illustrated by Marc Majewski

(Knopf BYR; $19.99, Ages 4-8)

 

 

As Edward Imagined cover Edward drawing with cat on neck and desk.

 

 

Starred reviews – Publishers Weekly, School Library Journal
A NEW YORK TIMES/NEW YORK PUBLIC LIBRARY BEST ILLUSTRATED CHILDREN’S BOOK OF THE YEAR!

REVIEW:

If you’re looking for a fascinating picture book biography, look no further than As Edward Imagined: A Story of Edward Gorey in Three Acts, written by Matthew Burgess and illustrated by Marc Majewski. I was first introduced to Gorey’s foreboding and darkly comical art when I developed a love for Edward Lear’s limericks, some of which Gorey illustrated. Then, there was the enticing opening sequence for each episode of MASTERPIECE Mystery!, a personal fave etched in my memory. When I discovered his wildly irreverent and irresistible holiday cards, I knew exactly which friends would appreciate them.

 

 

As Edward Imagined int1 Edward in his family library.
Interior spread from As Edward Imagined written by Matthew Burgess and illustrated by Marc Majewski, Knopf Books for Young Readers ©2024.

 

 

So, in honor of Gorey’s 100th birthday, February 22, 2025, I am thrilled to introduce this unique talent to a new generation. I don’t know about you, but I always thought Edward Gorey was English for some reason. Maybe that’s because Lear was. Gorey actually grew up in Chicago, and his artistic ability appeared when he was still a toddler. He taught himself to read at a young age, too. “And before he turned six, he finished a long, spooky novel about a vampire named … DRACULA.” At six!! Gorey did not shy away from marching to the beat of his own drum, whether that meant writing and illustrating books or painting his toenails green. In these three acts, Burgess has homed in on exactly what info would appeal to young readers, especially those who are also original thinkers. And Majewski’s acrylic on paper illustrations pair perfectly and convey a  Gorey-esque vibe.

 

 

 

As Edward Imagined int2 Act Two Edward in the city.
Interior art from As Edward Imagined written by Matthew Burgess and illustrated by Marc Majewski, Knopf Books for Young Readers ©2024.

 

 

In Act Two, Burgess takes us behind the scenes as Gorey’s creative career takes off after moving from college in Boston to the “bustling island of Manhattan.” I learned that Gorey attended nearly every New York City Ballet performance for over twenty years! That’s devotion. Gorey illustrated covers for others’ books while working on his story to earn a living. The character he invented was called Mr. Earbrass. It took a while for his books to catch on, but they did. That led to a commission designing costumes and the sets for a Broadway production of “Dracula.” It was a huge success and “nominated for important awards.” More comfortable at home than on a glitzy red carpet, Gorey chose to skip the award scene and hang out with his feline friends instead.

 

 

As Edward Imagined int3 Mr. Earbrass still broods and frets.
Interior spread from As Edward Imagined written by Matthew Burgess and illustrated by Marc Majewski, Knopf Books for Young Readers ©2024.

 

 

Did success spoil Edward Gorey? Nope. Act Three reveals a content man who chose to leave the city for the fresh air and relaxed life in Cape Cod. After several years of spending time there “when the ballet close for the season,” he eventually made it his full-time home. There, he wrote plays for the local theatre company and continued writing books. He lived life on his terms and found comfort in a vast collection he had accumulated over the years. Teddy bears, sea stones, skeletons, and books filled his home, and much of it can still be seen on a visit to The Edward Gorey House Museum. One of the spreads I like returning to is the one that depicts Gorey’s packed library with wall-to-wall shelves and a floor covered in books as cats roam around the room. The art throughout is captivating, and Burgess has chosen to go into more detail in his Author’s Note in the backmatter, where children can also find a two-page timeline that touches on parts of Gorey’s life not elaborated on in the story. This much lauded biography helped me understand and appreciate Gorey’s genius through a fresh and colorful new lens. I’m happy kids can now meet him, too.

 

Read about another talented artist here.

 

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Picture Book Review – Nancy Bess Had a Dress

 

 

NANCY BESS HAD A DRESS

Written by Claire Annette Noland

Illustrated by Angela C. Hawkins

(Gnome Road Publishing; $18.99, Ages 4-8)

 

 

Nancy Bess Had a Dress cover Nancy sewing while sitting atop flour sacks.

 

 

 

Nancy Bess Had a Dress, written by Claire Annette Noland and illustrated by Angela C. Hawkins, is a feel-good read-aloud that works on many levels. First, it’s historical fiction set in late 1930s rural America; second, it’s about watching your pennies when times are tough; and last but not least, it highlights a young girl’s ingenuity in repurposing a flour sack.

 

 

Nancy Bess Had a Dress int1 in store choosing flour sack.
Interior spread from Nancy Bess Had a Dress written by Claire Noland and illustrated by Angela C. Hawkins, Gnome Road Publishing ©2024.

 

 

When Nancy and her mom go to buy a new sack of flour, Nancy chooses a pretty one decorated with daisies. During the Depression Era, flour sacks served multiple purposes for families. Of course, they held flour for baking. Once empty, flour sacks could be used to make household items and clothing. I love how Noland shows children exactly how this worked. I had heard about flour sack dresses but admit I knew very little else, so I appreciated being enlightened.

Handy with a sewing machine, Mama helps Nancy Bess make a dress. Nancy is delighted with how the dress looks and wears it everywhere. Readers will notice Hawkins’s sewing and patchwork motif throughout the story. I didn’t catch it all initially, but I was glad when I did upon further readings. I also think parents or teachers can point out the different things children did in the 1930s living out in the country. Try to spot the adorable mouse that pops in and out of the pages. I found myself searching each spread to see if it was included. Look for the one with it sweeping. Hawkins also incorporates comic-style panels into several illustrations, adding variety to the already engaging art.

 

 

Nancy Bess Had a Dress int2 the belt got tattered and torn.
Interior spread from Nancy Bess Had a Dress written by Claire Noland and illustrated by Angela C. Hawkins, Gnome Road Publishing ©2024.

 

 

 

Soon, Nancy Bess grows out of her dress. She then makes it into an apron. As Nancy Bess goes about her activities, it tears. So she turns it into a smart-looking satchel. This flour sack clearly has as many lives as a cat, and as such, Nancy Bess continues to find worthwhile ways to get as much wear out of it as possible. Seeing how she does this is part of the motivation to read on. After the satchel rips, it’s time to make what remains into a scarf, but a “cherry red stain” from pie soon ruins that creation. What will she make next?

A catchy refrain Noland employs to engage children was also pleasing to my ear:

Nancy Bess knew how to make do.

 She measured, 

 cut,

stitched,

and saved the unused bits.

 

As time passes, young readers may also spot Mama’s growing belly. A baby is on the way!

 

 

Nancy Bess Had a Dress int3 making do with scraps.
Interior spread from Nancy Bess Had a Dress written by Claire Noland and illustrated by Angela C. Hawkins, Gnome Road Publishing ©2024.

 

 

Nancy Bess still finds new ways to fashion accessories for herself and her puppy. But as satisfying as the sack dress was in the beginning, its new purpose, something specially sewn for her new sibling, is by far the most rewarding!

Can you tell I thoroughly enjoyed this picture book? It blends history with recycling, which is still as popular as ever with the resale and vintage clothing stores, though no longer from flour sacks. I’ve recently discovered a craft store near me where people donate clothing and fabric scraps for others to repurpose. Backmatter dives a bit deeper into how flour sacks became popular. Maybe after reading Nancy Bess Had a Dress, children will want to fashion something new from something old or worn or torn. I know it’s got me looking at the clothes in my closet in a new “green” way.

 

Click here for a paper doll activity. Color and then cut out characters!

Download this helpful educational resource guide here.

 

 

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Picture Book Review for Independence Day – Thomas Jefferson’s Battle for Science

 

THOMAS JEFFERSON’S BATTLE FOR SCIENCE:
Bias, Truth, and a Mighty Moose!

Written by Beth Anderson

Illustrated by Jeremy Holmes

(Calkins Creek; $18.99; Ages 7-10)

 

 

Thomas Jefferson's Battle for Science cover moose being shot from cannon.

 

 

From the publisher:

“Thomas Jefferson is one of the most famous founding fathers, but did you know that his mind was always on science? This STEM/STEAM picture book tells how Jefferson’s scientific thinking and method battled against faulty facts and bias to prove that his new nation was just as good as any in the Old World.”

 

From Kirkus  – Starred Review:

“The story of Thomas Jefferson’s fury at a French scientist’s misinformation about the New World introduces young readers to the scientific inquiry process … A delightfully enlightening account and a welcome antidote to our own time’s precarious truthiness.”

Booklist Starred Review and Horn Book Recommended

Review:

Does the world really need another Thomas Jefferson biography? I asked myself before reading Beth Anderson and Jeremy Holmes’s recent collaboration, Thomas Jefferson’s Battle for Science, from Calkins Creek. YES! When it’s one that’s focused on bias and Jefferson’s quest to combat the spread of misinformation. That is a book we need. (And it is great fun!)

Thomas Jefferson was passionate about science. “It was certain, peaceful, measurable.”

 

Thomas Jefferson's Battle for Science int1 scientific items.
Interior spread from Thomas Jefferson’s Battle for Science: Bias, Truth, and a Mighty Moose! written by Beth Anderson and illustrated by Jeremy Holmes, Calkins Creek ©2024.

 

But when French scientist Count Georges-Louis Leclerc de Buffon published an encyclopedia slamming the New World, Jefferson was livid. How did Buffon know what the New World was like? Where did he get his facts? Was he biased against Jefferson’s home?

 

Thomas Jefferson's Battle for Science int2 Thomas's Fury Flared.
Interior art from Thomas Jefferson’s Battle for Science: Bias, Truth, and a Mighty Moose! written by Beth Anderson and illustrated by Jeremy Holmes, Calkins Creek ©2024.

 

Anderson sets up the philosophical battle between Jefferson and Buffon in an accessible, kid-friendly way; and keeps the book focused through years of Jefferson’s research, correspondence with Buffon, and his very pivotal role in guiding a would-be nation to independence showcasing her skill as a storyteller and historian (and Jefferson’s never quit attitude).

 

 

Thomas Jefferson's Battle for Science int3 Time to Fight for Truth.
Interior spread from Thomas Jefferson’s Battle for Science: Bias, Truth, and a Mighty Moose! written by Beth Anderson and illustrated by Jeremy Holmes, Calkins Creek ©2024.

 

Holmes uses mixed media and comic book techniques to create the look of an old, scientific journal making the book feel both modern and accurate to the period. The art plays off Anderson’s straightforward tone to create a story that is witty and extremely relevant today.

 

Thomas Jefferson's Battle for Science int4 war on faulty facts.
Interior art from Thomas Jefferson’s Battle for Science: Bias, Truth, and a Mighty Moose! written by Beth Anderson and illustrated by Jeremy Holmes, Calkins Creek ©2024.

 

Backmatter highlights the scientific method and Jefferson’s own struggle with bias, making this book a great way to introduce both concepts to young readers.

*Highly recommended!

  • Reviewed by Roxanne Troup

 

 

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Picture Book Review – Love Grows Here

 

LOVE GROWS HERE

Written by Chloe Ito Ward

Illustrated by Violet Kim

(Albert Whitman & Company; $18.99, Ages 4-8)

 

 

Love Grows Here cover Asian girl holding title poster.

 

 

Shopping in an outdoor market with her grandmother, Obā, Aiko immerses herself in the tastes, sights, smells, and sounds of her surroundings. Ward’s economy of “warm and welcoming” words paints a bustling scene full of joy, excitement, and love—that is until a hurtful encounter with a stranger changes everything. His racist words “sharp like scissors, cut,” causing Aiko to feel confused, afraid, and heartbroken. 

 

Love Grows Here int1 Go Back to Your Own Country.
Interior art from Love Grows Here written by Chloe Ito Ward and illustrated by Violet Kim, Albert Whitman & Company ©2024.

 

Stopping by a ramen shop, Aiko tells Obā’s shin-yū (best friend) about what happened earlier. In turn, Mrs. Nakano shares her experiences of confronting hate when she and her family were forced to live in a Japanese internment camp. As Aiko learns of a particularly painful part of her history, she struggles to understand why people would act so unkind. Obā eloquently expresses the root of all discrimination:  “Sometimes the fear in your heart plants roots and grows into anger.” Fear and anger. Aiko wonders, “[w]here else were they growing?” 

When they pass by Miss Chon’s café and see that it has been vandalized, they help clean up. Aiko decides then and there how to respond to the fear and anger—through a radical act of kindness. 

 

Love Grows Here int2 this is our country!
Interior spread from Love Grows Here written by Chloe Ito Ward and illustrated by Violet Kim, Albert Whitman & Company ©2024.

 

Walking back home, she shares something dear to her that she had purchased from the market, handing it out to strangers as she passes along the way and watching their faces light up with joy. 

Whether at home or in the classroom, Love Grows Here provides opportunities to talk about hard but necessary topics:  racism, anti-Asian hate, and Japanese American history. Equally important is discussing the antidote Aiko chose to fight the hatred around her. Her actions echo Dr. Martin Luther King Jr.’s famous words: “Hate cannot drive out hate; only love can do that.”

  • Reviewed by Armineh Manookian

 

Visit the author’s website here.

Visit the illustrator’s website here.

 

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Picture Book Review – The House That Ruth Built

 

 

THE HOUSE THAT RUTH BUILT

Written by Kelly Bennett

Illustrated by Susanna Covelli

(Familius; $17.99, Ages 3-7)

 

 

The House That Ruth Built cover Babe at bat

 

I may be a little late to the game, but since baseball season is in full swing, it’s still a great time to review The House That Ruth Built written by Kelly Bennett and illustrated by Susanna Covelli. Did you know that this past April 18 marked the 100-year anniversary of the inaugural game at New York’s brand-new Yankee Stadium? I’m a former New Yorker and I didn’t so I’m glad I had the opportunity to read and review this new picture book packed with fascinating facts and excellent illustrations.

 

The House That Ruth Built int1 Yankee Stadium opening day
Interior spread from The House That Ruth Built written by Kelly Bennett and illustrated by Susanna Covelli, Familius ©2023.

 

Open the pages of The House That Ruth Built and step back in time (courtesy of Covelli’s lovely cinematic, sometimes sepia-toned art) to visit the Yankee’s first official home ballpark. You’ll instantly hear the crowds cheering, and taste the hot dogs, peanuts, and Cracker Jacks. A century ago the New York Yankees went up against the Boston Red Sox with more than 70,000 fans in attendance! Imagine just how many hot dogs were sold that day!

In the lineup that day are names you may recognize and others you’ll learn about including “future Hall of Famers” Babe Ruth, Waite Hoyt, Bob Shawkey, and Miller Higgins. Also on hand were supporters including Eddie Bennett, the legendary Yankee batboy, Jack Lenz, the stadium’s first public announcer, and five-year-old Little Ray Kelly, Babe Ruth’s lucky charm. And check out those red socks below. That was an easy way to figure out which team was which.

 

The House That Ruth Built int2 Hail Red Sox Hail Yankees
Interior spread from The House That Ruth Built written by Kelly Bennett and illustrated by Susanna Covelli, Familius ©2023.

 

I loved getting the inside scoop about how the scoreboard operated (two scorekeepers were perched inside the massive board to manually update the scores), how way back then telegraph operators used Morse code to report info about the games to fans nationwide, and even how bleachers got their name. Okay, I’ll tell you how. Stands were constructed from wood which over time bleached out in the sun. Readers will find out when The Star-Spangled Banner, our national anthem, began being played at games, the story behind the “Louisville Slugger” baseball bat, the Negro Leagues (and the Cuban League I had never heard about), the important role of the catcher, and even the myriad nicknames for Babe Ruth who, I found out, had been with the Boston Red Sox before joining the Yankees for the 1920 season. And which team do you think won that opener? Bennett builds up that tension with a cumulative tale that complements the sidebars full of info. I barely scratched the surface about the stadium, the team, the game, or the interesting era during which all this happened so you’ll just have to get the book to read more.

I’d be remiss not to mention a printing error in the Cracker Jack section which many may not notice and does not affect the overall enriching experience that reading this book has to offer. It’s just I’m a mega Cracker Jack fan having collected the prizes for years as a child. Bennett ends the book with more details about Yankee Stadium, and its many storied players, and she includes resources for avid readers. It’s sad to think of that original stadium, gone since 2009.  I admired that landmark for decades when my family drove by it on the Major Deegan Expressway in the Bronx, the actual borough where it was located.  Not only would this book make a wonderful gift for your Little Leaguer, but any sports fan who appreciates the history of the game or is eager to learn about it.

  •  Reviewed by Ronna Mandel

 

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Five Children’s Books for Women’s History Month

FIVE CHILDREN’S BOOKS

FOR

WOMEN’S HISTORY MONTH

∼ A ROUNDUP ∼

 

 

Just Wild Enough cover of primatologist Mireya Mayor in MadagascarJUST WILD ENOUGH:
Mireya Mayor, Primatologist
Written by Marta Magellan
Illustrated by Clémentine Rocheron
(Albert Whitman & Co.; $17.99, Ages 4-8)

Picture book biographies such as Just Wild Enough are exactly why I love nonfiction and why I especially love Women’s History Month. Part of the She Made History collection, this book brings primatologist Mireya Mayor to the attention of young readers and might just plant the seed for some of them to study the fascinating and important field of primatology.

From a young age, animals were always a part of Mayor’s life. She could never have enough pets whether they were cats, dogs, rabbits, birds, a chicken, or a snapping turtle. At the same time, she felt that nothing was quite wild enough. This phrase is often repeated and is backed up by many impressive examples throughout the bio.

While she attended university, Mayor was also an NFL cheerleader for the Miami Dolphins. Yet her dream to be a primatologist persisted. People she knew couldn’t see why she’d want to visit jungles and study primates. In fact, one of my favorite lines in the book is when some researchers told her she didn’t look like a scientist. Magellan writes “But what does a scientist look like, anyway?”

Much to everyone’s surprise, Mayor eventually ended up on the island of Madagascar to study inky-black lemurs. There she was hired by National Geographic “as its very first woman wildlife TV reporter.” Still, nothing she experienced was quite wild enough. Her tenacity took her deep into one of the last virgin rainforests. Always one to look closer, Mayor discovered a new species of mouse lemur. But finding that species also meant the need to speak with the prime minister since the mouse lemur’s habitat was being devastated. Using fire, people stripped “the trees from the rain forest for fuel.” When Mayor met him she asked if he could declare the rain forest a national park thus ensuring the mouse lemurs’ survival. He agreed!

Magellan’s chosen to introduce kids to an inspirational woman in a well-balanced presentation of the life of a primatologist. I enjoyed learning about Mayor’s colorful and conscientious life. The art helps young readers see what some of Mayor’s responsibilities were and the text helps them understand her motivation. Dubbed the female Indiana Jones, she continues to this day to promote the protection of endangered species and the importance of conservation. Rocheron’s artwork takes us on the football field and into the jungles with illustrations that work well in this bio but would also look great on a TV show. Four pages of back matter include a Glossary, Author’s Note, About Mouse Lemurs, and Anjanaharibe-Sud Special Reserve.

 

Dolly!-The Story of Dolly Parton and Her Big Dream Dolly playing guitarDOLLY!:
The Story of Dolly Parton and Her Big Dream
Written  by Robyn McGrath
Illustrated by Ellen Surrey
(LBRY/Christy Ottaviano Books; $17.99, Ages 4-8)

I know very little about Dolly Parton so I couldn’t wait to dive into this picture book. What I learned is that Dolly grew up in the Great Smoky Mountains of Tennessee and is the fourth of twelve children so it’s no surprise she became a performer. What better way to make your presence known?

Dolly’s musical prowess showed up when she was five years old and “composed her first song about her handmade corncob doll, Tiny Tasseltop.” She could be found singing to her animals at home or in church and loved listening to the Grand Ole Opry on the radio on Saturdays along with her family. The music moved her. The Partons occasionally found time for music sessions together playing “some Appalachian porch pickin’ music.” Dolly easily moved from instrument to instrument learning as she went. And, growing up dirt poor, Dolly channeled unpleasant experiences of bullying into her music, her musical dreams motivated by her mama’s singing and stories. Dolly’s primary dream was to be onstage at the Opry but was always told the same thing – she was too young.

Did that stop Dolly? Like the other women in this roundup, Dolly didn’t take no for an answer and persevered. And though she had farmwork to take care of, she still wrote and sang songs, never losing sight of her dream. Her uncle Bill observed her talent and after Dolly got her first guitar, he not only encouraged her but helped her get her first radio and TV gigs. Despite being well received by audiences, that didn’t mean an automatic entrée for Dolly into the Grand Old Opry.

Then one day Dolly’s big dream was realized when “another singer agreed to let Dolly go onstage in his place at the Grand Ole Opry!” After three encores that night, the rest is history. Dolly went on to dazzle audiences on TV as her career took off. To this day her singing and songwriting still thrill fans and she’s added philanthropy to her playbook. Back matter details her literacy, health care, and marriage equality initiatives. I got a kick out of her Dollyisms also included. Here’s my favorite from the book: “The way I see it, if you want the rainbow, you got to put up with the rain.” The pairing of McGrath’s prose with Surrey’s art is a winning combination. It was probably not easy to narrow down what to focus on in such a storied life, but McGrath’s homed in on highlights such as her close family life and self-confidence that help readers understand Dolly’s drive. You can also feel Dolly’s energy in the bold illustrations.

 

A Life of Service Tammy Duckworth in wheelchairA LIFE OF SERVICE:
The Story of Senator Tammy Duckworth
Written by Christina Soontornvat
Illustrated by Dow Phumiruk
(Candlewick Press; 18.99, Ages 5-9)

Soontornvat shows readers how there is so much more to Illinois Senator Tammy Duckworth’s life than meets the eye. Her commitment to serving our country has remained steadfast despite facing a life-changing accident in 2004.

Written using a straightforward chronological structure, this bio shares that Tammy was born in Bangkok, Thailand, and growing up she and her family moved around Southeast Asia. Because of her father’s job working for the United Nations, she saw people from all walks of life who had been displaced due to war and were living as refugees. Her caring about others was instilled at a young age and never left her.

When her father lost his job, he moved everyone to Hawaii where at times Tammy was the sole breadwinner. Her drive and caring never faltered and she worked hard at school despite the family’s tough financial situation. After high school, Tammy continued on to college and graduate school knowing she wanted to serve her country, just not how.

Tammy found fulfillment in the ROTC, then joined the Illinois Army National Guard. She also fell in love and got married. Fascinated by aviation, she mastered operating a Black Hawk helicopter eventually becoming her unit’s commander. When the US decided to invade Iraq, Tammy did not agree but chose to stay with her company in Balad, Iraq as battle captain. Near the end of a mission, on Nov. 12, 2004, her helicopter was struck by a rocket-propelled grenade. Tammy almost didn’t survive. The result – one leg lost and one partially lost from the knee down. And though the pain was debilitating, Tammy’s fellow vets provided motivation. She’d get better and return to combat. But that was not to be.

In rehab for 13 months, Tammy was the most senior ranked vet and soon found she was helping others navigate benefits and other challenges they encountered. With this experience under her belt it was no surprise she was asked to run for Congress. And though she lost the first time, she didn’t the second time! Not one to shy from breaking the glass ceiling, Tammy also won her Senate race where “she racked up a long string of firsts,” including being the first female amputee to serve in Congress, and the first senator to give birth while in office. To this day Tammy Duckworth is a force to be reckoned with as she fights for disability rights, immigration, and refugee protections, helping vets find work, and supporting family needs.

Dow Phumiruk’s art brought Tammy into my home (and heart) as I followed her childhood to her military years to her rise and influence in politics. Together with Soontornvat’s thoughtful prose, A Life of Service introduces young readers to a role model worthy of a place in Women’s History Month and Women’s History in general. I am glad to have learned her story. Backmatter includes a helpful timeline of major events in Tammy’s life, suggested reading as well as her “Ongoing Legacy of Service.”

 

Wonderful Hair cover Annie Malone with clientWONDERFUL HAIR:
The Beauty of Annie Malone
Written by Eve Nadel Catarevas
Illustrated by Felicia Marshall 
(Creston Books; $18.99, Ages 7-10)

Annie’s story is one of perseverance and success, and more impressive since it happened around the turn of the 19th century when Black women were denied the same opportunities as whites. Annie’s neighbor and friend, Lillie even said to her, “Black girls like us grow up to be maids, washerwomen, or cooks.” But from a young age, Annie found herself interested in hair care as Black women were seeking “the same fashionable hairstyles white women had.” She was determined to follow her own path.

As a girl, Annie had friends and family coming to her for she had a way with Black women’s hair. And she knew it was going to be her destiny. That vision took her from strength to strength.

Annie asked her herb doctor Aunt Mary to create a product a product to help make hair grow. Too many women she knew had bald patches from harsh hair straightening products and remedies “to tame rebellious curls and kinks.” Aunt Mary’s product launched Annie’s career. When Annie decided to make one even better, she called it “Wonderful Hair Grower” and charged 25 cents for it. With her growing beauty business, Annie moved to Brooklyn, Illinois and sold her products from a horse-drawn wagon.

Annie’s company continued to thrive and relocated to St. Louis. There, she expanded her line of self-care items to include shampoo, conditioner, soap, and lipstick. “She named her company Poro, a West African word for physical and spiritual growth.’ Because Black women’s products weren’t sold in stores, Annie went door-to-door selling. As demand increased, she trained women to ” operate their own hair salons.” She even launched Poro Beauty College! At one point she had 75,000 beauty agents worldwide and even had a store at St. Louis World’s Fair in 1904!

So now, when you hear that Sarah Breedlove was the first self-made Black female millionaire because of her hair-care company Madam C.J. Walker, you’ll know that in fact she was trained by Annie Malone who can truly claim that accomplishment. I enjoyed how Catarevas brought  Annie’s story to life buoyed by occasional quotes such as “One dime will do,” said by Aunt Mary who charged her niece that sum for her hair-growing mixture. Coupled with Marshall’s illustrations that had an oil painting quality because of the visible brushstrokes, Catarevas grounds readers in an era where change was on the horizon, and entrepreneurs like Annie who reached out and grabbed opportunities could realize her dreams.

Josephine and Her Dishwashing Machine cover inventor surrounded by dishesJOSEPHINE AND HER DISHWASHING MACHINE:
Josephine Cochrane’s  Bright Invention Makes a Big Splash
Written by Kate Hannigan
Illustrated by Sarah Green
(Calkins Creek; $18.99, Ages 7-10)

Sometimes I wonder if all our household conveniences have already been invented but there was a time when this was not the case. In the 1870s and ’80s, following the civil war, inventors were hard at work around the world developing new products and devices to make life easier in homes, on farms, in offices and factories, and at hospitals. Enter Josephine Garis Cochrane, a woman with a neat idea.

Green’s full-page illustrations depict a woman who is wealthy enough to have a maid. She also probably grew up not lacking the necessities in life being the daughter of a bridge builder and great-granddaughter of a steamship designer. It didn’t hurt that inventiveness was in her blood. So, when Cochrane noticed what bad condition her dishware was in from all the handwashing it had endured, she knew there had to be a better way. While there had been an earlier version of a dishwasher that “just splashed water around,” Josephine wanted her invention to actually clean.

After trying to fashion the dishwasher herself, Josephine enlisted the talents of a mechanic, George Butters, to help her. At first, things looked bright but when Josephine’s husband died, she was ready to throw in the towel. But we know, since there’s a book about her, she didn’t throw in the towel. Instead, with George’s assistance, she “tested and tinkered and pushed and persevered until she was satisfied.” You’ll note how Hannigan’s use of water and cleaning-related language to share her story is spot on (pun intended!).

At last, her dishwasher was ready to be patented! But without investors, Josephine’s nascent business could not succeed. Those male investors were not likely to bet on a business run by a woman in the late 19th century. Fortunately for this enterprising woman, she decided to exhibit her invention at the Columbian Exposition (aka the Chicago World’s Fair) in 1893. Not only did her dishwasher win first place for “best mechanical construction” it also won her orders from across the country. Hotels, restaurants, schools and even hospitals wanted one. “The Garis-Cochrane Dish-washing Machine Company soon outgrew the backyard shed.” Her company grew and thrived. Well into her seventies, Josephine continued to sell her dream with the ultimate goal of getting it into homes.

I chose to review this story because the topic is so relatable and also because it’s not a cradle-to-grave biography. It focuses on Cochrane as a grown woman determined to create the best possible dishwasher in order to free up people to have time to enjoy other activities. Hannigan’s included several quotes throughout the book from Josephine that attest to her spirit. When others might have given up, she never did. Green’s lively and lovely artwork added to my enjoyment. I’m glad she included pictures of the patents, too. Comprehensive back matter sheds light on what it was like for a woman inventor and business owner to try to get her product out into the world when modern appliances such as toasters and irons were not to be seen until 1913, the year Josephine died. More pages are devoted to Notable Women Inventors and a Timeline of Fascinating Inventions.

 

ADDITIONAL RECOMMENDED READS

CHEF EDNA: 
Queen of Southern Cooking, Edna Lewis
Written by Melvina Noel
Illustrated by Cozbi A. Cabrera
(Cameron Kids; $18.99, Ages 4-8)
Available for Pre-order now

A STORY IS TO SHARE:
How Ruth Krauss Found Another Way to Tell a Tale
Written by Carter  Higgins
Illustrated by Isabelle Arsenault
(Abrams BYR; $19.99, Ages 4-8)

I AM TEMPLE GRANDIN
(Ordinary People Change the World)
Written by Brad Meltzer
Illustrated by Christopher Eliopoulos
(Rocky Pond Books; $16.99, Ages 5-9)

SPLASH!: 
Ethelda Bleibtrey Makes Waves of Change
Written by Elisa Boxer
Illustrated by Elizabeth Baddeley
(Sleeping Bear Press; $17.99, Ages 6-10)

A TAKE-CHARGE GIRL BLAZES A TRAIL TO CONGRESS:
The Story of Jeannette Rankin
Written by Gretchen Woelfle
Illustrated by Rebecca Gibbon
(Calkins Creek; $18.99, Ages 7-10)

DAZZLIN’ DOLLY:
The Songwriting, Hit-Singing, Guitar-Picking Dolly Parton
Written by Suzanne Slade
Illustrated by Edwin Fotheringham
(Calkins Creek; $18.99, Ages 7-10)

CLOAKED IN COURAGE:
Uncovering Deborah Sampson Patriot Solder
Written by Beth Anderson
Illustrated  by Anne Lambelet
(Calkins Creek; $18.99, Ages 7-10)

 

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Vicky Fang Interviews Elisa Boxer, Author of Hidden Hope

 

VICKY FANG INTERVIEWS ELISA BOXER,

AUTHOR OF

HIDDEN HOPE: 

How a Toy and a Hero
Saved Lives During the Holocaust

(Abrams BYR; $19.99, Ages 4-8)

 

 

Hidden Hope cover girl with toy duck

 

★ Starred review – School Library Journal, Booklist

 

INTERVIEW:

Vicky Fang: Elisa, HIDDEN HOPE is such an inspiring book. I love that you’re able to share a story that is so historically rich in such a compelling way. How did you come up with the idea for this book?

Elisa Boxer: Vicky, thank you so much. Great to be here with you. The idea for this book began when I first saw this photo on Yad Vashem’s website:

 

Wooden Toy duck Credit Yad Vashem Artifacts Collection
Wooden Toy Duck Credit Yad Vashem Artifacts Collection

 

Yad Vashem is the World Holocaust Remembrance Center in Israel, and this hollowed-out wooden duck is part of the artifacts collection. When I learned that this duck was made with a secret compartment to hide documents from the Nazis during World War Two, and that the French Resistance worker who used it to smuggle those documents was a teenager, I knew this was a story I wanted to tell.


VF: It’s such a fascinating story! In addition to writing children’s books, you’re also a journalist. How does your background as a journalist affect your work as a children’s book author?

EB: I definitely combine the two on a daily basis. Whether it’s doing research, conducting interviews, writing a narrative, distilling complex issues down to manageable bits of information, or zeroing in on areas of emotional resonance with the audience, the processes with journalism and book writing are very similar. And the result, telling a (hopefully) compelling story with a strong emotional takeaway, is always my goal.

 

VF: I would say you’d definitely succeeded with HIDDEN HOPE. In the backmatter, you also talk about your personal connection to this topic … could you share a bit about that?

EB: My personal connection is two-fold: Both sides of my family are of Eastern European descent, and relatives on each side were killed during the Holocaust. As both a journalist and an author, I definitely feel compelled to help shine a light on these atrocities. But also, growing up, I often felt like I had to hide my Jewish voice because my childhood was filled with so many personal and hurtful incidents of Antisemitism. I wasn’t strong enough back then to stand up to hate; to expose injustice. So in a way, I suppose I’m making up for lost time. When I first saw that picture of the duck, it struck me that here is this artifact, in an international museum, on display for all to see. And yet it was never supposed to be there, according to Hitler’s plan. If anything, it was supposed to be in his intended “museum of an extinct race.” As were all Jewish artifacts and all Jewish signs of life. So on a personal level, as I mention in my Author’s Note, I want to help bring more and more stories like this out of the darkness and into the light.

 

VF: Could you talk about your experience in writing this book? Was it hard to spend so much time on such a difficult topic?

EB: It’s so interesting, this question has come up quite a bit. People ask whether it’s been hard to write about such a dark topic. And while there’s no question that this was an unimaginably devastating time in history, the whole point of the Holocaust was to create a master race and erase the Jewish people from the face of the earth. And yet so many of us are here writing about it. We’re bringing these stories to light. We’re the descendants that were never supposed to be here. And not only are we here, we’re raising our voices to tell the stories that the Nazis never wanted told. There is something incredibly uplifting and empowering about that. I never want to stop doing it.

 

Hidden Hope int1 interior objects
Interior art from Hidden Hope written by Elisa Boxer and illustrated by Amy June Bates, Abrams BYR ©2023.

 

VF: What a wonderful message, thank you. Amy June Bates’ illustrations also do such a good job of highlighting the mood and the action of HIDDEN HOPE and I love that there’s an Artist’s Note in the end from her. What did you think when you first saw her illustrations?

EB: Oh I love Amy’s Artist’s Note too! And exactly about highlighting the mood and the action. I have been researching the French Resistance for years, and have so many images in my mind. But Amy has an incredibly unique gift for creating old-world style art that takes you back and makes you feel like you’re right there, in the middle of it all, riding along with Judith and the duck on the streets of Paris. I was in awe of her work from the time I first saw her preliminary sketches. Her art is so authentic that it makes the whole book feel like an artifact in itself. One of the most powerful details to me is the contrast of vibrant, saturated color from Judith’s beret with the more muted, cloudy, shadowy watercolor illustrations that so perfectly capture the somber feel of what was happening. A recent Booklist review highlighted one of my favorite spreads: “One particularly haunting spread casts the reader’s gaze through a jagged, broken windowpane to bear witness to soldiers’ cruelties.” I mean, the art on every page is extraordinary, but that scene really stands out.

 

VF: What do you hope young readers take away from this story?

EB: Initially, I wanted to tell this story because it’s so full of hope and intrigue and I wanted young readers to find inspiration in this little-known hero who was filled with determination in such a dark time. And I wanted this book to take its place alongside others that are opening up wider conversations about Antisemitism. But as I began really feeling into the deeper layers, which for me comes during the writing process, I began to realize that this is, ultimately, a story about the importance of never having to hide the truth of who you are. Although certainly nothing can be directly compared to the horrors of the Holocaust, I do think many of us have aspects of ourselves that maybe we feel unsafe showing to the world. I actually found myself asking some uncomfortable questions, like: “Where and with whom do I feel like I have to hide the full truth of who I am?” These aren’t always conscious questions. But I do hope one of the takeaways for young readers (and older ones too) is deciding to show up in any given situation as the most authentic version of who they are. Not hiding. Bringing their fullest selves into the world.

 

Hidden Hope int2 girl on bike
Interior spread from Hidden Hope written by Elisa Boxer and illustrated by Amy June Bates, Abrams BYR ©2023.

 

VF: I think that’s such a wonderful aspect of your books. You tell such specific and inspiring stories, but the themes are so big and universal. You’ve written a wide range of wonderful nonfiction picture books, from COVERED IN COLOR: Christo and Jeanne-Claude’s Fabrics of Freedom to SPLASH!: Ethelda Bleibtrey Makes Waves of Change. How do you find story ideas and decide which ones to pursue?

EB: With nonfiction picture books, I’m looking for that “YES!” in my gut that keeps drawing me back to the topic. I’m initially looking for inspirational people, places, or events that I find intriguing enough to spark my curiosity and make me want to dig deeper. And then there has to be something more. For example, with SPLASH! Ethelda Bleibtrey Makes Waves of Change, it was impressive that Ethelda was the first American woman to win an Olympic gold medal in swimming. But when I learned that she used swimming to help heal from polio, and that she got arrested for standing up to sexist laws that said all women had to swim with socks, I knew this story had the potential to inspire young readers to break barriers in their own lives.

With COVERED IN COLOR: Christo & Jeanne-Claude’s Fabrics of Freedom, I knew that Christo and Jeanne-Claude were a dynamic duo who created massive displays of public art like wrapped buildings and islands. But when I researched more about Christo’s background, I learned he grew up under Nazi rule and then under Communism. This fascinated me, how someone whose childhood was filled with so much suppression could dream up and generate these wild, large-scale, outside-the-box creations. And so this became a story about courage, and pushing the limits of what appears to be possible, and creativity that refuses to be contained. So with each topic, in order to pursue it as a book, there has to be the potential for a strong inspirational theme and emotional takeaway.

 

VF: So what’s next for you?

EB: Right now I’m looking forward to this book launching into the world on March 14th! I’m so happy to have heard from teachers around the country who will be incorporating it into their Holocaust education curriculum, and am looking forward to virtual author visits to support that.

Next year, I have four more books on the way: DEAR YOUNGER ME: What 35 Trailblazing Women Wish They’d Known as Girls (Rowman & Littlefield), THE TREE OF LIFE: How a Holocaust Sapling Inspired the World (illustrated by Alianna Rozentsveig, published by Penguin/Rocky Pond Books), BEAM OF LIGHT: The Story of the First White House Menorah (illustrated by Sophia Moore, published by Penguin/Rocky Pond Books) and one that hasn’t been announced yet. 2024 is going to be a busy year! Meanwhile, I’m working on more picture books, as well as a middle-grade novel and a middle-grade collective biography that I’m really excited about.

EB: Thank you so much for this interview, Vicky. And to Ronna, for hosting us. And to everyone who supports our books!

VF: Thank you, Elisa, for sharing your personal story behind this beautiful book, HIDDEN HOPE: HOW A TOY AND A HERO SAVED LIVES DURING THE HOLOCAUST. It’s been an inspiring conversation!

 

BUY THE BOOK:

Local indie for signed copies (type in the comments how you’d like the book inscribed): https://www.printbookstore.com/book/9781419750007

 

Author Elisa Boxer photo credit Melissa Mullen
Author Elisa Boxer Photo Credit: Melissa Mullen

AUTHOR BIO:

Elisa Boxer is an Emmy and Murrow award-winning journalist whose work has been featured in publications including The New York Times and Fast Company. She has reported for newspapers, magazines and TV stations, and has a passion for telling stories about people finding the courage to create change. She is the author of several nonfiction picture books including The Voice That Won the Vote, A Seat at the Table, One Turtle’s Last Straw, SPLASH! (a Junior Library Guild Gold Standard Selection), Covered in Color (called “compelling from cover to cover” in a Kirkus starred review) and Hidden Hope (called “an important true account to add to all collections” in a School Library Journal starred review). Elisa lives in Maine, and has more children’s books on the way. Visit her at https://www.elisaboxer.com/

Links to social media:

Twitter: https://twitter.com/eboxer

Facebook: https://www.facebook.com/Elisaboxer/

IG: https://www.instagram.com/boxerelisa/

Illustrator’s website: https://www.amyjbates.com/

 

INTERVIEWER BIO:

Vicky Fang is a product designer who spent 5 years designing kids’ technology experiences for both Google and Intel, often to inspire and empower kids in coding and technology. She started writing to support the growing need for early coding education, particularly for girls and kids of color. She is the author, and sometimes illustrator, of nineteen new and upcoming books for kids, including the Layla and the Bots series, Invent-a-Pet, I Can Code board books, Friendbots series, and the forthcoming Ava Lin series, Best Buddies series, AlphaBot, and The Boo Crew Needs You! You can visit Vicky at vickyfang.com.

 

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Picture Book Review – The Moon from Dehradun

THE MOON FROM DEHRADUN:
A Story of Partition

Written by Shirin Shamsi

Illustrated by Tarun Lak

(Atheneum BYR; $18.99; Ages 4-8)

 

 

The Moon From Dehradun cover girl baby brother and doll

 

★Starred Review – School Library Journal

 

Inspired by the true-life events of the author’s mother, The Moon from Dehradun written by Shirin Shamsi and illustrated by Tarun Lak is a powerful and poignant story of the 1947 Partition of India.

 

The Moon From Dehradun int art1 girl with doll while mother cooks
Interior art from The Moon From Dehradun written by Shirin Shamsi and illustrated by Tarun Lak, Atheneum BYR ©2022.

 

Azra can hear the anger on the street just outside her home. “‘[People] are afraid,’” her Ammi says, “‘because our home has been divided ….’” Azra and her family have been living in Dehradun for generations. She tells her doll, Gurya, they will have to leave “‘in five days,’” but when Abba comes home frantic and distressed, it’s clear staying any longer will be far too dangerous. 

The book gracefully manages complex and difficult topics such as displacement and political unrest by filtering them through young Azra’s perspective. The focus is on her feelings:  feelings of fear in not knowing what’s to come, heartbrokenness for leaving Gurya behind in the rush to depart, and anger at her baby brother for “making” her forget to grab her beloved doll before leaving home forever. “My heart sinks like a stone in a well.” Azra expresses her grief in beautiful, lyrical language. The finality of the move and loss of home and place is gently emphasized by the refrain, “We cannot go back.” Lak’s use of muted colors in browns, pinks, and blues and sweeping scenes amplifies the sadness and confusion underway during the mass uprooting caused by the Partition.

 

The Moon From Dehradun int2 hurried departure for Lahore
Interior art from The Moon From Dehradun written by Shirin Shamsi and illustrated by Tarun Lak, Atheneum BYR ©2022.

 

The long train ride leads Azra and her family to Lahore where friendly neighbors, familiar spaces, and a surprise discovery provide hope for a new home and new beginnings.  

Educational and inspirational, this book is a moving story of courage, hope, and resilience. 

Back matter includes a glossary, author’s note, and information about the Partition.

Click here for a Reading Group Guide.

  • Reviewed by Armineh Manookian
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Picture Book Review – Keeper of the Light

 

KEEPER OF THE LIGHT:
JULIET FISH NICHOLS FIGHTS THE SAN FRANCISCO FOG

Written by Caroline Arnold

Illustrated by Rachell Sumpter

(Cameron Kids; $18.99, Ages 4-8)

 

 

Keeper of the Light cover with bell machine

 

 

 

Keeper of the Light written by Caroline Arnold and illustrated by Rachell Sumpter is a fascinating, “fictionalized account based on true events and historical documents about Juliet Fish Nichols …” I love learning about historical figures, especially women who had non-traditional careers, whose stories might never be told were it not for an inquisitive picture book author.

 

Keeper of the Light int1 climbing 151 steps
Interior spread from Keeper of the Light written by Caroline Arnold and illustrated by Rachell Sumpter, Cameron Kids ©2022.

 

A widow at 42 and in need of a steady income, Juliet Fish Nichols worked for over a decade as Keeper of Angel Island Light Station in San Francisco Bay. Author Arnold presents an engaging interpretation of several years of Nichols’ life there—Point Knox to be precise—in log format so that readers can gain insight into the important responsibilities she was tasked with. This not only involved making sure the lamp (visible for up to 13 miles) was filled with oil, clean, and in working order but when needed, operating the fog bell machine.

Life may have been simple and calm most of the time but it could suddenly change when the weather grew foggy as it was wont to do. When that happened, Nichols had one thing in mind: Keep the boats safe. Then, on April 18, 1906, a horrendous earthquake rocked San Francisco. Buildings tumbled to the ground and deadly fires broke out all over the city. Nichols helped by hanging her lamp to guide the way for ferries transporting people to safety.

 

Keeper of the Light int2 San Fran earthquake
Interior spread from Keeper of the Light written by Caroline Arnold and illustrated by Rachell Sumpter, Cameron Kids ©2022.

 

On July 2 of that same year, as early as midday, fog began rolling in …

 

Keeper of the Light int3 thick fog
Interior spread from Keeper of the Light written by Caroline Arnold and illustrated by Rachell Sumpter, Cameron Kids ©2022.

 

When the fog’s vast thickness rendered the fog light useless to keep boats from crashing into the rocks the clang, clang of the bell could be heard. But it soon stopped. Nichols realized the bell machine was broken but there was no time to get help or repairs. The keeper had no choice but to grab a mallet and strike the bell herself … every fifteen seconds, throughout the night … for over 20 long hours … until the fog lifted. Nichols’ selfless efforts likely saved hundreds of lives that day when people were still recovering from April’s tragedy.

 

 

Keeper of the Light int4 ringing bell
Interior spread from Keeper of the Light written by Caroline Arnold and illustrated by Rachell Sumpter, Cameron Kids ©2022.

 

Sumpter’s warm-toned illustrations with a watercolor style perhaps mixed with pastels took me back in time to the turn of the twentieth-century San Francisco Bay area. They add atmosphere and tension in all the right places and, together with Arnold’s text, make this such an interesting read. We learn from the Author’s Note in the back matter that Nichols’ logs do exist but this fictionalized version makes them accessible to children by focusing on a few significant events during her 12-year tenure as keeper. I now want to visit Angel Island like Arnold did to see where this amazing woman lived and worked and to see firsthand the giant bell that, with Nichols’ help, saved so many from perishing.

  • Reviewed by Ronna Mandel
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Picture Book Review – The Welcome Chair

 

 

THE WELCOME CHAIR

Written by Rosemary Wells

Illustrated by Jerry Pinkney

(A Paula Wiseman Book; $17.99; Ages 4-8)

 

 

 

 

 

★Starred Reviews – Booklist, Bookpage, Kirkus

 

Rosemary Wells introduces the reader to her family’s history in the telling of a rocking chair built by her great-great-grandfather. We travel with the author of more than one hundred books for children, and winner of the Christopher Award, on the road imagining where the chair may have traveled in The Welcome Chair with illustrations by the late Jerry Pinkney who has earned seven Caldecott Medals, five Coretta Scott King Awards, five Coretta Scott King Honors, five New York Times Best Illustrated Children’s Book Awards, and the Original Art’s Lifetime Achievement Award.

Learning about family history is so much fun, and reading the story of Sam Seigbert who was born in 1807 in Bavaria, and brought to life by Wells from a family diary, was quite fascinating. Wells’s great-great-grandfather was destined to be a carpenter, but his father insisted that he study the Torah to become a Rabbi like him and his grandfather. “It’s settled. You will not work with your hands like a country bumpkin.” But that was not what Sam wanted, so at age sixteen he cut off his sidelocks, so no one would bully the Jewish boy, and hiked north to find work as a deckhand on a freighter for three pfennigs a day. The captain noticed Sam could read and write and offered him a job logging inventory on the ship. When the ship docked, Sam “darts away across the Brooklyn docks into the screeching, shrieking, filthy, clanging, terrifying, ugly and beautiful young city of New York.”

 

The Welcome Chair int1
Interior illustrations from The Welcome Chair written by Rosemary Well and illustrated by Jerry Pinkney, A Paula Wiseman Book ©2021.

 

 

Pinkney’s extensive experience led him to execute the illustrations with contour drawing and watercolor washes, and pictures using burnt okra Prismacolor pencils and pastels. It was a perfect choice to showcase the 19th century as Sam meets Able Hinzler, and his wife Klara, and is hired on to become the bookkeeper and apprentice carpenter for Hinzler’s Housewright shop. When Magnus Hinzler is born, Sam carves a cherrywood rocking chair for Klara to sit in comfortably with the word “Willkommen”  meaning Welcome in German across a panel. This is the start of the chair that had many lives.

As told by Wells, Sam moves to Wisconsin with the Hinzler family. “The rocking chair goes with them. One evening he meets Ruth and falls in love with her gentle laugh and green-gray eyes. When their firstborn, Henry, arrives Sam carves Baruch Haba—Hebrew for “Welcome”—right under “Willkommen,” into the chair’s panel so that Henry will know his heritage.

When Wells was ten, her grandmother showed her the diary that was written in spidery old German by Wells’ great-great-grandmother Ruth Seigbert and read it to her. She decided to write a memoir of the diary in the first half of The Welcome Chair that ends in 1918 and brought to life the rest of the story through stories she was told.

 

The Welcome Chair int2
Interior illustrations from The Welcome Chair written by Rosemary Well and illustrated by Jerry Pinkney, A Paula Wiseman Book ©2021.

 

 

In 1863, Henry was killed in Gettysburg and his younger sister Helen eventually married Harry Leopold. They moved to New York, and you guessed it, the chair travels east by railway. When Helen hires Irish girl Lucy as the family seamstress, she gives Lucy the chair as a wedding present and the word “Failte”—Irish for “Welcome” is spelled out with brass letters.

We watch the clothing and people change, showing Pinkney’s research, along with the timeline. Years have now passed and the chair moves from trash on the sidewalk picked up by a junkman, to Santo Domingo nuns living in Newark, New Jersey who carve “Bienvenido” in Spanish into the wood. When the nuns pass away, the chair is placed in a rummage sale in 2010 where Pearl Basquet’s mother grabs it. “’Our Welcome Chair needs a new word,’” says Pearl.” Her father chisels “Byenvini”—the Haitian word for Welcome.

This is a beautifully told story tracing the history of what was, to the present of what could have been. If these walls could talk what would we know about old family heirlooms? Wells and Pinkney give readers a beautiful glimpse into the “what-if.” Grandparents can read this meaningful story to their grandchildren, and tell their family history to be shared from generation to generation.

  •  Reviewed by Ronda Einbinder

 

 

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