There’s a timeless, feel-good quality to Roxanne Troup’sdebut fiction picture book My Grandpa, My Tree, and Me, illustrated by Kendra Binney. After finishing it, I wanted to sit back and imagine myself in the bucolic surroundings where the story takes place.
Binney’s appealing artwork transported me to a pecan orchard for the first time where the action unfolds as a little girl spends time with her grandfather and narrates, “My grandpa planted a tree for me on the day I was born.” She also tells us that, despite having an orchard full of pecan trees, Grandpa’s favorite tree is that particular one, thus establishing the strong bond these two characters share.
Through changing seasons starting in winter when it’s pruning time, and the annual growth cycle of the orchard, we learn how pecans mature and are harvested. At the same time, the special relationship between the child and her grandpa exudes from the warm, muted illustrations coupled with Trout’s lyrical prose. I especially felt that each time I read the lovely repeating phrase “But not my tree.” In spread after spread the young girl describes how the other pecan trees are treated en masse as part of the commercial harvesting process, while hers receives individualized care from her grandpa. Together the two tend to her tree with love and respect which also serves as a metaphor for their relationship.
At last, when the husks open, it’s harvest time. The joy is palpable on the page. Then “Grandpa attaches a padded arm to his tractor. It hugs the trees’ trunks and shakes until leaves and twigs and pecans rain down.” When it’s her turn and with Grandpa there to savor the experience, the girl uses a long pole to make the pecans drop. The orchard’s pecans will be collected by the harvester for sale but the girl’s pecans will be baked into a scrumptious pecan pie. And, not to spoil the beautiful ending, suffice it to say that Troup and Mother Nature’s miraculous cycle of growth delivers a delightful and very satisfying dénouement in this touching layered tale.
Troup, who is not a newcomer to writing, knows how to tell an engaging and tender story while infusing interesting information into it, clearly owing to her extensive nonfiction background. The pacing of My Grandpa, My Tree, and Me moves forward easily like the seasons in the orchard. There’s a soothing rhythm to the language that makes the book an ideal read any time of the day, including bedtime. Did you know that pecans are considered a native nut to North America? Find an All About Pecans note detailing the history of the commercial pecan industry along with a helpful glossary in the back matter.
Awards: John Newbery Medal, Coretta Scott King Author Award
An Indiebound Bestseller
★Starred reviews: Booklist, Horn Book, Kirkus Reviews, Publisher’s Weekly, and School Library Connections
“A gripping story of friendship, survival, and courage as a group of young children overcome trauma and fear to pursue freedom for themselves and their community.”
Freewater is the award-winning novel by Amina Luqman-Dawsonpublished a little over a year ago. It opens with the harrowing flight of two enslaved children, twelve-year-old Homer and his younger sister Ada, from the Southerland Plantation. Their escape goes horribly wrong when their mother, Ruth, returns to rescue Homer’s friend Anna and is captured. The two siblings, pursued by slavers and their dogs, stumble into a nearby swamp and flounder in an unfamiliar world.
Bravely forging ahead in the unfamiliar and frightening environment, the children are rescued by Suleman, a formally enslaved man, who takes the exhausted children to Freewater. Homer and Ada are welcomed to this hidden village, a safe haven for its formerly enslaved residents and their freeborn offspring. The supportive community draws the children into their society, beliefs, and traditions, which are based on a complex relationship with the swamp.
Homer, wracked with guilt, is determined to rescue his mother and makes plans to return to Southerland to rescue her. When his new friends learn of this, they help Homer organize a rescue. Meanwhile, at Southerland, clever Anna is making plans to disrupt the plantation daughter’s wedding in order to flee with Ruth. Will Anna manage to escape? Will Homer and his new friends be able to rescue his mother … without getting caught?
In a compelling, multi-voiced narrative, five children, some freeborn, some formerly enslaved, relate the story from their POV. Even the plantation owner’s youngest daughter, Nora, contributes to the narrative, describing her struggle to understand the implications of slavery. Through their narratives, the reader learns about the children’s pasts, secrets, traumas, fears, and dreams.
The author imagines a fascinating world, not just of survival in the swamp, but of a nurturing society and culture flourishing there. Family life and supporting the community are paramount. Jobs and tasks include weaving vines into rope, hollowing out giant trees for shelters or boats, tending to the crops, and hunting and fishing. Sky bridges made from rope help the community travel safely above the ground where they cannot be seen or caught by slavers or militia. Huge, moving partitions, woven out of branches and leaves are created to close off parts of the swamp for protection. A few members, like Suleman, stealthily visit the plantations at night to “liberate” supplies (like matches) that cannot be made in the swamp.
Luqman-Dawson has populated the story with well-developed characters and a richly described setting, both beautiful and deadly. The author does not hesitate to include the horrific treatment of African Americans by white people. Woven into the story’s many dramatic events are moments of friendship, selflessness, joy, and even budding young love.
The author’s endnote details the historical background including references to African American scholars working on Maroon society in the Great Dismal Swamp, which was the inspiration for this story. Visit Luqman-Dawson’s website to see a video of her summary of Freewater and more resources on the DismalSwamp.
GoodReadsWithRonna is thrilled to be back for our 10th year supporting Multicultural Children’s Book Day! We hope you’ll visit the Linky below to access all the other great books reviewed.
Pearl of the Sea, a new older middle-grade graphic novel by Anthony Silverston, Raffaella Delle Donne, and Willem Samuel is simply hard to put down. In other words, be prepared to dive deep and fast into this rewarding journey featuring some fantastical elements unfolding off the west coast of South Africa.
Turn the pages to be transported to South Africa where you’ll meet the protagonist Pearl while getting more than glimpses of the economically strapped seaside town where she lives. Most days Pearl sticks to herself and is filled with insecurities as she copes with the reality of her mom having left the family. Still, she manages to help her dad who is struggling to make ends meet.
During one of Pearl’s daily jaunts undersea before school to hunt for fish to feed the family, she spies an ominous fenced-off restricted area. Warning signs caution those who might wish to enter, a temptation Pearl cannot resist. Plus this danger zone is rich with abalone. After a run-in with some abalone poachers, she realizes helping them could bring in some much-needed money. At the same time, Pearl knows this illegal action is wrong on many levels.
Readers are teased with what’s to come by seeing an enormous tentacle that Pearl hasn’t noticed. Soon though she encounters this wounded monstrous sea creature who has been harpooned. Pearl calls him Otto. She brings him food and aids in his recovery but Otto’s safety is not guaranteed. Tension builds in a plot twist spoiler I won’t reveal beyond saying that Otto becomes the target of a vengeful fisherman. If Pearl can save and protect Otto it will ultimately be saving herself and her father too because, like fishermen’s nets, their lives have become so intertwined.
Pearl’s sidekick throughout this action-packed novel is an adorable one-eyed dog. There’s also a classmate named Naomi who Pearl may have a crush on. However, because her dad tells her they have to move so he can find work, Pearl figures it’s futile to pursue a friendship or relationship. That’s one aspect of the novel I’d love to see explored in a sequel.
Not only is Pearl of The Sea a compelling read, but it is also a visual treasure that merits multiple reads. The rich art has a theatric feel, with scene after scene pulling you into the story and keeping you gripped. Readers will share Pearl’s joy and satisfaction at her accomplishments that she might have been unable to achieve before befriending Otto. I recommend this unexpected delight for fans of meaningful graphic novels and those new to the genre.
Reviewed by Ronna Mandel
Click hereto read more about Triggerfish, the South African animation production company behind this graphic novel. Disclaimer: This book was #gifted to GoodReadsWithRonna from Catalyst Press for a fair and honest review.
Multicultural Children’s Book Day 2023 (1/26/23) is in its 10th year! This non-profit children’s literacy initiative was founded by Valarie Budayr and Mia Wenjen; two diverse book-loving moms who saw a need to shine the spotlight on all of the multicultural books and authors on the market while also working to get those books into the hands of young readers and educators.
Ten years in, MCBD’s mission is to raise awareness of the ongoing need to include kids’ books that celebrate diversity in homes and school bookshelves continues. Read about our Mission & History HERE.
MCBD 2023 is honored to be Supported by these Medallion Sponsors!
FREE Diversity Book for Classrooms Program e
📌 Register for the MCBD Read Your World Virtual Party
Join us on Thursday, January 26, 2023, at 9 pm EST for the 10th annual Multicultural Children’s Book Day Read Your World Virtual Party! This epically fun and fast-paced hour includes multicultural book discussions, addressing timely issues, diverse book recommendations, & reading ideas. We will be giving away a 10-Book Bundle during the virtual party plus Bonus Prizes as well! *** US and Global participants welcome. **Follow the hashtag #ReadYourWorld to join the conversation, and connect with like-minded parts, authors, publishers, educators, organizations, and librarians. We look forward to seeing you all on January 26, 2023, at our virtual party!
Novels in verse are powerful. Jane Kuo’s debut middle grade,In the Beautiful Country, is a novel in verse set in 1980 about ten-year-old Ai Shi, an American immigrant from Taiwan. What a good format choice for a novel reflecting the experience of children new to the U.S.! Especially accessible for English language learners and for reluctant or struggling readers, the short, straightforward poems are no less engaging for those who read with ease.
I love how a poem gives me broad strokes of what is happening, takes me to the correct emotional address, and then I get to fill in the details. Wait, that sounds wrong. Kuo’s book, for example, gives me many details, things I wouldn’t know to imagine myself, that help me understand Ai Shi’s experience. It’s more like a connect-the-dots puzzle. Rather than broad strokes, the poems set down carefully-placed images and details, the dots. Then readers use their imagination to get from one dot to the next and draw a complete understanding of who Ai Shi is, what she values the most, and what she goes through as she and her parents face the disappointing reality of their new life.
The story begins when Ai Shi is anticipating moving to “the beautiful country” (the Chinese name for America) and follows her through a year of adjusting to life as Anna, American fifth-grader. Before moving, Ai Shi says America is her “happily ever after place,” but once she’s here, reality hits hard. She dreads going to school with her limited English:
I used to love school,
the place where I was the loudest girl in class.
Now I’m robbed of words.
Suddenly, I have nothing to say.
e
Her family struggles to keep their heads above water financially. They sold everything to buy an American fast food restaurant, depending on a fraudulent profit record the seller provided. Ai Shi thinks the items she left in Taiwan will be replaced with better California models, but that’s not how it goes.
I was particularly touched by a poem about the family’s new apartment. Ai Shi sleeps in the lone bedroom; her parents sleep on a fold-out couch in the living room. The only entertainment is watching television, and Ai Shi thinks their new set is broken. Really, it’s just black-and-white. The poem ends:
e
e
e
I sit facing the flickering television.
This TV is twice as small as our old one.
Here,
in the land of more,
our world is so small.
Racism adds isolation and a sense of injustice to Ai Shi’s disappointment. She is teased at school: “It’s as if making fun of my food / has become a group lunchtime activity.” When the class is learning about alliteration, a bully waits until they are on the playground to share his example: “Ching Chong Chinaman.” At the store, her parents face customers who have no patience for their problems with English.
Last week, a man became very huffy and puffy,
as if not understanding English
was some kind of insult.
It gets worse when someone throws a brick through the store’s large front window in the middle of the night. The poem “Nothing is Missing” describes the violation, ending, “They didn’t take anything. / They took so much.”
It is painful seeing through Ai Shi’s eyes when her family is struggling. I always say that if a book makes me cry, it had better be for a good purpose. Being sad with Ai Shi is worth it, helping me develop more understanding of and empathy for immigrants, children and adults alike. But I am especially enthusiastic about recommending this book because Kuo doesn’t leave Ai Shi or the reader in insurmountable pain. When the family considers giving up and going back to Taiwan, their dynamics change. It is a pleasure to keep reading and see how their shared values put them on a path to an authentically hopeful future.
Struggling to belong, Cuban-born eleven-year-old Oriol discovers her voice in Singing with Elephants, a beautifully moving middle-grade novel in verse written by Newbery honoree and Pura Belpré Award-winning author, Margarita Engle.
The story takes place in 1947 in Santa Barbara where Oriol lives with her family. She helps take care of injured animals in her parents’ veterinary clinic, located near a “wildlife zoo ranch” that has connections to Hollywood (6). Grieving the recent death of her grandmother and facing hardships at a school that is unwelcoming to immigrants, she struggles with loneliness–until she befriends “la poeta” Gabriela Mistral who has moved near Oriol’s home (12). While the meeting (and subsequent story) is fictional, the poet is a real person, the first Latin American winner of a Nobel Prize in Literature. Oriol is relieved to have found someone who speaks her native tongue, but little does she know the unexpected gift she’ll be receiving from her new friend: learning the language of poetry.
These lessons are for all of us. “There is no better home for emotions than a poem,” la poeta advises, “which can easily be transformed into a song” (27). The book is rich with simple yet profound expressions of love, loss, heartache, and wholeness. As we learn along with Oriol, poetry is the soul’s way of singing, whether that soul is human or animal. This lesson becomes more apparent as Oriol’s connection to the animals she cares for grows stronger and stronger, in particular her relationship with a pregnant elephant named Chandra whose rhythmic sways and sounds remind her of poetry.
Through her mentor’s gentle encouragement and guidance, Oriol’s writing blossoms–from using it as a source of healing to using it as a force for change. Bit by bit, she “no longer yearn[s]” for Cuba and Abuelita “every moment of every day” (106). And when a famous movie star takes special interest in Chandra, Oriol drafts “poetry-petition[s],” eventually organizing a protest against animal abuse (188). Fighting for her beloved elephants, Oriol finds a sense of belonging.
Singing with Elephants is the kind of book readers will want to read again and again, catching the pieces of poetry missed from the previous read. An author’s note at the end details Cuban cultural traditions as well as Gabriela Mistral’s life. A list of further readings about and by the poet is also included.
★ Starred reviews – Kirkus, School Library Journal
Striking artwork and a timely topic support the compelling story of one girl’s dogged determination to reintroduce a rescued sun bear to its native habitat.
The author of Saving Sorya, a renowned Vietnamese conservationist, uses the wonderfully creative graphic novel format to present a fictionalized account of events that inspired her career choice.
After witnessing a horrific instance of animal abuse, young Chang decides to become a conservationist. She works hard to learn the many skills she’ll need for this profession including: how to identify and draw forest flora and fauna and wilderness survival skills. Chang faces many challenges due to her youth and societal attitudes towards gender and how conservationists are viewed by traditional medicinal practitioners, who need animals for some preparations. Her efforts and determination pay off when she lands volunteer positions with a rescue center and learns how to take care of wild animals. Eventually, Chang is assigned the responsibility of rehabilitating Sorya, a young sun bear, and returning her to the wild.
Together, Chang and Sorya journey through the Vietnamese forests in search of a home for Sorya. In addition to training a frightened animal how to survive on her own, Chang faces challenges created by man-made problems which have impacted the environment: clearing forests for agriculture, logging, construction, and poaching exotic animals to create traditional Vietnamese medicines. Finally, Chang finds a place:
“And when the forest began to fill with the sounds of wildlife … that’s when I knew Sorya could live there.”
Sorya meets and bonds with another sun bear, and finally Chang, sure that Sorya will not only survive but thrive, is able to leave her.
Illustrator Jeet Zdung’s breathtaking illustrations, in the tradition of classical Vietnamese art, capture the forest and the creatures that inhabit it. Eye-popping colors of exotic animals, painstaking details, varying hues, and shadowing create the lushness of the forest with breathtaking beauty.
Chang’s extraordinary field notebook, in which she records her observations, is a STEM teacher’s dream. Zdung uses pages from the notebook to tell the story. Chang details her discoveries as well as some of the equipment and personal things she has brought with her.
Zdung’s interest in manga art is evident in some illustrations and how the characters are portrayed, which creates an interesting juxtaposition of traditional and contemporary art styles. Black-and-white illustrations in manga style blur otherwise disturbing images of abuse and death. But Chang’s persistence determination, and passion, distract from the few disturbing images in the story … and give us hope.
Find out more about author and conservationist Trang Nguyen hereand illustrator Jeet Zdung here
I highly recommended Saving Sorya which is sure to inspire many children to find out what they can do to protect the environment and save wild animals.
Finalist for the 2021 National Book Award for Young People’s Literature.
★ Starred reviews – Horn Book, Kirkus, School Library Journal
A re-imagined Paul Bunyan legend gives one Chinese American girl
the courage to face adversity.
Thirteen-year-old Mei lives and works in an 1885 Sierra Nevada lumber logging camp in the graphic novel, The Legend of Auntie Poby Shing Yin Khor. Her father, Hao, cooks for the workers, and Mei is famed for her pies. Mei, unlike the other women in the camp, does not wear a dress and is conflicted about her budding sexuality and her feelings towards Bee Anderson, the camp foreman’s daughter.
Within the camp, racial tensions simmer and the Chinese workers face discrimination and violence. Abusive behavior towards women in the camp also adds to an increasingly hostile environment. Camp foreman Hel Anderson, Bee’s father, turns a blind eye to all that is happening.
To help her and the other women and children cope with these injustices, Mei invents a Bunyanesque character, Auntie Po, only she can see. The stories she spins about Auntie Po and her blue water buffalo, Pei Pei, give courage and hope to the others.
Following the passage of the Chinese Exclusion Act, the Chinese workers are forced to leave the mill. Mei stays with Bee’s family, but Hao and the other Chinese workers leave to find work in San Francisco. When camp conditions severely deteriorate, Anderson travels to Chinatown to persuade his former workers to return. Hao, mindful of Anderson’s acceptance of the discriminatory conditions, negotiates a better deal for the Chinese workers. Anderson agrees and Hao and the others return to the camp. Father and daughter are reunited.
Author/illustrator Khor’s colorful illustrations authentically capture 19th lumberjacking life, demonstrating the amount of research she did to convey the details of daily life and conditions experienced by the workers and their families. In addition, this graphic novel highlights the art of storytelling and how each story can be shaped or reimagined by the experiences of the teller and the listener.
As the story concludes, Mei and her father decide it’s time for her to go away to school. Mei has also resolved some of her identity issues:
“I know who I am. I am a good cook. I have good friends, I have the best pa in the world” (p. 272).
The author’s endnote and her bibliography contain valuable information, as does her video on how this book came about for anyone who wants to learn more about the legends and history behind this engaging graphic novel. This is truly the middle-grade at its finest.
This seven-book roundup covers wickedly wonderful Halloween season reads. From a gentle book about the fall season to spooky ghouls, goblin-witches, ghosts, vampires, a witch’s hut, and a haunted house, we’ve got you covered.
With whimsical art in blacks, whites, and grays offset with oranges and foil accents, The Little Kittenembodies the spirit of autumn. Leaves blow across the pages, bringing movement that propels Ollie on her adventure. As promised by the title, there is a little kitten, but also Ollie’s cat, Pumpkin. Nicola Killen’s art and storyline
beautifully convey the playful, loving spirit of this book. It’s a pleasure to see a gentle story that’s engaging and fulfilling—it even has a surprise ending, shh!
I’m a sucker for a great book title and just had to read Marcus Ewert’s She Wanted to Be Haunted—plus, what a great idea! As promised, Clarissa, an “adorable and pink” cottage finds herself disappointed with her appearance. Her father is a castle and her mother a witch’s hut, but Clarissa got the short end of the broomstick with her undeniable cuteness. “Daisies grew around her, / squirrels scampered on her lawn. / Life was just delightful! / —and it made Clarissa yawn.”
What kid hasn’t felt bored when things were mellow and nice? Susie Ghahremani’s hand-painted artwork brings Clarissa to life in (dreaded!) upbeat colors. Inside, on Clarissa’s fuchsia, wallpapered walls, we sneak a peek at her family’s photos and, yes, she’s surely the oddball of the bunch. My favorite scenes involve the surprise ending. If you want to know if Clarissa’s attempts to gloom-down her appearance work, you’ll have to read the book. Trust me, the ending is awesome! Click here for a coloring page.
Scritch Scratch—the title of this middle-grade novel by Lindsay Currie will get under your skin as all good spooky books should. Because, of course, this sound is made by the ghost haunting Claire. Prior to this, science-minded Claire absolutely did not believe in ghosts and found her Dad’s ghost-themed bus tour and book embarrassing. So why did this ghost choose her? Claire’s too afraid to sleep and should have plenty of time to solve this mystery. However, since her BFF’s hanging around with the new girl, Claire may need to figure it out alone.
I’ve never been on a haunted bus tour, but, after reading this book I want to if they’re all as interesting as the one in this story. “Forgotten” facts about Chicago are cleverly woven in—what a great way to sneak in a history lesson! Click here for a discussion guide.
EMBASSY OF THE DEAD Written by Will Mabbitt Illustrated by Taryn Knight (Walker Books US; $16.99, Ages 8-12)
This book opens with a warning from the Embassy that “[b]y signing, you hereby accept all responsibility for any death, dismemberment, or condemnation to the Eternal Void that results from reading.” How irresistible! When Jake Green receives a kind of creepy package in error, a fun adventure ensues dodging bonewulfs and their master Mawkins (a grim reaper). Accompanied by ghosts Stiffkey, Cora, and, an adorable fox named Zorro, the unlikely group tries to avoid being sent into the Eternal Void—a fate worse than death.
Will Mabbitt’s well-developed characters are very likable and Taryn Knight’s art plays up the humor. I appreciate the Embassy of the Dead’snew ideas about ghosts and their companions such as Undoers (someone who helps a ghost trapped on the Earthly Plane move on to the Afterworld). Mabbitt nails a perfectly written ending. I’ll gladly follow Jake and his friends onto the next book in the series. Click here to read a sample chapter.
Fans of the beautifully made Ologies series won’t be disappointed in the latest addition, Ghostology. Packed full of stories, this book will keep you haunting its pages because there’s so much information from psychics and mediums, to fakes and frauds. Want to know what’s in a ghostologist’s field kit (sketchbook, accurate timepiece, and, of course, a ghost-detecting device, just to name a few items), or how to hunt ghosts? You’ve come to the right place. Pay attention to the “Types of Ghosts” chapters.
Beyond reading, the book is a sensory experience with its sealed pages, official documents envelope, flaps, and textures. If there’s such a thing as a coffee table kid’s book, this is it. The icy blue color scheme of the cover is offset by a large faceted red “gem.” Raised letters just beg you to run your hand over them and invite you to look inside. The thought and detail in this book are phantom-astic!
★Starred Reviews – Booklist, Kirkus, Publishers Weekly, School Library Journal
In Aliza Layne’s middle-grade graphic novel, Beetle & the Hollowbones, Beetle is a twelve-year-old goblin-witch being homeschooled by her gran. Beetle, however, would rather hang out with her current BFF Blob Ghost at the old mall (where they are inexplicably trapped). When Beetle’s previous BFF, Kat Hollowbones, returns home after completing her sorcery apprenticeship at a fast-track school, their friendship isn’t the same. Kat’s aunt Marla is the wonderfully drawn skeletal antagonist.
With well-developed characters and plenty of action, this fast-paced book will bewitch you. The struggles of moving through school and friendships falling apart are accurately depicted. The panels, grouped into chapters, capture your attention with their fantastic illustrations, engaging colors, and lively text. I like how Layne includes some concept art at the end, inspiring other artists with a behind-the-scenes peek.
VAMPIRES NEVER GET OLD: Tales With Fresh Bite Editrixes:Zoraida CórdovaandNatalie C. Parker
Other authors include Tessa Gratton, Rebecca Roanhorse, Julie Murphy, Heidi Heilig, Samira Ahmed, Kayla Whaley, Laura Ruby, Mark Oshiro, Dhonielle Clayton, and Victoria “V.E.” Schwab (Imprint/Macmillan; $17.99, Ages 12 and up)
★Starred Review – Publishers Weekly
Vampires Never Get Old: Tales with Fresh Bite is a YA short story anthology with the goal to “expand on and reinvent traditional tellings.” How awesome is that?? Editrixes Zoraida Córdova and Natalie C. Porter’s story, “Vampires Never Say Die,” is a suspenseful, modern tale about a teen and vampire who meet online. They also provide the introduction and insightful commentary after each piece, delving into the many areas of the vampire myth. There are so many wonderful things in this collection; I’ll give you a few nibbles to whet your appetite.
“Bestiary” by Laura Ruby is set in a near dystopian future; Jude works at the zoo and has a special connection with animals. This story stood out for me because the reader must piece together the truth. It’s quite a different twist on thirst and the theft of blood and humanity.
“Seven Nights for Dying” by Tessa Gratton opens with the line, “Esmael told me that teenage girls make the best vampires” (because they’re “both highly pissed and highly adaptable, and that’s what it takes to survive the centuries”). We follow Esmael’s chosen girl through a week of uncertainty as she considers joining the undead. This cleverly layered story demands to be reread to truly appreciate Gratton’s well-crafted words.
Weaving in old superstitions, “The Boy and the Bell” by Heidi Heilig expands upon the Victorian tradition of burying their loved ones with a bell (allowing them to call for help if mistakenly buried alive). Set at the turn of the century, Will is a graverobber for all the right reasons—he wants to become a doctor, and “acquiring” freshly buried bodies allows him to trade for a spot at the back of the amphitheater where dissections take place. With only a few glimpses at Will’s thoughts, we find out volumes about his struggles.
This anthology breathes life into the short story and lets readers appreciate the many perspectives and styles from a very talented array of writers. My favorites tend to have unexpected endings. There’s something for everyone. Just read it already!
ADDITIONAL RECOMMENDED READS FROM RONNA e IT’S HALLOWEEN, LITTLE MONSTER Written by Helen Ketteman Illustrated by Bonnie Leick (Two Lions; $17.99, Ages 3-7) e When I began reading It’s Halloween, Little Monster, one of the Little Monster series of picture books, I thought I was reading about the first time I took my son out trick-or-treating 15 years ago. All he had to do was see one or two kids in scary costumes and he hightailed it home before anyone could say boo! I’m so glad Helen Ketteman wrote this picture book because I’m sure it’s going to help make the first Halloween experience for reluctant little ones a lot easier.
e
In this gentle rhyming story, Little Monster heads out for Halloween accompanied by his dad. The reassuring presence of a parent sets the tone. Dad will be right there to calm Little Monster’s fears no matter who or what they encounter. “Don’t fret Little Monster. / See there in the street? / That’s not really a ghost— / it’s a kid in a sheet!” e Together the pair see all kinds of spooky creatures while trick-or-treating, but the dad anticipates what might frighten his child and is always one step ahead. I like how the papa monster not only comments on assorted pirates, witches, and vampires but scary sounds, too. Leick’s muted blue and purple toned palette of the detailed illustrations will only add to the enjoyment of this charming Halloween read. It’s an enjoyable pairing of prose and art. By the time the surprise ending happens, Little Monster’s smiling just like the children having this story read to them. e e
OTHER RECOMMENDED HALLOWEEN SEASON READS: e CHRISTOPHER PUMPKIN by Sue Hendra and Paul Linnet with art by Nick East
(Board Book for Ages 0-3, Little Brown BYR) e THAT MONSTER ON THE BLOCKby Sue Ganz-Schmitt with art by Luke Flowers
(Picture Book Ages 4-8, Two Lions) e THE REVENGE OF THE WEREPENGUINby Allan Woodrow with art by Scott Brown
(Middle Grade illustrated novel for Ages 8-12, Viking BYR)
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In Race to the Sun seventh grader Nizhoni Begay can see monsters—such as Mr. Charles, the tall, skinny, blond man who may become her dad’s new boss. This, obviously, is a problem, especially when Mr. Charles tries to kill her the first time they’re alone together! As if that day wasn’t crazy enough, one of Nizhoni’s favorite stuff animals, Mr. Yazzie, a horned toad, comes alive and explains that her coming-of-age ceremony awakened her monster-slaying powers.
When her father disappears, Nizhoni, her younger brother Mac, and her best friend Davery set out on an adventure that calls on their Navajo heritage. On their perilous quest, the kids encounter many obstacles. As Nizhoni embraces the power within, she also begins to understand the mysteries of her family.
I enjoyed learning about some traditional Navajo stories in this fast-paced, suspenseful book that couples humor with deeper subjects such as the importance of heritage and respect for each other and our land. Mythology with exciting action scenes are an appealing combination for middle-graders who enjoy quest novels. If you like Percy Jackson and Aru Shah books, readRebecca Roanhorse’sRace to the Sun.
(One Elm Books; $16.99, eBook available, Ages 9-14)
INTRO
The release of this fast-paced and interesting middle grade novel was scheduled around Major League Baseball’s Opening Day events. We all know that’s been delayed due to the pandemic, but there’s no reason kids cannot enjoy the thrill of baseball season between the pages of an engaging novel. Pop Flies, Robo-Pets, and Other Disastersoffers readers just that with its insider’s perspective on the sport along with the ups and downs of being on a team. But that’s only part of the story as the title hints. It’s a diverse novel set in Japan that addresses repatriation, dementia, special needs, and bullying. Read below to find out more. Also a pdf of discussion questions is available here.
SUMMARY
Thirteen-year-old Satoshi Matsumoto spent the last three years living in Atlanta where he was the star of his middle-school baseball team—a slugger with pro potential, according to his coach. Now that his father’s work in the US has come to an end, he’s moved back to his hometown in rural Japan. Living abroad has changed him, and now his old friends in Japan are suspicious of his new foreign ways. Even worse, his childhood foe Shintaro, whose dad has ties to gangsters, is in his homeroom. After he joins his new school’s baseball team, Satoshi has a chance to be a hero until he makes a major-league error.
GOOD READS WITH RONNA: When did the idea hit you to write a middle grade novel about a school baseball team set in Japan?
SUZANNE KAMATA: Hmmm. I did write a picture book baseball story, which was published in 2009, at my son’s request. Around that time, I started writing an adult novel based on my husband’s experience as a Japanese high school baseball coach. Originally, Satoshi was a character in that novel. Later, maybe about ten years ago, a friend suggested that I write a YA novel about Koshien, the extremely popular Japanese national high school baseball tournament. I took Satoshi out of my adult novel and tried to write a YA novel about him. Even later, readers suggested that it seemed more like a middle grade novel, so I made adjustments. That’s the long answer. I guess the short answer would be that I never set out to write a middle grade novel about a school baseball team in Japan.
GRWR: Let’s talk first about the pop flies portion of your novel’s title. With Major League Baseball put on hold due to the Corona Virus, readers get to vicariously experience the sport in your book. Have you been a baseball mom and, because you write about it so convincingly, do you enjoy baseball?
SK: I do enjoy baseball. My husband was a high school baseball coach for 12 years, and I used to go to his games. So, first, I was a baseball wife. My son played baseball from elementary school throughout high school, and I also taught at a couple of high schools in Japan that were known for their strong baseball teams. I feel like I know a lot about high school baseball in Japan, but I often checked with my husband and son about the details. I read an early draft to my son, and he corrected a few things.
GRWR:Upon his return to his old school, Tokushima Whirlpool Junior High, a private school founded by his grandfather, the main character Satoshi Matsumoto’s old friends and classmates “are suspicious of his new foreign ways.” I love how your book honestly explores the struggles of this thirteen-year-old’s readjustment upon returning to rural Japan after three years living in Atlanta. Can you speak to the pros and cons of the international experience to help readers understand his mixed emotions and the changes that occur in people after a move abroad.?
SK: Personally, I feel that there are no cons to having lived or traveled abroad. I am sure that many kids in Japan don’t feel that way now, but when they grow up they will understand the value of these experiences. For my own children, having a foreign mom and growing up with additional cultural elements (like the tooth fairy, and macaroni and cheese, and speaking English at home) set them apart and perhaps made them feel a bit lonely at times. This was especially true since we lived in a small town in a conservative, somewhat remote part of Japan. However, I wanted them to understand that there was a world beyond the one that they lived in, that even though they were in the minority in the town where we lived, they had a tribe out there somewhere. When you live abroad, you start to look at your own country differently. You can see things that people who have never left cannot. I think, in many ways, you begin to appreciate your own country and culture more. In the book, Satoshi goes through the same thing.
GRWR:The novel’s supporting characters include Satoshi’s grandfather (Oji-chan) who now has dementia and once had a chance for a promising career in baseball before WWII, and younger sister, Momoko , age four, who has cerebral palsy and uses sign language to communicate and leg-braces or a wheelchair for mobility. Are they based on actual people in your life and how are special needs and disabilities treated in Japan?
SK: Yes and no. For many years, we lived with an elderly relative who showed signs of dementia, and my daughter is multiply disabled. She is deaf and has cerebral palsy, and, yes, she has leg braces, uses a wheelchair, and communicates mostly via sign language. But these characters are fictional.
As in the book, children with special needs and disabilities are not usually mainstreamed. There are separate schools for children who are deaf, blind, or who have intellectual or physical disabilities. For the record, my two children, who are twins, went to two different schools.
Children with disabilities, or some other difference, are sometimes bullied.
While accessibility is gradually improving, there is still a degree of shame in Japan surrounding mental health issues and disability. To be honest, certain members of my Japanese family don’t approve of my writing about disability so openly, even though I am writing fiction. However, I think it’s important to do so.
GRWR:A bully named Shintaro plays a prominent role in this story. He bullied Satoshi before his move abroad, and the fact that his dad has ties to gangsters makes him all the more scary. He picks on both Misa, a new student who is biracial and Satoshi, sometimes quite aggressively. Is bullying common in Japanese culture and how does the approach to dealing with bullying in school differ in Japan than in the U.S.?
SK: Bullying is a persistent problem in Japan. Typically, teachers try not to intervene, with the thinking that kids should try to work things out by themselves. Japanese schools have classes in morality, where they might discuss bullying, but most schools don’t have counselors, and some classes have up to 40 students, which is a lot for one teacher to manage.
GRWR:There’s a crucial part of the story where Satoshi’s ego is on full display when he chooses to ignore instructions from his coach. I was surprised by this display of disobedience, especially given all the examples of students being raised to be very respectful. Do you think there are too many rules in a Japanese student’s life and that’s why Satoshi preferred his life in America? Here is good spot to ask you to speak to any cultural differences about being a team player in the US and in Japan.
SK: Independence is valued more in the United States, whereas conformity is valued more in Japan. As a teacher, I have come into contact with many students who have gone abroad for a year or more. They are different when they come back. Generally, they enjoy the sense of freedom and self-expression that they experienced in the U.S. Satoshi enjoyed the more relaxed atmosphere of American school, and he finds it hard to buckle down. Also, in Japan, it’s not good to stand out. It’s better to be humble and to give credit to your teammates than to draw attention to your abilities.
GRWR:Satoshi’s grandfather has a therapeutic robo-pet seal known as Nana-chan. Where did this unusual idea come from because it’s sweet, funny and a plot driver as well?
SK: I first read about these therapeutic robo-pet seals in a Japanese textbook, and then I later saw one in person at a science exhibition. I was immediately charmed – a seal! How random! — and I wanted to put it into a story.
GRWR:I like that there are illustrations included by Tracy Bishop in every chapter although I only saw an ARC and am not sure if there were any changes made before publication. Did you always picture the novel with illustrations?
SK: No. Actually, I didn’t expect that the novel would be illustrated, but I love having my work illustrated, so I was very excited about it. I am glad that the illustrator is Japanese-American, and that she was familiar with what I wrote about. I was very happy with the final result.
GRWR:What advice can you offer to readers who may have international students at their schools here in America?
SK: As they say, “variety is the spice of life.” Make an effort to get to know people who are different from yourself. Be patient with students from other cultures when they make “mistakes” or do something differently from you. You can learn so much from people from other countries.
I would also encourage students to read books, such as mine, about kids in other countries and from other cultures. There’s nothing like a book to build empathy.
GRWR:Is there anything else you’d like to mention?
SK: If readers enjoy this book, perhaps they would be interested to know that I have written two other novels that have a connection to Japan, and are appropriate for middle grade readers – Gadget Girl: The Art of Being Invisible and Indigo Girl. Both feature Aiko Cassidy, a biracial girl with cerebral palsy who aspires to be a manga artist.
Thanks for the opportunity to talk about my writing!
Award-winning author Suzanne Kamata was born and raised in the United States, but has lived in Japan for over half of her life. Suzanne raised two kids and now lives with her husband in Aizumi, Japan.
Thank you so much, Suzanne, for your honest, enlightening replies. I loved learning about your experience as an ex-pat living and raising a family in Japan and how it’s informed your writing. I hope readers will get a copy of Pop Flies, Robo-Pets, and Other Disasters to find out all the things Satoshi dealt with upon his return to Japan. Good luck on your works-in-progress (an adult novel and several picture books), too.
As much as I love fables, prior to reading Mulan: Before the Sword, my knowledge of Hua Mulan’s story came mainly from movie trailers. Grace Lin’smiddle-grade prequel blew me away. I’m a fan of Lin’s prior best-selling middle-grade trilogy and her picture books, so I was expecting to really like this book; instead, I loved it. The fast-paced story is balanced by gorgeous prose, bringing legendary Asian history to life. Lin’s writing beautifully blends myth, action, and suspense. The opening line, “She disliked it when they transformed into spiders” had me hooked. The story’s viewpoints shift between the plotting, treacherous villains and Mulan’s adventure to save her sister Xiu’s life (she’s succumbing to a poisonous bite from the evil nine-legged spider).
Mulan tries to suppress her adventurous nature and struggles to be a more restrained daughter. Contrarily, Xiu exemplifies all the “right” female traits. Yet, Mulan’s abilities allow her to set off on a quest with the legendary Jade Rabbit where she begins to realize that, just maybe, she’s exactly who she needs to be.
It’s easy to care about Mulan and root for her to save the day. The characters and scenery come alive and tension builds as setbacks delay their progress. En route, Mulan learns of the prophecy that a member of her family is destined to, one day, save the Emperor. Figuring that person must be Xiu, Mulan risks her life, sacrificing for the greater good. Yet, all is not as it seems and this tale wends its way to an amazing conclusion. Mulan, a powerful warrior, also finds compassion for her adversaries.
Lin’s Author Note provides interesting historical detail; Mulan may have been a real person, the first know mention of her was in a fourth-century folk song, “The Ballad of Mulan.” Today, Mulan continues to be a cherished character as Lin skillfully adds another layer to the saga.
Click here to read a terrific interview by Christine with Grace Lin at SCBWI’s Kite Tales of Southern California’s Tri-Regions.
NEW KID
Written and illustrated by Jerry Craft
(HarperCollins; $21.99 H/c, $12.99 P/b, Ages 8-12)
Newbery Medal Winner A New York Times bestseller
Winner of the 2019 Kirkus Prize for Young Readers’ Literature ★Starred Reviews – Booklist, Kirkus Reviews, Publishers Weekly, School Library Journal, Shelf Awareness
I began reading author-illustrator Jerry Craft’s outstanding graphic novel, New Kid, last week before it made history winning the Newbery so I was thrilled that it was honored. I read it slowly to savor every illustration, every funny or meaningful moment, and every twist and turn in the story. You know that feeling when you want to stay with characters long after a book has ended? That is the feeling readers will experience with New Kid.
Craft introduces us to the main character, Jordan Banks, and his dilemma, and we’re instantly in his court. He’s been accepted into an elite private school, Riverdale Academy Day School (RADS) for seventh grade. Although Jordan would prefer to attend an art school, he and his dad agree he will give it a try and switch to the art school for ninth grade if things don’t work out. Jordan, who is black, lives in Washington Heights with his loving parents who want to offer him advantages they never had. Jordan must commute via bus to Riverdale to attend classes. The way Craft shows the change in communities and attitudes through Jordan’s hoody, how he wears it and what his posture is like as he travels is eye-opening. Not only will this smart, talented preteen have to navigate public transportation, he’ll also have to figure out a more pressing dynamic—where he fits in at the new school.
I loved getting inside Jordan’s head via his sketch book packed with cartoons along with Craft’s vibrant illustrations. A pair of angels are depicted in various scenes responding to situations that Jordan encounters and emotions he feels. This adds a humorous dimension to Craft’s multi-layered graphic novel about what it’s like being a person of color in a predominantly white school environment. At RADS, with its mostly wealthy and privileged student body, Jordan quickly realizes who the gossips are, who the jocks are, who the annoying kids are, and who he can ultimately call a friend.
And what about the the teachers and administrators at Jordan’s school? Some reviews have described a culture of behavior at RADS as micro-aggressive and I agree. Readers’ perspectives should change after noticing the undertone of prejudice, racism and ignorance aimed at minority students when teachers don’t make an effort to remember someone’s name or are quick to accuse the wrong student in a fight. The same applies to fellow students who, for example, cannot acknowledge that a classmate is from Nicaragua and not Mexico. The tongue-in-cheek Oprah public service announcement cartoon Jordan creates about kids on financial aid also struck a chord. I’ve known people who’ve felt stigmatized when this confidential arrangement was revealed. While these are some of the hardest issues to read about, they’re also some the most honest, important and compelling. Through Jordan, Craft deftly challenges stereotypes and enlightens kids that other paradigms exist.
New Kid’s 14 chapters take us through an entire school year during which we watch and root for Jordan’s success in the classroom, on the field for P.E. (where it’s often very cold), and in his social life where there’s never a dull moment. We also come to care about his closest pals, Liam and Drew, who have his back and grow along with Jordan. A cast of endearing secondary characters rounds off the novel, and the inclusion of these relationships injects another realistic element into the middle school experience. There are up days, down days, and days when Jordan wonders whether he’ll ever make this private school thing work.
When he leaves behind his Washington Heights buddies to go to RADS, Jordan faces yet another challenge—how to make new friends and keep the old. It’s not a straightforward silver and gold thing and Jordan knows it. It’s great that Craft shows the effort Jordan makes to keep up those relationships because, although he may be in Riverdale during the day, after school and weekends he’s still connected to his neighborhood and that grounds him in the best possible way.
I’m grateful to have been able to spend time with Jordan Banks, his family and friends. I hope you’ll also meet Jordan soon by getting a copy of New Kid at your local indie bookseller!
Disclosure: I was gifted New Kid by HarperCollins to review for the event.
Reviewed by Ronna Mandel
Multicultural Children’s Book Day 2020 (1/31/20) is in its 7th year! This non-profit children’s literacy initiative was founded by Valarie Budayr and Mia Wenjen; two diverse book-loving moms who saw a need to shine the spotlight on all of the multicultural books and authors on the market while also working to get those book into the hands of young readers and educators.
Seven years in, MCBD’s mission is to raise awareness of the ongoing need to include kids’ books that celebrate diversity in homes and school bookshelves continues.
MCBD 2020 is honored to have the following Medallion Sponsors on board
We’d like to also give a shout-out to MCBD’s impressive CoHost Team who not only hosts the book review link-up on celebration day, but who also works tirelessly to spread the word of this event. View our CoHostsHERE.
I’M OK
Written by Patti Kim
(Atheneum BYR; $16.99, Ages 10 and up)
In the middle grade novel I’m OK by Patti Kim, twelve-year-old Ok Lee’s world begins to fall apart when his father dies suddenly. Even though his mother works three jobs, they barely get by. To help out financially, Ok starts braiding girls’ hair at school and resolves to win the talent show’s $100 prize—though he doesn’t have a talent in mind.
The flawed characters in I’m Ok weave together realistically in a story about the imperfect lives of recent immigrants and middle schoolers. Ok’s unwitting sidekick is Mickey McDonald, a girl with the biggest hair and a personality to match. Her family’s also poor but she doesn’t care what other people think. Mickey adds a lively, funny element to a story that also depicts race and social class discrimination. Set at an indeterminate time, Americana details such as Enjoli perfume or the TV shows “Charlie’s Angels” and “MacGyver” will resonate with older readers.
The ending feels genuine and opens the door to talking about why life doesn’t always turn out the way you expect or want. Ok is bound to his mother, and her decisions direct their future.
This was June’s book-of-the-month at Chevalier’s Books’ middle-grade book club in Los Angeles. I’m Ok was well liked by all. The animated discussion considered many interesting elements of this novel including nice story-writing details such as how the story is bookended by two similar yet quite different scenes.
WHAT WE’RE READING
WEDNESDAYS WITH ONCE UPON A TIME
Always Time for Books –
A Roundup of Time Related Reads
Books have a way of making time do funny things; slowing us down as we settle into the story and speeding up whenever a clue is about to be revealed. And of course, there is never enough time to read all the books we want to read. There is so much power in the way that books and readers interact with time and we wanted to highlight some of our middle grade favorites here at Once Upon A Time.
The slow and careful buildup of love and trust is the star in Saving Winslow (HarperCollins) by Sharon Creech. A delightful family read-aloud that skillfully weaves empathy, compassion and family into a beautifully realized story, universal, timeless and, dare I say a new classic, in the mold of Charlotte’s Web (without the talking animals). Ten-year old Louie is determined to save a sick miniature donkey even though his past animal endeavors haven’t turned out well. His parents caution him but Louie names his new charge Winslow as a sign of faith and determination in the small creature’s survival. Louie uses his plight as a way to connect with his brother’s absence while serving in the Vietnam War. Saving Winslowcaptures an innocence and steadfast belief in miracles that are real and close at hand. ★Starred Reviews – Kirkus, Publishers Weekly, School Library Journal.
Buy the book here: https://www.shoponceuponatime.com/book/9780062570703
Everything can change in just a few days. In Marcus Vega Doesn’t Speak Spanish (Viking BYR), Pablo Cartaya shows how much time and place impact who you are. Marcus Vega may look like the average bully—large, silent, and overwhelming—but inside he is just a boy too big for the quiet kids and too small to fill the shoes of his absent father. Marcus is suspended from school for protecting his brother from a bully and decides his time off would be better spent searching for answers from his father in Puerto Rico. With his mother and brother in tow and only a few days to accomplish his goal, Marcus goes down a path of misadventure leading to understanding. A fast-paced journey of self-discovery about the role of family, friendship, and home. Perfect for readers ages 10 to 14. ★Starred Review – School Library Journal. Buy the book here: https://www.shoponceuponatime.com/book/9781101997260
For fantasy adventure readers that want to be blown away, Timeless: Diego and the Rangers of the Vastlantic (HarperCollins) written and illustrated by Armand Baltazar is for them. First, the physical book is 400+ pages and weighs a massive 2.5 lbs! But that’s because there are over 150 full color illustrations throughout which pull the reader along the fast-paced story. And second, the premise—our world is 300 years in the future, has collapsed for a minute, and in that time reconfigured with past, present and future worlds meshed all together – without cell phones, electricity. “Diego’s middle school hallways buzz with kids from all eras of history and from cultures all over the world.” Dinosaurs are with robots (mechanical) and tall ships, sort of steam punk but not.
Diego is 13 and a mechanical whiz. He and his family live near the coast in New Chicago, a reimagined Chicago and its waterways. Diego has concocted a cool mechanical submarine in order to go to school! The plot goes crazy when Diego’s dad is kidnapped by a villain from Roman times. He’s aware that Diego’s dad is a mechanical genius who can help mechanize the robots and turn the world back to the proper time. Diego’s friends go with him as he tries to find his father. Help from his pilot mother and the Rangers set up this first in a series. I LOVED the vast world building, fast pace and those one-of-a-kind illustrations. Truly, this is what I think could be the next Harry Potter type series which will capture the imaginations of adventure fans all over and for years to come. Best for ages 9 and up. ★Starred Review – Publishers Weekly. Buy the book here: https://www.shoponceuponatime.com/book/9780062402363
Looking for a good way to spend your time in addition to reading? Meet Armand Baltazar, creative mind behind Timeless on Friday, October 19th at 7 pm for a special book signing and costume contest.
NOTE: Good Reads With Ronna makes no commission or profit from the sale of any book in this post. Our goal is to encourage the love of reading great books.
FRONT DESK
Written by Kelly Yang
(Arthur A. Levine Books; $16.99, Ages 8-12)
★Starred reviews – Booklist, Kirkus and School Library Journal
Where do I possibly begin with Kelly Yang’s FRONT DESK?
FRONT DESK is a timely and needed narrative for so many reasons. And Yang, as demonstrated in her debut novel, is one heck of a storyteller. She’s destined to be anauthor that kids and adults clamor to meet so they can soak up her pearls of wisdom. Drawing from firsthand experiences and keen insights from when she arrived in America as a Chinese child immigrant along with her parents, Yang’s tale provides many kids a chance to find themselves and find hope inside the pages of this moving middle grade historical novel.
It’s 1993 when we meet our heroine Mia Tang. At 10-years-old, Mia is one of the most empathetic, intelligent, persevering characters of this age I have seen in a long time. The truth is there are so many like her whose voices deserve to be heard. I am grateful to Yang that tweens now have a chance to get to know this plucky protagonist and her struggles. Mia’s family are employed at a hotel with unpleasant owners after working for a short time at a restaurant where they were taken advantage of, then fired shortly after. While the hotel seems like a dream come true at first with free rent, the negatives and danger of managing the hotel take their toll on the family.
One of the moments that broke my heart is when Mia is sitting with one of the “weeklies” at the motel she helps run with her parents. The “weeklies” stay at the hotel for a week at a time, paying a lump sum. An older Black gentleman, Hank, is sitting slumped over, defeated by yet another instance in his life where he is targeted for a crime he did not commit simply because he isn’t White. He’s been labeled for so long that at this point he has no more will to fight. He exposes this vulnerability to Mia, and it is a powerful and haunting exchange. Hank isn’t feeling sorry for himself, nor is he bitter or angry when he has every right to be. He’s just tired, the kind of tired you cannot possibly understand unless you’ve been judged by the color of your skin your whole life. Mia later advocates for him and shows us how you are never too young or too old to stand on the side of justice and equality for all.
Resiliency. Mia and her family, along with the “weeklies” and some other friends, have this in abundance. Even when their own families decline to help them in their hour of need, their community rallies around them so they can take control of their destinies.
I dog-eared many pages to go back and look over for this review, and I’m still at a loss as how best to describe my favorite parts because there are so many. I’ve also purchased more than one copy of this book to give to others. It is one of those stories that will creep into your heart and linger there for quite a while.
FRONT DESK needs to be in every school library and as many homes as possible.
Her family struggles to keep their heads above water financially. They sold everything to buy an American fast food restaurant, depending on a fraudulent profit record the seller provided. Ai Shi thinks the items she left in Taiwan will be replaced with better California models, but that’s not how it goes.
