The Remember Balloons & Maximillian Villainous – Two Heart-filled Books

MAXIMILLIAN VILLAINOUS
Written by Margaret Chiu Greanias

Illustrated by Lesley Breen Withrow
(Running Press; $16.99, Ages 4-8)

&

THE REMEMBER BALLOONS
Written by Jessie Oliveros

Illustrated by Dana Wulfekotte
(Simon and Schuster; $17.99, Ages 5-9)

 

are reviewed today by Cathy Ballou Mealey.

cover art from Maximillian Villainous The monster members of Max’s family cannot understand why he is SO good and not at all villainous, as they are. MAXIMILLIAN VILLAINOUS is kind, helpful and constantly scrambling to make amends for his family’s mischievous misdeeds. When Max brings home a bunny, his family decides to offer him the ultimate test. He must complete three devious, villainous tasks in order to keep his sweet, fluffy and otherwise unsuitable pet.

Max and bunny do try to tackle their tricky To Do list, but they are too nice! They fail repeatedly and humorously, although they persist in finding creative solutions. Eventually Max begins to despair that he can succeed in behaving badly. Will he be forced to give up his beloved rabbit? With comic antics and heart-tugging earnestness, eager readers will be delighted to discover whether Max and his bunny can uncover a solution that saves the day.

Withrow’s adorable illustrations are colorful, bright and filled with expression. Max and his family are clearly monsters, adorned with horns, fangs and claws, but they are also incredibly child-friendly, cute and appealing. Clever, whimsical elements are tucked onto every page for young readers to discover. Greanias’ playful dialogue and crisp pacing enhance the odds that MAXIMILLIAN VILLAINOUS will become a read-it-again, monstrous favorite in many homes.

cover art from The Remember BalloonsIn THE REMEMBER BALLOONS, debut author Oliveros features a three-generation family coping with an elderly grandfather’s memory loss. Using colored balloons to represent treasured memories, each family member carries bunches ranging from small to large. “This one’s my favorite,” says the young boy narrator as he points to a blue balloon. It’s filled with special scenes from his birthday party. “When I look at it I can see the pony again. I can still taste the chocolate frosting.”

But Grandpa’s balloons are beginning to slip away, one by one, as his memories start to fade. The narrator struggles with sadness and anger as he witnesses his grandfather’s decline, metaphorically paired with the shrinking number of balloons. His helplessness is palpable, as is his deep love for his grandfather. When even a most precious memory of a special fishing trip is lost, the boy’s parents step in to offer consolation. Although it is bittersweet when the boy discovers that the number of his balloons continues to grow, the tale arrives at a comforting and heartwarming conclusion that will satisfy all.

Wulfekotte’s adept illustrations place detailed vignettes of special memories within a broad spectrum of delicately tinted balloons. The family, in soft, black and white lines and gray shading, is often nestled in close, companionable connection. Settings are simple and understated, allowing the significance of the balloons to hold the focus. Oliveros uses clear, direct language to relay this poignant story in a manner that keeps it accessible for a wide range of readers. THE REMEMBER BALLOONS beautifully expresses the enduring love and importance of family memories in a gracious and meaningful book. Kirkus, starred review

  • Reviewed by Cathy Ballou Mealey

Where obtained:  I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.

Never Say Never! Nature’s Friend: The Gwen Frostic Story

NATURE’S FRIEND:
THE GWEN FROSTIC STORY
Written by Lindsey McDivitt
Illustrated by Eileen Ryan Ewen
(Sleeping Bear Press; $16.99, Ages 6-9)

 

cover art from Nature's Friend: The Gwen Frostic Story by Lindsey McDivitt

 

One of the best parts about reviewing children’s books is learning about someone or something new. That’s exactly what happened after reading Nature’s Friend: The Gwen Frostic Story by Lindsey McDivitt with illustrations by Eileen Ryan Ewen. You may have noticed that there aren’t a lot of traditionally published picture books about people with disabilities, but there are more now than there used to be and that’s a good thing. Authors like McDivitt are making a difference by writing about diverse individuals and topics which I truly appreciate and why I jumped at the chance to review Nature’s Friend.

This inspiring debut picture book biography introduces children to the art and writing of Gwen Frostic, someone about whom, as I mentioned above, I knew nothing prior to reading the book. And now I’m eager to see her art in person and you will be, too. Born in Michigan in 1906, Frostic contracted an illness as an infant that left her physically disabled. But with the positive influence of her mother, Gwen never avoided doing all the things that her brothers and sisters did. “I never knew I couldn’t do something,” is the overarching message of Nature’s Friend, a quote in McDivitt’s book that captures the essence of who Gwen was—a bright, creative and resourceful woman who never let perceived obstacles hold her back. She clearly was ahead of her time.

 

Int illustration by Eileen Ryan Ewen from Nature's Friend by Lindsey McDivitt

Interior artwork from Nature’s Friend: The Gwen Frostic Story written by Lindsey McDivitt and illustrated by Eileen Ryan Ewen, Sleeping Bear Press ©2018.

 

Gwen’s mother, a former teacher, could have taught her daughter at home because in the early 20th century it was more common for disabled children to stay at home. Instead, Mrs. Frostic “sent Gwen to school and pushed her to learn.” While the bullying might have painful, the young girl chose to focus on her academics and was an adept student. In fact, it was also due to her mother’s encouragement and guidance that Gwen’s weak hands grew stronger as her mother had her practice sketching. Gwen, who had embraced nature at an early age, would find later in life that this experience greatly influenced her career path.

 

int art by Eileen Ryan Ewen from Nature's Friend by Lindsey McDivitt

Interior artwork from Nature’s Friend: The Gwen Frostic Story written by Lindsey McDivitt and illustrated by Eileen Ryan Ewen, Sleeping Bear Press ©2018.

 

At age 12, Gwen’s family moved to Detroit. It was there in high school that she learned mechanical drawing and other skills not typically part of a girl’s curriculum. Someone wrote in her yearbook, “Her brush, her pencil and her pen will make this world a better place!” But pursuing a career in art wasn’t necessarily going to provide for her. The tides turned in her favor when wealthy and influential people began purchasing her designs. What joy and satisfaction it must have been for Frostic when her art was chosen to be exhibited at the 1939 New York World’s Fair! Soon though her grand plans were put on hold due to WWII. She went to work at the Ford Motor Company to help the war effort by designing “tools for building the airplanes.”

In addition to Gwen’s airplane construction work, at home she remained drawn to art, eventually purchasing a printing press and starting her own business. Frostic called it Presscraft Papers Stationary Company and based it first in Frankfort, Michigan and then on the Betsie River to be closer to nature. The back matter states that Frostic created greeting cards and books that “celebrated Michigan plans and wildlife.” She was awarded countless honors in her lifetime and worked in her shop well into her 90s.

 

int art by Eileen Ryan Ewen from Nature's Friend by Lindsey McDivitt

Interior artwork from Nature’s Friend: The Gwen Frostic Story written by Lindsey McDivitt and illustrated by Eileen Ryan Ewen, Sleeping Bear Press ©2018.

 

Ewen’s serene artwork conveys Frostic’s love of nature on every page. I also felt the movement and emotion as Gwen clenched her sketching pencil, smelled the fresh Michigan air in the beautifully rendered outdoor scenes and watched the changing fashions go by as Gwen matured. The illustrations, coupled with McDivitt’s honest and uplifting prose that applauds determination and individuality, promises hope and invites creativity (there’s a craft included at the end), make this a wonderful and worthwhile read for not only kids, but for adults too who may be unfamiliar with Frostic.

Everything about Gwen Frostic was unique, from her art to her attitude. Rather than let society define what she could and couldn’t do as a woman and as a person with disabilities, she wrote her own rules and lived happily and successfully by them. Considering the era she lived in, it’s especially encouraging to read about female trailblazers like Gwen Frostic who forged ahead with their talents allowing their heart to guide them.

“As long as there are trees in tiny seeds … there will be miracles on earth.” – Gwen Frostic, A Walk With Me

Learn more about Gwen’s studio here.

  • Reviewed by Ronna Mandel

Read another picture book biography here.

 

 

 

Feel Free to Dazzle! Julián Is a Mermaid by Jessica Love

 

JULIÁN IS A MERMAID
Written and illustrated by Jessica Love
(Candlewick Press; $16.99, Ages 4-8)

JULIAN IS A MERMAID cover art Copyright © 2018 by Jessica Love

 

Julián is a Mermaid, by Jessica Love, is a brilliant debut picture book. As Julián and his abuela leave the public pool, they share the subway ride with some women dressed as mermaids. Julián loves mermaids and feels he is one too. He demonstrates this while his abuela’s away taking a bath. At the crucial moment of discovery, Abuela encourages Julián and takes him to his tribe: a gathering of likeminded people.

 

Interior artwork from Julian is a Mermaid by Jessica Love

JULIAN IS A MERMAID. Copyright © 2018 by Jessica Love. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Jessica Love’s beautiful sentiment is echoed in her vibrant, festive art done by hand with ink, gouache, and watercolor on brown paper. Richly rendered, expressive characters stand out against muted backgrounds. This 40-page picture book gently shows how easy it can be to accept others. Potentially contentious moments are, instead, depicted with understanding.

 

Interior spread from Julian is a Mermaid by Jessica Love

JULIAN IS A MERMAID. Copyright © 2018 by Jessica Love. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Using words sparingly, Julián is a Mermaid captures the colorful expansiveness of our imaginations when given free rein.

Starred reviews – Horn Book, Kirkus, Publishers Weekly, School Library Journal

About the author: Jessica Love is an illustrator and Broadway actress. She has a BA in studio art from the University of California, Santa Cruz, as well as a graduate degree from Juilliard. She lives in New York.

 

• Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting,Christine@Write-for-Success.com

 

Read another recent review by Christine Van Zandt here.

 

 

 

 

 

This Is It Written and Illustrated by Daria Peoples-Riley

THIS IS IT
by Daria Peoples-Riley
(Greenwillow Books/HarperCollins, $17.99, Ages 4-8)

is reviewed today by Cathy Ballou Mealey.

 

Cover image from This Is It by Daria Peoples-Riley

 

Starred Review – School Library Journal

When a young dancer hesitates nervously at the studio audition door, her mirror-shadow self comes to life to encourage, support and reassure her in This Is It, a charming debut from author-illustrator Daria Peoples-Riley.

“Look at me,” commands a tutu-clad shadow, hands on her hips. The young girl, stiff and uncertain, looks askance but listens to the shadow’s message about challenge, confidence and poise. Slowly, the girl stretches, bends, leans and finally embraces the shadow’s exhortations. “Listen to the hum of your heart’s song,” says the shadow and reminds her to hear the melodies that flow from her elbows to her knees.

The delightful pas-de-deux, girl and shadow, pass together through a grey, concrete cityscape where bridges, staircases and sidewalks accentuate the opportunity for movement and energy. Red, green and pink shrubbery soften the silent, stiff buildings, while the curves of splashing fountains and smoky vents echo the dynamic pair’s swirling, twirling exuberance.

Peoples-Riley employs a mixture of free-verse and concrete poetry that showcase the strength and grace of the young dancer in definitive, certain terms. Moving in deliberate, thoughtful progression, the phrases carefully build up the young dancer’s inner confidence and ultimately celebrate her beautiful self-expression. While the shadow keeps all the spoken lines, it is the girl who ultimately shines in the triumphant, starring role.

Most young dancers become accustomed to studying their reflections in the dance studio mirror. This Is It will inspire them to look for a supportive, encouraging shadow that has also been with them every step of the way, both in and out of the spotlight.

 

  • Reviewed by Cathy Ballou Mealey

Where obtained: I reviewed a copy from my local library and received no other compensation. The opinions expressed here are my own.

 

Young readers who enjoy books about ballet and dance may also enjoy:
A Dance Like Starlight, Firebird and Swan: The Life and Dance of Anna Pavlova

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The Bad Seed written by Jory John and illustrated by Pete Oswald

THE BAD SEED
Written by Jory John
Illustrated by Pete Oswald
(Harper Collins Children’s; $17.99, Ages 4-8)

 

 

Starred Review – School Library Journal

After reading The Bad Seed  written by Jory John with illustrations by Pete Oswald, I truly appreciated its deep message about the value we place on ourselves and others based on behavior.

Here’s where the review gets interesting though; while this is a children’s picture book geared towards ages 4-8; I feel it’s also a great book for older kids and even adults!

Younger kids, especially in the world we live in today, know the power words hold over someone. When reading to a younger crowd, as a teacher, I would explain that words like “bad” and “good” are labels. We all make mistakes sometimes. Why is the seed labeled this way? For older children the book serves as a reinforcement of what they hopefully know to be true, there’s always room for self-growth.

The story follows a little sunflower seed who loves his family dearly on their Sunflower head home. As the seeds scatter when it’s nature’s time for them to drop off the beloved plant, they become separated.

 

Int_art_p14_BadSeed

The Bad Seed Text copyright © by Jory John 2017 Illustration copyright © by Pete Oswald 2017

 

Our once loved and happy seed protagonist quickly becomes traumatized by events beyond his control (such as a man at a baseball game nearly swallowing him and then being spit out- with a permanent crack in his once whole shell!) The seed isn’t so happy anymore and is convinced that he is bad (something anyone with trauma in their life can relate to, as it is often the victim left feeling at fault).

He begins to act out by deciding “not to care anymore” which he does by not listening to others, lying, and not washing his hands, among other things. But what our dear seed needs desperately, is for someone to connect to. To see his cracks and accept him, showing him that he can be whole again from the inside out. Children often act out when they need help, and our little seed is a perfect example of someone needing intense care.

He eventually tires of his “bad” behavior and starts working on being “good” again. I say these words in quotes because the truth is none of us lives in a world of black and white/good or bad people. It requires constant awareness to make positive choices to be your very best self and not let a label define you.

We never know someone else’s background- their own unique make-up and history, so labeling them as “bad” or “good” means that we miss out on why they are behaving that way to begin with. With children especially, curiosity goes a long way in sorting out behavior that doesn’t work. We are all moving through each moment trying to meet needs. Some strategies we try are better than others, and The Bad Seed, through both its humorous art and prose, illustrates that beautifully. Pete Oswald’s expressive and whimsical illustrations truly capture the emotions of this little seed in a way many children can relate to so they can instantly guess at how he is feeling.

I recommend this book as a tool to show that we never know what someone else has been through. Being curious, asking questions, and offering kindness before judging and criticizing would be best whenever possible in life.

  • Reviewed by Ozma Bryant

 

 

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The Wonderling – An Interview With Author Mira Bartok

THE WONDERLING
Written and illustrated by Mira Bartók
(Candlewick Press; $21.99, Ages 10-14)

Read Our Author Q & A Today
&
Attend a Book Signing on Friday, 11/10 in West Hollywood
Scroll down to find out more! 

 

The Wonderling by Mira Bartok cover image


SUMMARY:


The Wonderling, written and illustrated by Mira Bartók and soon to be a major motion picture, garnered a great amount of attention, and deservedly so, even before the book deal was done. Reminiscent of classic literary odysseys and the best of contemporary fantasy, with a sprinkling of steampunk, The Wonderling opens in a thrillingly dreadful orphanage for young groundlings – part creature, part human. In this Home for Wayward and Misbegotten Children, all pleasures, especially music, are forbidden. But the hero of the story, a young one-eared fox-like groundling yearns for friendship and love. All he has is a half memory of a special song that will lead him to his destiny. After staging a daring escape with the help of a small mechanical bird, Trinket, the Wonderling sets off on a glorious adventure through forests and wild country, to the shiny city of Lumentown, ruled over by the High Hats, where he will discover the mysterious Songcatcher and unlock the secrets of his past.

Written in stunning prose and decorated with Mira’s exquisite illustrations, The Wonderling is a hugely enjoyable and original fantasy filled with vivid and eccentric characters and a plot that twists and turns. You will find echoes of King Arthur, of Dickens, of Kenneth Grahame; you will find brave mice in armor, and giant crows that terrorize the skies; you will find innocence, humor, hope, and ultimately triumph.

GOOD READS WITH RONNA INTERVIEWS MIRA BARTÓK:

GRWR: Can you please speak to the world building you so brilliantly created for The Wonderling – did you have certain places and buildings in mind when you wrote the novel and drew the map?

BARTÓK: The settings I created for the book came from various places—books, images online, dreams, my imagination, and travel. I probably gleaned the best ideas from looking at Gustav Doré’s images of 19th century London and Henry Mayhew’s 19th century descriptions of London’s poor. Peter Ackroyd’s Biography of London was also essential, as was actually walking about in that wonderful city. I also spent many hours looking at maps from classic children’s books and in library archives. The feeling of Gloomintown, the City Below the City, came from a combination of re-reading Dickens’s Hard Times, looking at old engravings of London’s sewer system, and studying Doré’s illustrations of Dante’s Inferno. A crazy mix!

GRWR: I’m thrilled there’s going to be a second book because I cared about your characters, well the good ones anyway! Who did you have the most fun imagining and why?

BARTÓK: I definitely had the most fun writing about Quintus, my Fagin/Artful Dodger Rat groundling! Mostly because he’s funny, he loves to make up songs (therefore, I get to make up his lyrics), and he’s complicated. He’s a thief, a rogue, and an opportunist, but he’s also a really good guy.

GRWR: In addition to sharing a strong sense of hope and tolerance, your story also touches upon the power of dreams. Do dreams influence your writing?

BARTÓK: I can’t even begin to tell you how much! Sometimes entire scenes are mapped out in my dreams. I have very epic dreams populated with many different kinds of creatures. If only I could sleep all the time and have some machine transmit my dreams directly into books, I’d probably finish my books sooner!

GRWR: The Wonderling gives a voice to the marginalized. I especially liked when Arthur, who was marginalized himself as a groundling, befriended Peevil, the mouse and Trinket, the bird. Was that one for all and all for one teamsmanship one of your intentions?

BARTÓK: Not really. I knew Arthur would make one good friend, but I had no idea he would make so many. I realized half way through writing the book that part of his journey is learning that he has friends who have cared about him all along.

GRWR: Wire, Miss Carbunkle, Sneezeweed, Mardox the manticore and even His Excellency the powerful White Hat, were so vivid and nasty, yet so unique in character. How difficult was it to create the villains?

BARTÓK: Easy as pie! I lOVE creating villains! But Miss Carbunkle was harder to write about since she has more of a backstory. She is and will continue to be the most complex villain, therefore she is the most interesting and difficult to write about. She will transform a little in Book Two, and her character will deepen in surprising ways. The Man with the White Gloves and Wire are really sociopaths and will continue to be nasty little fellows in Book Two. And I will, I am sure, have a ball writing about them!

GRWR: What is it about the Victorian era that interests you?

BARTÓK: I think that era appeals to me because I see such a parallel between the Industrial Revolution and all the problems we are going through today. And in London, things were exceedingly hard for children, women, immigrants, and the poor. When I read about the nightmarish working conditions for children in the coal pits during that time, and how horrible living conditions were for poor immigrants living in Spitalfields, it’s hard not to think of the sweat shops of today, or the global refugee crisis, and the rise in homelessness. The Victorian Era was also a time of great and wondrous technological inventions, just like today. And like today, people often didn’t think of the ramifications of the technology they created, for better or for worse.

GRWR: Quintus, your Fagin of sorts, is an intriguing individual. What can a character like him bring to the story for young readers who may not be familiar with any Dickens?

BARTÓK: I think he can bring a sense that some characters who do bad or illegal things aren’t always bad through and through. Sometimes there’s a good reason for their misconduct. And there’s also room for them to change and grow.

The Wonderling author Mira Bartók Photo Credit: Doug Plavin

Mira Bartók, Photo Credit: Doug Plavin

AUTHOR BIO:
Mira Bartók is a writer and artist whose New York Times best-selling memoir,
The Memory Palace: A Memoir,
won the National Book Critics Circle Award for Autobiography.
The Wonderling is her first novel for young readers.
She lives in Western Massachusetts.

MEET MIRA BARTÓK THIS FRIDAY IN WEST HOLLYWOOD!

Mira Bartók discusses and signs The Wonderling at Book Soup on November 10th

Event date:  Friday, November 10, 2017 – 7:00 p.m.
Event address: Book Soup
8818 Sunset Boulevard
West Hollywood, CA 90069

Below is an abbreviated schedule of upcoming appearances. Find a full listing of Bartók’s events on her website.
· Monday, November 13 in Portland, OR: Public book reading and signing at 7 p.m. at Powell’s Books at Cedar Hills Crossing, 3415 SW Cedar Hills Blvd., Beaverton, OR 97005
· Saturday, December 2 in New Salem, MA: New Salem Town Library reading and signing event from 2-4 p.m. at Swift River School, 149 West St., New Salem, MA 01355
· Wednesday, December 13 in Northhampton, MA: Local author series event from 7-8:45 p.m. at Forbes Library, 20 West Street, Northampton MA 01060

HERE ARE MORE HELPFUL LINKS:
· Q&A
· Discussion guide 
· Chapter sampler
· Author video

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