skip to Main Content

An Interview with The Crayon Man Author Natascha Biebow

 

 

AN INTERVIEW WITH

NATASCHA BIEBOW

AUTHOR OF

THE CRAYON MAN:

THE TRUE STORY OF THE INVENTION OF CRAYOLA CRAYONS

(Clarion Books; $17.99, Ages 6 to 9)

 

The Crayon Man cover

 

 

SHORT SUMMARY:

In 1903, a man’s innovative invention appeared in homes in a bright green box for only a nickel – Crayola crayons. In a world where children are given crayons almost as soon as they are born, where the smell of crayons is more recognizable than coffee and peanut butter, what must it have been like to live at a time when crayons were a novelty? The Crayon Man, illustrated by Steven Salerno, is a story of the inspirational inventor Edwin Binney, the man who loved color and nature, who listened and created one of the world’s most enduring, best-loved childhood toys—empowering children around the world to imagine and draw ANYTHING!

 

INTERVIEW:

Colleen Paeff: Happy National Crayon Day! It’s so nice to have the opportunity to talk to you about The Crayon Man, Natascha, because it happens to be the favorite book of one of my favorite 4-year-olds. I have it at my house and every time she comes over, she wants me to read it aloud. 

Natascha Biebow: Wow, that’s so much fun to hear, thank you! 

 

The Crayon Man LovedColor int1
Interior spread from The Crayon Man: The True Story of the Invention of Crayola Crayons written by Natascha Biebow and illustrated by Steven Salerno, Clarion ©2019.

 

CP: I was listening to your interview on the Nonfiction4Life podcast and I loved hearing you talk about the extensive research you conducted. What were some of the highlights of your research process?

NB: I was very fortunate in that my research took me to some really cool places: I visited the inside of the Crayola crayons factory in Easton, PA, and saw first-hand how the crayons are made today with super-speedy machines; I went to the Smithsonian Museum of American History archives in Washington, DC, to view the Binney & Smith company archives; I connected with Binney’s great-granddaughter and so many helpful librarians and experts, who were incredibly generous in fact-checking my research.

 

CP: That sounds amazing! Did you learn anything particularly surprising?

NB: I did! Previously published nonfiction books about the invention of Crayola crayons focused on the manufacturing process and how Binney’s wife, Alice, helped to name the crayons, but none of these delved into Binney as a man and what motivated him. In my detective work researching, I uncovered just how much he loved color and was influenced by nature. Because he worked for a factory that made black stuff – printing ink, dye, lamp black – I was instantly hooked on the contrast: all day long, he was surrounded by black, yet he loved color. THAT was why he wanted to create colored crayons!

 

The Crayon Man bouquetspread int2
Interior spread from The Crayon Man: The True Story of the Invention of Crayola Crayons written by Natascha Biebow and illustrated by Steven Salerno, Clarion ©2019.

 

CP: I’m always hoping to find new tricks for organizing my research. How do you keep information organized as you conduct research?

NB: Ha! I wish I could say I have some amazing system. I know some people use index cards or similar, but the fact is I collate all my references into a folder of printed out articles and notes, etc., and keep an MSWord document with key facts and website links/dates. The best tip is to use EasyBib, which allows you to create a project-based record of all your sources (which is also excellent for when you need to create a correctly-formatted bibliography). 

 

CP: Yes! Thank goodness for EasyBib! You mentioned earlier that you connected with one of Binney’s descendants. What was her reaction to the book?

NB: Crayola kindly put me in touch with Binney’s great-granddaughter, who generously shared her memories and photos. After publication, though, magic happened – Binney’s great-great-granddaughter sent me a fan letter, and she connected me with more relatives. When we met up in person, she shared a precious photo album and stories about other members of the family. Attics were dug into and more photos and artifacts uncovered, including a stunning snap of Alice Binney with her daughters, Dolly and Helen, standing by the 1904 St Louis World’s Fair Crayola display. It’s a rarity, given how few photos were taken then. No smartphones! I really wish we’d have had it in time to include in the book. Now, these family photos and artifacts have been donated to the Smithsonian to be added to their archive, which is fantastic.

 

Binney Crayola St Louis World's Fair
“Dolly, Alice & Helen, Crayola Booth at St Louis World’s Fair 1904 Photo courtesy of the Binney Family”

 

CP: That’s incredible! What do you hope young readers take away from this story?

NB: Edwin Binney had a knack for listening and making what people needed. He loved nature and turned to it for inspiration. Binney was also a generous entrepreneur who gave back to his community. His flair for innovation, creativity, persistence, and ability to listen are all attributes that future generations will need to make our world a better place. In this fast-paced world of ours, where kids are so often on devices, I’d love it if the book were to encourage kids to just doodle with crayons or to be inspired to look more closely at nature, ask curious questions and invent something.

 

CP: Wonderful! I know it will. You’re a writer, but you’re also an experienced editor who has worked on a number of award-winning books. How did you get started in editing?

NB: I studied Developmental Psychology at Smith College and have always loved writing and editing (I edited our high-school newspaper). I wanted to combine my interest in words and young children’s development so after I graduated, I decided I would start with the 6-week Radcliffe Publishing course (now Columbia Publishing course) so I could learn about children’s publishing. Soon after, I moved to London where I had family, and was lucky to land a job as an editorial assistant at a very small, independent publisher. It was the perfect place to get hands-on experience in all the aspects of how a book is made, before moving on to more senior editorial roles. 

 

CP: That sounds like a good place to start. Was it your interest in editing that led you to start coaching writers through your Blue Elephant Storyshaping business?

NB: Yes, after several years in senior commissioning roles in-house at large publishing houses, I decided I wanted to spend less time on managerial and budgeting tasks and get back what I was most passionate about – hands-on editing and storyshaping. So now I coach and mentor authors and illustrators at all levels to help them fine-tune their work pre-submission, doing all the creative thinking and editing that I love; I am also developing a small, independent list as the Editorial Director of Five Quills, which is a huge privilege! I love the collaborative process of the picture book journey. A key part of this is helping creators to tease out the stories they want to tell.

 

CP: It sounds like you’re getting to do all the things you love! Are there any particular books you’ve edited that we should be on the lookout for?

NB: Always! Five Quills is thrilled to launch some very talented debuts – Paul Morton’s Bug Belly, a hilarious chapter book series about a greedy frog, who is an ingenious inventor; I Am Nefertiti by Annemarie Anang and Natelle Quek, an empowering, joyful picture book that celebrates identity and belonging; and Lottie Loves Nature by bestselling author Jane Clarke and James Brown, an exciting new eco-adventure series for younger readers.  

 

CP: Those sound wonderful! How do you divide your time between writing, editing, and coaching?

NB: My editing business – coaching and mentoring authors and commissioning and editing for Five Quills – is my day job. I feel very fortunate to be doing work I am passionate about and that I enjoy. Alongside this, I try to carve out time each week to at least noodle away at my new writing projects. Sometimes, I am writing when I’m not writing – in my head, on journeys, waiting for my son’s tennis lesson, as I fall asleep at night . . . In the summer when school is out, I earmark time to work on larger writing projects that involve research. I also spend time each month doing virtual school visits. Connecting with young readers is a fun, rewarding aspect of promoting your work and a source of inspiration. And then there is volunteering as Co-Regional Advisor SCBWI British Isles, which is a daily commitment. Some advice I got from Tim Grahl was to plan out your days so that you can be more focused and not distracted by ‘bitty’ tasks. That works well for me. But some days, the list just doesn’t get done, so my motto is to be kind to myself, eat some chocolate (dark), and try again tomorrow. 

 

CP: That’s such good advice. And I think being kind to ourselves (and eating dark chocolate!) is key to doing good work. It sounds like you’ve created a perfect combination of structure and ease. I was very impressed when you received the 2019 Stephen Mooser Member of the Year from the Society of Children’s Book Writers and Illustrators (SCBWI) to recognize your contribution as Regional Advisor since 1998, building the British Isles region into the largest international region of the organization. What an accomplishment! But now I know you also received the MBE (Most Excellent Order of the British Empire), which was presented by HRH Prince Charles himself. That must have been exciting! Tell me about it. How did you get it? What was the ceremony like? How on earth did you decide what to wear?!

NB: Yes, it was all incredibly exciting and also a bit surreal. I am fortunate to work with a very talented and generous team of dedicated volunteers, some of whom decided to nominate me for the MBE. It takes a couple of years for the Queen’s approval. It was a complete surprise and is, of course, a huge honor. I didn’t know who would be presenting the award until the actual day of the investiture at Buckingham Palace. My son scored the day off school and my mom, partner, and uncle were guests. Figuring out what to wear was an interesting challenge – a day jacket and fancy hat are de rigueur, and of course, if you know me, they had to be . . . blue! The ceremony is held in the stunning Ballroom at Buckingham Palace. I met some fascinating people from all kinds of professions and voluntary services, who were also being recognized for honors. The investiture is meticulously choreographed. We were briefed about how to approach the royals: HRH Prince Charles would say a brief word to each of us, pin on our medals, shake hands, and then we should back away – no mean feat if you’re wearing heels. I was so afraid I would trip up or get muddled! Afterward, I signed a copy of THE CRAYON MAN and asked a staff member to pass it on to HRH Prince Charles. Later, I got a thank you note from his office! The MBE is really an award to celebrate with ALL the hard-working volunteers who have contributed to making the British Isles the largest international region of SCBWI. 

 

MBE award NB
Natascha Biebow holds the MBE award at her Buckingham Palace investiture.

 

CP: That sounds so wild! What is one thing you wish more aspiring children’s authors understood about breaking into this business?

NB: I love elephants – they have thick skins (which allow them to keep cool). We authors also need thick skins to keep cool (heads), because this is a business that requires a huge amount of perseverance to weather its ups and downs. Sometimes, it’s incredibly challenging to stay positive and to keep re-imagining your work until an editor says ‘yes’ to your book. Aspiring authors sometimes don’t realize publishing is a slow, long game. Even when you do secure a book deal, the work is just beginning! However, I feel very fortunate to be able to be part of the business of making children’s books, and to be doing something I love – writing!

 

CP: What’s next for you, Natascha?

NB: I have a number of books out on submission, and am constantly dreaming up new ideas. 

I am also writing a young fiction chapter book series, which is a bit of a steep learning curve, but fun.  

 

CP: It sounds like you have lots of good things in store for readers! Thank you so much for taking the time to chat with me.

NB: Thank you for inviting me to celebrate National Crayon Day on GoodReadswithRonna.com! 

 

Natascha Biebow Author PhotoBRIEF BIO: 

Natascha Biebow’s favorite crayon color is periwinkle blue because it makes her heart sing.  She loves to draw and make stuff, just like the inventor of the Crayola crayons. She lives in London, where she writes, edits, coaches, and mentors children’s book authors and illustrators at Blue Elephant Storyshaping, and is the long-time Regional Advisor of SCBWI British Isles. In 2018, she was awarded an MBE for her services to children’s writers and illustrators. The CRAYON MAN: THE TRUE STORY OF THE INVENTION OF CRAYOLA CRAYONS is the winner of the Irma Black Award for Excellence in Children’s Literature, voted for by children, and an NSTA Best STEM book and JLG Gold Selection. She loves true stories and is currently working on more nonfiction picture books, a chapter book series, and a novel. Find her at www.nataschabiebow.com

CLICK HERE TO BUY THE BOOK


LINKS: 


THE CRAYON MAN Book Trailer: www.youtube.com/watch?v=ED2Poiah-Ok

THE CRAYON MAN KidTimeStorytime read-aloud: youtu.be/nFS6Ey75MS0

Website: www.nataschabiebow.com

Instagram: @nataschabiebow

Facebook: www.facebook.com/nataschabiebow

YouTube: www.youtube.com/channel/UCdIqcSoV-30W_C2xAVLzBKw

LinkedIn: www.linkedin.com/in/natascha-biebow-90183626/

Free Picture Book Craft Tips: www.blueelephantstoryshaping.com/blogs-craft-tips-for-you/

 

ABOUT INTERVIEWER COLLEEN PAEFF:

Colleen Paeff received a Bachelor’s Degree in set design for theater from California State University Fullerton, before becoming a bookseller, preschool teacher, and newspaper columnist. (She never did become a set designer!) Eventually, she figured out how to combine books, kids, and writing into one career––as a children’s book author. Her debut picture book, The Great Stink: How Joseph Bazalgette Solved London’s Poop Pollution Problem (illustrated by Nancy Carpenter), won the SCBWI’s 2022 Golden Kite Award for Nonfiction Text for Young Readers and was named a 2022 Robert F. Sibert Informational Fiction Honor Book. Colleen lives in Los Angeles, CA and Brooklyn, NY. Learn more about her at www.colleenpaeff.com or visit her on Instagram and Twitter @ColleenPaeff. 

Share this:

Nonfiction Picture Book Review – Out of The Blue

 

OUT OF THE BLUE:
How Animals Evolved from Prehistoric Seas

Written by Elizabeth Shreeve

Illustrated by Frann Preston-Gannon

(Candlewick; $17.99, Ages 6-9)

 

 

 

 

Starred Reviews – Kirkus and School Library Journal

 

Before the text begins, Elizabeth Shreeve’s nonfiction picture book cleverly has readers guess, among hippos, dolphins, and sharks, which two animals are the closest relatives? For the answer, you’ll have to read Out of the Blue: How Animals Evolved from Prehistoric Seas.

e

 

Out of the Blue int1
OUT OF THE BLUE. Text copyright © 2021 by Elizabeth Shreeve. Illustrations copyright © 2021 by Frann Preston-Gannon. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

e

Shreeve impressively chronicles life on Earth from its beginning until present. Yet, for such an intricate topic, her kid-friendly text is easy to follow. Readers wanting more data can reference the time periods (noted at the bottom) or learn from the notes accompanying various creatures. The back matter includes sources and further reading.

The illustrations by Frann Preston-Gannon add drama and dimension showing lava-flowing eruptions and the starkness of what scientists call the Great Dying when temperatures soared and life perished. However, most of the art depicts brightly colored celebrations of the wonderful creatures that have inhabited our planet. I like how sketches are used in the sidebar to demonstrate, for example, the size of a prehistoric dragonfly in comparison to a human. (These insects grew huge because of the abundant oxygen levels.)

 

 

Out of the Blue int2
OUT OF THE BLUE. Text copyright © 2021 by Elizabeth Shreeve. Illustrations copyright © 2021 by Frann Preston-Gannon. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

 

e

Information is conveyed in an exciting manner, encouraging page turns to discover the changes of life on Earth while also learning the answer to the opening question. This comprehensive reference book will engage curious young readers.

 

 

NOTE: I received the book for free from Candlewick Press in exchange for a review.

 

Share this:

Dinosaurs Before Dark Graphic Novel – Mary Pope Osborne’s Magic Tree House Series

DINOSAURS BEFORE DARK GRAPHIC NOVEL

Mary Pope Osborne’s Magic Tree House series

Written by Jenny Laird

Illustrated by Kelly and Nichole Matthews

(Random House BYR; $16.99, Ages 6-9)

 

DinosaursBeforeDark MTH graphicnovel cover

 

 

“I wish I could go there…”

 

Any reader of Osborne’s beloved Magic Treehouse chapter book series knows that uttering those magical words while holding a book in the Magic Tree House will instantly transport the child back into the time and place of the book and an action-packed adventure.

e

Dinosaurs Before Dark GN Int1
Interior art from Dinosaurs Before Dark Graphic Novel, Mary Pope Osborne’s The Magic Tree House series illustrated by Kelly Matthews and Nichole Matthews and adapted by Jenny Laird, Random House BYR ©2021.

e

This first title in the graphic novel adaptations of the chapter book series, Dinosaurs Before Dark, introduces eight-and-a-half-year-old Jack and his younger sister, Annie, residents of Frog Creek, Pennsylvania. While playing in the wooded area near their home, they discover a tree house filled with books. As they excitedly explore the books, Jack finds a book about dinosaurs. Gazing at one of the illustrations, he wishes he could go there. Suddenly, a giant wind begins to spin the tree house and whoosh! It whisks them away to the Cretaceous Period.

While exploring this new environment, they encounter a few of the period’s dinosaurs without incident until a very large and frightening Tyrannosaurus Rex comes roaring and stomping their way. After some hair-raising attempts to dodge it, they make it back to the tree house. Now they just need to figure out how they can get home in one piece … and in time for dinner!

e

Dinosaurs Before Dark GN Int2
Interior art from Dinosaurs Before Dark Graphic Novel, Mary Pope Osborne’s The Magic Tree House series illustrated by Kelly Matthews and Nichole Matthews and adapted by Jenny Laird, Random House BYR ©2021.

 

Laird remains true to the original story and her dialogue, along with the Kellys’ illustrations, propel the storyline. Like the chapter book, the graphic novel is neatly organized into short chapters, each ending on a cliffhanger.

Illustrators Kelly and Nichole Matthews have modeled Jack and Annie after the Sal Murdocca illustrations for the chapter book. The Matthews, who are twin sisters, creatively combine detail, color, and a more complex layout to help interpret the chapter book’s narrative. The panels sequencing the tremendous wind that spins the house back into history include a vivid two-page spread (pp 26-27) that conveys the force of the wind. Another full page is used to dramatize the height of the tree house as Jack and Annie descend from it to a world no humans have ever seen (p. 62).

e

Dinosaurs Before Dark GN Int3
Interior art from Dinosaurs Before Dark Graphic Novel, Mary Pope Osborne’s The Magic Tree House series illustrated by Kelly Matthews and Nichole Matthews and adapted by Jenny Laird, Random House BYR ©2021.

e

This graphic novel adaptation is a great introduction to the chapter book series for younger and emerging readers and could actually replace it in popularity since the format is much more vibrant and engaging than the original chapter book series. So while it’s recommended for ages 6-9, I think children as young as five years old would find it an entertaining read.

Check out this YouTube video to hear how Jenny Laird adapted Osborne’s novel. And for more about the Matthews sisters, visit their website. Fans can also check out the Magic Tree House website here.

  •  Reviewed by Dornel Cerro
Share this:

Children’s Early Graphic Novel – Scaredy Squirrel in a Nutshell

 

SCAREDY SQUIRREL IN A NUTSHELL
(Book #1 in Scaredy’s Nutty Adventures)

By Melanie Watt

(Penguin Random BYR; $12.99, Ages 6-9)

 

 

e

 

WARNING! This book is absolutely … NUTS!

Award-winning author and illustrator Melanie Watt, well known for her Scaredy Squirrel picture book series, has created her first graphic novel, Scaredy Squirrel in a Nutshell, featuring a squirrel beset by many (and often improbable) fears about life outside his beloved nut tree. To his credit, Scaredy Squirrel confronts each challenge with an elaborate and hilarious action plan that’s often doomed to failure. From the potential alien landing to deadly dust bunnies, Scaredy Squirrel not only has a plan but a backup as well (play dead). 

Scaredy Squirrel in a Nutshell tree Page 2
Interior art from Scaredy Squirrel in a Nutshell written and illustrated by Melanie Watt, Penguin Books for Young Readers ©2021.

e

Since childhood, Scaredy Squirrel has kept himself and his nut tree safe from dreaded “trespassers” who could damage his tree. Who knows when a mammoth may want to uproot it? Or a cat might scratch it. So Scaredy Squirrel has developed a strategy to protect the tree. He places objects around his tree to distract the trespassers, such as a fake tree for the mammoth to uproot or a scratching post for the cat.

e

Scaredy Squirrel in a Nutshell vacuum Page 4
Interior art from Scaredy Squirrel in a Nutshell written and illustrated by Melanie Watt, Penguin Books for Young Readers ©2021.

e

However, there’s a downside to this ambitious plan: these objects get dusty and from the dust springs notorious dust bunnies! So this quick-thinking squirrel comes up with a detailed plan to prevent dust bunnies … vacuum all the decoy objects! All well and good until the vacuum gets clogged and now Scaredy Squirrel must develop a plan to unclog the vacuum cleaner. As you can imagine, more problems emerge which entail more plans and greater chaos. Inevitably (despite playing dead) he finds himself face to face with a real bunny who would like to be his friend. Which of course necessitates a new plan …

e

Scaredy Squirrel in a Nutshell pompom Page 7
Interior art from Scaredy Squirrel in a Nutshell written and illustrated by Melanie Watt, Penguin Books for Young Readers ©2021.

e

Watt’s familiar cartoon-like illustrations go nicely with the graphic novel format. Simple geometric shapes are used to create the characters and setting. Faces are wonderfully expressive. Panels are well organized on the pages with a clean and uncluttered look, making this book perfect for newly independent readers. Witty word plays and expressions such as “going out on a limb” and “dust bunnies,” keep the narrative lively and make this a good read-aloud as well. Delightfully quirky features include a “Nutty (Table of) Contents,” and some silly and interactive features to be taken before it is “safe” to begin the story. 

Parents, caregivers, and teachers are sure to appreciate that, despite the zany humor of the book, Scaredy Squirrel manages to demonstrate, in a light-hearted way, how children can face their fears and develop problem-solving skills such as writing down action plans, to face real-life challenges. While the age is listed as 6-9, younger children would certainly enjoy having the story read to them.

  • Reviewed by Dornel Cerro

Click here and here to read more squirrel stories.

Share this:

Five Diverse Books for Multicultural Children’s Book Day 2021

A ROUNDUP

OF

FIVE DIVERSE CHILDREN’S BOOKS

FOR

MULTICULTURAL CHILDREN’S BOOK DAY 2021

 

 

ItsNotLittleRedRidingHood cvrIT’S NOT LITTLE RED RIDING HOOD:
It’s Not Fairy Tales
Written by Josh Funk
Illustrated by Edwardian Taylor

(Two Lions; $17.99, Ages 4-8)

Funnyman Josh Funk’s picture books are huge hits and the third book in his fractured fairy tale series, It’s Not Little Red Riding Hood, is sure to connect with audiences everywhere. Little Red’s a smart girl who questions the narrator of the story. If Grandma’s sick, why isn’t Red taking her some medicine? And why send a kid into the woods alone in the first place? I like how the pulled-apart story is cleverly pieced back together.
e
Art by Edwardian Taylor elevates the story’s hilarity. Red’s expressions say it all. With a crazy cast of characters—did I mention the pirate and Pinocchio?!—kids will be laughing with each page turn. Yet, at the same time, this book teaches kids to think about stories on another level and creatively come up with their own ideas. And that’s a win-win situation for me.

 

HelloMandarinDuck cover*HELLO, MANDARIN DUCK!
Written by Bao Phi
Illustrated by Dion MBD
(Capstone Editions; $17.99, Ages 5-9)

* Available on 2/1/2021

Bao Phi’s Hello, Mandarin Duck! features a duck lost midst the bustling May Day parade. Twins, Hue and Hoa, help it out, meeting friends and neighbors along the way. The duck’s fear of not being understood or accepted in a new place feels genuine and represents the people in similar situations, relying on or hoping for the kindness of strangers.

Dion MBD’s illustrations showcase a diverse community. A sticker and the signs carried in the parade further reinforce the community’s openmindedness. And, though the twins are key, it’s the adorably spunky mandarin duck that stole my heart as it goes from uneasy to dancing with the crowd.

 

DendeMaro coverDENDE MARO: THE GOLDEN PRINCE
by Sally Mallam
Illustrations created from the ancient rock art of Africa
(Hoopoe Books; $17.99, Ages 6-9)

Sally Mallam’s stunning picture book, Dende Maro: The Golden Prince, depicts an African origin tale which begins when there was nothing except a longing. This longing becomes the wind, then a shape until “the sighing of the wind awoke the shape, and in its breath she heard the longing, and understood.” The story continues until everything exists. Beyond the journey, we’re shown how humans “learn and develop their arts, language and mathematics and their ability to settle all over the world; to remake the world.”

The illustrations differ from what’s in many picture books; inspired by ancient African carvings and paintings, Mallam rearranged and colored these collages. I found it fascinating that the “oldest-dated human-made image as yet discovered is a small piece of incised ochre from the Blombos Cave in South Africa that is between 75,000 and 100,000 years old.” Secret picture alert: peek under the cover. This book is a worthwhile addition to home libraries and classrooms as it offers a springboard into many discussions.

 

TheBoyWithoutaName cvrTHE BOY WITHOUT A NAME
Written by Idries Shah
Illustrated by Mona Caron
(Hoopoe Books; HC $18 PB $9.99, Ages 5-8)

Idries Shah’s picture book, The Boy Without a Name, “belongs to a tradition of storytelling from the Middle East and Central Asia that is more than a thousand years old.” Parents of a newborn are told by a wise man to not name the child because he is a “very, very important boy.” Years later, “Benaam” (“Nameless”) and his friend, Anwar, take an insightful journey to visit the wise man.

Realistic illustrations by Mona Caron give the boys depth and character, elevating the tale. The pages at the wise man’s home are spectacular for their attention to detail and wealth of information. Caron has a gift for facial expressions that extends to the animals in the book as well. I would be happy just looking at the stunning images.

 

SadiqandtheBridgeBuilders cvrSADIQ AND THE BRIDGE BUILDERS
Written by Siman Nuurali
Illustrated by Anjan Sarkar
(Picture Window Books/Capstone; $6.95, Ages 6-8)

Siman Nuurali’s popular chapter-book series features Sadiq, an eight-year-old Somali-American boy living in Minnesota. In Sadiq and the Bridge Builders, Sadiq and his third-grade classmates join the school’s building club where they create a model city that can withstand a natural disaster. Using information from the teachers and sussing out things on their own, the kids succeed.

The book opens with facts about Somalia and Somali terms. Back matter includes a glossary and examples of how to take the story further such as talking about a problem the kids in the book have with their model, writing down examples of how teamwork helped, and drawing your own neighborhood. I like how the extras boost the book’s usefulness in classrooms and are also a boon for parents of bored, stuck-at-home kids.

 

Click here and here and here to read all of last year’s posts.|

 

Multicultural Children’s Book Day 2021 (1/29/21) is in its 8th year! This non-profit children’s literacy initiative was founded by Valarie Budayr and Mia Wenjen; two diverse book-loving moms who saw a need to shine the spotlight on all of the multicultural books and authors on the market while also working to get those book into the hands of young readers and educators.

Eight years in, MCBD’s mission is to raise awareness of the ongoing need to include kids’ books that celebrate diversity in homes and school bookshelves continues. Read about our Mission & History HERE.

Multicultural Childrens Book Day graphic

MCBD 2021 is honored to be Supported by these Medallion Sponsors!

FOUNDER’S CIRCLE: Mia Wenjen (Pragmaticmom) and Valarie Budayr’s (Audreypress.com)

Platinum Sponsors: Language Lizard Bilingual Books in 50+ Languages, Author Deedee Cummings and Make A Way Media

Gold Sponsors: Barefoot Books, Candlewick Press, Capstone, Hoopoe Books, KidLitTV, Peachtree Publishing Company Inc.

Silver Sponsors: Charlotte Riggle, Connecticut Association of School Librarians, Author Kimberly Gordon Biddle, Pack-N-Go Girls

Bronze Sponsors: Agatha Rodi and AMELIE is IMPRESSED!, Barnes Brothers Books, Create and Educate Solutions, LLC, Dreambuilt Books, Dyesha and Triesha McCants/McCants Squared, Redfin Real Estate, Snowflake Stories, Star Bright Books, TimTimTom Bilingual Personalized Books, Author Vivian Kirkfield, Wisdom Tales Press, My Well Read Child

MCBD 2021 is honored to be Supported by these Author Sponsors!

Poster Artist: Nat Iwata

Authors: Author Afsaneh Moradian, Author Alva Sachs & Three Wishes Publishing Company, Author Angeliki Stamatopoulou-Pedersen, Author Anna Olswanger, Author Casey Bell , Author Claudine Norden, Author Debbie Dadey, Author Diana Huang & Intrepids, Author Eugenia Chu & Brandon goes to Beijing, Green Kids Club, Author Gwen Jackson, Author Janet Balletta, Author Josh Funk, Author Julia Inserro, Karter Johnson & Popcorn and Books, Author Kathleen Burkinshaw & The Last Cherry Blossom, Author Keila Dawson, Maya/Neel Adventures with Culture Groove, Author Mia Wenjen, Michael Genhart, Nancy Tupper Ling, Author Natalie Murray, Natalie McDonald-Perkins, Author Natasha Yim, Author Phe Lang and Me On The Page Publishing, Sandra Elaine Scott, Author Shoumi Sen & From The Toddler Diaries, SISSY GOES TINY by Rebecca Flansburg and B.A. Norrgard, Susan Schaefer Bernardo & Illustrator Courtenay Fletcher, Tales of the Five Enchanted Mermaids, Author Theresa Mackiewicz, Tonya Duncan and the Sophie Washington Book Series, Author Toshia Stelivan, Valerie Williams-Sanchez & The Cocoa Kids Collection Books©, Author Vanessa Womack, MBA, Author Veronica Appleton & the Journey to Appleville book series

MCBD 2021 is Honored to be Supported by our CoHosts and Global CoHosts!

MCBD 2021 is Honored to be Supported by these Media Partners!

Check out MCBD’s Multicultural Books for Kids Pinterest Board!

Multicutural Childrens Book Day poster art

FREE RESOURCES from Multicultural Children’s Book Day

Diversity Book Lists & Activities for Teachers and Parents

Homeschool Diverse Kidlit Booklist & Activity Kit

FREE Teacher Classroom Activism and Activists Kit

FREE Teacher Classroom Empathy Kit

FREE Teacher Classroom Kindness Kit

FREE Teacher Classroom Physical and Developmental Challenges Kit

FREE Teacher Classroom Poverty Kit

Gallery of Our Free Posters

FREE Diversity Book for Classrooms Program

TWITTER PARTY! Register here!

Join us on Friday, Jan 29, 2021, at 9 pm EST for the 8th annual Multicultural Children’s Book Day Twitter Party!
This epically fun and fast-paced hour includes multicultural book discussions, addressing timely issues, diverse book recommendations, & reading ideas.
We will be giving away an 8-Book Bundle every 5 minutes plus Bonus Prizes as well! *** US and Global participants welcome. **
Follow the hashtag #ReadYourWorld to join the conversation, connect with like-minded parts, authors, publishers, educators, organizations, and librarians. See you all very soon on Twitter!
Hashtag: Don’t forget to connect with us on social media and be sure and look for/use our official hashtag #ReadYourWorld.

Share this:

Picture Book Review – The Tempest

WILLIAM SHAKESPEARE THE TEMPEST

Retold by Georghia Ellinas

Illustrated by Jane Ray

(Candlewick Press; $17.99, Ages 6-9)

 

The Tempest retold cover

 

Starred Reviews – Kirkus, School Library Journal

 

Introducing classics such as William Shakespeare’s The Tempest to young kids seems both important and, well, hard. Let’s face it, adults sometimes need a synopsis when seeing one of his plays. However, this lovely picture book by Georghia Ellinas successfully conveys the heart of the story without overwhelming young kids. Told from Ariel’s viewpoint, the book opens with the irresistible line, “Can you do magic?” The androgynous Ariel goes on to explain that they are a spirit of the air and made of magic—how awesome is that?!

 

TheTempest int.1
THE TEMPEST. Text copyright © 2019 by the Shakespeare Globe Trust. Illustrations copyright © 2019 by Jane Ray. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA on behalf of Walker Books, London.

 

Boosted by Jane Ray’s lovely watercolor images, this retelling comes to life. We feel for Ariel when they are imprisoned in a tree and crying out for help. The scene with Miranda and Caliban delights me the most. Monstrous Caliban’s moping darkness is offset by Miranda as a young girl, brightly dressed and playing in a tree.

 

The Tempest int.2
THE TEMPEST. Text copyright © 2019 by the Shakespeare Globe Trust. Illustrations copyright © 2019 by Jane Ray. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA on behalf of Walker Books, London.

 

Though full of lively images and fantasy, The Tempest’s key message remains “forgiveness is greater than revenge,” an important reminder for an audience this age who may struggle with conflict resolution. I’m happy to see Candlewick is continuing with A Midsummer Night’s Dream, another favorite, out in April 2021 by this same talented writer and illustrator duo. Available for pre-order now.

 

Share this:

Early Chapter Book Review – Stella Endicott and the Anything-Is-Possible Poem

STELLA ENDICOTT AND THE ANYTHING-IS-POSSIBLE POEM:

TALES FROM DECKAWOO DRIVE

Written by Kate DiCamillo

Illustrated by Chris Van Dusen

(Candlewick Press; $14.99, Ages 6-9)

 

e

Starred Review – Kirkus

“I like the idea that anything is possible, don’t you?” (Stella to her teacher, p. 7)

In Stella Endicott and the Anything-Is-Possible Poem, Stella Suzanne Endicott, is one of those glorious young children who finds the whole world and all of life absolutely amazing. A wonderfully engaged, curious and imaginative child, she lives in the same neighborhood as that awesome pig, Mercy Watson, and other characters on Deckawoo Drive. On the first day of school, she meets her new teacher, Tamar Calliope Liliana, and thinks the teacher’s name “… sounded like the name of a good fairy in a deeply satisfying story … “ Her “arch nemesis” is Horace Broom, a big know-it-all, whom she finds most annoying.

 

Stella Endicott int1
STELLA ENDICOTT AND THE ANYTHING-IS-POSSIBLE POEM. Text copyright © 2020 by Kate DiCamillo. Illustrations copyright © 2020 by Chris Van Dusen. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

e

When Miss Liliana asks the students to write a poem using a metaphor, “Stella had a feeling that she was going to be very, very good at coming up with metaphors.” Unable to work at home, due to her brother’s hovering (he sometimes reminds her of Horace), she goes to visit Mercy Watson and curls up beside her on the couch.  As everyone knows it is

 “… a very comforting thing to lean up against a warm pig.”
e

Stella Endicott int2
STELLA ENDICOTT AND THE ANYTHING-IS-POSSIBLE POEM. Text copyright © 2020 by Kate DiCamillo. Illustrations copyright © 2020 by Chris Van Dusen. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

e
The next day she and Horace have a disagreement over Mercy Watson. Horace, a literal type, refuses to believe a pig could live in a house and sleep on the couch! Stella angrily assures him that Mercy Watson does! Miss Liliana sends the arguing pair to Principal Tinwiddie’s office (“the toughest sheriff in town”). Horace, greatly frightened of the principal and of a blemish on his academic record, flees from the office and hides in the janitor’s storage closet. Stella races after him and, as she steps inside the closet, the door closes and the two are locked in. Did I mention that poor Horace is also claustrophobic? While they wait to be rescued, Stella comforts him. A glow in the dark map of the solar system gives Horace the opportunity to help Stella learn the names of the planets, and keeps his mind off of his fears. They share the things they love best: Horace, who wants to be an astronaut, loves telescopes, Stella loves metaphors. By the time they are rescued, both are fast friends.

With an almost lyrical narrative, a gently humorous, but thoughtful story, and delightfully quirky characters, this early chapter book is pure DiCamillo. Van Dusen’s gouache illustrations humorously enhance the narrative. DiCamillo helps children see the value of imagination and creativity and that trying to understand that annoying person could be the beginning of a beautiful friendship. As Stella always says: “anything can happen …”

Kate DiCamillo
Chris Van Dusen

  •  Reviewed by Dornel Cerro

Share this:

Kids Book Review for Presidents’ Day – The Superlative A. Lincoln by Eileen R. Meyer

THE SUPERLATIVE A. LINCOLN:
POEMS ABOUT OUR 16TH PRESIDENT
Written by Eileen R. Meyer
Illustrated by Dave Szalay
(Charlesbridge; $17.99, Ages 6-9)

 

 

 

No matter how many children’s books I read about Abraham Lincoln, I continue to learn something new in each one. Sometimes something I already knew, but had long forgotten, is presented in such a way that I’ll now always remember it. Both these experiences apply to The Superlative A. Lincoln by Eileen R. Meyer with art by Dave Szalay.

Perfect for Lincoln’s Birthday (yesterday, 2/12), Presidents’ Day or National Poetry Month, Meyer’s nonfiction picture book contains 19 poems that vary in style and content. Each poem is also accompanied by a factual paragraph on the bottom of the page to put the poem’s subject in context. Best of all, teachers can use the superlative poem titles such as “Best Wrestler”, “Worst Room Name,” and “Strongest Conviction,” and couple them with the excellent activities offered on Meyer’s website, for an engaging Language Arts lesson.

 

SuperlativeALincoln FNL sprd1
The Superlative A. Lincoln: Poems About our 16th President written by Eileen R. Meyer and illustrated by Dave Szalay, Charlesbridge ©2019.

 

Did you know our 16th president was an inventor? Thanks to Meyer, in “Most Likely to Tinker,” we read how Lincoln’s penchant for problem solving resulted in his being awarded a patent for a design that helped “boats float over shallow river spots …” I didn’t recall Lincoln being a doting dad, but in “Most Permissive Parent,” we get a glimpse via Szalay’s charming woodcut looking illustration of First Sons, Willie and Tad, taking full advantage of their father’s parenting style. Throughout the book, Szalay’s art humanizes Lincoln and events whether in scenes of him chopping trees or meeting Frederick Douglass with a firm and friendly handshake. There’s a warm, folk art quality about the illustrations that pairs them perfectly with all of Meyer’s telling poems.

 

SuperlativeALincoln FNL sprd2
The Superlative A. Lincoln: Poems About our 16th President written by Eileen R. Meyer and illustrated by Dave Szalay, Charlesbridge ©2019.

 

One of my favorite poems, “Best Advice” addresses Lincoln’s signature beard. What a surprise it was to learn he was the first president to sport one! I had no idea that growing whiskers had been recommended in a letter to candidate Lincoln by eleven-year-old Grace Bell. Lincoln even met with her on his travels to offer thanks. In addition to his beard, most children probably associate Honest Abe with his stovepipe hat. It certainly came in handy as a writing surface and a convenient place to carry things. “Best Use of an Accessory” cleverly conveys the hat’s perspective. “We don’t need a leather briefcase. / We don’t want an attaché. / You can keep that canvas knapsack. / I’m a traveling valet.” And by the way, “Least Favorite Nickname” enlightens young readers about Lincoln’s dislike of the nickname Abe. They would be hard pressed to find anyplace where he personally used it, preferring to sign his name Abraham Lincoln or A. Lincoln as in the book’s title.

 

SuperlativeALincoln FNL sprd3
The Superlative A. Lincoln: Poems About our 16th President written by Eileen R. Meyer and illustrated by Dave Szalay, Charlesbridge ©2019.

 

The back matter in The Superlative A. Lincoln includes an author’s note, a comprehensive timeline as well as book and website resources and a bibliography.  I could easily describe every poem in the book because I thoroughly enjoyed them all, but I’ll leave that pleasure for you. Instead I’ve chosen to end my review with one of many popular A. Lincoln quotes:

“I want it said of me by those who knew me best,
that I always plucked a thistle and planted a flower
where I thought a flower would grow.”

 

  • Reviewed by Ronna Mandel
Share this:

Kids Picture Book Biography – Feed Your Mind by Jen Bryant

FEED YOUR MIND: A STORY OF AUGUST WILSON

Written by Jen Bryant

Illustrated by Cannaday Chapman

(Abrams BYR; $17.99, Ages 6-9)

 

 

Starred Review – School Library Journal

Jen Bryant, who has won numerous awards for her books for children, which include biographies of poet William Carlos Williams, and Charlotte’s Web author E.B. White, has written the biography of August Wilson. The picture book, presented in two acts and 48 pages, is an inspiring and lyrical introduction to the two-time Pulitzer Prize-winning Black playwright who died in 2005.

Young readers are probably unfamiliar with Wilson’s work and Bryant writes mostly about his early years at school and the beginning of his career.

 

FYM Interior2
Interior spread from Feed Your Mind written by Jen Bryant and illustrated by Cannaday Chapman, Abrams Books for Young Readers ©2019.

 

Frederick August Kittel, Jr. was raised with a sister and single mother, who cleaned houses. His mother, Daisy, made sure Frederick learned to read, telling him, “If you can read, you can do anything – you can be anything.” Bryant tells about the racism Wilson and his family experiencedbrick-throwing, name-calling, fights, and accusations of cheatingdriving Wilson from school after school, setting him on a course of self-education, reading all day in libraries. Wilson finds the “universe opens wide” when, as a teenager, he encounters Black authors Langston Hughes, Richard Wright, and Ralph Ellison.

His first paid writing job was completing his sister’s homework; he bought a used typewriter, composing poems after he finished washing dishes at the diner. The talk and stories of Black men in his community, many working at menial jobs, provided the dialogue for his poems and plays. Working odd jobs in a soup kitchen, Wilson listened to stories. “Who’s there? What are they saying … and why?” he asked himself, and these figures became characters in his dramas.

 

FYM Interior3
Interior spread from Feed Your Mind written by Jen Bryant and illustrated by Cannaday Chapman, Abrams Books for Young Readers ©2019.

 

Debut illustrator Cannaday Chapman uses a limited color palette of earth tones to show the expressions on Wilson’s face and his connection to his environment.

Bryant includes a detailed Author’s Note explaining her interest in Wilson, her extensive research, and her process for writing the book. Students will enjoy her description of spreading her pages down her hallway. Feed Your Mind is an important book about an author of color, who endured poverty and racism, and whose life shows the power of literacy and community.

  • Guest review by Julia Wasson, veteran educator and curriculum developer.

Read another picture book biography here.

Share this:

Kids Book Review: Best Poetry Picture Books for National Poetry Month

APRIL IS NATIONAL POETRY MONTH
Share a Poem Today!

It may be the last day of April, but I hope that won’t stop anyone from bringing poetry into the lives of children. Here’s a roundup of some recommended reads not just for National Poetry Month, but for every day of the year. Let the joy of a wonderful poem inspire kids. I know many people, myself included, who still can recall poems from their childhood. What a testament to the power of a great poem!

 

Home Run, Touchdown, Basket, Goal! book cover artHOME RUN, TOUCHDOWN, BASKET, GOAL!
Sports Poems for Little Athletes
Written and illustrated by Leo Landry
(Godwin Books/Henry Holt BYR,; $17.99, Ages 3-6)

I chose Home Run, Touchdown, Basket, Goal! because the title was just so good, plus the idea of poetry for young athletes also seemed like a clever concept. The twelve poems, all rhyming, range from baseball to tennis and include others about biking, gymnastics, karate, ice skating, soccer and swimming and feel appropriate for the recommended age group. There are some super, energetic lines that kids will relate to, in this example, about football: Go long! I shout. You get the hint. You’re headed for the end zone—sprint! The sports selected are as diverse as the children participating. Every illustration shows both girls and boys, children of color and I even spotted one bald child although no child with a visible disability was depicted. Landry uses a pale palate of watercolors in simple spreads that each bleed off the page and convey movement and emotion. My favorite illustration is of three girls, mouths wide open, as you’d imagine, arms linked in friendship and for fun, cannonballing into a pool. Score!

book cover art from Clackety Track: Poems About TrainsCLACKETY TRACK:
Poems About Trains

Written by Skila Brown
Illustrated by Jamey Christoph
(Candlewick Press; $16.99, Ages 5-8)

I remember when my children were into all things ‘train.’ That meant playing with toy trains, reading train stories and traveling on trains too. Clackety Track is an ideal pick
for youngsters already loco for locomotives or eager to learn more about them. A variety of Brown’s poems, rhyming and not, cleverly cover interesting types of this transportation mode. “Steam Engine” for example, pays homage to the powerful granddaddy: Biggest beast you’ve ever seen. Gobbling up a coal cuisine. One hundred tons of steel machine. Belching out a steam smoke screen. Other poems tell of snow plows, zoo trains, underground trains, sleeper trains and more. Handy train facts at the end add to the book’s appeal and I like how they’re presented in the body of train. Christoph’s engaging, retro-style illustrations bring a cool look to the book. I especially liked the Swiss electric train spread because it reminded me of the ones I used to travel on when I lived in Europe. Kids are going to want to study every detail included in the artwork just like my children used to and then compare them to the real deal when they next travel by rail.

The Proper Way to Meet a Hedgehog book cover illustrationTHE PROPER WAY TO MEET A HEDGEHOG:
And Other How-To Poems
Selected by Paul B. Janeczko
Illustrated by Richard Jones
(Candlewick Press; $17.99, Ages 6-9)

New and old poems by powerhouse poets from Kwame Alexander to Allan Wolf, all selected by the late Paul B. Janeczko, fill this fabulous collection that will inspire young readers. Have your child or student write their own How To poem and see where it takes them. You may laugh, cry and be surprised just like the emotions the poems in this anthology evoke. Kids’ imaginations will be fed by this feast of words and subjects. This 48-page picture book opens with “How to Build a Poem” by Charles Ghinga, Let’s build a poem made of rhyme with words like ladders we can climb, … Then 32 more follow including the humorous “Rules” by Karla Kuskin, “How to Bird-Watch,” a Tanka by Margarita Engle, “On the Fourth of July” by Marilyn Singer and proof how so few words can say so much, the book ends with April Halprin Wayland’s “How to Pay Attention.” Close this book. Look.

I absolutely adored the artwork by Richard Jones, too, and find it hard to pick a favorite because like the myriad poems, there are just too many great illustrations to note. But I’ll try: the expansive shades of orange image with a solo astronaut suited up in white that accompanies Irene Latham’s “Walking on Mars” is one I keep revisiting; the tail end of a dog in the scene of two friends making snow angels complements “How to Make a Snow Angel” by Ralph Fletcher; and Pat Mora’s “How to Say a Little Prayer” features a girl and her cat asleep on her bed that could be in a forest or her bedroom and reflect’s the poet’s lines, Think about a sight you like—yellow flowers, your mom’s face, a favorite tree, a hawk in flight—breathing slowly in and out. Pick your faves to read-aloud before bedtime or devour The Proper Way to Meet a Hedgehog in its entirety. A Junior Library Guild Selection

Superlative Birds book cover artSUPERLATIVE BIRDS
Written Leslie Bulion
Illustrated by Robert Meganck
(Peachtree Publishing; $15.95, Ages 8-12)

Leslie Bulion’s Superlative Birds succeeds by having that re-readability factor because of its poems, its subject matter, its facts and its artwork. While it’s not a grammar book, the superlative refers to the trait or characteristic that a certain bird has demonstrating “the highest or a very high degree of a quality (e.g. bravest, most fiercely ). Headings give a clue. For example the “Most Numerous” would have to be the queleas bird whose adult population is an estimated 1.5 billion! The bird with the widest wingspan is the albatross and the jacana, with its long, long toes can actually walk on a lily pad and not sink! And which bird has the keenest sense of smell? Why it’s the turkey vulture. A charming chickadee leads readers on the journey with informative speech bubbles and science notes for each bird helps us get the inside scoop on what makes the bird tick, or sing or scavenge. The gorgeous illustrations introduce us to the bird and there’s always something extra like an action or a funny expression to note in each image whether that be a mouse in a rowboat, a fleeing lizard or frightened rodent. Kids will LOL at the skunk covering his nose from the repulsive stink of the hoatzin, the smelliest bird. I noticed as I read that Bulion incorporated many different forms of poetry into the book and in the poetry notes in the back matter she describes what form of poem she used. There’s also a glossary, resource info and acknowledgements. And if you’re like me, you’ll check out the end papers because the ones in the beginning of the book are slightly different in one particular way than the ones at the end. If you’re keen on finding a new way to foster a love of birds and poetry coupled with crisp art and tons of detail, this may be the best book out there. Starred Reviews – Booklist, Kirkus, The Bulletin of the Center for Children’s Books.

book cvr art from The Day The Universe Exploded My HeadTHE DAY THE UNIVERSE EXPLODED MY HEAD
Poems to Take You Into Space and Back Again
Written by Allan Wolf
Illustrated by Anna Raff
(Candlewick Press; $17.99, Ages 8-12)

As I read the first poem in The Day The Universe Exploded My Head, a humorous and enlightening picture book, ideal for middle graders, I thought of the Rolling Stones’ classic “Sympathy for the Devil” and the line Please allow me to introduce myself because that’s exactly what the character of Sun does in the first poem called “The Sun: A Solar Sunnet, er, Sonnet.” In this 14 line poem Sun introduces itself to readers in a more serious tone than its title and illustration, yet manages to convey the “gravity” of its existence. Wolf’s 29 poems always educate but entertain too so they are sure to grab and hold the attention of even the most reluctant of tween readers. Raff’s whimsical artwork that accompanies each poem gets it right by often anthropomorphizing planets, moons and stars who rock accoutrements and accessories from sunglasses and skirts to bow ties and baseball caps. It also includes cartoon-like images of astronauts, children and even Galileo.

Kids will learn while getting a kick out of poems that range from concrete “Black Hole”; sonnet, “Mars”; and rap, “Going The Distance” and many more that guarantee enthusiastic read-aloud participation. Wolf’s poems cover the universe and space exploration and share facts in such a fun and rewarding way. I think if I had to memorize facts about space, using poetry would be an excellent way. “Jupiter”: I’m Jupiter the giant. The solar system’s mayor: I’m gas and wind and clouds wedged into thick lasagna layers. Other poems pay tribute to “The Children of Astronomy,” those who died throughout the history of spaceflight, the moon, and eclipses. Four pages of back matter round out this explosively enjoyable book that’s truly out of this world.

  • Reviewed by Ronna Mandel
Share this:

Queen for a Few Days – Judy Moody and The Right Royal Tea Party by Megan McDonald

JUDY MOODY AND THE RIGHT ROYAL TEA PARTY
Written by Megan McDonald
Illustrated by Peter H. Reynolds
(Candlewick Press; $15.99, Ages 6-9)

 

cover art by Peter H. Reynolds from Judy Moody #14 by Megan McDonald

 

With British royalty in the news so frequently of late, it seems only fitting to share Judy Moody and The Right Royal Tea Party, a brill new chapter book from Megan McDonald that is sure to get readers raring to look up their family trees. As always, this internationally best-selling series features the inimitable artwork of Peter H. Reynolds, bringing the plucky, sometimes stubborn and bossy, but always irresistible Judy Moody to life. Reynolds’ illustrations keep the story fresh and relatable from start to finish.

Judy Moody’s learning about family trees in Social Studies and teacher Mr. Todd wants everyone to research their lineage and report back. Lovable Grandma Lou’s got some interesting facts from her husband’s side of the family including one relative who died a hero on the Titanic and another who, family lore has it, goes back to the time of Queen Elizabeth I. In fact the name ‘Moody’ means brave and that long ago brave cousin might possibly have rescued someone from the Tower of London, the famous prison. Well that’s all Judy needed to hear to decide her ancestry’s tied to that of the current royal family, namely the Queen. It makes sense to Judy since she has a pen pal there already and her favorite color, purple, is the color of nobility. So no surprise that it doesn’t take long for Judy to imagine herself as Queen. She even writes a fab and funny letter to HRH with questions that are sure to crack up young readers. Here’s one of my favorite questions: Can you make someone bring you a snowball in the middle of summer? In true Judy Moody style, this young wanna-be royal creates a castle in her backyard and even digs a moat causing some royal run ins with her brother, recently dubbed Sir Short Shanks.

When visiting a nearby castle with her family, Judy and her younger brother, Stink, spy her frenemy Jessica Finch enjoying a tea party on the premises. Blimey! How could Jessica have all the fun and all the tea? Judy decides she’s going to throw a high tea party of her own, a right royal one. Only things go south quickly once Jessica Finch shares her family tree in class 3T and Judy’s seeing all shades of blue. Does she smell a rat or is she related to its keeper? Crikey! What’s a royal red-head to do? When no one shows up to her party, Judy’s dreams of queendom fade fast. Luckily a pinkie promise to keep a secret secure saves the day and Judy bounces back like any noble blooded royal would.

Filled with kid-friendly facts and puns galore, Judy Moody and The Right Royal Tea Party also includes lots of British English words and expressions explained in the back matter. It feels like McDonald had a terrific time writing the book because it reads so effortlessly and the humor flows from one fun scene to the next. Now that there’s going to be a royal birth this spring, kids will find this timely fourteenth book absotively posolutely the bees knees, no lie! 

  • Reviewed by Ronna Mandel

Click here to read a sample chapter and remember to visit judymoody.com!

 

 

Share this:

Ivy and Bean are Back in One Big Happy Family (book 11)

IVY + BEAN:
ONE BIG HAPPY FAMILY (BOOK 11)

Written by Annie Barrows
Illustrated by Sophie Blackall
(Chronicle Books; $14.99, Ages 6-9)

 

cover illustration fron Ivy and Bean One Big Happy Family

The wait is over because Ivy and Bean are back! In Ivy + Bean: One Big Happy Family (the eleventh book of the critically acclaimed series), second-grade teacher Ms. Aruba-Tate has the class draw the Important People in their lives. This leads Ivy to wonder whether she’s spoiled because she’s an only child. After the BFFs try various things to test whether this is true, Ivy realizes the “cure” is to get a sister!

 

int artwork and text from Ivy and Bean One Big Happy Family
Interior spread from Ivy and Bean: One Big Happy Family (Book 11) written by Annie Barrows and illustrated by Sophie Blackall, Chronicle Books ©2018.

 

As usual, misdirection and mayhem unfold as the girls conjure up creative ways to obtain a sibling. They discover baby sisters are almost as bad as big sisters, leaving only one solution: twins. Although One Big Happy Family tackles a somewhat common premise, the story line goes to unexpected places. Other books involve siblings issues, but Annie Barrows finds new ground in which to grow this story. She continues the series with the humor we expect from adorable troublemakers, Ivy and Bean. Fans and new readers alike will enjoy spending some time with these girls as they traverse their Pancake Court neighborhood, taking life by storm.

Sophie Blackall’s illustrations on each two-page spread convey hilarious facial expressions and silly predicaments. Images and text interweave, boosting these chapter books to something better than each half alone. Carefully placed details add depth beyond the humor. The girls tackle real-life issues but do so in a way only Ivy and Bean can. Their escapades, while outrageous at moments, also work out issues in kid-relatable ways, demonstrating why this series continues to be a hit at home and in the classroom.

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

Share this:

Got Class? Check Out Our Annual Back-to-School Books Roundup Part 1

IT’S A NEW SCHOOL YEAR SO…
IT’S TIME FOR OUR
 BACK-TO-SCHOOL BOOKS ROUNDUP 2018
PART 1

 

It’s back-to-school time around the country so we’ve prepared our annual back-to-school books roundup to get kids in that mindset. Where we live some kids returned to school as early as two weeks ago. My son begins his senior year of high school today while other children don’t go back until after Labor Day Here’s to a new year of reading and learning! And watch this space for Part 2.

 

THE ITSY BITSY SCHOOL BUSbook cover art from The Itsy Bitsy School Bus
Written by Jeffrey Burton
Illustrated by Sanja Rescek
(Little Simon; $5.99, Ages 2-4)

The Itsy Bitsy School Bus, a sturdy, 16-page board book, takes little ones back-to-school using the beloved nursery rhyme we all know by heart. The rhythm and rhyme of “The Itsy Bitsy Spider” provides an engaging way into the story that should help allay any first day jitters. “The itty bitsy school bus was ready for the day. Backpack was full with lunch and book, hooray! This sweet and friendly looking school bus experiences the daily routine much like any child would, from drop off, meeting the teacher, finding new friends and ending the day by heading home again. It’s easy to learn the words and the cheerful illustrations clue children into exactly what’s happening in every spread. Tuck a copy into your child’s backpack or give it to them the night before their first day and read it aloud together. Download the educator guide here.

cover illustration from Dear Substitute DEAR SUBSTITUTE
Written by Liz Garton Scanlon + Audrey Vernick
Illustrated by Chris Raschka
(Disney-Hyperion; $17.99, Ages 3-5)

I wish I’d had Dear Substitute when my son first started school. Its message of how change can be positive is a timeless one that applies year round. The story is written in epistolary style poems by the narrator, a young girl clearly anxious about her substitute teacher, Miss Pelly, covering for the primary teacher, Mrs. Giordano. It’s obvious from the letters that Miss Pelly does things differently than the main character is used to. Maybe she laughs too much and is perhaps even nervous herself, but of course an anxious child might not recognize that. The student writes her first letter and addresses it Dear Substitute where she expresses her surprise at having someone other than Mrs. Giordano. Following that is one to Attendance where she explains Miss Pelly’s poor pronunciation of her classmates’ names. She’s perturbed that her homework isn’t collected after missing shooting baskets to complete it. The class doesn’t visit the library, the class turtle’s tank isn’t getting cleaned and rules aren’t followed. Worst of all is being told not to swap food. The scolding hurts despite its good intention being at the heart of it. This 40-page picture book will definitely resonate with readers who like routine. They’ll also enjoy how Scanlon and Vernick (who’ve teamed up to write before), cleverly turn this student’s reluctance into willingness through Miss Pelly’s choice of books at story time. Soon the girl is embracing poetry and feeling a lot happier. By realizing that there’s more to the substitute teacher than she initially thought, she’s taken a major step toward accepting change. Caldecott Medalist Chris Raschka’s watercolor illustrations are delightful accompaniments to the text. There’s a youthful buoyancy to the looseness and bright colors of the artwork that make it easy on the eye while not distracting from the letters. I can see this book being a popular read-aloud in classrooms and libraries for years to come. Download an educator guide here.

Kindergarrrten Bus book cover artKINDERGARRRTEN BUS
Written by Mike Ornstein
Illustrated by Kevin M. Barry
(Sleeping Bear Press; $16.99, Ages 0-4)

Ahoy mateys! I mean welcome aboard. Mike Ornstein’s treasure of a tale, Kindergarten Bus, will ease the fears of many a small child. This fun idea for a picture book—a pirate bus driver who tries the tough guy approach on his busload of Kindergartners, “There’ll be no blubbering’ on me bus!” —includes spot on pirate-speak and a relatable storyline. It’s not only the first day of school for these “little scoundrels”, but it’s also the pirate’s first day as driver. I got such a kick out of the humorous prose as well as the wonderfuly imagined illustrations by Kevin M. Barry. The kids have to walk up the plank to board the Jolly Roger Bus Co. bus with its porthole windows and wooden siding like on a pirate ship. The big difference? This vessel vehicle’s heading to school carrying precious cargo rather than heading out to pillage and plunder! But when the pirate’s sidekick Polly the parrot flies off out “the winder!”, the tough guy becomes immobilized and can no longer drive the bus without her. The tables are soon turned and it’s the crew of kids who pep talk the pirate out of his fears. Parents or teachers can point out in these spreads that one little girl’s shirt that had previously been obscured by her arm is now revealed and says I Got This! And blimey, Polly’s returned just in time for the now empowered pirate driver to transport all his “little scallywags” to kindergarten! Why does a pirate drive a schools you may ask? Well matey, ye’ll just have to find out for ye self! An author’s note offers grown-ups helpful, realistic tips on preparing kids for starting something new.

cover art from Mae's First Day of SchoolMAE’S FIRST DAY OF SCHOOL
Written and illustrated by Kate Berube
(Abrams Young Readers, $16.99, Ages 3-7)

First-day-of-school-itis is that bug that children get in their heads that nothing will go right or be easy for them when they start school. Author illustrator Kate Berube introduces readers to Mae who, despite her parents’ efforts, declares “I’m not going.” Somehow her mom’s convinced her to walk to school during which time Mae’s fears grow. She ponders on “all the things that could go wrong.” She worries no one will like her, that she’ll be the only student who cannot write or that she’ll miss her mother. When Mae’s mom arrives at school, Mae is nowhere to be found. The nervous girl has climbed a tree and settled in. Her mom calls out and once again Mae declares, “I’m not going.” It’s a good thing the branch is sturdy because Mae is soon joined by Rosie who shares the same fears Mae does.
The two commiserate over cookies and before long are joined by Ms. Pearl, clearly the teacher. This tall, wise lady confides in the girls that she’s not going either. I loved that part and thought it was such a clever approach. Just like Mae and Rosie, the teacher shares all her ‘what ifs’ and bonds with the youngsters. Mae is thankful she and Rosie are not alone in their feelings. Rosie points out how already they like each other so that’s one less concern to deal with. Plus, Ms. Pearl assures them, “And you don’t have to be worried about making mistakes when you’re reading and writing. School is for learning new things.” Ms. Pearl has a warm way of relating to her students and by climbing the tree she shows she’s ready to meet kids at their level, immediately lowering their anxiety levels. Now they can all get down and get ready to start their first day. Berube’s artwork is a charming accompaniment to her prose. There’s a nice mix of illustrations with some pages leaving lots of white so the text stands out while others, with less words on the page, place emphasis on the pictures like the one when the girls see Ms. Pearl climbing the tree to join them. I recommend Mae’s First Day of School to share with any anxious youngster to help ease their first day fears.The Truth About My Unbelievable School...book cover art

THE TRUTH ABOUT MY UNBELIEVABLE SCHOOL…
Written by Davide Cali
Illustrated by Benjamin Chaud
(Chronicle Books; $12.99, Ages 6-9)

Successful collaborators Cali and Chaud have paired up again, this time to tell The Truth About My Unbelievable School…, a fabulous laugh out loud story filled with as many grin producing moments of text and illustrations. Both the writing and art invite careful study because there’s smooch more than meets the eye. I know this not just because I felt this way, but I watched the reaction of a seven-year-old to whom I loaned the book in a doctor’s waiting room. Yes, I bring kidlit along with me when I’m out on my errands. Anyway, after slowly reading and studying each page, the boy immediately returned to the beginning and started all over again after pausing momentarily to proclaim, “Wild!”

Henry is chosen to give his new classmate a tour of their school only this school is like no other. All the while a little dog tags along adding a secondary character to keep tabs on. The students pass by the school pet, some type of ginormous jellyfish whose tank takes up an entire wall, floor to ceiling. The music teacher is an Elvis wannabe and my favorite, the art teacher, is right out of a Picasso painting with one eye above the other. Parents will get an extra kick out of the page if reading with children. The math instructor resembles Einstein and purple tentacled sea monster appears to be wreaking havoc in another room. Surprises lurk behind every door. The janitor’s an Oz-like character and the Principal’s levitating as the students enter her room. The playground treehouse is not to be missed nor is the swamp creature swim coach. What else could there possibly be in such an unusual school where lagoons and dark, winding stairwells are the norm? Kids will want a day at this unbelievable school to see for themselves! 

  • Reviewed by Ronna Mandel

 

 

 

 

 

 

 

Share this:

Write On, Irving Berlin! by Leslie Kimmelman

 

WRITE ON, IRVING BERLIN!
Written by Leslie Kimmelman
Illustrated by David C. Gardner
(Sleeping Bear Press; $16.99, Ages 6-9)

 

book cover image from Write On, Irving Berlin! by Leslie Kimmelman

 

This quote says it all – 

“Irving Berlin has no place in American music – he is American music.”

— Jerome Kern

It’s been almost 30 years since we lost the brilliant musical talent, Irving Berlin, but his music lives on. In fact, the great news is that we can frequently hear some of his most famous songs throughout the year at sporting events, at Christmastime and in musical revivals across the country. Write On, Irving Berlin! written by Leslie Kimmelman and illustrated by David C. Gardner is billed as a lyrical story of an immigrant and the composition of “God Bless America.” This picture book biography provided the interesting back story of the man behind so many hits including “Alexander’s Ragtime Band”, “Putting On The Ritz”, “White Christmas”, “Oh! How I Hate to Get Up in the Morning” as well as all the wonderful songs from Annie Get Your GunEaster Parade and many others.

 

interior artwork of Israel Isidore Baline arriving in N.Y. from Write On, Irving Berlin!
Interior spread from Write On, Irving Berlin! written by Leslie Kimmelman with illustrations by David C. Gardner, Sleeping Bear Press ©2018.

 

When it became too unsafe to remain in Russia for Jews, five-year-old Israel Isidore Baline and his family traveled by ship to America in 1893 to begin a new life. Thousands of immigrants arrived at Ellis Island in New York with barely anything but memories of their homeland. But at least they were safe and free. In school, Israel went by the name of of Izzy but found it difficult to focus on learning. Music filled his head. That was no surprise. In Russia his father had been a cantor, “standing side by side with rabbis, singing and filing synagogues with beautiful music.”  Sadly, Izzy’s father passed away when the boy was just thirteen. He left school and his family so as not to be an added burden and struck out on his own. What did he do? He sang wherever he could get a paying job. He also wrote song lyrics although he couldn’t read or write music! He actually hummed his tunes and had someone else write down what he created. Pretty impressive I’d say. By this time Izzy was calling himself Irving Berlin and had sold his first song for 37 cents. He found a job at a music publisher and, since ragtime music was all the rage, he wrote Alexander’s Ragtime Band which became “a smash.”

 

interior artwork from Write On, Irving Berlin! pg 14 spread ragtime
Interior spread from Write On, Irving Berlin! written by Leslie Kimmelman with illustrations by David C. Gardner, Sleeping Bear Press ©2018.

 

Soon Irving Berlin married but not long after the wedding, his wife Dorothy became ill and died. He turned to his music to get him through his grief, still grateful for all that his new country had given him. During WWI Berlin was drafted into the army where he wrote songs to lift the spirits of his fellow soldiers. After that he found love again with Ellin and wrote the song “Always” for her. One hit followed another and Berlin’s popularity grew. He seemed to live and breathe music and wrote songs at any time of the day or night and in any place, including the bathtub!

 

interior artwork p 21_22 from Write On, Irving Berlin! bathtub scene
Interior spread from Write On, Irving Berlin! written by Leslie Kimmelman with illustrations by David C. Gardner, Sleeping Bear Press ©2018.

 

It probably took little time to write one of his all time greats, “God Bless America”, a song that celebrates its 100th or 80th anniversary this year depending on whether you count when he first composed it or when he released it decades later. I had no idea Berlin donated all the proceeds from the song to the Boy and Girl Scouts of America or that people weren’t happy that a Jewish man, an immigrant, had written the song. What stunned me was those same folks could again not embrace his other huge hit, “White Christmas” for the same reason. Despite that, Berlin is said to have told a friend he thought it was the best song anybody had ever written. There is more to learn about this amazingly talented man such as how he traveled to war zones during WWII to help entertain the troops and how his fount of song ideas seemed ever flowing. Kimmelman’s included an author’s note in the back matter where I learned Berlin not only helped found the American Society of Composers, Authors and Publishers (ASCAP) but in his lifetime he received not only the Medal of Merit from President Truman but the Congressional Medal of Honor from President Eisenhower as well.

 

Nothing stopped Irving from writing int artwork from Write On, Irving Berlin!
Interior spread from Write On, Irving Berlin! written by Leslie Kimmelman with illustrations by David C. Gardner, Sleeping Bear Press ©2018.

 

Kimmelman’s shared just the right amount of information with her prose although there is so much material about Berlin to choose from given his long career.  I liked how, since this is an anniversary year for “God Bless America”, she included that very line at various points throughout the book. Looking at Gardner’s beautiful historical imagery with its water color quality, readers will get a terrific sense of time, place and mood. Prepare to be transported back by both Kimmelman’s words and Gardner’s illustrations to a time when Tin Pan Alley was turning out the hits and Irving Berlin was at the top of his game. I recommend reading the book while playing a selection of some of his songs which can be found here.

  • Reviewed by Ronna Mandel

Read another picture book biography here.

 

Share this:

Never Say Never! Nature’s Friend: The Gwen Frostic Story

NATURE’S FRIEND:
THE GWEN FROSTIC STORY
Written by Lindsey McDivitt
Illustrated by Eileen Ryan Ewen
(Sleeping Bear Press; $16.99, Ages 6-9)

 

cover art from Nature's Friend: The Gwen Frostic Story by Lindsey McDivitt

 

One of the best parts about reviewing children’s books is learning about someone or something new. That’s exactly what happened after reading Nature’s Friend: The Gwen Frostic Story by Lindsey McDivitt with illustrations by Eileen Ryan Ewen. You may have noticed that there aren’t a lot of traditionally published picture books about people with disabilities, but there are more now than there used to be and that’s a good thing. Authors like McDivitt are making a difference by writing about diverse individuals and topics which I truly appreciate and why I jumped at the chance to review Nature’s Friend.

This inspiring debut picture book biography introduces children to the art and writing of Gwen Frostic, someone about whom, as I mentioned above, I knew nothing prior to reading the book. And now I’m eager to see her art in person and you will be, too. Born in Michigan in 1906, Frostic contracted an illness as an infant that left her physically disabled. But with the positive influence of her mother, Gwen never avoided doing all the things that her brothers and sisters did. “I never knew I couldn’t do something,” is the overarching message of Nature’s Friend, a quote in McDivitt’s book that captures the essence of who Gwen was—a bright, creative and resourceful woman who never let perceived obstacles hold her back. She clearly was ahead of her time.

 

Int illustration by Eileen Ryan Ewen from Nature's Friend by Lindsey McDivitt
Interior artwork from Nature’s Friend: The Gwen Frostic Story written by Lindsey McDivitt and illustrated by Eileen Ryan Ewen, Sleeping Bear Press ©2018.

 

Gwen’s mother, a former teacher, could have taught her daughter at home because in the early 20th century it was more common for disabled children to stay at home. Instead, Mrs. Frostic “sent Gwen to school and pushed her to learn.” While the bullying might have painful, the young girl chose to focus on her academics and was an adept student. In fact, it was also due to her mother’s encouragement and guidance that Gwen’s weak hands grew stronger as her mother had her practice sketching. Gwen, who had embraced nature at an early age, would find later in life that this experience greatly influenced her career path.

 

int art by Eileen Ryan Ewen from Nature's Friend by Lindsey McDivitt
Interior artwork from Nature’s Friend: The Gwen Frostic Story written by Lindsey McDivitt and illustrated by Eileen Ryan Ewen, Sleeping Bear Press ©2018.

 

At age 12, Gwen’s family moved to Detroit. It was there in high school that she learned mechanical drawing and other skills not typically part of a girl’s curriculum. Someone wrote in her yearbook, “Her brush, her pencil and her pen will make this world a better place!” But pursuing a career in art wasn’t necessarily going to provide for her. The tides turned in her favor when wealthy and influential people began purchasing her designs. What joy and satisfaction it must have been for Frostic when her art was chosen to be exhibited at the 1939 New York World’s Fair! Soon though her grand plans were put on hold due to WWII. She went to work at the Ford Motor Company to help the war effort by designing “tools for building the airplanes.”

In addition to Gwen’s airplane construction work, at home she remained drawn to art, eventually purchasing a printing press and starting her own business. Frostic called it Presscraft Papers Stationary Company and based it first in Frankfort, Michigan and then on the Betsie River to be closer to nature. The back matter states that Frostic created greeting cards and books that “celebrated Michigan plans and wildlife.” She was awarded countless honors in her lifetime and worked in her shop well into her 90s.

 

int art by Eileen Ryan Ewen from Nature's Friend by Lindsey McDivitt
Interior artwork from Nature’s Friend: The Gwen Frostic Story written by Lindsey McDivitt and illustrated by Eileen Ryan Ewen, Sleeping Bear Press ©2018.

 

Ewen’s serene artwork conveys Frostic’s love of nature on every page. I also felt the movement and emotion as Gwen clenched her sketching pencil, smelled the fresh Michigan air in the beautifully rendered outdoor scenes and watched the changing fashions go by as Gwen matured. The illustrations, coupled with McDivitt’s honest and uplifting prose that applauds determination and individuality, promises hope and invites creativity (there’s a craft included at the end), make this a wonderful and worthwhile read for not only kids, but for adults too who may be unfamiliar with Frostic.

Everything about Gwen Frostic was unique, from her art to her attitude. Rather than let society define what she could and couldn’t do as a woman and as a person with disabilities, she wrote her own rules and lived happily and successfully by them. Considering the era she lived in, it’s especially encouraging to read about female trailblazers like Gwen Frostic who forged ahead with their talents allowing their heart to guide them.

“As long as there are trees in tiny seeds … there will be miracles on earth.” – Gwen Frostic, A Walk With Me

Learn more about Gwen’s studio here.

  • Reviewed by Ronna Mandel

Read another picture book biography here.

 

 

 

Share this:
Back To Top
%d bloggers like this: