Finalist for the 2021 National Book Award for Young People’s Literature.
★ Starred reviews – Horn Book, Kirkus, School Library Journal
A re-imagined Paul Bunyan legend gives one Chinese American girl the courage to face adversity.
Thirteen-year-old Mei lives and works in an 1885 Sierra Nevada lumber logging camp in the graphic novel, The Legend of Auntie Poby Shing Yin Khor. Her father, Hao, cooks for the workers, and Mei is famed for her pies. Mei, unlike the other women in the camp, does not wear a dress and is conflicted about her budding sexuality and her feelings towards Bee Anderson, the camp foreman’s daughter.
Within the camp, racial tensions simmer and the Chinese workers face discrimination and violence. Abusive behavior towards women in the camp also adds to an increasingly hostile environment. Camp foreman Hel Anderson, Bee’s father, turns a blind eye to all that is happening.
To help her and the other women and children cope with these injustices, Mei invents a Bunyanesque character, Auntie Po, only she can see. The stories she spins about Auntie Po and her blue water buffalo, Pei Pei, give courage and hope to the others.
Following the passage of the Chinese Exclusion Act, the Chinese workers are forced to leave the mill. Mei stays with Bee’s family, but Hao and the other Chinese workers leave to find work in San Francisco. When camp conditions severely deteriorate, Anderson travels to Chinatown to persuade his former workers to return. Hao, mindful of Anderson’s acceptance of the discriminatory conditions, negotiates a better deal for the Chinese workers. Anderson agrees and Hao and the others return to the camp. Father and daughter are reunited.
Author/illustrator Khor’s colorful illustrations authentically capture 19th lumberjacking life, demonstrating the amount of research she did to convey the details of daily life and conditions experienced by the workers and their families. In addition, this graphic novel highlights the art of storytelling and how each story can be shaped or reimagined by the experiences of the teller and the listener.
As the story concludes, Mei and her father decide it’s time for her to go away to school. Mei has also resolved some of her identity issues:
“I know who I am. I am a good cook. I have good friends, I have the best pa in the world” (p. 272).
The author’s endnote and her bibliography contain valuable information, as does her video on how this book came about for anyone who wants to learn more about the legends and history behind this engaging graphic novel. This is truly the middle-grade at its finest.
Joe Archer and Caroline Craig’s middle-gradePlant, Cook, Eat!: A Children’s Cookbookcovers food from seed to table with easy-to-understand text and full-color photos or images throughout. The helpful introduction includes information about plants: what parts we eat, how they reproduce, and how we can help them grow with the right amount of warmth, light, nutrients, and water. Learn what healthy soil and compost consist of, then how to choose and prepare an ideal location for your garden. Before long, you’re ready to harvest, eat, and cook.
Whether it’s tomatoes, potatoes, lettuce, or peas, you’ll find an accompanying recipe where that food shines as a star ingredient. Snip some young zucchini then make crunchy Zucchini and Polenta Fries, or dig up those beautiful beets for an indulgent Chocolate Beet Cake.
I like how cookbooks provide recipes to take us beyond our usual fare. This book, however, goes steps beyond by inspiring us to grow vegetables, maybe for the first time. We transformed our abundant crop of Swiss chard into Chard-Noodle Stir-Fry; our towering kale became Kale Pesto Pasta—an appreciated change from the usual basil-dominant pesto.
Kids will enjoy the rewarding experience of eating what they’ve grown whether directly from the plant or in a delicious recipe. One of my favorite facts was that cranberry beans are cultivated for their dried seeds; they’re ready to harvest when you give the pods a shake and the beans rattle inside. We’re planting that next!
Joe Archer works at Kew Gardens as Head Horticulturalist in the kitchen garden and has appeared on BBC in the Kew on a Plate television program with Raymond Blanc. He lives in England.
Caroline Craig, co-author
Caroline Craig is a food writer from London and the author of The Little Book of Lunch adult cookbook (Regan Arts) and The Cornershop Cookbook (Random House UK). She’s also a columnist for Guardian Cook. She lives in England.
(RH Graphic; HC $20.99, Paperback $12.99, Ages 8-12)
★Starred Review – School Library Journal
An excellent way to introduce middle-grade readers to Holm’s Newbery Honor book of family, friendship, and home.
In 1935, eleven-year-old Turtle is sent to Key West, Florida to live with relatives she’s never known in the graphic novel adaptation of Turtle in Paradise byJennifer L. Holmand Savanna Ganucheau. Turtle’s single mother, Sadiemae works as a maid for a New Jersey woman who does not want children underfoot. Turtle, protected by the hard shell for which she’s named, is also protective of her flighty mom and worried about being separated from her.
Over the summer, she hangs out with her cousins and their friends who are part of the boys only “Diaper (babysitting) Club” (they “wurk” for candy) and spends the summer helping them and her Aunt Minnie while meeting the neighbors, fisherman, and rum runners, who speak about a long lost pirate treasure. Hoping to earn money to help her mother purchase a home, she persuades the others in the Diaper Club to search for the treasure. They find the treasure on one of the uninhabited keys but are marooned there for two days during a hurricane. Happily, they are rescued and Turtle is reunited with her mom.
Holm’s graphic novel adaptation of her novel doesn’t lose any of the story’s warmth, humor, and dramatic moments. Told from Turtle’s point of view, the graphic novel conveys her gradual emergence from her shell as a caring and plucky girl. As in the novel, family secrets, such as her father’s identity, rise to the surface. Turtle figures out things out on her own, realizing that the answers may not be so important: “… not all kids are rotten … and there are grown-ups who are as sweet as Necco Wafers. And if you’re lucky, some of them may even end up being your family.”
Some minor characters from the novel have been left out (including “Papa” Hemingway) and some aspects of characters are not as deeply developed, such as Aunt Minnie’s true kindly nature. Nevertheless, Savanna Ganucheau (Lumberjanes) captures each character’s nature and circumstances in facial expressions, body language, and actions. Ganucheau’s portrayals of the wisecracking cousin Beans, the overworked Aunt Minnie, and the friendly fisherman Slow Poke (who once loved Sadiemae!) are perfect. The period and the locale of Key West were well researched by both Holms and Ganucheau and that is reflected in both the narrative and the art. Think Necco wafers, sugar apple ice cream (cones are a nickel), Shirley Temple and Little Orphan Annie, the streets of Key West, and the very real 1935 hurricane that stranded Turtle and the Diaper Club and wreaked so much destruction on an area already suffering from economic depression.
Back matter includes a note from the author which details her family connection to this story as well as some of the historical background. Also included is a fascinating note from Savanna Ganucheau about the artwork (find out more about what went into the artwork here).
Random House Teachers and Educators has a lovely educator guide with information about the book and art here
This graphic novel adaptation can stand by itself or act as a perfect introduction to the novel for middle graders. It should draw in potential readers who will be well prepared for more nuanced character development and a more complex narrative.
We are all overdue to pile into the car and get out of the house, and what better book to pack in your suitcase than editor and children’s book author Dinah Williams’ book A Curious Kids Guide to the Awesome 50 States? This cool compendium for kids with curious minds provides more than 1,200 quirky, fun facts about all our states for this summer’s cross-country trips or armchair traveling.
Williams’ colorful, hard-cover book, filled with photos of unique foods, natural wonders, and awesome animals, opens to the map of America’s 50 states and closes with facts about Washington D.C., America Samoa, Northern Mariana Islands, and Puerto Rico. Remembering the days of assisting my kids in memorizing the capitals of each state, I was drawn to the layout of the map with stars indicating the name of the capitals. Looking up Georgia, kids find the abbreviation (GA)—a good thing to learn—numbered points of interest, a banner stating The Peach State, and a star next to Atlanta. The Weirdest Roadside Attraction? The world’s largest peanut in Ashburn. And the spookiest spot in the state? Savannah’s Colonial Park Cemetary for those of you looking for a good haunt!
The intro lists the states alphabetically to help readers randomly search for a state they may be most interested to learn more about or a state they plan to visit. It’s also a fabulous tool for learning about the state you reside in. With that in mind, I started with California since that is the state I call home. It features a drawing of a brown bear and the Golden Gate Bridge, along with the names of the cities throughout the state, and main highways.
When randomly turning to states I have visited, and states I wish to one day see, I liked how Williams explains, for example, that the Natural Wonder of Kentucky is Mammoth Cave National Park, “site of the world’s longest cave, with 400 miles explored to date.” I then turned to Louisiana, eager to find about the Bayou state and under the Awesome Animal section for that state I read, “Louisiana has the most wild alligators in the country, about two million, with the highest population in coastal marshes.”
Each state features a Unique State Food, Spookiest Spot, Horrifying History Site, Thrilling Rides, Funniest Town name, and Weirdest Roadside Attraction. I also liked that a bottom strip includes “Other Stuff to Know” giving extra tidbits, such as in Missouri at the 1904 St. Louis World’s Fair, visitors got their first taste of cotton candy, known as “fairy floss.”
In the “Where in the US?” section, a yellow box in the right-hand corner shows a map where I learned that at 570,641 square miles of land, Alaska is the biggest state in America, bigger than the combined area of the 22 smallest states. And when turning to Hawaii, we are told that this state can fit into Alaska 89 times, and Iowa can fit into Alaska 10 times.
I enjoyed learning what foods I should order the next time I am in Maine, which will be the Delicious Dessert Whoopie Pie, and it brought back memories of eating the Unique State Food of Lobster Roll. The blueberry muffins were amazing too!
And I have to mention the Bad Joke of every state which really made me giggle. Here goes: Which State Has The Most Pirates? ArrrrrrKansas. Oh and one other: Why are New Hampshire stonemasons so sad? Their work is taken for granite. LOL!
This book got me excited to return to travel, and I know kids and parents will enjoy the fun facts as well as ideas for the best thrilling ride to lose your breath over. That would be the Soaring Eagle Zipline in South Dakota. Teachers will also enjoy turning this book into a fun game of Did you know? Okay, one last joke: How do you measure a Texas rattlesnake? In inches, because they don’t have any feet. Wishing you happy, humor-filled travels!
Reviewed by Ronda Einbinder
Click hereto see more of what’s on offer from Shelter Harbor Press.
What an action-packed journey! In Rina Heisel’s riveting debut middle-grade novel, Journey Beyond the Burrow, you’ll find yourself entering a world way down low, perhaps a place you don’t often look. After being so caught up in the forest floor escapades while reading, I found myself wanting to tread carefully when putting down the book and stepping onto my bedroom rug.
Readers are quickly introduced to the main character, a resourceful weather scout mouse named Tobin. Everyone in his burrow has a role to play and Tobin takes his responsibilities quite seriously. In fact, he often quotes from the Rules of Rodentia and is a stickler about following them. Not so for his best bud Wiley. He couldn’t be more opposite of Tobin, taking risks and thriving from them. Talia, Tobin’s younger sister, just wants to be accepted by her older brother and his pal. Her fearlessness and smarts make it hard to turn her down on their eventual mission.
When a storm and downed tree threatens the burrow and allows menacing spiders called Arakni to cross a creek into their territory, life suddenly changes for this “little band of misfits.” Spotting a web sack on the back of one escaping Arakni in which Tobin and Talia’s newborn baby brother has been wrapped, the trio embark on a dangerous journey to rescue the “pinkling.” Encounters with hawks, chipmunks, catfish, snakes, foxes, falcons, possums, woodchucks, owls, snapper turtles, and beavers will get your pulse racing since every new woodland creature is a potential predator.
Following the foul scent of the Arakni that stole their baby brother, Tobin and Talia along with Wiley are determined to find the Arakni lair and rescue the pinkling. Things get even more interesting when the mice team up with an unexpected and unlikely ally named Hess. Weaving animal facts with fascinating storytelling, Heisel takes readers across creeks, past orange toadstools, through tunnels, across gorges and hilltops to challenge the Arakni, a formidable enemy every reader will want vanquished.
One close page-turning call follows another and mimics what life must be like for animals in the wild. Each time the team of determined characters seem to be goners, the Rules of Rodentia are put to the test. I wondered at what point Tobin would abandon his rule-following resolve and wing it. When he finally realizes that making up their own rules as they go might be the only option for this risky rescue mission, Tobin, with the help of the others, becomes destined for success. It’s clear how much this journey helped Tobin grow within himself and as a son, a friend, and older brother. This brave weather scout might have to add some new rules to the list after this harrowing but also exciting experience.
It was so great spending time with Tobin, Talia, Wiley, and Hess that when I reached the end I wasn’t ready to leave them. Heisel has introduced a group of well-defined characters to care about and root for. And as Talia says to Hess, “I don’t want to say goodbye, either.” Here’s to reunions!
Publication Date: July 13, 2021, but Journey Beyond the Burrow is available for preorder now.
This middle-grade book interested me because there are two authors and I find cowriting interesting—but, wait!, one of the co-authors is a pen name for two people writing together making Kingston and the Magician’s Lost and Founda collaboration of three writers! (To read more about that, check out their interview on SCBWI’s Kite Tales blog in a link below.) Yet, the story reads seamlessly—what a feat!
Twelve-year-old Kingston hasn’t been back to Echo City, Brooklyn, since his father, one of the world’s greatest magicians, disappeared while performing onstage four years ago. A lot has changed in his old neighborhood, yet Kingston reconnects with his cousin Veronica and childhood friend now known as Too Tall Eddie. Kingston’s mother steers clear magic, yet, his uncles don’t seem to have given it up. What happened to Kingston’s father and whether or not magic truly exists fuels the three kids who follow a series of clues, intent on discovering the truth.
This layered plot cleverly weaves in real nineteenth- and twentieth-century Black magicians to make the story feel believable, an aspect I really enjoyed. I’m also a fan of alternative reality books when they’re done well as in this story. Add in humor, friendship, family, and a fast-paced mystery and you’ll see why this book’s hard to put down. Sign me up for the sequel and conclusion, due out this fall.
A Book Review, and Interview with Author Chris Baron
by Karol Silverstein
★Starred Review – Booklist
In The Magical Imperfect, Etan has had trouble speaking since his mother checked into a hospital to get well, and his friends at school don’t know what to make of his silence. Baseball is about the only thing he can share with his father, but luckily, 1989 is looking like a good year for their Giants. Spending time with his immigrant grandfather, a shopkeeper in the local village, is much easier for Etan. Though his family is Jewish, their small hometown north of San Francisco is home to many refugees from various countries, so he’s exposed to many different cultures.
On an errand to deliver items for one of his grandfather’s fellow shopkeepers, Etan meets Malia, a girl who has severe eczema and began being homeschooled when the bullying at the local school became too much. These two outcast kids have an instant connection and build a moving friendship. Etan’s grandfather has a small supply of clay from “the old country,” which is supposed to have curative properties. Could the clay possibly cure Malia’s eczema? Etan wonders. Malia has tried many medicines and “cures” and is more interested in connecting with and learning from the nature that surrounds her, particularly the trees. Malia also dreams of singing in the town’s talent contest—unthinkable before she met Etan. As the talent show—and the World Series—draw closer, Malia practices her performance with Etan’s encouragement and Etan secures some of his grandfather’s “magic clay,” hoping it will help a particularly bad eczema outbreak Malia is experiencing. If only the scary tremors would let up…
As was the case in author Chris Baron’s 2019 debut All Of Me, the gentle unfolding of character and emotion through evocative verse is again on full display in The Magical Imperfect. The juxtaposition of Etan and Malia’s small tremors of growth with San Francisco’s devastating 1989 earthquake provides a potent metaphor for how life can shake you up but not necessarily knock you down. I worried a little that this book might delve into “magical cure/disability that needs to be fixed” territory that hampers many books with disabled and/or chronically ill characters and can actually be harmful to that community. But I don’t think that’s the case here. Etan’s clay isn’t really the magic fix he’d hoped for, and I believe both kids come to realize that acceptance and small victories are, in the end, what matter most.
Ultimately, the intertwined themes of love, culture, baseball and just a touch of magic . . . or is it faith? . . . make this a wonderful and wonder-filled read.
Karol Silverstein: The Magical Imperfect is set around the time of the 1989 San Francisco earthquake. How and at what point in the writing process did you decide on that time period? What led to this decision?
Chris Baron: This is a great question with a very twisty-turny answer. Let me see if I can straighten it out enough. Just like in All of Me, this book takes place in the Bay Area, where I went to middle school. This place is just a part of me. The setting lives in my heart—from the ocean to the redwoods and beyond. I’d experienced earthquakes before, but somehow this one, in the middle of the World Series seemed to disrupt life in such an unpredictable and deep way. This story is all about the ways in which life is disrupted for the people in the story in unexpected ways by things that are beyond their control. Something as a big as an earthquake is terrifying, but it also has a chance to bring people together.
Karol: Baseball, music, food, and cultural traditions are wonderfully intertwined in your book. Can you talk about how you worked with these themes to tell Etan’s story?
Chris: Intertwined is actually a beautiful word for this. I think all of these things are intertwined in the story. When we hear a song, we feel the beat and hum the melody. We can remember the words no matter how long it’s been. Not only that, if the song has a special meaning to us, the music and the lyrics come together to fuel the memories that bind us together. I think it’s the same with cultural and sacred traditions, (which of course include food). The traditions, the tastes, the people—they become intertwined in who we are. They connect us. Even though Etan and Malia are from different cultures, and even though traditions might look different, they find that their values are actually intertwined.
As for baseball: Baseball is its own tradition—a symbol, an activity played at every level, and just a very fun game. For so many of us, baseball represents normal life, but it’s powerful enough to bring so many kinds of people together. For Etan, baseball is one of the only ways he can connect with his father. When things get tough, they at least can talk about baseball.
In 1989, when a unifying tradition like the world series was shaken by an earthquake, it caused many of us to feel scared and uneasy, but the quake also brought many people together. I tried to weave that into the backdrop of the story. There is so much news coverage from that day, and it’s fascinating to watch. I wanted to explore what it would be like for this close-knit town to experience this event together. I also have to confess that writing poetry about the earthquake was all-consuming. I think I wrote one hundred pages of “moments’ from the quake, but of course only a few made it into the book.
Karol: Both Etan and Malia have health conditions. What drew you to create characters with selective mutism and eczema, respectively? If you don’t have personal experience with these conditions, what type of research did you do?
Chris: Great question. I have the deepest respect and empathy for those of us who live with these health conditions. Both selective mutism and eczema are extremely complex.
I wrote about the life of an artist’s family quite a bit in All of Me. But there was one behavior that Ari didn’t express that Etan does in The Magical Imperfect. In the book, Etan stops speaking when his mother has to leave because of her severe depression. He didn’t choose it. His anxiety came on suddenly, and like most kids his age (and especially in 1989), he doesn’t know how to recognize it. In Etan, I am writing a character I know well—someone who suffers from anxiety. Because my mom is an artist, we moved all the time. Whenever I moved to a new town, a new state, a new school, I may have seemed calm on the outside, but inside of me was a storm of emotions: There was always joy and excitement of moving to a new place, new friends, new adventures, but of course it was all mixed together with the brutal pain of being taken out of one life (routine, friendships, and environment), and then suddenly dropped into another. I suffered from anxiety. I didn’t know how I would fit. For a kid, it can be a complete loss of control. Often, the way I reacted to this loss of control was to find something I could control. It was sometimes eating, but it was also something quieter. I found myself often unable to speak, so I embraced that. I stopped talking at school. I was quiet. I kept all my words to myself. Eventually, I found friends and teachers I could trust who helped me through it, and slowly the words came out.
Eczema is very complicated. Most people have rashes that itch, but as my wife Ella deCastro Baron explains it, she has itches that rash. Ella has had extreme eczema off and on her whole life. Her memoir,Itchy Brown Girl Seeks Employment(2012) is all about a life lived with eczema. When we first got married, she had eczema that ravaged her body from head to toe. The triggering effects of the condition caused so many secondary problems: depression, insomnia, isolation, and hopelessness. If you know Ella, then you know that she is a luminous, hilarious person full of life. Watching her deal with chronic bouts of eczema has been some of the hardest parts of our life together (and still are at times). In The Magical Imperfect, Malia experiences a similar bout of eczema. It’s so bad that she is isolated from school because of the way other kids treat her and because of her own discomfort.
The healing process for both of these conditions is not simple magic. In each case, it’s a complex journey, but the hope itself leads to moments of magic that provide joy and healing from the most unexpected places. That’s a big part of what I explored in the book.
I also want to note. Even though these conditions are integrated into my own life, I did more research than I expected. I know that these conditions vary from person to person, so I talked to many. I interviewed doctor friends about both subjects, and a few others who have firsthand experiences with these conditions. I also read Christina Collins’sstunning book, After Zerowhich I highly recommend.
Karol: The “magic” in your book is very much left up to your readers’ interpretation. Can you discuss what role you feel magic plays in helping Etan and Malia get to a better place emotionally by story’s end?
Chris: I know one thing I hope readers don’t take away—the idea that magic is some sort of cure for everything. Without too many spoilers, I would say that the magic in the story connects the many worlds of the characters. There is ancient magic from the worlds more connected to Etan’s grandfather and the other immigrants in town, but also hidden everywhere. This is the part I had the most fun writing. I think the magic is crucial for Etan and Malia—not because it cures things—but because it provides hope and makes it tangible in their everyday lives. The story is rooted in the idea that magic is all around us—that if we might only stop and listen—pay attention—we will see and hear the trees, or discover the ancient things living right beside us.
But also—I love trees—and I know that they are made of magic.
(Knopf Books for Young Readers; $16.99, Ages 8-12)
Happily for Now written by Kelly Jones and illustrated by Kelly Murphy follows Fiona who is sent away for the summer to live with relatives she’s never met because her mother is entering a treatment program for an unspecified addiction. In addition to her mother, Fiona is leaving behind Ms. Davis, who is like a guidance counselor to her (although the text doesn’t state that) but whom Fiona describes as her fairy godmother and whom she wants to emulate. Throughout the summer, she will be able to speak with Mr. Rivera who will also be able to help her with anything she might want to discuss.
Although the storyline involves Fiona’s addicted mother, this is not the main plot of the book and the focus is really on how Fiona tries to lend an eager hand to her quirky extended family, making this middle-grade novel a more light-hearted read.
With the help of her new friend Julia, Mr. Rivera’s daughter, Fiona sets out in her new town to try to help her relatives with their problems, or rather, try to help them help themselves, like any good fairy godmother (although she prefers the term fairy godperson because she is not a mother) who grants wishes might do, since she doesn’t want to just sit around being a princess. Her Aunt Becky’s bakery hardly has any customers because she keeps baking the same boring desserts she’s always made. Her great-uncle Timothy hardly ever speaks but has a secret talent and her great-aunt Alta is all doom and gloom. Can Fiona help them? And if she cannot get her happily ever after, can she at least get happily for now? She’s sure going to try.
Text is interspersed with emails between Fiona and her mother and between Fiona and Ms. Davis, which readers will enjoy, as the story progresses through these exchanges. I eagerly looked forward to reading these email conversations which provided updates on how Fiona’s mother was faring in her treatment program, as well as further guidance from Ms. Davis on Fiona’s fairy godperson training. Fiona, is at times both childlike, as she discusses fairy tales, witches, and the like, and like an adult, as she deals with her mother’s addiction and has to convince her to stay with her treatment program when she wants to leave early. Fiona easily makes us care about her and all the people in her life so that we enjoy spending time with her and want to see her have a happy ending.
Murphy’s black-and-white illustrations are a welcome addition to the pages, adding a lightness to Happily for Now and its tough subject matter. I do think it’s important since it’s not mentioned on the book jacket, for parents and young readers to be aware that, despite the lightness of this story, addiction is still included. However, young people who are living with a parent who is struggling with any sort of addiction or other illness will take comfort in reading such a thoughtfully crafted and thoroughly engaging book in which the protagonist is dealing positively with similar circumstances as they are.
The title and cover pulled me in and I could not wait to read this hilarious poetry book meant for children and parent, caregiver or any adult to experience together. It’s done so well that kids will laugh while learning some unusual things about the English language that grown-ups may now take for granted. “The illustrated rhymes and delightful ditties” will definitely boost early reading “as each poem teaches a specific sound, spelling, or rule.” There is clever wordplay and just so much to enjoy. I found it hard to narrow down the poems that I wanted to share here, but I’ll try with this one about sounds.
The Man in the Moon The Man in the moon dropped into our school, just yesterday morning round about noon. You may not believe me but I have the proof: there’s a man-in-the_moon shaped hole in the roof!
Some poems in the section on silent letters that I loved include The K on Your Knee, Answer This, Why is That?, A Secret Number, and Christmas at the Castle. In the spellings sections, I’m sure kids will LOL at A Clue, Separate, and A Lot. And in the homophones section, Two, Too, and To is a great one to share as is Which Witch, and A Whole Donut. Especially helpful is the backmatter with exercises and activities to do with children. Tor Freeman’s personified letters and cheerful art bring the poems to life with their quirky charm and vibrant colors. As adults we may have forgotten how hard the peculiarities of our English language are for youngsters to grasp. This book makes it not only educational and entertaining but utterly irresistible!
All around the world, one thing there’s no denying, is we all can look up and see the moon in the night’s sky because, in addition to sharing the air we breathe, we also share the sky and all its treasures. Heidbreder captures the marvel of nature and more in bite-sized poems filling 40 pages of pure delight. In his opening poem, Catch The Sky he writes
Look up! Gaze round! Cast eyes to air. Catch the sky that we all share.
Two-page spreads with poems on opposite pages cleverly take readers around the world to meet diverse characters finding so much wonder everywhere. Whether that’s a squirrel walking a power line or crows heading for home in the evening, there’s always something to enjoy with every page turn. One particular spread I like is a city buildings scape with the first poem showing people on rooftops flying kites. In the foreground of the same spread is a birthday celebration and the poem is about balloons. With the story moving from sunrise throughout the day to nightfall, Catch the Sky can also be an ideal bedtime read that, with the lovely and calming art, should inspire beautiful and sweet dreams.
A POEM IS A FIREFLY Written by Charles Ghigna Illustrated by Michelle Hazelwood Hyde (Schiffer Kids; $16.99, Ages 5-8)
This gentle introduction to poetry is a rhyming tale that tips its hat to nature when describing all the things a poem can be. What perfect inspiration for the littlest poets in your family! A bear and his forest friends share their impressions about what makes a poem which teachers can use as a jumping-off point for creative writing prompts.
A poem is a wild rose, a promise just begun, a blossom new with fragrant dew unfurling in the sun.
Even without the vibrant art, Ghigna’s words are easy to imagine. Yet Hyde’s illustrations are not only cheerful and packed with adorable animals—the moose is my fave—they’re lush with a jewel-toned palette that complements the rich colors of all the animals. Kids will love how poems can be found everywhere, from a laugh to a sigh or in the stars in the sky. Talk about poetry at your fingertips!
A Kirkus Reviews Best Book An NCTE Notable Poetry Book
I have never read a poetry book quite like This Poem is a Nest. Its brilliance will stay with you long after you’ve finished your first reading. I want to emphasize first because you will want to return to it again and again, especially as your moods change. I could not put it down, eager to see how Latham would take her original 37-line, four-part poem, “Nest,” then create what she calls nestlings, 161 smaller poems within it on topics as broad as the seasons, space, the alphabet, relationships and emotions. I read in awe how she took the nest concept and then soared. It begins in 1. Spring
This poem has twigs in it, and little bits of feather-fluff. It’s got wings and birdsong stitched together with ribbons of hope.
Consider this book a key to an alchemist’s lab. It will take children to magical places they have never imagined words could take them, places where they will definitely create gold. Using the concepts of found poems or blackout poetry that Latham explains in the beginning of the book, she makes it all look so easy. But clearly it was not effortless. It obviously takes patience and commitment. This Poem is a Nest resonated with me because I could feel the love and devotion she put into each and every nestling. Latham includes tips in her conclusion to set readers off to find their own nests of inspiration. Wright’s simple black and white spot art is a treat, full of children dreaming, birds flying, and animals playing. I’ll leave you with this beautiful one called Parent Poem: this poem has endless faith in you. ENJOY!
Author-illustrator Douglas Florian deftly tackles those two remote places on our planet known as the Arctic and Antarctica in the most whimsical and unexpected ways in his poetry and art. At the same time he adds important factual information below each poem making this a must-read picture book. In other words, kids can come for the verse, but they’ll stay for the info since there is so much to learn, especially since these areas and their flora and fauna are threatened by climate change. There are 21 poems ranging from those about animals such as the polar bear, blue whale, the Arctic hare, and musk ox to ones about the polar regions, the tundra and climate change. Florian’s included clever wordplay and makes every poem a joy to read aloud especially the one about a ptimid bird called the Ptarmigan whose home is the rocky tundra. I pfound this one about krill especially pfunny:
Fish and penguins, squids and seals, all find krill make splendid meals. Blue whales eat krill by the millions: Millions! Billions! Trillions! Krillions!
Describing his original artwork, The Poetry Foundation said, “Florian’s illustrated poetry books for children often incorporate elements of collage, watercolor, and gouache on a surface of primed paper bags.” Kids will find the humor in the art pairs perfectly with the characteristics of the animals presented whether it’s the Arctic Hare toting an umbrella on a bad hare day or with the menace to small creatures, the very TALONted Snowy Owl. Backmatter includes info about Florian, his interest in natural science, and his engaging art style.
If you have a child that loves to learn while enjoying all different kinds of poems, Spi-Ku is the book for you to share with them. As wonderful as the poems are, so too is the variety of factual information included.
Middle-grade readers quickly learn that “all spiders are arachnids, but some arachnids mite not be spiders.” I always thought a daddy long legs was a spider, but it’s not. I also had no idea that a mite and a tick are part of the arachnid family. For some reason, I thought spiders have antennae but they don’t. What they do have are two main body regions and are “the only arachnids that have a narrow waist called a pedicel connecting the two main body parts.” How closely do you look at spiders? I honestly don’t take the time. At home, when I see a spider, I usually grab a plastic container to catch them and set them free outside.
Bulion breaks down different aspects of spiders. In Spiders on the Move this funny poem says it all.
Fishing Spider Row, row, row my legs, Pairs two and three are oars, My first legs feel the way ahead, Which do no work? My fours!
One of my favorite sections details in poems and prose how clever spiders are. Masters of disguise and creating ploys to catch their prey, these eight-legged creatures are not to be underestimated. There are sections on Spider Mamas, Spider Enemies and topics you might not ever have considered when thinking about spiders such as senses or their interesting courting rituals.
The plethora of poems are presented alongside descriptive paragraphs, and illustrations that are both whimsical, and scientifically accurate. Each one is so distinct and full of character. I applaud Meganck for not creeping me out with his spider art, and I think even mild arachnophobes will likely agree. Readers will find limericks, concrete poems, haiku, free verse, cinquains throughout the book with explanations about these and other poetic forms used in the comprehensive backmatter. Teachers can take advantage of the glossary of common and scientific names, a relative size chart, and more. Here’s a link to a teacher’s guide.
This middle-grade novel stands alone—in an amazing house that cares for three seemingly trapped sisters, Winnow, Mayhap, and Pavonine. Years ago, their parents left the girls this note, “Wait for us. Sleep darkly.” Outside, the house is surrounded by silver grass seeking opportunities to slither in—and it talks!
How have the stranded sisters gotten by? We learn in the opening line, “The house dressed Mayhap Ballastian in blue on the day her sister disappeared.” What a great way to start the story! I don’t want to reveal all the crazy-wonderful things, but have to share my favorite: the droomhunds, loyal doglike creatures. Since the sisters are unable to sleep (I can’t tell you why), each hund “could press itself into the tight space of a person’s mind.” Brushing them first helps because “the softer the droomhunds’ fur was, the more restful the girls’ sleep would be.” Cool stuff, right?
When fourteen-year-old Winnow, the eldest sister, leaves the house, problems arise. Upon her return, Mayhap (twelve-year-old middle sister and main character) questions the rift between them. However, Winnow falls into a troubled sleep, her eyes turning silver, her droomhund missing. Plot twists ensue.
Chewins’s writing is too lovely to rush reading through. This imaginative literary fantasy seeped in strangeness is also very much a siblings story. The relationship between the girls feels truthful and honest, even when set in such an unusual world.
DIJ – Do It Jewish, written by Barbara Bietz and illustrated by Daria Grinevich, makes a unique gift to give tweens who are eager to flex their creativity muscles. It even had me thinking about looking for my Nana’s rugelach recipe to play around with and update.
From filmmaking, songwriting, art, cooking, graphic novels to cartooning, midrash, and Judaica, there’s something here to suit everyone’s creative tastes. This clever nonfiction book jumps right into the first of its seven chapters. While the cooking chapter spoke to me the most, the songwriting chapter might resonate with your child or perhaps the one on painting and art.
Bietz approaches each chapter by first presenting motivational insights from an expert in the respective topic whether filmmaking, catering and cookbook writing, cartooning, or creating Judaica. These pros tell readers how they became involved in their area of expertise which is always interesting. Then they offer suggestions on how to get started, what tools/equipment tweens will need, and what to do next. I can picture kids taking the book along with them as a reference guide when first getting their feet wet in a particular area covered in the book. e
Bietz then goes on to share the individual experiences of someone pursuing a creative field that resonates with them, as a hobby or career. Everything is broken down into manageable steps as seen in the text and illustrations above and below.
I especially liked how certain words are presented in a different font and color so readers can refer to these words in the glossary provided at the end of each chapter.
Every chapter is neatly tied into Judaism so just before Passover is a great time for kids to read this book. I remember recording my family at one seder for a Jewish holidays project I had in my university media class. My professor taught me how to edit the recording so I could add layers of my dialogue on top of my family reading from the Haggadah, sharing jokes, and commenting on the food served. My whole family was on board which added to the festive atmosphere that evening. This book reminds me of that course in that it’s like having a teacher, professor, or mentor at your child’s side as they dive into an area of the arts that they feel passionate about.
Bietz and the professionals she’s interviewed all explain how easy it is to gain experience by seeking help from those closest to us—family and friends fieldwork so to speak. Grinevich’s spot art, as well as occasional photos, nicely break up the text and add colorful appeal. I hope your kids will take advantage of the upcoming holiday to explore some of the topics in DIJ-Do it Jewish by joining you in the kitchen, the synagogue, or out in your community as they gain a better understanding of what Jewish creativity is all about.
In The Elephant in the Room, when middle-schooler, Sila Tekin’s mother is stuck in Turkey trying to get her immigration paperwork in order, the loneliness is almost unbearable for her and her father, Alp. Sila’s newly withdrawn demeanor prompts her school to pair her with autistic classmate Mateo Lopez in a special program that has the kids spending time together at the end of each school day. The point is to help both kids socialize more and, after a slow, silent start, they eventually begin getting to know each other.
Life changes dramatically for Sila and Mateo when Alp is hired to fix an old truck owned by widower, Gio, who lives on a non-working farm on the outskirts of town. Sila and Gio seem to form an immediate bond, even before they discover that Gio’s late wife was Sila’s beloved second-grade teacher. When an odd string of coincidences leads to Gio rescuing a young elephant named Veda from a failing circus, Sila and Mateo wind up with the most awesome summer job ever—caring for Veda. Sila connects to the young pachyderm on a deep level, realizing that, like her, Veda must really miss her mother. A reunion of either mother-daughter pair feels out of reach, but with a team of caring friends—maybe it’s not.
Author Holly Goldberg Sloan has another deeply heartfelt hit on her hands. Again employing the multi-POV device she uses so brilliantly, she lets readers see and feel the unfolding of these extraordinary events through various characters’ eyes. Veda’s POV is used sparingly but impactfully, and even the supporting animal characters—a flock of undisciplined flamingos, a ravenous bear, and a loyal dog—whose POVs we’re not privy to, are well-drawn, quirky, and fun.
Both kids are battling quiet storms within, which makes them interesting and empathetic. Gio is wonderfully complex. His desire to rediscover meaning in life, coupled with voluminous lottery winnings, propel him to take on caring for Veda, somehow feeling it’s something he has to do. His connection with Sila seems similarly fated, and their special bond serves as the glue for all of the characters. A story of hope, longing, love, and action, The Elephant in the Room will show middle-grade readers that things—people, animals, situations—are not always what they seem and that they’re not always as powerless over circumstances as they sometimes feel.
This year choosing books to include in our Recommended Reads for Kids – Black History Month Roundup has been more difficult than ever because there are dozens of excellent ones being published and more on the way. Here is just a small sample of great reads, from picture book to graphic novel to young adult fantasy that are available for kids and teens to enjoy.
A NEW YORK TIMES BESTSELLER ★Starred Review – Kirkus
The ABCs of Black History is the kind of inspiring book children and adults will want to return to again and again because there is so much to absorb. In other words, it’s not your mother’s ABC book. Written in uplifting rhyme by Pushcart Prize-nominated poet Rio Cortez, this gorgeous 60-page picture book is at once a look back in time and a look to the future for young Black children. However it is recommended reading for children of all races and their families.
Cortez has shined a lyrical light on places, events and figures familiar and less familiar from Black history with comprehensive back matter going more in depth. Take H for example: “H is for Harlem—those big city streets! / We walked and we danced to our own jazzy beat. / When Louis and Bessie and Duke owned the stage, / and Langston and Zora Neale Hurston, the page.” J is for Juneteenth and S, which gets double coverage, is for scientists and for soul. Adding to the hopeful tone of Cortez’s rhyme are Semmer’s bold and vibrant graphics which jump off the page. The dazzling colors pull you in and the variety of composition keep you hooked.
The ABCs of Black History is a book you’ll want to read together with your young ones and let your older children discover and savor on their own. It’s not only a visual and aural treat, it’s a sweeping celebration and exploration of Black culture and history that is beautiful, compelling, thought provoking and thoroughly unputdownable! • Reviewed by Ronna Mandel
★Starred Reviews – Booklist, Kirkus, and Publishers Weekly
Adapted from the final chapter of Dovey Johnson Roundtree’s autobiography Mighty Justice, We Wait for the Sun is an intimate look at a tender moment in Dovey’s childhood. The book opens with a preface about the main character, Dovey, who grew up to be a legendary figure in the fight for racial equality-all through the influence of her beloved grandmother, Rachel Bryant Graham. Dovey loved to share stories of Grandmother Rachel; this book is the story she loved best.
In “the midsummer night” when it’s “dark and cool,” Dovey and her grandmother walk “through the darkness toward the woods” to pick blackberries. Lyrical language and textural illustrations awaken the senses and draw us into their adventure.
Other women join in and the trip goes deeper still into the forest. Staring at Grandma’s shoes, Dovey is literally following her grandmother’s steps into the darkness. But Grandma Rachel provides comfort and reassurance. “If you wait just a little, your eyes will learn to see, and you can find your way.”
Through such examples of wisdom and encouragement, it’s clear to see why Grandma Rachel was such an inspiration to Dovey and her later work as a civil rights lawyer. As they sit in the forest and listen to its “thousand sounds,” a double page spread shows an aerial view of their meditative moment, immersed in the magic of their surroundings.
And when they reach the berries, they’re every bit worth the wait-plump, juicy, and sweet-like the lush layers of purple, blue, and pink illustrations that display a beautiful berry-colored world as dawn, bit by bit, turns to day. Wrapped in each other’s arms, Grandma and Dovey watch the sun rise in its golden splendor. Grandma’s steadfast waiting for the light, despite the present darkness, is a moving message of hope, resilience, and bravery.
Back matter includes an in-depth note from co-author Katie McCabe chronicling Dovey’s fight against barriers in the law, military, and ministry. For anyone interested in the powerful ways family and history intersect, We Wait for the Sun is a must-have in every library. • Reviewed by Armineh Manookian
While white Americans eagerly embarked on carefree car travel around the country, in 1930s Jim Crow America the road was not a safe or welcoming place for Black people. In Opening the Road: Victor Hugo Green and His Green Book, Keila V. Dawson explores the entrepreneur Victor Green and his successful The Negro Motorist Green Book which was borne out of dire need.
Young readers will learn about the limitations that were in place restricting the freedoms of Black Americans to have access to the same conveniences whites did due to segregation laws. For instance, a road trip for a Black family meant bringing food, pillows, and even a portable toilet since most establishments along a route were for whites only. The same applied to hotels, service stations, auto-mechanics and even hospitals. And in “Sundown” towns, where Blacks could work but not live, those individuals had to be gone by sunset or risk jail or worse.
In this fascinating 40-page nonfiction picture book, Dawson explains in easy-to-understand prose exactly what obstacles faced Black travelers and why Green, a mail carrier, together with his wife Alma, decided to publish a directory. Inspired by a Kosher guide for Jews who also faced discrimination, Green began collecting information from people on his postal route about where safe places were in New York.
Eventually, with word-of-mouth expanding interest in Green’s book, he began corresponding with mail carriers nationwide to gather more recommendations for The Negro Motorist Green Book on more cities. Soon everyone from day-trippers to celebrities were using the Green Book. Green even made a deal with Standard Oil for the book to be sold in Esso gas stations where it “flew off the shelves.” Harris’s illustrations take readers back in time with colorful, realistic looking scenes of big old cars, uniformed service station attendants and locations in Black communities that opened their doors to Black travelers. Apart from a break during WWII, the book was sold until the need for it finally ended with the last edition in 1966-67.
Equality both on and off the road was the ultimate goal for Black Americans. That may have improved somewhat from when the first Green Book was published in 1936, but Victor did not live to see the Civil Rights Act of 1964 enacted, having passed away in 1960. However there is still a long road ahead because, unlike Victor’s Green Book, racism has not disappeared and being Black while driving can still be dangerous, even deadly.
Dawson dives into this in her five pages of back matter that include a clever roadway timeline graphic from the beginning of Green’s life in 1892 until the Green Book ceased publication. This is a helpful, thoughtfully written book to share with children to discuss racism, and a good way to begin a discussion about self-advocacy, ingenuity, and how to treat one another with respect. It’s also a welcome example of how Green channeled his frustration and dissatisfaction into a guide that ultimately changed people’s lives for the better. Click herefor an essential Educator’s Guide. • Reviewed by Ronna Mandel
Kadir Nelson, in his interesting introduction to James Otis Smith’s graphic novel Black Heroes of the Wild Westpoints out that cowboys, ranchers, homesteaders and other people from the Old West (west of the Mississippi River “during and after the American Civil War”) were historically portrayed in books, movies and TV through a white lens. In reality up to “a third of the settler population was African American.” I couldn’t wait to find out more about Mary Fields, known as “Stagecoach Mary” in her day, Bass Reeves, the first black Deputy U.S. Marshal west of the Mississippi, and “mustanger” Bob Lemmons, perhaps the original Texas horse whisperer.
All three individuals were forces to be reckoned with. First there’s Mary Fields, born into slavery in Tennessee. In her lifetime, she maintained fierce loyalty to friends, loved children, was generous to a fault, and had strength and energy second to none. She’s most noted, however, for her reputation as a banjo strumming, card playing, first African American female stagecoach driver who never missed a delivery and was not easily thwarted by wolves or bad weather.
I was blown away learning about Bass Reeves’s bravery in outwitting some murderous outlaws on the Most Wanted List. In the account Smith shares, Reeves single-handedly put himself into a dangerous situation by turning up as an impoverished loner looking for any kind of work to earn his keep. By cleverly offering up his services to the mother of the villains, earning her trust, and ultimately that of the bad guys too, he was able to capture them completely off guard. This plus thousands of other arrests cemented his place in history. The best part was how Smith’s illustrations conveyed Reeves in the particular scenario of capturing the outlaws by surprise which in turn surprised and satisfied me immensely.
Last but definitely not least is Bob Lemmons who was hired to corral wild mustangs and whose humane technique was not deadly to any of the horses, something other mustangers had not been able to manage. Smith takes readers on a journey of the senses along with Lemmons as he follows a group of mustangs he intends to wrangle, and details in both art and text how eventually Lemmons becomes one with the stallion leading the “manada” (mares and colts). “Bob knew their habits, their body language, their sounds. Like them, he flared his nostrils sniffing for danger.” You don’t have to be a horse lover to be impressed how Bob’s slow and steady approach made the mustangs think he was one of them.
Eight comprehensive pages of fascinating back matter round off this excellent middle grade read that will no doubt have tweens eager to find out more about these and other Black heroes. • Reviewed by Ronna Mandel
★Starred Review – Booklist A NEW YORK TIMES BESTSELLER
The Gilded Ones is book one of a West African-inspired epic fantasy series that will grab you from its first page. When girls turn sixteen, they must undergo The Ritual of Purity where they are bled to see if they can become a member of their village. However, if a girl’s blood runs gold, then she’s found impure and faces a fate worse than death. If Deka’s father had the money, he would have sent her to the House of Purity the year before the ritual, keeping her protected from sharp objects. Instead, Deka must be careful while she worries and prepares.
When Deka fails, she’s tortured until a mysterious woman she names White Hands offers an option out. The empire’s being attacked by seemingly invincible Deathshriek creatures. Deka becomes an alkali soldier fighting alongside other girls like her with powers that make them nearly immortal.
Namina Forna says, “The Gilded Ones is a book about my anger at being a woman. Sierra Leone was is very patriarchal. There were things I was expected to do as a girl because I was a girl.” This emotion is harnessed into the story, revealing societal inequities in an intricately woven plot that will surprise and enflame you.
Deka has the best “sidekick” ever—a shapeshifter called Ixa. Though there are elements of romance, it’s strong females who rule the plot. This book provides a fresh look at the “gods and goddesses” trope. The Gilded Ones is fierce, brutal, and relevant. Read it. • Reviewed by Christine Van Zandt (www.ChristineVanZandt.com), Write for Success (www.Write-for-Success.com), @ChristineVZ and @WFSediting, Christine@Write-for-Success.com
Click here to read another Black History Month review. e
In The Great Pet Heist, when elderly Mrs. Food slips on some dog barf and ends up too injured to return possibly ever, her pets must fend for themselves. Walt (don’t call me Lucretia) is an Oriental shorthair and the sly female lead. Her sidekick is lovable but slow at times Butterbean, a male long-haired wiener dog, whose claim to fame is his nostril-probe lick. The main crew is comprised of Oscar the smart mynah bird, and the amiable rats Marco and Polo. e
A girl from their building named Madison comes by to take care of the basics, but the pets know it’s hasta la vista soon. Their situation seems dire until they stumble upon a possible criminal in their building who may have enough gold coins to give the animals riches to care for themselves. Once the heist is launched, a series of funny antics will keep you wondering whether these characters will succeed, or if it’s off to the pound.
Throughout, Dave Mottram’s art is beautifully done, adding another layer of humor to Ecton’s story. Though Walt was my favorite character, I fell for Chad the octopus once I saw him rising out of toilet bowls and tripping up the villain. Take a close look at the image next to the title page of The Great Pet Heist to find Chad.
In book one, Twinchantment, identical twins Flissa and Sara must act as one person (Princess Flissara) to escape the Kingdom of Kaloon’s Magic Eradication Act which cites twinhood as reason for removal and re-homing. Book two, UnTwistedby Elise Allen, picks up on Ascension Day as the girls officially take their individual places in line for the throne. However, the new Magical Unification Act hasn’t been a simple fix for harmonious living. A top priority in the Kaloonification was bringing together the Mages, Genpos (people without magic from the general population), and Magical Animals at a school called the Maldevon Academy. However, cooperation between the groups is easier said than done, and someone is out to destroy the unity.
Favorite characters of mine from book one continue in UnTwisted: Galric and his adorable black kitten Nitpick, evil lioness Raya, and Loriah—who I’m happy to see has a bigger role. New characters like Zinka enliven the story. Plot misdirection keeps the twins searching for who’s behind the escalating ripples of unrest while they also navigate newfound friendships and how to fit in at school.
Chapters once again alternate viewpoints between Flissa and Sara. Allen successfully extends character development across both books. In UnTwisted, the girls’ individualities take center stage and their sisterly bond fractures. I like how the books show Kaloon progressing from the Magic Eradication Act to the Magical Unification Act, and the problems of both all-or-nothing edicts.
This series will appeal to kids who like books about adventure, magic, and relationships. The delightful Twinchantment novels combine high-stakes action with relatable, dimensional tween issues. It feels there’s more to come from these dynamic twins.