“In 1924, an audience of more than one million listeners across the world listened in amazement to the first live radio broadcast of a nightingale accompanying the young cellist Beatrice Harrison.”
From Booklist:
“A gentle gem of a story [with] charming ink-and-watercolor illustrations . . . A delightful introduction to a lesser-known life, and a welcome reminder of the wonder that exists in the natural world.”
Review:
Beatrice Harrison grew up surrounded by music: in her home, through her father’s regimental band …
even in nature. But nothing stirred her heart quite like the cello. So when her mother brought one home, Beatrice practiced and practiced, dreaming of the day she would share its music with the world.
By 17, she had won Germany’s highest musical prize. She went on to share music throughout Europe and Russia, even playing for the President of the United States.
One day, while practicing in her garden, a nightingale joined Beatrice, lending its voice whenever she stopped playing. Night after night, the pair performed, sparking an idea in Beatrice’s mind. What if everyone could hear their duet?
Beatrice struggled to convince the BBC of the merits of her plan—broadcasting her nature concert live on the radio—but eventually she did, and her concert was a huge success! For 12 years, the BBC recorded Beatrice’s annual concert with the nightingale and aired it to their worldwide audience.
Charming watercolor illustrations bring Beatrice and the Nightingale, this nonfiction biography by Patricia Newman and Isabelle Follath to life. Best known for her nonfiction STEM titles, Sibert Honor recipient Newman expands her repertoire with this STEAM-tastic book, highlighting the connection between music and science, while Follath’s whimsical conceptualization of musical sounds further marries that connection. As per usual, Newman’s extensive backmatter and teacher’s guide make this book perfect for the classroom—especially during Women’s History Month.
-Reviewed by Roxanne Troup
Please see below for links to more reviews from previous Women’s History Months.
How the Scientist, Writer, and Nature Lover Changed the Environmental Movement
Written by Kate Hannigan
Illustrated by Katie Hickey
(Calkins Creek; $18.99; Ages 7-10)
FROM THE PUBLISHER:
“This STEAM picture book biography highlights how scientist and writer Rachel
Carson became the author of the groundbreaking book Silent Spring and the mother of the modern
environmental movement.”
From Kirkus Reviews: “A soaring tribute to the perceptive naturalist and writer who jump-started the
modern environmental movement.”
REVIEW:
In the early 1960s, author and environmentalist Rachel Carson spurred readers to action in her book Silent Spring, which called out the deadliness of DDT and similar chemicals. But before writing that bestseller, Rachel loved exploring the outdoors with all her senses.
She shared her awe of the natural world through poetry and magazine stories before studying science in college. Though Carson did not finish school, she began writing for the Bureau of Fisheries, combining her poet’s eye with the science she learned in college.
In time, Carson began publishing books about the wonders of the natural world and sharing that love with her nephew. But after World War II, Carson’s wonder turned to worry. The suburban housing boom led to the loss of forests, and urbanization meant fewer people growing their own food. Farmers turned to chemical herbicides and pesticides to boost production. But were such chemicals safe for wildflowers, animals, and humans?
Again, Carson turned to her writing—this time with a warning for readers. And though she lived to see her book published, she would not live to see its impact. Because of Silent Spring, the US government ordered a review of pesticide policy, which ultimately led to the banning of some chemicals. And it inspired other efforts to protect the Earth, including Earth Day, which we continue to celebrate to this day.
I recommend this beautifully illustrated nonfiction biography by Kate Hannigan and Katie Hickey, which honors the “mother of the environmental movement.” Sprinkled with Carson’s own words, this book encourages readers to experience nature as Rachel Carson did—with each of their senses—while Hickey’s layered art effectively showcases the color and wonder of nature. A timely and important read for a new generation of caretakers for our planet. e
I felt the author’s admiration for our former First Lady, Eleanor Roosevelt, from the very first page of this timely, well-written biography. As the longest-serving First Lady, Roosevelt’s human rights impact was unmatched. This picture book details how Roosevelt’s powerful voice and popularity grew throughout her lifetime, leaving an impressive legacy of leadership that has profoundly impacted the role of first lady.
But, Eleanor wasn’t always outspoken. As a child growing up an orphan in New York, Eleanor is described by Markel as shy. “She’s been told she’s homely and made to feel like a failure.” Not exactly confidence-building. Yet this persevering young girl found love and encouragement in the letters from her late father. She clearly was well-to-do since the Roosevelt name carried clout and connections. We also learn she was sent to “finishing school” overseas. Eleanor came into her own during this period, already eager to help poor immigrants. Throughout the book, Mesa’s illustrations do a terrific job of conveying emotion and atmosphere. Young readers may not know that Eleanor was a distant cousin of Franklin Delano Roosevelt and that their eventual marriage proved to be a powerful combination. While FDR focused on politics, Eleanor focused on unfair practices from child labor and unsafe factory conditions. Her work as a reformer was just getting started.
When she became First Lady, the country was in the throes of the Great Depression. In her new role, Eleanor brought women’s issues to the fore and even persuaded FDR to appoint women to high ranking positions. But she didn’t stop there. She helped people fight poverty and starvation as she traveled across the USA. She got involved in the struggles of Black Americans against “white lynch mobs” and worked tirelessly to help them be treated as equals. And while she faced a lot of pushback and bad press, she never let it deter her. “Every small victory makes a difference.” Eleanor always managed to keep those in need of justice on her radar, so it seemed fitting when the newly formed United Nations invited her to “lead a committee on the rights and freedoms of all human beings.” This Universal Declaration of Human Rights still exists. With a career as long and as storied as Eleanor Roosevelt’s was, Markel manages to keep to her theme and provide many jumping off points for further research for older readers (and I do think kids as old as 10 would enjoy this book). The highlighted examples reinforce Roosevelt’s vast accomplishments for the younger ones, making her a role model for budding activists. Four fantastic pages of backmatter detail just how much good Eleanor did and include a timeline where I learned the Ku Klux Klan once placed a $25,000 bounty on Eleanor’s head! There’s also a select bibliography, a section about “More About People of Color and Women During the Depression,” one on “People of Color and Women During the New Deal,” and one on “Mary McLeod Bethune, Walter White, and the Roosevelt Administration.” I’m glad to still be learning new things about Eleanor Roosevelt all these years later.
I hope that reading about the women movers and shakers from the 19th and 20th centuries in this roundup motivates young girls today to continue making their voices heard as Lucy Stone did from a very young age.
Enlightening quotes from this women’s rights advocate are used throughout One Girl’s Voice making Stone’s advocacy that much more meaningful when you consider the era during which she grew up. Kirkfield notes that in 1830, in Massachusetts and across the United States, the law said the voices of girls and women didn’t count. In other words, they should be seen, especially in the kitchen, and not heard, out in public that is. Even Lucy’s father agreed with that sentiment, which caused Lucy no end of anguish.
Lucy was determined to show that women’s voices mattered despite how her father and society felt. She’d earn her own money to pay for books, and then college, but a rude awakening awaited her at Oberlin College. Women were not permitted to speak in the public speaking class! So Lucy met with other women and practiced debating in secret. But they still had to put their newly acquired skills to the test. And though she persuaded her professor to let the women speak in the classroom, when the administration got wind of this, all future debates by women were banned. This blatant lack of equality irked on many levels since Lucy also discovered she was working to pay for college at half the pay her male classmates received. Lucy wrote a letter arguing against this inequity and was rewarded with equal pay. A small but meaningful triumph. After the college invited her to compose a speech for graduation, she learned a male student would deliver the speech so she withdrew. But, soon she was offered a job by the head of the New England Anti-Slavery Society, and that position secured her national reputation as an inspirational orator. “Now all we need is to continue to speak the truth fearlessly, and we shall add to our number those who will turn the scale to the side of equal and full justice in all things.”
The art, rendered in vivid acrylic ink and colored pencil, creates just the right tone for this story of one woman’s unwavering perseverance and gift of persuasion. Stone, allow me the word play, left no stone unturned in her quest for equality for all. She fought for the abolition of slavery as well as suffrage for all regardless of gender or race. She also pushed for the passing of a law that gave married women property rights. And while she wouldn’t live to see women gain the right to vote, it was her powerful and unceasing voice that helped lead the way. Six pages of backmatter contain an Author’s Note, a timeline and a personal fave, “Fun Facts.” It’s here I learned that Lucy Stone kept her married name just like I did. Women who chose to do so back then were referred to as Lucy Stoners! This is a recommended year-round read that reinforces how important all voices are.
I knew about Kate Warne’s involvement in the famed Pinkerton Detective Agency, but I never knew about the foiled plot to assassinate Lincoln that this picture book covers. Beth Anderson has chosen an episode in history that is not that easy to explain since major logistics were involved for the mission to be a success. Between Anderson’s storytelling and Wern Comport’s mixed-media collage art with maps, old photos, and pencil drawings that evoke a bygone era just a few months before the Civil War, Hiding in Plain Sight weaves a tale of intrigue that kept me turning the page.
The book’s design, with dates and locations on most spreads, makes navigating Lincoln’s thirteen-day train journey from Springfield, Illinois, to his D.C. inauguration full of tension despite knowing he avoids harm. Kids will find Kate Warne’s spying skills rather cool, especially for a 19th-century woman when that kind of career would have been frowned upon. Pretending to be a “Mrs. Barley” she fit in with the Baltimore crowd and learned about the rebel’s plan to kill Lincoln when his train passed through Baltimore, the only way to get to Washington. She alerted Allan Pinkerton, who seemed to already know about the plot. They had to let the future president know his life was in danger. That meant delivering a message to his assistant, Mr. Judd. Now, imagine the pressure Kate was under. She had only a few days to thwart the plot, but she also needed Lincoln’s okay to change his schedule.
When Lincoln “refused to cancel plans,” Kate and Pinkerton had only one other option, which I won’t reveal here. Spies were probably everywhere, and the new plan left no room for error. Here, Anderson keeps the suspense at a fever pitch. Even though I knew Lincoln would be safe, I worried. How would they pull this off when anyone could leak details of this top-secret mission? Well, as history proves, Kate and Pinkerton succeeded, and Lincoln made it to his inauguration in D.C. Phew!! Seven pages of interesting backmatter featuring an Afterword, photos, a Great Western Railroad Time Card, code names, and more add to this picture book’s appeal.
SKYBOUND!:
Starring Mary Myers as Carlotta, Daredevil Aeronaut and Scientist
Written by Sue Ganz-Schmitt
Illustrated by Iacopo Bruno
(Calkins Creek; $18.99, Ages 7-10)
★Starred Reviews – Kirkus, Foreward
I’m always happy to read nonfiction picture book biographies about lesser-known women who did extraordinary things. Mary Myers nee Mary Breed Hawley was one of those women so I’m glad that Sue Ganz-Schmitt and Iacopo Bruno have shined the spotlight on her fascinating story in Skybound. To be honest, I’m surprised that, considering the amazing feats of derring-do that she accomplished, we haven’t heard about her sooner.
Readers meet women in a parlor circa 1850 doing what women were expected to do in the 19th century, “land a husband, have children, and stay tethered to their homes.” Only Mary had other ideas and did not picture herself bound to traditional norms. She dreamed about flying, and found herself preoccupied with aeronauts; people who chose to reach great heights in the only way they knew how, in a hot air balloon.
Mary soon married a fellow aficionado, and together they read, planned, and even invented! “… she helped her husband, Carl Myers, invent a “groundbreaking” balloon fabric. I love the clever use of ballooning terms, often in colored font, when describing different aspects of Mary’s life. Bruno’s art, which I adored in Mesmerized, takes us back in time with attention to period clothing and other details that lift this illuminating story to another level.
Using their new material, Mary and Carl experimented with different balloon shapes and even hired a professional to try them out. But they also wanted their balloons to do more than just fly way up high. They wanted an aeronaut who’d be able to gather scientific data while also entertaining crowds.
Mary made the case for how she could do this and, after much thought, she transformed herself into Carlotta, an exotic name for a performer. She would take her aerial act aloft and remain there “for five miles or thirty minutes.” Even the rain did not stop her! Even the risks, and there were many! Mary’s intrepidness could not be denied. Ganz-Schmitt builds up the tension with her prose as does Bruno’s art. Would Mary, on her solo journey skybound, remain safe? Would the inclement weather prove detrimental? Would she gather the information she needed? I couldn’t wait to find out! And neither will readers.
Eight delightful pages of backmatter delve into more detail about Carlotta’s interesting life including tales of her many close calls while up in the air. I enjoyed the timeline, and seeing a hand-tinted postcard of the Balloon Farm in Frankfort, NY where it was “the only aeronautic institution of its kind in the world.” As a former New Yorker, I wondered why the Balloon Farm was not better known because I’d love to have visited it. Skybound and other picture books that highlight women’s achievements in the 19th and 20th centuries are great for children to read. There are many instances of women who were ahead of their time and these books serve as important reminders that perseverance and vision pay off in myriad ways.
Vicky Fang: Elisa, HIDDEN HOPE is such an inspiring book. I love that you’re able to share a story that is so historically rich in such a compelling way. How did you come up with the idea for this book?
Elisa Boxer: Vicky, thank you so much. Great to be here with you. The idea for this book began when I first saw this photoon Yad Vashem’s website:
Wooden Toy Duck Credit Yad Vashem Artifacts Collection
Yad Vashem is the World Holocaust Remembrance Center in Israel, and this hollowed-out wooden duck is part of the artifacts collection. When I learned that this duck was made with a secret compartment to hide documents from the Nazis during World War Two, and that the French Resistance worker who used it to smuggle those documents was a teenager, I knew this was a story I wanted to tell.
VF:It’s such a fascinating story! In addition to writing children’s books, you’re also a journalist. How does your background as a journalist affect your work as a children’s book author?
EB: I definitely combine the two on a daily basis. Whether it’s doing research, conducting interviews, writing a narrative, distilling complex issues down to manageable bits of information, or zeroing in on areas of emotional resonance with the audience, the processes with journalism and book writing are very similar. And the result, telling a (hopefully) compelling story with a strong emotional takeaway, is always my goal.
VF: I would say you’d definitely succeeded withHIDDEN HOPE. In the backmatter, you also talk about your personal connection to this topic … could you share a bit about that?
EB: My personal connection is two-fold: Both sides of my family are of Eastern European descent, and relatives on each side were killed during the Holocaust. As both a journalist and an author, I definitely feel compelled to help shine a light on these atrocities. But also, growing up, I often felt like I had to hide my Jewish voice because my childhood was filled with so many personal and hurtful incidents of Antisemitism. I wasn’t strong enough back then to stand up to hate; to expose injustice. So in a way, I suppose I’m making up for lost time. When I first saw that picture of the duck, it struck me that here is this artifact, in an international museum, on display for all to see. And yet it was never supposed to be there, according to Hitler’s plan. If anything, it was supposed to be in his intended “museum of an extinct race.” As were all Jewish artifacts and all Jewish signs of life. So on a personal level, as I mention in my Author’s Note, I want to help bring more and more stories like this out of the darkness and into the light.
VF:Could you talk about your experience in writing this book? Was it hard to spend so much time on such a difficult topic?
EB:It’s so interesting, this question has come up quite a bit. People ask whether it’s been hard to write about such a dark topic. And while there’s no question that this was an unimaginably devastating time in history, the whole point of the Holocaust was to create a master race and erase the Jewish people from the face of the earth. And yet so many of us are here writing about it. We’re bringing these stories to light. We’re the descendants that were never supposed to be here. And not only are we here, we’re raising our voices to tell the stories that the Nazis never wanted told. There is something incredibly uplifting and empowering about that. I never want to stop doing it.
VF:What a wonderful message, thank you. Amy June Bates’ illustrations also do such a good job of highlighting the mood and the action of HIDDEN HOPE and I love that there’s an Artist’s Note in the end from her. What did you think when you first saw her illustrations?
EB:Oh I love Amy’s Artist’s Note too! And exactly about highlighting the mood and the action. I have been researching the French Resistance for years, and have so many images in my mind. But Amy has an incredibly unique gift for creating old-world style art that takes you back and makes you feel like you’re right there, in the middle of it all, riding along with Judith and the duck on the streets of Paris. I was in awe of her work from the time I first saw her preliminary sketches. Her art is so authentic that it makes the whole book feel like an artifact in itself. One of the most powerful details to me is the contrast of vibrant, saturated color from Judith’s beret with the more muted, cloudy, shadowy watercolor illustrations that so perfectly capture the somber feel of what was happening. A recent Booklist review highlighted one of my favorite spreads: “One particularly haunting spread casts the reader’s gaze through a jagged, broken windowpane to bear witness to soldiers’ cruelties.” I mean, the art on every page is extraordinary, but that scene really stands out.
VF:What do you hope young readers take away from this story?
EB: Initially, I wanted to tell this story because it’s so full of hope and intrigue and I wanted young readers to find inspiration in this little-known hero who was filled with determination in such a dark time. And I wanted this book to take its place alongside others that are opening up wider conversations about Antisemitism. But as I began really feeling into the deeper layers, which for me comes during the writing process, I began to realize that this is, ultimately, a story about the importance of never having to hide the truth of who you are. Although certainly nothing can be directly compared to the horrors of the Holocaust, I do think many of us have aspects of ourselves that maybe we feel unsafe showing to the world. I actually found myself asking some uncomfortable questions, like: “Where and with whom do I feel like I have to hide the full truth of who I am?” These aren’t always conscious questions. But I do hope one of the takeaways for young readers (and older ones too) is deciding to show up in any given situation as the most authentic version of who they are. Not hiding. Bringing their fullest selves into the world.
EB: With nonfiction picture books, I’m looking for that “YES!” in my gut that keeps drawing me back to the topic. I’m initially looking for inspirational people, places, or events that I find intriguing enough to spark my curiosity and make me want to dig deeper. And then there has to be something more. For example, with SPLASH! Ethelda Bleibtrey Makes Waves of Change, it was impressive that Ethelda was the first American woman to win an Olympic gold medal in swimming. But when I learned that she used swimming to help heal from polio, and that she got arrested for standing up to sexist laws that said all women had to swim with socks, I knew this story had the potential to inspire young readers to break barriers in their own lives.
With COVERED IN COLOR: Christo & Jeanne-Claude’s Fabrics of Freedom, I knew that Christo and Jeanne-Claude were a dynamic duo who created massive displays of public art like wrapped buildings and islands. But when I researched more about Christo’s background, I learned he grew up under Nazi rule and then under Communism. This fascinated me, how someone whose childhood was filled with so much suppression could dream up and generate these wild, large-scale, outside-the-box creations. And so this became a story about courage, and pushing the limits of what appears to be possible, and creativity that refuses to be contained. So with each topic, in order to pursue it as a book, there has to be the potential for a strong inspirational theme and emotional takeaway.
VF:So what’s next for you?
EB:Right now I’m looking forward to this book launching into the world on March 14th! I’m so happy to have heard from teachers around the country who will be incorporating it into their Holocaust education curriculum, and am looking forward to virtual author visits to support that.
Next year, I have four more books on the way: DEAR YOUNGER ME: What 35 Trailblazing Women Wish They’d Known as Girls (Rowman & Littlefield), THE TREE OF LIFE: How a Holocaust Sapling Inspired the World (illustrated by Alianna Rozentsveig, published by Penguin/Rocky Pond Books), BEAM OF LIGHT: The Story of the First White House Menorah (illustrated by Sophia Moore, published by Penguin/Rocky Pond Books) and one that hasn’t been announced yet. 2024 is going to be a busy year! Meanwhile, I’m working on more picture books, as well as a middle-grade novel and a middle-grade collective biography that I’m really excited about.
EB: Thank you so much for this interview, Vicky. And to Ronna, for hosting us. And to everyone who supports our books!
VF:Thank you, Elisa, for sharing your personal story behind this beautiful book, HIDDEN HOPE: HOW A TOY AND A HERO SAVED LIVES DURING THE HOLOCAUST. It’s been an inspiring conversation!
Elisa Boxer is an Emmy and Murrow award-winning journalist whose work has been featured in publications including TheNew York Times and Fast Company. She has reported for newspapers, magazines and TV stations, and has a passion for telling stories about people finding the courage to create change. She is the author of several nonfiction picture books including The Voice That Won the Vote, A Seat at the Table, One Turtle’s Last Straw, SPLASH! (a Junior Library Guild Gold Standard Selection), Covered in Color (called “compelling from cover to cover” in a Kirkus starred review) and Hidden Hope (called “an important true account to add to all collections” in a School Library Journal starred review). Elisa lives in Maine, and has more children’s books on the way. Visit her at https://www.elisaboxer.com/
Vicky Fang is a product designer who spent 5 years designing kids’ technology experiences for both Google and Intel, often to inspire and empower kids in coding and technology. She started writing to support the growing need for early coding education, particularly for girls and kids of color. She is the author, and sometimes illustrator, of nineteen new and upcoming books for kids, including the Layla and the Bots series, Invent-a-Pet, I Can Code board books, Friendbots series, and the forthcoming Ava Lin series, Best Buddies series, AlphaBot, and The Boo Crew Needs You! You can visit Vicky at vickyfang.com.
“Can we talk?” If little ones don’t recognize this signature question from the late comedian Joan Rivers, perhaps parents or grandparents reading the board book to them will. Rivers is just one of the more than three dozen famous Jews presented in this board book that I wish I’d written. Told in rhyme, My First Book of Famous Jews written by Julie Merberg and illustrated by Julie Wilsonis a fabulous introduction to the talented individuals who have made lasting and significant contributions to science, literature, music, film, politics, and the judiciary—even activism, an important inclusion.
It’s never too soon to start sharing the broad impact Jewish people have made in every field. This book sings the praises of everyone from Anne Frank to Helen Frankenthaler, from Steven Spielberg to Gloria Steinem in their respective categories. Wilson’s vibrant art throughout this 24-page book brings members of the tribe alive, in particular Barbra Streisand, Bob Dylan, Bella Abzug, and Sacha Baron Cohen.
Descriptions of these iconic figures are brief. “EMMA GOLDMAN rallied to help workers unite./ “BERNIE SANDERS said “’Health care is a human right.’” But just enough to make a great introduction and prompt further reading as kids get older.
A helpful page of back matter expands on some of the people mentioned. This board book offers a great jumping-off point for a conversation about Jewish identity and the influence and importance of these famous Jews with children during year-round and especially during Jewish American Heritage Month.
★Starred Review – The Bulletin of the Center for Children’s Books
Julia Child’s grandnephew and the coauthor of her best-selling autobiography, My Life in France, has written an irresistibly delicious read if a picture book can be described that way. And, when coupled with Sarah Green’s gorgeous, mouth-watering illustrations, you might just have to run out and grab yourself a pain au chocolat to satisfy your craving after finishing Born Hungry.
This picture book memoir chronicles the travels, tastes, and meals that Julia Child experienced throughout her life, ultimately influencing her foray into cooking and broadcasting career as TV’s first-ever celebrity chef. One apt and popular quote, “I was born hungry, not a cook” really sums up the essence of what this engaging bio is all about.
Readers meet the young Julia McWilliams who wore “size twelve sneakers, stood six feet, two inches tall, played basketball, laughed loudly, and was curious about everything.” The author goes on to explain that Julia’s activity led to her having a rather large appetite. But because she grew up with a cook, she wasn’t encouraged to learn how to do so herself. Clearly, that did not stop her interest in food.
Early in her career during WWII, she worked in Ceylon (now Sri Lanka), as a clerk typist for the US spy agency called the OSS. That posting introduced her to a wealth of new foods and it also introduced Julia to her future husband, Paul Child, who worked in the office next to hers. They shared the love of food, books, and travel. And while her love of cooking had yet to emerge, she did invent a recipe for shark repellant!
Back in the states after the war had ended, Julia made it her mission to learn how to cook. Now married, she thought cooking a meal would impress her husband. She even took a class but her attempts left something to be desired.
During a trip to Rouen in France, however, Julia had the best meal of her life, one that stayed with her and prompted a renewed interest to learn how to “make such a feast.” With Paul stationed in Paris for work, Julia enrolled in the renowned Le Cordon Bleu cooking school. She was the only female student and worked hard to hone her skills. She even read cookbooks in her free time! “I came to the conclusion I really must be French, only no one had ever informed me.” With her newly acquired expertise and love of French cuisine, Child eventually opened a cooking school with two friends. She was committed to sharing what she’d learned with an emphasis on how “time and care” along with using fresh ingredients and reading the recipe before attempting to cook were key to creating “a thoroughly satisfying meal.”
In the back matter, a comprehensive five-page Author’s Note details Julia’s life after 1961 when the couple retired from diplomatic service and relocated to Massachusetts. It’s in these pages readers learn about the cookbook that “changed Julia’s life.” Mastering the Art of French Cooking, written by Child along with two friends (and still in print), introduced an exciting new cooking approach to the American consumers who were hungry themselves to move on from canned goods to fresh ingredients in recipes that were fun to make. From there it was a public TV cooking show, followed by a long and illustrious career in the public eye. The rest, as they say, is history. If your appetite’s been whet, take advantage of Julia’s scrambled eggs recipe that is also included.
In Born Hungry, Prud’homme has perfectly captured Child’s zest for life (and the food in it) as well as her infectious personality that contributed to her enduring success. Green’s retro-looking art pops off the page and colorfully conveys both emotion and a keen sense of Child’s passion. For any parent or youngster who is curious about food and cooking, or looking for a positive example of a strong, influential woman who followed her dream, this picture book is a joy to read.
★Starred Review – School Library Journal 2021 National Jewish Book Award Winner – Children’s Picture Book 2022 Sydney Taylor Book Award Honor for Picture Books Chicago Public Library Best Informational Books for Younger Readers 2021 The Best Jewish Children’s Books of 2021, Tablet Magazine
BOOK SUMMARY
In Eliza Davis’s day, Charles Dickens was the most celebrated living writer in England. But some of his books reflected a prejudice that was all too common at the time: prejudice against Jewish people. Eliza was Jewish, and her heart hurt to see a Jewish character in Oliver Twist portrayed as ugly and selfish. She wanted to speak out about how unfair that was, even if it meant speaking out against the great man himself. So she wrote a letter to Charles Dickens. What happened next is history.(Albert Whitman & Co.; $16.99, Ages 4-8)
GREETING
Welcome to the GoodReadsWithRonna blog today, Nancy and Bethany. Congratulations onDear Mr. Dickens being recognized with a Sydney Taylor Honor in the children’s picture book category! I’m happy to be able to talk to you both about Eliza Davis, Charles Dickens, and his history of negatively portraying Jewish characters in his writing and how that changed because of Eliza’s letters.
INTERVIEW WITH AUTHOR NANCY CHURNIN
GoodReadsWithRonna:Nancy, you mention in your acknowledgments that Dear Mr. Dickens had a long, joyful journey. Please tell us more about when and why you decided to dig into this not well-known but enlightening correspondence which is the basis for the book
Nancy Churnin:When I was a child, my mother always encouraged me to read whatever I wanted. The only time she questioned me was when I fell in love with the books of Charles Dickens. She couldn’t understand how I could like a writer that had created the ugly Jewish stereotype of Fagin in Oliver Twist. Didn’t I understand, she asked me, how that character fueled antisemitism, leading readers to believe that all Jewish people were liars and thieves like Fagin?
She was right. Ugly Jewish stereotypes were part of what made people lack compassion for the Jewish people who were tortured and killed in the Holocaust – where we lost so many family members. These were the kind of images that made neighborhood bullies persecute her and other Jewish children growing up in New York City. I wished I could have written Dickens a letter asking him why someone who had so much compassion for children and the poor could treat the Jewish people with such antipathy. Flash forward to 2013, three years before my first book, The William Hoy Story would be published, when I was in the library researching baseball and I flitted around the computer screen, landing on an article about Dickens.
That’s when I found two lines in an article that mentioned Eliza Davis, a Jewish woman who wrote to him – just as I’d dreamed of doing!—and changed his heart, inspiring him to write his first compassionate Jewish character, Mr. Riah in Our Mutual Friend. I had to know more! But all the article had was snippets from one of the letters. I asked the librarian for help. She found three places that had the letters: the University of Southampton in England, where you had to make a special appointment to view them; and two places in the U.S., one of which was at the University of North Texas rare book collection, less than 40 minutes from my home.
I called the University of North Texas librarian who put me in touch with Professor J. Don Vann, a Dickens scholar that had found Charles Dickens and His Jewish Characters, a 1918 out-of-print book from Chiswick Press in England that contained the letters and donated it to the library. Don and his now late wife Dolores, invited me to tea to discuss Eliza Davis. That’s when I felt compelled to turn this story into a book that I could share with my mother. I had rejections at first from editors that didn’t think a story about letters was exciting enough. It didn’t fit into the usual biography template as it wasn’t the story of either person’s life, but rather an encounter that changed their lives and changed the way English people who read Dickens thought about the Jewish people. I visited The Charles Dickens Museum in London in 2014, deepening my research. But even when my career as a published author began taking off in 2016, Dear Mr. Dickens sat there, waiting, not seeming to fit into any category anyone wanted. It just seemed to be a story that needed to simmer and be revised as I grew more confident in my ability to tell the story the way it needed to be told.
Finally, in 2020, Wendy McClure, my then editor at Albert Whitman, asked if I had something new. She said, for the first time, she wasn’t looking for biographies, but stories about history-changing encounters and events. I pulled Dear Mr. Dickens out of the drawer and gave it to her. She loved it right away. So did her editorial team. It was acquired with dizzying speed for a manuscript that had been waiting years to dance at the ball. But it was worth every moment. Because Wendy and our illustrator, Bethany Stancliffe, really got the story. When it went to print, it said everything I had wanted and hoped to say. I couldn’t wait to share it with my mother. When I did, she held it in her hands and read it over and over. Her face softened. I felt an old pain dissolve as she forgave Dickens – and me. We hugged as she read this true story about how people can, sometimes, change for the better if you speak up, persist and then, when the person who does wrong makes amends, forgive.
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GRWR:We’re often told as children’s book writers to make the main characters kids but Eliza Davis is a woman and mother of 10 children. As an adult and Dickens fan, I found the information you shared about Eliza’s positive influence on Dickens fascinating. What do you think makes her a compelling character for young readers to learn about and what can they take away from the book?
Nancy:The most compelling stories for me are the journeys not of a person, but of a person’s dream. In most cases, those dreams start in childhood, so it’s natural to start the book with the character as a child. That’s not the case for Eliza Davis in Dear Mr. Dickens. She didn’t grow up dreaming of writing Charles Dickens a letter! But I had grown up dreaming that. I could put the urgency I felt as a child into what she did as an adult. I also did something I’ve never done in a picture book before. I appealed to young readers by starting my book in the second person: “Think of someone famous you admire. What would you do if that person said or wrote something unfair? Would you speak up? Would you risk getting that person angry? Eliza Davis did.” I believe these are questions that kids – and all ages – can relate to. I believe these are questions that can lead kids – and all ages – to speak up, stand up, and become upstanders when they see someone do or say something that isn’t right.
GRWR:When doing your research forDear Mr. Dickens, was there one particular piece of information you uncovered (included or not included in the book) that has had an impact on you?
Nancy:I hope people will read the Author’s Note which gives context to how important Eliza’s action may have been in historical impact. England was once one of the most hostile places for Jewish people. In 1275, centuries before Nazis introduced the yellow star, King Edward I decreed that Jews older than seven had to wear a large yellow badge of felt shaped like the tablet of the Ten Commandments on their outer clothing. Jewish people were segregated and had to live in restricted areas, were forbidden to lend money, and were unwelcome in trade guilds. In 1290, England expelled Jews who refused to convert; this was two centuries before the Spanish expelled their Jewish people during their Inquisition.
After Eliza Davis helped Dickens see the Jewish people with understanding and compassion, he not only created the kindly Mr. Riah, he advocated in his magazine for them to be treated fairly. Dickens wasn’t the only advocate for Jewish people, but his influence was enormous. Everyone from all classes, chimney sweeps to the Queen of England, read and revered him. Attitudes began to change during his lifetime. The Jews Relief Act of 1858 allowed Jews to serve in Parliament for the first time. I credit the change in English attitudes for the welcoming way that Great Britain opened its arms to thousands of Jewish refugee children during the Kindertransport at the start of World War II.
Eliza Davis wasn’t powerful or famous. All she did was write a letter. But speaking up and not backing down when justice is at stake can make a powerful difference. That’s what I learned from Eliza Davis. That’s what I hope young readers – and all readers – take to heart.
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GRWR:Can you speak to your passion for writing nonfiction and also about sharing the stories of notable and in Eliza’s case less notable Jewish individuals?
Nancy: I love and read every genre and I hope, someday – maybe soon – to expand the type of books I write. But I’ll always pay homage to true stories — my mother’s favorite — because, as she’s told me, real people doing great things remind us that we can all do great things, too.
When I look for people to write about, I’m drawn to those who might not be known otherwise – such as Eliza Davis — or who have aspects of themselves that might not otherwise be known – such as Charles Dickens and his evolving view of Jewish people. I feel that every time I shine light on otherwise forgotten people, I’ve helped bring them back into our living, collective heart because it’s only when we have forgotten people or their deeds that they truly disappear.
I’m honored that Dear Mr. Dickens was given a Sydney Taylor Honor because Sydney Taylor provided positive Jewish role models for Jewish children like myself at a time when they were scarce. At first, Sydney Taylor’s All-of-a-Kind Family books were like a little island in a sea of books about non-Jewish characters or Jewish characters that were ugly stereotypes. But since the awards were founded in 1968, they’ve done enormous good in encouraging the creation of books with positive Jewish role models for kids that need Jewish windows, mirrors and sliding glass doors. I’m grateful for this encouragement from the Sydney Taylor Book Award Committee and for the Notable award for A Queen to the Rescue, the Story of Henrietta Szold, Founder of Hadassah (and for my 2019 Notable for Irving Berlin, the Immigrant Boy Who Made America Sing). Now, with sons planning marriages and, I hope, with grandchildren around the corner, I feel more passionate than ever about the mission bring more Jewish stories into the world that fill children’s hearts with courage, hope, and determination to heal the world.
INTERVIEW WITH ILLUSTRATOR BETHANY STANCLIFFE
GRWR:Bethany, what struck you most after reading Nancy’s manuscript?
Bethany Stancliffe:I was immediately impressed with the wonderful portrayal of Eliza in this story. Nancy’s writing beautifully captured what it must have felt like to be in Eliza’s shoes.
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GRWR:How much research did you have to do to bring 19th century London, and in particular Eliza Davis and Charles Dickens, to life?
Bethany:It was important to gather a lot of visual references to make sure my illustrations were true to the characters and settings. Studying information and images documenting Charles Dickens and Victorian England was a significant step in the design process. There weren’t many photographs of Eliza available so it was a pleasant challenge to design her character in a way that conveyed her personality.
GRWR: One of my favorite illustrations is the one where two scenes, Dickens in his home and Eliza in hers, flow together with sheets of correspondence. Do you have a favorite spread and if so, what about it do you love?
Bethany: Thank you! One of my favorite spreads to paint was the scene of Eliza and her son walking together to post a letter to Mr. Dickens. While I was illustrating this book I had a toddler of my own running around which really helped me appreciate that Eliza was speaking up not only for herself but for others who may not be able to do so for themselves.
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Thank you both so very much for taking the time to share your experiences working onDear Mr. Dickens. I’m also grateful that many misconceptions I and perhaps others had about Charles Dickens have been cleared up and hope everyone will read the book to see how one person’s voice made such a powerful impact.
BIOS
Author Nancy Churin Photo credit: Kim Leeson
Nancy Churnin is the award-winning author of multiple picture book biographies. The former theater critic for the Dallas Morning News and Los Angeles Times San Diego Edition, she’s now a full-time writer and peace negotiator between her dog and cats. She lives in North Texas.
Bethany Stancliffe grew up in the Rockies and studied art and illustration at Brigham Young University-Idaho. When she’s not painting, she enjoys exploring outside with her son, Max, and creating original stories with her husband.
Illustrated by Patricia Grush-Dewitt,
Robin Dewitt, and Golsa Yaghoobi
(Yali Books; Hardcover, paperback, and eBook, Ages 7-9)
Good Reads With Ronna is thrilled to be back again for the 9th year of Multicultural Children’s Book Day (tomorrow, Friday 1/28/22) sharing another noteworthy diverse book to introduce young readers to cultures and people from around the world and throughout history. (Don’t miss the important MCBD details below this review.)
Though she may have lived seven centuries ago, Queen Goharshad remains a great role model, clearly ahead of her time. Yet so many of us have never heard about her tremendous contributions to society. She was responsible for making art, architecture, science, and more flourish in her lifetime. As a young girl, Goharshad liked to “imagine beautiful things to draw.” When married to the powerful king, Shah Rukh, she brought her creative eye to her role, determined to add more things of beauty to the world around her. “‘It is as if the kingdom is made of many paintings,’ she mused.”
First came music. Queen Goharshad challenged the court musicians to compose and perform enchanting music for the court and city. “The land grew rich with melody.” Then came the colorful gardens which people from all over were welcome to enjoy. Still, she dreamed of more, bigger projects that would add richness and beauty to the landscape. This would be a mosque, a gift to the western city of Mashhad. She drew plans and invited the court architect, Qavam al-Din Shirazi, to review them. Though faced with initial opposition from him because Goharshad was a woman, Shirazi ultimately relented. The results were breathtaking.
To top that accomplishment, the queen yearned to build a great center of learning. She told Shirazi she wanted “A college for girls, a grand mosque for prayer and a vast library brimming with books of science, religion, literature, and art. All the buildings must be decorated with paint made from precious stones.” Imagine how much that would cost. And despite the great wealth she and the king had Shirazi said they did not have enough in the coffers. For her dream to be realized she’d have to sell off her fine jewels and diamond crown. She didn’t hesitate.
Naturally, Queen Goharshad could not reign alongside her husband forever, and eventually, they both died. Sadly, all that remains today of these majestic buildings are a few time-battered minarets but the rest are now ruins, the tragic result of war. Interesting back matter provides a helpful glossary, an author’s note, and a guide for parents and educators with resources. I’m so glad to have been offered the opportunity to review Brave with Beauty: A Story of Afghanistan. Thanks to Schur’s thoughtfully written story together with the gorgeous jewel-toned art with its nod to the style of detailed illuminated manuscripts of that era, the incredible legacy of this amazing Renaissance woman lives on.
Multicultural Children’s Book Day 2022 (1/28/22) is in its 9th year! This non-profit children’s literacy initiative was founded by Valarie Budayr and Mia Wenjen; two diverse book-loving moms who saw a need to shine the spotlight on all of the multicultural books and authors on the market while also working to get those books into the hands of young readers and educators.
MCBD’s mission is to raise awareness of the ongoing need to include kids’ books that celebrate diversity in homes and school bookshelves. Read about our Mission & History HERE.
MCBD 2022 is honored to be Supported by these Medallion Sponsors!
Join us on Friday, Jan 28, 2022, at 9 pm EST for the 9th annual Multicultural Children’s Book Day Twitter Party! Be sure and follow MCBD andMake A Way Mediaon Twitter!
This epically fun and fast-paced hour includes multicultural book discussions, addressing timely issues, diverse book recommendations, & reading ideas.
We will be giving away an 8-Book Bundle every 5 minutes plus Bonus Prizes as well! *** US and Global participants welcome. **
Follow the hashtag #ReadYourWorld to join the conversation, connect with like-minded parts, authors, publishers, educators, organizations, and librarians. See you all very soon on Twitter!
Hashtag: Don’t forget to connect with us on social media and be sure and look for/use our official hashtag #ReadYourWorld.
There are over a dozen terrific books in the Citizen Kid series and the latest, Walking for Waterby award-winning author Susan Hughes, is no exception. This story, inspired by “the recent experience of a thoughtful and fair-minded 13-year-old Malawian boy” takes readers to the landlocked country in southeastern Africa to meet eight-year-old twins Victor and his sister, Linesi.
Readers know right from the start that the pair are close. On this day, however, the two who usually do so many things together, including attending school, will now be apart. In Victor and Linesi’s community when girls turn eight they are expected to leave school and help with chores. That includes fetching water five times a day, water used for “drinking, cooking and washing.” Victor enjoys school so he feels bad that his sister has to miss out on the learning just because she’s a girl.
When a new teacher asks the students to think about gender equality in their own lives, Victor doesn’t have to look far to find an example. And when he tries to share what he learned in school with his sister, Victor sees she is too exhausted from her day’s work to concentrate on math. This realization prompts Victor to propose a plan to his mama and sister, one that involves taking turns doing the chores enabling Linesi to alternate days at school with him. Yes!! I cheered when I discovered the selfless gesture of Victor.
This caring approach to gender equality is not only welcomed by Victor’s teacher but it’s emulated by Victor’s best friend, Chikondi who takes over for his sister, Enifa, on alternate days. The friends can now share what they learn with their sisters who are less tired and in turn, the sisters can do the same.
IllustratorNicole Milesbrings warmth, heart, and simplicity to her illustrations. The book, described by the publisher as a graphic novel/picture book hybrid format, allows Miles to not only have fun with her art but to add more activity to the spreads. A particular favorite, with its rich earthy tones, is of Victor joining the girls and women on their way to collect water.
This hopeful, engaging, and educational story will be an eye-opener for children on many levels. It not only demonstrates the power of one innovative individual to effect change, in this case for gender equality, but it also presents traditions and lifestyles different from ours. Additionally, it shows how important the need still is for access to clean water in the 21st century. Hughes’s Author’s Note and resources as well as a glossary of Chichewa words in the back matter (which are peppered throughout the story) provide additional avenues to further explore topics raised in Walking for Water. I’m glad that Hughes chose to use the twins as her focus for this story because of the sharp contrasts between the siblings that readers will understand immediately. Hughes mentions in the back matter that change is coming to Malawi and hopefully more opportunities for girls to pursue their aspirations will follow.
WhenAmy B. Muchawrote A Girl’s Bill of Rights, she was not planning to publish it. Mucha says, “I wrote it years ago, only for myself! Like so many women, I was raised to be a people pleaser and put others before myself. Writing this was a way to help me declare and own my rights to have my own opinions, feelings, and preferences. And it helped!” But after a while, she thought her book could also be an inspiration for many girls and women. And by taking a chance and submitting her pitch during a Twitter pitch event, she got a like from Beaming Books, and voilà – a beautiful and inspiring book was born.
“I have the right to look how I look and wear what I wear.” That’s how it begins. e
And from there, more beautiful spreads with diverse girls talking about all the rights we, girls, have.
I love Sonda’s illustrations showing diverse girls – diverse races, body types, abilities, and disabilities. This makes the message even stronger that we all have the same rights to choose our path, have our own feelings, and say yes and no when we need to.
This book will be an empowering tool to show girls their rights and that they can be whatever they want to be. “Si, se puede.”
And today, on International Women’s Day, when we celebrate so many achievements by so many girls, it’s important to keep on inspiring them to fight for their rights.
Another year, another wonderful bunch of new Valentine’s Day Books for kids. There’s something here for every little reader in your family so share a book and spread the love!
Little Blue Truck’s Valentine, the latest installment in this popular series, finds Blue delivering cards to all of his friends on the farm. But after delivering all the cards, Blue is sad as he thinks he is not going to be getting any cards in return—or is he? Children will delight in the rhyming text which bounces along as each animal receives a personalized card: an egg-shaped one for Hen, a sail-boat floating one for Duck, and so forth. With the sounds the animals make in bold and in the same colors to match the color of the cards they receive, children will absorb color concepts and animal sounds while enjoying a sweet story of friendship about giving and receiving on this holiday. • Reviewed by Freidele Galya Soban Biniashvili
What could be cuter than Bear having a crush on Panda? In Bear Meets Bear, the third book in the Bear and Spider series, that’s exactly what happens to the tea-loving bear when Panda shows up on his doorstep. This lovely delivery person bringing him his new teapot also brings him a fluttering heart.
Finding himself lost for words, Bear watches with dismay as she goes away. Spider, Bear’s BFF, watches as his pal becomes besotted with Panda, ordering teapot after teapot just to see her again. Despite Spider’s encouragement to invite Panda over for tea, at her next appearance, Bear again is speechless. When his final teapot order comes, it’s not Panda but a “gruff raccoon.” Bear cannot bear the pain. He yearns to see Panda so his little friend sets off to find her.
When at last he locates Panda, Spider is now the delivery person as he hands her an invitation. The very next day she reappears at the front door and, on Spider’s urging, Bear welcomes her inside for his favorite spot of tea. Love blossoms, but not over tea this time in a charming surprise ending. In the funny final two-page spread readers will enjoy the trio sharing togetherness while a bunch of animals check out assorted tagged teapots in a yard sale. • Reviewed by Ronna Mandel
WAYS TO SAY I LOVE YOU
Written by Marilyn Singer
Illustrated by Alette Straathof
(Words & Pictures; $18.95, Ages 4-6)
Between the stunning artwork and the variety of animals featured whose varied ways of expressing their love is fascinating, Ways to Say I Love You is a beautiful book to help spread the love.
Singer’s rhyming story introduces young children to nine creatures including bower birds, cranes and dance flies to peacocks, whales and white-tailed deer. “Furry, finned, or birds of a feather, how do critters get together?” While learning about animal courtship, children will also see a comparison of how of kids, teens and adults show their interest in finding a mate whether by bringing flowers or warbling “love songs, too.”
Straathof’s art, textured and with a muted palate, likely digitally created, blends its warm water-color quality across every page. I was drawn to the appealing folk art style, too. Backmatter details how the nine animals find their mates. • Reviewed by Ronna Mandel
Porcupine is on a mission in the charming picture book Porcupine Cupid. Determined to spread the love for Valentine’s Day, he sets off to find some forest friends for a bit of matchmaking. I just love how we see them hiding from Porcupine in the second spread. Making tracks in the forest then gently pricking his pals with his quill, poor well-intentioned Porcupine only manages to irritate them. Therein lies the humor in this story that works wonderfully with the funny illustrations to convey what the spare text purposely does not.
Once he sees that his quills haven’t had the effect he wanted, Porcupine must find a new way to spread the loving spirit. As a ruse, clever Porcupine pins a poster to a tree alerting all to a town meeting where they can air their grievances. When children realize that his ultimate goal is really to help everyone including Bear, Bunny and Raccoon unknowingly find a mate, they will be pleased as I was at the adorable end results. They may not be matches made in heaven, but the woods is close enough! • Reviewed by Ronna Mandel
Love Is Powerful, inspired by The 2017 Women’s March, is written by art director Heather Dean Brewer, who participated in the March, along with illustrator and Caldecott Honor recipient, LeUyen Pham. It brings home the message that there are all kinds of love including love for people of every race, gender, and religion, from all walks of life.
Readers are greeted with Pham’s eye popping water-color illustrations showing women, men and children creating signs in the windows of their New York city apartments. Turning the page we see our main character, Mari, at her table with crayons. Mama is seated behind her computer, when Mari asks her what they are coloring. “Mama smiled. A message for the world.”
Pham draws people marching passed Mari’s apartment while Mari presses her nose against the window watching with curiosity. “Mari asked, How will the whole world hear?” “They’ll hear,” Mama said, “because love is powerful.”
The loving teamwork of Mama and her daughter working together to create the signs is beautifully conveyed with both Brewer’s inspiring words and Pham’s evocative drawings. Through Mari’s thoughts, we see illustrations of people from all over the world creating their own signs in various languages but the same message is felt. Signs read “Girl Power,” “We will not be silent” and the John Lewis’ quote “We may not have chosen the time. But the time has chosen us.” Ahh, so powerful and so true for today’s political climate.
The streets are packed with more people than Mari could imagine, so again she questions how their message will be heard. “Mama said, ‘They will, little Mari.’” Mari is lifted up on Mama’s shoulders and drawings of red hearts are displayed across the crowd’s heads. We know they are surrounded by like-minded people and lots of love.
Brewer writes, “Mari bobbed above the crowd like a canary fluttering over trees. She felt as tall as one of the buildings.” Holding up her handmade crayoned sign with the words “Love is Powerful,” Mari begins to shout these words then “Through the roar, her voice was heard and someone shouted the message back. Mari yelled again, and more joined in. Again she yelled the message.”
The backmatter displays a letter and photo from the real-life Mari, who explains that she was only six-years-old in 2017 and knew that people were feeling scared and angry. She felt the power as she shouted “Love is Powerful” and the crowd shouted back. This moving and uplifting story needs to be read to children everywhere. Brewer explains that she often felt quiet and small, and felt like no one could hear her. Well, her powerful message of love has been heard now, and she is correct when she says that even the smallest voice has the power to change the world. • Reviewed by Ronda Einbinder
Clickhere to read a book we reviewed last year for Valentine’s Day.
INTRO:
The right to vote in one’s own country was an international issue. In 1920 American women won the right to vote with the passage of the Nineteenth Amendment. However “black women in the American South were still denied the franchise” with myriad obstacles put in place to prevent both men and women of color from voting until the Voting Rights Act of 1965. In Great Britain, propertied women, women married to property owners, and university graduates over age 30 won the right to vote in 1918. It wasn’t until the Equal Franchise Act in 1928 that women over the age of 21 could vote. Limited access to education, unequal pay and other discriminatory practices at home such as child custody in cases of divorce, and in the workplace including long factory hours and unsafe conditions, made the fight for a woman’s right to vote more important than ever. As we celebrate the 100 year anniversary of the Nineteenth Amendment in America, it’s important to recognize that although much has been achieved in terms of women’s rights due to countless women’s (and men’s) tireless efforts, we still have a long way to go.
REVIEW:
I found myself so engrossed in this beautifully illustrated picture book that I lost all track of time. Roberts takes readers back to the early 20th century by combining engaging art and prose to shed light on the suffrage movement both in the U.S. and in the U.K.
Suffragettebegins with a helpful foreword by Crystal N. Feimster, PhD of Yale’s Department of African American Studies. It focuses on the fledgling U.S. and U.K. suffrage movements in the 19th and early 20th centuries and briefly details efforts all the way up to the Voting Rights Act of 1965. Then, Roberts’ intro tells readers how he accidentally first learned about suffragettes (he didn’t mention Mrs. Banks from “Mary Poppins”) when he was 14-years-old and had to both write and illustrate an end-of-year exam project. In class a striking black and white book cover illustration of imprisoned women caught his attention. Roberts grew more passionate about women’s heroic campaign to get the vote as he researched the brave suffragettes. His dissatisfaction with gender inequality began then and still remains thirty years on which is why he embraced the opportunity to write and illustrate this book.
In addition to the history behind women’s right to vote, readers also learn about key events and individuals in the suffrage movement from 1903 to 1928. Suffrage offers insights into famous historical figures such a Millicent Garrett Fawcett, Emmeline Pankhurst, Ida B. Wells, and Susan B. Anthony. While more of the book covers the U.K. since this book was originally published there, there is still quite a lot about the U.S. suffrage movement and every example is fascinating regardless of which country. For example, how many people know that Queen Victoria was against women voting—and that her daughter Princess Louise secretly supported suffrage—or that Frederick Douglass was one of the few men in attendance at the historic 1848 Seneca Falls Convention? Suffragette also delves into the philosophies of different groups that emerged during the campaign for women’s rights. It’s no surprise that some factions chose civil disobedience while others preferred a more peaceful approach. Then, of course, there were those strongly against giving women the vote. These people were referred to as “Antis” or anti-suffrage and even included at one point Winston Churchill who ultimately changed his mind but “voted in favor of limited women’s suffrage in 1918.”
From attention-seeking tactics like going on hunger strikes in prison to going up into the sky in a hydrogen-filled airship emblazoned with the words THE WOMEN’S FREEDOM LEAGUE on one side and VOTES FOR WOMEN on the other while dropping leaflets, there seemed to be no limit to what these determined women would get up to for their cause. On November 18, 1910, aka Black Friday, British Prime Minister Asquith abandoned a Conciliation Bill that would have given some women the right to vote. What followed were brutal attacks on suffragettes waiting outside Parliament. The newspapers printed pictures of women hurt by police. But while the government optics were awful, with no headway made, the suffrage movement felt they had to resort to more extreme measures.
The unrelenting struggle for women’s right to vote continued until WWI when hundreds of thousands of men left home to fight. Over a million women in both the U.K. and the U.S. went to work to support their countries. “For the first time, women became police officers and firefighters, railway porters and ticket collectors, carpenters and electricians, street car and bus conductors, even chimney sweeps and gravediggers—all jobs that had previously been thought exclusively as “men’s work.” The tide began to change for the suffrage movement. After all, “If a woman was as capable as a man of doing a job, surely she was as capable of voting.” Soon there was no looking back.
This highly recommended 128-page nonfiction book is eye-opening reading. It’s divided into more than 40 mini-chapters usually no more than two pages long, and presented chronologically inviting a quick read or a deep dive in. I enjoyed learning more about the heroes of the women’s suffrage movement, primarily in the U.K., not only because as a woman this topic resonates with me, but also because these women changed the world. I hope young people find Suffrage as inspirational a book as I did and I hope teachers will consider Roberts’ book when seeking resources about the suffrage movement.
HOORAY FOR WOMEN Written and illustrated by Marcia Williams (Candlewick Press; $17.99, Ages 8-12)
Check out Hooray for Women which highlights over 70
inspirational and amazing women including Marie Curie,
Joan of Arc, Wangari Maathai, Elizabeth I, Mae C. Jemison,
Frida Kahlo, Amelia Earhart, Cathy Freeman and Jane Austen.
Presented in a 48-page graphic novel format with colorful panels
filled with interesting information, this entertaining middle grade
picture book is perfect for Women’s History Month or any time of year.
Today I’m happy to share an enlightening post on craft by Doubleday Books for Young Readers Editor-in-Chief, and Go, Girls, Go! author, Frances Gilbert. Many picture book authors face a challenge when writing in rhyme. Does the meter work? Does the rhyme feel forced? Is the story best told in rhyme? Frances offers helpful insights into her approach from both sides of the editor’s desk so please read on.
ON RHYMING PICTURE BOOKS BY FRANCES GILBERT
I’ve been a children’s book editor for over 25 years and one of the most common reasons I reject picture book manuscripts is that they rhyme badly. So why, for my first foray into writing a picture book myself, would I choose to write Go, Girls, Go!in rhyme??! Rhyming, we’re so often told – by editors, by agents, by fellow writers – is not encouraged. Bound to fail, hard to translate. But I love rhyming books. I love reading them, and I love publishing them. Turns out, I love writing them too.
The number one mistake in rhyming texts is when the rhyme overwhelms the story rather than serving the story. The monotony of a 32-page story all told in the same rhythm can wear a reader down after a few pages. As an editor, I often start these submissions thinking, “Okay, let’s see if this can be sustained . . .” and after a few stanzas say, “Oh please stop. I can’t do this anymore.” The sing-song-y-ness of “dah-duh dah-duh dah-duh, dah-dah” in line after line pummels a reader with sameness. It also encourages authors to make terrible word choices: odd or forced descriptions or line endings because that last word HAS. TO. RHYME. My test: Extract a line out of your rhyming text and ask yourself if you’d write it the same way if it DIDN’T have to rhyme. If the answer is no, it’s a bad line. The rhyming has to feel effortless.
Effortless AND creative. Listen to the “Hamilton” soundtrack. I know it’s a high bar, but learn from how Lin-Manuel Miranda wrote an entire musical in tight, creative rhyme full of variety and rhythm changes and surprises and cleverness and word-play delights. Internal rhymes, humorous rhymes, break-outs into a different rhythm altogether. A surprise around every corner. Now imagine if all two hours and forty-five minutes of “Hamilton” had been “dah-duh dah-duh dah-duh, dah-dah.” That’s not a ticket you’d have paid $300 for.
I broke “Go, Girls, Go!” into four primary sections, each one showcasing three girls, their vehicles, and the sound of their vehicles. It starts: “Emma drives a fire engine, / Meg conducts a train, / Jayla steers a big red tractor hauling loads of grain.” Those lines alone are not breaking any creativing writing boundaries. It’s a pretty standard A-B-B rhyme scheme. Had the rest of my text been in the same rhythm and rhyme scheme, it could have gotten old quickly. But my next two scenes actually don’t rhyme at all; they introduce the sound words and, after another page turn, end in a rallying cheer: “Vroom! goes Emma. / Hoot! goes Meg. / Clank! goes Jayla! / Go, girls, go!” The break from rhyming in these scenes, while still maintaining a bouncy rhythm, gives the reader a different reading experience for a few pages before launching into the next set of girls.
This is the pattern for four sets of girls, and then for the finale we break into a different rhythm and rhyme scheme, A-A-A-B this time: “Girls can race and girls can fly. / Girls can rocket way up high. / What about you? Give it try! / Go, girl, go!” It gives the reader an indication that the book is approaching a crescendo, and then it lands on one final cheer on the last page (which doesn’t rhyme with anything).
Did I plan this structure deliberately ahead of time? No, I just wrote it. But I followed this mantra the entire time: “Don’t bore your reader. Don’t wear your reader down. Let the rhyme serve the story.”
I was grateful that reviewers picked up on this: Booklist called the rhyming “propulsive”, which is the best descriptor I could have hoped for, with the style of the rhyme matching the forward-moving vehicles in the book. And Kirkus said, “With repeated readings, pre-readers will be reciting the words on their own,” which thrilled me, because rhyming can help kids quickly get the hang of reading along if the rhythm grabs them. And that leads to repeated readings, which is the test of any good picture book.
So don’t be afraid of writing in rhyme, but please remember: “Don’t bore your reader. Don’t wear your reader down. Let the rhyme serve the story.”
AWAY WITH WORDS: The Daring Story of Isabella Bird
Written by Lori Mortensen
Illustrated by Kristy Caldwell
(Peachtree Publishing; $17.95, Ages 6-10)
Before Nellie Bly or Amelia Earhardt there was Isabella Bird and, thanks to this eye-opening new picture book biography, Away With Words: The Daring Story of Isabella Bird,children can read about what impressive inroads this English explorer made at a time in history when a woman’s place was in the home not out globetrotting around the world, and writing about it to boot!
This “unlikely candidate for adventure,” who never felt well as a child, was born in the Yorkshire countryside in 1831. Isabella Bird suffered from a multitude of ailments and rarely left the house. That worked for awhile because, according to Victorian societal norms that she would eventually challenge, “Young ladies wore dresses. / Young ladies didn’t go to school. / Young ladies stayed home.” Countless doctors couldn’t diagnose her with anything until one doctor recommended she get some fresh air. Her father took Isabella out with him on his horse and, with his encouragement, she made discoveries that would forever change the course of her life. “Out in the wild, Isabella forgot about her aches and pains. / She breathed in new ways to see and describe everything around her.”
Captured beautifully by Caldwell’s spread below, letters from relatives abroad and other news from overseas sparked a flame in Isabella. She felt deep inside that travel would feed her soul and she yearned for the possibilities it would provide but some days she could barely get up. The tide turned for the better when her doctor suggested a sea voyage and her parents agreed.
She boarded a mail steamer for Nova Scotia and from then on there was no looking back for this intrepid young woman. Her red leather notebook accompanied her wherever she went. I love how Mortensen weaves quotations of text from Bird’s own published books wherever it adds atmosphere to the story. Caldwell’s colorful illustrations pair perfectly with those lines. One of my favorites is, “There was a small bed with a dirty buffalo-skin upon it; I took it up and swarms of living creatures fell out of it …”
Her first book, The Englishwoman in America, was published in 1856, smack in the middle of Queen Victoria’s reign. But when her father passed away Bird chose to end her explorations. That ultimately led to a flare up of her ailments and an onset of doldrums that, at her sister’s urging, could only be allayed by journeying across five continents. It took grit and guts and bravery to gallivant solo around the world to myriad destinations lacking in creature comforts, but Isabella persevered. Thanks to her detailed record keeping of all the places she visited, the nine additional books she wrote became bestsellers. People craved reading about the exotic locales and peoples that they’d never see in their lifetime whether that be climbing up Kilauea volcano in the Sandwich Islands (Hawaii), trekking across the dangerous frozen Persian “desert at the roof of the world,” or befriending a “notorious outlaw.”
AsMortensen’sstory vividly demonstrates, the world was indeed Isabella’s home so it’s no surprise that in 1892, Bird was the first woman to ever be inducted into the Royal Geographical Society of London and a year later was presented to Queen Victoria. In 32 pages of lyrical prose, Mortensen shows young readers the personal growth and happiness that can come from travel and exposure to a vast range of cultures. Caldwell’s artwork includes just the right amount of soaring spirit a name like Bird implies.
Picture book biographies, when done well, provide a much needed window on the world of important people from the past that we might ordinarily never hear or read about. Away With Words: The Daring Story of Isabella Bird, does that and more. It offers inspiration and a role model for children who, long after Women’s History Month has ended, will no doubt want to seek out Bird’s impressions by turning to her original books to learn more about this trailblazer’s 19th century daring journeys. The back matter including an author’s note, a timeline of Bird’s travels and publications, Bird’s text quotations, and a bibliography make this nonfiction book ideal for both home and school. In fact, I’d give it as a gift to a child along with a journal to get them started on documenting their own travels, even if that’s just an outing to the zoo or a trip to another city.
Reviewed by Ronna Mandel
Visit other stops below on this enlightening blog tour from Peachtree Publishing:
