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It’s Group Hug Time – A Pandemonium of Parrots

A  PANDEMONIUM OF PARROTS AND OTHER ANIMALS
Written by Kate Baker
Illustrated by Hui Skipp

(Big Picture Press; $16.99, Ages 7-9)

 

 

A Pandemonium of Parrots (and other animals) by Kate Baker is a rhyming picture book chock full of clever animal groups and fascinating facts about every type of animal. Did you know that a group of flamingos is called a flamboyance? How fitting is that?

 

A Pandemonium of Parrots interior spread 1

A PANDEMONIUM OF PARROTS AND OTHER ANIMALS. Copyright © 2016 by The Templar Company Limited. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

As a preschool teacher, I could not stop myself from becoming more excited with each page turn knowing that this excellent book is not only for fun and entertainment purposes, but it also provides the ideal opportunity for learning in a colorful and unique way. Each page features a number of colorful animals doing different activities while inviting the reader to join in a search-and-find mission by asking questions like, “Who is sleeping?” or Who is swimming backwards?” or “Who just went fishing?” etc. I can already imagine my students gleefully pretending to be each animal presented. Kids will find they can identify individually with any number of specific animals in the groups depicted.

 

interior spread 2 from A Pandemonium of Parrots

A PANDEMONIUM OF PARROTS AND OTHER ANIMALS. Copyright © 2016 by The Templar Company Limited. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

A Pandemonium of Parrots is the perfect precursor to a zoo field trip or story time on any day of the week when your child is looking for a book about their favorite creatures. The helpful back-matter includes incredible facts about each type of animal group such as the fact that some beetles are strong enough to snap a pencil! Youngsters will not be disappointed with this fresh and interesting take on animal groups with illustrations by Hui Skipp that are richly colored, captivating and full of life.

Check out A Pandemonium of Parrots and enjoy the pretend play it is sure to inspire.

  • Reviewed by Ozma Bryant

Never Say Never! Nature’s Friend: The Gwen Frostic Story

NATURE’S FRIEND:
THE GWEN FROSTIC STORY
Written by Lindsey McDivitt
Illustrated by Eileen Ryan Ewen
(Sleeping Bear Press; $16.99, Ages 6-9)

 

cover art from Nature's Friend: The Gwen Frostic Story by Lindsey McDivitt

 

One of the best parts about reviewing children’s books is learning about someone or something new. That’s exactly what happened after reading Nature’s Friend: The Gwen Frostic Story by Lindsey McDivitt with illustrations by Eileen Ryan Ewen. You may have noticed that there aren’t a lot of traditionally published picture books about people with disabilities, but there are more now than there used to be and that’s a good thing. Authors like McDivitt are making a difference by writing about diverse individuals and topics which I truly appreciate and why I jumped at the chance to review Nature’s Friend.

This inspiring debut picture book biography introduces children to the art and writing of Gwen Frostic, someone about whom, as I mentioned above, I knew nothing prior to reading the book. And now I’m eager to see her art in person and you will be, too. Born in Michigan in 1906, Frostic contracted an illness as an infant that left her physically disabled. But with the positive influence of her mother, Gwen never avoided doing all the things that her brothers and sisters did. “I never knew I couldn’t do something,” is the overarching message of Nature’s Friend, a quote in McDivitt’s book that captures the essence of who Gwen was—a bright, creative and resourceful woman who never let perceived obstacles hold her back. She clearly was ahead of her time.

 

Int illustration by Eileen Ryan Ewen from Nature's Friend by Lindsey McDivitt

Interior artwork from Nature’s Friend: The Gwen Frostic Story written by Lindsey McDivitt and illustrated by Eileen Ryan Ewen, Sleeping Bear Press ©2018.

 

Gwen’s mother, a former teacher, could have taught her daughter at home because in the early 20th century it was more common for disabled children to stay at home. Instead, Mrs. Frostic “sent Gwen to school and pushed her to learn.” While the bullying might have painful, the young girl chose to focus on her academics and was an adept student. In fact, it was also due to her mother’s encouragement and guidance that Gwen’s weak hands grew stronger as her mother had her practice sketching. Gwen, who had embraced nature at an early age, would find later in life that this experience greatly influenced her career path.

 

int art by Eileen Ryan Ewen from Nature's Friend by Lindsey McDivitt

Interior artwork from Nature’s Friend: The Gwen Frostic Story written by Lindsey McDivitt and illustrated by Eileen Ryan Ewen, Sleeping Bear Press ©2018.

 

At age 12, Gwen’s family moved to Detroit. It was there in high school that she learned mechanical drawing and other skills not typically part of a girl’s curriculum. Someone wrote in her yearbook, “Her brush, her pencil and her pen will make this world a better place!” But pursuing a career in art wasn’t necessarily going to provide for her. The tides turned in her favor when wealthy and influential people began purchasing her designs. What joy and satisfaction it must have been for Frostic when her art was chosen to be exhibited at the 1939 New York World’s Fair! Soon though her grand plans were put on hold due to WWII. She went to work at the Ford Motor Company to help the war effort by designing “tools for building the airplanes.”

In addition to Gwen’s airplane construction work, at home she remained drawn to art, eventually purchasing a printing press and starting her own business. Frostic called it Presscraft Papers Stationary Company and based it first in Frankfort, Michigan and then on the Betsie River to be closer to nature. The back matter states that Frostic created greeting cards and books that “celebrated Michigan plans and wildlife.” She was awarded countless honors in her lifetime and worked in her shop well into her 90s.

 

int art by Eileen Ryan Ewen from Nature's Friend by Lindsey McDivitt

Interior artwork from Nature’s Friend: The Gwen Frostic Story written by Lindsey McDivitt and illustrated by Eileen Ryan Ewen, Sleeping Bear Press ©2018.

 

Ewen’s serene artwork conveys Frostic’s love of nature on every page. I also felt the movement and emotion as Gwen clenched her sketching pencil, smelled the fresh Michigan air in the beautifully rendered outdoor scenes and watched the changing fashions go by as Gwen matured. The illustrations, coupled with McDivitt’s honest and uplifting prose that applauds determination and individuality, promises hope and invites creativity (there’s a craft included at the end), make this a wonderful and worthwhile read for not only kids, but for adults too who may be unfamiliar with Frostic.

Everything about Gwen Frostic was unique, from her art to her attitude. Rather than let society define what she could and couldn’t do as a woman and as a person with disabilities, she wrote her own rules and lived happily and successfully by them. Considering the era she lived in, it’s especially encouraging to read about female trailblazers like Gwen Frostic who forged ahead with their talents allowing their heart to guide them.

“As long as there are trees in tiny seeds … there will be miracles on earth.” – Gwen Frostic, A Walk With Me

Learn more about Gwen’s studio here.

  • Reviewed by Ronna Mandel

Read another picture book biography here.

 

 

 

Earth Verse by Sally M. Walker For Earth Day and National Poetry Month

EARTH VERSE: HAIKU FROM THE GROUND UP
Written by Sally M. Walker
Illustrated by William Grill
(Candlewick Press; $17.99, Ages 7-9)

 

A Junior Library Guild Selection

 

Earth Verse: Haiku from the Ground Up book cover

 

At the intersection of Earth Day and National Poetry Month is Earth Verse: Haiku From the Ground Up written by Sally M. Walker with illustrations by William Grill. Let these 32 pages of unique 17 syllable poems fill you with awe and respect for planet Earth. From her place in the solar system to her “molten magma stew,” from her “fossil family” to her “sky shenanigans,” Earth is at once a marvel and our home.

 

“a flat stone, skipping,
casts circles across the lake,
lassoing the fish.”

 

Earth Verse celebrates the planet in all its majesty and mayhem. In other words, not only are the oceans and rivers written about, so are storms and tsunamis. We read about fog, volcanoes, glaciers and icebergs. We travel underground to see stalactites and stalagmites because there’s so much more below the surface, both in the verse and on our planet. Grill’s colored pencil artwork conveys just enough of a reference point while leaving lots to our imaginations. Nine pages of STEAM-themed back matter round out the book and make this picture book appropriate and desirable for both Earth Day and National Poetry Month though it can truly be enjoyed year round, just like our precious planet.

  • Reviewed by Ronna Mandel

 

The Secret Kingdom: Nek Chand, A Changing India, And A Hidden World of Art

THE SECRET KINGDOM:
NEK CHAND, A CHANGING INDIA,
AND A HIDDEN WORLD OF ART
Written by Barb Rosenstock
Illustrated by Claire A. Nivola
(Candlewick Press; $16.99, ages 7-10)

 

The Secret Kingdom by Barb Rosenstock cover art by Claire A. Nivola

 

The very first line of THE SECRET KINGDOM: NEK CHAND, A CHANGING INDIA, AND A HIDDEN WORLD OF ART written by Barb Rosenstock and beautifully illustrated by Claire A. Nivola, is so lilting, so rhythmic, you know you’re in for a treat before you even turn the page.

The book tells the true tale of folk artist Nek Chand. In the small village where Chand is born, recycling and repurposing objects is a way of life. Dented buckets become scarecrow hats. Scraps of fabric become blankets. Sticks become toy rafts. And woven throughout the texture of daily life, there are stories. Stories of kings and goddesses, geese and monkeys, jungles and temples fill Chand’s imagination until one day, using sand and sticks and rocks, he builds the world of his imagination on the banks of a river. When partition splits India into two countries, however, Chand and his family are forced to leave their village behind for the cold concrete of India’s first planned city, Chandigarh. Nivola’s watercolor and gouache illustrations show the stark contrast between the colorful village of Chand’s childhood and his life in the city, where variations of beige reign.

 

Int spread from The Secret Kingdom by Barb Rosenstock w/art by Claire A. Nivola

THE SECRET KINGDOM. Text copyright © 2018 by Barb Rosenstock. Illustrations copyright © 2018 by Claire A. Nivola. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Chand feels he doesn’t belong in the city, but then, he claims a patch of unused jungle on the outskirts of town. Over many years, using found objects and half-dead plants, he builds a secret kingdom of walkways, sculptures, arches, flowering plants, and trees. It’s a place where stories come to life, where castaway items are reborn, and where Chand, at last, belongs. Though his garden comes to cover many acres, Chand’s creation remains a secret for 15 years. When it’s finally discovered, government forces threaten demolition, but the people of Chandigarh step in. Chand’s secret kingdom comes to be known as “The Rock Garden of Chandigarh” and, to this day, draws visitors in the thousands from all over the world.

 

THE SECRET KINGDOM. Text copyright © 2018 by Barb Rosenstock. Illustrations copyright © 2018 by Claire A. Nivola. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Rosenstock’s text paints a vivid picture of Chand’s life in India as he battles “clouds of mosquitoes and slithering cobras,” walks past “plowmen singing behind oxen” and gathers “broken glass bangles in red, blue, and green.” With the added visual of Nivola’s illustrations, this story of a man who, quietly and with determination, created the world he imagined–simply because it brought him joy–truly comes to life.

THE SECRET KINGDOM. Text copyright © 2018 by Barb Rosenstock. Illustrations copyright © 2018 by Claire A. Nivola. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

Read a review of Barb Rosenstock’s The Noisy Paintbox here.

 

  • Reviewed by Colleen Paeff

 

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Joan Procter, Dragon Doctor: The Woman Who Loved Reptiles by Patricia Valdez

JOAN PROCTER, DRAGON DOCTOR
Written by Patricia Valdez,
Illustrated by Felicita Sala
(Alfred A. Knopf BYR; $17.99, Ages 4-8)

Cover illustration from Joan Procter, Dragon Doctor

 

Lovely language and engaging illustrations energize Joan Procter, Dragon Doctor: The Woman Who Loved Reptiles, an amazing picture book biography about a trailblazing scientist from debut author Patricia Valdez and illustrator Felicita Sala.

 

Interior illustration of young Joan from Joan Procter, Dragon Doctor

Interior spread from Joan Procter, Dragon Doctor by Patricia Valdez with illustrations by Felicita Sala, Knopf BYR ©2018.

 

Fascinated by reptiles from an early age, Joan Procter followed her childhood passion for slithery, scaly, unusual animals to an internationally renowned career at London’s Zoo and the Natural History Museum. Valdez introduces us to young, curious Joan, holding tea parties with reptiles while her peers preferred dolls. As Joan grew, her interest did not wane, so at 16 years old she received a pet crocodile as a birthday gift!

 

Interior illustration spread from Joan Procter, Dragon Doctor

Interior spread from Joan Procter, Dragon Doctor by Patricia Valdez with illustrations by Felicita Sala, Knopf BYR ©2018.

 

In due time, Joan chatted up the director of Natural History museum about his work with reptiles. She began working there, surveying the museum’s vast collections, publishing research papers, and creating detailed, realistic models and drawings for the reptile exhibits. Given her enthusiasm, experience and extensive knowledge, Joan eventually became the Curator, an unusual role for a female scientist at the time.

When invited to re-design the London Zoo Reptile House, Joan fell in love with a new and exotic creature, the Komodo dragon. This so-called fierce, man-eating lizard was “rumored to be…Thirty feet long! Faster than a motorcar! Stronger than an ox!” Joan, undeterred, could not wait to study the dragons first-hand. Her deep connection with one Komodo called Sumbawa led to some of the most stunning and innovative work of her career.

 

Interior illustration of tea party from Joan Procter, Dragon Doctor

Interior artwork from Joan Procter, Dragon Doctor by Patricia Valdez with illustrations by Felicita Sala, Knopf BYR ©2018.

 

Valdez keeps the paces of this fascinating story lively by introducing wonderful vocabulary woven carefully and completely within a child-friendly framework and perspective. She highlights her heroine’s passion and determination in an understated yet direct manner, giving Joan relevance and timeliness that transcend her time period. Joan Procter, Dragon Doctor is an essential addition for collections on women in STEM fields, with the broad appeal of reptiles and science for many young readers boosts this title to the top.

Salas illustrates dramatically, choosing with vibrant, rich colors for the settings, the tropical plants, and the starring-role reptiles. Joan is elegant yet serious, portrayed close to and interacting with her creatures, focused on them with great intensity, delight and passion. The reptiles themselves are marvelously textured and stylized, creeping, curving and twisting with dignified realism. Throughout the story, Salas provides tantalizing glimpses of early 20th century London through architecture and fashions of the era.

 

Interior illustration from Joan Procter, Dragon Doctor

Interior artwork from Joan Procter, Dragon Doctor by Patricia Valdez with illustrations by Felicita Sala, Knopf BYR ©2018.

 

Valdez includes additional biographical information on Procter as well as on Komodo Dragons. A bibliography with primary and secondary sources is a helpful resource for young readers who wish to explore more. Don’t miss the opportunity to learn about this impressive scientist, her beloved ‘dragons’ and her trailblazing career in a book that is as beautiful and brilliant as it is important.

 

Where obtained: I reviewed an advanced reader copy from the publisher and received no other compensation. The opinions expressed here are my own.

 

ABOUT JOAN PROCTER, DRAGON DOCTOR

For fans of Ada Twist: Scientist comes a fascinating picture book biography of a pioneering female scientist–who loved reptiles!

Back in the days of long skirts and afternoon teas, young Joan Procter entertained the most unusual party guests: slithery and scaly ones, who turned over teacups and crawled past the crumpets…. While other girls played with dolls, Joan preferred the company of reptiles. She carried her favorite lizard with her everywhere–she even brought a crocodile to school!

When Joan grew older, she became the Curator of Reptiles at the British Museum. She went on to design the Reptile House at the London Zoo, including a home for the rumored-to-be-vicious Komodo dragons. There, just like when she was a little girl, Joan hosted children’s tea parties–with her Komodo dragon as the guest of honor.

With a lively text and vibrant illustrations, scientist and writer Patricia Valdez and illustrator Felicita Sala bring to life Joan Procter’s inspiring story of passion and determination.

Starred Reviews: Booklist, Publishers Weekly, School Library Journal

 

 

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Moth and Wasp, Soil and Ocean written by Sigrid Schmalzer

 

MOTH AND WASP, SOIL AND OCEAN:
Remembering Chinese Scientist Pu Zhelong’s Work

for Sustainable Farming
Written by Sigrid Schmalzer,
Illustrated by Melanie Linden Chan
(Tilbury House Publishing, $17.95, ages 6-9)

is reviewed today by Cathy Ballou Mealey.

 Moth and Wasp, Soil and Ocean cover image

 

 

A farm boy in China relates the tale of Pu Zhelong, a scientist and conservationist, and introduces readers to early research in sustainable agriculture practices in MOTH AND WASP, SOIL AND OCEAN.

Through a series of flashbacks, author Sigrid Schmalzer reveals how invasive moths and beetles were destroying precious village crops. When villagers try to defeat the pests, their methods repeatedly fail. As the threat of famine looms, Pu Zhelong, an outsider, arrives bearing new, untested scientific ideas. Can Pu Zhelong save the rice crop without using harmful and ineffective pesticides?

With patience, restraint and deference, Pu Zhelong eventually wins over the skeptical villagers. His innovative methodology, introducing parasitic wasps to destroy the crop-consuming moths, led to a successful and sustainable victory for the farmers. Schmalzer’s imaginative and informative text weaves a tale that will engage young scientists with its ingenuity and sophistication while celebrating this little-known environmental hero.

Debut illustrator Melanie Linden Chan pairs intricate and multi-layered images with the factual content, making this book a pleasure for young readers to pore over. Structuring the narrator’s flashbacks in a journal format, Chan cleverly weaves scientifically precise illustrations against a lush agricultural setting. Elements of Chinese art, history and culture frame the narrative in an engaging, pictoral manner that both delight and inform.

An extensive endnote provides additional information on the history of the story, as well as suggestions for further reading. Also included is a detailed explanation of the decorative Chinese folk art papercuts utilized by the illustrator, and referenced to the pages where they appear in the text.

MOTH AND WASP, SOIL AND OCEAN offers a unique, child-friendly perspective on a earliest origins of agroscience. Add this STEAM selection to your school or classroom library to add depth to collections on organic farming, sustainable agriculture and Chinese history.

  • Reviewed by Cathy Ballou Mealey

 

Where obtained: I reviewed a digital advanced reader copy from the publisher and received no other compensation. The opinions expressed here are my own.

 

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They Just Know: Animal Instincts

THEY JUST KNOW: ANIMAL INSTINCTS
Written by Robin Yardi
Illustrated by Laurie Allen Klein
(Arbordale Publishing; $17.95 hardcover, $9.95 paperback, Ages 4-8)

 

They Just Know: Animal Instincts book cover

 

Kids are curious. They wonder about everything they see in nature, especially about living creatures. So if your child has ever asked you how animals know what to do in any given situation, it’s the perfect time to introduce the concepts of instinct and learned behaviors with They Just Know: Animal Instincts, a terrific nonfiction picture book. When those questions start you’ll definitely want to have a copy of this helpful resource on hand not just for your kids but as a refresher for you parents and caregivers

 

They Just Know: Animal Instincts Interior spread of horn shark

Interior artwork from They Just Know: Animal Instincts by Robin Yardi with illustrations by Laurie Allen Klein, Arbordale Publishing ©2015.

 

While gently teaching about instinct versus learned behaviors, life cycles and metamorphosis, the young and their parents, They Just Know shows children that throughout the animal kingdom, all kinds of creatures are growing and changing, learning and succeeding and ultimately making it on their own.

 

They Just Know: Animal Instincts interior spread of ladybugs

Interior artwork from They Just Know: Animal Instincts by Robin Yardi with illustrations by Laurie Allen Klein, Arbordale Publishing ©2015.

 

Just like no one tells a baby when to cry, “no one reminds a caterpillar to eat her leaves, or to make a chrysalis when she’s old enough. Caterpillars just know.” Using this and other excellent animal examples, author Robin Yardi, and illustrator Laurie Allen Klein, introduce us to black swallowtails, horn sharks, king snakes, ladybugs, loggerhead sea turtles and spring peepers. The light-hearted artwork that anthropomorphizes the animals, imagines them in humorous situations preparing and studying for what actually comes naturally. Kids will find these depictions so funny. My favorite is the illustration of the horn shark sitting in his inflatable wading pool, wearing a float which, in all its contrariness, captures the text, “Nobody tells a horn shark to stay in the shallow end until he can swim.”

 

They Just Know: Animal Instincts interior spread of sea turtles

Interior artwork from They Just Know: Animal Instincts by Robin Yardi with illustrations by Laurie Allen Klein, Arbordale Publishing ©2015.

 

The book’s back matter includes four pages of learning activities in a section entitled For Creative Minds and it’s also a great conversation starter for the youngest of readers. Make sure to spend some time reading They Just Know: Animal Instincts before your next visit to the aquarium or zoo and I’m sure some enjoyable and entertaining discussions are bound to happen.

  • Reviewed by Ronna Mandel

Find author Robin Yardi here.
Find illustrator Laurie Allen Klein here.
Click here for They Just Know teaching activities.
They Just Know is also available in Spanish Paperback, Ebook, and Spanish EBook

 

 

B is for Bear: A Natural Alphabet by Hannah Viano

B IS FOR BEAR: A NATURAL ALPHABET
Written and illustrated by Hannah Viano
(Little Bigfoot/Sasquatch Books; $16.99, Ages 2-5)

Starred Review – Kirkus Reviews

BisforBearcvr.jpg

Hannah Viano dedicates her new alphabet book to “…all of those who let children run a little wild, climbing trees and splashing in puddles. It is worth all the laundry and lost mittens.” It is a delightful sentiment for a book that will inspire a strong appreciation for the natural world in readers both young and old.

IntartOBisforBear

Interior artwork from B is for Bear: A Natural Alphabet by Hannah Viano, Little Bigfoot/Sasquatch Books, ©2015.

The illustrations in B is for Bear are perfectly stunning. Although they appear to be woodcuts at first glance, the process is even more interesting. Viano uses a graceful papercutting technique, carving thick outlines from black paper with an X-ACTO knife. She then adds soft pastel colors digitally in a rich range from gold to olive to amethyst. The look is at once classic and contemporary, as the bold lines capture the energy and motion inherent in her natural subject matter.

IntartRBisforBear

Interior artwork from B is for Bear: A Natural Alphabet by Hannah Viano, Little Bigfoot/Sasquatch Books, ©2015.

The alphabet letters, upper and lowercase, are suspended at the top of each page, punched in a white font onto the thick black border around each illustration. The natural keywords that she selects range nicely from animals (J for Jackrabbit) to natural objects (P for Pebble). Below the bottom border Viano provides clear but poetic descriptions as well as a few additional fascinating facts. For example, from L for Lightning Bug, “Call them fireflies or lightning bugs or Lampyridae. They fill a summer night with magical lights.”

Viano adeptly shows natural objects of all sizes, from massive mountains and soaring waves to tiny dandelion puffs and Queen Anne’s lace florets. The variety keeps the A to Z alphabet format interesting and surprising, with a fair mix of unusual versus familiar subjects for children. The book as an object itself is lovely, with sturdy proportions perfect for small hands. The pages are printed on thick, smooth, semi-matte paper that lends a sophisticated, organic feel.

B is for Bear, and for book, beautiful and breathtaking!

  • Reviewed by Cathy Ballou Mealey

 

Where Obtained:  I reviewed a copy of B IS FOR BEAR from the publisher and received no other compensation. The opinions expressed here are my own.

 

ONE PLASTIC BAG: Isatou Ceesay and the Recycling Women of the Gambia by Miranda Paul

ONE PLASTIC BAG:
Isatou Ceesay and the Recycling Women of the Gambia

Written by Miranda Paul
Illustrated by Elizabeth Zunon
(Millbrook Press; $19.99, Ages 5-9)

 

One-Plastic-Bag-cvr.jpg

One gusty day in early spring, a plastic bag snagged onto a bare branch of a tall maple tree in my backyard. In even the lightest breeze, it would whistle and snap in an irritatingly syncopated rhythm. I wished – to no avail – that newly sprouting green leaves would dampen the twisting, flapping, rustling and puffing. I encouraged squirrels to snatch the bag for nest-lining. I thought about climbing a ladder with rake in hand to yank it down. Finally one windy wonderful fall day, it was gone!

My plastic bag story is neither inspiring nor life-changing, but Miranda Paul’s new book ONE PLASTIC BAG is the complete opposite. Paul conveys the true story of Isatou Ceesay, a Gambian woman who uncovers a creative solution to reduce plastic trash in her community. Carelessly discarded plastic bags were causing problems. Water collected in the ugly plastic trash heaps and became a breeding ground for mosquitoes. Goats were sickened by eating the bags, and burning bags produced terrible smoke.

One-Plastic-Bag-spread.jpg

Interior artwork from One Plastic Bag by Miranda Paul with illustrations by Elizabeth Zunon; Millbrook Press ©2015.

Ceesay devises a way to clean the bags and turn them into plastic strands that can be crocheted into purses. She organizes groups of village women to work together, cleaning trash from their community, producing income from the sale of the purses, and empowering the women in the process.

Paul uses simple lyrical devices to tell the story, employing a counting refrain throughout that “One becomes two. Then ten. Then a hundred.” Following the story of Ceesay, readers will quickly catch on to the idea that the actions of one person can ripple far and have a broader impact for the greater good.

The text brings Gambia to life by weaving elements of sounds, smells and color throughout the story in a manner that always seems natural and organic. Illustrator Elizabeth Zunon used her personal collection of patterned papers and shopping bags to make bright, engaging collage images that ring with authenticity.

ONE PLASTIC BAG is a wonderful story for classrooms and families alike who are interested in true stories about ordinary people finding a way to make a positive change in the world. The back of the book contains an informative author’s note, a timeline, glossary, and a list of other biographies about inspiring change makers.

Don’t miss this beautiful and inspiring true story from West Africa. You may find, as my daughter did, that you will never look at a plastic bag in the same way ever again!

– Reviewed by Cathy Ballou Mealey.

 

Where Obtained:  I reviewed a promotional copy of ONE PLASTIC BAG from the publisher and received no compensation. The opinions expressed here are my own.

Kids Who are Changing the World by Anne Jankéliowitch With Photographs by Yann Arthus-Bertrand.

Kids Who are Changing the World by Anne Jankéliowitch With Photographs by Yann Arthus-Bertrand, (Sourcebooks/Jabberwocky, September 1, 2014, $14.99, Ages 9 and up), is reviewed by Dornel Cerro.

“I want my children to see living camels,” Cameron Oliver, Abu Dhabi, United Arab Emirates, p. 16.

61pw8M4kx0LThis inspirational collection of stories about children who are leading the way in creating environmental change is a must-have for adults and educators working with children on project-based learning and community service projects.

Jankéliowitch reports on forty-five children from all over the world, briefly and engagingly describing their inspiration, the process for turning ideas into action, successes and failures, and advice. Readers will see a range of ideas and actions such as creating biodiesel fuel from cooking oil, planting trees, repurposing old computers, raising funds for well construction, and so much more.

The children in these stories show remarkable creativity, ingenuity, and determination. Some children used their passion for music, art, and theatre to carry their message to their community and the world, discovering that the dreams and aspirations of a child in Palo Alto, California can resonate with a child in Ethiopia. Talk about going global! 61Q+eUujosL

Yann Arthus-Bertrand is a photographer, journalist and environmentalist. His dramatic photographs (seen in here in black and white) powerfully illustrate the dangers of the environmental challenges discussed in the book. Highly recommended for ages nine and up, although the process can be adapted for younger children.

Yann Arthus-Bertrand, President of the GoodPlanet Foundation, writes in the forward: “Kids have an amazing ability to come up with exciting ideas and carry them out with remarkable energy.” This book will serve not only as inspiration, but as a guide to the process of creatively designing a project that will benefit the planet.

Anne Jankéliowitch is an environmental engineer currently living in France. Her nature conservation work experience includes the WWF and Greenpeace. She’s also written several other books.

The Lion and the Bird by Marianne Dubuc

The Lion and the Bird written and illustrated by Marianne Dubuc,
(Enchanted Lion Books, 2014. $17.95 Ages 3-8) is reviewed by Dornel Cerro.

The-Lion-and-the-Bird-cvr.jpgOne autumn day a lion working in his garden finds an injured bird. “You’re welcome to stay with me,” Lion assures Bird. Over the winter Lion nurses Bird back to health and the two share the comforts of Lion’s home and the wonders of the seasons. When spring returns so do Bird’s feathered friends and, after consulting with an understanding Lion, Bird rejoins his flock.

Lion returns home, lonely but philosophical, musing “And so it goes, sometimes life is like that.” But autumn returns, and as the birds begin their annual migration to warmer climes, Lion wonders if he’ll see his old friend. Suddenly, Lion hears a chirp (brilliantly illustrated with a single musical note on an otherwise blank two-page spread). Bird has returned for the winter. “Together, we’ll stay warm again this winter,” Lion assures Bird, as the two settle in the house under a starlit sky dominated by a crescent moon.

Dubuc’s picture book featuring a lion who finds and helps an injured bird is a classic story of friendship set against the cycle of the year. The simplicity and spareness of her narrative and the flat, muted, color illustrations give it a fable-like quality, rendering the story timeless. Dubuc’s layout of the illustrations is remarkable. One cozy, two-page spread depicts a series of oval-shaped vignettes, allowing the reader to peer inside Lion’s cozy home. Another lovely spread shows Lion’s house buffeted by snow and wind and is followed by a blindingly white spread representing the snow-covered countryside. Off-center, three pale pink buds, emerging from the snow, hint at the coming spring. The pages become canvases conveying the story’s narrative and wonderfully capturing the characters’ emotions and the timelessness of a seemingly simpler, rural life. Highly recommended for ages 3-8, but it’s such a well-illustrated and beautiful friendship story, it will be enjoyed by all.

Author/Illustrator Marianne Dubuc is a French Canadian author and illustrator trained as a graphic designer. She has written and illustrated several other titles for young children. Visit her web site (en Français) at www.mariannedubuc.com to learn more about her art and books. Visit Enchanted Lion Book’s wonderful web site at www.enchantedlionbooks.com to see the highly creative and imaginative books they have published from authors and illustrators all over the world.

Mama Built a Little Nest by Jennifer Ward

Mama Built a Little Nest, written by Jennifer Ward and illustrated by Steve Jenkins, (Beach Lane/Simon & Schuster, $17.99, Ages 4-8), is reviewed today by Cathy Ballou Mealey.

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Mama Built a Little Nest written by Jennifer Ward and illustrated by Steve Jenkins, Beach Lane Books/Simon & Schuster, 2014.

Big, beautiful collage illustrations and a sweet rhyming text make MAMA BUILT A LITTLE NEST the perfect choice for young nature lovers and bedtime snugglers. Ward’s bouncy, playful sing-song text borrows from the familiar “Mary Had a Little Lamb” to introduce fourteen bird species that build an amazing variety of safe, cozy nests.

Each page zooms in close to a nest to reveal its special details. The cover features a weaverbird pulling layers of grass over, under, around and through its pear-shaped nest, hanging delicately from a thorny branch. Ward writes: Mama built a little nest/ She used her beak to sew/ a woven nest of silky grass/ the perfect place to grow. Those who want to know more will delight in the additional paragraph providing information about each species.

Jenkins, a Caldecott-honoree, brings his signature cut paper collage style in a manner that showcases Ward’s text without overwhelming it. His careful pairing of textures and color accents are bold but simple, depicting the birds and their habitats in realistic fashion. Jenkins makes the familiar birds like eagles, penguins and robins look as beautiful as the more exotic species like hornbills and swiftlets. Their nests are equally detailed and impressive.

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Interior spread from Mama Built a Little Nest written by Jennifer Ward and illustrated by Steve Jenkins, Beach Lane Books/Simon & Schuster, ©2014.

 

This book is a terrific introduction to nonfiction for little ones, and is also a welcome addition to classrooms and libraries. An author’s note shares the story that inspired the book, and offers online resources for more information.

 –       Reviewed by Cathy Ballou Mealey

Where obtained: I borrowed a copy from my public library. The opinions expressed here are my own.

 

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