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Six Diverse Books for Multicultural Children’s Book Day 2021

A ROUNDUP OF SIX DIVERSE BOOKS

FROM PEACHTREE PUBLISHING

FOR

MULTICULTURAL CHILDREN’S BOOK DAY 2021

 

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Reviews:

GoingDownHomeWithDaddy mainGOING DOWN HOME WITH DADDY
Written by Kelly Starling Lyons
Illustrated by Daniel Minter
(Peachtree Publishing; $16.95, Ages 4-8)

A 2020 CALDECOTT HONOR BOOK

My childhood friend’s mother was from the south and used to attend family reunions when we were kids. Going Down Home With Daddy is exactly how I imagined them to be. Lyons’s story, “inspired by her husband’s heritage and her own” beautifully captures the annual family gathering incorporating every sense in the reading experience. I could see, touch, smell, taste and hear everything through Lyons’s perfect prose from the car ride when Lil Alan’s too excited to sleep to his first glimpse of Granny, “scattering corn for her chickens like tiny bits of gold.”  I could smell her peppermint kisses, hear the laughter as more and more relatives arrived, feel the breeze during the tractor ride, taste the hot, homemade mac and cheese and see the cotton field “dotted with puffs of white.”

The story unfolds as the narrator, Lil Alan, realizes he’s forgotten something to share for the anniversary celebration and cannot enjoy himself until he figures out what contribution he can make. When he does, it’s the most heartfelt moment although there are many others in this thoughtful, moving picture book. Minter’s warm illustrations in earthy tones heighten every experience and seem to recall the family’s African roots and connection to the land. I found myself rereading the picture book several times to soak up more of Lyons’s rich language and Minter’s evocative art.

 

Feast of Peas coverFEAST OF PEAS
Written by Kashmira Sheth
Illustrated by Jeffrey Ebbeler
(Peachtree Publishing; $17.99, Ages 4-8)

Set in an India of a bygone era, and brought to life with vivid art that spans every page, this unique folktale introduces readers to Jiva even before the title page. In Feast of Peas, Jiva’s life is centered upon gardening and doing all he can to assure his carefully planted peas will grow undisturbed. That however is not to be. Though Javi sings

Plump peas, sweet peas, Lined-up-in-the-shell peas.
Peas to munch, peas to crunch, I want a feast of peas for lunch.

his peas keep disappearing. He realizes he must construct obstacles such as a scarecrow and a fence to keep leering birds and other thieves at bay. What Jiva doesn’t realize is that no man-made deterrent will stop the peas from getting stolen if his pal Ruvji gets his way.

While little ones may not immediately pick up on the clever clues planted within the illustrations, older readers and adults will. They’ll also enjoy Ruvji’s not so subtle hints to his friend as he repeatedly smacks his lips and says, “Peas are delicious,” and “I would enjoy a feast of peas.” Jiva is determined to solve the mystery of the missing peas and the tables are hilariously turned when he plots a creative ploy to catch the pea poacher. This charming story of friendship, food and forgiveness will leave readers smiling with Ruvji’s unmasking and Jiva’s generosity and pea-licious punishment that promise a happy ending.

 

LalisFeather coverLALI’S FEATHER
Written by Farhana Zia
Illustrated by Stephanie Fizer Coleman
(Peachtree Publishing; $17.99, Ages 4-8)

Who knew there were so many things you could do with a feather if you just used your imagination? I love how in Lali’s Feather author Farhana Zia has created this charming picture book inspired by such a simple premise. Think about it. What would you do with a feather if you were a child and found one that was oh so right?

This story, set in an Indian village will captivate youngsters. First Lali finds the feather and, concerned it’s lost, is determined to find its owner. After Rooster, Crow and Peacock do not claim the feather, Lali keeps it to see what it can do. Displaying her creativity to Hen, Duck, Blue Jay as well as her sister and Bapu (father), Lali finds entertainment in the most unlikely of activities such as writing in the dirt, sweeping, fanning a fire, and even tickling her Bapu’s toes. That is until a gust of wind whisks it away. Lali’s animal friends, who enjoyed her feather play, join together to help her get it back when another lost object captures her interest. Coleman’s warm color palette and energetic composition will carry readers from page to page along with Zia’s sweet prose. What a colorful way to engage readers with another country, some of its language, and show how childhood and imagination are the same the world over.

 

WilliamStillandhisFreedomStories cvrWILLIAM STILL AND HIS FREEDOM STORIES
Written and illustrated by Don Tate
(Peachtree Publishing; $18.99, Ages 6-10)

Don Tate’s picture book biography, William Still and His Freedom Stories is the perfect example of how there is always something new to learn. And when it’s done well, as this one is, I don’t want it to end. That’s why I appreciate the author’s note and helpful back matter so I can read more about The Father of the Underground Railroad.

The son of enslaved parents Levin and Sidney Steel, William was born in 1821 and raised in the free North (as Still instead of Steel) after his father had earned his own freedom and settled in New Jersey. As a young boy William knew the local backwoods like the back of his hands. His life defining moment occurred when, using his knowledge of the woods, he led a former enslaved but now free neighbor to safety some twenty miles away from the clutches of slave catchers.

Once educated, the always ambitious William moved to Philadelphia in 1844. Life wasn’t easy and William barely got by doing any job he could until he landed an office clerk position at The Pennsylvania Anti-Slavery Society. “William’s employers were abolitionists who spoke loudly against slavery.” At the same time, as “freedom-seeking people were drawn to Philadelphia,” William helped however he could. His home had become a “station” on the Underground Railroad and its passengers’ struggles could not be ignored. He chronicled their journeys to freedom in the hopes of reuniting families. But by documenting their individual stories, William’s life and those he wrote about were imperiled when the 1850 Fugitive Slave Act was enacted. He hid his records in a cemetery for safe-keeping.

Despite rising through the ranks at the society, William still earned so little that he quit to start up a coal business. When the Civil War broke out, William prospered. “By the 1870s, he was one of the richest Black men of his time.” William used his wealth for the betterment of Blacks whether helping fund a branch of the YMCA for them or fighting to allow Black Philadelphians’ right to ride on city streetcars. Thirty years before his death in 1902 William published his first book, The Underground Rail Road, initially overlooked since it was centered on the African American perspective. Don Tate has lyrically and lovingly brought William’s story to us to honor both the man and all the other “free Black Philadelphians who worked tirelessly on behalf of their people.” His evocative illustrations bring a sense of time and place to this powerful biography and raise awareness of William Still’s important role in history.

 

KingKaylaCaseoftheUnhappyNeighbor cvrKING & KAYLA AND THE CASE OF THE UNHAPPY NEIGHBOR
Written by Dori Hillestad Butler
Illustrated by Nancy Meyers
(Peachtree Publishing; $14.99, Ages 7-9)

The Theodor Seuss Geisel Honor Award-winning series

This easy-to-read series provides just the right combination of fun and mystery to earn new fans while it continues to satisfy old ones. This sixth book, King & Kayla and the Case of The Unhappy Neighbor includes five fast-paced chapters with adorable illustrations on every page.

If you know newly independent readers who are drawn to stories where they’ll have to figure things out, they’ll be delighted to meet King and Kayla, the dog and human detective duo. If they have trouble solving the mystery, the humorous illustrations showing King’s observations should help.

Told from King’s point of view, this book begins with Kayla’s friend Jillian explaining how her puppy Thor got into a neighbor’s yard and supposedly dug it up. Mr. Gary and Jillian’s mom were cleaning up the mess when Kayla and King stopped by. It certainly did not look like the kind of mess that little Thor could muster and that got Kayla thinking. Using her critical thinking skills and asking the right questions, Kayla notes that:

•Mr. Gary saw Thor in his yard last night. – True. Thor was chasing a cat.
•Thor doesn’t like tomatoes, carrots or strawberries. – All partially eaten evidence in addition to a pile of poop left on the lawn.
•Thor isn’t big enough to knock over a trash can. – What kind of animal can?

These clues, in addition to learning from King that there’s a new guy in town, help Kayla deduce just who the culprit might be. Will young readers be one step ahead and have their suspicions confirmed? Even if they learn at the same time as Kayla, they’ll be more than satisfied at the outcome and the fun time they had on their mission. Watch out for book #7 coming this spring 2021.

 

NinaSoniFormerBestFriend coverNINA SONI: FORMER BEST FRIEND
by Kashmira Sheth
illustrated by Jenn Kocsmiersky
(Peachtree Publishing; $15.95, Ages 7-10)

Prepare to fall head over hands (the main character Nina Soni talks with her hands a lot) for this endearing Indian-American nine-year-old in the first book of the terrific middle grade series from Kashmira Sheth. Nina Soni: Former Best Friend is told in first-person with heart and humor and loads of lists.

We meet record-keeping (we learn so much this way), loyal and easily side-tracked, Nina, right as she’s having what she believes is a major falling out with her best friend, Jay. Why? She accidentally knocked over his school project. On top of that she’s got to come up with an idea for her class Personal Narrative Project and time is running out. The good news is that her teacher tells her the project can be a list of observations. Well, that takes a bit of pressure off of her. Or does it?

Between her younger sister’s upcoming birthday party, trying to figure out what’s going on with her “former best friend,” and picking a project she can tackle, Nina’s finding it hard to stay focused. When a lesson about scientist Alexander Fleming’s chance discovery of penicillin inspires Nina to pay closer attention to her own experiments, her discovery yields interesting results. That those results also help save the day at her sister’s birthday party and shed new light on her former friendship with Jay is a resolution readers will love.

With a B.S. in Microbiology, Sheth brings a welcome STEAM approach to the series which now consists of three books. She also infuses Indian culture, cuisine and Hindi language into the stories meaning it’s best to read the books on a full tummy or with snacks nearby. Kocsmiersky’ spot art throughout the book adds extra appeal to the series for those moving onto middle grade novels from chapter books.

  •  Reviews by Ronna Mandel

Click here for a link to another #ReadYourWorld post:
Five Diverse Books for Multicultural Children’s Book Day 2021 by Christine Van Zandt

 

#ReadYourWorld

Multicultural Children’s Book Day 2021 (1/29/21) is in its 8th year! This non-profit children’s literacy initiative was founded by Valarie Budayr and Mia Wenjen; two diverse book-loving moms who saw a need to shine the spotlight on all of the multicultural books and authors on the market while also working to get those book into the hands of young readers and educators.

Eight years in, MCBD’s mission is to raise awareness of the ongoing need to include kids’ books that celebrate diversity in homes and school bookshelves continues. Read about our Mission & History HERE.

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FREE RESOURCES from Multicultural Children’s Book Day

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Join us on Friday, Jan 29, 2021, at 9 pm EST for the 8th annual Multicultural Children’s Book Day Twitter Party!
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Picture Book Blog Tour – An Interview With Chick Chat Author Illustrator Janie Bynum

MEET JANIE BYNUM

AUTHOR-ILLUSTRATOR OF

CHICK CHAT

(NorthSouth Books; $17.95, Ages 4-8)

 

CHICKCHAT cover

 

 

It’s Day One of the CHICK CHAT BLOG TOUR as well as its book birthday! Peep! Peep! GRWR is so happy to participate and celebrate the hatching. Please enjoy the following interview with Chick Chat author-illustrator Janie Bynum and her insights on this fun new read-aloud picture book for children.

 

CHICK CHAT SUMMARY:

Friendship comes in all shapes and sizes.

Peep, peep, peep! Baby Chick has a lot to say!

Everyone in Chick’s family is too busy to chat with her. But when chatty baby Chick adopts a large egg—she finally finds a friend who is a good listener. When her egg goes missing, Chick is heartbroken, until she finds that it has hatched into a brand-new friend!

INTERVIEW WITH CHICK CHAT AUTHOR-ILLUSTRATOR JANIE BYNUM

GoodReadsWithRonna: Hi Janie! Welcome to the blog. I’ve got lots of questions for you today.
In your author bio on the book’s copyright page, you mention how talkative you were as a child. Can you expand on this and how it influenced creating your main character Baby Chick?

Janie Bynum: Being an inquisitive, talkative, and determined child, I’m sure I tested the patience of my family—and quite a few teachers. Baby Chick and I share all of those personality traits—as well as being a fairly self-reliant youngest sibling. As I wrote and revised Baby Chick’s story, this very talkative youngest sibling emerged. So I ended up writing from a perspective (with a voice, as it were) that I understood as a kid.

In early versions of the manuscript, Baby Chick actually spoke instead of only peeping. But, I ultimately chose to have her peep in such a way that sounds like she knows exactly what she’s saying (and she does). This way kids can interpret what she may be saying—either inferred by the illustrations or by whatever words they imagine for her.

 

CHICK CHAT int1 breakfast
Interior spread from Chick Chat written and illustrated by Janie Bynum, NorthSouth Books ©2021.

 

GRWR: Which came first, the Baby Chick character design or the story?

JB: The Baby Chick character art came first.

GRWR: It was funny how everyone in Baby Chick’s family is unaffected (to the point of almost ignoring her while they’re otherwise occupied) by her nonstop peeping while she carries on joyfully by herself. Is there something to be learned from her sheer self-contentedness?

JB: Possibly … by enjoying our own company, not being entirely dependent on others to “make” our happiness for us. Baby Chick is creative and makes her own fun; and, in doing so, she discovers something to nurture, which ultimately hatches into a friend who listens.

GRWR: I was absolutely convinced Baby Chick had found a rock not a big egg. Was this deliberate?

JB: No. The giant Galapagos tortoise’s egg—which I used for reference—looks very much like a round stone. Only at first, when she hasn’t fully unearthed the object, does Baby Chick not know that it’s an egg. But once she uncovers it, she realizes it’s some sort of egg—maybe not a chicken egg because it’s so round. But Baby Chick either doesn’t notice the difference or doesn’t care. It’s an egg without anyone to tend it, so she decides to be its guardian.

GRWR: I’m curious why you decided to make the baby turtle a quiet character rather than one “with a lot to say” like Baby Chick?

JB: I could’ve made the baby turtle/tortoise even more talkative than Baby Chick, which would’ve been funny. But I wanted Baby Chick to be rewarded (for all her nurturing and protection of the egg) with a friend who likes to listen. It’s also a sort of celebration of the yin/yang relationship, how seemingly opposites are actually complementary (in this case extrovert/introvert).

 

CHICK CHAT int2 Sister
Interior spread from Chick Chat written and illustrated by Janie Bynum, NorthSouth Books ©2021.

 

GRWR: Do you see Chick Chat as primarily a friendship story or did you feel there were other themes you wanted the book to explore?

JB: The friendship theme is wrapped around a story about self-sufficiency; and, as you noted earlier, self-contentedness. So, it really has two main themes.

GRWR: What medium do you work in when creating your artwork?

JB: I used a combination of digital media and traditional watercolor, which is the way I generally work. For Chick Chat art, I worked on my iPad (in an app called Procreate) and in Photoshop on my Mac computer with large monitor. I used traditional watercolor for some areas, and added real paper and paint textures (with Photoshop layers) to give more depth to some of the digital color.

GRWR: As someone who began telling stories first visually, do you usually create your dummy with thumbnails and then add the prose later?

Studio paint 2
Painting space in Janie Bynum’s studio ©2021.

JB: I usually have a character in mind first that I must draw so that I can get to know them. A seed of a story germinates as I’m drawing. As I start writing the story, I sometimes create a simplified mind map to look at arc, action, and direction possibilities. Then I write some more. And I revise. And then I revise the text some more.

When I feel like I have a fairly finished manuscript, I start thumbnails. Inevitably, the text changes as I work on thumbnails and rough sketches. So, as I create the rough dummy, I work back and forth between words and pictures until I feel confident that the story (both visual and written) is ready to submit to my agent.

GRWR: I enjoyed a lot of the little unexpected details you included in the illustrations like Baby Chick’s grasshopper friend (or cricket), and the punny titles of the books Sister is reading. Did you do this in all the books you illustrate even if you didn’t write them?

JB: Thank you. Since I write/illustrate for a fairly young audience, I try to add details that older readers (especially adults) will enjoy. While I don’t include a small observer character (who sometimes participates) in all of the books I illustrate and/or write, I have done so in a few. In Otis, which I wrote, a red bird appears in many of the pictures; and, in Porcupining, written by Lisa Wheeler, a grasshopper observes and sometimes participates.

GRWR: What do you do to spark your creativity? Is your process to work daily, inspired or not?

JB: In addition to creating children’s books, I work as a creative director and graphic designer (outside of children’s publishing), so creative problem-solving is part of my day every day. But, one of the things I do as a creativity spark—at least several times per week—is just draw for no reason at all, with nothing in mind until pencil meets paper (or stylus meets iPad). Many times character ideas come from these sessions.

GRWR: How long did it take to complete Chick Chat from the idea stage to the final book we can order from bookstores today?

JB: Roughly two years: story and book dummy, spring 2019; art delivered January 2020; published book January 2021.

 

CHICK CHAT int3 NoAnswer
Interior art from Chick Chat written and illustrated by Janie Bynum, NorthSouth Books ©2021.

 

GRWR: Who are some of your current kidlit illustrator faves and why?

JB: I have soooo many favorites, and for so many different reasons.

I love the color and stylized work of Felicita Sala. I adore the haunting stylized art of illustrators like Isabelle Arsenault and the cheery whimsy of Louise Gay. Carter Goodrich’s dogs are divinely humorous, and he possesses quite a deft hand with paint. With Sophie Blackall’s art, I’m inspired by her use of color, texture, and pattern. Her work is retro and contemporary, both at the same time.

Oliver Jeffers’ composition on the page (including an amazing sense of negative space) and his sensitive use of color and line inspires me. Matthew Cordell’s spontaneous linework and non-complicated watercolor embodies a spontaneous loose feel that I aspire to in my own work.

I like Ryan T. Higgins’s ink line coupled with his graphic use of shape and color (and, of course, his humor); the gorgeously strange art of Mateo Dineen; and the Matisse’esque art of Olivier Tallec.

GRWR: What’s in the works for your next book?

JB: A very creative beetle is the hero of my current work-in-progress. Also, I’m considering creating something for Gary the Worm to star in. (To find out who Gary is, visit my Instagram @janiebynum.)

GRWR: Is there anything else you’d like to add that perhaps I haven’t addressed?

JB: I’d like to let educators (including parents and grands) know that they can find Chick Chat activities at my website (janiebynum.com) and at northsouth.com/resources. And last, but not least, thank you for including me in your blog!

GRWR: It’s been such a pleasure being the first stop on your blog tour and getting to know you and Chick Chat better. Thanks for your terrific answers!

 

AuthorIllustrator JanieBynumBIO:

Janie Bynum grew up in Texas and graduated with a BFA in graphic design with an emphasis on illustration. As an author/illustrator, she has created many lovable characters and stories for younger children. Her work has been recognized as a Junior Library Guild Selection. She loves to travel and experience other cultures, drawing inspiration from the people, landscape, and cuisine. Known to her friends as a bit of a nomad, Janie lives in a nearly-100-year-old storybook house in southwest Michigan—for now.

Website: janiebynum.com

Instagram: @janiebynum

CHICK CHAT BLOG TOUR PARTICIPANTS AND DATES

·       Dulemba.com – January 28

·       Dreamreaderkids – February 2 Instagram/Blog review +giveaway

·       Storymamas – March 10 review + giveaway

·       Kidlit411 – March 26 illustrator spotlight

 

CLICK HERE TO READ ANOTHER AUTHOR-ILLUSTRATOR INTERVIEW

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Children’s Book Review – A Year of Everyday Wonders

A YEAR OF EVERYDAY WONDERS

Written by Cheryl B. Klein

Illustrated by Qin Leng

(Abrams BYR; $16.99, Ages 4-8)

 

YearofEverydayWonders cvr

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BOOK REVIEW

If ever there was a year of wonders, I think 2020 would be it, both for adults and children, the whole world over. For this reason, I found Cheryl B. Klein’s A Year of Everyday Wonders especially meaningful though clearly her thoughtful book was created without the pandemic in mind.

The book follows a young girl, along with the people in her world, through all the “firsts” during the year.  Some of the lines are poetic, like “First green in the gray” when spring arrives or “First gold in the green” when fall arrives. The hopeless romantic in me liked the scenes of “First cold” when the protagonist is ill, which is immediately followed by “First crush” when a classmate of hers offers his tissue box. Equally touching was how “Second crush” comes about. The book eventually comes full circle as it begins and ends with “First day of the new year.” These seemingly small events of childhood will resonate with readers young and old who have likely experienced one or all of the beautifully depicted moments, the memories of which may last a lifetime.

 

YearOfEverydayWonders p008-009
Text from A Year of Everyday Wonders © 2020 Cheryl Klein. Illustrations © Qin Leng. Used with permission from Abrams Books for Young Readers.

 

THE ART

Qin Leng’s illustrations, rendered with ink and watercolor, portray each wonder with simplicity and emotion. There is lots of white space around many of the pictures, instilling a sort of quiet feeling, which is perfect for reading with your youngsters and reminiscing about all the “firsts’ they have had and will have in the future, depending on their ages.

 

YearOfEverydayWonders p010-011
Text from A Year of Everyday Wonders © 2020 Cheryl Klein. Illustrations © Qin Leng. Used with permission from Abrams Books for Young Readers.

 

IN CONCLUSION

Like I mentioned at the beginning of this review, 2020 was a year like no other, a year of many firsts for everyone: first lockdown, first virtual classroom learning, and first masks. With this last one, I admit that my mind is so focused on the pandemic in our new world that when I actually read the line “First masks” in A Year of Everyday Wonders, it took me a minute to realize that it was not referring to pandemic masks. Let’s hope that 2021 is a year of wonders indeed, of only the best kinds that children should experience.

★Starred Reviews – Bulletin of the Center for Children’s Books, Publishers Weekly and School Library Journal

 

  •  Reviewed by Freidele Galya Soban Biniashvili
    e
    Click here to read another book review by Freidele.

 

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Kwanzaa Books for Children

CHILDREN’S BOOKS FOR KWANZAA 2020

 

Kwanzaa begins on December 26 and lasts one week. Learn more about this joyous African American holiday by sharing the books reviewed here.

 

 

Lil Rabbits Kwanzaa paperback cvrLI’L RABBIT’S KWANZAA
Written by Donna L. Washington
Illustrated by Shane W. Evans
(Katherine Tegen Books; $7.99, Ages 3-7)

Young readers will be easily charmed by Li’l Rabbit. Li’l Rabbit’s Kwanzaa, now available in a paperback edition, was originally published in 2010 but its story is timeless.

Despite being frustrated during Kwanzaa for multiple reasons in addition to being told he’s too little to help, Li’l Rabbit still looks forward to his favorite part of the weeklong holiday, Karamu, the festive meal served on the sixth night.

But Granna Rabbit is sick and can’t prepare the meal. “Kwanzaa,” Li’l Rabbit recalls his granna telling him, “is a special time when we help each other.” Her words set him off on a search for a Zawadi (gift, often homemade) to cheer her up. During his quest, various forest friends ask him what he’s doing, and after he explains they all remark how they, too, wish there was something they could do to help. It seems Granna Rabbit has always made time to help out these animals and her good deeds have meant so much to them. When Li’l Rabbit returns home empty-handed and disappointed, he is surprised to see the animals he’d encountered celebrating with food, fun, and friendship. What a surprise for Li’l Rabbit to learn from his granna that her spirits have been lifted not only because of what their thoughtful neighbors have contributed but most of all because Li’l Rabbit’s dream made it happen.

Evan’s buoyant illustrations bring the Kwanzaa festivities to life with their rich colors, patterns, and energy. This picture book will resonate with any child who has ever felt left out or too small to make a difference. I appreciated the back matter including The Nguzo Saba, The Seven Principles of Kwanzaa as well as a glossary of words that were used in the story.

 

Kwanzaa SpotHolidayseries cvrKWANZAA
A Spot Holiday Book
Written by Mari Schuh
(Amicus; $7.99, Ages 5 and up)

Many kids want to pick out books they can read by themselves to improve their skills and feel successful. Parents, teachers, and librarians can’t argue with that. Why not take a look at the Spot (an imprint of Amicus) Holiday series geared to emergent readers? The photographs are beautiful and the text is purposefully simple to encourage beginners while providing an engaging way into diverse cultures and traditions.

In Mari Schuh’s Kwanzaa, as well as all the other series’ books, children can enjoy a search and find feature at the beginning (see the art below), with pictures and words.

 

Kwanzaa int1
Interior photographs from Kwanzaa written by Mari Schuh, Amicus ©2020.

 

“The text uses high-frequency words and repeating sentence structures” empowering new readers while introducing them to new vocabulary via holidays many of their classmates, friends, and neighbors celebrate. Other books in the series include Ramadan, Diwali, Hanukkah, Easter, and Christmas. I’m glad to have discovered this series and look forward to sharing more Amicus books in the future.

 

Read a review of another diverse holiday picture book here.

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Best Hanukkah Picture Books 2020!

 

FIVE CHILDREN’S BOOKS

FOR HANUKKAH 2020

-A ROUNDUP-

 

 

 

HappyLlamakkah coverHAPPY LLAMAKKAH!
Written by Laura Gehl
Illustrated by Lydia Nichols
(Abrams Appleseed; $14.99, Ages 3-5)

In the colorful picture book, Happy Llamakkah!, adorable llamas young and old gather together for the eight-day Jewish celebration. Each night a new candle is lit by the shamash (helper candle) as dreidels spin, latkes are fried and ribbons are tied. The story is told with few words and many sweet faces of the llama family who end each of the eight nights saying Happy Llamakkah! Children familiar with Hanukkah will enjoy seeing the candle lighting as it reminds them of their own special Hanukkah traditions with every page turn. And the words “Happy Llamakkah” replacing the traditional Happy Hanukkah wish just adds laughter and fun for young readers. I personally laughed each time I read those words. This rhyming picture book closes with an Author’s Note which explains in simple terms why Jewish people celebrate the miracle that happened long ago. Happy Llamakkah! beautifully tells the story of the menorah in the window; and I liked how the reader learns that it was only recently that Jewish families incorporated gifts as part of their Hanukkah festivities. Happy Hanukkah!
• Reviewed by Ronda Einbinder

 

NINTHNIGHTOFHANUKKAH cvrTHE NINTH NIGHT OF HANUKKAH
Written by Erica S. Perl
Illustrated by Shahar Kober
(Sterling Children’s Books; $16.95, Ages 3+)

In The Ninth Night of Hanukkah, Max and Rachel’s family move to a new apartment right before Hanukkah begins. So it’s frustrating when they can’t find the box that was packed with all the items they need for Hanukkah: the menorah, candles, Dad’s lucky latke pan, dreidels, gelt, and jelly donut recipe. So how can they celebrate Hanukkah? With help from their new neighbors and a bit of innovative, creative thinking, they try each night to celebrate, although as the refrain says, “It was nice . . . but it didn’t feel quite like Hanukkah.” But when Mom’s guitar is delivered the morning after the eighth night, the kids come up with a way to still celebrate the holiday and give back to all their new neighbors who helped them. . . and when the missing Hanukkah box turns up, it finally feels like Hanukkah. Charming cartoon illustrations add to the warmth of this holiday book about a diverse and multi-ethnic community coming together in friendship. • Reviewed by Freidele Galya Soban Biniashvili

 

TheEightKnightsofHanukkah cvrTHE EIGHT KNIGHTS OF HANUKKAH
Written by Leslie Kimmelman
Illustrated by Galia Bernstein
(Holiday House; $17.99, Ages 4-8)

I had a smile on my face throughout my first reading of this clever new take on Hanukkah and again the second time to write this review. Kimmelman’s wordplay in The Eight Knights of Hanukkah makes for a fun Round Table themed romp that delivers in the form of eight knights named Sir Alex, Sir Gabriel, Sir Henry, Sir Julian, Sir Rugelach (♥), and three females, Sir Isabella, Sir Lily, and Sir Margaret. There’s also Lady Sadie whose request to the knights prompts the adventure and premise of this story. “A dastardly dragon named Dreadful is roaming the countryside,” and its antics are disrupting preparations for the Hanukkah party she’s been planning. Their mission is to “fix things with some deeds of awesome kindness and stupendous bravery.”

And so they set out to achieve this goal. While Sir Isabella and Sir Rugelach journey to find Dreadful, the other six knights assist the citizens in whatever way they can. Knightly language adds to the enjoyment, “Hark!” exclaimed Sir Gabriel. “Methinks I hear a damsel in distress.” Whether peeling potatoes to help said damsel or making sufganiyot (donuts) at the bakery where a sign reads “Helpeth Wanted,” there’s no task too arduous for the team to tackle. But what about Dreadful? Alas, the disappointed dynamic duo of Sir Isabella and Sir Rugelach fear they’ve exhausted all hopes of reining in that dragon until a smoky surprise greets their eyes. With their mitzvahs completed, the noble knights can begin their Hanukkah merrymaking with Lady Sadie and all the guests knowing their actions have spread kindness through the realm. In addition to Bernstein’s expressive characters, humorous details, and great use of white space, don’t miss her endpapers map to get a lay of the land.
• Reviewed by Ronna Mandel

 

SimonandtheBear cvrSIMON AND THE BEAR: A Hanukkah Tale
Written by Eric A. Kimmel
Illustrated by Matthew Trueman
(Little Brown BYR; $12.99, Ages 4+)

First published in 2014, this paper-over-board reissue features a newly formated cover ideal for younger readers. Somehow I missed the original version and was happy to find that Kimmel’s Simon and the Bear: A Hanukkah Tale had me turning the pages in anticipation as it also warmed my heart.

When Simon sets sail to America from the old country just before Hanukkah, he departs with inspiring words (and a knapsack full of latkes, a menorah, candles, matches, brown bread, hard-boiled eggs, and herring) from his mother. “Wherever you are, Simon, don’t forget to celebrate Hanukkah and its miracles. Who knows? You may need a miracle on your long journey.” This foreshadowing lets readers know something will happen, but I never expected a Titanic-like episode where Simon’s boat sinks. Mensch that he is, he offers the last spot in a lifeboat to an older man and manages to find safety on an iceberg.

All alone but ever the optimist, Simon lights the candles as Hanukkah begins. As he plays dreidel, he also prays for a miracle. He is surprised and slightly scared when a polar bear appears. Simon offers it food in exchange for warmth and company. The passing days see the bear share his fish with Simon until the menorah’s flickering lights attract a rescue boat on the final night of Hanukkah. Arriving safely in New York, Simon meets the man he gave his lifeboat spot to. Now the Mayor of New York, this grateful man is intent on repaying Simon’s good deed making the final miracle happen, bringing Simon’s family to America. Kimmel’s crafted a fantastical and truly satisfying story through and through. In the character of Simon, he’s brought us a selfless main character readers will root for. Trueman’s jewel-toned colors and shtetl clothing design help ground the story in the early 1900s. The play with light always brings our eyes to focus on Simon over multiple iceberg scenes. Together the story and illustrations (I love the newspaper clippings about Simon’s survival) will make any reader a Hanukkah miracle believer.
• Reviewed by Ronna Mandel

 

TheHanukkahMagicofNateGadol cvr THE HANUKKAH MAGIC OF NATE GADOL
Written by Arthur A. Levine
Illustrated by Kevin Hawkes
(Candlewick Press; $19.99, Ages 5-8)

The magic of Levine’s, The Hanukkah Magic of Nate Gadol, begins with its glowing golden accented cover and is woven throughout this picture book embuing it with a feeling that it’s always been a Jewish folktale parents share every holiday. But it’s not! It’s a new story about a big-hearted Jewish spirit “whose magic can make things last exactly as long as they’re needed.” The tale was inspired by the author’s observations and emotions he experienced growing up as a Jew whose holiday and beautiful traditions were overlooked, overshadowed, and ultimately influenced by Christmas. Read the illuminating Author’s Note for more on this. Nate’s name is also significant in that it corresponds to the dreidel letters Nun and Gimmel, two of the four initials representing the Hebrew phrase “Nes Gadol Haya Sham,” meaning, “A great miracle happened there.“

I was willingly transported to an unnamed American city in the late 19th century where immigrants of all nationalities lived and worked. Nate soon finds himself drawn to the plight of the Glaser family, newly arrived Jewish immigrants from Europe who are penniless as Hanukkah approaches. Additionally, their neighbors’ baby girl is sick and the O’Malley family cannot afford the medicine needed. Whatever the Glasers had they shared with their close neighbors but when there was nothing, Nate knew “he couldn’t stretch what wasn’t there.” How could either family even begin to think about celebrating Hanukkah or Christmas under those circumstances? The have-nots need a miracle. During a serendipitous meeting Christmas Eve on a city rooftop with Santa Claus, Nate is told, “The sleigh magic is nearly empty. Are there a lot of people having trouble believing this year?” The winter of 1881 is a tough one indeed meaning one thing; Nate to the rescue! He helps out the “red-suited man” who returns the favor in kind. Nate’s magic delivers Christmas presents under the O’Malley tree and, much to the surprise and delight of the Glaser children, not just beloved Hanukkah chocolate which was all they usually hoped for, but a pile of presents as well.

Hawkes’s muted color palette enhances the illustrations of this bygone era. His larger than life depiction of Nate Gadol, with a tinge of gold in his hair and a sparkle in his eye convey a positive mood despite the harsh circumstances the two families face. The pairing of Hawkes’s atmospheric art with Levine’s thoughtful prose makes a new story like The Hanukkah Magic of Nate Gadol already feel like it’s been a treasured read in our home for years.
• Reviewed by Ronna Mandel

 

Additional Recommended Hanukkah Books:

KaylaandKugelsHappyHanukkah cvrKAYLA AND KUGEL’S HAPPY HANUKKAH
Written and illustrated by Ann D. Koffsky
(Apples & Honey Press; $17.95, Ages 3-5)

The third book in this charming series.

 

 


A DREIDEL IN TIME
Written by Marcia Berneger
Illustrated by Beatriz Castro
(Kar-Ben; $8.99, Ages 7+)

Read Ronna’s review of this middle-grade paperback in L.A. Parent magazine below.

 

 

 

 

A Dreidel in Time – A New Spin on an Old Tale

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Nonfiction Picture Book Review – The Boy Who Dreamed of Infinity

 

THE BOY WHO DREAMED OF INFINITY:
A Tale of The Genius Ramanujan

Written by Amy Alznauer

Illustrated by Daniel Miyares

(Candlewick Press; $17.99, Ages 5-9)

 

TheBoyWhoDreamedofInfinity cvr

 

★Starred Reviews – Booklist, Kirkus, Publishers Weekly

 

Did you know Srinivasa Ramanujan was one of the greatest mathematicians the world has seen? I didn’t, but was thankful to come across The Boy Who Dreamed of Infinity by Amy Alznauer and learn a little bit about this man whose amazing accomplishments are still studied today.

 

TheBoyWhoDreamedofInfinity int1
THE BOY WHO DREAMED OF INFINITY. Copyright © 2020 by Amy Alznauer. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

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Born in a small South Indian village in 1887, Ramanujan began questioning the world at an early age: “What is small? And what is big?” He spent endless hours writing and erasing on his slate, trying to capture his thoughts about numbers and size. “Ramanujan was a number theorist, a person who studies the properties and patterns of numbers.” This book’s examples make these large concepts easy to understand such as when Ramanujan takes food to the man by the river who claims to see odd creatures that aren’t there. To this, Ramanujan says, “Sometimes even invisible things can be real.” Kids can relate to this while their parents have a greater understanding of what Ramanujan meant.

This self-taught genius felt alone with his thoughts until reaching out to Cambridge University in England because of its great mathematical center where he finally connects with top mathematician, G. H. Hardy (whose pamphlet on infinity Ramanujan had recently discovered). Just six years after making that connection, Ramanujan died in 1920, at the age of thirty-two. “The profound originality of his ideas has been a source of inspiration for mathematicians ever since.”

 

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THE BOY WHO DREAMED OF INFINITY. Copyright © 2020 by Amy Alznauer. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

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Daniel Miyares’s lovely illustrations show us Ramanujan’s India blended skillfully with the boy’s thoughts. One of my favorite scenes discusses how numbers whisper to Ramanujan in his sleep; he tries catching ideas before they disappear. The accompanying art has multiple images of Ramanujan leaping and climbing on numbers, set against a night sky. Get this book for the kid in your life with big thoughts—whether anyone else can see them or not.

 

 

  • Click here to order a copy of The Boy Who Dreamed of Infinity.
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    Recommended Reads for the Week of 10/19/20

 

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Picture Book Review – The Homesick Club

THE HOMESICK CLUB

Written by Libby Martinez

Illustrated by Rebecca Gibbon

(Groundwood Books; $17.95; Ages 4-7)

 

The Homesick Club cover

 

 

Written by Libby Martinez and illustrated by Rebecca Gibbon, The Homesick Club expresses the longing for home and connection. 

Mónica and her best friend, Hannah, share a special bond: they are both immigrants.

Mónica is from Bolivia and Hannah is from Israel. Together they form The Homesick Club, complete with a handmade sign they display on their lunchtime table illustrating their favorite memories from their respective homelands.  Mónica yearns for the mango trees, green vines, and the “family of hummingbirds” that she and her grandmother would feed every morning. Similarly, Hannah misses the warm weather, sandy dunes, desert whistling wind, and a neighborhood tortoise. Their conversations highlight how different aspects of a landscape make it a unique and special place called home.
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Interior artwork from The Homesick Club written by Libby Martinez and illustrated by Rebecca Gibbon, Groundwood Books ©2020.

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When they meet their new teacher, Miss Shelby, they discover she too is far away from her home, Texas. Ironically, as Mónica and her teacher discuss their different backgrounds, they discover how much they have in common. Mónica’s beautiful transitions from English to Spanish echo Miss Shelby’s “soft and slow” voice, “like…words…stuck together with syrup.” They miss similar things from back home, too:  a “big and wide” sky that displays an abundance of stars as well as hummingbirds. Mónica misses seeing them since the big city noise “probably scares them away.” Miss Shelby longs for her favorite hometown dessert, hummingbird cake, “sooooo sweet, like the flowers that hummingbirds drink from.” Gibbon’s bright and friendly illustrations include rich detail that expresses the individual personalities of each character. 

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Interior artwork from The Homesick Club written by Libby Martinez and illustrated by Rebecca Gibbon, Groundwood Books ©2020.

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In honor of her beloved hummingbirds and a budding friendship with her new teacher, Mónica prepares a surprise to share with everyone during Show and Tell. Through this kind gesture, she is able to bring a little bit of home back to both of them and to us readers who are gifted with the recipe at the end of the story. 

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Interior artwork from The Homesick Club written by Libby Martinez and illustrated by Rebecca Gibbon, Groundwood Books ©2020.

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A great conversation starter on issues of diversity and geography, The Homesick Club reminds us that though we may look different and come from different parts of the world, we have many experiences connecting us. 

  •  Reviewed by Armineh Manookiane
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    Click here to see How To Bake Hummingbird Cake with Author Libby Martinez
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    Click here to order a copy of The Homesick Club.
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    Disclosure: Good Reads With Ronna is now a Bookshop.org affiliate and will make a small commission from the books sold via this site at no extra cost to you. If you’d like to help support this blog, its team of kidlit reviewers as well as independent bookshops nationwide, please consider purchasing your books from Bookshop.org using our affiliate links above (or below). Thanks!
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    Recommended Reads for the Week of 10/19/20

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Children’s Picture Book Review – A Pig in the Palace

A PIG IN THE PALACE

Written and illustrated by Ali Bahrampour

(Abrams BYR; $17.99, Ages 4-8)

 

A Pig in the Palace cvr

 

 

Have you ever received an invitation to dine with royalty? Me neither. And in these pandemic times of non-partying, I doubt one will be forthcoming any time soon. But if I did ever receive one, I’d be very surprised—and that’s exactly the situation in which Bobo the boar finds himself in A Pig in the Palace.

 

A Pig in the Palace int1
Interior spread from A Pig in the Palace written and illustrated by Ali Bahrampour, Abrams BYR ©2020.

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The story begins with Bobo receiving an invitation to dine at the palace with the new queen whom nobody’s ever seen. Bobo is excited to go but since this is a very new experience for him, he makes several blunders while he is there which causes him to get into deep trouble with the guards who wish to throw him out. The chase is on to catch Bobo, who manages to keep eluding them until the moment the new queen is revealed in a surprising and very hilarious ending that I never even saw coming.

Readers will be rooting for Bobo throughout the story and while this humorous story is told in simple language, it is meant to be read in tandem with the illustrations. The crisp, highly detailed pictures, rendered in pen, ink, and watercolor, tell much of the story that is not told through the text, making this a wonderful book for a shared reading experience with a child as you point out and show what is going on.

 

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Interior artwork from A Pig in the Palace written and illustrated by Ali Bahrampour, Abrams BYR ©2020.

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So since going to real parties is out nowadays, instead, make yourself comfortable with your young reader and enjoy Bahrampour’s A Pig in the Palace. This picture book is perfect pandemic reading about going to a party, with all the fun and silliness of a celebration but without a touch of the preachiness about how to behave at one. It definitely delivers a much needed light-hearted diversion in these troubled times.

• Reviewed by Freidele Galya Soban Biniashvili

 

Click here to order a copy of A Pig in the Palace or visit your local indie bookstore.
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Disclosure: Good Reads With Ronna is now a Bookshop.org affiliate and will make a small commission from the books sold via this site at no extra cost to you. If you’d like to help support this blog, its team of kidlit reviewers as well as independent bookshops nationwide, please consider purchasing your books from Bookshop.org using our affiliate links above (or below). Thanks!

Recommended Reads for the Week of 10/12/20

 

 

 

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Picture Book Review – The Arabic Quilt by Aya Khalil

THE ARABIC QUILT:
An Immigrant Story

Written by Aya Khalil

Illustrated by Anait Semirdzhyan

(Tilbury House Publishers; $17.95, Ages 5-9)

 

 

 

★Starred Review – School Library Journal

The Arabic Quilt, written by Aya Khalil with art by Anait Semirdzhyan, is a thoughtful picture book that sensitively conveys the experience and emotions of any child who has ever felt uncomfortable with or ashamed of a second language spoken, or other customs practiced and foods eaten, at home whether a recent immigrant or not. When my husband’s family moved to America from Israel in 1955 they chose to speak only English and, while I understand their motivation of wanting to fit in, it’s sad my husband never learned Hebrew, or Yiddish and German for that matter, all the languages of his parents.

The main character in this story is Kanzi whose family is newish to America, hence the sub-title. When she later introduces herself in class at her new school she says “I am Egyptian-American. I love to swim. I love to write poetry.” But also on her first day of third grade she deliberately leaves behind a kofta (meatball) sandwich so that her somewhat less typical meal wouldn’t stand out. Much to her dismay, Kanzi’s mother shows up at school with the forgotten lunch and embarrasses her daughter in front of classmates when calling her an affectionate name in Arabic. This part resonated with me even though I never had that exact experience. But who cannot relate to that awful feeling of being ‘the other’ in some situation during their school years whether it was from being teased for crying, being un-athletic, wearing glasses, or having an uncommon background?

The Arabic Quilt interior1
Interior spread from The Arabic Quilt: An Immigrant Story written by Aya Khalil and illustrated by Anait Semirdzhyan, Tilbury House ©2020.

 

The theme of Khalil’s story feels current and fresh. No one apologizes for their differences and should not have to. The Arabic Quilt honors Kanzi’s family’s history and language which is empowering, and no one does it better than Kanzi’s teacher. I love how Mrs. Haugen knows just what to say and do to comfort her upset student after being teased, “Oh Kanzi, being bilingual is beautiful.” In fact, the story not only features Arabic words throughout, but Khalil’s included a helpful glossary at the end.

Mrs. Haugen suggests Kanzi bring the handmade quilt into school and, following the positive response, announces a special project. Kanzi and her mother will write the students’ names in Arabic and then Kanzi’s classmates can design their own paper quilt pieces. Even the class across the hall is inspired by Mrs. Haugen’s project that celebrates Kanzi’s Arabic language. The book aptly ends with Kanzi composing a poem to her parents where she thanks her parents for encouraging her to be proud of her unique language and how, like the assorted pieces of her teita’s quilt, language can actually bring us together.

The Arabic Quit int2
Interior art from The Arabic Quilt: An Immigrant Story written by Aya Khalil and illustrated by Anait Semirdzhyan, Tilbury House ©2020.

 

One of my favorite Semirdzhyan illustrations depicts Kanzi writing poetry following her difficult first day while reassuringly wrapped in her cherished quilt from her teita (grandma) far away in Cairo. Another is the happy faces of the children admiring the finished paper quilt, the look of contentment on Mrs. Haugen’s face, and the pure joy on Kanzi’s face. The book’s art brings added warmth to this already meaningful story, and the ample white space allows the focus to be on the students, their interaction, and ultimately their own collage quilt that binds the kids in class together. Kanzi’s individual story is now woven into theirs, separate yet together. Between its important message of accepting differences, and being proud of one’s culture and language, The Arabic Quilt would make a welcome gift for Eid or for anyone eager to expand their child’s multicultural horizons. I recommend this lovely debut from Aya Khalil and hope you get a copy for yourself or for your child’s school from your local indie bookseller today.

  •Reviewed by Ronna Mandel

Click here for a classroom guide.

Also recommended for Eid is Once Upon an Eid: Stories of Hope and Joy by 15 Muslim Voices, edited by S. K. Ali and Aisha Saeed, with illustrations by Sara Alfageeh, Amulet Books.

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Children’s Picture Book Review – The Stray by Molly Ruttan

THE STRAY

Written and illustrated by Molly Ruttan

(Nancy Paulsen Books; $17.99, Ages 3-7)

 

 

It’s not every day that a creature from far off in the galaxy crash lands its UFO on Earth. So when it does, in The Stray written and illustrated by Molly Ruttan, the thoughtful thing to do is bring the alien home if you happen to encounter it. That’s exactly what the family in Ruttan’s debut picture book does. Ironically the family doesn’t seem to get that he is not a dog, at first, like when they note he didn’t have a collar, and give him among other things, a Frisbee and a bone, which adds to the hilarity of the situation. The author illustrator has not only created an amusing and fun way to tell the story of finding a stray, she’s brought it heart and that’s a wonderful combination.

In summary, after the family find the stray, an out-of-this-world kind of dog, they bring it home and name the pet Grub. Now Grub’s no ordinary stray and gets up to all sorts of mischief. Yet, despite his errant ways, the family still love him. That message of unconditional love shines in every illustration. And adorable Grub knows how to create chaos. You’ll see exactly what havoc Grub can wreak in the neighborhood street spread below. This is a scene you’ll want to look at closely with kids because Ruttan’s ensured there’s a lot going on. In fact, the entire book’s a delightful visual romp filled with energetic art in a bluish palette, blending whimsy and emotion on every page.

 

 

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Interior spread from The Stray written and illustrated by Molly Ruttan, Nancy Paulsen Books ©2020.

 

No matter what the family does and how much love they bestow upon Grub, he doesn’t seem to be happy. That makes them wonder “… if it was because he already had a family somewhere else.” This key element of The Stray, that everyone lost belongs somewhere and helping them find their way home is kind, will be a comforting one for children. Seeing Grub’s adoptive family go through the experience together to locate his outer space family is also reassuring. Young readers will be happy when it turns out Grub’s Earth family didn’t have to try very hard.

 

Ruttan TheStray p09 We-named-him-Grub fin
Interior art from The Stray written and illustrated by Molly Ruttan, Nancy Paulsen Books ©2020.

 

In interviews Ruttan’s mentioned that she always wanted The Stray to have a dual story line, one in which she drew upon her own family’s experience of finding strays over the years paired with comical things going on in the illustrations which weren’t mentioned in the spare text. That works so well here that kids will be pointing things out to their parents as the story is read. Ruttan’s also added a few “Easter eggs” to the illustrations, for those hard-core fans of UFO lore, like the portrait of Barney and Betty Hill on the wall in living room, the symbols found in the 1947 wreckage at Roswell on the Frisbee, and others. Don’t forget to peek under the book jacket because the case cover art is different.

 

Stray Neighborhood AFTER
Interior spread from The Stray written and illustrated by Molly Ruttan, Nancy Paulsen Books ©2020.

 

The engaging art was created with charcoal, pastel, and a little liquid acrylic paint thrown in. The final art was made using digital media. Whether you’re seeking a bedtime story or one to share at story time, The Stray will find a way into your heart as it did mine.

Come back tomorrow for an interview with Molly about how she launched her picture book during the pandemic when bookstores were closed.

NOTEWORTHY FACT: Today is the 51st anniversary of the first moon landing! While it’s not a UFO event, it’s a significant day for humankind and space. 

 

•Reviewed by Ronna Mandel

 

Find out more about The Stray in my January 2020 cover reveal with a guest post by Molly here.

Download fun activities to accompany your reading of The Stray here.

 

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Five New Books for Father’s Day 2020

BOOKS TO READ WITH DAD OR GRANDPA

ON FATHER’S DAY OR ANY DAY

∼A ROUNDUP∼

 

Happy Father's Day clip art

 

Lion Needs a Haircut cvrLION NEEDS A HAIRCUT
Written and illustrated by Hyewon Yum
(Abrams BYR; $16.99, Ages 3-7)

★Starred Review – Booklist

Hyewon Yum’s adorable picture book, Lion Needs a Haircut, reminds me of how much my son disliked getting his haircut when he was little. What I especially like is how Yum’s chosen to use lions, a dad and his cub, as the main characters since their manes are such powerful symbols.

The lion father lets his son know he needs a haircut, but the cub does not agree. When the big lion shows compassion, saying he understands his son’s fear, is he perhaps putting words into his son’s mouth or hitting the nail right on its head? Regardless, the cub continues to resist. When at last the little one says, “I just wanted my hair to look like yours,” the story presents a clever new twist that is so satisfying and entertaining. Suffice it to say that parents, caregivers and kids will get a kick out of some fun role reversal in this charming and sweetly illustrated story.  •Reviewed by Ronna Mandel

When Grandpa Gives You a Toolbox cvrWHEN GRANDPA GIVES YOU A TOOLBOX
Written by Jamie L.B. Deenihan
Illustrated by Lorraine Rocha
(Sterling Children’s Books; $16.95, Ages 3-7)

The birthday boy, with the golden crown on his head, is anxious to receive a special house for his dolls when Grandpa stops by. Lo and behold, he comes bearing a … TOOLBOX! When Grandpa Gives You a Toolbox, written by Jamie L.B. Deenihan and illustrated by Lorraine Rocha shows how an unexpected gift can actually become the one you will always remember.

Lorraine Rocha paints colorful illustrations of the grandpa, the boy and his little brown dog who remains by his side throughout the story. The reader is taken on a journey of love via bright illustrations depicting the boy patiently listening to grandpa’s stories. Deenihan’s prose are written as steps on how to handle a situation that you really don’t have much interest in, but you do out of love—a great lesson for young kids to learn. “Next, compliment Grandpa as he shows photos of all the projects he’s built since he was a kid.”

The boy listens to his grandpa until he runs out of stories, but the reader learns that the stories stay in his memory. We see the boy and his dog playing with his doll as a sad looking yellow bird sits at the bottom of a big tree. “It’ll be easy to forget about Grandpa’s toolbox. Until you meet someone in need and have an idea.” That’s when the boy realizes that maybe the toolbox can be useful. Then the reader is taken on a whole new journey showing the beautiful bond between grandfather and grandson.

At the end, the boy is not only able to get that special doll house, but he gets it by building it with Grandpa by his side. “You and Grandpa will work together measuring and sawing, drilling and hammering, gluing and painting, until finally, you’ve built exactly what you wanted.” This heartwarming story melts your heart deeper when Deenihan not only dedicates the story to her own father, but explains how her husband Ricky was diagnosed with brain cancer in 2015. In honor of Ricky, along with brain cancer patients and childhood cancer patients, a gray ribbon and gold ribbon have been included in the illustrations to raise awareness and show support for all those affected by cancer. •Reviewed by Ronda Einbinder

PAPA BRINGS ME THE WORLDPapa Brings Me the World cvr
Written and illustrated by Jenny Sue Kostecki-Shaw
(Henry Holt BYR/Christy Ottaviano Books; $18.99, Ages 4-8)

Junior Library Guild Selection

There is so much to enjoy when reading Papa Brings Me the World. It’s first and foremost a daughter’s love letter to her dad who is often gone for long periods of time due to his job as a photojournalist. “His pictures and stories are windows into magical worlds.” In addition to being about the parent/child relationship, it’s also a travel story with great glimpses into foreign countries and their cultures that the father in his career, and ultimately together with his daughter Lu, visit. I’ve also never read a picture book about a photojournalist so I think it’s wonderful and enriching to expose children to the world this way.

This book resonated with me not because one of my parents was a photojournalist, but because they loved to travel and instilled that love in me. I eventually studied abroad and then worked in the travel industry for nine years sharing my passion for world travel via educational seminars. The influence this story’s father had on his daughter was what hooked me from the start. “I was born to explore. Just like Papa.” I love how Kostecki-Shaw incorporated all the different places the father visited into journal entries and items collected along the way. Her art, a beautiful blend of acrylic, watercolors, salt, pencil, rubber stamps and collage made me want to linger on every page.

The biracial family in Papa Brings the World to Me is a loving, compassionate one. While the little girl’s thoughts revolve around her father’s often exotic trips and his anticipated return home from each one, Mama holds down the fort and provides support in a frequently one parent household. Any child who has a parent that is often away from home will relate to Lu’s dreams of spending time together with her papa either at home or on the road. The book will likely also spark wanderlust in even the youngest child when learning in the back matter about the variety of places Papa visits. This beautiful picture book is a celebration of the unique father daughter bond and one I recommend for all girl dads to read with their daughters.
•Reviewed by Ronna Mandel

Big Papa and the Time Machine cvrBIG PAPA AND THE TIME MACHINE
Written by Daniel Bernstrom
Illustrated by Shane W. Evans
(HarperCollins; $17.99, Ages 4-8)

★Starred Review – Publishers Weekly, School Library Journal

Soft pastel colors adorn the pages of this warm-hearted story of bravery throughout time as Big Papa takes his beloved grandson in a time machine (1950s automobile) telling him about times long ago in Big Papa and the Time Machine.

The beautiful artwork was the first thing to capture my attention, but it did not take long for the words to wrap around me as well. Bernstrom tells the story of his African American grandfather who fought through hardship only to come out brave, while reassuring the boy who is fearful about going off to school for the first time.

“Do I have to go to school?” “Yes,” Big Papa said. “I just wanna go home and watch TV.” “You scared,” Big Papa said. “I’m scared I’ll miss you.”

The kind grandfather with the long gray beard, orange hat, red bow tie and blue overalls kicks off the time travel going back first to Little Rock, Arkansas circa 1952. Here he is a young man hugging his own Mama ever so tightly. The grandson believes his grandfather is never scared. “No been scared lots of times,” Big Papa said. “But sometimes you gotta lose the life you have if you ever gonna find the love you want. That’s called being brave.”

Bernstrom takes readers through a series of experiences in the past: meeting Nana at a dance; his own daughter walking away from raising the boy and working hard labor, but he always ends with the same beautiful words “that’s called being brave.”

This is a story that I could reread over and over, and what a poignant story at this time in history. We are educated on the hardships this family overcame, but in the end they survived it all through love, perseverance and, of course, being brave. Bravo to Bernstrom for his words that transported me to Arkansas 1941 and 1952; Chicago 1955, 1957, and the year the grandson was placed in the grandfather’s care in 1986.

In the Author’s Note, Bernstrom explains the background to this story and how he wasn’t raised knowing his biological grandfather, but when they met his grandfather had stories upon stories to tell. Evans asks, “what is courage?” and explains that with every line of art there is a story just like there is a story in every word. I felt it in both the words and the art. A beautiful story definitely worth sharing with young readers.
•Reviewed by Ronda Einbinder.

Dadskills coverDADSKILLS: How to Be an Awesome Father and Impress
All the Other Parents – From Baby Wrangling – to Taming Teenagers
Written by Chris Peterson
(Cool Springs Press; $17.99, Paperback)

Billed as a manual for new fathers, Dadskills‘ subtitle immediately clues you in to the light-hearted read covering child rearing, from their arrival at home to their eventual departure. The six chapters (which include spot illustrations) include “Baby Wrangling,” “Dealing With Toddlers,” “The Single Digit Challenge,” “Managing the Tweens,” “Taming Teens,” and “Empty Nesting (or Not).”

Does father really know best? That’s what author Peterson is aiming for with his “We got this” fix-it guy approach to equipping men with the important skills they’ll need to be a first-rate and rad dad. “You’ll find here a breakdown on all the essentials so that you can feel a little more like ‘I’m witnessing a miracle’ and a little less like ‘What the hell is happening?'”

In the first chapter I was pleasantly surprised to find colic was addressed because, while it’s awfully uncomfortable for baby, it can also be exhausting and trying for parents who feel helpless to make their little one feel better. When our daughter had colic, it was my husband with his secure football hold that I could count on to quell her pain. In Chapter 3 dads are reminded to “enjoy this prehormonal phase of life.” And, as a book reviewer, how could I not love a section that emphasizes encouraging a young reader with tips such as “Make it a nightly habit,” integrate books into your home life, and read beyond books, for example, by playing games that require game card reading in order to practice skills and pronunciation.

Every chapter is full of invaluable information that will give dads the tools they need to solo or co-parent and make them smile while getting the inside scoop in a book created with their needs in mind. Peterson’s voice throughout the book is like that of a close friend’s. Dadskills will leave new dads feeling prepared for and less stressed about fatherhood. With its perfectly balanced blend of advice and wit, this fathering book for a new generation of dads will make a great gift for Father’s Day.
•Reviewed by Ronna Mandel

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Middle Grade Book Review – One Last Shot

ONE LAST SHOT

Written by John David Anderson

(Walden Pond Press; $16.99, Ages 8-12)

 

One Last Shot cover

 

 

In John David Anderson’s One Last Shot, twelve-year-old Malcolm Greeley navigates life carefully. School is endured, and his home life is a minefield where he painstakingly interprets what’s said—and what’s not said—to keep the peace between his contentious parents. He’s sure that if he can just do everything right, then things between his mom and dad will get better, that they have to.

Malcolm doesn’t realize he needs a friend until Lex’s miniature golf ball and her comical call of “Five!” lands at his feet. With an unwanted push from his wacky golf coach, Malcolm soon finds a something in Lex he’s been sorely missing. While his steadfast mother accepts and understands him, Malcolm is unsettled around his father, an award-winning jock of many sports, who pushed Malcolm into Little League. When Malcolm is given an out, he takes it, only to be subtly pressured into competition mini golf. With Dad, it’s all about winning, but Malcolm’s not wired that way no matter how he tries. He’s a natural at putting, yet dreads the competitive aspect. The voices in his head add to the stress of executing each shot perfectly.

Though I don’t typically gravitate stories centered around competitive sports, I picked up One Last Shot because I’m a fan of Anderson’s other books Granted and Posted (also middle grade). One Last Shot’s a winner with its fully developed, imperfect characters. I appreciated the creative manner in which the story unfolds; the structure adds interest. Each of the eighteen chapters opens with the description of a mini golf hole and closes with how Malcolm scored on that hole. Sandwiched between, we’re shown Malcolm’s life in flashback scenes.

This would be an ideal read for a kid with parents in the bitter pre-divorce stage since Malcolm comes to understand his parents’ troubles are not about him and cannot be fixed by him. Sometimes, parents need to split up for their own good—an upsetting time that’s hard to live through, but, hopefully, better in the long run.

Click here to read a sample.

 

•Reviewed by Christine Van Zandt (www.ChristineVanZandt.com), Write for Success (www.Write-for-Success.com), @ChristineVZ and @WFSediting, Christine@Write-for-Success.com

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Middle Grade Books – An Interview With Margaret Finnegan About Happy Endings

–ON HAPPY ENDINGS–

AN INTERVIEW WITH MARGARET FINNEGAN

AUTHOR OF DEBUT MIDDLE GRADE NOVEL

WE COULD BE HEROES

 

 

For Autism Awareness Day 2020, I’m delighted to share this interview with author Margaret Finnegan about her debut middle grade novel We Could Be Heroes and her take on happy endings. At the end Margaret’s also included some helpful resources for readers.

INTERVIEW

GOODREADSWITHRONNA: Can you tell us a little bit about We Could be Heroes?

MARGARET FINNEGAN: We Could be Heroes is about Hank Hudson and Maisie Huang, two very different kids. They become friends as they try to help a dog with epilepsy—Booler—who is tied day and night to a tree. Their friendship is complicated by the fact that Hank has autism, and so he can’t always tell if Maisie is really trying to be his friend or if she is manipulating him for her own reasons.

GRWR: Your book deals with some very serious issues, but it is always funny and it ends on an adorably happy note. These days, a lot of middle-grade fiction is embracing more complicated and ambivalent endings, what made you decide to go full on happy?

MF: I wrote this book for my daughter, Elizabeth. Elizabeth is not Hank, but she did inspire a few of his qualities, such as his painful aversion to really sad stories. She feels so connected to the characters she reads about—and she feels their heartbreaks and pain so personally—that for a number of years she refused to read new novels. The uncertainty was too much for her. So she read her favorite books over and over. Hank is like that too. When We Could be Heroes opens, Hank is trying to destroy a tragic book his teacher has been reading to the class. He can’t take how sad it makes him.

Since I set out trying to write a book that Elizabeth would read, I knew from the start that it would have to have a big, sloppy happy ending. But Hank needed a happy ending too, and I think he earned it. Like any hero, he is tested and found worthy of reward. But more than that, in a meta sort of way, the story needed a happy ending that would contrast the terrible ending of the story within the story—the one Hank’s teacher is reading the class.

GRWR: Do you think Hank and Maisie’s happy ending can last?

MF: I’m not sure. Maisie’s mom definitely has her doubts. And although Hank and Maisie are “rewarded” something amazing, I think that reward will present Hank—who struggles with change and unpredictability—with challenges. But challenges can help us grow, so I guess that isn’t a bad thing.

GRWR: There are so many challenges that young readers face today—like climate change. How does that factor into thinking about happy endings? Don’t we need books that go to those dark places so kids can see their reality reflected and then face that reality with resiliency? Or is there still a need—at least sometimes—for “big, sloppy, happy endings”?

MF: We need all kinds of stories with all kinds of endings—and there are many wonderful middle-grade novels that go dark and yet are filled with transcendent beauty. Those books actually win lots of awards. But unabashedly happy endings also have something important to offer readers. Our kids are not growing up in bubbles. They have a whole world of experiences and entertainments that teach them the complexities and hardships of the world. And it is exactly when things are going horribly that some readers need stories that make them laugh and that instill hope.

I have been very open about the challenges Elizabeth has had with autism and epilepsy. There was a long stretch of years where she was being bullied, experiencing lots of seizures, and dealing with horrible medication side effects. And what were the books she turned to repeatedly during this time? The Fudge books by Judy Blume. They made her feel good. They made her believe that better was possible. She knows about the pain of the world. She lives it. She—like many others—longs for stories that remind her that there is joy and fun in the world and that sometimes—just sometimes—everything turns out great. 

Read a review in Publishers Weekly about We Could Be Heroes here.

Click here for a link to the Epilepsy Foundation.

Click here for autism information from the National Institutes of Health.
Click here for autism information from the Autistic Self Advocacy network.

ABOUT MARGARET

Author Margaret FinneganMargaret Finnegan is the author of We Could Be Heroes.
Her work has appeared in FamilyFun magazine, the LA Times, Salon,
and other publications. She lives in Southern California, where she enjoys
spending time with her family, walking her dog, and baking really
good chocolate cakes. Connect with her @margaretfinnegan.com
or on Twitter @FinneganBegin.

 

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