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Picture Book Review – Barn in Winter

 

 

 

BARN IN WINTER:
SAFE AND WARM ON THE FARM

Written by Chambrae Griffith

Illustrated by Taia Morley

(Cottage Door Press; $9.99; Ages 1-4)

 

 

Barn in Winter cover barn as snow falls

 

 

From the publisher:

“Winter has come to the farm and covered everything in a blanket of icy snow. But where is the cow? Where are the pig and the goat? They are snuggly and snoozy, dozy and dreaming, tucked in all toasty, safe, dry and warm inside the cozy barn. Celebrate winter with this beautiful keepsake book that any farm-loving toddler is sure to love!”

 

Review:

Chambrae Griffith and Taia Morely deliver Barn in Winter, a gorgeous book introducing preschoolers to a farm in winter and its personified barn. With adorable farm animals filling the pages, this sturdy board book is sure to charm little ones.

 

Barn in Winter int1 barn feels a chill
Interior spread from Barn in Winter written by Chambrae Griffith and illustrated by Taia Morely, Cottage Door Press ©2023.

 

Griffith’s rhyming text feels hushed and snuggly—almost reverent—like the quiet that comes before a storm. Morely’s art is the perfect complement, with warm, saturated colors and a blanket-like texture that begs to be printed and hung on a nursery room wall.

 

 

Barn in Winter int2 out of the storm cuddly and cozy cow
Interior art from Barn in Winter written by Chambrae Griffith and illustrated by Taia Morely, Cottage Door Press ©2023.

 

A perfect read-aloud before a long winter’s nap. Barn in Spring will be available in spring 2024

  • Reviewed by Roxanne Troup

 

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Children’s Picture Book Review – My Grandpa, My Tree, and Me

MY GRANDPA, MY TREE, AND ME 

Written by Roxanne Troup

Illustrated by Kendra Binney

(Yeehoo Press; $17.99, Ages 4-8)

 

My Grandpa My Tree and Me cover granddaughter grandfather sit beneath pecan tree

 

There’s a timeless, feel-good quality to Roxanne Troup’s debut fiction picture book My Grandpa, My Tree, and Me, illustrated by Kendra Binney. After finishing it, I wanted to sit back and imagine myself in the bucolic surroundings where the story takes place.

Binney’s appealing artwork transported me to a pecan orchard for the first time where the action unfolds as a little girl spends time with her grandfather and narrates, “My grandpa planted a tree for me on the day I was born.” She also tells us that, despite having an orchard full of pecan trees, Grandpa’s favorite tree is that particular one, thus establishing the strong bond these two characters share.

 

My Grandpa, My Tree, and Me int1 girl and grandpa spreading mulch
Interior spread from My Grandpa, My Tree, and Me written by Roxanne Troup and illustrated by Kendra Binney, Yeehoo Press ©2023.

 

Through changing seasons starting in winter when it’s pruning time, and the annual growth cycle of the orchard, we learn how pecans mature and are harvested. At the same time, the special relationship between the child and her grandpa exudes from the warm, muted illustrations coupled with Trout’s lyrical prose. I especially felt that each time I read the lovely repeating phrase “But not my tree.” In spread after spread the young girl describes how the other pecan trees are treated en masse as part of the commercial harvesting process, while hers receives individualized care from her grandpa. Together the two tend to her tree with love and respect which also serves as a metaphor for their relationship.

 

My Grandpa My Tree and Me int2 prepping pecans for harvester
Interior illustrations from My Grandpa, My Tree, and Me written by Roxanne Troup and illustrated by Kendra Binney, Yeehoo Press ©2023.

 

At last, when the husks open, it’s harvest time. The joy is palpable on the page. Then “Grandpa attaches a padded arm to his tractor. It hugs the trees’ trunks and shakes until leaves and twigs and pecans rain down.” When it’s her turn and with Grandpa there to savor the experience, the girl uses a long pole to make the pecans drop. The orchard’s pecans will be collected by the harvester for sale but the girl’s pecans will be baked into a scrumptious pecan pie. And, not to spoil the beautiful ending, suffice it to say that Troup and Mother Nature’s miraculous cycle of growth delivers a delightful and very satisfying dénouement in this touching layered tale.

 

My Grandpa, My Tree, and Me int3 eating pecan pie time
Interior illustrations from My Grandpa, My Tree, and Me written by Roxanne Troup and illustrated by Kendra Binney, Yeehoo Press ©2023.

 

 

Troup, who is not a newcomer to writing, knows how to tell an engaging and tender story while infusing interesting information into it, clearly owing to her extensive nonfiction background. The pacing of My Grandpa, My Tree, and Me moves forward easily like the seasons in the orchard. There’s a soothing rhythm to the language that makes the book an ideal read any time of the day, including bedtime. Did you know that pecans are considered a native nut to North America? Find an All About Pecans note detailing the history of the commercial pecan industry along with a helpful glossary in the back matter.

Download a free teacher’s guide here.

  • Reviewed by Ronna Mandel

 

NOTE: I’m thrilled that Roxanne is a reviewer at this blog so subscribe today so you don’t miss her thoughtful coverage.

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Kids Book Review – The Night Flower for National Garden Month

 

 

THE NIGHT FLOWER:
The Blooming of the Saguaro Cactus
By Lara Hawthorne
(Big Picture Press; $16.99, Ages 3-7)

 

The Night Flower by Lara Hawthorne book cover art

 

 

The Sonoran desert is busy with all sorts of activity. Lara Hawthorne’s 32-page nonfiction picture book, The Night Flower: The Blooming of the Saguaro Cactus invites the reader to explore this lively world. The book’s rhyming lines are upbeat and evocative: “Around the saguaro, in the shining moonlight, the desert is festive and thriving tonight.”

Facts bookend the text, deepening a reader’s understanding about the wonderful saguaro cactus’s spectacular bloom which occurs only one night each year. “During this short period, their strong scent and brilliant white petals attract rare pollinators, including bats, moths, and doves.” For a few hours in the morning, the pollen’s shared with day creatures such as birds and bees.

 

interior artwork from The Night Flower by Lara Hawthorne
THE NIGHT FLOWER. Copyright © 2018 by Lara Hawthorne. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Kids will like the “Did you spot . . .?” section at the end which encourages them to connect the descriptions of ten animals back to the story. The colorfully illustrated saguaro life cycle and glossary are in kid-friendly language to engage even the youngest child. I enjoyed the fresh perspective on animals such as the grasshopper mouse, a “fierce, furry hunter” which is “known to stand on its hind legs and howl at night.”

 

 

The Night Flower by Lara Hawthorne interior artwork
THE NIGHT FLOWER. Copyright © 2018 by Lara Hawthorne. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Hawthorne’s watercolor images introduce whimsy and beauty. This glimpse at something rare is educational and fun. I may have missed the saguaro’s amazing bloom, but, if our travels take us to the desert, I’ll keep a lookout for the gorgeous rainbow grasshopper.

 

 

 

 

 

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Two New Joyful Picture Books – Stardust and The Whole Wide World and Me

A flower in a field. 🌸
A star in the sky. 
Simple things seen and sensed
through the eyes of a child
help them find and define their place in the universe
in two beautiful new picture books
from Candlewick Press and Nosy Crow.

 

 

Stardust book cover art

STARDUST
Written by Jeanne Willis
Illustrated by Briony May Smith
(Nosy Crow; $16.99, Ages 2-5)

STARDUST features a thoughtful young girl who tries and tries to shine as brightly as her talented older sister. She cannot knit as well, find a missing ring first, or design the best outfit for the costume competition. When she seeks solace under the starry night sky, her grandfather joins her for a quiet chat. Once there was nothing, he tells her, but after a BANG and a series of twinkles, stars were born. Willis sends the duo off on an imaginary journey to explore the subsequent creation of planets, moons, seas, trees and even, sisters!

interior spread from Stardust by Jeanne Willis with art by Briony May Smith
STARDUST. Text copyright © 2018 by Jeanne Willis. Illustrations copyright © 2018 by Briony May Smith. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Smith’s richly colored illustrations will carry young readers into the fantastical realm to introduce the Big Bang and how all is created from stardust. The tender relationship between the girl and her grandfather is light and sweet but never heavy-handed, leading to a delightful conclusion that reaches decades into the girl’s future.

 

Stardust by Jeanne Willis with art by Briony May Smith int illustration
STARDUST. Text copyright © 2018 by Jeanne Willis. Illustrations copyright © 2018 by Briony May Smith. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

The book jacket is generously speckled with silver stars and a shiny title, a bright and cheerful exterior feature that highlights and compliments this book’s encouraging message about being true to yourself.

 

book cover illustration from The Whole Wide World and Me by Toni YulyTHE WHOLE WIDE WORLD AND ME
Written and illustrated by Toni Yuly
(Candlewick; $15.99, Ages 2-5)

A tiny red ladybug has captured a girl’s attention on the cover of Toni Yuly’s THE WHOLE WIDE WORLD AND ME. Open the book, and the ladybug creeps up a single blade of green grass. Suddenly a bright yellow flower dominates the page, as if from the bug’s perspective. Two boots arrive on scene, signaling the girl’s arrival and her tender exploration of the natural wonders that surround her.

 

interior illustration from The Whole Wide World and Me by Toni Yuly
THE WHOLD WIDE WORLD AND ME. Copyright © 2019 by Toni Yuly. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

The simple lyrical text is placed sparingly on the page, pacing the story with a gentle, slow unfurling from land to sea, sky and mountain.

 

the Whole Wide World and Me by Toni Yuly interior illustration
THE WHOLD WIDE WORLD AND ME. Copyright © 2019 by Toni Yuly. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Yuly’s captivating illustrations are a combination of ink, charcoal pencil, torn tissue, cut paper and digital collage. The colors are bold and textured, beautifully conveying the gritty beach, crisp blades of grass, and fuzzy cotton dandelion seeds. “I am a small part of it all,” proclaims the young naturalist, joyously exploring and connecting with the world around her. Readers will be duly inspired to get outdoors and join the fun.

Starred Review – Kirkus Reviews

 

  • Reviewed by Cathy Ballou Mealey

Where obtained:  I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.

 

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Seasonal and Celebratory – We Are Grateful: Otsaliheliga by Traci Sorell

WE ARE GRATEFUL: OTSALIHELIGA
Written by Traci Sorell
Illustrated by Frané Lessac
(Charlesbridge; $17.99, Ages 3-7)

 

is reviewed today by Cathy Ballou Mealey.

 

book cover art from We Are Grateful: Otsaliheliga

 

STARRED REVIEWS – Kirkus, School Library Journal, Shelf Awareness

 

Sorell’s delightful debut, WE ARE GRATEFUL: OTSALIHELIGA showcases ways that the universal value of gratitude can be expressed through a contemporary Cherokee lens. Using the phrase “Otsaliheliga” (oh-jah-LEE-hay-lee-gah) meaning “We are grateful” as a refrain, the book unfolds throughout the seasons. Measured, lyrical text engages readers with opportunities for gratitude both small and large, drawing upon tradition, nature and family.

The book opens in fall (uligohvsdi), introducing readers to the Great New Moon Ceremony and the Cherokee New Year through cultural symbols and traditions. Special foods, song and crafts appear to mark seasons and occasions. The refrain “Otsaliheliga” centers the narrative with poetic pause as one explores and celebrates with family and community.

 

interior artwork from We Are Grateful: Otsaliheliga
Interior spread from We Are Grateful: Otsaliheliga written by Traci Sorell with illustrations by Frané Lessac, Charlesbridge ©2018.

 

Each season is named in Cherokee, presented phonetically and in the Cherokee syllabary. Sorell’s tale builds bridges between old and new, past and present, honoring the legacy of ancestors while anticipating hope and joy for future generations.

Lessac’s vibrant illustrations are warm and contemporary, incorporating many rich details throughout double-spread community scenes and intimate family gatherings. Her bright gouache is cheerful, resonant with numerous opportunities to expand the gratitude-themed narrative. Text and illustrations blend seamlessly to uplift connections between history and tradition, past, present and future.

 

interior artwork from We Are Grateful: Otsaliheliga
Interior spread from We Are Grateful: Otsaliheliga written by Traci Sorell with illustrations by Frané Lessac, Charlesbridge ©2018.

 

Sorell’s backmatter includes more information on various ceremonies and observances, a Cherokee syllabary and pronunciation guide. Her author’s note discusses keeping balance between observing the ancestral and ceremonial way of life with demands of the modern, non-Cherokee world. Readers should also note her extensive acknowledgements in the book’s dedication, a true reflection of Sorell’s rich, respectful and authentic work.

 

interior artwork from We Are Grateful: Otsaliheliga
Interior spread from We Are Grateful: Otsaliheliga written by Traci Sorell with illustrations by Frané Lessac, Charlesbridge ©2018.

 

The final pages – “Every day, every season. Otsaliheliga” – are illustrated with a beautiful composite of fall, winter, spring and summer encircling one tree where people have gathered together in celebration and gratitude. Don’t miss this special book and the chance to embrace its message of thankfulness and appreciation.

  • Reviewed by Cathy Ballou Mealey

 

Where obtained: I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.

Find a teacher’s guide here.

Listen to Traci We Are Grateful  here.

See the book trailer here

 

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