GO, GIRLS, GO!
Written by Frances Gilbert
Illustrated by Allison Black
(Beach Lane Books; $17.99, Ages 3-6)
Who said transportation stories are just for boys? Doubleday Books for Young Readers Editor-in-Chief Frances Gilbert never did, and her new picture book, Go, Girls, Go! proves it. This energetic rhyming story with its bold and bright artwork puts girls behind a wealth of wheels to inspire future Danica Patricks, Sally Rides and Molly Williamses.
A dozen diverse and spirited drivers, pilots, motorcyclists and more demonstrate that girls get a kick out of things that go Wooo!, Whirr! and Toot! just the same as boys do. And who knows what future vehicles might strike their fancy when they see themselves positively depicted on the pages of this picture book? Gilbert’s written about girls conducting trains, operating giant cranes and flying planes because anything and everything is possible, especially when powered by girls.
What I especially enjoyed about Go, Girls, Go! was the anticipatory page turns that had me wondering what would come next in terms of rhyme, sound effects—Vroom! Hoot! Clank!—types of transportation and of course, the illustrations. I immediately found myself repeating “Go, Girls, Go!” with as much enthusiasm as a preschooler. In other words, be prepared for multiple, lively read-alouds because this is not a quiet book. It’s also a celebration of girls moving over from the more passive passenger seat and taking control, and that’s something to shout about.
Allison Black’s cheerful, graphic-style illustrations complement Gilbert’s entertaining and fast-paced rhyming prose. Youngsters will happily follow the visuals while learning the words because the modes of transportation are easily identifiable and the rhythmic language is easy to memorize. What a fun way to get excited about things that go Roar! Honk! and Crunch! So make tracks to your local bookseller and get a copy to help your child’s imagination soar.
The wait is over because Ivy and Bean are back! In Ivy + Bean: One Big Happy Family(the eleventh book of the critically acclaimed series), second-grade teacher Ms. Aruba-Tate has the class draw the Important People in their lives. This leads Ivy to wonder whether she’s spoiled because she’s an only child. After the BFFs try various things to test whether this is true, Ivy realizes the “cure” is to get a sister!
As usual, misdirection and mayhem unfold as the girls conjure up creative ways to obtain a sibling. They discover baby sisters are almost as bad as big sisters, leaving only one solution: twins. Although One Big Happy Family tackles a somewhat common premise, the story line goes to unexpected places. Other books involve siblings issues, but Annie Barrows finds new ground in which to grow this story. She continues the series with the humor we expect from adorable troublemakers, Ivy and Bean. Fans and new readers alike will enjoy spending some time with these girls as they traverse their Pancake Court neighborhood, taking life by storm.
Sophie Blackall’s illustrations on each two-page spread convey hilarious facial expressions and silly predicaments. Images and text interweave, boosting these chapter books to something better than each half alone. Carefully placed details add depth beyond the humor. The girls tackle real-life issues but do so in a way only Ivy and Bean can. Their escapades, while outrageous at moments, also work out issues in kid-relatable ways, demonstrating why this series continues to be a hit at home and in the classroom.
Having a website, I know a little bit about coding, little being the operative word. But author Josh Funk, a software engineer by day, knows a lot. Thankfully. So it’s no surprise that the end result of a Funk and illustrator Sara Palacios picture book collaboration, How to Code a Sandcastle,has yielded such a positive and inspiring read.
Beaches and bots, hmmmm … I had absolutely no idea before picking up my review copy how author and illustrator would pull off this phenomenal feat. I mean, millions, maybe trillions of grains of sand and machinery don’t exactly go together. That’s why I felt compelled to read on and am glad I did!
Narrator Pearl is spending her last day of summer vacation at the beach. She’s determined to build a castle because all of her previous attempts have been thwarted by freewheeling frisbees, slamming surfers and peeing pups. Today, however, she has her “trusty rust-proof robot, Pascal,” in tow who she will code to build a sandcastle. Code, your children will learn, is “special instructions that computers understand.” But Pearl soon realizes that in order to build said sandcastle, her instructions need to be specific because without doing so, Pascal could end up constructing the castle in the ocean or in a parking lot. We also see that there’s a sequence to the problem solving, a good tip for young readers just learning about the importance and practicality of executive functioning. So after 1. Finding a suitable place to build, it’s onto 2. Gathering up the sand, encompassing a three-step process of filling, dumping and patting down. Here’s where a coding trick called looping is introduced: repeating the three step process or sequence until all the steps are done and the sand is piled in place before moving on to 3. Shaping and decorating. When Pascal brings items to decorate the sandcastle that aren’t appropriate (a lifeguard stand, a live crab and a baby’s binky!), plucky Pearl relies on a cool approach called IF-THEN-ELSE to help the robot analyze what can and cannot be used.
When a wave washes away the masterpiece, Pearl doesn’t get discouraged because she has the key to quick and easy re-construction, the code that Pascal can implement. Only now she needs to program Pascal with a way to protect the sandcastle, a code for how to build a moat! Once that’s finished, there’s no telling what else they can do with their coding know-how. What a great way to end vacation!
Funk’s story is funny, creative and easy to follow. By using something as recognizable as a sandcastle for the coding project, How to Code a Sandcastle serves as an ideal vehicle for a gentle, accessible preview of computer science. If only we all could be assisted by robots when we head to the beach. Imagine the possibilities! In her illustrations, Palacios has combined sunshine, sand and STEM in a thoroughly modern and cheerful way. Pascal the robot, who is never portrayed as cold or remote but rather charming and accommodating, is someone any child would want as a friend. And Palacios’ diverse characters fill the pages with a realistic picture of what readers really see when they visit the beach. A two page spread of back matter, “Pearl and Pascal’s Guide to Coding,” explains all the code concepts covered.
If you never thought you or your youngster would get the concept of coding, it’s time to think again. With its goal of getting girls to embrace coding, Girls Who Code will, with the help of wonderful books like this one, succeed in closing “the gender gap” that currently exists in the technology fields. Start your own STEM-themed collection of books by visiting your local independent bookstore today.
MOMMY’S KHIMAR Written by Jamilah Thompkins-Bigelow
Illustrated by Ebony Glenn
(Salaam Reads; $17.99, Ages 3-7)
ALMA Written and illustrated by Juana Martinez-Neal
(Candlewick Press, $17.99, Ages 4-8)
are reviewed today by Cathy Ballou Mealey.
Two parent and child dyads share and celebrate cherished cultural connections in beautiful new picture books by debut authors that will touch and delight the heart.
Debut author Thompkins-Bigelow depicts a child’s wonderful, busy day in MOMMY’S KHIMAR.“A khimar is a flowing scarf that my mommy wears” says a young Muslim girl who loves to dress-up in her mother’s rainbow collection of headscarves. Fun and fancy are foremost in her mind as she incorporates the beautiful khimars in her imaginative play. The yellow khimar – another term for hijab – is her favorite and she dreams of wearing it like a queen, or a superhero, flying through the sky like a star.
Mama sees the girl at play, but smiles tenderly rather than scolds. The scarf carries her familiar, motherly fragrance of coconut oil, cocoa butter and cinnamon, making it even more special to her daughter. The girl is also loved and celebrated by her father, teachers and her grandmother, wrapped in tangible and intangible messages of love and welcome.
Glenn’s bright, sunny illustrations are sweet and appealing, using vibrant colors that compliment the warm, well-rounded story and keep the focus squarely on the girl’s fun. The energetic images cool to soft blue-purples as night falls and the beloved khimar returns to her mother’s closet. Even in her dreams the heroine recalls the tender embrace of her family and community, but her mother most of all. A delightful depiction of an ordinary day in the life of a cheerful and charming child. ★Starred reviews – Kirkus, Publishers Weekly, School Library Journal
ALMA AND HOW SHE GOT HER NAMEis the book title, but the inquisitive heroine’s full name is Alma Sofia Esperanza José Pura Candela. Alma complains that her name is “too long” and “never fits.” In fact, Alma must tape an extra piece of paper to her page to accommodate all six! Soon, the how and why of the family stories behind each and every name is revealed in compelling, engaging descriptions.
When Alma’s father explains the rich history of the names she bears, Alma’s incredible imagination brings them to life. Aided by family photos and icons, her father’s story reveals Alma’s namesakes and the common bonds they share. Like her grandmother Sofia, Alma adores books. Like her grandfather Jose, Alma loves to draw and paint. Candela was Alma’s activist grandmother, and aunt Pura was deeply spiritual.
Alma wears delightful striped red pants, a perky red hairbow, and a red string around her left wrist. Her sweet, expressive face moves from solemn to astonished, serene to silly as she “meets” her ancestors and discovers the common bonds that they share. Martinez-Neal, recipient of the 2018 Pura Belpré Illustrator Award, uses a restrained color palette and imbues the well-designed textual components with meaningful symbols. Broad, double page spreads pace the story smoothly and linger for maximum impact on each name’s meaning. The final reveal for the name “Alma” is a warm, satisfying and ultimately empowering one for the little girl who has been enriched by the love and history of her family past and present. ALMA is a tender tale, a treasure for all readers who will wonder about their own name history. ★Starred reviews – Booklist, Publishers Weekly, School Library Journal
•Reviewed by Cathy Ballou Mealey
Where obtained: I reviewed advanced reader’s copies from the publishers and received no other compensation. The opinions expressed here are my own.
How do you celebrate Mother’s Day? With our recommendations for the best new Mother’s Day books around! And, whatever you may do, wherever you may go, take some time to read together with your children at home, in a park, on a train, at a bookstore or in a library. Books make memorable gifts and, with an added personal message, will be cherished for years to come.
In A Heart Just Like My Mother’s, when Anna, who loves and admires her mother is inspired to help a homeless man by saving up her Tzedakah money, she realizes she and her mom share something in common—a big heart. This lovely picture book is a wonderful way to explain the Jewish tradition of performing an act Tzedakah which Nargi defines not so much as charity but doing the right thing by helping others. But it’s also the story of a little girl who starts out thinking she could never be as creative, funny or caring as her mother until she realizes what she has to offer. By collecting Tzedakah money and providing food for the homeless man, Anna’s selfless act of kindness brings her closer to her mother and proves to herself that she too has qualities worth being proud of. I love Cis’s illustrations too. There’s a warm, folksy feeling about them that adds to the positive vibe that emanates from the pages making A Heart Just Like My Mother’s such an enjoyable read.
With its starred reviews from both School Library Journal and Publishers Weekly, Forever or a Dayby Sarah Jacoby will make a thoughtful gift this holiday for those seeking something at once out of the ordinary as well as heartwarming. It conveys its beautiful message with spare yet evocative text and in just 20 pages. At first I thought it was a picture book about the future, but then it dawned on me that it’s about being present and spending time together with loved ones and making meaningful moments now. Adults and children may experience different reactions when reading the book but that’s to be expected. Sophie Blackall, Caldecott Medal-winning and New York Times–bestselling illustrator of Finding Winnie, says it best: “Sarah Jacoby’s ethereal exploration of time rushes like a passing train, shimmers like a setting sun and allows us, just for a moment, to appreciate the beauty of standing still.” Prepare to be moved by the compelling art that complements the lyrical language of Forever or a Day.
Precious pairings of mothers and and animal babies from bluebirds and bunnies to otters and owls fill the pages of Today show co-host Hoda Kotb’s debut picture book, I’ve Loved You Since Forever. Kotb adopted her daughter, Haley Joy, in February 2017 and her happiness at becoming a mother is infectious and evident throughout this delightful picture book. Gentle rhyme, a repeated refrain (there was you … and there was me), a rewarding wrap up and exuberant illustrations all work wonderfully together. I’d pick up I’ve Loved You Since Forever for any new parent on your holiday list. In addition to Kotb’s lovely language, there’s a sense of warmth and closeness from the special bond of parenthood depicted in Mason’s tender scenarios. Whether or not you’re an adoptive parent, I’m sure these lines will resonate with you as they did with me: Before otters swam together/and rivers reached the sea/there was you and there was me/waiting for the day our stars would cross/and you and I turned into we. Awww!
In 176 color pages and 12 clever chapters, author Hale deftly delves into the world of motherhood from various perspectives that readers will find fascinating. The introduction says the book “explores the changing role of motherhood through the images and shared cultural moments that have captured it best: magazines, advertisements, greeting cards, television shows, movies, songs, and other pop culture ephemera.” Choose a chapter at a time because this comprehensive and enlightening book is meant to be savored slowly (like a 1950s TV mom’s best casserole) and cannot be read in one or even two sittings. I love the breadth of the material that’s been included and am partial to the earlier chapters that cover motherhood in the eras before I was born including The Nineteenth Century, The Pre-War Years, World War I, The Roaring Twenties, The Great Depression, World War II, The 1950s (although note that American Momdoes go all the way to present day 21st century). I learned, for example, that between “1885 and 1905, there were around eleven thousand magazines and periodicals published in the United States—and about 88 percent of the subscribers were women,” that Betty Crocker was a fictional character, that Eleanor Roosevelt “broadened the role” of first lady and that on I Love Lucy they couldn’t say the word pregnant on the show! Through Hale’s insightful lens on motherhood, we’re taken on an entertaining jaunt through fashion, food, first ladies, feminism, photography, film and literature that pays tribute to the ever changing role of mothers in American life and touches on aspects of this expansive topic in ways that will interest every reader, male or female.
If you’re looking for a fun, original board book for Mother’s Day, look no further than From Mother to Mother Written and illustrated by Emilie Vast
Translated from French by Julia Cormier
(Charlesbridge; $7.99, Ages 0-3)
Simple in concept, but rich in design elements, this 14-page board book is perfect for little ones who adore the pull-apart Matryoshka dolls. Every other page takes a child back several generations of a mother’s mother’s mother’s mother who in turn gave birth to a child eventually bringing the reader to the present. “And not long ago, I gave birth to you … my very own child. A mother’s love goes on and on and on.” What a beautiful sentiment to share with a young child while cuddling them close and showing them all the different colored pages, each with unique and nature-inspired artwork. There’s also a version for dads!
Reviewed by Ronna Mandel
Read our Mother’s Day recommendations from 2017 here.
Read Cathy Ballou Mealey’s review of Love, Mama here.
I AM FAMOUS Written by Tara Luebbe & Becky Cattie
Illustrated by Joanne Lew-Vriethoff
(Albert Whitman & Co.; $16.99, Ages 3-7)
& SHARK NATE-O Written by Tara Luebbe & Becky Cattie
Illustrated by Daniel Duncan
(Little Bee Books; $17.99, Ages 4-8)
A delightful double dose of picture book pleasure reviewed today by Cathy Ballou Mealey.
Kiely, surrounded by devoted family and friends, is confident that her celebrity status is widespread and well-deserved in I AM FAMOUS, the first picture book from prolific story sisters Luebbe and Cattie.
Kids will cackle at super-cool Kiely’s misperceptions. She continually interprets the behavior of her doting family – posting videos, taking photos, indulging her whims – as signs of her special stardom. But what will the spunky mini-diva do when she stumbles and stops sparkling in the pressure of the spotlight? The intersection of fame and family is brought to a satisfying conclusion with a wink to modern parents about over-sharing the ordinary achievements of their spirited progeny.
Lew-Vriethoff’s illustrations deftly bring Kiely’s personality to life from cover to cover. Dazzling accessories and bright, bold colors spring off the page. Touches of borrowed glamour pair well with Kiely’s expressive face and energetic motion, keeping young readers entertained and amused. There is a lot of fun and flair on display enhancing the confident, snappy text. Diva-licious!
Nate is a shark fanatic, but must learn how to swim before he can transform into the one and only SHARK NATE-Oin this pool perfect fish tale from Luebbe and Cattie.
Obsessed with sharks, Nate fills his world with shark facts that he can’t resist sharing and even acting out, much to his older brother’s chagrin. But when it comes to light that Nate can’t swim, he isn’t put off for long. Enrolling in swim lessons, Nate learns to prove his water-worthiness by blowing bubbles, using a kickboard, and eventually swimming solo. Will Nate’s determination and persistence pay off in time to challenge his brother in tryouts for the ultimate prize – membership on the Shark swim team?
Duncan’s fun illustrations make a splash in noteworthy settings by incorporating plenty of shark décor and pool puns. Filled with heart and humor, Nate’s expressions and body language invigorate the appealing story with clever, imaginative elements. The authors include more shark facts at the end for readers who just can’t get enough of this jaw-some tale perfect for enjoying between summer swims. Download an activity kit here.
Read about another debut #Epic18 picture book review by Cathy here.
THIS IS IT
by Daria Peoples-Riley
(Greenwillow Books/HarperCollins, $17.99, Ages 4-8)
is reviewed today by Cathy Ballou Mealey.
★Starred Review – School Library Journal
When a young dancer hesitates nervously at the studio audition door, her mirror-shadow self comes to life to encourage, support and reassure her in This Is It, a charming debut from author-illustrator Daria Peoples-Riley.
“Look at me,” commands a tutu-clad shadow, hands on her hips. The young girl, stiff and uncertain, looks askance but listens to the shadow’s message about challenge, confidence and poise. Slowly, the girl stretches, bends, leans and finally embraces the shadow’s exhortations. “Listen to the hum of your heart’s song,” says the shadow and reminds her to hear the melodies that flow from her elbows to her knees.
The delightful pas-de-deux, girl and shadow, pass together through a grey, concrete cityscape where bridges, staircases and sidewalks accentuate the opportunity for movement and energy. Red, green and pink shrubbery soften the silent, stiff buildings, while the curves of splashing fountains and smoky vents echo the dynamic pair’s swirling, twirling exuberance.
Peoples-Riley employs a mixture of free-verse and concrete poetry that showcase the strength and grace of the young dancer in definitive, certain terms. Moving in deliberate, thoughtful progression, the phrases carefully build up the young dancer’s inner confidence and ultimately celebrate her beautiful self-expression. While the shadow keeps all the spoken lines, it is the girl who ultimately shines in the triumphant, starring role.
Most young dancers become accustomed to studying their reflections in the dance studio mirror. This Is It will inspire them to look for a supportive, encouraging shadow that has also been with them every step of the way, both in and out of the spotlight.
Reviewed by Cathy Ballou Mealey
Where obtained: I reviewed a copy from my local library and received no other compensation. The opinions expressed here are my own.
The Getty Center’s Woven Gold:
Tapestries of Louis XIV Exhibit, Thérèse Makes a Tapestry Review & Giveaway
On December 15, 2015, the J. Paul Getty Museum in Los Angeles, California, unveiled its exhibit, Woven Gold: Tapestries of Louis XIV. The exhibition is displayed in three sections: Louis XIV as collector, heir, and patron of the arts. In 1662, the king founded the Gobelins (tapestries) Manufactory to decorate his residences and to aggrandize his public persona.
The Getty has released a companion book for young readers, Thérèse Makes a Tapestrywritten byAlexandra S.D. Hinrichs and illustrated byRenée Graef(Getty Publications, $19.95, Ages 6 and up).This historical fiction picture book is the story of a young girl and the real French tapestry (circa 1619-1690) Chȃteau of Monceaux / Month of December which is on display at the Getty Center. The book is set at the Gobelins Manufactory during the king’s 1643 to 1715 reign when many world-famous tapestries were woven.
Thérèse, the main character of the story, wishes to weave, but females are not allowed to do this in seventeenth-century France. Thérèse’s father is a painter who travels with Louis XIV on his political campaigns because the king often features himself in the art he commissions. When Thérèse’s father returns home with one of his paintings, Thérèse is determined to make a tapestry of that image. As the story unfolds the reader becomes acquainted with Thérèse’s family and their neighborhood. Fascinating facts about the tapestry-making process are skillfully incorporated into the story line; readers learn about this craft as they follow Thérèse on her journey.
This debut picture book for writer Alexandra S. D. Hinrichs uses language which a six-year-old (who is being read to) can understand, but has the depth to engage a teen reader. Realistic illustrations are masterfully painted by award-winning illustrator, Renée Graef. The historically accurate images are colorfully appealing for younger readers yet mature in detail and subject matter.
Another pleasing aspect of Thérèse Makes a Tapestry is that a reader may enjoy the story, then see the actual tapestry featured in the book. The thirteen tapestries in the exhibit are stunningly large—it would take four weavers about four years to complete one of these tapestries—and in a meticulous state of preservation. Hung at eye level, the gleaming threads of real gold and silver sparkle invitingly.
Reading the book in conjunction with visiting the exhibit gives an understanding of Paris during the seventeenth century and the artists who crafted these masterpieces. The weaver faced the back of the tapestry, using a mirror to view a reflection of the cartoon (a drawing or painting of the design) and to watch the image develop. During the time of King Louis XIV, weavers worked together, utilizing their areas of specialization, such as human faces or animals. Most tapestries on display at the exhibit are composed of wool, silk, and gilt metal- or silver-wrapped thread. Since the materials used faded at different speeds, the tapestry makers decided how to dye the thread both for immediate viewing and for a predicted harmonious collaboration of colors.
Understanding the time and expertise devoted to each design imparts a deeper appreciation of the tapestries which have survived the centuries. King Louis XIV’s contributions to this art form were immense. An inventory taken in 1666 noted 44 suites (or groups) of tapestries. At the time of his death, there were 304 suites with approximately 2,650 tapestries in the collection. In addition to commissioning new work, King Louis XIV actively purchased antique tapestries. Of all these tapestries, only an estimated 600 still exist. Many degraded over the years and were consciously destroyed. Others were lost during or after the French Revolution; some were burned to extract the gold and silver bullion within.
Remarkably, the Gobelins Manufactory is still functioning and the tapestry-weaving tradition carries on today. One difference is that the weavers now are all women and one weaver typically completes the entire tapestry—this would surely please Thérèse!
Marking the 300th anniversary of the death of King Louis XIV, Woven Gold: Tapestries of Louis XIV is the first major showing of tapestries in the Western US in four decades. An interesting conclusion to the exhibit is a modern piece (2001–2004) made of wool and linen by Raymond Hains. Related events such as talks, courses, and a symposium begin January 5, 2016.
Thérèse Makes a Tapestry and the exhibit are ideal companions for one another, though either can be enjoyed alone. The book is exclusively available through the Getty until its release for sale to the general public on March 8, 2016; the tapestries exhibit runs through May 1, 2016. This is an opportunity for families to spend time together then bring home a keepsake. The exhibit and the book acquaint us with this enduring craft which may seem anachronistic with our instant-gratification world. By viewing these tapestries and enjoying the accompanying book, perhaps our children will build an appreciation for the humanity and soul instilled in these masterpieces which have gracefully withstood the passage of time.
The Getty Center, 1200 Getty Center Drive, Los Angeles, CA 90049. Closed Mondays.
ENTER OUR GIVEAWAY: Win one (1) copy of Thérèse Makes a Tapestry. Plus, if you follow us on Facebook and let us know in the comments below, we’ll give you an extra entry. Follow us on Instagram and get an additional entry, too. Good luck!
Written by Misty Copeland
Illustrated by Christopher Myers
(G. P. Putnam’s Sons; $17.99, Ages 5-8)
Firebird won the 2015 Coretta Scott King Illustrator Award, received the 2015 Ezra Jack Keats Book Award New Writer Honor, and was an NPR Best Book of 2014.
In Firebird; American Ballet Theater ballerina, Misty Copeland, shows a young girl how to dance like the firebird. Copeland, author of Life in Motion, has written a spare but powerful picture book about a young African American girl who dreams of becoming a ballet dancer. Daunted by the process, the young girl compares her ” gray as rain” self to the “swift as sunlight” Copeland, believing that she could never be as good as her idol. Realizing that the girl lacks confidence and is overwhelmed by what lays ahead, Copeland offers encouragement and support in a lyrical conversation between mentor and protégé:
“darling child, don’t you know
you’re just where I started …
your beginning’s just begun …”
Copeland assures the young girl that, despite the challenges and hard work (“…I had a thousand leaps and falls …”), her ability will grow. One day someone will need her support:
“then they will look to you in wonder
and say …
the space between you and me is longer than forever
and I will show them that forever is not so far away”
Lovely ballet similes and metaphors are woven into a narrative as powerful, yet as graceful as the dancer’s art:
“ …Like me you’ll grow steady in grace
spread an arabesque of wings
and climb …”
And while the narrative is a conversation is between a beginning dancer and an experienced ballerina, Copeland’s message of determination and realizing your dream is an important and inspiring message for all of us.
Using bold and striking mixed media illustrations, award-winning illustrator Christopher Myers enhances the soaring and inspirational text by dramatically capturing the movement of the dance and Copeland’s amazing ability to stretch her body in extraordinary positions. Likewise, his illustrations also depict the tender and affirming relationship between Copeland and her protégé. Myers, the son of the late children’s author Walter Dean Myers, has received multiple awards for his illustrations. Visit Reading Rocketsfor a selected list of his books and a video interview.
The Afterword contains a poignant message from Copeland about her childhood struggles and how ballet “saved” her. Nevertheless, as an African American, she did not see herself in this almost exclusively white world. With hope, hard work, and support she made it and has turned to supporting other young dreamers like herself to enter the world of Classical ballet.
Copeland has just been appointed the first African Americanprincipal ballerinaofAmerican Ballet Theater.Visit Misty at her websiteand see her reading Firebirdat the April 6, 2015 White House Easter Egg Roll. A search on YouTube will display many videos featuring interviews and performances. Click on the link to read an excerpt of Life in Motionand see a short video of Copeland discussing her determination to succeed. Earlier this week it was also announced that for two weeks this August, Copeland will star on Broadway in the musical “On the Town.”
We know it’s cheaper by the dozen, but in the case of A Dozen Cousins, it’s also A LOT more fun!
“Anna had a dozen cousins.
All of them were boys.
They smelled like sweaty sneakers,
And they made a ton of noise.”
Imagine being the only girl with 12 rowdy male cousins. What would your days be like when they came for a visit? Anna’s were anything but quiet. This joyful ode to rough and tumbling, playful and stumbling boys and their only female cousin is pure delight. The rhyme, with its sing song rhythm really never misses a beat. Told with love and laughs, Houran’s picture book draws from her youthful experience growing up with over a dozen cousins. So she knows first hand what types of antics this many kids can get up.
“They helped her build a castle …
Then launched a sneak attack.
They gave her hugs and kisses,
Dropping ice cubes down her back.”
The entire time that Anna and her possessions (including her doll!) are used as objects of entertainment for the lads, she never once arches her eyebrows in anger! Usher’s whimsical illustrations, a cheerful and welcome blend of Quentin Blake meets Helen Oxenbury, depict an understated calmness in Anna, with all her reactions demonstrating a deep affection for her mischief-making young relatives. Ultimately, despite all her cousins’ shenanigans, Anna wouldn’t change a thing about their behavior and is thrilled to be a part of this extended and extremely fun-loving family. An adorable book about a bunch of boys you’ll wish were your cousins. Don’t miss checking out the end papers for a sweet surprise!
REVIEW: IMANI’S MOON is written by JaNay Brown-Wood and illustrated by Hazel Mitchell (Charlesbridge/Mackinac Island Press, $17.95, Ages 5-8)
Imani, the smallest child in her African village, has been teased mercilessly by the other children because of her size. Their heartless jabs are just beginning to take a toll on Imani’s self-confidence when her mother tells her the legend of the brave moon deity Olapa. Inspired by a dream in which she stands hand in hand with the lunar goddess, tiny Imani awakens with the desire to do something great, to touch the moon.
In pursuit of her dream, Imani tries to reach the moon by climbing a tall tree, and building herself a giant pair of wings. The village children, even a snake and a chimpanzee, scoff at her valiant but failed attempts to reach the sky. But Imani’s mother still believes in her, offering the tale of Anansi the spider as a soothing and inspirational bedtime story. “A challenge is only impossible until someone accomplishes it,” she reassures her young daughter.
Although discouraged, Imani attends a village celebration featuring the adumu, a special Maasai warrior jumping dance. She is particularly fascinated by one dancer who jumps higher and higher with each beat. Imani wakes the next morning, determined to try jumping her way to the moon. All day and into the night Imani jumps, a little higher each time. Despite her aching legs and throbbing feet, Imani keeps her focus on the moon, resolute on her goal.
Readers will yearn for Imani’s success in the face of her faith and tiny warrior-like endurance, and cheer when her persistence is ultimately rewarded by the moon goddess herself.
Gleaming and triumphant with arms stretched wide, the cover of Imani’s Moon welcomes readers into this magical story touched with mythology, folklore and story-telling traditions. Mitchell’s watercolor illustrations offer sharp contrast between the soft earth tones of the African landscape and the rich, star-studded night skies. Lovely details abound, from cuddly goats to beaded jewelry and colorful shuka robes.
This sweet, inspiring fantasy will rouse young readers to leap for their dreams, and dance, spellbound, until they hold the proverbial moon in their hands.
Where Obtained: I reviewed a promotional PDF file copy of Imani’s Moonand received no compensation. The opinions expressed here are my own.
Q&A WITH HAZEL MITCHELL:
Good Reads With Ronna:Imani is a beautiful person and a wonderful role model. She feels so real. Did you have someone in mind when you drew her?
Hazel Mitchell: Thank you! It’s lovely to know that. I didn’t have a particular child in mind when I began. The text conveyed a strong sense of Imani to me. So that’s where I started. And then I spent a lot of time looking at photos of Maasai children, who are very charming and full of character. So I began to make sketches. I did have a live model, but mostly for positions and expression and not for facial features. But she was a very lively model and I think that came across!
GRWR:The artwork in Imani’s Moon is joyful, even despite the local girls teasing Imani for being small. That’s an impressive accomplishment. What medium do you generally work in? Or, do you approach each picture book as a blank canvas that you’re eager to experiment with?
HM: I am glad the illustrations gave you such a good feeling – I feel I accomplished my task. I do approach each book with an open mind. I let the manuscript, the age group and the subject suggest to me the mood, the characters and what might work with medium. Sometimes an editor/art director tells me that they like something particularly that I have done before and that is the starting point. But mostly I am left to my own devices. I don’t have one set style, so I guess it can be a leap of faith on the publisher’s part sometimes! Having said that, I’m experimenting much more in my work, using more watercolour, collage and mixing in digital techniques. Imani’s world spoke to me of rich colours and textures and dramatic effects, so I had a lot of fun with this book!
GRWR: What tends to be the hardest part of working on a new picture book: Starting it? Trying to capture the author’s vision while remaining true to yourself? Finishing the book, or waiting for the next assignment to roll in?
I personally find the initial roughs the hardest part, but also the most interesting. It’s where the first thoughts of the book come out. It can be frustrating, as the vision is only half formed and sometimes it’s exhausting. The hardest part is trying to keep the freshness that you have in the initial sketches. Once you get to finals, the vision is there and it’s time to have some fun with technique and any little surprises that come along that you didn’t expect. After the book is finished, it’s like you gave birth. Then it incubates, until it finally arrives in book form. Then it’s a love/hate relationship!
GIVEAWAY: Hazel Mitchell has kindly offered one lucky reader a signed copy of Imani’s Moon. Please enter the Rafflecopter below and good luck!
Superhero Princess to the Rescue!
Hilary Taber reviewsThe Princess in Black (Candlewick Press, $14.99, Ages 5-8),
the first book in a new chapter book series.
Who says you can’t be a princess and a heroine? Allow me to introduce you to Princess Magnolia. This princess wears pink, has a sparkle ring, glass slippers and, at the beginning of the book, she is taking tea with the Duchess Wigtower. The Duchess has a feeling that Princess Magnolia is perhaps too perfect. Princess Magnolia appears to the Duchess to be too prim and proper. Princess Magnolia therefore must have a secret.
It seems that the Duchess will certainly have an opportunity to find out what that secret might be when Princess Magnolia’s glitter stone ring suddenly gives off an alarm. However, Duchess Wigtower (deftly and sweetly illustrated by LeUyen Pham with a wonderfully towering wig) never quite catches on that there has been a call to action! The glitter stone ring is actually a secret alarm. The Princess excuses herself to change into her black outfit to become the Princess in Black!
Princess Magnolia’s kingdom just happens to be located right next to Monster Land. A daring princess is clearly needed here. Together with her black pony (who is usually disguised as a unicorn), she sets off to find out why the alarm was sounded. When the princess arrives, she finds that the rather dim witted monsters who live underground in Monster Land have forgotten why they are not allowed to go above ground. It’s especially hard for them to remember the reason for this rule when they can smell the lovely scent of goat floating down into their cave. They love goats, but not in the strictly, “I’m just admiring these charming goats. Reminds me so much of Heidi!” Certainly not. The monsters want to eat the charming goats. This is a job for the Princess in Black! Well, these silly monsters have certainly met their match, but will Princess Magnolia be able to save the day and protect her superhero identity? If anyone can outwit duchesses and monsters it would be Princess Magnolia, a.k.a. the Princess in Black!
LeUyen Pham’s charming illustrations meet Shannon and Dean Hale’s lively writing punch for punch and sparkle for sparkle. The illustrations are so sweetly princess-like when they need to be, but so full of action-packed, adorable fun when they should be that they are impossible to resist. There are also many interesting clues to be found in the illustrations that the attentive reader can pick up on that prove, without a doubt, that Princess Magnolia is actually the Princess in Black. Additionally, The Princess in Black is the first in a series. Huzzah! This series will provide a much needed bridge to longer, more challenging reading when the time is right. Fans of Kate DiCamillo’s Mercy Watson series will find much to enjoy here. Princess fans of all ages will find a heroine to inspire them, for Princess Magnolia is a model of both fashion and bravery.
Click here to find out Seven Things You Didn’t Know About the Princess in Black.