There’s a timeless, feel-good quality to Roxanne Troup’sdebut fiction picture book My Grandpa, My Tree, and Me, illustrated by Kendra Binney. After finishing it, I wanted to sit back and imagine myself in the bucolic surroundings where the story takes place.
Binney’s appealing artwork transported me to a pecan orchard for the first time where the action unfolds as a little girl spends time with her grandfather and narrates, “My grandpa planted a tree for me on the day I was born.” She also tells us that, despite having an orchard full of pecan trees, Grandpa’s favorite tree is that particular one, thus establishing the strong bond these two characters share.
Through changing seasons starting in winter when it’s pruning time, and the annual growth cycle of the orchard, we learn how pecans mature and are harvested. At the same time, the special relationship between the child and her grandpa exudes from the warm, muted illustrations coupled with Trout’s lyrical prose. I especially felt that each time I read the lovely repeating phrase “But not my tree.” In spread after spread the young girl describes how the other pecan trees are treated en masse as part of the commercial harvesting process, while hers receives individualized care from her grandpa. Together the two tend to her tree with love and respect which also serves as a metaphor for their relationship.
At last, when the husks open, it’s harvest time. The joy is palpable on the page. Then “Grandpa attaches a padded arm to his tractor. It hugs the trees’ trunks and shakes until leaves and twigs and pecans rain down.” When it’s her turn and with Grandpa there to savor the experience, the girl uses a long pole to make the pecans drop. The orchard’s pecans will be collected by the harvester for sale but the girl’s pecans will be baked into a scrumptious pecan pie. And, not to spoil the beautiful ending, suffice it to say that Troup and Mother Nature’s miraculous cycle of growth delivers a delightful and very satisfying dénouement in this touching layered tale.
Troup, who is not a newcomer to writing, knows how to tell an engaging and tender story while infusing interesting information into it, clearly owing to her extensive nonfiction background. The pacing of My Grandpa, My Tree, and Me moves forward easily like the seasons in the orchard. There’s a soothing rhythm to the language that makes the book an ideal read any time of the day, including bedtime. Did you know that pecans are considered a native nut to North America? Find an All About Pecans note detailing the history of the commercial pecan industry along with a helpful glossary in the back matter.
Elisa Boxer: I’m so happy to be here interviewing my Soaring 20s colleague and friend Kirsten W. Larson about her newest picture book,The Fire of Stars: The Life and Brilliance of the Woman Who Discovered What Stars are Made Of. It’s an absolutely stellar book! Kirsten weaves together two stories in one: The creation of a star, and the evolution of astronomer Cecilia Payne, who discovered what stars are made of …
Kirsten, you make the dual narrative structure look easy. But I know it is anything but! Did you set out with the intention to write a dual narrative? If not, at what point in the process did you decide on this format?
Kirsten W. Larson:This was a last-minute decision, believe it or not. In May 2017, my agent Lara Perkins (of Andrea Brown Literary Agency) and I were preparing to sub this book as a run-of-the-mill picture book biography. Meanwhile, I was working on a blog post featuring Hannah Holt’s query letter for THE DIAMOND AND THE BOY (Balzar + Bray, 2018). The book itself was still over a year away from release, but the query stuck with me. Hannah pitched her biography of Tracy Hall, who invented lab-produced diamonds, as “a two-tale picture book—a turn and flip. … The two stories meet in the middle with a shared phrase.”
That was a total lightning bolt moment. I finally saw a way to add more hooks to my story and appeal to readers of both biography and informational books – by telling two stories at the same time. I went back and added the story of star formation alongside Cecilia’s formation as a star scientist.
EB: That’s fascinating! The story is so seamlessly woven, I never would have guessed that it was a last-minute decision. What was the most challenging part about writing a book with this structure?
KWL: I think what sets this book apart from other parallel biographies (and made it very challenging to write) was the idea of having a shared line of text on every spread that applied to both stories – the star and Cecilia. It seemed like a good idea when I came up with it, but then it proved to be much harder to pull off. At one point I told Lara I couldn’t do it, and we should forget about it. But she kept encouraging me. She knew I could do it. But it was so, so hard.
Then, once I was working with editor Melissa Manlove of Chronicle Books, she had the additional idea of wanting to be able to read those shared lines only, without the additional text about Cecilia, and have it make sense for the youngest readers. The whole thing was a real puzzle, but I’m so happy we were able to get everything to work. It makes this book truly special.
EB: I’m so glad that Lara kept encouraging you, and that you stuck with it. You’ve created the perfect mentor text for aspiring authors of dual narratives. What advice would you give them?
KWL: I think this is a case where you have to be careful about the form not overtaking the writing, much like when you are writing poetry or even lyrically. For me, it helped to plot out both stories independently, step by step. I nailed down Cecilia’s major plot points, asking myself questions like “What’s the inciting incident?” “What’s the all is lost moment?” etc. Then I wrote down step-by-step how stars formed before trying to line the two stories up and brainstorming what language might connect them. I am a very visual writer, and I actually thumbnailed the stories in my journal trying to match things up and experimenting with language. You can see some of my journal pages here.
EB: I love the scene at the beginning, where Cecilia’s mother sets her down in the snow, and she expects a warm blanket, but instead finds her toes freezing! “It’s the first time Cecilia learns things aren’t always as they seem,” is such a powerful statement that foreshadows her discoveries to come. At what point in your research did you come across that particular anecdote, and how instrumental was it in building your scenes and threading that theme?
KWL:The theme of this book was always the “ingredients” of a successful scientist, characteristics like being a good observer, curiosity, passion, and persistence. The book always showed how Cecilia exhibited those characteristics even as a child. For example, the scene where she watches slimy slugs in the garden was there from the start as was the scene about the bee and the bee orchid, which really set her on her quest for discovery.
But, to your question, I came across that story of Cecilia and the snow very early on in my research. Yet even though I knew about that story from the beginning, I didn’t include it until I started working on the parallel structure! I needed something that came before Cecilia in the dust and dirt of the garden, something that nodded to the star she would become.
That’s when I added this moment in the snow. I just tracked down a document on my computer when I “unwrote” Cecilia’s story, summarizing what needed to happen spread-by-spread in a line or two. That’s the last thing I wrote before I pieced the two stories together.
EB: Those same ingredients of curiosity, passion, and persistence clearly apply to you and your research as well! Can you tell us a bit more about your research process?
KWL:This book was a bit of a departure from my usual research process. Typically, I like to start with secondary sources for context before digging into primary sources to hear my characters’ voices in letters, diaries, and autobiographies.
At the time I started my research, there weren’t many book-length secondary sources about Cecilia at all. Dava Sobel’s GLASS UNIVERSE wasn’t out yet, nor was Donovan Moore’s biography. So I moved pretty quickly to primary sources like Cecilia’s published autobiography, her oral history from Harvard, and her research papers including her dissertation.
I did a lot of research around the edges, including the women who worked at Harvard Observatory and the field of astronomy and astrophysics to understand what was known in the field of astronomy at the time Cecilia was working. I talked to physicists and astronomers to discern the magnitude of her contributions.
EB: How much of yourself do you see in Cecilia?
KWL:What I’ve learned through this book and WOOD, WIRE, WINGS is that “STEM people” and “creative people” have so much in common. We’re all creative. We’re all problem solvers. We all take feedback. We all fail. So, yes, I feel a great affinity for Cecilia, especially that feeling of being lost and feeling hopeless, as well as that thrill of the shiny bright moment when an idea comes together and a new piece of knowledge or art comes into the world.
EB: Speaking of shiny and bright and everything coming together, Katherine Roy’s illustrations are breathtaking. What was it like seeing her preliminary sketches and watching them evolve?
KWL:Katherine’s work on this book is incredible, and it’s such a thrill to see her splattering paint and using toothbrushes to give the impression of star formation.
The original visual idea for this book, which I put in art notes for our editor, was to split the story horizontally, with the star’s story on the top and Cecilia’s below. I saw some early sketches, and it wasn’t working the way we hoped. The star story seemed very disconnected from Cecilia’s. When Katherine shifted the two stories to a side-by-side the whole thing really started coming together. This just goes to show you the tremendous power of illustrators who know far more about visual storytelling than authors do. This book was such an adventure!
EB: I couldn’t agree more, from a reader’s perspective, that this book is an incredible adventure! One of my new all-time favorite picture books. Thank you so much for giving all of us a peek into your process.
Elisa Boxer is an Emmy and Murrow award-winning journalist whose work has been featured in publications including TheNew York Times and Fast Company. She has reported for newspapers, magazines, and TV stations, and has a passion for telling stories about people finding the courage to create change. She is the author of several nonfiction picture books including The Voice That Won the Vote, A Seat at the Table, One Turtle’s Last Straw, SPLASH! (a Junior Library Guild Gold Standard Selection), Covered in Color (called “compelling from cover to cover” in a Kirkus starred review) and Hidden Hope (called “an important true account to add to all collections” in a School Library Journal starred review). Elisa lives in Maine, and has more children’s books on the way. Visit her at https://www.elisaboxer.com
The title of Mary Kay Carson’s new picture book drew me in:The River That Wolves Moved: A True Tale from Yellowstone. What?! How? I wanted to find out. Using the structure of “The House That Jack Built,” we learn why wolves are a crucial part of the ecosystem. Without them, elk overpopulate, overgraze, and, ultimately, cause muddied rivers to forge different paths.
Pages incorporate new lines while repeating what’s come before. Additional information is provided below the main text to paint a broader picture of each animal’s contribution to diversifying the environment.
Yellowstone National Park was created in 1872. In the subsequent years, wolves were legally hunted, trapped, and poisoned by rangers and ranchers. By the early 1900s, wolves were gone. Facts are presented in a manner that kids can understand and, rather than seeing wolves as the bad guys, we learn they are helpful and necessary.
The illustrations by David Hohn capture the beauty of nature through the eyes of a young girl and her grandfather. Evocative, warm art combined with the lyrical text make this important topic accessible for the youngest child, hopefully fostering environmental stewardship.
DEEP, DEEP DOWN: The Secret Underwater Poetry of the Mariana Trench
Written by Lydia Lukidis
Illustrated by Juan Calle
(Capstone; $18.99; Ages 7-11)
From the Publisher:
“Deep, deep down, at the very bottom of the ocean, lies a secret world. Through lyrical narration, this spare-text STEM picture book takes readers on a journey to a place very few humans have ever been—the Mariana Trench. The imagined voyage debunks scary myths about this mysterious place with surprising and beautiful truths about life at Earth’s deepest point. Deep, Deep Down shows a vibrant world far below, and teaches readers how interconnected our lives are to every place on the planet.” e
Lydia Lukidis and Juan Calle bring the underwater world of the Mariana Trench to life in Deep, Deep Down, a narrative nonfiction title with art that hints at the color and form that may be hidden down below. (Since no one knows for sure what that world would be like to the human eye, I appreciate the disclaimer given on the copyright page, though would like it to be larger to grab readers’ attention.) And while I would not call this a “lyrical” title (it doesn’t have the consistent rhythm I would expect from a lyrical title—even the non-rhyming ones), the text reads smoothly and the author has done a good job of describing this world using vivid, child-friendly verbs and adjectives.
I especially love the added sidebars and captions on each spread that indicate both where we are in the ocean and the creature highlighted in the illustration. These added bits of information (and the three pages of backmatter!) make this title perfect for all ages of fact-hounds; however, I’d like to point out that the suggested age for this picture book is seven to eleven years old. I can see this title being used in the classroom both as a science text and an excellent example of vivid language, and becoming a favorite of students who just want to sit and browse the beautiful illustrations.
An astronomer at heart, Jordie “even name[s] her dog Neptune.” When a literal out-of-this-world incident happens in her class one day, she is more than excited to explore it. A little black hole, “churning in [her] desk” is eating anything and everything around it and is hungry for more.
Like finding a pet, Jordie decides to keep the black hole, bringing it along with her on the bus ride home. After devouring belongings in her backpack, the black hole starts gobbling items in the closet where Jordie has put it to hide from her parents. The black hole doesn’t discriminate; all items are fair game–with one humorous exception.
Readers will love this zany concept of a black hole that appears out of nowhere and causes problems of cosmic proportions. Adding to the delightful absurdity is its disdain for Jordie’s unicorn underwear that it spits out on more than one occasion. Like Boyle’s language, Melmon’s adorable and vivid illustrations add personality and pizazz to the antics of this one-of-a-kind character.
When Jordie discovers Neptune’s empty collar, she finally decides enough is enough and finds a clever way to reclaim her possessions including her beloved dog. She sends the black hole back to where it belongs–in a galaxy far, far away.
A fun, early elementary-grade-level read, this STEM picture book includes intriguing facts about black holes and a link for further study.
Stand up and roar for Lily Williams’sIf Tigers Disappeared, the fifth book in her award-winning series. If Tigers Disappeared follows the familiar pattern: we learn where the animals live, some history about them, and why their populations have declined. Tigers have been around for more than two million years, yet in the past 100 years, humans have nearly wiped out their population. When an animal becomes extinct, the ripple effect (also called the trophic cascade) has far-reaching effects on our ecosystem.
Since tigers are apex predators, the animals they eat flourish when no longer hunted by the big cats. These population booms then cause changes to the forest, waterways, and landscapes. This immense concept is conveyed simply, inviting kids to think about our world’s interconnectedness and demonstrating how indigenous people should continue to be involved in tiger conservation. Though the topic is quite sad, the overall feeling is of hope, emphasizing the importance of knowledge and advocacy for these amazing animals.
Williams’s tigers are magnificently drawn in many stages of action, including a couple of curious cubs. Back matter includes a glossary, recap of the tigers’ endangered status, and information on how we can help. This important book educates while charming us with lively images of six remaining subspecies of tigers.
From the Publisher: “Hot off the printing press, Penny feels like a million bucks. But as other coins and bills are spent while she sits forgotten, she begins to doubt her value … Refusing to be short-changed, she sets out to find her purpose at any cost.”
From Kirkus Reviews: “Combining a dash of math with buckets of good humor, this book is certainly like money in the bank.”
REVIEW:
Fresh and fun, A Penny’s Worth written by Kimberly Wilson and illustrated by Mark Hoffmancombines loads of money-themed puns with a subtle message on self-worth that young readers will love.
Kimberly Wilson’s debut shines like a new penny under the expert care of Mark Hoffman’s humorous art that will entice children to spend time searching out each detail on the page.
And the silliness continues in Wilson’s pun-filled backmatter that not only offers fun facts about pennies, but illustrates the value of each coin and bill featured in the text. I expect this book will become a favorite in elementary classrooms around the country.
From the Publisher: “In this exciting guessing game for budding nature lovers, a child takes a walk to explore the sights and sounds in a garden, across a meadow, and along a brook … Dianne White’s playful text is paired with the vibrant collage artwork of Amy Schimler-Safford.”
Dianne White’s simple, rhyming text introduces young readers to the colors and sounds of creatures that live in each ecosystem using a riddle-like structure that invites page turns. At the same time, Amy Schimler-Safford’s gorgeous, collage-style art encourages little eyes to seek and find the hiding creature …
Accessible backmatter in Look and Listen offers readers and/or teachers more information about the habitats and animals highlighted in the book. This radiant picture book inspiring all five senses would make a great read-aloud for preschool classrooms to use just before a nature walk or trip to a National Park.
From the Publisher: “A stray maple seed, is picked up by the wind and begins a long, wordless journey through a local neighborhood…Eventually, it finds a place to rest …Years later, a family that encountered the whirligig on its journey takes a walk in the forest and meets the seed again—this time as a fully grown maple tree.”
In this appealing wordless picture book with inviting art and a diverse cast of characters, Deborah Kerbel and Josée Bisaillondescribe the unpredictable journey a seed takes as it whirls its way through a family’s backyard, past the wheels and paws of several park visitors, into the hands of a few curious kids, and onto the artwork of another.
In time, the seed sprouts and grows, and is discovered by another park visitor who delights over its “magic.” A swirl of wind grounds the story and guides the reader through this visual tale perfect for spending time in nature. A back page of maple seed facts also offers readers inspiration for conducting their own research into similar topics.
Get ready to laugh as you learn while enjoying this funny, nonfiction picture book,Battle of the ButtsbyJocelyn Rish. I thought I knew a lot of animal facts but was amazed by what this author uncovered in her research. The book is set up as a competition between ten creatures, inviting the reader to vote on each animal (rank them from Terrific Tush to Boring Backside), then choose a winner at the end.
One of my favorite contenders is the bombardier beetle. Its booty blasts a scalding 212°F chemical mixture at predators. This liquid can reach a speed of 22 miles per hour and its 270-degree swiveling butt can emit 20 blasts in a row before running out. What a superpower! However, it’s hard to deny the awesome, multitasking sea cucumber: it breathes, eats, and shoots organs out of its butt—“a Swiss Army knife of abilities.” Some species have anal teeth; yet, even with that kind of protection, long, skinny pearlfish like to live in a sea cucumber’s rear.
Bright, engaging, and hilarious illustrations by David Creighton-Pester add even more humor. For example, cutie-patootie wombats use their shield-like backsides for defense, and smiling, gassy schools of herring communicate by farting. These unusual attributes are conveyed in a kid-friendly manner making this book a hit in classrooms, libraries, and at home. Stay tuned for Battle of the Brains (fall, 2022) by this same fanny-tastic team.
From seed to “super bloom,” debut author, Lisa Kerr, introduces readers to the California desert poppy in a combination of lyrical and expository nonfiction text. From the publisher: “A lyrical ode to California’s most treasured wildflower, Wake, Sleepy One gently captures the quiet strength of the poppy in all its breathtaking wonder.”
As the sleepy poppy wakes, it “rises” from the ground “reaching” for the sun and “waiting” for her time to shine. This “tiny dancer” swirls and twirls in the breeze as it is joined by hundreds of other waking seeds in a rare natural phenomenon of the desert super bloom.
Lisa Powell Braun’s charming artwork supports Kerr’s spare text and offers a variety of reading options for this book. The youngest of listeners will be able to grasp the story’s concept and watch the poppy “wake…rise…reach…wait…unfold…dance” and “shimmer” with a simple reading of each page’s single italicized line. Preschool and kindergarten listeners will delight in the added emotional tension of the entire main text, while older readers will appreciate the facts in Kerr’s nonfiction sidebars.
Life is simple for the little caterpillar who appreciates sleeping, eating, and crawling around until an unknown thing calls him beautiful setting him off on an adventure in the forest to answer the question, “what does beautiful mean?”How Beautifulis written by Italian school teacher and picture book authorAntonella Capetti and illustrated by bestselling picture book illustrator Melissa Castrillón.
Castrillón’s stunning illustrations capture the serenity and peacefulness the caterpillar feels while resting in the forest leaves. From the lovely warm golds and reds, we can imagine what life is like for the caterpillar as he talks to the bee and rests inside a red flower. “He never questioned anything.”
Soon a hand with thin fingers lifts the caterpillar off the ground. Caterpillar is confused by this unusual twig because it has no leaves and moves faster than any twig he has ever seen. The opposite page introduces a new scene with Unknown Thing standing in front of the caterpillar (ódraws a pig-tailed girl in the distance) who says, “’You’re so beautiful.’ Then it gently laid him and the twig down, and as suddenly as it arrived, it went away.”
The unquestioning little white bug with the big pink cheeks begins to question for the very first time, so he embarks on a journey to find out if others in the forest know what beautiful means. He begins by asking the big purple-hued bear with bees buzzing by. “’Oh, this is beautiful,’ the bear answered. Lifting up a honeycomb between its paws.” But the blackbird nearby disagreed.
Hmm, it was time to ask others living in the forest. Frolicking in the yellow leaves are three squirrels and the caterpillar asks them “What does beautiful mean?” Honeycomb is not their answer. Instead, they reply that they like dry leaves. Blackbird again disagrees. “Those are not beautiful. Those are fun.”
Caterpillar begins to feel sad when he previously felt so content. The once happy-faced caterpillar is now depictd with a sad face as confusion takes over his thoughts. He asks a deer which ends up being no help. “If only he could go home to his leaf, and get rid of the blackbird and the bothersome question.” The page darkens as night sets in and the tired animals of the forest lay on the ground looking up at the sky. “How beautiful! They all exclaimed.” They finally agreed.
Capetti’s prose provide great conversation starters asking the reader, what do you consider beautiful? Why do two people (or animals) who are asked the same question give different answers? Teachers will be delighted to come up with questions to ask during storytime. Capetti’s story opens up a topic of self-discovery for young kids to understand that sometimes questions have more than one answer. How Beautiful is written and illustrated in a thought-provoking way, showing children that it is okay to question what they don’t know. This story shines a light on how the animals may have had different opinions about what is beautiful but by the end of the day, they all found something they could agree on.
In 2021 malaria is a preventable and treatable disease but it wasn’t always the case. Hundreds of thousands used to die from it annually but the mortality rate has declined since the medicine to cure it was approved. That’s why I was curious to read about Tu Youyou, the woman whose determination led to finding a cure for malaria and becoming the first Chinese woman to win a Nobel Prize.
InTu Youyou’s Discovery written by Songju Ma Daemickewith art by Lin, readers are brought back in time to Beijing, China in the 1930s. Youyou attended school when most girls her age stayed home but contracted tuberculosis as a teenager and had to drop out.
Fortunately, she survived due to antibiotics prescribed by her physician but was greatly weakened. A steady diet of “her mother’s herb soups slowly nursed her back to full strength.” This sparked her interest in how both “modern and traditional” medicines had helped her get well. Always a compassionate person, Youyou chose to pursue a career in science in order to help save lives. Little did she know then what a major contribution she would ultimately make when in 1969 malaria, like Covid-19 now, swept across the world bringing death in its path. After graduating from Peking University, “in 1955” she “became a researcher at the China Academy of Traditional Chinese Medicine in Beijing.” As part of a research group, Youyou was determined to find a cure for malaria and was in the right place at just the right time.
Youyou traveled around the country to document cases in hopes of gaining new insight into the disease. She found it when she met a farmer who had cured his own high fever by eating a local plant called qinghao, known in English as sweet wormwood. In her lab, she and her team tried various methods to create a cure using the qinghao, but nothing worked. However, Youyou did not give up. Despite little to no funding for the latest equipment, Youyou’s team performed experiment after experiment with no luck.
Then what appeared to be a breakthrough came from an unexpected place. Studying her family’s indispensable “A Handbook of Prescriptions for Emergencies, an ancient Chinese remedy book,” Youyou revisited the qinhao remedy only to realize that the book recommended just soaking the herb in water when all along her team had been boiling it. Perhaps the healing part of the plant had been destroyed during the experiments. Much to her dismay, this too yielded no results. Again, Youyou persevered. Many male colleagues had questioned her commitment to traditional medicine but “After 190 unsuccessful experiments, the test result of sample 191 stunned the team.” Sample 191 completely killed the parasites and so in 1971 a successful cure had been found. And while Youyou initially credited her entire team in research papers, over time “other scientists finally realized how involved she had been in the discovery.” In October of 2015, Tu Youyou was awarded the Nobel Prize in Medicine at a ceremony in Stockholm, Sweden. Her commitment to finding a cure for malaria has saved millions of lives and continues to do so to this day.
I’m so glad Songju has introduced Tu Youyou to me and to children in such an accessible way. I felt as if, despite knowing the outcome, that I was right alongside a detective solving a mystery. This nonfiction picture book bio provides engaging STEM reading for budding scientists, doctors, and inventors and puts Youyou’s name up there alongside other women in STEM history makers such as Marie Curie, Marie Maynard Daly, and Ada Byron Lovelace. Lin’s nice use of contrasting flat color palettes creates bright illustrations that have a print-making quality to them. Songju shares how labor-intensive the six steps of the scientific method are (see back matter for this info) but also how crucial. While not all experiments yield life-changing results, Youyou’s story is a great example of how teamwork and not giving up can make a difference. I was surprised to learn in the Author’s Note that although the first clinical trials for the malaria medicine known as artemisinin took place in 1972, it wasn’t until 1986 that the drug gained approval from the Chinese government and started being used around the globe.
The popular Baby Loves Science board book series has notched up over 15 titles in the collection touching on myriad STEM subjects from quarks to coding. In Baby Loves Angular Momentum on Hanukkah!little ones are introduced to the holiday, and in particular, the dreidel or spinning top game played by Jewish families around the world. Using the dreidel, Spiro presents the fascinating physics’ concepts of torque (what makes a dreidel spin), angular momentum (spinning rather than falling over), friction (what slows down the dreidel), and gravity (what makes a slowing dreidel tilt, wobble and eventually fall down). The best part is how the dreidel game ties everything together. There’s even the added element of learning the Hebrew letters on the dreidel, Nun, Gimmel, Hay, and Shin which also represent the words “A Great Miracle Happened There.” Chan’s bold, cheerful illustrations will engage children even if they don’t necessarily grasp the info. To be honest, learning this topic via a board book is about my speed and I’m sure there are other parents out there who’ll feel the same. The book provides a great way to start science conversations for curious minds constantly asking, “Why?”
Award-winning author and storyteller, Eric A. Kimmel has created a simple and simply funny Hanukkah tale about three potato pancakes, one red, one yellow, and one gold, competing to see who is the best. Is it the type of potato they are, the kind of oil they’re fried in, or the type of topping they’re dipped in? But what neither the lip-licking cat they ask to judge nor the latkes themselves never consider is exactly what that judging entails. Does the feline have a fave? I’m not going to spoil things except to say that I loved the surprise ending The Three Latkesdelivers to readers who, if like me, were already tempted to dive into this book because of the cat and latkes on the cover. Kimmel consistently writes engaging books for the Jewish community and this one is no exception. Parker-Thomas’s art, achieved with lots of line work and playful details, is full of movement, expression, and warm tones. Why not read this Hanukkah story aloud and have family members each play a role to add more fun to the story experience?
A RUGRATS CHANUKAH (POP CLASSIC) Based on the series created by Arlene Klasky, Gábor Csupó, and Paul Germain and the episode “A Rugrats Chanukah” written by J. David Stem and David N. Weiss Illustrated by Kim Smith
(Quirk Books; $18.99, Ages 4-8)
“In time for the Rugrats’ 30th anniversary, and 25th anniversary of the beloved Chanukah Special” comes a picture book version sure to be a hit with the whole family. And I for one could not be happier being reminded of the first time I watched the episode, then several years later sharing it with my children. Even if you never saw the special, A Rugrats Chanukah brings the entertainment to you in a 40 -page larger format picture book with illustrations by Kim Smith that make it feel as if you’ve stepped inside the original program and are watching like a fly on the wall.
Unfamiliar with the story? The story starts with funny endpapers that introduce readers to the main characters as a menorah sits atop a TV set. The Rugrats (Tommy, Chuckie, Phil, Lil, and Angelica) are at Tommy’s house and his mom is preparing the latkes. Meanwhile, Grandma Minka reads the little ones a story about Hanukkah (Chanukah in this book) where they learn about the bravery of Judah Maccabee. Here’s where one of my favorite lines appears. “A Maccababy’s gotta do what a Maccababy’s gotta do!” But Grandma Minka doesn’t finish the story and the babies speculate what all the activity going on at Tommy’s house, thinking it has something to do with birthdays. That’s when Tommy is close to blowing out the candles when Angelica stops him.
Everyone heads to the synagogue to see Tommy’s Grandpa Boris in a play about the meaning of Chanukah only the Rugrats mishear and think the play is about “The meany of Chanukah!” The babies decide they must help Grandpa Boris and save him from the meany. The funny misunderstanding is further exacerbated when the meany accidentally collides with Angelica and makes her cry. Now the babies must put their plan into action—getting the meany to fall asleep by reading them the Chanukah story. Will the Rugrats succeed? Like the miracle of Chanukah itself, the babies end up lighting the way and bringing everyone together in a heartfelt ending that is as warm and comforting as latkes with applesauce!
This chapter book is a fast, entertaining Hanukkah read that feels more geared toward the younger readers in its category. Kushner blends fantasy and adventure with contemporary elements after introducing us to the main character, Sara, and her big extended family.
When the story opens Sara is admiring all the Christmasy decorations in her neighborhood. She’d love a tree, too, but her mom explains that Jews don’t have Christmas trees. Sara simply is not convinced that Hanukkah (Chanukah in this book) is anything special. “Why can’t we just have the same stuff as everyone else for once?”
Sara, her mom, and her annoying older (though not by much) brother, Seth, are off to Aunt Leah’s house for a sleepover Chanukah party which neither sibling is keen to attend. Along with their cousins, Sara and Seth play dreidel, a game Sara finds boring, a foreshadowing of what’s to come. The party is in full swing when mysterious Tante Miriam shows up out of the blue and with more foreshadowing says, “It’s been some trip! Deserts, mountains, rivers . . . I crossed the Red Sea with all the rest. On the shore I danced, and then I sang and beat my drum and tambourine. . . . And then I collected a few things—you know, for the children.” From her immense satchel, Tante Miriam pulls out presents for the children. Sara, the last to get a gift, receives an oversized golden dreidel much to her displeasure. Before long, she and Seth are fighting over it when she accidentally throws it at the large plasma TV, shattering it. While Sara is to blame, all the kids get sent to bed.
Unable to sleep, Sara heads downstairs where she is distracted by a glowing light near the TV. That’s when she is transported through the cracked TV to a fantastical land by a girl with “crazy golden hair and sparkling eyes” who is totally into spinning. It turns out Tante Miriam’s dreidel gift is actually this very girl or Dreidel Princess, daughter of the Queen of Sheba and King Solomon. Once through the portal, it doesn’t take long for the Dreidel Princess to be kidnapped by demons who have escaped Solomon’s Cave. In this spin on The Nutcracker, rather than waging battle against an evil Mouse King, Sara finds herself needing to fight the Demon King, Ashmedai, to rescue the princess he has captured upon her return from Sara’s world. On her colorful journey to find the Dreidel Princess, Sara meets several interesting characters including the Queen of Sheba (my favorite of all the black and white illustrations). But ultimately it’s the Fool with his repertoire of riddles who provides the most help finding and then taking on the challenge the Demon King poses. Illustrator Keele has drawn the Fool aptly with wild hair, a sock as his hat, and a tie around his waist.
As the Dreidel Princess, this young girl possesses the power of the Tree of Life that her father, King Solomon transferred to her for protection. That power needs to be returned to the tree. Luck has it that the Demon King will let Sara and the Fool have the Princess back if they agree to play the Riddle Game. Readers, who have learned some riddles during Sara’s quest, will be happy to see Sara’s quick thinking stymie the opposition in order to free the Princess. After proving herself worthy of King Solomon’s praise, Sara asks him to help her right some wrongs. Now back at Aunt Leah’s, Sara awakens to a fresh new day with an enlightened perspective on Jewish history, dreidels, and likely will no longer balk at celebrating Hanukkah traditions in the future. Kushner’s book is an engaging read for kids not yet ready for longer middle-grade novels but eager for a satisfying holiday adventure.
Good Reads With Ronna is thrilled to be the third stop on the Good Night, Oppy!Blog Tour. I didn’t hesitate to join in when I heard thatJames McGowan’sdebut picture book was about the Mars rover, Opportunity. I live less than a mile or so from NASA’s JPL (Jet Propulsion Lab) where the rovers are created, maintained, and communicated with so I was eager to learn more about Oppy. She was first launched in 2003 when I still lived abroad and was raising children, with little time to think about planetary exploration.
In McGowan’s story, he’s anthropomorphized the rover and introduced us to Oppy, one of two rovers on the Red Planet in 2004 searching for signs of past life. He blends the fictionalized narrative of hard-working and fun-loving Oppy, a solar-and-battery-powered robot roaming Mars and reporting back to her handlers on Earth, with fascinating scientific facts on most spreads. Plus, the onomatopoeia of the sound effect “Ping! Ping!” before a command from Earth adds an extra atmospheric touch that kids will enjoy repeating.
Readers learn that Oppy, as an Interplanetary Detective, remained in daily contact with “Teams of scientists and engineers …” who command and operate spacecraft using the Deep Space Network (a system of huge antennae throughout the solar system). I always wondered how that worked! In fact, my friend’s husband was one of those JPL experts who, among other key responsibilities, received Oppy’s real-life signals on Earth. Equipped with cameras and other equipment for info transmission, Oppy’s job was to photograph and navigate Mars, report back and explore, explore and explore. In fact, over her lifetime she trekked twenty-eight miles providing invaluable information about the Red Planet for scientists and engineers.
Having successfully dodged many potential disasters, things changed for Oppy in June of 2018 when she went to recharge her battery. She needed a place where the sun could reach her solar panels unobstructed, but a powerful dust storm approached. Getting a message to Earth was impossible as layer upon layer of dust covered her panels. Oppy’s power was running low. With the sun obscured, she’d be unable to recharge. She managed to outrace the worst of the storm and transmit one last time to Earth before losing power forever.
What a game changer the rovers have been! Some of Oppy’s finds have been groundbreaking including her discovery of the mineral hematite on the surface of Mars meaning that at one time there had been groundwater. Another time Oppy got stuck in a sand dune and the process of getting her out required clever commandeering (see art above). That unfortunate experience also helped future rovers and technicians know what areas to avoid! Oppy was productive and persevered well beyond what the teams had ever expected. McGowan’s Author’s Note explains that both Opportunity and her sister rover, Spirit, were designed for ninety-day missions yet Spirit worked for six years while Oppy “worked for almost fifteen years!”
Carter’s expansive illustrations in an array of red tones depict the vastness and dryness of Mars. Spreads are never stagnant and present an expressive Oppy on the go, investigating, soaking up the sun, and receiving commands from Earth that dictate which activities to pursue. I like how several times we’re transported to JPL command central for a different perspective of Oppy’s daily life. And, as the massive storm that ultimately ended Oppy’s career bore down on Mars, I felt sad when Oppy fell silent. By humanizing the rover, McGowan’s made Oppy’s contributions feel that much more important than they already are. Presenting Oppy’s story in this way makes it more compelling to younger readers and those more reluctant to pick up a STEM book. I learned so much and children will too. Such a great way to make kids care about our universe. Thank you and good night, Oppy! If you want to read more about Good Night, Oppy!, check out the other bloggers on the tour listed below.
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