skip to Main Content

Kids Picture Book Review – Go, Girls, Go!

GO, GIRLS, GO!
Written by Frances Gilbert
Illustrated by Allison Black
(Beach Lane Books; $17.99, Ages 3-6)

 

go girls go book cover

 

Who said transportation stories are just for boys? Doubleday Books for Young Readers Editor-in-Chief Frances Gilbert never did, and her new picture book, Go, Girls, Go! proves it. This energetic rhyming story with its bold and bright artwork puts girls behind a wealth of wheels to inspire future Danica Patricks, Sally Rides and Molly Williamses.

 

GoGirlsGoIntArtPg3

Interior artwork from Go, Girls, Go! written by Frances Gilbert and illustrated by Allison Black, Simon & Schuster BYR ©2019.

 

A dozen diverse and spirited drivers, pilots, motorcyclists and more demonstrate that girls get a kick out of things that go Wooo!, Whirr! and Toot! just the same as boys do. And who knows what future vehicles might strike their fancy when they see themselves positively depicted on the pages of this picture book? Gilbert’s written about girls conducting trains, operating giant cranes and flying planes because anything and everything is possible, especially when powered by girls.

 

GoGirlsGoIntArtPg4

Interior artwork from Go, Girls, Go! written by Frances Gilbert and illustrated by Allison Black, Simon & Schuster BYR ©2019.

 

What I especially enjoyed about Go, Girls, Go! was the anticipatory page turns that had me wondering what would come next in terms of rhyme, sound effectsVroom! Hoot! Clank!types of transportation and of course, the illustrations. I immediately found myself repeating “Go, Girls, Go!” with as much enthusiasm as a preschooler. In other words, be prepared for multiple, lively read-alouds because this is not a quiet book. It’s also a celebration of girls moving over from the more passive passenger seat and taking control, and that’s something to shout about.

 

GoGirlsGoIntArtPg5

Interior artwork from Go, Girls, Go! written by Frances Gilbert and illustrated by Allison Black, Simon & Schuster BYR ©2019.

 

Allison Black’s cheerful, graphic-style illustrations complement Gilbert’s entertaining and fast-paced rhyming prose. Youngsters will happily follow the visuals while learning the words because the modes of transportation are easily identifiable and the rhythmic language is easy to memorize. What a fun way to get excited about things that go Roar! Honk! and Crunch! So make tracks to your local bookseller and get a copy to help your child’s imagination soar.

  • Reviewed by Ronna Mandel

Follow Frances Gilbert on Twitter @gogirlsgobooks

Follow Allison Black on Twitter @allisonblackart

Click here to read a guest post by Frances Gilbert about using rhyme in Go, Girls, Go!

 

Share this:

Editor and Author Frances Gilbert on Rhyming Picture Books

 

A GUEST POST

ON THE CRAFT OF RHYMING PICTURE BOOKS

BY EDITOR

&

GO, GIRLS, GO! AUTHOR

FRANCES GILBERT

 

 

Today I’m happy to share an enlightening post on craft by Doubleday Books for Young Readers Editor-in-Chief, and Go, Girls, Go! author, Frances Gilbert. Many picture book authors face a challenge when writing in rhyme. Does the meter work? Does the rhyme feel forced? Is the story best told in rhyme? Frances offers helpful insights into her approach from both sides of the editor’s desk so please read on.

 

ON RHYMING PICTURE BOOKS BY FRANCES GILBERT

I’ve been a children’s book editor for over 25 years and one of the most common reasons I reject picture book manuscripts is that they rhyme badly. So why, for my first foray into writing a picture book myself, would I choose to write Go, Girls, Go! in rhyme??! Rhyming, we’re so often told – by editors, by agents, by fellow writers – is not encouraged. Bound to fail, hard to translate. But I love rhyming books. I love reading them, and I love publishing them. Turns out, I love writing them too.

The number one mistake in rhyming texts is when the rhyme overwhelms the story rather than serving the story. The monotony of a 32-page story all told in the same rhythm can wear a reader down after a few pages. As an editor, I often start these submissions thinking, “Okay, let’s see if this can be sustained . . .” and after a few stanzas say, “Oh please stop. I can’t do this anymore.” The sing-song-y-ness of “dah-duh dah-duh dah-duh, dah-dah” in line after line pummels a reader with sameness. It also encourages authors to make terrible word choices: odd or forced descriptions or line endings because that last word HAS. TO. RHYME. My test: Extract a line out of your rhyming text and ask yourself if you’d write it the same way if it DIDN’T have to rhyme. If the answer is no, it’s a bad line. The rhyming has to feel effortless.

Effortless AND creative. Listen to the “Hamilton” soundtrack. I know it’s a high bar, but learn from how Lin-Manuel Miranda wrote an entire musical in tight, creative rhyme full of variety and rhythm changes and surprises and cleverness and word-play delights. Internal rhymes, humorous rhymes, break-outs into a different rhythm altogether. A surprise around every corner. Now imagine if all two hours and forty-five minutes of “Hamilton” had been “dah-duh dah-duh dah-duh, dah-dah.” That’s not a ticket you’d have paid $300 for.

 

GoGirlsGoIntArtPg3

Interior artwork from Go, Girls, Go! written by Frances Gilbert and illustrated by Allison Black, Simon & Schuster BYR ©2019.

 

I broke “Go, Girls, Go!” into four primary sections, each one showcasing three girls, their vehicles, and the sound of their vehicles. It starts: “Emma drives a fire engine, / Meg conducts a train, / Jayla steers a big red tractor hauling loads of grain.” Those lines alone are not breaking any creativing writing boundaries. It’s a pretty standard A-B-B rhyme scheme. Had the rest of my text been in the same rhythm and rhyme scheme, it could have gotten old quickly. But my next two scenes actually don’t rhyme at all; they introduce the sound words and, after another page turn, end in a rallying cheer: “Vroom! goes Emma. / Hoot! goes Meg. / Clank! goes Jayla! / Go, girls, go!” The break from rhyming in these scenes, while still maintaining a bouncy rhythm, gives the reader a different reading experience for a few pages before launching into the next set of girls.

 

GoGirlsGoIntArtPg4

Interior artwork from Go, Girls, Go! written by Frances Gilbert and illustrated by Allison Black, Simon & Schuster BYR ©2019.

 

This is the pattern for four sets of girls, and then for the finale we break into a different rhythm and rhyme scheme, A-A-A-B this time: “Girls can race and girls can fly. / Girls can rocket way up high. / What about you? Give it try! / Go, girl, go!” It gives the reader an indication that the book is approaching a crescendo, and then it lands on one final cheer on the last page (which doesn’t rhyme with anything).

 

GoGirlsGoIntArtPg5

Interior artwork from Go, Girls, Go! written by Frances Gilbert and illustrated by Allison Black, Simon & Schuster BYR ©2019.

 

Frances Gilbert photo courtesy of Lance Ehlers

Photo of Frances Gilbert by ©Lance Ehlers

Did I plan this structure deliberately ahead of time? No, I just wrote it. But I followed this mantra the entire time: “Don’t bore your reader. Don’t wear your reader down. Let the rhyme serve the story.”

I was grateful that reviewers picked up on this: Booklist called the rhyming “propulsive”, which is the best descriptor I could have hoped for, with the style of the rhyme matching the forward-moving vehicles in the book. And Kirkus said, “With repeated readings, pre-readers will be reciting the words on their own,” which thrilled me, because rhyming can help kids quickly get the hang of reading along if the rhythm grabs them. And that leads to repeated readings, which is the test of any good picture book.

So don’t be afraid of writing in rhyme, but please remember: “Don’t bore your reader. Don’t wear your reader down. Let the rhyme serve the story.”

 

Follow Frances Gilbert on Twitter: @GoGirlsGoBooks 

Click here to read more about Frances in an SCBWI Kite Tales interview by Christine Van Zandt.

Come back tomorrow (Wednesday) for my review of Go, Girls, Go!

Share this:

Kids Picture Book Review – Mr. Scruff

MR. SCRUFF

Written and illustrated

by Simon James

(Candlewick Press; $16.99, Ages 3-7)

 

MrScruff book cover

 

Junior Library Guild Selection

In this heartwarming story about companionship, award-winning author and illustrator Simon James shows readers that you don’t have to be perfect to find your perfect fit. Mr. Scruff tells the story of a large, scruffy dog who had no one until he finds his certain someone, even if it’s someone that may not have been initially considered the perfect match.

 

MrScruff int.1

MR. SCRUFF. Copyright © 2019 by Simon James. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA on behalf of Walker Books, London.

 

The  story opens in a park setting of fall colored leaves and happy people walking their children and pets. Running ahead on the grassy pathway is a little dog named Polly, with her curly hair and red ribbon on top of her head. We turn the page and see a woman walking Polly in a stroller, who also has curly hair and a red ribbon on top of her head. “She belongs to Molly.” Simon’s illustrations clearly show that these two are visually quite the match.

They say dogs start looking like their owners and that is definitely the case with the dogs we meet. (My own dog Bailey had red hair matching my husband’s!) Eric, hairless, with his nose pointed in the air, is on a leash crossing the street with a hairless man. “He belongs to Derek.”

“But who’s this? It’s Mr. Scruff …” We find the unkempt bottom heavy beige dog with a long face sitting alone inside a cage surrounded by a dog bed, a bowl and a toy ball. The next room shows the vet with a small boy and his small dog.

 

MrScruff int 2

MR. SCRUFF. Copyright © 2019 by Simon James. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA on behalf of Walker Books, London.

 

Page after page of adorable artwork in ink and watercolor with a warm Quentin Blake quality introduces readers to various dogs whose names and features resemble their beloved owners. “But things are looking rough for poor old Mr. Scruff. Wait a minute! Who’s this?”

The seemingly sad story of Mr. Scruff takes a positive turn when an unsuspecting new character is introduced. He is small, not big; black not beige; young not old and his name does not rhyme with Mr. Scruff. But “They seem to like each other.” The boy, Jim, and his parents know Mr. Scruff “needs a place to call his very own and that is what matters.”

This poignant story of companionship is a super fun read with its uplifting rhymes. The drawings and story left me with a smile on my face, demonstrating that we can always find friends that are both similar and not so similar. Teachers and parents alike can share the message that we are surrounded by a whole world of people who may look different than us, but who still may be our most perfect companions. Jim gave Mr. Scruff a chance and together they became an absolutely perfect fit! And what happens to the little dog named Tim and scruffy, old Mr. Gruff? Shhh! You have to read the book to find out …

  • Reviewed by Ronda Einbinder

 

Read a review of another picture book about friendship here.

 

 

Share this:

Halloween Picture Books 2019 – A Roundup

BEST NEW PICTURE BOOKS FOR HALLOWEEN

A ROUNDUP

PART 3

free clip art pumpkin

 

 

Skulls book coverSKULLS!
Written by Blair Thornburgh
Illustrated by Scott Campbell
(Atheneum BYR; $17.99, Ages 4-8)

For Halloween or any day for that matter, Skulls! will entertain young readers with its eye-opening facts and fun watercolor illustrations featuring oblong faces and childlike representation.

Blair Thornburgh’s hit the nail on the head with this unique picture book that introduces kids to an important part of the human body via an adorable young narrator. Made up of twenty-two different smaller bones, the skull accounts for “about 10 percent of our body weight” but we often don’t think about it. When we do, as Thornburgh points out so perfectly, it’s absolutely amazing, kind of gross and thoroughly entertaining.

We tend to take for granted how a skull is “like a car seat for your brain,” keeping it safe and in place. It’s also actually full of holes otherwise it would be so much heavier. “But most important of all: skulls are not trying to be scary.” Once kids learn about all the cool skull-related things shared in Skulls!, they’ll probably want to share them with you, especially the jaw and mouth ones. And when they do, they’ll probably ask for a grilled cheese sandwich which means they’ve learned something. After they’ve eaten they’ll probably thank you for helping their “skull grow hard and strong.” In turn, you can use your mandible bone and connecting muscles to smile.

Happy Halloween Pirates book coverHAPPY HALLOWEEN, PIRATES!
Written by W. Harry Kirn
Illustrated by Inna Chernyak
(Clever Publishing; $12.99, Ages 3 and up)

Happy Halloween, Pirates! is a large-sized, kid-friendly, 18-page lift-the-flap board book that’s a rollicking, rhyming read aloud for Halloween. Toddlers will love hearing the story then peeking under the flaps to see what treasures the illustrator has buried beneath.

Shiver me timbers! A pirate crew receives an invitation via crow to a Halloween party. The action starts immediately as they and assorted pirate ship creatures (a cat, some mice) plan their costumes.

Next the pirates go ashore to have some fun with friends galore. They find the haunted party house and join in the festivities. Whoa! The kids who invited their sea-faring pirate pals surprise them by dressing up as pirates themselves on board a mini pirate ship! Between the flowing rhyme, the interactivity of the flaps and the vibrant artwork, children will stay entertained this Halloween as they play with and say Happy Halloween, Pirates! And who doesn’t enjoy a pirate party?

Ghastly Ghosts Book CoverGHASTLY GHOSTS
Written by Teresa Bateman
Illustrated by Ken Lamug
(Albert Whitman & Co.; $16.99, Ages 4-8)

My level of manageable frightening can be found in Ghastly Ghosts. This pleasing and well paced rhyming picture book starts off by setting a Halloweenish mood, but the main character, Old Dave, refuses to be scared by the moaning noises emanating from coal shed. The rhyme works wonderfully in moving the story forward with a subtle upbeat vibe so as not to make little ones’ (or my) hair stand on end. The art style is appealing with a lovely palette that also keeps the fright level slight.

Old Dave wishes for some company as it gets lonely up in the middle of nowhere which is exactly where he lives. But alas, no one goes out on a night so dark and freezing, and if they do it’s not to the place where a ghostly choir can be heard loudly saying, “Ghastly ghosts in the old coal shed!” Oh how I admire Old Dave’s guts. Rather than cower at the scary sounds, our hero faces off with the spirits who he reckons might also enjoy the warmth of his cottage once he replenishes his coal supply. Still more of the “Ghastly ghosts …” chorus erupts, but they’re interrupted by brave Old Dave. “I know. I do. I’d like to bet you’re cold ghosts too.” Together with the ghosts, Old Dave’s coal pail gets filled and everyone is welcome in his now warm and cozy place. “In fact, they’re quite good company. His friendless nights are history.”

clever little witch book coverCLEVER LITTLE WITCH
Written by Muon Thi Van
Illustrated by Hyewon Yum
(Margaret K. McElderry Books; $17.99, Ages 4-6)

Clever Little Witch is more of a sibling tale than a Halloween one, but since witches abound during this season, it still feels appropriate to share. Plus Thi Van has written a story that will definitely resonate with older kids who’d like nothing more to get rid of their younger siblings.

In this charming picture book narrated by Little Linh, we learn instantly from her that she’s “the cleverest little witch on Mãi Mãi Island” if she does say so herself! She tells us what she needs which are a broomstick, a book of spells and a rare and magical pet. What she doesn’t need is an annoying baby brother who does things like ride her broom without asking, chew pages from her spell book or use her magical mouse “as a flashlight.” Yup, the little guy’s gotta go!

Baby Phu is offered around by his older sister, but no one on the island has any desire to take her little bro off her hands. Nope, not the troll, not the forest fairy queen and not the Orphanage for Lost and Magical Creatures. Youngsters will get a huge kick out of these scenes when the reasons why Baby Phu is rejected are explained. The troll, for instance, got hiccups from the last baby brother he ate.

When Little Linh turns to her magical book of spells she sees that “Baby Phu had eaten half the spell.” Clever as she was, she could certainly figure out what the rest was and transform her brother into a goldfish. When the spells go awry and she creates first a frog, then a seal and finally a dragon that steals her wand, things are not looking good. The story’s heroine chases the dragon on her broom. But when the dragon’s tail accidentally knocks down the broom and Little Linh begins falling, guess who comes to her rescue before she crashes to the ground? YESthe dragon, much to her surprise! Does the dragon stay a dragon or does he turn back into Baby Phu who becomes more appreciated? Ahh, you’ll have to visit Mãi Mãi Island to see for yourself! Hyewon Yum’s illustrations of acrylic gouache and color pencil are full of energy. The variety of colors she uses exudes a warm and happy feeling with every page turn. What a sweet, humorous and imaginative sibling story to share with kids!

Ginny Goblin Cannot Have a Monster cvrGINNY GOBLIN CANNOT HAVE A MONSTER FOR A PET
Written by David Goodner
Illustrated by Louis Thomas
(HMH BYR; $17.99, Ages 4-7)

Starred Review – Kirkus Reviews

Ginny is a force of nature and, though perhaps not the best role model for children, will definitely make them laugh and maybe even answer back to the narrator speaking right to them, and that’s just what an ideal read aloud like Ginny Goblin Cannot Have a Monster for a Pet should do.

As I read this picture book, the follow-up to Ginny Goblin is Not Allowed to Open This Box, I thought about a little girl some 22 years ago. No matter what her parents told her, she’d do the opposite. I always worried about her, but she’s actually doing great now that she got all those wild escapades out of her system … and a horse as a pet.

What’s so fabulous about this story is that Ginny’s crazy antics ultimately get her just what she wanted in the first place which is a goat, a non-monsterish pet unlike all the unbelievable others she goes in search of page after riotous page to drive her point home. Whether it’s on a beach where the narrator hopes “she’ll find a tropical fish, or a cute little hermit crab,” Ginny always has something else in mind and goes for it. In one case that means going into the deep, dark sea in a submarine seeking a kraken. We’re reminded that krakens “are unfathomable monsters, and Ginny Goblin cannot have a monster for a pet.” I can just hear the kids at story time repeating that phrase and loving it.

So what do you suppose happens next? You guessed it, as will young readers. Down she goes into a cave in search of a dragon. That sized pet won’t fit in a house will it? So of course Ginny’s taken to a forest where birds who make great pets live. Ha! Instead Ginny catches a basilik, but a magical pet isn’t the answer either. If you think she’s done thinking about getting a monster for a pet because she’s distracted by a visit to a space museum, think again. Ginny commandeers a rocket to outer space where an acid-spitting alien is on her agenda but not the narrator’s.

Goodner skillfully brings the readers and Ginny back to Earth where the idea of a pet like a goat is suddenly looking a lot better than it originally did! Paired with Thomas’s whimsical gouache and pen-and-ink artwork, Goodner’s prose take youngsters on an amusing and mischievous  journey that will delight them and anyone lucky enough to read the story to them.

  • Reviewed by Ronna Mandel

 

Read another Halloween Books Roundup here.

 

Share this:

Boo! New Halloween Books for Kids 2019 – A Roundup

BEST NEW HALLOWEEN BOOKS FOR KIDS

∼ A Roundup ∼

Part 1

 

Free Halloween clip art Pumpkin

 

 

Halloween Kitty Book CoverHALLOWEEN KITTY (A Wag My Tail Book)
Written and illustrated by Salina Yoon

(Little Simon; $7.99, Ages 3 and up)

Award-winning creator Salina Yoon captures your little one’s attention with this adorable children’s board book, Halloween Kitty (A Wag My Tail Book). The orange and white tabby has a sturdy orange felt tail that little hands can easily move by pulling a tab or touching the tail itself. The cute kitty wants to find a friend but the animals she encounters are all too busy. Luckily, her persistence pays off. This 12-page book is suitable for preschoolers on up. Even adults will feel drawn to zen-like pleasure of wagging the tail. Makes a great party gift!

 

Give Me Back My Bones coverGIVE ME BACK MY BONES!
Written by Kim Norman
Illustrated by Bob Kolar
(Candlewick Press; $16.99, Ages 4-8)

Give Me Back My Bones! reminds me of a modern version of the “Dem Bones” song—you know, “the toe bone’s connected to the heel bone.” However, Kim Norman’s picture book changes the story from a spiritual to a fun romp at the ocean bottom where a stormy night has scattered a skeleton’s bones. Her smart rhyme summons the reader to “Help me find my head bone, / my pillowed-on-the-bed bone, / the pirate’s flag-of-dread bone— / I’m scouting for my skull.”

Kids will unwittingly learn a bone’s name and function as they seek the bones—some are being absconded by various creatures. The lively beat of the lines is fun to read aloud as the skeleton is pieced back together until, once again, ready to set sail.

Bob Kolar’s art expands the playfulness of the book; bones seem to glow against a muted backdrop of ocean water. Sea critters lend a friendly fin, tail, or tentacle. I like how the skeleton, true to pirate fashion, has a peg leg in place of one of its tibia bones.

Don’t forget to peek under the jacket for a full-length “bone-rattling” poster. This extra detail elevates the book from a great read to one you’ll want to buy.

 

Bunnicula 40th Anniversary Edition coverBUNNICULA: 40TH ANNIVERSARY EDITION
Written by Deborah Howe and James Howe

Illustrated by Alan Daniel
(Atheneum Books for Young Readers; $10.99, Ages 8-12)

As much as I love Halloween, the classic story of Bunnicula had somehow eluded me. But, a pet rabbit who may be a vampire sounded irresistible and I was not disappointed. The book pulls you right in from the Editor’s Note (explaining how the manuscript was delivered to her door by a “sad-eyed, droopy-eared dog”) to first-person narration by Harold, the Monroe’s family dog. We soon discover that the problem is a new edition to the family: a black and white bunny found in the movie theater showing a Dracula movie.

Harold already shares the household with Chester the cat. Adding another animal takes some adjusting but weird things start happening to vegetables. For example, a tomato turns white and seemingly has teeth marks! As Harold and Chester try to solve this mystery, we discover the true charm of this book is crafty elusion. Is Bunnicula a vampire rabbit? What do you think?

This 40th anniversary pocket-sized edition has a plush red velvet cover and an Introduction by James Howe about the story’s origins and various renditions over the past four decades. Throughout, Alan Daniels’s art enlivens the story with humor and detail. At the end, best-selling authors Max Brallier, Holly Black, and Dav Pilkey share their personal experiences about this book. Bunnicula has six popular sequels and a spin-off series Tales from the House of Bunnicula and Bunnicula and Friends.

Click here for a link to last year’s Halloween Books Roundup.

Share this:

Kids Picture Book Review – Piranhas Don’t Eat Bananas

PIRANHAS DON’T EAT BANANAS
Written and illustrated by Aaron Blabey
(Scholastic Press; $14.99, Ages 3-5)

 

Piranhas Don't Eat Bananas cover

 

Channel your inner Australian and read Aaron Blabey’s silly picture book Piranhas Don’t Eat Bananas with an accent so the words “piranhas” and “bananas” rhyme. It’s worth the effort for the laughs you’ll receive from your child. You see, Brian the friendly looking piranha has a taste for bananas, much to the chagrin of his carnivorous buddies. Actually, Brian’s appetite encompasses quite a variety of fruits and vegetables. When he gleefully asks, “Well, I bet you’d like some juicy plums?” The others set him right: “That’s it Brian! We eat bums!” (Americans, we’re talking about butts here.) Kids will howl over this line and the accompanying illustration.

 

piranhas int3 from Piranhas Don't Eat Bananas

Interior spread from Piranhas Don’t Eat Bananas written and illustrated by Aaron Blabey, Scholastic Press ©2019.

 

 

The art throughout is humorously exaggerated and expressive with the abundance of white skillfully allowing the fish to be the focus. Happy-go-lucky Brian’s just not dissuaded from wanting to share his vegetarian tendencies, while the other piranhas make it toothily clear that they’re meat eaters.

 

piranhas int illustration8

Interior spread from Piranhas Don’t Eat Bananas written and illustrated by Aaron Blabey, Scholastic Press ©2019.

 

Details make this book stand out in my mind. The front and end papers’ factual information about piranhas and bananas come with a twist. For example, the list of what piranhas eat includes “old ladies who were just in the wrong place at the wrong time” and “little children who’ve actually been pretty good”—unless they get lucky and run into Brian instead.

Aaron Blabey is the award-winning and New York Times best-selling author of the Pig and Pug picture-book series, and The Bad Guys middle-grade series (movie adaptation in development with Dream Works Animation).

Share this:

Best Back-to-School Books 2019 Part Three – A Roundup

 

BEST BACK-TO-SCHOOL BOOKS 2019

∼ A ROUNDUP ∼

PART THREE

 

Back-to-school free clipart of backpack

 

 

The Pigeon HAS to Go to School! coverTHE PIGEON HAS TO GO TO SCHOOL!
Written and illustrated by Mo Willems
(Hyperion Books for Children; $16.99, Ages 4-7) 

When I was the target age for a book like The Pigeon HAS to Go to School!, if I scraped my knee or bumped my head, my dad would examine the injury and say, “Oh no. We’re going to have to amputate!” It worked every time, turning my tears to belly laughs. Similarly, in this most recent addition to the popular series kicked off by Don’t Let the Pigeon Drive the Bus, Mo Willems tackles first day of school fears with Pigeon’s slightly subversive wit and my dad’s effective approach: identify the worst-case scenario and demonstrate how silly and ridiculous it is.

Pigeon hints he’s worried even before the title page, ordering the reader, “WAIT! Don’t read that title!” After all, why should Pigeon have to go to school? He already knows everything. Also, he’s not a morning person. And if he learns too much — his head might pop off! Looking and feeling very small on the page, he finally admits he’s scared. “The unknown stresses me out, dude.” What is he worried about? “Why does the alphabet have so many letters … Will FINGER PAINT stick to my feathers?” Or the one that really gets me: “What if the teacher doesn’t like pigeons?”

Like other books in the series, the illustrations are spare, with large blocks of pastel colors. All the words belong to Pigeon and are delivered in prominent speech bubbles in a large hand-lettered Courier-style font. There are opportunities for interaction; I can already picture my favorite two-year-old responding to Pigeon’s command, “Go on — ask me a question. Any question!” and then giggling proudly when the next page shows Pigeon is stumped. Pigeon eventually reasons out why school will be okay, but in a fun finish, he really feels it when he realizes how he’s going to get to school: a bright yellow … bus!

pigeonpresents.com

 

Take Your Pet to School Day coverTAKE YOUR PET TO SCHOOL DAY
Written by Linda Ashman
Illustrated by Suzanne Kaufman
(Random House BYR; $17.99, Ages 3-7)

“Enough!” says Mr. Paul. “It’s clear —

these animals should not be here.

Now, why would someone change this rule?

Pets do NOT belong in school!”

If the music teacher, the art teacher, the school librarian, and even the principal of Maple View School didn’t change the rule to allow pets in class, who did? Author Linda Ashman answers that question in Take Your Pet to School Day, but only after chronicling the rowdy behavior of the animal visitors. The lively, easy-to-read verse can be a fun way to start a conversation about why we need rules at school.

Suzanne Kaufman depicts both the human and animal populations at Maple View in colors that feel vibrant, soft, and warm at the same time. The illustrations are full of variety and detail. Kids will find children of every skin and hair color and enjoy inspecting their clothes in pastel solids and rainbow stripes, their high tops and cowboy boots and sneakers. The pets include the expected cat, dog, and bunny, as well as the unexpected: a turtle, a hedgehog, and even an entire ant farm. It’s an adventure just to find the hamster, who rolls somewhere new in its wheel on each page. I can’t recommend taking your pet horse to school, but I heartily recommend Take Your Pet to School Day.

 

I'm Trying to Love Math coverI’M TRYING TO LOVE MATH
Written and illustrated by Bethany Barton
(Viking Books for Young Readers; $17.99, Ages 4-8)

As someone who loves math and wants kids to love it, too, I approach I’m Trying to Love Math with caution. Is math going to get a bum rap in this book? The narrator starts off by saying, “If you ask me, math is not very lovable. I know I’m not alone here either. 4 in 10 Americans hate math.” Worried, I study the pie chart right beneath the dreaded “H” word. Sixty percent of the pie is a bright wash of green labeled “YAY MATH!” and adorned with hearts. Forty percent is lemon yellow with “BOO MATH!” above a broken heart. Meanwhile, an adorable purple alien pops up in the corner and asks, “Did you just use math to explain how much you don’t like it?”

What a relief! I can see we’re in good hands here. I’m Trying to Love Math provides a variety of awesome answers to the age-old question: “When will I ever use math in real life?” Baking cookies? Check. Making music? Check. Exploring Earth and other parts of the universe? Check and check. After fun illustrations of ice cream and ships and electric guitars and cash registers⁠—and a whole page of pi⁠—the narrator comes to the conclusion that “math is a part of so many things I already love … I guess I don’t need to try to love it at all. It turns out … I already do.” I recommend this book to all math lovers, especially the ones who think they are haters.

•Reviewed by Mary Malhotra
Share this:

Illuminating New Kids Board Book – You Are Light by Aaron Becker

YOU ARE LIGHT
by Aaron Becker
(Candlewick Studio; $15.99, Ages 4-8)

You Are Light board book cover art

 

Starred ReviewsKirkus Reviews, School Library Journal

In Aaron Becker’s You Are Light, the 16-page board book’s inspirational poem is integrated with twelve quarter-sized die-cut translucent circles. These brightly colored circles ring a flower-like sun. While beautiful on its own, the book literally illuminates when held to the light. With each page turn, some disks become holes (perfect for small fingers!), until the sunset subsides to a moonlit scene.

int art and text from You Are Light by Aaron Becker

YOU ARE LIGHT. Copyright © 2019 by Aaron Becker. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

You Are Light’s rhyming text explains how light interacts with the world and, in conclusion, how “This light is you. And you are light.” This book will thrill young readers and be sought after repeatedly for its “wow” factor and because the simple words resonate upliftingly.

You Are Light by Aaron Becker int illus and text

YOU ARE LIGHT. Copyright © 2019 by Aaron Becker. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Aaron Becker is the Caldecott Honor-winning author-illustrator of the Journey trilogy and of A Stone for Sascha.

 

 

Share this:

Kids Book Review – There Was An Old Gator Who Swallowed a Moth

THERE WAS AN OLD GATOR WHO SWALLOWED A MOTH
Written by B. J. Lee
Illustrated by David Opie
(Pelican Publishing; $16.99, Ages 0-5)

 

There Was an Old Gator Who Swallowed a Moth book cover art

 

You know that fab feeling you get when you hear a good joke and notice the corners of your mouth pushing out a huge smile? Well that’s also the feeling you and your children will get when reading B. J. Lee’s boisterous new book, There Was An Old Gator Who Swallowed a Moth with illustrations by David Opie. Yes, all it takes is one hungry alligator to get the action going in this Florida-animals-themed variation of the beloved cumulative rhyme There Was an Old Woman Who Swallowed a Fly and reminiscent of kidlit fave, A Fly Went By.

Soaking up the sun and minding his own business, the titular gator finds a winged visitor has landed on his snout. You can guess what happens but still be teased to read on.

“There was an old gator who swallowed a moth.
I don’t know why he swallowed the moth.
It made him cough.”

 

int illustration from There Was an Old Gator Who Swallowed a Moth

Interior illustration from There Was an Old Gator Who Swallowed a Moth written by B. J. Lee and illustrated by David Opie, Pelican Publishing ©2019.

 

int art of pelican from There Was an Old Gator Who Swallowed a Moth

Interior illustration from There Was an Old Gator Who Swallowed a Moth written by B. J. Lee and illustrated by David Opie, Pelican Publishing ©2019.

 

Gator then goes on to swallow a crab (I mean it did give him a jab!) And the slew of Sunshine State creatures eventually eaten also includes an eel, a ray, a pelican (see above), a panther, and a manatee. Opie’s illustration of ALL the animals squished inside gator’s stomach is spot on and one of my faves, but the one above where there’s still some room gives you a good idea of the vibe going on. While reading the book, be sure to take note of the expressions and body language depicting how no one wants to be anywhere near crab’s pinching claws.

 

int illustration from There Was An Old Gator Who Swallowed a Moth

Interior illustration from There Was an Old Gator Who Swallowed a Moth written by B. J. Lee and illustrated by David Opie, Pelican Publishing ©2019.

 

You may think that when the gator swallows the shark his tummy will be full, but no, he and Lee don’t stop there and that’s exactly why the (belly) laughs will linger with every page turn. What a humorous way to learn about survival of the fittest in a Florida setting!

 

interior illustr from There Was an Old Gator Who Swallowed a Moth

Interior illustration from There Was an Old Gator Who Swallowed a Moth written by B. J. Lee and illustrated by David Opie, Pelican Publishing ©2019.

 

This guy’s just greedy enough and silly enough to gulp down the entire lagoon which pushes him beyond capacity if you get my drift. In a series of hysterical illustrations that work wonderfully together with Lee’s terrific tale, it’s conveyed how totally stunned and slightly repulsed the ejected animals are. And if the above artwork doesn’t hint at a whopping “Get ready! I’m about to go gator-wild!” I don’t know what will!

Share this fun story with anyone you know who loves a rip-roaring read aloud and watch the grins grow along with the gator’s gut.

  • Reviewed by Ronna Mandel

 

 

 

Share this:

Kids Books – Celebrate With Pippa’s Passover Plate by Vivian Kirkfield

PIPPA’S PASSOVER PLATE
Written by Vivian Kirkfield
Illustrated by Jill Weber
(Holiday House; $17.99, Ages 4-8)

 

book cover illustration by Jill Weber from Pippas Passover Plate by Vivian Kirkfield

 

I’m always happy to welcome a new picture book with an original take on the holiday into the mix of Passover stories. Today I’m reviewing Vivian Kirkfield’s charming Pippa’s Passover Plate with illustrations by Jill Weber so you’ll have time to pick up a copy to read before and during your family’s upcoming Seders.

The premise of this read aloud tale told in rhyme is that Pippa the mouse cannot locate her Seder plate, a plausible predicament even for humans! The pressure’s on because this concerned pip squeak must find the plate before sundown and the start of her Seder (the traditional annual ritual where people of Jewish faith gather with friends and family to eat, read, share stories and celebrate the liberation of the Israelites from slavery in ancient Egypt).

 

Pippas Passover Plate by Vivian Kirkfield int illustration in kitchen by Jill Weber

Interior spread from Pippa’s Passover Plate written by Vivian Kirkfield with illustrations by Jill Weber, Holiday House ©2019.

 

Kirkfield clearly has fun with the verse and her meter is spot-on throughout the book:

“Pippa climbs up on a chair,
stretches up–the cupboard’s bare!
Teetor-totter–hold on tight!
Weeble-wobble–what a fright!”

At the start of her search, Pippa asks Sphinx the cat if it’s seen the plate. After no luck there, Pippa is told to try Snake. Each time she must approach an ominous new creature, Pippa is filled with dread, and the following repeating and repeatable refrain …

“Quiver! Quaver!
Shiver! Shake!”

… adds to the page turn appeal of the story since the little mouse must face her fears in order to find the missing plate. Her potential predators, however, don’t seem to want to do her harm.

When Owl wisely suggests that Pippa “question Golda Fish” (great name btw), it seems an easier, less scary task to undertake. Weber’s wonderful artwork here in addition to elsewhere in the book complements the text where Golda is described as quite enchanted with herself. Since a mirror isn’t available, a brass Seder plate in which she can admire her reflection is apparently the next best thing. I love Weber’s palate of all shades of yellow, a cheerful color to counter any feelings of danger when Pippa meets Sphinx, Snake and Owl. How the plate landed in the lake is up for debate so why not ask your child? I’m sure they’ll spin some wild tales. The good news is that Pippa can now prepare the Seder.

No longer fearful of the animals, Pippa invites them all to her Seder and the story ends with a frame-worthy illustration of the Seder plate, and the special food that goes on it. I do wish there had been one page of back matter that included a description of what each of the six food items represents in relation to Passover. Nonetheless that’s easily found online and the majority of readers will know and can explain that to their children. For teachers planning to read Pippa’s Passover Plate to a class, I recommend having this information on hand for inquiring minds. It also couldn’t hurt to include info on what matzo is and why a piece of it gets hidden during the Seder since it’s mentioned on the second to last page when the friends are gathered together to celebrate the holiday.

 

Pippas Passover Plate by Vivian Kirkfield with art by Jill Weber Seder Plate art

Interior artwork from Pippa’s Passover Plate written by Vivian Kirkfield with illustrations by Jill Weber, Holiday House ©2019.

 

I recommend this adorable picture book which provides the perfect opportunity to discuss Passover traditions, especially for little ones ages 3-6 who will find Pippa’s plight engaging and most enjoyable. Happy Passover!

  • Reviewed by Ronna Mandel

 

Find a Passover book review from last year by clicking here.

 

 

Share this:

100 Bugs! A Counting Book by Kate Narita & Flying Deep by Michelle Cusolito

100 BUGS! A COUNTING BOOK
Written by Kate Narita
Illustrated by Suzanne Kaufman
(Farrar, Straus and Giroux, $17.99, Ages 5-7)

&

FLYING DEEP:
Climb Inside Deep-Sea Submersible ALVIN
Written by Michelle Cusolito
Illustrated by Nicole Wong
(Charlesbridge Books, $17.99, Ages 5-9)

 

are reviewed today by Cathy Ballou Mealey.

 

Sharpen your math and science observation skills with two new, detail-packed STEM-rich picture books from debut authors.

100 Bugs: A Counting Book by Kate Narita cover artIn 100 BUGS! A COUNTING BOOK, two young summer explorers aren’t bugged by insects at all. They are on a seek-and-find counting quest from the pond to the field to the forest and everywhere in between. Armed with a butterfly net and magnifying glass, the daring duo discover and count an astonishing variety of interesting insects. Narita employs bouncy repetitive couplets to keep the mathematical and entomological journey moving at a quick pace in increasing sets of ten.

Kaufman’s bright, colorful collage-style art is engaging and cheerful, adeptly including an impressive accumulation of bugs throughout every page. A beautiful array of wildflowers and plants are also featured, complementing the detailed and intricate insects. Kaufman adds lots of birds and animals as well as an enthusiastic dog who follows the children on their adventures. With so much visual interest, young readers will be captivated. Notes at the end provide additional information on the insects and plants, making this a great STEM book selection. 

cover art from Flying Deep: Climb Inside Deep-Sea Submersible ALVINIn FLYING DEEP readers will imagine an underwater journey of exploration with the pilots of ALVIN, a deep-sea submersible. Their mission is to observe and analyze creatures and structures from the depths of the ocean floor, and to collect samples for further research at the surface. Cusolito uses a narrative logbook structure, inviting readers to ponder practical and procedural questions as if they are one of the crew members. What might you eat? How will you breathe? What will you see? Exciting discoveries and the possibility of danger raise the stakes for readers who will soak up this immersive science adventure.

Digital illustrations from Wong enrich this tale with incredible scenes from inside and outside the ALVIN. Realistic details abound, including the amazing variety of sea life and the riveted, technical components of the ALVIN itself. Wong uses light to her advantage, balancing sunlight and ALVIN’s spotlights above and below the ocean surface to focus attention on the stunning discoveries. A glossary, resources for further reading and notes from the author and illustrator round out this unique, informative book.

 

100 BUGS and FLYING DEEP were both recipients of starred reviews from Kirkus!

        • Reviewed by Cathy Ballou Mealey

Read another recent #Epic18 review by Cathy here.

Where obtained: I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.

Good Reads With Ronna occasionally provides links to shop at Once Upon a Time bookstore with whom we partner monthly to share a Wednesday What We’re Reading post. GRWR blog and its reviewers receive no compensation for any titles sold via this independent bookstore, but we do hope you’ll choose a local option when making your next purchase.

Share this:

It’s Hippos Go Berserk! For World Read Aloud Day 2018

This little hippo was all alone until …

 

Cover image for Hippos Go Berserk!

 

 HOORAY! ON THIS 2018

WORLD READ ALOUD DAY

HERE IS ONE OF MY FAVORITE

READ ALOUD STORIES:

HIPPOS GO BERSERK!

Written and illustrated by Sandra Boynton

 

I know, I know, there are SO many Sandra Boynton books that beg to be read aloud including Moo, Baa, La La La!The Going to Bed Book, Barnyard Dance! and Blue Hat, Green Hatin fact I still can recite many of them after first reading them over 20 years ago. But Hippos Go Berserk!  has a special place in my heart because both my children adored it and would not let me donate it when they grew too old for picture books. My copy is from 1996 although the book was first published in 1977.

When I think about what makes a story great to read aloud, I think about readability. Is the story easy for a parent, teacher, caregiver or child to read or do words slow them down? Can people take turns reading or pretending to be the characters? Are the pictures depicting some readily understood interpretation of the text? Does the book make you feel good when reading it? Is there fun repetition or engaging language? Can kids anticipate what comes next? Anyone looking at me reading Hippos Go Berserk!, even as an adult, will see a huge grin appear on my face after turning from page one to page two.

“One hippo, all alone, (page one)
calls two hippos (page two)
on the phone.” (page three)

So simple you may think, but the artwork Boynton’s created speaks volumes. First there’s a sad, lonely hippo on page one who decides to make a phone call to two friends. The mood of the story changes with just a flip of the page! Things are looking up.
The bonus is that it’s also a counting story which will hook kids who are eager to see where Boynton is taking the tale. Her hippos’ eyes and posture convey such a range of emotion that youngsters will want to linger on every page to make their assessment of everyone the hippo has invited and NOT invited over. The illustration of five hippos that arrive overdressed cracks me up every time I see it. Will they be invited in to join the other guests? Are they too posh for the crowd or will they fit right in? Help kids count how many hippos have come over, and they’ll be amazed how quickly the initial two friends who were called have now multiplied. Soon word is getting out that a cool party is underway and a big reason why eight hippos sneak in the back. Seeing them tiptoe softly, with one trying not to giggle too loudly, is part of Boynton’s brilliance. Until at last …

ALL THE HIPPOS GO BERSERK!

The letters are deliberately in all caps, and the bold type invites readers to use an outside voice. The scene is wild. The joint is jumping and hippos everywhere are having a blast, except maybe the ones hired to serve the hors d’oeuvres. With so much zaniness going on, Hippos Go Berserk! will be read over and over again, each time with some new discovery being made in the party spread. Soon kids will know the story by heart, helped by the rollicking rhyme and whimsical artwork. The all-night party must come to an end and before you know it even “The last two hippos go their way.” Somehow though, readers aren’t disappointed because there’s hope that the lone hippo, sitting by the phone just like when the book began, will inevitably pick up the receiver and make another call.

I don’t know if, all those years ago when I first read Hippos Go Berserk!  to my children, I knew that Boynton wrote this delightful story when she was a student at the Yale School of Drama, but now I completely understand why her hippos are so darn dramatic not to mention adorable!

 

  • Reviewed by Ronna Mandel

 

 

 

Share this:

Witch-Themed Halloween Picture Books Roundup

WITCH-THEMED HALLOWEEN BOOKS ROUNDUP

 

Goblin Hoodgoblin-hood
Written by Sue Fliess
Illustrated by Piper Thibodeau
(Grosset & Dunlap; $3.99, Ages 3-5)

In this Halloween-themed rhyming picture book, Goblin Hood and the gremlins of Scarewood Forest work together year-round making candy. “In the forest of Scarewood, where gremlins made sweets, a creature named Goblin Hood guarded their treats.”

Everything is going well . . . until a witch swoops by, stealing the candy and turning the gremlins against Goblin Hood. Silly illustrations depict the witch directing gremlins to bag it all up and load it on her broom while she reclines on a mountain of candy, feasting on the spoils.

Lurking outside, the Halloween hero of Scarewood Forest, Goblin Hood, plans. Soon, he leaps into action, capturing the witch using licorice, taffy, and gum stashed in his pack.

Goblin Hood reprimands the witch, “You’ll have to make up for the things you did wrong. And help make the Halloween treats all year long.” Not a bad deal for the witch.

The morale of the story: work together while fostering friendships—even with candy-stealing witches. And, don’t disappoint those cute trick-or-treaters on Halloween night.

Piper Thibodeau’s vivid, funny illustrations in Goblin Hood are a treat for a young child with a sweet tooth and sense of humor.


grimelda-the-very-messy-witchGrimelda: The Very Messy Witch
Written by Diana Murray
Illustrated by Heather Ross
(Katherine Tegen Books; $16.99, Ages 4-8)

In Grimelda: The Very Messy Witch, Grimelda wants to make pickle pie, but cannot find her pickle root. “She used her broom to fly, not sweep. Her floors had dirt six inches deep.”

Clever wordplay leads us through Grimelda’s house as she searches for the missing ingredient. We discover her scream cheese spread and rot sauce, but no pickle root—not even in the swamp out back where she finds last summer’s bathing suit.

As any cook knows, it’s critical to use right ingredient. Grimelda flies over to the general store where, alas, pickle root is sold-out and, “All Baby Dragon Sales Are Final.”

Reluctantly, Grimelda sweeps up. When the clutter clears, along with the pickle root, she discovers her long-lost comb. Finally able to untangle her locks, another surprise enables her to return her house to disarray. “Grimelda breathed a happy sigh. At last, she’d make that scrumptious pie!” Or, will she . . .

Heather Ross’s ingenious illustrations show a spider sneaking off throughout with the pickle root—sure to be a favorite with kids who notice subtly hidden pictures. Grimelda: The Very Messy Witch provides a wealth of images for young readers to explore.

hubble-bubble-the-super-spooky-fright-nightHubble Bubble, The Super-Spooky Fright Night
Written by Tracey Corderoy
Illustrated by Joe Berger
(Nosy Crow; $6.99, Ages 6-9)

Hubble Bubble, The Super-Spooky Fright Night, the first book of a new middle-grade series, contains three stories: The Super-Spooky Fright Night, Teddy Trouble, and Granny Makes a Splash. On the opening pages, we are introduced to Pandora and her witchy grandmother, Granny Crow whose ideas are, well, “just a bit . . . different.”

The tales follow Pandora and Granny Crow from Halloween party with musical broomsticks to birthday party where stuffed animals talk, and, finally, on a delightful school trip at a swimming pool. With each occasion, we find Granny ready with her wand, casting spells to help out: “It was time to liven things up a bit, Granny style!” Of course, her well-meaning ways have funny consequences.

Joe Berger’s illustrations on every page make the book visually bewitching. Black, white, and orange ink enlivens the text with color. The abundance of images may help advance picture-book readers to chapter books with these visual clues.

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

Co-editor of and writer for SCBWI’s Kite Tales https://SCBWIKiteTales.wordpress.com/

 

Share this:

dear Dragon by Josh Funk

DEAR DRAGON
Written by Josh Funk
Illustrated by Rodolfo Montalvo
(Viking BYR; $16.99, Ages 4-8)

starred review – Kirkus Reviews

 

dear-dragon-cover-image

 

Back in the olden days when kids still wrote letters, I had a pen pal named Melanie Vafiades from London. I never met her so for all I know she could have been a dragon like George’s pen pal in dear Dragon (I mean don’t most dragons live there?), or perhaps she was a unicorn (England’s full of enchanted forests, right?). I’m all for active imaginations and making new friends sight unseen which is exactly what author Josh Funk’s new picture book inspires. Kids’ll love the premise of this endearing story that pairs human students (unbeknownst to them but not their teachers) with dragons as pens pals.

 

interior-spread-1-from-dear-dragon

Interior artwork from dear Dragon by Josh Funk with illustrations by Rodolfo Montalvo, Viking Books for Young Readers ©2016.

 

Between Funk’s cheerful, well-paced rhyming text (the students were told to put their correspondence in verse) and Montalvo’s light-hearted, inviting illustrations, readers will get a strong sense of how the two main characters grow from being reluctant about having to actually write something to someone they don’t know, and do it in rhyme no less, to discovering interesting things about each other over the course of the assignment.

 

interior-spread-2-from-dear-dragon

Interior artwork from dear Dragon by Josh Funk with illustrations by Rodolfo Montalvo, Viking Books for Young Readers ©2016.

 

The illustrations capture how George, the human, and Blaise, the dragon, innocently interpret the descriptions in each other’s letters based on their personal paradigms. Consider George’s science project volcano (see first image above) as compared to Blaise’s real one, or George’s backyard cardboard fort (see second image) versus Blaise’s and you’ll get the point both author and illustrator have humorously driven home. As the two students continue to write, readers will notice the degree of familiarity increase with every new letter. What ensues when our earthbound boy and his new flying, fire-breathing friend ultimately meet up in person can only be described as pure positivity in picture book form. Funk’s story presents the perfect opportunity to reinforce the important message that you simply cannot judge a book by its cover, although the cover of dear Dragon is pretty darned adorable!

  • Reviewed by Ronna Mandel

 

Visit Josh Funk’s website here.
Visit Rodolfo Montalvo’s website here.

 

Share this:

Best Children’s Books for Father’s Day Roundup

BEST FATHER’S DAY BOOKS ROUNDUP 2016

 

This year there are more fab Father’s Day books than I’ve ever seen before so I found it rather difficult to narrow down my favorites to just a few.  Here are some of this year’s Father’s Day books I recommend.

 

Hammer And Nails Book CoverHammer and Nails
Written by Josh Bledsoe
Illustrated by Jessica Warrick
(Flashlight Press; $17.95, Ages 4-8)
Josh Bledsoe wrote this story about my husband, or at least he could have because the father in Hammer and Nails (love the wordplay in this title) has a heart of gold with a touch of pink. When his daughter’s playdate plans fall through, it’s dad to the rescue, declaring a daddy daughter day. The pair agree to trade off on completing their lists of activities they’d intended to do before things changed.

If you’ve ever known a father to play dress up with his daughter and even agree to have his hair and nails done, you’ll find that guy here, bonding beautifully with his child. At the same time, the dad asks his daughter to step outside her comfort zone to pound some nails into loose boards on their fence amongst other chores. “Princess, sometimes things you’ve never done end up being fun. Try it.” Everything about Hammer and Nails is fun and upbeat from Warrick’s silly scene of a laundry fight to daddy and daughter getting down with some celebratory moves. With each new page turn, this book will fill young readers with the joy of experiencing quality and creative time spent with a caring dad.

Beard in a BoxBeard_in_a_Box by Bill Cotter Book Cover
Written and illustrated by Bill Cotter
(Knopf BYR: $17.99, Ages 4-8)
Just when you think you’ve seen every kind of Father’s Day book, Beard in a Box arrives! A boy who is convinced the source of his dad’s coolness and power is his beard, decides it’s time to grow one of his own. Only he can’t, despite multiple imaginative efforts. Lo and behold, what should happen to be on TV while this lad is despairing his lack of facial hair – a commercial touting the amazing kid-tested, dad-approved Beard in a Box from SCAM-O. This simple five-step program appeared to work and there were all kinds of bristles available -from the Beatnik to the Biker, the Lincoln to the Santa. What the commercial failed to say was that after following all the required steps, the user had to wait 10-15 years to see results.

When little dude tells his dad how he was ripped off, he notices his father’s beard is gone. Can that mean his dad has lost his coolness? Maybe not with Cotter’s clever examples proving you can’t judge a dad by his beard! The hilarity of Beard in a Box begins with the cover and continues all the way through to the endorsements from satisfied Beard in a Box customers on the back cover: “Don’t take more than the recommended dose. Trust me on this.” – Bigfoot A not-to-miss new read for Father’s Day or any day you need a good laugh or your child yearns for a five o’clock shadow.

Dad SchoolDad_School book cover
Written by Rebecca Van Slyke
Illustrated by Priscilla Burris
(Doubleday BYR; $16.99, Ages 3-7)
Kids go to school to learn their ABCs so when a little boy’s dad says he also went to school, the youngster figures it had to be Dad school. Van Slyke and Burris have teamed up again after last year’s hit, Mom School, to bring readers a glimpse of all the skills a father must acquire to parent successfully.

“At Dad school, I think they learn how to fix boo-boos, how to mend leaky faucets, and how to make huge snacks …” There is a lot of wonderful humor in both the text and artwork that will not be lost on parents reading the story aloud, especially the parts about dads learning how to multi-talk or their failure to learn how to match clothes, brush hair, and clean the bathroom. Dad School is totally entertaining from start to finish, only I wish it hadn’t ended so soon. I loved the little boy’s imagination and am certain your kids will, too.

 

Monster_and_Son book coverMonster & Son
Written by David LaRochelle
Illustrated by Joey Chou
(Chronicle Books; $16.99, Ages 2-4)
Here’s a fresh take on Father’s Day, a look at the father/son dynamic from all kinds of monsters’ point of view. Filling the pages of this wild ride are yetis, werewolves, dragons, serpents and skeletons sharing their own special, often “rough and rowdy” type of love.

Chou’s visuals are modern. They feel bold and imaginative with colors perfectly suited for a monstrous read. LaRochelle has written Monster & Son using well-paced rhyme that adds to the various father/son activities featured on every page. Whether stirring up waves for a game of catch or frightening off a knight coming to the aid of a damsel in distress, these monster dads all have one thing in common, and though it may be giant-sized, it undeniably love.

 

The Most Important Thing: Stories About Sons, Fathers, and GrandfathersThe_Most_Important_Thing by Avi book cover
Written by Avi
(Candlewick Press; $16.99, Ages 10 and up)
This collection of seven short stories is sure to move middle grade readers and make them think about their own relationships with their fathers and grandfathers. According to the jacket flap, what the stories have in common is that they each explore the question: “What is the most important thing a father can do for his son?” Each story features a new character facing a different situation.

Stories flows easily one to the next meaning they can be read in one sitting or just one at a time. I’ve chosen three to highlight here. In the book’s opening story, Dream Catcher, Paul is an 8th grader who feels disconnected from his father. When circumstances require him to spend a week of school break with his estranged grandfather in Denver, Paul begins to understand the demons that have plagued his grandfather and caused the estrangement. Both Paul and his grandfather work together to forge a new relationship leaving the reader with hope that Paul’s father and grandfather may too at last be reconciled.

Beat Up introduces Charlie who has plans to attend a church dance despite a friend’s warning that gangs may be present. Though the dance goes off well, Charlie gets surrounded by a gang then beat up on his way home, only to be chastised by his unforgiving father for having pretended to be hurt and knocked out rather than fighting back and putting himself at greater risk. “Biderbiks don’t cry” is what Charlie’s dad believes, but Charlie is clearly not a coward for having sought a safe solution to his assault. Beat Up is a powerful tale of a son’s courage to speak up in the face of his father’s unjust fury.

Departed deals with the accidental death of Luke’s father before their camping trip that shakes up a family. When what appears to be the father’s ghost remains around the apartment, Luke realizes what he must do with his father’s ashes to set his soul free, and thus come to terms with his father’s passing. While there are not always happy endings, there are certainly realistic, satisfying, and sometimes heart wrenching conclusions offering much to learn from the various young men’s approach to life and the father/son dynamic.

Papa Seahorse’s SearchPapa_Seahorses_Search book cover
by Anita Bijsterbosch
(Clavis; $14.95, Ages 1-4)
A sturdy lift-the-flap counting book about a Papa Seahorse looking everywhere for his missing little seahorse. Numbers introduced range from 1-10 and the cast of characters making appearances behind and in front of the assorted flaps include a colorful puffer fish, sea turtles, angelfish, sea snake, crabs, a sea anemone, jellyfish, octopuses and shrimp. This book will provide interactive fun for pre-schoolers and toddlers alike.

 

Superhero_Dad by Timothy Knapman book coverSuperhero Dad
Written by Timothy Knapman
Illustrated by Joe Berger
(Nosy Crow; $15.99, Ages 3-7)
Kids will relate to the main character’s über admiration for his father in this rhyming read-aloud, Superhero Dad. Though not a new concept, the idea of a dad who can make a super breakfast though he’s only half awake, or make monsters disappear, is one that is always appealing to children. Coupled with comic book styled artwork, and a definitely cool die-cut cover, this humorous take on what qualities qualify for superhero-dom is a fast paced, fun read that is sure to please for Father’s Day.

 

Gator DadGator_Dad by Brian Lies book cover
Written and illustrated by Brian Lies
(Houghton Mifflin Harcourt; $17.99, Ages 4-7)
If you’re looking for something original, this is it. The father in Brian Lies’ Gator Dad knows how to show his kids a good time and that’s evident on every wild and wacky gator-filled page. Intent on squeezing in the most fun a day can offer with his three gator kids, Gator Dad can make roaming aimlessly in the park an adventure, make bath time the best time, and make bed time stories come alive. It’s obvious this dad gains the greatest joy giving his gator-all in everything he does with and for his children.

 

Additional recommended books include:

Be Glad Your Dad…(Is Not an Octopus!) 
Written by Matthew Logelin and Sara Jensen
Illustrated by Jared Chapman
(Little Brown BYR; $16.99, Ages 2-5)

Tell Me a Tattoo Story
Written by Alison McGhee
Illustrated by Eliza Wheeler
(Chronicle Books; $16.99, Ages 3-5)

  • Reviewed by Ronna Mandel
Share this:
Back To Top
%d bloggers like this: