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Meet Bug on the Rug Author Sophia Gholz and Illustrator Susan Batori

∼ BUG ON THE RUG BLOG TOUR ∼

 

AUTHOR SOPHIA GHOLZ

&

ILLUSTRATOR SUSAN BATORI

DISCUSS THEIR NEW PICTURE  BOOK

BUG ON THE RUG

(Sleeping Bear Press; $17.99, Ages 4-8)

 

 

Bug on the Rug cover

 

 

SUMMARY FROM PUBLISHER:

BUG ON THE RUG – Pug is snug on his rug. But what happens when along comes BUG?! With a claim to the rug?! The two engage in a hysterical, rhyming battle of wits and strength until Slug asks the necessary questions and helps them find common ground. Rhyming is an important developmental reading skill. It teaches phonics (decodable text) and helps young readers infer content. This is a fun story to build those skills–and is an epic read-aloud!

 

INTERVIEW WITH SOPHIA GHOLZ:

Welcome to GoodReadsWithRonna, Sophia!  I’m excited to have you as my guest to learn more about your wonderful new picture book BUG ON THE RUG.

GoodReadsWithRonna: I’ve read that as a child you enjoyed horses. I’m curious where pugs fit into the big picture—was it the rhyming potential, their utter adorableness, or something else?

Sophia Gholz: Thanks, Ronna! I’m excited to be here to celebrate BUG ON THE RUG with you.

I often referred to myself as a “barn rat” as a kid and spent as much time with horses as I could. To this day, the smell of a farm still feels like home. While there were always barn cats, dogs, and a slew of other characters in the mix, there weren’t any barn pugs, unfortunately. My love of little dogs actually came about in adulthood. When I lived in New York City, I had a Brussels Griffon who everyone mistook for a pug. I just adore little foofy pooches and their giant personalities. But pug love aside, the true inspiration behind this book is my younger brother. I have lovingly referred to my little brother as Bug for his entire life. I feel very lucky to call him one of my best friends. But much like Pug and Bug, it took my brother and me a long time (and a few trials) to reach best friend status.

 

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Interior spread from Bug on the Rug written by Sophia Gholz and illustrated by Susan Batori, Sleeping Bear Press ©2022.

 

GRWR: Are you a plotter or a pantser? If you’re a plotter, did you know the whole story before you set out to write it? If you’re a pantser, what was it that motivated you to tell this story and keep at it?

SG: I’m a total panster. I find that if I plot out a story then the story no longer feels fresh and exciting for me. I like to write as a reader—learning something new with each page turn. So, I go off feeling, emotion, and what story I want to read in that moment. This often means heavy (and I mean, HEAVY) revisions later. But that initial excitement and mood is what I try to capture in the first draft and that same feeling is what keeps me going. With that said, I do a lot of mental pre-plotting and generally have a sense of where I want the story to go before I begin. I do sometimes start writing and realize I’m going in the completely wrong direction and have to start over. In those cases, I end up working out some plot issues or character problems before I really get going. But aside from the occasional false start, I don’t usually write anything out before I begin.

 

GRWR: Did you have as much fun, any LOL moments, writing this story as I had reading it?

SG: My goodness, yes! I had SO much fun writing this book. Like I mentioned above, I try to write as a reader and don’t really plot ahead of time. So, as those words were coming out, I was giggling along as the voyeur. One of the most fun moments I had while writing this was when Pug rethinks his day. I had a great time coming up with a ton of absurd things Pug might have done during his daily routine.

 

GRWR: I adore a rollicking rhyming read-aloud like yours. Does rhyming come easily for you?

SG: Thank you! Rhyme has always felt natural to me. When I began writing years ago, my first picture book manuscripts were mostly in rhyme. However, I admit that I wasn’t a trained rhymer. Once I really began digging into the varying rules of rhyme and meter, I grew very afraid. I was so scared that I’d unintentionally blow it that I fully stopped rhyming. It’s taken me a few years of practice and determination to come full circle with a rhyming text, and I couldn’t be happier. Rhyme is so much fun to play with and write!

 

GRWR: You have two new books, both humorous although one is nonfiction. What do you enjoy most about writing in each category?

SG: You know, I don’t really see them as different categories when I write. For me, I try to write nonfiction the same way I write fiction. The only difference is that I have preexisting pieces of the puzzle when I write nonfiction. But I like to write each with the mentality of just having a fun or interesting story to tell. That said, I do enjoy all the cool facts I learn while researching nonfiction subjects. Education never ends!  

 

GRWR: Sophia, this book is an uproarious and engaging approach to teaching phonics to children eager to learn how to read. Was that always your intention or did it just happen organically?

SG: When I first heard BUG ON THE RUG referred to as a great learning tool for emergent readers, I was so happy … and surprised! I did not initially have this in mind when I wrote the book. For me, it was about reading these words out loud and having a ton of fun. I’ve always enjoyed playing with sounds, alliteration, and tongue twisters. This book is a bit of an ode to that. But I understand how important teaching phonics in fun ways is, especially as I’ve helped my own little kiddos learn to read. With that in mind, I truly hope young readers have a great time with this book.

 

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Interior spread from Bug on the Rug written by Sophia Gholz and illustrated by Susan Batori, Sleeping Bear Press ©2022.

 

GRWR: Susan’s art captures both the heart and humor of your story. What did you think when and if you saw sketches or finished art? Which is your favorite spread and why?

SG: I am obsessed with Susan’s art! OBSESSED. Fun fact: I’d been eyeing Susan’s work online for a while and was a big fan before we worked together. So, I was thrilled when Sleeping Bear said they thought she would be a great fit for this manuscript. When I saw the initial sketches, I was flipping out. Seriously. Susan’s art is hilarious! Plus, she completely surprised me in the best of ways. For example, I originally envisioned Pug inside his home when I wrote the book. But Susan created the setting outside, and it made so much more sense. Susan added her own hilarious spin to this manuscript, and I feel so lucky to have worked with her. I think my favorite spread is probably the last page. Pug’s expression is priceless!

 

GRWR: What do you hope young readers will take away from BUG ON THE RUG?

SG: Humor aside, this book is ultimately about empathy, sharing, and taking ownership of our actions. I hope readers can see themselves here and know that people can have disagreements, but still be friends. Owning our mistakes is difficult. But it’s important to be able to put ourselves in the shoes of others, just as it’s important to learn to forgive and move on.

GRWR: What can we expect next?

SG: I’d love to see more of Pug and his friends! In the meantime, A HISTORY OF TOILET PAPER (AND OTHER POTTY TOOLS), illustrated by Xiana Teimoy, is a humorous nonfiction picture book that’ll roll into bookstores this August. Everything else is still top secret for now. Stay tuned!

GRWR: Thank you, Sophia. It’s been delightful chatting with you. I wish you and Susan much success with BUG ON THE RUG.

 

INTERVIEW WITH SUSAN BATORI:

Welcome to the blog, Susan, and congrats on your latest picture book! I adored DON’T CALL ME FUZZYBUTT! which I also reviewed here so I’m thrilled to have this opportunity to ask about your art in BUG ON THE RUG.

GoodReadsWithRonna: I immediately noticed the lovely European-like city and snow-capped mountains in the distance. Did you set this story in Budapest where you live and if so, why? 

Susan Batori: Sadly there are no snow-capped mountains in Budapest. Originally, the story written by Sophia, was set in a small Swiss town. That is why I drew small, red roof European-ish houses and you can find a cable car which is often seen in Switzerland. The story was rewritten later but we decided to keep the drawings with the Swiss landscape.


GRWR:
When you read Sophia’s manuscript, what were your thoughts about how you wanted to illustrate the story?

SB: When I read Sophia’s manuscript I fell in love with it at the first glance. I felt this is my story too because I love the funny and witty tales, these are very inspiring and so easy to illustrate. After reading the manuscript I immediately saw the pictures, compositions, and the characters in my head. There was a little challenge because of the disparity of sizes of the pug and the bug, but I hope I solved it well.

 

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Interior art from Bug on the Rug written by Sophia Gholz and illustrated by Susan Batori, Sleeping Bear Press ©2022.

 

GRWR: What medium did you use to create the illustrations and was there anything about the story that influenced your decision? 

SB: I work on a computer and a digital tablet. I love them because they make my work much easier and the publishers like it too. It makes work simple. Besides I can imitate the aquarell feeling, paper textures, and the brush strokes. My digital illustrations are often mistaken for a “real” drawing.

 

GRWR: What is your process like from when you receive a new manuscript to submitting final art? 

SB: After reading the manuscript I use the internet for finding help about the characters or the background. In this case, I started to search pug videos. I try to figure out what kind of things make a pug a pug, or a slug a slug. I mean how they move or sit, what their colors are, what if I draw a smaller nose or shorter legs to them … etc. This is a very useful activity and it entertains me. So I start sketching the characters and show them to the client. Next, I design the composition of the pages and with the publisher, we try to find the best solutions. Then I am ready for coloring where I try to deliver some kind of atmosphere or feeling. In this book, I wanted to illustrate a summer-mountain feeling with a lot of greens. If everyone is happy with the colored pages I send them to the art director. That’s all. Easy peasy. 🙂

 

GRWR: The dynamic of the character interaction cracks me up, especially when slug shows up. Was any particular character, Pug, Bug, or Slug, especially fun to work with? 

SB: Haha! Yes, Slug is really a funny character. It was interesting because in each book I illustrated there was a character who was my favorite but here all three were my favorites. They have their own humorous personality.

 

GRWR: I loved your art in Robin Newman’s DON’T CALL ME FUZZYBUTT!, and love it here, too. I see a common thread of a humorous conflict and sweet resolution in both stories. Do you enjoy illustrating humorous picture books? Are there any challenges you must consider?

SB: Aww, thank you! Somehow I am very good at illustrating feelings, especially humorous actions and facial expressions. I just LOVE working on hilarious books or stories, and drawing funny animals is my favorite job. It makes me happy and I believe if I am happy while I am working on these, the children will be happy too while they are reading them. 

I wouldn’t be a good illustrator without humour. 

 

Bug on the Rug int Pages16
Interior spread from Bug on the Rug written by Sophia Gholz and illustrated by Susan Batori, Sleeping Bear Press ©2022.

 

GRWR: Do you have a favorite spread?

SB: Sure!

The first page when Pug hugs his rug, I find it so cute.

Then there is the “rug-fight” scene. This is the most dynamic page in the book.

And I just love the very last page when everyone is on the rug. I think that is very funny.

 

GRWR: Any plans to write and illustrate your own books?

SB: I have a few ideas but there is no time for them … yet. 😉

THANK YOU FOR THE GREAT QUESTIONS!

GRWR: Thank you for making us smile!

 

BIOS:

Sophia Gholz Headshot
Courtesy of Sophia Gholz

Sophia Gholz is a children’s book writer, music lover, avid reader,
and the award-winning author of The Boy Who Grew a Forest and
Jack Horner, Dinosaur Hunter! She lives in Orlando, Florida.

Website: www.sophiagholz.com
Twitter: @sophiagholz
Instagram: @sophiagholz
Facebook: www.facebook.com/sophiagholzauthor 

 

 

 

Susan Batori Headshot
Courtesy of Susan Batori

Susan Batori’s books include Don’t Call Me Fuzzybutt and
Letters from Space. She worked in advertising before switching to
children’s book illustration. Susan lives in Budapest, Hungary.

Website: https://susanbatori.hu/
Twitter: @susanbatori
Instagram: @susanbatori

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Picture Book Review – Terrific Table Manners

 

TERRIFIC TABLE MANNERS

Written by Michelle Markel

Illustrated by Merrilee Liddiard

(Cameron Kids; $17.99, Ages 5-7)

 

 

 

 

As the busy holiday season approaches, I can’t think of a more timely book to share with your children than Terrific Table Manners, a humorous 64-page illustrated manual written by Michelle Markel with art by Merrilee Liddiard. The publisher’s blurb says, “Inspired by the classic Tiffany’s primer on manners for teens and featuring a familiar cast of characters, Terrific Table Manners is a modern take on table etiquette that follows the course of a proper dinner-party meal.”

To expand on that introduction, I’ll add how enjoyable I found this thoroughly modern approach to 21st-century manners geared for a younger reader. The primer is presented in rhyme (with a smattering of snark) and complemented by retro art with ample white space, lovely linework, and warm tones in a watercolor style. Aptly beginning with the invitation and RSVP chapters, Terrific Table Manners proceeds to the meal itself including the main course, vegetables, and dessert through to the dare-I-say dreaded and oft avoided thank you note.

 

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Interior spread from Terrific Table Manners written by Michelle Markel and illustrated by Merrilee Liddiard, Cameron Kids ©2021.

 

Kids will learn about what to do and what not to do at a dinner party as they’re guided through by Mr. Faris (who went to manners school in Paris) and his co-host/teacher Prudence at the School of Manners and Etiquette. Together these instructors also cover essentials such as making conversation to which silverware to use for which course. That’s not all that matters during a meal. I was delighted to see cell phones mentioned and by mentioned I mean recommended to be shut off! “Cut the chicken off the bone. Bella, please turn off your phone.” While I did wonder how many 5-7 year-olds (the target audience) have telephones, I figured this might be a book an older tween sibling would enjoy since good manners apply to all ages.

 

 

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Interior art from Terrific Table Manners written by Michelle Markel and illustrated by Merrilee Liddiard, Cameron Kids ©2021.

 

One of my favorite lines in the book happens during the main course. “Don’t hold utensils with your fists! Only cavemen eat like this!” Sound familiar? As the dinner-party class progresses, the children get more out-of-hand and the teacher/hosts become more frustrated and exhausted. Young readers and their parents may find this aspect the most relatable. Having kids sit still at a meal has often been a sore point in many families, and holiday time is no exception. Keeping chaos at bay is crucial to the etiquette pros but ultimately they don’t succeed as witnessed in the last two closing spreads.

 

 

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Interior spread from Terrific Table Manners written by Michelle Markel and illustrated by Merrilee Liddiard, Cameron Kids ©2021

 

 

Perhaps all has not been for naught when readers see the lovely thank you notes at the end. Will children finish the book and admit they’ve gleaned a tip or two? We can only hope so! The two pages of back matter detail specific aspects of a dinner party, gently encouraging kids to use proper etiquette and see what a difference it makes even at home and in restaurants. 

  • Reviewed by Ronna Mandel
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Children’s Picture Book Review – A Pig in the Palace

A PIG IN THE PALACE

Written and illustrated by Ali Bahrampour

(Abrams BYR; $17.99, Ages 4-8)

 

A Pig in the Palace cvr

 

 

Have you ever received an invitation to dine with royalty? Me neither. And in these pandemic times of non-partying, I doubt one will be forthcoming any time soon. But if I did ever receive one, I’d be very surprisedand that’s exactly the situation in which Bobo the boar finds himself in A Pig in the Palace.

 

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Interior spread from A Pig in the Palace written and illustrated by Ali Bahrampour, Abrams BYR ©2020.

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The story begins with Bobo receiving an invitation to dine at the palace with the new queen whom nobody’s ever seen. Bobo is excited to go but since this is a very new experience for him, he makes several blunders while he is there which causes him to get into deep trouble with the guards who wish to throw him out. The chase is on to catch Bobo, who manages to keep eluding them until the moment the new queen is revealed in a surprising and very hilarious ending that I never even saw coming.

Readers will be rooting for Bobo throughout the story and while this humorous story is told in simple language, it is meant to be read in tandem with the illustrations. The crisp, highly detailed pictures, rendered in pen, ink, and watercolor, tell much of the story that is not told through the text, making this a wonderful book for a shared reading experience with a child as you point out and show what is going on.

 

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Interior artwork from A Pig in the Palace written and illustrated by Ali Bahrampour, Abrams BYR ©2020.

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So since going to real parties is out nowadays, instead, make yourself comfortable with your young reader and enjoy Bahrampour’s A Pig in the Palace. This picture book is perfect pandemic reading about going to a party, with all the fun and silliness of a celebration but without a touch of the preachiness about how to behave at one. It definitely delivers a much needed light-hearted diversion in these troubled times.

• Reviewed by Freidele Galya Soban Biniashvili

 

Click here to order a copy of A Pig in the Palace or visit your local indie bookstore.
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Disclosure: Good Reads With Ronna is now a Bookshop.org affiliate and will make a small commission from the books sold via this site at no extra cost to you. If you’d like to help support this blog, its team of kidlit reviewers as well as independent bookshops nationwide, please consider purchasing your books from Bookshop.org using our affiliate links above (or below). Thanks!

Recommended Reads for the Week of 10/12/20

 

 

 

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The Bad Seed written by Jory John and illustrated by Pete Oswald

THE BAD SEED
Written by Jory John
Illustrated by Pete Oswald
(Harper Collins Children’s; $17.99, Ages 4-8)

 

 

Starred Review – School Library Journal

After reading The Bad Seed  written by Jory John with illustrations by Pete Oswald, I truly appreciated its deep message about the value we place on ourselves and others based on behavior.

Here’s where the review gets interesting though; while this is a children’s picture book geared towards ages 4-8; I feel it’s also a great book for older kids and even adults!

Younger kids, especially in the world we live in today, know the power words hold over someone. When reading to a younger crowd, as a teacher, I would explain that words like “bad” and “good” are labels. We all make mistakes sometimes. Why is the seed labeled this way? For older children the book serves as a reinforcement of what they hopefully know to be true, there’s always room for self-growth.

The story follows a little sunflower seed who loves his family dearly on their Sunflower head home. As the seeds scatter when it’s nature’s time for them to drop off the beloved plant, they become separated.

 

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The Bad Seed Text copyright © by Jory John 2017 Illustration copyright © by Pete Oswald 2017

 

Our once loved and happy seed protagonist quickly becomes traumatized by events beyond his control (such as a man at a baseball game nearly swallowing him and then being spit out- with a permanent crack in his once whole shell!) The seed isn’t so happy anymore and is convinced that he is bad (something anyone with trauma in their life can relate to, as it is often the victim left feeling at fault).

He begins to act out by deciding “not to care anymore” which he does by not listening to others, lying, and not washing his hands, among other things. But what our dear seed needs desperately, is for someone to connect to. To see his cracks and accept him, showing him that he can be whole again from the inside out. Children often act out when they need help, and our little seed is a perfect example of someone needing intense care.

He eventually tires of his “bad” behavior and starts working on being “good” again. I say these words in quotes because the truth is none of us lives in a world of black and white/good or bad people. It requires constant awareness to make positive choices to be your very best self and not let a label define you.

We never know someone else’s background- their own unique make-up and history, so labeling them as “bad” or “good” means that we miss out on why they are behaving that way to begin with. With children especially, curiosity goes a long way in sorting out behavior that doesn’t work. We are all moving through each moment trying to meet needs. Some strategies we try are better than others, and The Bad Seed, through both its humorous art and prose, illustrates that beautifully. Pete Oswald’s expressive and whimsical illustrations truly capture the emotions of this little seed in a way many children can relate to so they can instantly guess at how he is feeling.

I recommend this book as a tool to show that we never know what someone else has been through. Being curious, asking questions, and offering kindness before judging and criticizing would be best whenever possible in life.

  • Reviewed by Ozma Bryant

 

 

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What About Moose? by Corey Rosen Schwartz and Rebecca J. Gomez

WHAT ABOUT MOOSE?
Written by Corey Rosen Schwartz & Rebecca J. Gomez
Illustrated by Keika Yamaguchi
(Atheneum Books for Young Readers; $17.99, Ages 4-8)

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Tonight I attended a book launch by Los Angeles illustrator, Keika Yamaguchi, at the Casa Verdugo branch of the Glendale Public Library. I not only learned about her illustration process to create the artwork for What About Moose?, but I also got to watch the reactions of dozens of children in attendance. By their response, I knew the books would fly off the shelves. 

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Interior Artwork from What About Moose? Written by Corey Rosen Schwartz & Rebecca J. Gomez, Atheneum BYR ©2015.

This recommended-for-read-aloud rhyming picture book introduces youngsters to Moose, Fox, Bear, Skunk, Frog, and Porcupine who intend to build a treehouse together, through teamwork. Moose, however, has other ideas and proclaims himself foreman. As he issues order upon order, Moose’s behavior does not endear him to his friends. In spite of this, there is humor to be found on every page both in the rhymes and illustrations. Kids’ll eat up the fact that Moose has taken to giving his “commands from a big megaphone.” His bossiness will not be lost on children as they sense the tension building between Moose and his pals as every so often one of them asks, “But what about you, Moose?” Soon your child will be asking the very same thing, quite eager to see how Moose will respond. In fact, he’s so busy ordering his friends around that he neglects to notice the treehouse built around him. It’s only once the roof is put on that Moose realizes the door is too tiny for him to fit through!!

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Interior Artwork from What About Moose? Written by Corey Rosen Schwartz & Rebecca J. Gomez, Atheneum BYR ©2015.

Luckily for Moose, his friends are a caring bunch. They hatch a plan to help him get out of the house safely because how long can the animals bear to listen to Moose’s complaints as he “groaned and he grumbled. ‘It’s squishing my butt,'” to which Fox replies, “We’ll help you … if you keep your mouth shut!” That line, incidentally is one of my favorites although far from being the only one!

The constructive ending is more than satisfactory and will give parents an opportunity to talk about the benefits of teamwork. The illustrations are adorable and, though Moose was by far the favorite character judging by hands raised when that question was posed to the attendees, Bear was a close second. I must add that in Yamaguchi’s talk this evening she explained to the audience that she had to do a lot of research on how to build a tree house before she could approach the illustrations. Well, it appears she’s learned how!


– Reviewed by Ronna Mandel

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