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Picture Book Review for MLK Day – A Place to Land

A PLACE TO LAND:

Martin Luther King Jr.

and the Speech That Inspired a Nation

Written by Barry Wittenstein

Illustrated by Jerry Pinkney

(Neal Porter Books/Holiday House; $18.99, Ages 7-10)

 

A Place to Land book cover

 

A 2019 Booklist Editors’ Choice
A Publishers Weekly Best Book of the Year
A Kirkus Reviews Best Book of the Year
A School Library Journal Best Book of the Year

INTRO

Martin Luther King Jr.’s most famous speech, “I Have a Dream”, will never cease to give me chills or bring tears to my eyes so I’m grateful for the meticulously researched backstory behind the composition thoughtfully presented in A Place to Land by Barry Wittenstein and Jerry Pinkney.

While elementary-school-aged children may be familiar with King’s speech, they may not know how long it took to write, that it was delivered during the 1963 March on Washington, or that one of the most quoted parts of it was shared extemporaneously at the prompting of gospel great Mahalia Jackson. In this enlightening picture book, readers are privy to fascinating fly-on-the-wall moments that demonstrate King’s writing process and how his background as a preacher played a part in its creation.

 

Pages from A Place to Land interior Page 1
Interior spread from A Place to Land written by Barry Wittenstein and illustrated by Jerry Pinkney, Neal Porter Books ©2019.

 

REVIEW:

Over the years I’ve reviewed myriad wonderful MLK Jr. books and A Place to Land, like those others, has focused on an impactful point in King’s life and magnified it so we may understand it better. Wittenstein’s lyrical writing shines and flows like a King speech, pulling us in with each new line. I found myself repeating many of the sentences aloud, marveling at what he chose to keep on the page and wondering how much he had to leave out. The revealing information Wittenstein details will inspire readers to reexamine well-known orations throughout history, looking at their content through a new lens.

 

Pages from A Place to Land interior Page 2
Interior spread from A Place to Land written by Barry Wittenstein and illustrated by Jerry Pinkney, Neal Porter Books ©2019.

 

The story in A Place to Land unfolds in three significant locations, the Willard Hotel in D.C., the Lincoln Memorial, and at the Edmund Pettus Bridge in Selma, Alabama just prior to, during, and some years after King’s speech. Historical figures are woven into most of Pinkney’s spreads. Readers will be prompted to learn more about every individual noted and the comprehensive back matter provides the resources to do so.

I hadn’t known that the “I Have a Dream” speech was written at the Willard nor did I know how many influential colleagues contributed during the meeting of the minds prior to King’s drafting of the speech. “So Martin did what great men do. He asked for guidance.” I also hadn’t realized that MLK Jr. practically pulled an all-nighter writing it after the lengthy and honest discussions. How he managed to make such a powerful presentation after barely any sleep is beyond me, but clearly, his adrenaline kicked in and his natural oratory skills took command at that lectern.

As a former speechwriter, my favorite part of A Place to Land was reading about King’s exhaustive efforts to craft the speech late into the night while trying to integrate all the input he’d been given earlier in the meeting. In his message, he wanted to convey the goals of his non-violent civil rights movement and continue to push for racial equality and the end of discrimination. He was also determined to honor those who came before him and those who would carry on his dreams. “… and so many others, their faces forever seared into his memory.”

King found himself “Writing. Rewriting. Rephrasing, …” and then practicing his delivery before succumbing to sleep. I felt as though I were in the room with him, knowing as he did that there was an important element currently eluding him that was still to come.

 

Pages from A Place to Land interior Page 3
Interior spread from A Place to Land written by Barry Wittenstein and illustrated by Jerry Pinkney, Neal Porter Books ©2019.

ART

Pinkney’s outstanding collage-style illustrations are so fitting for the subject matter. He seamlessly blends images of civil rights advocates with elements of the movement and the era. As I turned the pages, I couldn’t wait to see what people would appear and against what backdrop. It’s hard to imagine any other art marrying so well with Wittenstein’s or MLK Jr.’s words. I resoundingly recommend A Place to Landby Barry Wittenstein and Jerry Pinkney for parents, teachers, and librarians. It’s a movingly written, motivating, educational, and timeless read that I will definitely revisit.

Visit the publisher’s website page here for bonus material.

Click here for a roundup of more recommended reads for MLK Day.

  • Reviewed by Ronna Mandel

 

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Kids Book Review for Women’s History Month – Remarkable Women

WOMEN’S HISTORY MONTH
A ROUNDUP OF THE BEST BOOKS FOR KIDS

 

The wonderful thing about nonfiction biographies is that, when done well, they will take us on a journey full of facts, stories, and struggles that will not only enlighten us but also keep us glued to the page, even when we know the outcome. The following books we’ve selected to share for Women’s History Month are excellent examples of recent biographies about extraordinary, trailblazing women whose legacies are enduring and whose contributions remain invaluable serving as powerful role models for generations to come. Find out more about Hedy Lamarr, Susan B. Anthony and Ada Byron Lovelace below.

 

cover art by Katy Wu from Hedy Lamarr's Double Life by Laurie WallmarkHEDY LAMARR’S DOUBLE LIFE: 
Hollywood Legend and Brilliant Inventor
Written by Laurie Wallmark
Illustrated by Katy Wu
(Sterling Children’s Books; $16.99, Ages 5 and up)

Wallmark’s chosen a fascinating woman to profile in her illuminating picture book biography of Hedy Lamarr. The Hollywood legend was more than dazzlingly beautiful actress, she was a secret inventor whose “greatest invention was the technology known as frequency-hopping spread spectrum” which has played a crucial role in keeping “our cell phone messages private” and keeping our computers hack-free. Although she knew she was more than just her looks, Lamarr chose to hide this talent from public and didn’t sell her inventions.

Born in Austria in 1920 (100 years after Susan B. Anthony), Hedy was a curious child who, when other kids would likely be out playing, was pre-occupied with how things worked. Her father encouraged her interest in science and technology which no doubt had a positive impact on the young girl. She also had a love of cinema and pretending so it was no surprise she gravitated towards a career in the movies. “I acted all the time … I was a little living copybook. I wrote people down on me.”  Eventually doors opened for Hedy when a famous film producer offered her a seven-year film contract. She left her homeland for the bright lights of Hollywood, had her name changed to Hedy Lamarr from Hedwig Eva Maria Kiesler and went on to star in films with some of the industry’s most popular leading men including Jimmy Stewart and Clark Gable.

With her wondering mind at work all the time, even after a day of filming, Lamarr always was thinking about a way to improve on things already in existence or to create something new. That was especially true during WWII. So when she met composer George Antheil, a former weapons inspector, she learned from him that the U.S. Navy, like the European ones, had trouble with the enemy jamming their weapons’ radio signals. Hedy wondered if there was a way to counter this. With the piano as the impetus for a new idea, Hedy thought there might be a way to change frequencies like playing the same keys on a piano in different octaves, and by doing so build a secure torpedo guidance system. And so, after a lot of hard work, they did. Together with Antheil they shared their invention and were told it was “red-hot” but it still needed more work to operate effectively. While the pair eventually received their patent, the Navy “refused to develop” this ground-breaking technology and even classified it as secret so no one else could use the idea. Ultimately they never earned a penny from this breakthrough.

Undeterred by her thwarted efforts to help her adopted homeland, Hedy found success by getting behind the war bond effort, selling millions. Lamarr also took time to meet with servicemen at the Hollywood Canteen and pitched in any way she could. She retired From the movie business in the late 50s and only in the last twenty years has been earning the recognition long overdue. Wu’s artwork is just the right amount of subject and space, and pulls us into every illustration, my favorite being the one where Lamarr and Antheil first meet at a dinner party. Her simple depictions of Lamarr’s big green eyes, sculpted nose and brown hair are terrific. Wallmark’s added a “Timeline” and “Secrets of the Secret Communications System” in the back matter for young readers to learn more about “jam-proofing” technology. I love how even the endpapers are filled with artwork and details about Lamarr. Plus readers will find a “Selected Bibliography,” “Additional Reading About Other Women in Stem” and a list of “Hedy Lamarr’s Films.” Award-winning author Wallmark’s also written picture book biographies about Ada Byron Lovelace and Grace Hopper.  Add Hedy Lamarr’s Double Life to the list of must-read biographies.

Susan B Anthony The Making of America by Teri Kanefield book cover image and artSUSAN B. ANTHONY:
The Making of America #4
Written by Teri Kanefield
(Abrams BYR; $16.99, Ages 10-14)

Prepare to be impressed by the tireless commitment and inroads Susan B. Anthony made for women’s suffrage as detailed by Teri Kanefield in Susan B. Anthony: The Making of America, book #4 in this inspiring series in which each volume “tells the story of an American leader who helped shaped the United States” that we know today. My review copy is so dog-eared to mark the countless passages I wanted to return to. What Kanefield successfully does from the Prologue forward is thoughtfully convey the most important aspects of Anthony’s life so kids will see the evolution of her beliefs beginning with her Quaker upbringing, her teaching years and all the way through to her time lecturing across America as an abolitionist and women’s rights activist.

What comes across to the reader is that Anthony, born in 1820, prior to the Victorian era, from an early age held strong convictions that everyone should be treated as equals. At that time in our country’s history women were supposed to raise families and keep their noses out of politics and practically everything else unless it concerned homemaking. They were only allowed to work in a limited amount of jobs: teacher, seamstress or nanny. They were prohibited from owning property and, in the case of estrangement in a marriage, the man gained custody of the children. In fact, it was not uncommon for a man to have his wife committed to an insane asylum if he wanted out of the marriage.

The immoral slave trade was the most divisive issue, even among Quakers at that time. To Anthony, people of color as well as women were not second class citizens, destined to remain subservient to white men. This was considered a radical idea in the early 19th century and she did not have an easy path as she tried, along with her friend and fellow activist, Elizabeth Cady Stanton, to bring about change and a new amendment to the Constitution giving women the vote. Frederick Douglass was a friend with whom she worked to help first abolish slavery and then gain constitutional protection for free slaves. However, before slavery was abolished and even after, prominent politicians and leaders cautioned her to put her agenda for women’s rights on hold. This was unacceptable. Anthony, along with her friend and staunchest ally, Stanton, challenged the notion that women had to forgo their wants and needs and remained determined “to ride roughshod over obstacles, ignore critics, and take help wherever they could get it.” The support of Anthony’s large family was a constant throughout her life and I wonder how she’d have managed without them during the numerous times she was broke or in debt. Her intelligence and quick wit made her the ideal person to speak on behalf of the suffrage movement but it’s worth noting that she also gravitated towards defending anyone whose rights were being abused.

This well-researched biography is filled with maps, photos, flyers, posters and advertisements that help paint a picture of American society during Anthony’s life. Even something like a lady’s corset could be symbolic of the self-imposed restrictions 19th century women placed upon themselves due to societal norms that a woman should have an hourglass figure. “Girls as young as seven were laced into overly tight corsets.” Also included are Notes, a Time Line, Selected Writings of Susan B. Anthony, a Bibliography, Acknowledgments and an Index.

By the time she died at age 86, four states allowed women to vote but it wasn’t until President Woodrow Wilson and the start of WWI that an amendment to give women the vote would gain traction, ultimately becoming the 19th Amendment to the U.S. Constitution, also called the Susan B. Anthony amendment, in 1920, fourteen years after her death. Kanefield’s invaluable biography paints a portrait of an American hero whose convictions  changed the course of American history

 

book cover illustration from Dreaming in Code Ada Byron Lovelace Computer PioneerDREAMING IN CODE
Ada Byron Lovelace, Computer Pioneer
Written by Emily Arnold McCully
(Candlewick Press; $19.99, Ages 12 and up)

I told everyone about Ada Byron Lovelace after finishing Dreaming in Code. I had heard her name in regards to code but it ended there. I knew nothing of the back story that led to this brilliant woman’s presaging today’s computer era almost two centuries ago!

Ada Byron Lovelace was born in England at the end of 1815, just five years before Susan B. Anthony. Augusta Ada Byron, was the daughter of the celebrated poet George Gordon, Lord Byron, and his “prim, religious” wife, Anne Isabella Noel, called Annabella, a woman of wealth and intelligence. The couple did not remain together due to his philandering and squandering of money among other things so Ada, as she became known, was raised by a single mother. Annabella was a self-centered hypochondriac yet quite philanthropic at the same time and left it to nannies, governesses and tutors to raise her child while she spent time away visiting her newly inherited holdings and helping the coal miners under her employ. McCully engagingly details how Ada flourished from her education although she remained removed from society until her mother deemed it necessary to find her a husband.

Around this time Ada met Charles Babbage, “famous inventor, philosopher (as scientists were then called) and mathematician”  who held Isaac Newton’s chair at Cambridge University. Theirs was to be a long and intense, though completely platonic, relationship as they discussed big ideas since both were passionate about math and science. Their friendship provided Ada with the outlet she needed for stimulation. However things grew complicated when she married William, Lord King who became the Earl of Lovelace and soon became a mother. Though not as cold as her own mother, Ada, too, found it difficult to parent when her loyalties lay elsewhere. These chapters were some of the most fascinating ones yet sad at the same time. She often felt ill and, as was common in the early 19th century, was prescribed Laudanum, a tincture of opium viewed as a cure-all. That addiction had to have contributed to her early death at age 37.

As Countess of Lovelace, Ada mixed with a cross-section of society and attended talks on science given by brilliant minds of the era such as Michael Faraday. Ada also wanted to help Babbage and his Analytical Engine and at the same time make her own mark in the science and math fields. Here’s where her genius shone through. While Babbage saw his invention as “arithmetical and numerical, rather than algebraical and analytical,” Ada believed the machine could do more than compute … “that numbers were symbols and could represent other concepts, is what makes Babbage’s engine a prototype-computer.” Sadly, Lovelace lived in era when women were overshadowed by men and women’s freedoms were limited. We can only begin to imagine what miraculous achievements she’d have made had she only lived longer.

With the very readable Dreaming in Code highlighting her meticulous research, McCully has shed light on Ada Byron Lovelace, an important historical figure whose contributions to the field of STEM are finally getting the recognition they deserve. I recommend this young adult nonfiction book for anyone seeking to get a better understanding of the era in which Lovelace lived and how she was inspired to think outside the box.

 

  • Reviewed by Ronna Mandel

 

Read about the friendship of Susan B. Anthony and Frederick Douglass here.
Read another book, Dare The Wind, illustrated Emily Arnold McCully here.

 

 

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She Persisted Written by Chelsea Clinton

SHE PERSISTED:
13 American Women Who Changed the World
Written by Chelsea Clinton
Illustrated by Alexandra Boiger
(Philomel; $17.99, Ages 4-8)

Starred Review – Publishers Weekly

 

Cover image from SHE PERSISTED: 13 American Women Who Changed the World by Chelsea Clinton

 

She Persisted, Chelsea Clinton’s historical picture book, celebrates thirteen strong and inspirational American women who overcame obstacles because they persisted. Featured are Harriet Tubman, Helen Keller, Clara Lemlich, Nellie Bly, Virginia Apgar, Maria Tallchief, Claudette Colvin, Ruby Bridges, Margaret Chase Smith, Sally Ride, Florence Griffith Joyner, Oprah Winfrey, and Sonia Sotomayor. The book’s opening line, “Sometimes being a girl isn’t easy” sets the tone. With perseverance comes progress.

 

Interior artwork from SHE PERSISTED by Chelsea Clinton with illustrations by Alexandra Boiger
Interior spread from SHE PERSISTED: 13 American Women Who Changed the World by Chelsea Clinton with illustrations by Alexandra Boiger, Philomel Books ©2017.

 

Each woman’s legacy is summarized in only one paragraph and includes the motivational words “she persisted”; the text is offset by corresponding images and a relevant quote. More personal than a history textbook, these bite-size biographies share a glimpse into the adversity overcome to achieve individual dreams. The book’s concluding words, “They persisted and so should you,” reinforces camaraderie and illuminates the message that, if you stick with it, you, too, can evoke change.

 

Interior artwork from SHE PERSISTED by Chelsea Clinton with illustrations by Alexandra Boiger
Interior spread from SHE PERSISTED: 13 American Women Who Changed the World by Chelsea Clinton with illustrations by Alexandra Boiger, Philomel Books ©2017.

 

Alexandra Boiger’s watercolor and ink images contrast muted tones alongside bright colors to effectively showcase these important moments. The opening two-page spread includes pictures of fourteen women; though not mentioned in the text, Hillary Clinton is depicted here.

She Persisted would make an encouraging gift for young girls “stepping up” through grades in elementary school. It would seem fitting that Chelsea Clinton write an accompanying book for boys.


Chelsea Clinton
is the author of the New York Times bestselling It’s Your World: Get Informed, Get Inspired & Get Going! and, with Devi Sridhar, Governing Global Health: Who Runs the World and Why? She is also the Vice Chair of the Clinton Foundation, where she works on many initiatives including those that help to empower the next generation of leaders. She lives in New York City with her husband, Marc, their daughter, Charlotte, their son, Aidan, and their dog, Soren. You can follow her on Twitter at @ChelseaClinton or on Facebook at www.facebook.com/chelseaclinton.

Alexandra Boiger grew up in Munich, Germany, and studied graphic design before working as an animator in England and then at Dreamworks SKG in the United States. She is the author and illustrator of Max and Marla, and the illustrator of more than twenty picture books including the Tallulah series, and When Jackie Saved Grand Central. She has received the Parents’ Choice Award and has been featured on numerous state reading lists. Alexandra lives in California with her husband, Andrea, daughter, Vanessa, and two cats, Luiso and Winter. You can visit her online at www.alexandraboiger.com.

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

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Two Friends: Susan B. Anthony and Frederick Douglass

 

TWO FRIENDS:
SUSAN B. ANTHONY AND FREDERICK DOUGLASS
Written by Dean Robbins,
Illustrated by Sean Qualls & Selina Alko
(Orchard Books/Scholastic; $17.99, Ages 4-8)

TwoFriendscvr

 

Two Friends is an excellent and inspiring new picture book about the friendship between Susan B. Anthony and Frederick Douglass. It’s told in such an immediate way that the reader is drawn right into the lives of these two legendary figures as they have tea together. Susan’s life is summed up best by the sentence, “And Susan had many things to do.” She really did. Author Dean Robbins looks back on Susan’s childhood noting that she did not get the education she wanted or deserved. This enables illustrators Qualls and Alko to portray Susan B. Anthony’s life in gorgeous and yet deceptively simple illustrations that show childhood pictures of Susan’s life at home that they’ve imagined her drawing. Susan’s journey to get the vote and to fight for equality got some mixed reactions by her peers, but it never stopped her.

 

Two Friends Interior Spread 1
Two Friends by Dean Robbins, Illustrations © 2016 by Sean Qualls and Selina Alko, used with permission from Orchard Books/Scholastic.

Having taken us into Susan’s life, the illustrations return the reader back to these two friends talking over tea. Frederick Douglass tells Susan B. Anthony his exciting news about his newspaper. These magical words float across the page, “We are all brethren. Right is of no gender… of no color… Truth is of no color…” Frederick’s life is told as simply and as truthfully as Susan’s. Born a slave, he dreamed of learning to read and write. Qualls and Alko portray Frederick Douglass with a look of determination on his face as he reads a book. Like Susan, he wonders why some people have rights and others don’t. The illustrations clearly tell us that he has beautiful dreams of having something more. “The right to live free. The right to vote,” is what he is aiming for, something both Douglass and Anthony have in common. He was met with the same fate as Susan. Some of his peers liked what he had to say, but others didn’t. Frederick is shown standing proud while delivering a speech.

 

Two Friends Interior Spread 4
Two Friends by Dean Robbins, Illustrations © 2016 by Sean Qualls and Selina Alko, used with permission from Orchard Books/Scholastic.

 

The two friends have promised to assist each other in gaining the rights they deserve. One illustration that just may be my favorite depicts Frederick Douglass and Susan B. Anthony in a circle of support, surrounded by so many loving friends of all colors. In another, as seen above, a charming blue and white tea set remains visible on the table between them as they discuss their plans. Two candles on the table glow, symbolizing each of their luminary presences to readers. So many things they both have to do, but friendship and tea comes first! My mother loves children’s books and as I showed her this one she said, “That’s the most beautiful children’s book I have ever seen. It’s my favorite one now.” High praise from someone who is a writer herself, and has very high standards! It is stunningly perfect in text and illustrations. I love the bit of peach that shines though Frederick’s hair and suit. Equally pleasing is the same peach in Susan’s cheeks and dress. Even both their skin tones have a bit of that lovely color that seems to join them together visually as united in their causes. Two Friends is simple enough for a small child to understand, and a wonderful conversation prompter about the important contributions of both these great people. I can think of no better picture book published recently that would be more important to add to your child’s library. Highly recommended!

  • Reviewed by Hilary Taber
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Frederick’s Journey and an Interview with London Ladd

FREDERICK’S JOURNEY:
THE LIFE OF FREDERICK DOUGLASS
An Interview With Illustrator London Ladd

Fredericks_Journey-cvr

Written by Doreen Rappaport
Illustrated by London Ladd
(Disney/Jump at the Sun; $17.99, Ages 6-8)

What’s the first thing I noticed when picking up my review copy of Frederick’s Journey: The Life of Frederick Douglass? The piercing eyes of Douglass in illustrator London Ladd’s cover portrait and the absence of a title on the front. Then, gripped by the story, I devoured the book, not once, but twice in my initial read throughs of this expertly crafted picture book. Part  of the Big Words series, Frederick’s Journey effortlessly pairs Rappaport’s thoughtful biography of this former slave turned author, abolitionist and ultimately free man with Douglass’ actual words. “Douglass had traveled far – from slave to free man, from illiterate to educated, from powerless to powerful. It had been a difficult journey.” The book ends with this quote from Douglass, “What is possible for me is possible for you.” As a picture book, Frederick’s Journey is brought to life by Ladd’s inspiring artwork. I’ve interviewed this talented illustrator once before, but felt compelled to reach out again, this time for his insight on creating the illustrations and what working on the book meant to him.

An Interview with London Ladd

GRWR: Please tell us how you came to be connected with this project?

London Ladd: The publisher contacted my agent at Painted Words, Lori Nowicki, to see if I would be interested. I read the title of the manuscript [and] the answer was a definite yes. Once I read the through the manuscript I was so moved by it, so eager to get started.

GRWR: How do you decide what medium you’ll use for each book you illustrate and what did you choose for Frederick’s Journey and why?

LADD: For my illustration career I’ve primarily use acrylic with minor touched of pastels and colored pencils on illustration board if necessary. People says acrylics are challenging to use, but I love its flexibility because you can make it look like watercolor with layered thin washes or heavy opaque application like oils. It’s something I’ve always been comfortable using and quick drying is excellent for fast approaching deadlines.

GRWR: You mention in the back matter Illustrator’s Note how deep you dove into the research to really understand your subject including actually posing yourself in front of a mirror and reciting lines. Was there any particular text from Rappaport or quote from Douglass that you found most inspiring for this story’s artwork?

LADD: Rappaport’s text was so excellent with the way she gracefully combined her text with Douglass’ own quotes. But his autobiography was so powerful because you’re getting a first hand account in all its detail of his experience as a slave during the 19th century. Each page was filled with so much raw, honest, brutal, heart breaking material. So many vivid images would pop into my head from sadness, anger.

GRWR: Was there one particular image in the book that most resonated for you?

LADD: I think the first three images [see below] as a whole really resonate for me deeply due to the range of emotions and sounds I hear from the heart wrenching scream of Frederick’s mother as he’s being taken from her, the peacefulness of the river when he’s fishing with his grandmother, and his low weeping as he suddenly realizes his grandmother is gone and now his new life begins in the institution of slavery.

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Interior artwork from Frederick’s Journey: The Life of Frederick Douglass by Doreen Rappaport with illustrations by London Ladd, Disney/Jump at the Sun ©2015.

 

GRWR: You travelled to a lot of places in Douglass’s history, which place made the biggest impression on you?

LADD: Wow it’s so hard to pick one. Visiting his home in Anacostia was powerful. But I’ll have to go with a trip to Rochester in 2006. During my last semester in college I enrolled in an African American religious history course and the final was this amazing project where you had to travel to historical locations involved in the Underground Railroad in and around the Central New York area like Harriet Tubman’s grave and church in Auburn, NY. Well it happens that Douglass’ grave at Mount Hope Cemetery (Susan B. Anthony is buried there, too) in Rochester NY was on the list. The cemetery is huge and his grave is by the front street nearby so vehicles drive by constantly so it can be a little noisy. When walking to his grave it was so quiet with only a slight wind blowing. Being at his gravesite was moving. I just stood there silently for 20 minutes with many emotions going through my mind. After visiting his grave there was this incredible interactive Douglass exhibit at a local nearby museum and I’ll never forget it. So much on display like his North Star press, part of a house with hidden area for slaves, a double-sided mirror that when you dim the lights Douglass’ face appeared on the other side, an exhibit where you lay in a really small area like slave did during the middle passage (that had a strong impact on me) and so much more. Ten years later and it’s still one of my favorite museum exhibits.

FJ_Int_art_London_Ladd
Interior artwork from Frederick’s Journey: The Life of Frederick Douglass by Doreen Rappaport with illustrations by London Ladd, Disney/Jump at the Sun ©2015.

GRWR: Not many illustrators get a front cover portrait with no title as an assignment. That’s a huge honor and your cover is outstanding. Can you tell us more about how that decision was made?

LADD: Thank you so much. That’s what makes the Big Words series so unique from other book series because each biography has this beautiful portrait of a well known person with the title on the back. That’s why I worked so hard on trying to not only capture Douglass’ likeness, but his essence. 

FJ_Int_art_London_Ladd
Interior artwork from Frederick’s Journey: The Life of Frederick Douglass by Doreen Rappaport with illustrations by London Ladd, Disney/Jump at the Sun ©2015.

GRWR: In a previous interview here you said “The human spirit interests me. I love stories of a person or people achieving through difficult circumstances by enduring, surviving and overcoming.” Douglass clearly exemplified that spirit. Who else, either living or deceased would you like to portray next in your artwork or in a story of your own creation?

LADD: Ernest Shackleton! I would love to illustrate Ernest Shackleton and the Endurance. An absolutely amazing story of when, in the early 20th century, he and his crew were stranded near Antarctica for nearly two years and everyone survived. It’s a testament to his tremendous leadership during the whole ordeal.

This Shackleton quote sums up my attitude towards any challenges I face. “Difficulties are just things to overcome, after all.”

FJ_Int_art_London_Ladd
Interior artwork from Frederick’s Journey: The Life of Frederick Douglass by Doreen Rappaport with illustrations by London Ladd, Disney/Jump at the Sun ©2015.

 

GRWR: It’s said art is a universal language. What is it about making art and teaching it as well that speaks to you?

LADD: I think to be able to share with other people is something very important to me. I wouldn’t be here without the help of other people so it’s always been my goal to pay it forward when possible.

FJ_Int_art_London_Ladd
Interior artwork from Frederick’s Journey: The Life of Frederick Douglass by Doreen Rappaport with illustrations by London Ladd, Disney/Jump at the Sun ©2015.

London_LaddGRWR: Can you share with us anything else about your experience working on Frederick’s Journey: The Life of Frederick Douglass?

LADD: I truly loved working on this book and I’m so thankful to have been part of such a special project. Hopefully young people will learn, enjoy and appreciate the life of Frederick Douglass.

A huge thank you to London Ladd for this candid and informative interview. 

Click here to download a teacher’s guide.

  • Interview by Ronna Mandel
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I am Martin Luther King, Jr. by Brad Meltzer

I AM MARTIN LUTHER KING, JR.
(ORDINARY PEOPLE CHANGE THE WORLD)
Written by Brad Meltzer
Illustrated by Christopher Eliopoulos
(Dial Books for Young Readers; $12.99, Ages 5-8)

 

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This fabulous nonfiction series called Ordinary People Change the World asks the question, “What makes a hero?” Then, while his latest, I am Martin Luther King, Jr. takes its place alongside seven previously published titles, author Meltzer answers that question. By honing in on certain positive traits of the young King, the biographer immediately pulls readers in while introducing this great man born 87 years ago.

As a child, MLK got “into a lot of accidents,” but never let unfortunate circumstances keep him down. Recounted in first person, King tells us, “No matter how many times I fell, I kept getting back up.” Enamored with the power of language, King surrounded himself with books, ultimately becoming the powerhouse speaker who, at age 35, won a Noble Peace Prize and is still frequently quoted today. His negative experiences with segregation and racism began at an early age. But, rather than hate, King’s parents taught the angry young boy “that it’s better to have more love in your life than hate.” He also learned that the color of his skin did not make him any less of a person. “You are as good as anyone,” his mother told him. Throughout his formative years, King felt the injustice in society and was determined to make changes. Influenced by the writings of Thoreau and Gandhi, MLK strove to eliminate segregation peacefully, without violence.

The arrest of Rosa Parker for refusing to give up her seat on a bus prompted a yearlong boycott of the buses in Montgomery, Alabama by black people. It worked! This was a pivotal time for the growing civil rights movement. King gave a moving speech about justice and moral courage, but was also arrested for orchestrating the boycott. King’s strategy led to countless other protests, and sit-ins as he helped give voice to a people whose growing calls for equality needed to be heard. The Children’s Crusade in Birmingham, Alabama and then the massive March on Washington were turning points in history culminating with MLK’s powerful I Have a Dream speech. Soon after “the president and Congress passed new laws for civil rights,” but the work for equality was still not over. Black people had no rights to vote and that, too, had to be overcome. Eventually, it was.

Conveyed via text and speech bubbles, and illustrated in Eliopoulos’s fun-to-look-at comic-style (who can resist the mustachioed, mini-sized, black suited MLK narrator), I am Martin Luther King, Jr., is an ideal way to introduce youngsters to one of America’s great leaders. Not only does Meltzer share some of the most important aspects of MLK’s life with children, but he makes it meaningful, memorable and moving for such a short book. The back matter includes a timeline, some photos, as well as sources and further reading for kids. I thoroughly enjoyed this kid-friendly picture book that combines Martin Luther King, Jr.’s inspirational story along with “Dr. King’s actual dialogue whenever possible.” It clearly demonstrates to children how one individual, armed with only a dream and determination, can make a huge difference and a lasting impression in the world.

  • Reviewed by Ronna Mandel
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Freedom Summer: The 1964 Struggle for Civil Rights in Mississippi by Susan Goldman Rubin

Freedom Summer: The 1964 Struggle for Civil Rights in Mississippi by Susan Goldman Rubin (Holiday House, $18.95, ages 10 and up) is reviewed by Dornel Cerro.

Celebrating the 50th Anniversary of this Landmark Civil Rights Project

⭐︎Starred Reviews – Booklist & School Library Journal

“I am determined to become a first class citizen … I am determined to get every Negro in the State of Mississippi registered (Fannie Lou Hamer, p 1).

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Freedom Summer: The 1964 Struggle for Civil Rights in Mississippi by Susan Goldman Rubin, Holiday House, 2014.

Susan Goldman Rubin, author of several biographies and books on the Holocaust (see her website: www.susangoldmanrubin.com), has written a dramatic account of the efforts of civil rights organizations and volunteers, mostly college-aged students, who worked together during the summer of 1964 to educate African Americans in Mississippi about their voting rights. While greeted warmly by African Americans, who also opened their homes to the young students, volunteers worked in an intense and dangerous environment. Prior to arriving in Mississippi, volunteers, who hailed from all across the country, received one week training in how to behave and dress so as to avoid physical harm. They learned that “no one should go anywhere alone, but certainly not in an automobile and certainly not at night …” (pp. 6-7). Volunteers were advised to sleep at the back of the house and listen for sudden car accelerations as that might signal a bombing. Contrary to what they had been taught in the North, Southern police were not their friends.

Despite the never ending climate of fear and the murder of three of the workers (James Chaney, Andrew Goodman, and Mickey Schwerner), students and community members continued their heroic efforts to establish Freedom Schools and register voters. The Freedom Schools were enormously successful: with enrollment of over 2000 adults and children. Voter registration, however, proved to be much more challenging due to African Americans fears of physical violence and obstacles such as poll taxes and literacy tests designed to prevent them from voting. However, these efforts led to President Johnson’s 1965 Civil Rights Act and, by 1966, registered African American voters soared from 6.4% to almost 60% (p. 97).

Rubin’s compelling and gripping account includes primary sources: interviews with surviving volunteers and community members, reproductions of period photos, FBI posters, newspaper articles and other documents. End material includes a bibliography, timeline, recommended websites, and appendices of original documents. The book also includes illustrations by Tracy Sugarman, an American artist who illustrated important historical events. At 41, he was the oldest volunteer and shadowed the volunteers to chronicle their work in art (see PBS’s “Freedom Summer” web pages for more information on the documentary and Sugarman and his illustrations: http://www.pbs.org/wgbh/americanexperience/films/freedomsummer). Highly recommended for middle graders thru high school, as a readable narrative as well as a compelling way for teachers and librarians to meet Common Core standard in how researchers use primary sources to bring historical events to life. In an interview with Holiday House (see below), Rubin expresses her hope that this book will inspire students to seek out their community’s stories.

Visit the publisher at http://www.holidayhouse.com/title_display.php?ISBN=9780823429202
for links to educators’ guide, transcripts of the author’s interviews, video interview with author, and more.

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Best Kids Books for Black History Month

We’ve selected some of the best books for kids to read
not just for Black History Month, but anytime.

Under The Freedom Tree by Susan VanHecke with illustrations by London Ladd – (Charlesbridge, $16.95, Ages 6-9)

93879The Cart That Carried Martin by Eve Bunting with illustrations by Don Tate – (Charlesbridge, $16.95, eBook $9.99, Ages 6-9)

The Mighty Miss Malone by Christopher Paul Curtis – (A Yearling paperback, $7.99, Ages 9-12)

9780553494105Bud, Not Buddy by Christopher Paul Curtis – (A Yearling paperback, $7.99, Ages 9-12)

The Freedom Maze by Delia Sherman – (Candlewick Press, $6.99, Ages 10 and up)

Africa is My Home: A Child of the Amistad by Monica Edinger with illustrations by Robert Byrd – (Candlewick Press, $17.99, Ages 10 and up)

9781419708466_s3.jpgSearching For Sarah Rector: The Richest Black Girl in America by Tonya Bolden – (Abrams Books for Young Readers, $21.95, Ages 10-14)

The Girl from the Tar Paper School by Teri Kanefield – (Abrams Books for Young Readers, $19.95, Ages 10-14)

Little Rock Girl 1957: How a Photograph Changed the Fight for Integration by Shelley Tougas  – ($8.95, Compass Point Books, ages 10 and up)

 

 

 

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I am Abraham Lincoln by Brad Meltzer

 Happy Birthday Abraham Lincoln!
Ronna Mandel reviews the biography,
I am Abraham Lincoln, by Brad Meltzer.

I-am-Abraham-Lincoln-jpg
I am Abraham Lincoln by Brad Meltzer with illustrations by Christopher Eliopoulos, Dial Books for Young Readers, 2014.

In January, reviewer MaryAnne Locher reviewed I am Amelia Earhart by Brad Meltzer with illustrations by Christopher Eliopoulos and discussed what makes a hero. Today, on our 16th president’s birthday, I thought I’d share Meltzer’s other book in the new Ordinary People Change The World series from Dial Books for Young Readers ($12.99, ages 5-8), I am Abraham Lincoln, and discuss what makes a great human being.

What is it that makes Abraham Lincoln one of the most admired, quoted and famous individuals in American history?  Clearly it’s because stories of Lincoln’s life demonstrate he was a role model, a voice for those who could not be heard. In I am Abraham Lincoln, one of the first titles published in the new Ordinary People Change the World nonfiction series, author Meltzer introduces us to the young Lincoln, a boy who early on felt strongly about right and wrong and didn’t hesitate to say so.

From a young age, Lincoln preferred reading to working on the farm. He defended the rights of animals when he saw boys behaving cruelly to a turtle and actually composed one of his first essays – “about how hurting animals is wrong.” When most kids of that era did not even attend school, Abe was determined to learn and spent time teaching himself to write. “I loved books so much, I once walked six miles … to get one.” He read every book he could get his hands on and he read everywhere he could.  It’s no surprise his love of books would prove to serve him well as he entered public life.

Presented in an engaging, cartoon-like style that sets this biography series apart from others, I am Abraham Lincoln, is not only easy to read, but fun, too! What kids will adore is seeing our 16th president as a child, interacting with other children and dealing with issues other children deal with to this very day. And though we know Lincoln as a tall, almost larger-than-life figure, looming over his fellow politicians or his foes, in the picture book he remains small throughout, and depicted by Eliopoulos most of the time wearing his signature top hat (where he often kept his important papers).

We learn that Lincoln was once bullied and what troubled him most about being bullied was that the bully, one Jack Armstrong, cheated. He didn’t beat Lincoln fair and square. This irked Lincoln more than being beaten up and when he confronted Armstrong and his cronies with this fact and proposed to fight each and every one of them, they relented. “Sometimes, the hardest fights don’t reveal a winner – but they do reveal character.” This has to be one of my favorite lines in I am Abraham Lincoln because I think it is indeed the essence of who he was and what he was all about. He was destined for great things.

Of course in school children learn about Lincoln and his role in the Civil War, keeping the South from seceding and bringing freedom to slaves, but I also learned that he lost four elections (yes, four!) before becoming president and that his Gettysburg Address, which followed “a speech that lasted nearly two hours” was only two minutes long and 271 words! I love the quotes used in the book and the B & W photographs included in the end pages. They help ground the story of this remarkable man and remind us of his enduring contribution to our nation. A hero among men. “I am Abraham Lincoln,” he says and “I will never stop fighting for what’s right.”

And coming this summer – I am Rosa Parks.

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An Interview With London Ladd, Illustrator of Under The Freedom Tree

GRWR CHATS WITH ILLUSTRATOR LONDON LADD

Under The Freedom Tree – a 2014 Junior Library Guild Selection!

Illustrator-London-Ladd
Illustrator London Ladd, Under The Freedom Tree, Copyright © 2014 Charlesbridge Publishing.

Today Good Reads With Ronna and London Ladd discuss how, as the illustrator of Under The Freedom Tree (Charlesbridge, $16.95, Ages 6-9) by Susan VanHecke, he came up with the illustrations for this picture book which we’re highlighting for African American History Month (also known as Black History Month). If you didn’t see yesterday’s post where we interviewed author Susan VanHecke, please click here to read it.

BLOG TOUR & GIVEAWAY
We’re joining other reviewers this week as part of a special Charlesbridge Publishing blog tour and hope you’ll take the time to visit all the bloggers’ sites. We’re also delighted to be giving away one copy of Under The Freedom Tree, so enter by clicking here for a chance to win. This giveaway ends at midnight PST on February 24, 2014. Please be sure to write Freedom Tree in the subject line and include your address. Like us on Facebook for an extra entry. A winner will be chosen by Random.org and notified via email on February 25th. Good luck!

REVIEW
Under The Freedom Tree shares the story of three captured slaves, Frank, James and Shepard, during the Civil War, who take an enormous risk to escape across dangerous waters in Virginia to reach the Union Army on the other side only to discover they are still not totally free. However, with the help of clever General Butler, a lawyer before the Civil War, the three fugitives are able to remain with the Union side on a technicality. The winds of change were beginning to blow in the right direction.

Under-The-Freedom-Tree-jpg
Cover image, Under The Freedom Tree by Susan VanHecke with illustrations by London Ladd, Copyright © 2014, Charlesbridge Publishing.

VanHecke delivers a powerful tale told poetically in free verse and based on actual accounts of the creation of America’s first “contraband camps.”  After word of Frank, James and Shepard’s successful escape, others followed suit. First hundreds then thousands.

Runaways.

Stowaways.

Barefoot, mud-crusted.

Better forward than back.

Former slaves built a community in what was known as Slabtown, or the Grand Contraband Camp. By day they worked for the Union, but they were freer than they’d ever been, some living in a home of their own for the very first time.  Silent witness to this all was the majestic old oak tree, the Freedom Tree. Illustrator Ladd conveys so much spirit and emotion in every spread, whether by depicting children being taught under the shade of the oak or the joyful gathering of the community to hear the reading of Lincoln’s Emancipation Proclamation. “Lives forever changed under the Freedom Tree.”

Be sure to sit down with your kids and read this fantastic picture book that helps shed light on a little-known yet inspiring event of the Civil War. Also included are a bibliography and author’s note at the end providing more historical information that helps place many of the events in Under The Freedom Tree in context.

INTERVIEW WITH LONDON LADD

Good Reads With Ronna: When a publisher approaches you with a book to illustrate, do you see the completed manuscript or is it still rough round the edges? I’m curious because I wonder if your illustrations have ever influenced the direction a book can take?

London Ladd: It depends on the publisher. Most of the time I’ll get a completed script, but there have been a few times I will get something that’s in the last stages of editing. It’s minor wording that doesn’t affect my ideas.

Good Reads With Ronna: What is your illustration process, i.e. do you research the subject matter, then sketch and finally paint the art to be used?

London Ladd: I’ll usually read and reread the manuscript, then I do a few small quick thumbnail sketches. After that I start diving into the research and this is the most fun because I get to learn new things, but sometimes I get so involved I get lost and have to pull myself back into focus. After gathering myself I do more sketches to storyboard all the pages. Then I take A LOT of reference photos. I draw the final sketches and send to the publisher for feedback and after things are approved I paint the final artwork.

GRWR: In terms of medium for Under the Freedom Tree, did you use acrylics and combine them with pastels and colored pencils like your bio describes or did you try something different with this book?

Ladd: I primarily use acrylic paint, but recently for Under the Freedom Tree, I’ve combined colored pencils and pastels. I feel it adds more depth to the art and creates a signature look. When I’m working I get messy so my clothes will get covered in paint. It’s a bad habit I’ve tried to stop but I get so locked in I can’t help it. In the past I’ve tried oils on top of the acrylics but when it got on my skin I had bad reactions and discontinued use.

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Interior spread from Under The Freedom Tree by Susan VanHecke with illustrations by London Ladd, Copyright © 2014, Charlesbridge Publishing.

GRWR: What is your favorite illustration in Under the Freedom Tree?

Ladd: That’s a difficult answer because I really love each illustration in this book for various reasons. If I had to pick one right now it would be the first page with them running because when I first read the manuscript that page came alive so clearly in my mind’s eye and heart. I could vividly hear the sound of the crickets chirping, the pounding feet of the three men in the tall grass, the hurried sound of their breathing in the night as they sneak off. If you watch the book trailer that’s exactly how I saw it in my head.

GRWR: Which was the most difficult to complete and why?

Ladd: I think the page where the people are rebuilding after the Confederate soldiers torched Hampton. I didn’t know how to approach it. What do I show? How do I convey in my illustration the words effectively? When I traveled to Hampton to do more extensive research and see landmarks like Emancipation Oak, Fort Monroe and Sewel’s Point (the spot where the men escaped from) I stopped in the Hampton History Museum and they had this amazing exhibit from that era. There was a replica of a burnt brick wall with an actual photo of Hampton after the fire in 1862. When I saw that I knew exactly how that page should look. It’s funny because without visiting I would have never created that page.

GRWR: Is it difficult as an illustrator to try to capture a unique moment in time and have your illustration convey a mood or incident?

Ladd: Wow that’s a good question. I guess it depends on the project. For March On I wasn’t born during the march on Washington so wanted to capture the moment. What would it be like if I was there and to be a part something so special? For Oprah I felt a connection to her story. I’m also an only child who had a fierce determination to better myself and succeed. With Under the Freedom Tree it was a spiritual experience for me as an African American. The issue of slavery can be a sensitive subject, that’s why it was so important for me to visit the sites and gain a deeper understanding of what I’m illustrating. To see the Emancipation Oak, a 400 year old tree that still stands to this day in person at Hampton University, and to stand on the very shore in Norfolk, VA and look across the Chesapeake Bay, filled me with so many ranges of emotions. The contraband slaves are not widely known in history so I wanted to illustrate their amazing story of bravery, courage and strength with honor.

UnderFreedomTree -0-11_300-jpg
Interior spread from Under The Freedom Tree by Susan VanHecke with illustrations by London Ladd, Copyright © 2014, Charlesbridge Publishing.

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An Interview with Susan VanHecke, author of Under The Freedom Tree

Susan VanHeckeSusan VanHeckeGRWR CHATS WITH AUTHOR SUSAN VANHECKE

Under The Freedom Tree2014 Junior Library Guild Selection!

Susan-VanHecke-jpg
Author Susan VanHecke, Copyright © 2014 Charlesbridge Publishing

Today Good Reads With Ronna and Susan VanHecke discuss how the seeds of a story were planted for her new picture book, Under The Freedom Tree (Charlesbridge, $16.95, Ages 6-9) with illustrations by London Ladd, which we’re highlighting for Black History Month.

BLOG TOUR
We’re joining other reviewers this week as part of a special Charlesbridge Publishing blog tour and hope you’ll take the time to visit all the bloggers’ sites. We’re also delighted to be giving away one copy of Under The Freedom Tree, so enter by clicking here for a chance to win. This giveaway ends at midnight PST on February 24, 2014. Please be sure to write Freedom Tree in the subject line and include your address. Like us on Facebook for an extra entry. A winner will be chosen by Random.org and notified via email on February 25th.

Under The Freedom Tree shares the story of three captured slaves, Frank, James and Shepard, during the Civil War, who take an enormous risk to escape across dangerous waters in Virginia to reach the Union Army on the other side only to discover they are still not totally free. However, with the help of clever General Butler, a lawyer before the Civil War, the three fugitives are able to remain with the Union side on a technicality. The winds of change were beginning to blow in the right direction.

Under-The-Freedom-Tree-jpg
Under The Freedom Tree by Susan VanHecke with illustrations by London Ladd, Charlesbridge Publishing, 2014.

VanHecke delivers a powerful tale told poetically in free verse and based on actual accounts of the creation of America’s first “contraband camps.”  After word of Frank, James and Shepard’s successful escape, others followed suit. First hundreds then thousands.

Runaways.

Stowaways.

Barefoot, mud-crusted.

Better forward than back.

Former slaves built a community in what was known as Slabtown, or the Grand Contraband Camp. By day they worked for the Union, but they were freer than they’d ever been, some living in a home of their own for the very first time.  Silent witness to this all was the majestic old oak tree, the Freedom Tree. Illustrator Ladd conveys so much spirit and emotion in every spread, whether by depicting children being taught under the shade of the oak or the joyful gathering of the community to hear the reading of Lincoln’s Emancipation Proclamation. “Lives forever changed under the Freedom Tree.”

Be sure to sit down with your kids and read this fantastic picture book that helps shed light on a little-known yet inspiring event of the Civil War. Also included are a bibliography and author’s note at the end providing more historical information that helps place many of the events in Under The Freedom Tree in context.

 INTERVIEW

Good Reads With Ronna:  Susan, I had no idea the story would be anything other than straightforward prose, but it was so much more. It was poetic and flowed like the water that carried the three slaves to their eventual freedom. How did you decide upon this form of storytelling?

Susan VanHecke: Thanks so much, Ronna, and your imagery is beautiful! You know, I struggled for quite a while (a couple of years, actually) trying to write the contraband slaves’ story in prose. But it was just too dry, too flat, too distant. I didn’t think it would hold young readers’ attention or get them feeling exactly what was at stake.

Then one day I picked up a collection of the late, great author Virginia Hamilton’s essays and speeches. In it, she described a concept she called “rememory,” an “exquisitely textured recollection, real or imagined.” I liked that idea, especially the texture and imagination parts. I decided to make a personal visit to the Freedom Tree. There in the summer quiet, under those sprawling, sheltering branches, I could feel all those heart-pounding emotions, I could imagine all those daring events, that took place under or near Emancipation Oak.

It was a powerful moment for me, and it definitely shook loose the words. My “rememory” came in the form of free verse. I owe a debt of gratitude to Ms. Hamilton.

GRWR: Did you happen upon the history of Frank, James and Shepard accidentally or was their story one you had heard about and always wanted to share with youngsters?

VanHecke: It was totally by accident. Do you ever get those local lifestyle magazines in the mail that are really just slick vehicles for home improvement ads? I was flipping through one of those when it opened to a photo in the back. It was a stunning, sepia-toned image of a spectacular tree. The caption underneath said that this was where area contraband slaves learned to read and write and heard the Emancipation Proclamation, what some consider the first Southern reading of that important document.

I was astonished that I’d never heard of this history, especially since Emancipation Oak is just a few miles from my home. As I researched the full story, I knew I wanted my kids and their classmates to know this exciting, little-known aspect of the Civil War.

GRWR: Under the Freedom Tree is a reminder that even in many places in the North, freedom for slaves was not readily embraced. How did some African American former slaves get to be free while others remained “contraband” until the 13th Amendment?

VanHecke: I’m certainly no expert, but it’s my understanding that former slaves could become free through manumission (emancipated by their owner, usually by “purchasing” themselves) or escaping to the free states of the North. Of course, slave hunters were always on the prowl—in the North and South—and the Fugitive Slave Act of 1850 created harsh punishments for those who assisted runaways in any way.

That’s what made Union General Benjamin Butler’s “contraband” decision so important. Virginia was a slave state, so by law (the Fugitive Slave Act), Butler had to return to their Confederate owners those three brave souls who rowed under cover of night to Fortress Monroe. But Butler, a lawyer himself, found a loophole: Virginia had just seceded from the United States, so U.S. law no longer applied to it. Virginia was now an enemy of the United States. Therefore, clever Butler was able to declare those escaped slaves “enemy contraband,” since they were being used in the Confederates’ effort to wage war on the Union.

As word spread, more and more slaves escaped and made their way to the Union line, where they too became “contraband.” They weren’t free, and in fact labored for the Union for many months before they were eventually paid for their work. But contraband surely seemed—and ultimately was—one step closer to free.

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Interior spread from Under The Freedom Tree by Susan VanHecke with illustrations by London Ladd, Copyright © 2014 Charlesbridge Publishing.
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