THE SIMILARS Written by Rebecca Hanover (Sourcebooks Fire; $17.99, Ages 14+)
In Rebecca Hanover’s suspenseful young adult novel, The Similars, readers go inside Darkwood Academy, a forward-thinking, elite boarding school. It’s there that Headmaster Ransom gives six clones (teens called the Similars) a chance to attend alongside the student body. This is the first time the Similars will leave their amazing, isolated man-made island where they grew up strictly controlled by their guardian. The Similars are clones of current Darkwood students who had their DNA stolen and only recently met their doppelgängers. The controversial decision to allow the Similars to transfer in ignites the campus as a new school year begins. Only Emmaline “Emma” Chance, a junior, isn’t very interested; she’s still suffering from her best friend Oliver’s recent death. When the Similars are introduced, Emma’s shocked to learn Oliver has a clone named Levi.
The clones are the focus of DAAM (the Darkwood Academy Anti-Cloning Movement) headed by campus celebrity, Madison Huxley. Much to Madison and her family’s dismay, Madison’s been cloned and has to live with that fact daily at school. Though Emma continues to support clone rights, relating with Levi is difficult and confusing as she tries to figure out how he compares with Oliver. When Emma’s roommate and close friend, Pru, is attacked on campus, Emma breaks rules to get behind what’s really going on.
Set in the near-future, The Similarshas cool tech toys, such as the plum devices that kids wear on their wrists; Emma’s is named Dash and interacts with her on a human level. The fast-moving story line leaves you guessing. It also connects on an emotional level, inviting thought about clone rights, and sharing the turmoil of dealing with the death of someone close.
The Curseshas an undoubtedly awesome first line: “Wolf had been back from the dead for almost three weeks when we had our first midnight picnic of the year.” Best-selling author Laure Eve’s second book picks up smoothly from where The Graces left off, changing the narrator from River (the new girl in town with enigmatic magical powers) to Summer (her on-again-off-again BFF from the Grace family of witches).
This sequel expands the world of the Graces while keeping favorite characters close. The Graces are beautiful, rich, and alluring—and they have cool names. Complicated relationships advance between the people who love the Graces, hate them, or want to be them. High school drama is heightened as the teens try to master their supernatural powers.
Truth-seeker and air witch Summer questions the dreaded curse on the Grace family (they cannot marry for love). After some sleuthing, dangerous mysteries unfold and Summer struggles with how she’s inexplicably drawn to River, wondering whether to stay away or bring her into their coven.
The main story line revolves around Wolf and the problems accompanying his resurrection. Throughout, the characters grow and learn to navigate the complicated aspects of friendship, family, and love. Appearances can be deceptive and easy answers may not be the right ones but there’s surely magic in the world, if you’re open to it.
Welcome to day three! As one of the bloggers participating in the Sydney Taylor Book Award 2019 Blog Tour, I’ve had the privilege to interview author Rachel Lynn Solomonabout her terrific debut novel You’ll Miss Me When I’m Gone, an honor award winner in the teen readers category. Find out more about this week of enlightening interviews at the Association of Jewish Libraries website and at the official Sydney Taylor site. The full blog tour schedule is posted on the AJL blog and below if you scroll down following the interview.
PUBLISHER’S SUMMARY OF YOU’LL MISS ME WHEN I’M GONE Eighteen-year-old twins Adina and Tovah have little in common besides their ambitious nature. Viola prodigy Adina yearns to become a soloist—and to convince her music teacher he wants her the way she wants him. Overachiever Tovah awaits her acceptance to Johns Hopkins, the first step on her path toward med school and a career as a surgeon.
But one thing could wreck their carefully planned futures: a genetic test for Huntington’s, a rare degenerative disease that slowly steals control of the body and mind. It’s turned their Israeli mother into a near stranger and fractured the sisters’ own bond in ways they’ll never admit. While Tovah finds comfort in their Jewish religion, Adina rebels against its rules.
When the results come in, one twin tests negative for Huntington’s. The other tests positive.
These opposite outcomes push them farther apart as they wrestle with guilt, betrayal, and the unexpected thrill of first love. How can they repair their relationship, and is it even worth saving?
From debut author Rachel Lynn Solomon comes a luminous, heartbreaking tale of life, death, and the fragile bond between sisters.
INTERVIEW WITH RACHEL LYNN SOLOMON
Good Reads With Ronna: Please tell us what the source of your inspiration was for writing You’ll Miss Me When I’m Gone (Simon Pulse, $17.99 + 12.99, Ages 14+)?
RLS: Thank you for having me on your blog! As a kid, I remember watching a couple TV shows that centered on genetic testing, and the idea of being able to know your fate, to an extent, stuck with me. Years later in early 2014, I was doing some random Internet research, looking for something that might spark a book idea. I landed on a page about Huntington’s disease, which I knew a little about. What stood out to me was the fact that a child of a parent with Huntington’s has a 50/50 chance of inheriting it, and I wondered: what if twin sisters received opposite results?
GRWR: Your bio says you write about ambitious, complicated, sometimes unlikable girls who are trying their best. Can you please expand on that in reference to your main characters, Adina and Tovah, the 18 year-old fraternal twin sisters who do not get along?
RLS: Absolutely! I firmly believe we don’t need to like the characters we read about — we just need to relate to them. Likable characters, in fact, are often quite boring to read about. Rule-following characters who always make the right decisions, who never hurt anyone’s feelings…not realistic, for one, and not as interesting as a reader or writer. Furthermore, in fiction, male characters are often given much more “permission” to be unlikable. Their flaws are more easily forgiven.
In YMMWIG, Adina and Tovah aren’t bad people, but they make mistakes, they hurt each other, and they occasionally sabotage themselves. But they’re trying, and they’re relatable (I hope!), and at the end of the day, those are the kinds of characters I’m always going to gravitate toward.
GRWR: Do you share any qualities with your main characters aside from Adina’s love of Siren red lipstick?
RLS: There’s a bit of myself in all the characters I write. While I don’t play viola like Adina, I grew up playing piano and guitar, and in high school, I was a stereotypical overachiever like Tovah.
GRWR: What are your thoughts about the need for Jewish authors to write about more than just Holocaust stories despite the need for those to continue being told? And what kinds of books would you like to see written?
RLS: My major thought about this is: YES. We need stories about all kinds of Jewish experiences. I’ve mentioned this in other interviews, but growing up, I truly believed we only had one story to tell, and that story was the Holocaust. And that’s just devastating, to think your entire culture can be summed up by a tragedy. It’s why it took me so long to write Jewish characters of my own — while YMMWIG was my first published book, it was my fifth completed manuscript since I decided to get serious about writing. It was also my first with Jewish characters.
I would love to see more historical novels featuring Jewish characters that don’t center on the Holocaust. IN THE NEIGHBORHOOD OF TRUE by Susan Kaplan Carlton, which comes out in April, is a great example of this, and I highly recommend it! I’d also love to see more intersectional Jewish stories like YOU ASKED FOR PERFECT by Laura Silverman, coming out in March, and COLOR ME IN by Natasha Diaz, coming out in August. Aside from that, more contemporary stories about Jewish teens simply living their lives while also being Jewish — whatever “being Jewish” means to them.
GRWR: Do you feel that books featuring Jewish protagonists and teens tackling illness fall under the diverse books heading since they are so underrepresented and often stereotyped?
RLS: This is a weighty topic, and one I’m still grappling with. Judaism occupies an interesting space in diversity discussions. I’m keeping a list of 2019 YA novels by Jewish authors and with Jewish protagonists, and I have only 14 books on that list. It’s so underrepresented in YA, and yet I’ve had a trade review insinuate Judaism isn’t diverse. Jewish friends writing Jewish characters have asked me whether their book “counts” as diverse. Conversely, one review told me I made my characters Jewish “for diversity points.” To me, Jewish books are diverse books, and I plan to continue advocating for them in the book community.
GRWR: Your YA novel tackles a tough topic of a mother slowly succumbing to Huntington’s disease as her teen daughters witness the decline. Also, early on in the story, one of the twins will learn after genetic testing, that she will get the disease, too. Your second novel also deals with a character needing a kidney transplant. What compels you to write about characters coping with illness?
RLS: I’m drawn most to topics that interest me — with YMMWIG, I wanted to learn more about Huntington’s disease and genetic testing, and with OUR YEAR OF MAYBE, which deals with the aftermath of a kidney transplant, I was curious about organ donation. Curiosity is a huge part of my writing process. My background is in journalism, and I love research, and writing is such a magnificent way to learn more about the world.
With regard to illness, specifically, I wanted to write characters who are not defined by their illness. In YMMWIG, Adina and Tovah’s mother is suffering from Huntington’s. It was important to me that Huntington’s was not her sole defining characteristic. She enjoys her job as a teacher, old movie musicals, and knitting, and she has a meet-cute backstory with the twins’ dad. In OUR YEAR OF MAYBE I focus more on the aftermath of the transplant and how it affects the two protagonists’ relationship. I aim to write sensitive portrayals of illness where the illness is a piece of the story but not the entire story.
Rachel Lynn Solomon Photo by Ian Grant
GRWR: Of the two sisters, Tovah is the practicing Jew who keeps kosher, studies Torah and observes Shabbat along with her parents. It was encouraging to read a YA novel featuring Jewish main characters and their perceptions navigating life in a predominantly non-Jewish school and world. Was this your experience too?
RLS: Thank you! Yes — I was one of only a handful of Jewish kids in my Seattle suburb. I actually don’t remember meeting other Jewish kids outside of temple until middle school. And it wasn’t until college that I found more of a Jewish community — I took a year of modern Hebrew, I joined Hillel, and for a while, I attended services every Friday. These days, I am more secular, but I’m happy to say I have close Jewish friends for the first time in my life, which I’ve realized is so incredibly important, especially in a world that often makes us feel like outsiders.
GRWR: Adina can be cruel, jealous, socially aloof and manipulative, often using her beauty to control guys. Is it easier to write a more likeable character such as Tovah or one who’s not so likeable?
RLS: That’s a great question. I’m not sure what this says about me, but Adina was much easier to write than Tovah! It might be that I’m more similar to Tovah, so writing Adina allowed me to get more creative. To this day, her voice is the clearest of any main character I’ve written.
GRWR: Tovah is a neophyte when it comes to sex while Adina has been sexually active since age 14. Tovah myopically dreams of attending Johns Hopkins to become a surgeon while Adina dreams of playing viola in an orchestra. One incident four years earlier has shattered their tight bond. Sisters yet complete opposites and strangers. What would they or anyone for that matter have to do to become close again and repair the wounds?
RLS: I’ve never experienced a rift quite like theirs, but my sister and I fought constantly growing up. It’s hard to admit you did something wrong, but I think that humility is the only way to at least begin to repair a broken relationship. I’m not sure if it’s something that gets easier as we grow up and grow older, but I know it’s especially difficult as a teen.
GRWR: The twins’ story is told through alternating POV which works so well. What do you like about this approach and what other YA novels using this dual POV have you enjoyed?
RLS: Thank you so much. I felt strongly that this was the only way the book could be told — each sister is a full person but only half the story. It was the same with OUR YEAR OF MAYBE. The book explores the aftermath of a kidney transplant, complicated by the fact that the donor is in love with the recipient. The book doesn’t work unless we have both POVs and understand both characters, whose arcs are so closely entwined. Some other dual POV books I love: I’LL GIVE YOU THE SUN by Jandy Nelson, JUST VISITING by Dahlia Adler, HOW TO SAVE A LIFE by Sara Zarr.
GRWR: I found it hard to say good-bye to Adina and Tovah. How do you feel upon completing a book?
RLS: It’s been an adjustment! In the past, my manuscripts felt like living documents — I could open one up and tweak a sentence any time I wanted. But now, the book gets to a point where I have to be done messing with it. It’s hard for me to say goodbye, but it’s heartening to know that the book is done because it’s going out to readers who will be able to experience it for the first time.
For anyone else who’s interested, I wrote a “five years later” short story about Adina and Tovah that originally went out as part of a preorder campaign. It’s available on my website here for anyone to read: https://www.rachelsolomonbooks.com/extras/. There are some sad moments, but I hope it provides a bit of additional closure!
GRWR: What other irons do you have in the fire?
RLS: My second book, OUR YEAR OF MAYBE, came out last month, and I have two more YA novels contracted through Simon Pulse. My third, a romantic comedy, will be out in the summer of 2020. It takes place in 24 hours on the last day of senior year, and follows two rivals who realize, as they reluctantly team up to win a senior class game, that they might be in love with each other. While it’s lighter than my first two books, the two main characters also confront anti-Semitism in a way I haven’t written about before.
GRWR: Is there anything I didn’t ask that you’d like to mention or call to readers’ attention?
These questions were wonderful — thank you for again having me!
2019 SYDNEY TAYLOR BOOK AWARD BLOG TOUR
SUNDAY, FEBRUARY 10, 2019
Emily Jenkins and Paul Zelinsky, author and illustrator of All-of-a-Kind Family Hanukkah Sydney Taylor Book Award in the Younger Readers Category At Out of the Box at the Horn Book
Kwame Alexander recently celebrated publication of his new book with Mary Rand Hess, Swing (Oct 2018, BlinkYABooks; $18.99), at a Skylight Books event that also featured his mentor, acclaimed poet and activist Nikki Giovanni. Alexander is the Newbery Award-winning, NYT-bestselling author of more than two-dozen books. Swing is a novel-in-verse about two high school juniors, Noah and Walt, trying to find their “cool.” I enjoyed the event, and later caught up with Alexander by phone to talk about the book and some of his other projects. (The transcript below is edited for clarity and length.)
MM [Mary Malhotra]: This is your third book with Mary Rand Hess, so I thought I’d start by asking, how did the two of you decide to collaborate, and how does that work for you?
KA [Kwame Alexander]: We’re in a writer’s group together, and we had critiqued each other’s work for a couple of years. It was her idea, and I thought, “Well, let’s try it.” I’m a huge fan of collaboration and we just seemed to gel. There were certain times when I took the lead and she was cool with that, and there were times when she took the lead because she had the expertise and I was cool with that. It was almost like putting a puzzle together.
MM: Obviously music is important in the book, and I was curious if Walt’s musical loves mirror yours or Mary’s?
KA: I am a jazz aficionado; Mary loves jazz. Whenever I’m writing, I listen to instrumental jazz, preferably bebop or straight-ahead jazz. Mary plays piano. Music plays a huge role in our lives, and I think that’s why we wanted to write about rock and roll in [our first novel] Solo, and really pay a tribute to jazz in Swing.
MM: I know lots of adults who are intimidated by poetry, [yet] on your website you say if you want to get a reluctant reader engaged with literature, start with poetry. How do you go about making the poetry so accessible and relatable that it’s actually easier for a reluctant reader than a prose novel?
KA: I try to write stories that have you as the reader forgetting that you’re reading poetry. I want to use all of the techniques and the strategies that poetry allows me to use — figurative language, sparse text, rhythm, sometimes rhyme — but ultimately I want to tell such a compelling story that by page ten or twenty-seven you’ve forgotten that you’re reading poetry.
MM: I’d seen a synopsis that talked about a biracial friendship at the center of the book, and it still took me awhile to identify what race different characters were. I like diversity not being handled super explicitly, but some people really feel like we should be explicit. What’s your feeling?
KA: Isn’t that the goal, for us to be less explicit about race in real life, and to really begin to look past all those superficial things, and treat each other as if we are all human beings? When I was growing up and I was in high school and I played tennis, one of my best friends was a white guy. I didn’t wake up each day and go to the tennis court and say, “Oh hey, here’s my white guy!” It’s not an authentic approach to life, so why should it be an authentic approach to literature?
MM: As a white person, I’ve tried to be sensitive to arguments I’ve read about people who feel like, if I say, “I don’t see your race,” then I’m not seeing them as a whole person.
KA: I’m definitely not saying you don’t see race. I’m saying the race is obvious and evident in all of the books that I write, in my estimation. The race is a matter of fact.
MM: When you started out [writing Swing], were you planning to write something political?
KA: Everything I write is political. I think to live in America, especially during this time, you either — what one of the characters says: “You either uphold the status quo, or you see what’s wrong and try to change it.”
MM: I read about your imprint [Versify, at Houghton Mifflin Harcourt], and saw that it’s accepting unsolicited submissions. What are you looking for?
KA: I’m looking for good books. Picture books, middle grade novels, YA novels, graphic novels. I’m looking for books that highlight the beauties, the hurdles, the woes, and the wonders of children coming of age. I’m looking for books that are going to help kids ultimately imagine a better world. I’m looking for books that are intelligent and entertaining.
MM: I also read that you’re starting a #HUGLIFE commitment in classrooms?
KA: It’s really just borrowing from Walt’s philosophy on life. Sometimes the world is not so beautiful, but you’ve got to stretch every inch of good as far as you can. I’m a big fan of saying “Yes” to what’s possible in life, and hugging life.
KA: If you look at what Tupac’s acronym stood for — The Hell You Give Little Infants F’s Everyone — if you flip that around, don’tgive them hell. Hug them. Show them love. I went to a school one day in a prison. I told my wife I was never going back, and she said “Why?” And I said, “Because it was the hardest work I ever had to do.” And she said, “Well, that’s cool. Those kids probably aren’t expecting you to come back.” And of course, I ended up going back. And it changed my life, and it changed theirs. I’m not saying it’s going to be easy. I’m suggesting that hugging life, embracing the full humanity of all of us? It’s work, but the rewards are sacred, and beautiful, and life-giving, and life-saving.
SWING Written by Kwame Alexander with Mary Rand Hess (Blink YA Books; $18.99, Ages 14-18)
★Starred Reviews – Kirkus, School Library Journal
Kwame Alexander’s Newbery Award-winning novel, The Crossover, used basketball as the backdrop for the story. His new book, written with Mary Rand Hess, is a novel-in-verse called Swing with a prologue beginning:
We were halfway through
Rounding the bases.
About to score
it’s a good bet that the title refers to baseball.However, Hess and Alexander also collaborated on the 2017 novel Solo about rock and roll, and it turns out that Swingis as much about swinging the beat as swinging the bat. Most of all, though, it’s about putting yourself out there and embracing life.
The book opens as narrator Noah and his best friend Walt (AKA “Swing”) have again failed to make their high school baseball team. Noah wants to give up, lamenting:
But the truth is
Our baseball dream
is a nightmare.
It haunts me.
Noah defines himself by what he can’t do. He can’t play baseball, and he can’t tell his longtime crush, Sam, how he feels about her. With Walt’s encouragement, Noah tries writing poetry for her, but it’s not very — well, see for yourself:
I want you
to be my symphony
two piccolo trumpets
Even Walt agrees the poem is not good enough to give to Sam, but when Noah buys a second-hand Louis Vuitton Keepall as a birthday gift for his mom, he finds old love letters stashed in the lining that inspire him to try again.
Tonight, I’m ready
To tear courage
Out of the book of dares
And make it mine.
The love letters give him a scaffold for creating art worth sharing. Noah uses them to make blackout poetry — he blacks out some words so that the ones that remain legible form a new poem — and then adds original graphic elements with his pen. The resulting mixed media art stands out, even in this book composed entirely of poems. They make me curious; I have to figure out which letter Noah uses for which piece. They make me want to try writing blackout poetry myself, and they make Noah more confident, able to express himself and impress the girl he loves.
As wonderful as Noah’s art is, my favorite creation in this book is, simply, Walt. I want to reread Swingto spend more time with him. Noah describes him and his quirks like this:
My best friend
Walt Disney Jones
is obsessed with jazz,
dead famous people,
and finding cool,
if it’s the last thing
we ever do.
But Walt’s a
on how to
never give up
until you win.
When it comes to “finding cool,” especially with regard to girls, Walt relies on his older cousin Floyd and a podcast called The Woohoo Woman. He won’t give up, whether he’s practicing baseball or finding a date for prom. He even gets a tattoo inspired by Tupac Shakur’s acronym THUG LIFE. Walt’s tattoo says HUG LIFE, exhorting everyone who sees it to embrace the world, and all its people and opportunities, wholeheartedly.
Noah’s quest to win Sam over from her boyfriend takes flight after Noah’s parents go on a trip, leaving him home alone for a few weeks. Noah’s grandmother is supposed to supervise him but doesn’t believe it’s necessary. Walt, on the other hand, moves right in, believing Noah absolutely needs supervision if he’s going to win Sam’s heart. Walt anonymously sends Sam one of Noah’s poems, but it’s still up to Noah to decide how and when to reveal himself. Will he ever convince Sam to promote him out of the friend zone?
Swing is most of all a coming-of-age story, but there is a mystery in the background throughout. People find American flags left on lawns, stuck on windshields, and painted on freeway exit signs, and the town debates whether the flags represent a show of patriotism or a sinister warning.
…no one can agree
on why the flags are here,
who’s planting them,
and whether or not
we should be
happy or offended
that they’re growing
The flag mystery leads a fairly light story into heavier territory. I believe in building empathy and understanding through books about difficult topics; however, in Swing, the social justice issues are not well developed. Because of this, I felt unprepared for a tragedy (caused by police using excessive force) at the end of the book, and I think younger, sensitive readers in particular may have the same experience. Most of us dislike spoilers, but with Swing I think it’s fair to provide readers with a little warning before reading and a lot of opportunities for discussion afterward. In that context, I recommend Swing to readers fourteen and up as both a funny coming-of-age buddy story and a serious vehicle for discussing the people we as a society forget, fear, or abuse.
WIN FOUR SIGNED MG & YA BOOKS Enter our fantastic summer giveaway Courtesy of Candlewick Press
What better way to welcome the summer solstice than with a giveaway? But this is no ordinary giveaway! In April I enjoyed a wonderful pre-LA Times Festival of Books dinner with four fab Candlewick authors and was given autographed copies of their books. Good Reads With Ronna is giving away those signed novels to one lucky winner and it could be you. Read about the books in the giveaway. A handy Candlewick tote bag is also included:
Burn Baby Burn Written by Meg Medina (Candlewick Press; $17.99, Ages 14 and up) Pura Belpré Author Award winner Meg Medina has another hit on her hands with this riveting read which took me back decades to that scary summer following my first year at university in New York. That’s when the letters of the S.O.S. distress signal stood for something much more sinister – the killer, Son of Sam. Here’s a description of the novel from Candlewick: Nora Lopez is seventeen during the infamous New York summer of 1977, when the city is besieged by arson, a massive blackout, and a serial killer named Son of Sam who shoots young women on the streets. Nora’s family life isn’t going so well either: her bullying brother, Hector, is growing more threatening by the day, her mother is helpless and falling behind on the rent, and her father calls only on holidays. All Nora wants is to turn eighteen and be on her own. And while there is a cute new guy who started working with her at the deli, is dating even worth the risk when the killer likes picking off couples who stay out too late? Award-winning author Meg Medina transports us to a time when New York seemed balanced on a knife-edge, with tempers and temperatures running high, to share the story of a young woman who discovers that the greatest dangers are often closer than we like to admit — and the hardest to accept. While violence runs rampant throughout New York, a teenage girl faces danger within her own home in Meg Medina’s riveting coming-of-age novel.
Honor Girl Written and illustrated by Maggie Thrash (Candlewick Press; $19.99, Ages 14 and up) I read this graphic novel memoir in three sittings because I just had to find out what happened to Maggie at Camp Bellflower for Girls, the summer she fell in love. I cared about her immensely and so will YA fans into candor, introspection, and the intensity of first love. Here’s a description of this impressive debut novel from Candlewick:
Maggie Thrash has spent basically every summer of her fifteen-year-old life at the one-hundred-year-old Camp Bellflower for Girls, set deep in the heart of Appalachia. She’s from Atlanta, she’s never kissed a guy, she’s into Backstreet Boys in a really deep way, and her long summer days are full of a pleasant, peaceful nothing . . . until one confounding moment. A split-second of innocent physical contact pulls Maggie into a gut-twisting love for an older, wiser, and most surprising of all (at least to Maggie), female counselor named Erin. But Camp Bellflower is an impossible place for a girl to fall in love with another girl, and Maggie’s savant-like proficiency at the camp’s rifle range is the only thing keeping her heart from exploding. When it seems as if Erin maybe feels the same way about Maggie, it’s too much for both Maggie and Camp Bellflower to handle, let alone to understand. All-girl camp. First love. First heartbreak. At once romantic and devastating, brutally honest and full of humor, this graphic-novel memoir is a debut of the rarest sort.
The Hired Girl Written by Laura Amy Schlitz (Candlewick Press; $17.99, Ages 10-14) While everyone was out at the pool during my Florida vacation this winter, I remained indoors because I could not put down this multiple award-winning novel from Newbery Medalist Schlitz. I relished being brought back in time to 1911 Baltimore following the ups and downs of protagonist Joan Skraggs as she becomes the hired girl in a wealthy Jewish household and tries to find her place in the world. Fans of historical fiction should add this to their must-read list.
Fourteen-year-old Joan Skraggs, just like the heroines in her beloved novels, yearns for real life and true love. But what hope is there for adventure, beauty, or art on a hardscrabble farm in Pennsylvania where the work never ends? Over the summer of 1911, Joan pours her heart out into her diary as she seeks a new, better life for herself—because maybe, just maybe, a hired girl cleaning and cooking for six dollars a week can become what a farm girl could only dream of—a woman with a future. Newbery Medalist Laura Amy Schlitz relates Joan’s journey from the muck of the chicken coop to the comforts of a society household in Baltimore (Electricity! Carpet sweepers! Sending out the laundry!), taking readers on an exploration of feminism and housework; religion and literature; love and loyalty; cats, hats, and bunions.
Dan vs. Nature Written by Don Calame (Candlewick Press; $17.99, Ages 14 and up) Novelist and screenwriter Don Calame, has penned a fast-paced, fun YA novel for the most reluctant of teen readers. If you’re not sure what’s in store, better check out Calame’s clever book trailer here because it really gives you a good taste of the author’s unique sense of humor. High schoolers will appreciate the predicament that the main character, Dan Weekes is thrown into, survive being with his future step-dad or survive the wild.
Shy and scrawny Dan Weekes spends his time creating graphic novels inspired by his dream girl and looking out for his mom as she dates every man in the state of California. Then his mom drops a bomb: she and her latest beau, Hank, are engaged, and she’s sending her “two favorite men” on a survivalist camping trip to “bond.” Determined to trick Hank into showing his true — flawed — colors on the trip, Dan and his nerdy germaphobe best friend, Charlie, prepare a series of increasingly gross and embarrassing pranks. But the boys hadn’t counted on a hot girl joining their trip or on getting separated from their wilderness guide—not to mention the humiliating injuries Dan suffers in the course of terrorizing his stepdad-to-be. With a man-hungry bear on their trail, no supplies, and a lot of unpleasant itching going on, can Dan see his plan through now that his very survival depends on Hank? From screenwriter Don Calame comes another outrageously funny and raunchy tale of teen boys whose plans go awry — this time, on a survivalist camping trip.
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