Science & Nature

An Interview with Wombats are Pretty Weird Author-Illustrator Abi Cushman

 

VICKY FANG INTERVIEWS ABI CUSHMAN

AUTHOR-ILLUSTRATOR OF

WOMBATS ARE PRETTY WEIRD

(GREENWILLOW BOOKS; $19.99, Ages 4-8)

 

 

Wombats are Pretty Weird cover four wombats

 

 

PUBLISHER SUMMARY:

Wombats might be pretty weird, but they’re pretty awesome, too! Wombats Are Pretty Weird is funny, kid-friendly, and informative, and features sidebars, comic panels, extensive backmatter, and a map. Acclaimed author-illustrator Abi Cushman’s nonfiction debut contains everything anyone could ever possibly want to know about wombats!

 

INTERVIEW:

Vicky Fang: Abi, WOMBATS ARE PRETTY WEIRD is such a funny and informative book! I love how you use humorous dialog and illustrations to introduce so much fascinating information about wombats! How did you come up with the idea for this book?

Abi Cushman: Thank you, Vicky! I’ve been obsessed with wombats ever since I studied abroad at the University of Melbourne in Australia in 2001. I learned on a guided hike that wombats are the only animals in the world that have cube-shaped poop. This very odd tidbit of information along with the fact that wombats are adorable quickly made them one of my favorite animals. 

But it didn’t occur to me to write about them in a book until 2018 after I’d written several other fiction picture books. I was thinking about the cube poop fact, and I thought it would be funny to make a little comic where a wombat makes a tower out of its cubes of poop (similar to how a kid would make a tower out of blocks) and then is just really proud of how tall it was. I wasn’t sure at that point if there was enough there for a book, so I did more research, gathered more weird facts about wombats, and gained momentum.

 

VF: I love that scene in the book with the cube poop tower! Hilarious. Could you tell us about your process in writing this book?

AC: I started with a lot of research about wombats. I listened to podcasts, watched videos, and read everything I could about them. Then I compiled the weirdest, most interesting facts. The next step was to see if I could make a joke about each fact. I have pages and pages in my sketchbook of facts plus doodles. I tried to come up with as many jokes as possible, and then and then really hone in on the funniest dialogue, facial expressions, and scenes. 

Once I was satisfied with the jokes, I worked on putting them together in a dummy (a rough mockup of the book) in a way that made sense and that would also build to a final scene with all the wombats together. 

 

Wombats are Pretty Weird Dummy Sample
Wombats are Pretty Weird Dummy Sample

 

 

VF: I love the addition of the snake adding color and commentary throughout the book. What made you decide to include the snake in a book about wombats?

AC: Adding the snake was a way for me to put a stand-in for the audience in the book. He could react and make comments that the reader was thinking when learning about these very weird animals. And this animal character had to be something other than a wombat. After all, the wombats wouldn’t consider themselves weird at all. In their world, it’s strange when poop is round. I chose a snake specifically because I wanted an animal that could technically live in the same area as a wombat, but was vastly different from them. 

 

WAPW burrowing marsupial spread
Interior spread from Wombats are Pretty Weird written and illustrated by Abi Cushman, Greenwillow Books ©2023.

 

VF: Your illustrations do such a wonderful job of balancing humor and information. You’ve written funny books before (SOAKED! and ANIMALS GO VROOM! are so good!), but what was it like writing and illustrating non-fiction for the first time?

AC: Writing and illustrating non-fiction for the first time was a wonderful challenge. For this book, which includes factual information but also talking animals and other silly stuff, it was very important to me that kids didn’t think the facts were made up. One of the things I was very careful about was to ensure the narration was factual and accurate, and then have the wombats and snake react to those facts in the illustrations and speech bubbles. That way there was a clear separation.

For research, I consulted science journals and talked to wombat experts to verify and ensure the way I phrased things was correct. It was pretty wild to me that my work entailed being knee-deep in these dense scientific papers, trying to distill the information and make sense of them, and then using that to make the best poop joke I could.

For the illustrations, I wanted them to be very accessible and fun, but I also wanted them to show a decent resemblance to actual wombats and to clearly convey scientific information where appropriate. So I used a lot of references. I looked at photos of wombats’ feet, watched videos of them moving, and really studied the differences between three species. Then I drew them using hair dryers and wearing party hats.

 

VF: Can you talk about how you approach humor? Do you have any tips for writers who want to write funny books?

AC: The books I find funniest always contain a bit of absurdity. So that’s something I like to play with a lot in my books. For this book with weird animal facts, it was a chance to push the absurdity in the actual facts to a higher level. 

For example, one of the facts in the book is that there are three species of wombats: the southern hairy-nosed wombat, the northern hairy-nosed wombat, and the bare-nosed wombat. And I just thought the names were pretty silly. So I wanted to play with that idea of hairy (or unhairy) noses and push it further into absurdity by having two of them talk about nose hair styling to the annoyance of the bare-nosed wombat. 

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WAPW hairy and bare noses
Interior spread from Wombats are Pretty Weird written and illustrated by Abi Cushman, Greenwillow Books ©2023.

 

 

I think with humor, you have to let yourself be pretty vulnerable. I put everything I think is funny into a story and then show it to people with the full knowledge that a lot of the jokes will absolutely not land. But I have NO IDEA which ones those are. The trick is to put the weirdest, totally out-there jokes into your story and then see how many you can get away with.

 

VF: That’s such great advice, and it has clearly paid off for you. What do you hope young readers take away from this book?

AC: I hope this book will get kids excited about wombats and animals in general. There is so much in the natural world that is bizarre and captivating. Kids have a natural curiosity so I think it’s our job as authors to foster and encourage it. I also hope kids come away with the idea that being weird is a good thing. It’s what makes all of us special and unique. And finally, I just hope kids laugh and find this enjoyable to read. 

 

WAPW multiple joeys
Interior spread from Wombats are Pretty Weird written and illustrated by Abi Cushman, Greenwillow Books ©2023.

 

VF: I love that. I feel like you’ve definitely accomplished those goals with this book and kids are going to love it. So what’s next for you?

AC: I am currently polishing up the next book in the “[Not So] Serious Guide” series. This follow-up to WOMBATS ARE PRETTY WEIRD is all about the very strange, very tough FLAMINGO! And I’m happy to report that Joey the snake is back to experience it all with the reader. This book is scheduled to release in the summer of 2024.

I also recently finished illustrating a wonderfully clever book written by Charlotte Offsay called THE QUIET FOREST. This book will be released in March 2024 from Paula Wiseman Books. It’s about a very mischievous mouse who starts a chain of chaos in a formerly quiet forest, and it involves a lot of very disgruntled forest animals. It’s a ton of fun, and I’m really excited about it. This was the first time I illustrated a book I didn’t write, and it was fun to see how Charlotte’s words and my pictures came together.

 

VF: Those both sound fantastic! I look forward to seeing them next year. Thank you so much for sharing your journey for WOMBATS ARE PRETTY WEIRD with us. I’ve learned so much from chatting with you and from getting a peek at this hilarious book!

AC: Thanks so much for the interview, Vicky! This was fun. And I’m looking forward to chatting with you again later this summer about your upcoming book, THE BOO CREW NEEDS YOU!

VF: Looking forward to it too! Thank you again for sharing your insights with us today, Abi!

 

BUY THE BOOK:

Click below for a local indie to purchase signed copies (type in the comments how you’d like the book inscribed): https://www.banksquarebooks.com/book/9780063234437

Publisher’s Page: https://www.harpercollins.com/products/wombats-are-pretty-weird-abi-cushman

SOCIAL MEDIA LINKS:

Twitter: https://twitter.com/AbiCushman

IG: https://www.instagram.com/abi.cushman/

Facebook: https://www.facebook.com/AbiCushmanArt

Author/Illustrator Website: https://abicushman.com

 

Author-Illustrator Abi Cushman Photo credit: P.A. Smith

AUTHOR-ILLUSTRATOR BIO:

Abi Cushman is the author-illustrator of SOAKED! (Viking, 2020), ANIMALS GO VROOM! (Viking, 2021) and WOMBATS ARE PRETTY WEIRD (Greenwillow, 2023).

She has also worked as a web designer for over 15 years. She runs two popular websites of her own: My House Rabbit, a pet rabbit care site, and Animal Fact Guide, which was named a “Great Website for Kids” by the American Library Association. Did you know that wombat poop is cube-shaped? You do now! (And no, you’ll never un-know that.)

Abi lives in a small Connecticut beach town with her family. In her spare time, she enjoys running, playing tennis, and eating nachos. (Yes, at the same time.)

She is represented by BookStop Literary Agency and is a proud member of the Soaring 20s, a group of picture book authors and illustrators who debuted in 2020/21.

 

INTERVIEW BIO:

Vicky Fang is a product designer who spent 5 years designing kids’ technology experiences for both Google and Intel, often to inspire and empower kids in coding and technology. She started writing to support the growing need for early coding education, particularly for girls and kids of color. She is the author, and sometimes illustrator, of nineteen new and upcoming books for kids, including the Layla and the Bots series, Invent-a-Pet, I Can Code board books, Friendbots series, and the forthcoming Ava Lin series, Best Buddies series, AlphaBot, and The Boo Crew Needs You!. You can visit Vicky at vickyfang.com.

 

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Elisa Boxer Interviews Author Kirsten W. Larson

 

AN INTERVIEW

WITH

KIRSTEN W. LARSON

AUTHOR OF

THE FIRE OF STARS

(Chronicle Books; $18.99, Ages 5-8)

 

 

The Fire of Stars cover Cecilia Payne

 

 

★Starred Reviews – Kirkus, Publishers Weekly, School Library Journal, Shelf Awareness

INTERVIEW:

Elisa Boxer: I’m so happy to be here interviewing my Soaring 20s colleague and friend Kirsten W. Larson about her newest picture book, The Fire of Stars: The Life and Brilliance of the Woman Who Discovered What Stars are Made Of. It’s an absolutely stellar book! Kirsten weaves together two stories in one: The creation of a star, and the evolution of astronomer Cecilia Payne, who discovered what stars are made of …

Kirsten, you make the dual narrative structure look easy. But I know it is anything but! Did you set out with the intention to write a dual narrative? If not, at what point in the process did you decide on this format?

Kirsten W. Larson: This was a last-minute decision, believe it or not. In May 2017, my agent Lara Perkins (of Andrea Brown Literary Agency) and I were preparing to sub this book as a run-of-the-mill picture book biography. Meanwhile,  I was working on a blog post featuring Hannah Holt’s query letter for THE DIAMOND AND THE BOY (Balzar + Bray, 2018). The book itself was still over a year away from release, but the query stuck with me. Hannah pitched her biography of Tracy Hall, who invented lab-produced diamonds, as “a two-tale picture book—a turn and flip. … The two stories meet in the middle with a shared phrase.”

That was a total lightning bolt moment. I finally saw a way to add more hooks to my story and appeal to readers of both biography and informational books – by telling two stories at the same time. I went back and added the story of star formation alongside Cecilia’s formation as a star scientist.


EB: That’s fascinating! The story is so seamlessly woven, I never would have guessed that it was a last-minute decision. What was the most challenging part about writing a book with this structure?

KWL: I think what sets this book apart from other parallel biographies (and made it very challenging to write) was the idea of having a shared line of text on every spread that applied to both stories – the star and Cecilia. It seemed like a good idea when I came up with it, but then it proved to be much harder to pull off. At one point I told Lara I couldn’t do it, and we should forget about it. But she kept encouraging me. She knew I could do it. But it was so, so hard.

Then, once I was working with editor Melissa Manlove of Chronicle Books, she had the additional idea of wanting to be able to read those shared lines only, without the additional text about Cecilia, and have it make sense for the youngest readers. The whole thing was a real puzzle, but I’m so happy we were able to get everything to work. It makes this book truly special.

 

EB: I’m so glad that Lara kept encouraging you, and that you stuck with it. You’ve created the perfect mentor text for aspiring authors of dual narratives. What advice would you give them?

KWL: I think this is a case where you have to be careful about the form not overtaking the writing, much like when you are writing poetry or even lyrically. For me, it helped to plot out both stories independently, step by step. I nailed down Cecilia’s major plot points, asking myself questions like “What’s the inciting incident?” “What’s the all is lost moment?” etc. Then I wrote down step-by-step how stars formed before trying to line the two stories up and brainstorming what language might connect them. I am a very visual writer, and I actually thumbnailed the stories in my journal trying to match things up and experimenting with language. You can see some of my journal pages here.

 

EB: I love the scene at the beginning, where Cecilia’s mother sets her down in the snow, and she expects a warm blanket, but instead finds her toes freezing! “It’s the first time Cecilia learns things aren’t always as they seem,” is such a powerful statement that foreshadows her discoveries to come. At what point in your research did you come across that particular anecdote, and how instrumental was it in building your scenes and threading that theme?

 

The Fire of Stars int1 young Cecilia Payne with mother in snow
Interior art from The Fire of Stars written by Kirsten W. Larson a nd illustrated by Katherine Roy, Chronicle Books ©2023.

 

KWL: The theme of this book was always the “ingredients” of a successful scientist, characteristics like being a good observer, curiosity, passion, and persistence. The book always showed how Cecilia exhibited those characteristics even as a child. For example, the scene where she watches slimy slugs in the garden was there from the start as was the scene about the bee and the bee orchid, which really set her on her quest for discovery.

But, to your question, I came across that story of Cecilia and the snow very early on in my research. Yet even though I knew about that story from the beginning, I didn’t include it until I started working on the parallel structure! I needed something that came before Cecilia in the dust and dirt of the garden, something that nodded to the star she would become.

That’s when I added this moment in the snow. I just tracked down a document on my computer when I “unwrote” Cecilia’s story, summarizing what needed to happen spread-by-spread in a line or two. That’s the last thing I wrote before I pieced the two stories together.

 

EB: Those same ingredients of curiosity, passion, and persistence clearly apply to you and your research as well! Can you tell us a bit more about your research process?

KWL: This book was a bit of a departure from my usual research process. Typically, I like to start with secondary sources for context before digging into primary sources to hear my characters’ voices in letters, diaries, and autobiographies.

At the time I started my research, there weren’t many book-length secondary sources about Cecilia at all. Dava Sobel’s GLASS UNIVERSE wasn’t out yet, nor was Donovan Moore’s biography. So I moved pretty quickly to primary sources like Cecilia’s published autobiography, her oral history from Harvard, and her research papers including her dissertation.

I did a lot of research around the edges, including the women who worked at Harvard Observatory and the field of astronomy and astrophysics to understand what was known in the field of astronomy at the time Cecilia was working. I talked to physicists and astronomers to discern the magnitude of her contributions.

EB: How much of yourself do you see in Cecilia?

KWL: What I’ve learned through this book and WOOD, WIRE, WINGS is that “STEM people” and “creative people” have so much in common. We’re all creative. We’re all problem solvers. We all take feedback. We all fail. So, yes, I feel a great affinity for Cecilia, especially that feeling of being lost and feeling hopeless, as well as that thrill of the shiny bright moment when an idea comes together and a new piece of knowledge or art comes into the world.

 

The Fire of Stars int2 astronomer Cecilia Payne studying stars
Interior art from The Fire of Stars written by Kirsten W. Larson and illustrated by Katherine Roy, Chronicle Books ©2023.

 

EB: Speaking of shiny and bright and everything coming together, Katherine Roy’s illustrations are breathtaking. What was it like seeing her preliminary sketches and watching them evolve?

KWL: Katherine’s work on this book is incredible, and it’s such a thrill to see her splattering paint and using toothbrushes to give the impression of star formation. 

The original visual idea for this book, which I put in art notes for our editor, was to split the story horizontally, with the star’s story on the top and Cecilia’s below. I saw some early sketches, and it wasn’t working the way we hoped. The star story seemed very disconnected from Cecilia’s. When Katherine shifted the two stories to a side-by-side the whole thing really started coming together. This just goes to show you the tremendous power of illustrators who know far more about visual storytelling than authors do. This book was such an adventure!

EB: I couldn’t agree more, from a reader’s perspective, that this book is an incredible adventure! One of my new all-time favorite picture books. Thank you so much for giving all of us a peek into your process.

Click here to purchase a copy of the book.

Click here for the publisher page for a good way to access activities, discussion topics, etc.

Social Media Links: @kirstenwlarson @kroystudio (Twitter) @chroniclekids

 

AUTHOR BIO:

Kirsten used to work with rocket scientists at NASA. Now she writes books for curious kids. Kirsten is the author of the picture books: WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak (Calkins Creek, 2020), A TRUE WONDER: The Comic Book Hero Who Changed Everything, illustrated by Katy Wu (Clarion, 2021), THE FIRE OF STARS: The Life and Brilliance of the Woman Who Discovered What Stars Are Made Of, illustrated by Katherine Roy (Chronicle, February 2023), and THIS IS HOW YOU KNOW, illustrated by Cornelia Li (Little, Brown 2024). She also is the author of the middle-grade, graphic nonfiction, THE LIGHT OF RESISTANCE, illustrated by Barbara McClintock, (Roaring Brook, 2023), along with 25 nonfiction books for the school and library market. Kirsten lives near Los Angeles with her husband, lhasa-poo, and two curious kids. Visit her website at https://kirsten-w-larson.com

 

INTERVIEWER BIO:

Elisa Boxer is an Emmy and Murrow award-winning journalist whose work has been featured in publications including The New York Times and Fast Company. She has reported for newspapers, magazines, and TV stations, and has a passion for telling stories about people finding the courage to create change. She is the author of several nonfiction picture books including The Voice That Won the Vote, A Seat at the Table, One Turtle’s Last Straw, SPLASH! (a Junior Library Guild Gold Standard Selection), Covered in Color (called “compelling from cover to cover” in a Kirkus starred review) and Hidden Hope (called “an important true account to add to all collections” in a School Library Journal starred review). Elisa lives in Maine, and has more children’s books on the way. Visit her at https://www.elisaboxer.com

 

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Nonfiction Picture Book Review – The River That Wolves Moved

 

 

THE RIVER THAT WOLVES MOVED:
A True Tale from Yellowstone

Written by Mary Kay Carson

Illustrated by David Hohn

(Sleeping Bear Press; $17.99,  Ages 5-9)

 

 

The River That Wolves Moved cover wolves river fish in Yellowstone

 

The title of Mary Kay Carson’s new picture book drew me in: The River That Wolves Moved: A True Tale from Yellowstone. What?! How? I wanted to find out. Using the structure of “The House That Jack Built,” we learn why wolves are a crucial part of the ecosystem. Without them, elk overpopulate, overgraze, and, ultimately, cause muddied rivers to forge different paths.

Pages incorporate new lines while repeating what’s come before. Additional information is provided below the main text to paint a broader picture of each animal’s contribution to diversifying the environment.

 

The River That Wolves Moved int1 pack of wolves along river
Interior spread from The River That Wolves Moved written by Mary Kay Carson and illustrated by David Hohn, Sleeping Bear Press ©2022.

 

Yellowstone National Park was created in 1872. In the subsequent years, wolves were legally hunted, trapped, and poisoned by rangers and ranchers. By the early 1900s, wolves were gone. Facts are presented in a manner that kids can understand and, rather than seeing wolves as the bad guys, we learn they are helpful and necessary.

 

The River That Wolves Moved int2 walking along the riverbank
Interior spread from The River That Wolves Moved written by Mary Kay Carson and illustrated by David Hohn, Sleeping Bear Press ©2022.

 

The illustrations by David Hohn capture the beauty of nature through the eyes of a young girl and her grandfather. Evocative, warm art combined with the lyrical text make this important topic accessible for the youngest child, hopefully fostering environmental stewardship.

 

 

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Nonfiction STEM Picture Book Review – Deep, Deep Down

 

DEEP, DEEP DOWN:
The Secret Underwater Poetry of the Mariana Trench

Written by Lydia Lukidis

Illustrated by Juan Calle

(Capstone; $18.99; Ages 7-11)

 

Deep, Deep Down cover art of Mariana Trench

 

 

From the Publisher:

“Deep, deep down, at the very bottom of the ocean, lies a secret world. Through lyrical narration, this spare-text STEM picture book takes readers on a journey to a place very few humans have ever been—the Mariana Trench. The imagined voyage debunks scary myths about this mysterious place with surprising and beautiful truths about life at Earth’s deepest point. Deep, Deep Down shows a vibrant world far below, and teaches readers how interconnected our lives are to every place on the planet.”
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Deep Deep Down int1 submersible
Interior spread from Deep, Deep Down written by Lydia Lukidis and illustrated by Juan Calle, Capstone Publishing © 2023.

 

Review:

Lydia Lukidis and Juan Calle bring the underwater world of the Mariana Trench to life in Deep, Deep Down,  a narrative nonfiction title with art that hints at the color and form that may be hidden down below. (Since no one knows for sure what that world would be like to the human eye, I appreciate the disclaimer given on the copyright page, though would like it to be larger to grab readers’ attention.) And while I would not call this a “lyrical” title (it doesn’t have the consistent rhythm I would expect from a lyrical title—even the non-rhyming ones), the text reads smoothly and the author has done a good job of describing this world using vivid, child-friendly verbs and adjectives.

 

Deep Deep Down int2 Sea Cucumber
Interior spread from Deep, Deep Down written by Lydia Lukidis and illustrated by Juan Calle, Capstone Publishing © 2023.

 

I especially love the added sidebars and captions on each spread that indicate both where we are in the ocean and the creature highlighted in the illustration. These added bits of information (and the three pages of backmatter!) make this title perfect for all ages of fact-hounds; however, I’d like to point out that the suggested age for this picture book is seven to eleven years old. I can see this title being used in the classroom both as a science text and an excellent example of vivid language, and becoming a favorite of students who just want to sit and browse the beautiful illustrations.

*A Recommended Read

Click here for an Educators Guide.

  • Reviewed by Roxanne Troup

 

 

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Picture Book Review by Roxanne Troup – Iceberg

 

 

 

ICEBERG: A LIFE IN SEASONS

Written by Claire Saxby

Illustrated by Jess Racklyeft

(Groundwood Books; $19.99; Ages 3-6)

 

 

Iceberg_cover_solitary_iceberg

 

 

From the Publisher:

“An iceberg shears from a glacier and begins a journey through Antarctica’s seasons. In the spring, penguins trek across the ice while krill stir beneath. With summer comes more life…the sun softens its edges and undersea currents wash it from below. When autumn arrives with cooling temperatures, the sea changes and the iceberg is trapped in the ice for the winter freeze. Then spring returns and the iceberg drifts into a sheltered bay and falls, at the end of its life cycle. But if you think this is the end of the journey, look closer ― out in the ocean, an iceberg shears from a glacier and settles to the sea, beginning the process anew.”

 

Review:

Claire Saxby’s beautiful, poetic language and Jess Racklyeft’s luminous art bring this nonfiction concept to life for young readers who’ll never see this ecosystem with their own eyes. Here, “ocean, sky, snow and ice dance a delicate dance.”

 

Iceberg_int1_new_iceberg_bobs_in_water
Interior spread from Iceberg: A Life in Season written by Claire Saxby and illustrated by Jess Racklyeft, Groundwood Books ©2022.

 

Though most people think of Antarctica as a cold, barren icescape, ICEBERG proves otherwise. Racklyeft even includes an amazing center gatefold highlighting the beauty and life thriving just below the ocean surrounding Antarctica.

 

Iceberg int2 varied underwater life
Interior spread from Iceberg: A Life in Season written by Claire Saxby and illustrated by Jess Racklyeft, Groundwood Books ©2022.

 

Originally published in Australia by Allen & Unwin, Groundwood Books adds an author’s note and a glossary explaining the effects of climate change (without being moralistic) and positioning ICEBERG for use in the classroom. *Highly recommended!

 

  • Reviewed by Roxanne Troup

 

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Picture Book Review by Christine Van Zandt – If Tigers Disappeared

 

IF TIGERS DISAPPEARED
 If Animals Disappeared series, book 5

by Lily Williams

(Roaring Brook Press; $18.99, Ages 4-8) 

 

 

 

If Tigers Disappeared cover

 

 

Stand up and roar for Lily Williams’s If Tigers Disappeared, the fifth book in her award-winning series. If Tigers Disappeared follows the familiar pattern: we learn where the animals live, some history about them, and why their populations have declined. Tigers have been around for more than two million years, yet in the past 100 years, humans have nearly wiped out their population. When an animal becomes extinct, the ripple effect (also called the trophic cascade) has far-reaching effects on our ecosystem.

 

If Tigers Disappeared int1 India map
Interior spread from If Tigers Disappeared written and illustrated by Lily Williams, Roaring Brook Press ©2022.

 

Since tigers are apex predators, the animals they eat flourish when no longer hunted by the big cats. These population booms then cause changes to the forest, waterways, and landscapes. This immense concept is conveyed simply, inviting kids to think about our world’s interconnectedness and demonstrating how indigenous people should continue to be involved in tiger conservation. Though the topic is quite sad, the overall feeling is of hope, emphasizing the importance of knowledge and advocacy for these amazing animals.

 

If Tigers Disappeared int2 photos on road
Interior spread from If Tigers Disappeared written and illustrated by Lily Williams, Roaring Brook Press ©2022.

 

Williams’s tigers are magnificently drawn in many stages of action, including a couple of curious cubs. Back matter includes a glossary, recap of the tigers’ endangered status, and information on how we can help. This important book educates while charming us with lively images of six remaining subspecies of tigers.

 

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Picture Book Review – Ducks Overboard!

DUCKS OVERBOARD!:
A TRUE STORY OF PLASTIC IN OUR OCEANS 

by Markus Motum

(Candlewick Press; $17.99, Ages 7-10)

 

Ducks Overboard! cover

 

We Don’t Need to Wait Until Earth Day to Pay Attention to Our Environment

 

If you’re looking for a nonfiction book that reads like a story, you’ve found it! Narrated by a rubber ducky, this picture book by author-illustrator Markus Motum, Ducks Overboard!: A True Story of Plastic in Our Oceans, explains how 28,000 ducks ended up in the middle of the ocean. The reader adventures along with the ducks in unknown territory as they encounter sea creatures and garbage. Viewing it from the duck’s perspective reinforces how animals are endangered by plastics in their environment, eating them or becoming entangled.

 

Ducks Overboard int1
DUCKS OVERBOARD! © 2021 Markus Motum. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA on behalf of Walker Books, London.

 

 

A world map clearly explains how the ducks traveled on ocean currents to various destinations. Our duck, however, becomes stuck in the swirling Great Pacific Garbage Patch—a mass of trash about twice the size of Texas—until, finally, freed. Though this duck’s story has a happy ending, much is learned in the process that gives us cause to think about how our everyday choices are hurting our planet.

 

Ducks Overboard int2
DUCKS OVERBOARD! © 2021 Markus Motum. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA on behalf of Walker Books, London.

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The mixed-media illustrations are done in beautiful ocean blues which showcase the bright yellow duck(s). Back matter includes “Lost at Sea” (about other missing shipping containers) and “Ocean Currents” (explaining ocean movement and gyres). “Plastic Facts” and “How You Can Help” reminds us that 40 percent of plastic is single-use and, because most cannot be recycled, those items break down into smaller and smaller pieces causing far-reaching damage. I appreciate how this book handles such a dire topic in a manner that feels as lightweight as your bathtub ducky.

 

 

 

 

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Picture Book Review – Night Becomes Day

 

NIGHT BECOMES DAY: CHANGES IN NATURE

Written by Cynthia Argentine

(Millbrook Press; $29.32, Ages 4-9)

 

 

 

 

Cynthia Argentine’s picture book, Night Becomes Day: Changes in Nature is such a great idea for a children’s book. Through lovely, lyrical prose coupled with stunning photography, this nonfiction book takes readers on a kind of before and after look at nature’s wonders which youngsters might take for granted or do not have time to notice during a day at the beach, a walk in the woods, on a wilderness adventure or a national park visit.

Children will learn that “nature is always at work, transforming.” Some of the changes detailed are small, subtle even and others are large. And the results can be so different. A footprint in the sand washes away with the first wave and yet over time, the Colorado River has worn away the stone, carving out a massive space we know as the Grand Canyon.

 

Night Becomes Day int1
Photo credit: Interior spread from Night Becomes Day © 2022 Millbrook Press ™, an imprint of Lerner Publishing Group.

 

Some changes can be witnessed quickly while others cannot. They can occur in just a few minutes like when “A pumpkin tendril wraps around a rope in minutes.” Or slowly over time as an acorn grows into a majestic oak. Argentine notes that change brightens—such as when desert flowers bloom following rain and change dulls—such as when a fallen leaf becomes mulch supporting “new life.”

One of my favorite changes in nature depicted is how diamonds are formed over eons making them ancient as compared to a snowflake or sparkling new ice crystal. “Everywhere on Earth—from shore to mountain, field to forest, surface to sky—nature is at work, TRANSFORMING.”

 

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Photo credit: Interior spread from Night Becomes Day © 2022 Millbrook Press ™, an imprint of Lerner Publishing Group.

 

 

The power of observation and the beauty of nature are in focus in this wonderful ode to change that should get kids taking more time to notice what’s around them. Argentine has created a clever study in contrasts that is enjoyable to read aloud and to admire since the photos are breathtaking.

The author’s note in the three pages of back matter highlights how some things like a healing wound or out-growing a pair of shoes are examples of change or metamorphosis. And things don’t have to be alive to change—think rocks, waves, caves.  Changes that occur at the intersection of living and nonliving things, Argentine explains, are called ecology. This helps children understand their impact on the world and how important that is.

 

 

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Photo credit: Interior spread from Night Becomes Day © 2022 Millbrook Press ™, an imprint of Lerner Publishing Group.

 

Kids can read through page 29 for the more poetic portion of the book or carry on through page 32 for additional scientific notes Argentine’s included that refer back to each section: Beaches and Canyons – Geology; Pumpkin Tendrils and Oak Trees – Botany; Deserts and Forests – Biology; Clouds and Caverns – Chemistry and Geology; Volcanoes and Glaciers – Geology; and Diamonds and Snowflakes – Chemistry, Geology, and Physics. Whether reading for pleasure or for a class project, this STEM book is an engaging and accessible introduction to the science of change that will be welcomed by parents and teachers alike.

  •  Reviewed by Ronna Mandel

To support local bookstores, here is the link for Bookshop.org:

https://bookshop.org/books/night-becomes-day-changes-in-nature/9781541581241

Educators may also use Lerner’s website: https://lernerbooks.com/shop/show/21209

Glossary/free eResources can be found here: https://lernerbooks.com/teaching_guides/620

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Nonfiction Picture Book Review – Tu Youyou’s Discovery

TU YOUYOU’S DISCOVERY:
Finding a Cure for Malaria

Written by Songju Ma Daemicke

Illustrated by Lin

(Albert Whitman & Co.; $16.99, Ages 4-8)

 

Tu Youyous Discovery cover

 

In 2021 malaria is a preventable and treatable disease but it wasn’t always the case. Hundreds of thousands used to die from it annually but the mortality rate has declined since the medicine to cure it was approved. That’s why I was curious to read about Tu Youyou, the woman whose determination led to finding a cure for malaria and becoming the first Chinese woman to win a Nobel Prize. 

In Tu Youyou’s Discovery written by Songju Ma Daemicke with art by Lin, readers are brought back in time to Beijing, China in the 1930s. Youyou attended school when most girls her age stayed home but contracted tuberculosis as a teenager and had to drop out.

 

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Interior art from Tu Youyou’s Discovery: Finding a Cure for Malaria written by Songju Ma Daemicke and illustrated by Lin, Albert Whitman ©2021.

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Fortunately, she survived due to antibiotics prescribed by her physician but was greatly weakened. A steady diet of “her mother’s herb soups slowly nursed her back to full strength.” This sparked her interest in how both “modern and traditional” medicines had helped her get well. Always a compassionate person, Youyou chose to pursue a career in science in order to help save lives. Little did she know then what a major contribution she would ultimately make when in 1969 malaria, like Covid-19 now, swept across the world bringing death in its path. After graduating from Peking University, “in 1955” she “became a researcher at the China Academy of Traditional Chinese Medicine in Beijing.” As part of a research group, Youyou was determined to find a cure for malaria and was in the right place at just the right time.

 

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Interior art from Tu Youyou’s Discovery: Finding a Cure for Malaria written by Songju Ma Daemicke and illustrated by Lin, Albert Whitman ©2021.

 

Youyou traveled around the country to document cases in hopes of gaining new insight into the disease. She found it when she met a farmer who had cured his own high fever by eating a local plant called qinghao, known in English as sweet wormwood. In her lab, she and her team tried various methods to create a cure using the qinghao, but nothing worked. However, Youyou did not give up. Despite little to no funding for the latest equipment, Youyou’s team performed experiment after experiment with no luck.

Then what appeared to be a breakthrough came from an unexpected place. Studying her family’s indispensable “A Handbook of Prescriptions for Emergencies, an ancient Chinese remedy book,” Youyou revisited the qinhao remedy only to realize that the book recommended just soaking the herb in water when all along her team had been boiling it. Perhaps the healing part of the plant had been destroyed during the experiments. Much to her dismay, this too yielded no results. Again, Youyou persevered. Many male colleagues had questioned her commitment to traditional medicine but “After 190 unsuccessful experiments, the test result of sample 191 stunned the team.” Sample 191 completely killed the parasites and so in 1971 a successful cure had been found. And while Youyou initially credited her entire team in research papers, over time “other scientists finally realized how involved she had been in the discovery.” In October of 2015, Tu Youyou was awarded the Nobel Prize in Medicine at a ceremony in Stockholm, Sweden. Her commitment to finding a cure for malaria has saved millions of lives and continues to do so to this day.

 

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Interior art from Tu Youyou’s Discovery: Finding a Cure for Malaria written by Songju Ma Daemicke and illustrated by Lin, Albert Whitman ©2021.

 

I’m so glad Songju has introduced Tu Youyou to me and to children in such an accessible way. I felt as if, despite knowing the outcome, that I was right alongside a detective solving a mystery. This nonfiction picture book bio provides engaging STEM reading for budding scientists, doctors, and inventors and puts Youyou’s name up there alongside other women in STEM history makers such as Marie Curie, Marie Maynard Daly, and Ada Byron Lovelace. Lin’s nice use of contrasting flat color palettes creates bright illustrations that have a print-making quality to them. Songju shares how labor-intensive the six steps of the scientific method are (see back matter for this info) but also how crucial. While not all experiments yield life-changing results, Youyou’s story is a great example of how teamwork and not giving up can make a difference. I was surprised to learn in the Author’s Note that although the first clinical trials for the malaria medicine known as artemisinin took place in 1972, it wasn’t until 1986 that the drug gained approval from the Chinese government and started being used around the globe.

  •  Reviewed by Ronna Mandel
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Nonfiction Picture Book Review – Out of The Blue

 

OUT OF THE BLUE:
How Animals Evolved from Prehistoric Seas

Written by Elizabeth Shreeve

Illustrated by Frann Preston-Gannon

(Candlewick; $17.99, Ages 6-9)

 

 

 

 

★Starred Reviews – Kirkus and School Library Journal

 

Before the text begins, Elizabeth Shreeve’s nonfiction picture book cleverly has readers guess, among hippos, dolphins, and sharks, which two animals are the closest relatives? For the answer, you’ll have to read Out of the Blue: How Animals Evolved from Prehistoric Seas.

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OUT OF THE BLUE. Text copyright © 2021 by Elizabeth Shreeve. Illustrations copyright © 2021 by Frann Preston-Gannon. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

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Shreeve impressively chronicles life on Earth from its beginning until present. Yet, for such an intricate topic, her kid-friendly text is easy to follow. Readers wanting more data can reference the time periods (noted at the bottom) or learn from the notes accompanying various creatures. The back matter includes sources and further reading.

The illustrations by Frann Preston-Gannon add drama and dimension showing lava-flowing eruptions and the starkness of what scientists call the Great Dying when temperatures soared and life perished. However, most of the art depicts brightly colored celebrations of the wonderful creatures that have inhabited our planet. I like how sketches are used in the sidebar to demonstrate, for example, the size of a prehistoric dragonfly in comparison to a human. (These insects grew huge because of the abundant oxygen levels.)

 

 

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OUT OF THE BLUE. Text copyright © 2021 by Elizabeth Shreeve. Illustrations copyright © 2021 by Frann Preston-Gannon. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

 

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Information is conveyed in an exciting manner, encouraging page turns to discover the changes of life on Earth while also learning the answer to the opening question. This comprehensive reference book will engage curious young readers.

 

 

NOTE: I received the book for free from Candlewick Press in exchange for a review.

 

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Kids Picture Book Biography – The Polio Pioneer: Dr. Jonas Salk and the Polio Vaccine

 

 

 

THE POLIO PIONEER:
DR. JONAS SALK AND THE POLIO VACCINE

Written by Linda Elovitz Marshall

Illustrated by Lisa Anchin

(Knopf BYR; $17.99; AGES 4-8)

 

 

The Polio Pioneer book cover art of Jonas Salk

 

A topic on everyone’s tongues these days is vaccinations. When she wrote this book, Linda E Marshall likely had no idea how relevant her book would be today and how once again, an innovative vaccine is saving lives around the world. 

 

The book opens with four-year-old Jonas Salk sitting on top of his father’s shoulders during the victory parade celebrating the end of World War I. But Jonas doesn’t understand the cheering when all he sees are injured soldiers. Jonas, readers learn, sees things differently. Find out about the man and the story behind the life-changing vaccine he developed in THE POLIO PIONEER: Dr. Jonas Salk and the Polio Vaccine written by Linda Elovitz Marshall with illustrations by Lisa Anchin.

 

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Interior illustrations from The Polio Pioneer: Dr. Jonas Salk and the Polio Vaccine written by Linda Elovitz Marshall and illustrated by Lisa Anchin, Knopf BYR ©2020.

 

Anchin’s art brings a warmth to the subject of science painting in soft colors of oranges and blues as the reader walks through the life of the main character Jonas. Whether that’s refereeing his friends’ games when not reading because he knows the rules or helping his Yiddish-speaking mother learn English after his Jewish family migrates to New York City. The kindness and love of the Salk family are depicted with each page turn as the family celebrates Shabbat with freshly baked Challah and Jonas’ inner thoughts are shown “when Jonas prayed that he might someday, help make the world a better place.”

 

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Interior illustrations from The Polio Pioneer: Dr. Jonas Salk and the Polio Vaccine written by Linda Elovitz Marshall and illustrated by Lisa Anchin, Knopf BYR ©2020.

 

 

Marshall writes about the financial difficulties the Salk family faced, but Jonas kept moving forward “attending the City College of New York where tuition was free and where, unlike at many other colleges and universities, Jews were welcome.” With a grin on his face and apron tied around his neck, Jonas discovers chemistry while mixing liquids amongst classmates in the college lab. Salk is determined to gain a better understanding of science so that he can make medicines to help people and decides to become a doctor. Illustrated wearing glasses and a white lab coat, Jonas enters medical school where he befriends his teacher Dr. Thomas Francis and the pair team up with an idea as the flu is killing millions. “What if … a person was given some flu virus that was killed by chemicals so it could not cause disease?” Dr. Salk and Dr. Francis thought this could be a way of fighting the flu. And they were right.

 

 

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Interior illustrations from The Polio Pioneer: Dr. Jonas Salk and the Polio Vaccine written by Linda Elovitz Marshall and illustrated by Lisa Anchin, Knopf BYR ©2020.

 

 

  With men, women and children lined up on the streets, dressed in their Sunday bests, a nurse in white stands next to one of Anchin’s realistic illustrations with a chalk-written sign reading FLU VACCINE CLINIC. “Since then, flu shots have saved thousands of lives each year.”

“But another disease was raging … Polio”. Readers see Franklin Delano Roosevelt sitting in a wheelchair in the oval office, as others are lined up in beds, victims of this new disease. People are shown hiding in their homes, just as we all have done these past fifteen months from COVID, and the similarities are not unnoticed. Today’s scientists learned a lot from Dr. Salk. “He and his team of scientists labored day and night, night and day.”

 

 

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Interior illustrations from The Polio Pioneer: Dr. Jonas Salk and the Polio Vaccine written by Linda Elovitz Marshall and illustrated by Lisa Anchin, Knopf BYR ©2020.

 

 

“On April 12, 1955, Dr. Francis joins the team and announced to the world: “The vaccine WORKS!” POLIO could be CONQUERED!” Dr. Salk continued his studies by establishing the Salk Institute for Biological Studies where they have worked on cures for cancer, HIV/AIDS, diabetes, multiple sclerosis, and many other problems.

Marshall writes in a way that makes a tough topic easy to follow with her understandable language and flowing sentences, while Anchin’s drawings transport the reader to 1918 and beyond. The timing of the release of this book last year during the pandemic could not have been more prescient and still resonates today with over 49% of the population vaccinated for Covid-19. As for polio, America has been free of the disease since 1979 due to the amount of participation. Maybe a picture book about our current pandemic will be next to teach future kids about what we have been experiencing. Marshall’s book is fabulous for elementary-age children and higher. In the Author’s Note, Marshall heartwarmingly explains the backstory behind her reasons for writing the book and how Dr. Salk is her hero. She thanks the Salk family for sharing family stories and photos, including writings from Michael Salk, grandson to Jonas. Dr. Salk, as Marshall tells, was a Mensch, the perfect Yiddish word to describe a man whose good work, kindness, and dedication helped make the world a better place. And he did. 

  •  Reviewed by Ronda Einbinder
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An Interview with Anna Crowley Redding – Author of The Gravity Tree

 

 

AN INTERVIEW WITH 

ANNA CROWLEY REDDING

AUTHOR OF

THE GRAVITY TREE:

THE TRUE STORY OF A TREE THAT INSPIRED THE WORLD

Illustrated By Yas Imamura

(HarperCollins; $17.99, Ages 4 to 8)

The Gravity Tree cover

 

 

★Starred Review – Kirkus Reviews 

 

 

SHORT SUMMARY:

The Gravity Tree: The True Story of a Tree That Inspired the World

Written by Anna Crowley Redding and illustrated by Yas Imamura

From Emmy Award-winning journalist Anna Crowley Redding comes a captivating nonfiction picture book that explores the fabled apple tree that inspired Isaac Newton’s theory of gravity. From a minor seed to a monumental icon, it inspired the world’s greatest minds, including Albert Einstein and Stephen Hawking. This tale is an ode to the potential that exists in all of us to change the world

 

“A sweet windfall of history and inspiration.”  —Kirkus (starred review)

“This picture book may resonate with science-minded children.” —Booklist.

 

INTERVIEW:

 

Colleen Paeff: Hi Anna! Congratulations on the release of The Gravity Tree: The True Story of a Tree That Inspired the World. What sparked the idea for this book?

ACR: I came across an article that not only mentioned Isaac Newton’s apple tree, but mentioned there were descendants of the tree on every continent except Antarctica. Then I found out the original tree was still alive. It blew my mind!

 

CP: I love the way you start and end with the idea that something small can change the world. Was that story structure there in your early drafts or did it develop over time?

ACR: Thank you! Those were the first words I actually wrote because that’s what really struck me about this particular tree … that a tiny seed could indeed change everything. I loved the truth of it.

 

CP: Were you particularly surprised by anything you learned as you conducted your research?

ACR: I did not originally know that Albert Einstein had visited the tree until I stumbled upon a newspaper article written at the time of his visit. I could NOT believe it. I was literally jumping for joy in front of my computer. There was even a picture!

 

CP: What was your reaction when you saw Yas Imamura’s wonderful illustrations for the book?

ACR: Her work is just stunning. The texture, the layering, and the contrast. She uses these elements to really drive the visual storytelling. What surprised me is how her work has an innovative edge and yet feels very classic. I love that!

 

 

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Interior art from The Gravity Tree written by Anna Crowley Redding and illustrated by Yas Imamura, HarperCollins BYR ©2021.

 

CP: Your books Elon Musk: A Mission to Save the World and Google It: A History of Google are for Young Adult readers. Black Hole Chasers: The Amazing True Story of an Astronomical Breakthrough (coming in September 2021) is for a middle-grade audience, and Rescuing the Declaration of Independence, Chowder Rules, and The Gravity Tree are all picture books. Is your research process different for picture books, middle grade, and YA? 

ACR: My process is really the same in terms of learning as much as I can about a topic. With a longer format piece, I’ll dig way more into the details whereas picture books I’m constantly honed in on the heart of the story with every single word.

 

CP: Can you tell me three favorite research tips or resources that you wouldn’t want to be without?

ACR: The ability today to access primary sources from your computer is an unbelievable gift. And I love reading old newspaper articles, research papers, photos, contemporaneous drawings, and maps. But I also love talking to people and experts and asking lots of questions. That really helps with context. Eeep! I think that was more than three!

 

CP: No problem! The more the better. How do you decide which age level is most appropriate for a story idea?

ACR: Sometimes the amount of information available and the scope of a story will dictate that. But if ever I am debating it, I’ll check in with a librarian and look for books that handle similar material. And I will also talk to my agent and bounce these ideas and questions off of her. She has a sharp eye for this!

 

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Interior spread from The Gravity Tree written by Anna Crowley Redding and illustrated by Yas Imamura, HarperCollins BYR ©2021.

 

CP: Do you find it easier to write for one age group or another?

ACR: No! Each type of book comes with its own challenges and sweet spots!

 

CP: In addition to being a talented author, you’re an Emmy Award-winning investigative television reporter! Tell me about how you won that Emmy and what it felt like. 

ACR: I was covering an ice storm in North Carolina and as my photographer shot video of line workers trying to restore power on the main lines. And there was a house nearby. And in the window was a little boy with his flashlight absolutely loving every minute the whole show… the ice, the workers, the trucks, the power outage, the flashlights… all of it. We found him just four hours before deadline and put together a story that celebrated the childhood joy of ice storms. I loved everything about it. Winning an Emmy for that story was really an honor. It was a difficult category to win. But as a little girl, I never dreamed that such a thing was possible for me. And so it felt really rewarding. And I was sure to mention that little boy by name in my acceptance speech!

 

CP: Wow! It really sounds like you were meant to tell children’s stories! What are some skills you used as an investigative television reporter and news anchor that have served you well in your career as an author of books for children?

ACR: The research skills have come in super handy and not quitting. Becoming a TV News Reporter can be as impossible as becoming a published author … so not giving up is super important. In both fields you need to put your work in front of people who know more about it than you do and get their feedback and learn from it. It’s scary, humbling, and SUPER helpful. So having a thick skin or ability to receive criticism is useful.

 

CP: Do you think you’ll ever go back to reporting the news on television?

ACR: No plans for that at this stage. I love writing for children and young adults. There is a freedom and creativity to it that I just adore.

 

CP: You co-lead a couple weekly audio chat rooms for writers on Clubhouse, and I’m always so impressed with how welcoming and encouraging you are to new writers who join in. As I read your incredibly moving blog post, If Not for Tom Ellis: The Mentor Who Changed My Life and the Lessons he Leaves Behind, I found myself wondering if part of the appeal of Clubhouse for you is that it allows you to play a mentorship role for aspiring authors. Do you think that’s true?

ACR: Thank you for reading that post. Tom Ellis was a superstar Boston TV anchor who was so generous to me with his time, talent, and expertise. And I think we all need someone to remind us that we can accomplish difficult things and then give us some tools to get there. So, yes, having been the recipient of enormous generosity in both of my careers makes me so excited to hopefully be that little beacon of light to others who may need it. It’s also wonderful to join with other authors, illustrators, and agents to do that together, as a group. It’s been very moving and rewarding for me.

 

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Interior art from The Gravity Tree written by Anna Crowley Redding and illustrated by Yas Imamura, HarperCollins BYR ©2021.

 

CP: I know you love visiting schools. Can you tell me about a school visit activity that’s been especially successful and fun?

ACR: I love handing kids a clipboard, magnifying glass, some primary sources that relate to a particular book or story, and then asking them to prove or disprove the story based on their research. It’s so much fun and the kids love it!

 

CP: What’s the worst thing that’s ever happened to you on a school visit?

ACR: I got a migraine headache midway through. The teacher had Excedrin on hand. I took it. It did not touch this headache. I was leading a super hands-on writing exercise and I was starting to sweat from the pain. There were just twenty minutes left of the clock. I was desperate–begging God to get me through it. Finally, the school bell rings. YES! And then the active-shooter alarm is activated. We had to hide in the dark library. Thirty minutes later the police cleared the school. All was well and I grabbed my special tote Macmillan gave me and started to drive for home. But at a stoplight I was overcome with migraine nausea. Quickly dumped the books out of my special tote … and threw up in it! 

 

CP: Oh no!!! That’s terrible! At least you made it out of the school before you threw up. Haha! Let’s move on to a happier topic. What’s the best part about being a children’s book author?

ACR: I think when you have the opportunity to enter the sacred space of a book being held by a child … it’s like being the honored host of a critically important conversation, a special experience that could shape this young person by inspiring them, or seeing them, or making them laugh, or regain hope. I mean, how awesome is that?!

 

CP: Is there anything else I should have asked you?

ACR: Do you actually know Colleen Paeff?

ACR: Yes, she is incredibly talented, a very nice person, and everyone should buy The Great Stink: How Joseph Bazalgette Solved London’s Poop Pollution Problem and follow her on Instagram. (Seriously, you will not be disappointed.)

 

CP: Aw! Thank you! That’s very kind. What’s next for you?

ACR: I’m working on a couple of picture books right now that I am wild about. And I’ve decided to try my hand at memoir writing and have to say, I really love it.

 

CP: How exciting! Based on what I know about your life so far that is a memoir I will definitely want to read. Thanks for chatting, Anna, and best of luck with The Gravity Tree and all your upcoming projects.

ACR: Thank you so much! This was so much fun and such a thoughtful conversation and I really appreciate it!

 

Anna Crowley Redding Photo credit Dave Dostie
Anna Crowley Redding      Photo Credit: Dave Dostie

BRIEF BIO:

Anna Crowley Redding is the author of Chowder Rules!, Rescuing the Declaration of Independence, Google It, Elon Musk: A Mission to Save the World, and Black Hole Chasers. The recipient of multiple Edward R. Murrow and Associated Press awards, Crowley Redding uses her Emmy award-winning investigative reporting skills to dig into compelling topics that are shaping our world. Her works have been translated into multiple languages, garnered national news coverage, and been recognized by the National Association of Science Teachers for excellence. Crowley Redding lives outside of Portland, Maine with her family.

 

 

 


LINKS:

Website: annacrowleyredding.com

Instagram: @annacrowleyredding

Twitter: @AnnaRedding

 

FOR MORE ON ANNA CROWLEY REDDING:

Book Q&As with Deborah Kalb

Epic Achievements and Fantastic Failures

Kidlit411 Author Spotlight: Anna Crowley Redding

 

ABOUT INTERVIEWER COLLEEN PAEFF:

Colleen Paeff is the author of The Great Stink: How Joseph Bazalgette Solved London’s Poop Pollution Problem, illustrated by Nancy Carpenter (available August 31, 2021, from Margaret K. McElderry Books) and Rainbow Truck, co-authored with Hina Abidi and illustrated by Saffa Khan (available in the spring of 2023 from Chronicle Books). Click here for more info.

 

 

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Kids Picture Book Review – This Is a Sea Cow by Cassandra Federman

THIS IS A SEA COW
Written and illustrated by Cassandra Federman
(Albert Whitman & Co.; $16.99, Ages 4-8)

 

This Is a Sea Cow cover

 

This Is a Sea Cow, the debut picture book by Cassandra Federman, will have kids laughing out loud at story time especially at the lines about how much a sea cow weighs, how her milk “squirts out of her armpits!” and the size of their brains. Federman knows how to quickly pull her readers into this funny and informative story about the popular underwater mammal perhaps better known as a manatee. The titular sea cow actually prefers to be called a manatee for multiple reasons kids will learn about. Fact: Happy faces plastered with huge grins will appear throughout the duration of this book.

 

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Interior illustration from This Is a Sea Cow written and illustrated by Cassandra Federman, Albert Whitman & Co. ©2019.

 

One thing I particularly adore about This Is a Sea Cow is the format Federman uses. The story unfolds as a child’s school book report about sea cows. Soon, however, the sea cow, who is the subject of the report, begins responding to the facts presented. This interactive approach is certain to engage young readers. I’m guessing they’ll start talking back to the book much like the audience does in an English pantomime.

At first the adorable blue-crayon-colored sea cow disputes most of what the student writes when it’s not complimentary. Fact: weight of 1,000 pounds. Response: “Hey! That’s personal information.” With each eagerly awaited page turn, youngsters will note how the student author highlights a fact or two the sea cow cannot disagree with. There’s the small size of its brain (see bottom illustration) and how small-brained explorers  thought sea cows were mermaids. The report’s flattered blue subject basks in being considered the mythical water nymph. Those irresistible illustrations are some of my faves.

 

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Interior illustration from This Is a Sea Cow written and illustrated by Cassandra Federman, Albert Whitman & Co. ©2019.

 

The book’s colorful, kid-like artwork cleverly incorporates a variety of features guaranteed to keep a child’s interest. There are speech bubbles (just some of the bubbles they’ll read about … the others being gassy ones), hand lettering, hand drawings, and paper cutouts. Interspersed with these are photos of real objects such as scissors, crayons, shells, staples, paper clips and a backpack.

 

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Interior illustration from This Is a Sea Cow written and illustrated by Cassandra Federman, Albert Whitman & Co. ©2019.

 

The pleasing twist at the end will charm children who, like the second grade writer, easily fall for the sea cow, small brain, gassiness, toenails and all! And if that’s not sweet and silly enough, several other cute creatures chime in after being mentioned. Federman’s adept use of kid-friendly prose in this light-hearted look at the much-loved manatee will make this a regularly requested read for animal lovers.

Helpful back matter provides kids, parents and teachers with additional interesting info about sea cows like where they live and how fast they can swim. The names of several websites where readers can adopt a manatee or help injured ones are also included. Head over to your local independent bookseller to pick up a copy today and make a manatee (and me) happy.

  • Reviewed by Ronna Mandel

Find This Is a Sea Cow activities for children on the Albert Whitman website here.

Read a review about more sea creatures here.

 

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Power Up: Your Incredible, Spectacular, Supercharged Body by Seth Fishman

POWER UP:
Your Incredible, Spectacular, Supercharged Body
Written by Seth Fishman
Illustrated by Isabel Greenberg
(Greenwillow Books; $17.99, Ages 4-8)

 

Power Up book cover artwork

 

The dynamic duo of Fishman and Greenberg, who created the award-winning picture book A Hundred Billion Trillion Stars, partners again for Power Up: Your Incredible, Spectacular, Supercharged Body. This time, the focus switches from the amazing universe to the world within. Bite-sized explanations help bring such immense topics within reach. The text centers around the fact we’re made of energy and everything we do takes energy. “You are a fireball,” “Look at your pinkie. That little finger has enough energy to light up one of the biggest cities in the world for an entire day.”

 

interior illustrations by Isabel Greenberg from Power Up by Seth Fishman
Interior artwork from Power Up written by Seth Fishman and illustrated by Isabel Greenberg, Greenwillow Books ©2019.

 

Greenberg’s art brings fresh perspectives to what could be boring textbook images such as the skeleton and muscular systems. Positive messages help kids learn that they need to care for their supercharged bodies by eating, sleeping, and exercising.

 

interior illustration of sun by Isabel Greenberg. from Power Up by Seth Fishman
Interior spread from Power Up written by Seth Fishman and illustrated by Isabel Greenberg, Greenwillow Books ©2019.

 

Kids who like numbers will get into their groove with the many statistics. Did you know we’re born with 300 bones, but as some fuse we eventually have only 206? Or that the calf’s seven muscles help you point your toes? Nonfiction has come a long way with interesting books such as this one that makes learning fun and reminds us that we can (literally) “light up the world.”

Fishman’s upcoming local appearances include two 11:00 a.m. Barnes & Noble Storytimes: Saturday, March 23rd in Encinitas (1040 N El Camino Real Drive) and Saturday, March 30th in Manhattan Beach (1800 Rosecrans Avenue).

 

          @ChristineVZ and @WFSediting, Christine@Write-for-Success.com

 

appearance graphic for Seth Fishman author of Power Up
Photo of author Seth Fishman courtesy of Chelin Miller

 

 

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The Diamond and The Boy by Hannah Holt

THE DIAMOND AND THE BOY:
THE CREATION OF DIAMONDS AND THE LIFE OF H. TRACY HALL
Written by Hannah Holt
Illustrated by Jay Fleck
(Balzer & Bray; $17.99, Ages 4-8)

 

is reviewed today by Cathy Ballou Mealey.

 

The Diamond and The Boy book cover art

 

★Starred Review – Booklist

Holt’s debut nonfiction picture book digs deep into family history, introducing readers to natural and industrial diamond creation with an engaging dual narrative structure.

Cleverly designed, THE DIAMOND AND THE BOY: THE CREATION OF DIAMONDS AND THE LIFE OF H. TRACY HALL is engineered to compare graphite, a common gray rock, and young Tracy Hall, an inventor and the author’s grandfather. Free-form poetry on facing pages invite easy associations between the rock and the boy, subjected to physical and societal pressures respectively, which transform them over time.

Tension builds naturally through Holt’s lyrical mirrored text. Of the graphite; “Mighty, unyielding, brilliant. The rock would dazzle if it had any light to reflect, but it doesn’t.” She writes of the boy; “Mighty, unyielding, brilliant. His inventions dazzle classmates, But Tracy is still penny poor, with so many ideas floating just out of reach.”

 

int spread rock boy from The Diamond and The Boy by Hannah Holt
Interior illustrations from The Diamond and The Boy written by Hannah Holt with artwork by Jay Fleck, Balzer & Bray ©2018.

 

The tale celebrates Hall’s perseverance and resolve in the face of poverty and bullying. These obstacles ultimately build his resilience as he develops an invention to produce industrial diamonds. For those interested in learning more about diamonds, Holt provides backmatter on the mined diamond industry including the DeBeers monopoly and “blood diamond” conflict in Africa. A timeline and bibliography are also appended.

 

int artwork small gray meager from The Diamond and The Boy
Interior illustrations from The Diamond and The Boy written by Hannah Holt with artwork by Jay Fleck, Balzer & Bray ©2018.

 

Fleck’s color-saturated illustrations are digitally enhanced and multi-layered, keeping the focus squarely on the man and the gem. Clever use of the color palette, alternating between the echoing narratives, helps balance the book visually. The contrast nicely reinforces the natural comparison of Hall’s and the diamond’s transformations. Fleck makes excellent use of angular elements such as the striations of the earth, books shelved in the library, diamond facets and kite strings, while occasional red-orange ‘explosions’ emphasize dramatic changes.

 

interior artwork from The Diamond and The Boy Waiting
Interior illustrations from The Diamond and The Boy written by Hannah Holt with artwork by Jay Fleck, Balzer & Bray ©2018.

 

In THE DIAMOND AND THE BOY, Holt offers a personal and noteworthy celebration of a man deep in substance and character. This book is a different and delightful choice for readers of history, industrial manufacturing, or STEM classroom libraries. The intersection of science and personal character development is a unique and rich format that will engage a variety of readers and potential young inventors.

Where obtained:  I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.

  • Reviewed by Cathy Ballou Mealey
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