“Would knowing how you were going to die change the way you choose to live?” That question drove coauthors Jessica Koosed Ettingand Alyssa Embree Schwartz to write their YA, Fade into the Bright. From the opening pages, eighteen-year-old Abby’s voice pulled me in: “Obviously, it happened right before Christmas. Because don’t all extremely shitty things happen right around the holidays?” This refers to the news Abby and her older sister Brooke receive from their estranged father. In his brief letter, they discover he’s tested positive for Huntington’s disease. The girls have a 50/50 chance of also carrying the gene for this fatal degenerative brain disorder (described as Alzheimer’s, Parkinson’s, and ALS all rolled into one). Typical onset happens between your thirties and fifties.
Both sisters decide to undergo the required six-month pre-testing genetic counseling. Older sister Brooke tests negative, but Abby’s not so lucky. Suddenly, her plans to attend college—and do pretty much anything else with her life—seem futile; Abby escapes to a remote part of Catalina Island to stay the summer with her aunt. (Though I live in Los Angeles and have visited Catalina, the book’s setting provided me with scenery I had not experienced: “rugged and rustic, completely removed.”)
The story unfolds, alternating between chapters in the present day and those flagged as “before.” I like the designation of “before” because it’s true, when something life-changing happens there is that moment before it happened, then everything else follows. Abby’s ups and downs feel real as she wonders what to do while she waits for symptoms to appear. A job at the beach keeps her busy enough to keep panic mostly at bay, but brings with it the complications of whether she should (or could) tell her new friends about all of this, and what to do when she starts falling for her charismatic and attractive coworker, Ben.
The heart of this story revolves around family and how this disease brings people together, pulls them apart, and how to live with everyone’s results. Sister dynamics can already be complex; add in Huntington’s and a layered, emotional story is born. As Abby says about this disease, “It tells you your ending, but leaves out the important parts, like the how and the when.” Still, the characters choose to move forward and, overall, the book feels inspirational.
Jessica Koosed Etting and Alyssa Embree Schwartz know a thing or two about relationships since they’re probably as close as sisters, having been BFFs for more than twenty years and cowriters for most of that period. Their seamless process works; Fade into the Bright is a beautifully written book about such a difficult topic. Huntington’s is near to Jessica because she has watched her family deal with similar situations to those depicted in the book. I’m thankful these writers brought awareness to this disease and the far-reaching impact of a diagnosis.
This year choosing books to include in our Recommended Reads for Kids – Black History Month Roundup has been more difficult than ever because there are dozens of excellent ones being published and more on the way. Here is just a small sample of great reads, from picture book to graphic novel to young adult fantasy that are available for kids and teens to enjoy.
A NEW YORK TIMES BESTSELLER ★Starred Review – Kirkus
The ABCs of Black History is the kind of inspiring book children and adults will want to return to again and again because there is so much to absorb. In other words, it’s not your mother’s ABC book. Written in uplifting rhyme by Pushcart Prize-nominated poet Rio Cortez, this gorgeous 60-page picture book is at once a look back in time and a look to the future for young Black children. However it is recommended reading for children of all races and their families.
Cortez has shined a lyrical light on places, events and figures familiar and less familiar from Black history with comprehensive back matter going more in depth. Take H for example: “H is for Harlem—those big city streets! / We walked and we danced to our own jazzy beat. / When Louis and Bessie and Duke owned the stage, / and Langston and Zora Neale Hurston, the page.” J is for Juneteenth and S, which gets double coverage, is for scientists and for soul. Adding to the hopeful tone of Cortez’s rhyme are Semmer’s bold and vibrant graphics which jump off the page. The dazzling colors pull you in and the variety of composition keep you hooked.
The ABCs of Black History is a book you’ll want to read together with your young ones and let your older children discover and savor on their own. It’s not only a visual and aural treat, it’s a sweeping celebration and exploration of Black culture and history that is beautiful, compelling, thought provoking and thoroughly unputdownable! • Reviewed by Ronna Mandel
★Starred Reviews – Booklist, Kirkus, and Publishers Weekly
Adapted from the final chapter of Dovey Johnson Roundtree’s autobiography Mighty Justice, We Wait for the Sun is an intimate look at a tender moment in Dovey’s childhood. The book opens with a preface about the main character, Dovey, who grew up to be a legendary figure in the fight for racial equality-all through the influence of her beloved grandmother, Rachel Bryant Graham. Dovey loved to share stories of Grandmother Rachel; this book is the story she loved best.
In “the midsummer night” when it’s “dark and cool,” Dovey and her grandmother walk “through the darkness toward the woods” to pick blackberries. Lyrical language and textural illustrations awaken the senses and draw us into their adventure.
Other women join in and the trip goes deeper still into the forest. Staring at Grandma’s shoes, Dovey is literally following her grandmother’s steps into the darkness. But Grandma Rachel provides comfort and reassurance. “If you wait just a little, your eyes will learn to see, and you can find your way.”
Through such examples of wisdom and encouragement, it’s clear to see why Grandma Rachel was such an inspiration to Dovey and her later work as a civil rights lawyer. As they sit in the forest and listen to its “thousand sounds,” a double page spread shows an aerial view of their meditative moment, immersed in the magic of their surroundings.
And when they reach the berries, they’re every bit worth the wait-plump, juicy, and sweet-like the lush layers of purple, blue, and pink illustrations that display a beautiful berry-colored world as dawn, bit by bit, turns to day. Wrapped in each other’s arms, Grandma and Dovey watch the sun rise in its golden splendor. Grandma’s steadfast waiting for the light, despite the present darkness, is a moving message of hope, resilience, and bravery.
Back matter includes an in-depth note from co-author Katie McCabe chronicling Dovey’s fight against barriers in the law, military, and ministry. For anyone interested in the powerful ways family and history intersect, We Wait for the Sun is a must-have in every library. • Reviewed by Armineh Manookian
While white Americans eagerly embarked on carefree car travel around the country, in 1930s Jim Crow America the road was not a safe or welcoming place for Black people. In Opening the Road: Victor Hugo Green and His Green Book, Keila V. Dawson explores the entrepreneur Victor Green and his successful The Negro Motorist Green Book which was borne out of dire need.
Young readers will learn about the limitations that were in place restricting the freedoms of Black Americans to have access to the same conveniences whites did due to segregation laws. For instance, a road trip for a Black family meant bringing food, pillows, and even a portable toilet since most establishments along a route were for whites only. The same applied to hotels, service stations, auto-mechanics and even hospitals. And in “Sundown” towns, where Blacks could work but not live, those individuals had to be gone by sunset or risk jail or worse.
In this fascinating 40-page nonfiction picture book, Dawson explains in easy-to-understand prose exactly what obstacles faced Black travelers and why Green, a mail carrier, together with his wife Alma, decided to publish a directory. Inspired by a Kosher guide for Jews who also faced discrimination, Green began collecting information from people on his postal route about where safe places were in New York.
Eventually, with word-of-mouth expanding interest in Green’s book, he began corresponding with mail carriers nationwide to gather more recommendations for The Negro Motorist Green Book on more cities. Soon everyone from day-trippers to celebrities were using the Green Book. Green even made a deal with Standard Oil for the book to be sold in Esso gas stations where it “flew off the shelves.” Harris’s illustrations take readers back in time with colorful, realistic looking scenes of big old cars, uniformed service station attendants and locations in Black communities that opened their doors to Black travelers. Apart from a break during WWII, the book was sold until the need for it finally ended with the last edition in 1966-67.
Equality both on and off the road was the ultimate goal for Black Americans. That may have improved somewhat from when the first Green Book was published in 1936, but Victor did not live to see the Civil Rights Act of 1964 enacted, having passed away in 1960. However there is still a long road ahead because, unlike Victor’s Green Book, racism has not disappeared and being Black while driving can still be dangerous, even deadly.
Dawson dives into this in her five pages of back matter that include a clever roadway timeline graphic from the beginning of Green’s life in 1892 until the Green Book ceased publication. This is a helpful, thoughtfully written book to share with children to discuss racism, and a good way to begin a discussion about self-advocacy, ingenuity, and how to treat one another with respect. It’s also a welcome example of how Green channeled his frustration and dissatisfaction into a guide that ultimately changed people’s lives for the better. Click herefor an essential Educator’s Guide. • Reviewed by Ronna Mandel
Kadir Nelson, in his interesting introduction to James Otis Smith’s graphic novel Black Heroes of the Wild Westpoints out that cowboys, ranchers, homesteaders and other people from the Old West (west of the Mississippi River “during and after the American Civil War”) were historically portrayed in books, movies and TV through a white lens. In reality up to “a third of the settler population was African American.” I couldn’t wait to find out more about Mary Fields, known as “Stagecoach Mary” in her day, Bass Reeves, the first black Deputy U.S. Marshal west of the Mississippi, and “mustanger” Bob Lemmons, perhaps the original Texas horse whisperer.
All three individuals were forces to be reckoned with. First there’s Mary Fields, born into slavery in Tennessee. In her lifetime, she maintained fierce loyalty to friends, loved children, was generous to a fault, and had strength and energy second to none. She’s most noted, however, for her reputation as a banjo strumming, card playing, first African American female stagecoach driver who never missed a delivery and was not easily thwarted by wolves or bad weather.
I was blown away learning about Bass Reeves’s bravery in outwitting some murderous outlaws on the Most Wanted List. In the account Smith shares, Reeves single-handedly put himself into a dangerous situation by turning up as an impoverished loner looking for any kind of work to earn his keep. By cleverly offering up his services to the mother of the villains, earning her trust, and ultimately that of the bad guys too, he was able to capture them completely off guard. This plus thousands of other arrests cemented his place in history. The best part was how Smith’s illustrations conveyed Reeves in the particular scenario of capturing the outlaws by surprise which in turn surprised and satisfied me immensely.
Last but definitely not least is Bob Lemmons who was hired to corral wild mustangs and whose humane technique was not deadly to any of the horses, something other mustangers had not been able to manage. Smith takes readers on a journey of the senses along with Lemmons as he follows a group of mustangs he intends to wrangle, and details in both art and text how eventually Lemmons becomes one with the stallion leading the “manada” (mares and colts). “Bob knew their habits, their body language, their sounds. Like them, he flared his nostrils sniffing for danger.” You don’t have to be a horse lover to be impressed how Bob’s slow and steady approach made the mustangs think he was one of them.
Eight comprehensive pages of fascinating back matter round off this excellent middle grade read that will no doubt have tweens eager to find out more about these and other Black heroes. • Reviewed by Ronna Mandel
★Starred Review – Booklist A NEW YORK TIMES BESTSELLER
The Gilded Ones is book one of a West African-inspired epic fantasy series that will grab you from its first page. When girls turn sixteen, they must undergo The Ritual of Purity where they are bled to see if they can become a member of their village. However, if a girl’s blood runs gold, then she’s found impure and faces a fate worse than death. If Deka’s father had the money, he would have sent her to the House of Purity the year before the ritual, keeping her protected from sharp objects. Instead, Deka must be careful while she worries and prepares.
When Deka fails, she’s tortured until a mysterious woman she names White Hands offers an option out. The empire’s being attacked by seemingly invincible Deathshriek creatures. Deka becomes an alkali soldier fighting alongside other girls like her with powers that make them nearly immortal.
Namina Forna says, “The Gilded Ones is a book about my anger at being a woman. Sierra Leone was is very patriarchal. There were things I was expected to do as a girl because I was a girl.” This emotion is harnessed into the story, revealing societal inequities in an intricately woven plot that will surprise and enflame you.
Deka has the best “sidekick” ever—a shapeshifter called Ixa. Though there are elements of romance, it’s strong females who rule the plot. This book provides a fresh look at the “gods and goddesses” trope. The Gilded Ones is fierce, brutal, and relevant. Read it. • Reviewed by Christine Van Zandt (www.ChristineVanZandt.com), Write for Success (www.Write-for-Success.com), @ChristineVZ and @WFSediting, Christine@Write-for-Success.com
Click here to read another Black History Month review. e
Madeline Whittier has read more books than you, but she hasn’t been outside her house for as long as she can remember. The protagonist in Nicola Yoon’s #1 New York Times Bestseller, Everything, Everything, lives an air-locked, filtered existence, with no outings and virtually no visitors, because she’s “basically allergic to the world.” She has Severe Combined Immunodeficiency, or “bubble baby disease.” While she could have grown to be a weird or bitter eighteen-year-old, it’s clear from the funny drawings and comments with which she annotates her life that she has remained sweet, optimistic and thoughtful.
Since Madeline’s father and brother were killed in an accident when she was a baby, Madeline and her mom are almost everything to each other. Then Olly moves in next door, with his all-black wardrobe, his parkour litheness, and his off-the-wall sense of humor. Madeline realizes she won’t really have everything unless she can leave her germ-free house and be Outside with Olly.
I enjoyed the unusual format of the book, its short chapters that don’t necessarily follow each other, the hand-written notes and drawings. Appropriate as well as charming, the format reinforces how Madeline feels about herself: “If my life were a book and you read it backward, nothing would change.” Before Olly, her “life was a palindrome — the same forward and backward.”
That being said, eventually sequence matters, and the real “Book of Maddy” — Everything, Everything — is different if read backward. In the interest of not giving away too much, I won’t tell you the questions the book made me ask beyond “What would it be like to be a bubble-baby?” But rest assured Yoon’s novel provokes other thoughts as well, about the nature of love, and risk, and life itself.