Author-illustrator Hanna Cha’s debut picture book, Tiny Feet Between the Mountains, tells the tale of Soe-In, the smallest child in a Korean village. But, being little doesn’t slow her down. Soe-In manages burdensome chores using wit and perseverance. When the sun disappears and the chieftain needs a volunteer, only Soe-in steps forward.
In the forest, she finds the spirit tiger is real, and in really big trouble—he’s swallowed the sun! Like the villagers, the spirit tiger first discounts Soe-In’s ability to help. However, brave, imaginative Soe-In saves the day.
Cha’s art shows the movement and mood of this powerful story. I enjoyed the images of the tiger because feline fluidity is difficult to capture. Her Author’s Note explains tigers are revered by Koreans; their country is shaped like one. The tiger as their spirit animal appears in countless Korean stories as a symbol of respect, strength, and dignity, both as a deity and a threat.
A Kirkus Reviews Best Picture Book of 2019 ★Starred Review – Kirkus An Asian/Pacific American Award for Literature Honor Book 2019
Bilal Cooks Daalby Aisha Saeed is an upbeat picture book about friendship and cooking. When Bilal’s friends wonder why it takes his Pakistani family all day to make daal, he introduces them to the process, letting them choose the color of lentils for the stew they will enjoy together at dinnertime. As the day goes by, Bilal worries a bit that his friends won’t like the taste, but the delicious dish pleases everyone, demonstrating how food brings people together.
Anoosha Syed’s art focuses on the kids enjoying their day of play, a variety of emotions clearly captured. The daal’s vivid descriptions (“small like pebbles, but shaped like pancakes”) come to life through the illustrations. Close your eyes and let the simmering daal awaken your senses.
The Author’s Note explains daal is a staple food in South Asia, but lentils are enjoyed in many other places. Saeed’s recipe for Chana Daal is similar to what I grew up with in my household, bringing back warm memories. In these months of the pandemic where many of us are cooking wholesome meals, this hearty and healthy dish will please while filling the house with amazing aromas all day long.
A Junior Library Guild Selection
A Kirkus Reviews Best Book of the Year ★Starred Reviews – Booklist, Kirkus, School Library Journal
Summer Bird Blueby Akemi Dawn Bowman opens with a car crash. Seventeen-year-old Rumi Seto loses her only sister Lea, who’s also her best friend. Their mother, unable to deal, puts Rumi on a plane to Hawaii for an indefinite stay with Aunty Ani, their Japanese-Hawaiian side of the family.
Lea, two years younger, was the outgoing, happy-go-lucky sister. Rumi, the opposite personality type fits her “ruminating” name; often, she’s stuck in her head, turning things over, unable to step forward into everyday life. Though quite different, the sisters, shared a love of music, playing instruments together. They would randomly come up with three words, then write a song about it. (Summer Bird Blue, refers to the unwritten song that haunts Rumi after Lea dies.)
Rumi suffers in the angry and depressive stages of grief, vacillating between lashing out and crawling into bed for days on end. Her new surroundings include neighbors Mr. Watanabe (a grumpy octogenarian who becomes an unlikely companion) and Kai (the too-handsome, too-cheerful boy next door). As Rumi becomes closer to Kai, they go on a date, but kissing surfaces her confusion over her possible asexuality. Believing other teens have easy crushes and romance, Rumi’s self-doubt compounds after losing Lea.
The story’s lovely scenes centering around Rumi’s deep bond with music resonated with me. The moving descriptions include Rumi’s regard for Lea’s guitar, and Mr. Watanabe’s piano and ukulele. When transported into this world, Rumi’s passion ignites. However, anything musical involves Lea, and Rumi cannot process what to do without her sister, which furthers the painful introspection and turmoil.
I appreciate Bowman’s choice to spotlight a troubled, roughhewn protagonist struggling with a complexity of issues. Writing about grief, sexuality, and trying to understand life itself are ambitious undertakings, yet Bowman succeeds in weaving a truthful, heartfelt story that includes both honestly bitter moments and lyrically beautiful ones.
Find out more about Asian/Pacific American Heritage Month hereand here.
Written by Mia Wenjen
Illustrated by Nat Iwata
(Lee & Low Books; $18.95, Ages 4-7)
Sumo Joe, the charming and gently rhyming debut picture book by Mia Wenjen with art by Nat Iwata, opened my eyes to the history and popularity of this world renown Japanese style of wrestling. More than just a sport, “Sumo” writes Wenjen in the back matter glossary, “can be traced back to ancient Shinto rituals that were practiced to ensure a bountiful harvest and to honor the spirits.”
Wenjen’s chosen a fun way to introduce young readers to the sport and keep them interested by focusing on siblings Joe and his younger sister Jo. While the two share a close relationship, only Joe participates in sumo wrestling at home on Saturdays with his friends. I love how Iwata’s expressive illustration below shows Jo’s disappointment at not being included in the activity that traditionally has been for “boys-only.” Her tote bag clues us into where she might be going while her brother practices.
Throughout Joe’s sumo session, readers learn about the different terminology and traditions tied to the sport of trying to knock one’s opponent out of the ring. Perhaps most familiar is the outfit or special belt called a Mawashi. Due to the complexity of tying it, someone else has to wrap it around the wrestler. Compared to this, tying a tie seems easy and maybe even less tickly! The stomp move, called shiko, is intended to rid the space of demons. That makes total sense to me. Other moves in the drills that Joe and his buddies work on are also explained which is not only fascinating, but meaningful. Kids will be able to watch sumo with a better appreciation of why the wrestlers do what they do.
While Jo may understand what her brother’s doing, she’s tired of being left out. She returns from her outing ready to jump into action as Akido Jo. Yes, little sis has been getting lessons in the martial arts and challenges her big brother to a match. Joe’s pals say she’s not allowed, but Joe honors his sister’s wishes and the two face off in a lively, but loving and respectful contest of Sumo versus Akido.
Iwata’s upbeat, digitally rendered artwork complements Wenjen’s words and brings a wonderful energy to the story. I recommend Sumo Joe to parents, teachers and librarians eager to find out more about this traditional Japanese sport presented in an engaging and dynamic way. The author’s note plus the illustrated glossary round out what is an enlightening and delightful read.
Disclosure: I received a review copy of Sumo Joe as part of Multicultural Children’s Book Day.
Reviewed by Ronna Mandel
Multicultural Children’s Book Day 2020 (1/31/20) is in its 7th year! This non-profit children’s literacy initiative was founded by Valarie Budayr and Mia Wenjen; two diverse book-loving moms who saw a need to shine the spotlight on all of the multicultural books and authors on the market while also working to get those book into the hands of young readers and educators.
Seven years in, MCBD’s mission is to raise awareness of the ongoing need to include kids’ books that celebrate diversity in homes and school bookshelves continues.
MCBD 2020 is honored to have the following Medallion Sponsors on board
We’d like to also give a shout-out to MCBD’s impressive CoHost Team who not only hosts the book review link-up on celebration day, but who also works tirelessly to spread the word of this event. View our CoHostsHERE.
Written by Chitra Soundar
Illustrated by Charlene Chua
(Albert Whitman & Co.; $16.99, Ages 4-8)
Every fall I celebrate the Jewish Festival of Lights, better known as Hanukkah, which lasts eight days. But there is another Festival of Lights celebrated by Hindus called Diwali that is “celebrated across five days,” depending on where one lives. This year Diwali begins on Sunday, October 27 so I wanted to share this new picture book about the holiday called Shubh Diwali! written by Chitra Soundar and illustrated by Charlene Chua.
From the very first pages when “Grandpa watches the waning moon. The festival is coming soon,” readers feel a sense of anticipation knowing that something wonderful is about to happen. Chua’s cheerful and brightly colored artwork depicts preparations underway as a multi-generational Indian family tidies their home in the days leading up to Diwali. I love how we see everyone involved, even the adorable dog, eager for the celebration to begin.
Told in rhyme, Shubh Diwali! introduces youngsters to the numerous holiday customs such as hanging bunting made from mango leaves, creating striking Rangoli art (“traditional floor decorations and patterns made from rice flour and colored powders”), and wearing new clothes. There’s plenty of storytelling by elders, in this case recounting tales of gods who “fought evil against all odds,” as well as time together with the whole family to reflect when hymns are chanted and bells are rung. Of course there’s also a lot of eating and playing because, well because that’s what happens when there’s a houseful of kids and adults!
The picture book is filled with a diverse group of friends and neighbors who are invited to share in the lovely and meaningful Diwali rituals such as lighting the lamps, exchanging presents and candy, and watching brilliant fireworks light up the skies. I learned in the interesting back matter that on the third day of this festival, which happens to be when the New Year is celebrated, people “offer food and support to those less privileged than themselves.” Also the fifth day, called Bhai Dooj, is devoted to brothers and sisters getting together to “celebrate their love for one another.”
I recommend sharing this charming picture book with children so, like me, they can learn about Diwali and its beautiful traditions. There are many holidays based on the lunar calendar and it’s a good idea to expose kids to as many as possible in order to gain a greater understanding of different cultures at home and abroad and maybe make our world a little smaller.
Review by Ronna Mandel
Read a review about another book illustrated by Charlene Chua here.
The Broken Bees’Nestby Lydia Lukidis with illustrations by André Ceolin is part of the Makers Make It Work Series. “The goal of each Makers Make It Work book is to pique children’s interest through an engaging story about making, show how it translates to everyday life, and get kids excited about exploring new ideas and creating things with their own hands.” Lukidis has chosen bees and beekeeping as her topic and it’s really quite fascinating since I happen to know a local beekeeper but have no idea what’s involved. Additionally, bee colonies are under constant threat from pesticides and, in certain circumstances even Mother Nature, so we need to pay more attention to helping these invaluable pollinators thrive.
Arun and his little sister, Keya, were looking for the perfect place for a treehouse. When Arun spotted a huge oak he knew it was the one. However there was a catch. A colony of bees had already made that tree its home. Arun also noted that it looked like the beehive was broken. That couldn’t be a good thing. Fortunately for the kids, their neighbor, Dr. Chen, was a beekeeper who kept bees in homemade wooden beehives in her backyard. She also sold honey at the local farmers’ market. She’d know what to do.
Curious and eager to help, Dr. Chen accompanied the siblings to the tree where the broken bees’ nest was located. Keya wasn’t as keen as her brother and worried about getting stung. It helped that Dr. Chen was a pro and recommended wearing protective clothing which she provided for the children. Once she confirmed the comb was damaged, most likely by a honey-loving raccoon, she explained how they’d smoke out the bees. What a cool experience for Arun!
Once they safely secured the Queen Bee and the hive, they brought them to Dr. Chen’s. That’s when it was time to start the fun and very sticky honey prep work.
At home following a busy day, Keya wondered if the bees would be happy in their new home especially now that she and Arun intended to use their old home, the massive oak, for their tree house. Arun had a plan that he felt certain would help his sister feel better. It didn’t hurt that Dr. Chen stopped by the next morning and assured everyone that the bees were adjusting well. She even dropped off a jar of honey the kids had helped package. Lukidis brings the story to a satisfying ending, one that includes the parents, a special picnic and a sweet surprise.
The artwork by Ceolin depicts diverse characters working together both as neighbors and STEM explorers and is a great fit with Lukidis’s easy-to-read and always interesting text. Throughout the 32 pages of The Broken Bees’ Nest, factoids about honeybees are incorporated into little boxes (as shown in several illustrations above) where the info can help enlighten young readers whether mentioning that honey was discovered inside the Egyptian pyramids or what a honeycomb is. Then, in the book’s back matter, there are some questions teachers or parents can ask to engage children once they’ve finished the story. Also included is an educational activity—planting a bee-friendly garden of blue, purple and yellow flowers that are sure to attract some honeybees.
The Broken Bees’ Nest is a leveled reader for the educational market targeting K-3. Kane Press, a division of Lerner Publishing, distributes their books to libraries, and schools. But Lukidis’s book is also available on Amazon for individuals to purchase. Lukidis says “It’s an especially fun read for parents so they can introduce STEM topics to their children starting at a young age.” And I agree! Got a budding beekeeper at home or a child keen on nature and helping our environment? Then order your copy of the bookhere so you and the entire family can begin learning about the importance of bees in our world.
A LITTLE CHICKEN
Written by Tammi Sauer
Illustrated by Dan Taylor
(Sterling Children’s Books; $16.95, Ages 4 and up)
If your child enjoys sweet, pun-filled, read-aloud stories with an enjoyable mix of humorous artwork, a relatable subject and “the occasional lawn ornament,” pick up a copy of A Little Chicken to meet adorable Dot.
While not all poultry are petrified of every little thing, Dot sure is. From Taylor’s very first illustration in this picture book, readers will see from her school photo that Dot, the chicken, is being frightened by a spider. (NOTE: don’t miss the end papers.) She was indeed a scaredy cat chicken. Wolves, bears and even a lovely, fluttery butterfly terrified her.
Things went from scary to hairy pretty darn quickly when one day Dot knocked an egg out of the coop. Of course this was unintentional, but regardless, she couldn’t let her “soon-to-be sibling” roll away. Dot dashed for the egg but it remained just out of reach with funny obstacles around every corner. As the egg’s momentum carried it off towards the deep dark woods, Dot had to decide if she had it in her to brave the unknown. Was she more than fluff? ABSOLUTELY! She may have been a little chicken but she also knew what mattered in life.
This highly readable, entertaining picture book is perfect for parents prone to making sound effects. It cleverly lets youngsters know it’s okay to have fears but facing them may sometimes yield amazing results, in this case a precious baby sister.
Author Tammi Sauer’s chosen to focus on fear in a way that honors this feeling and provides an easy in for a discussion about this topic with children. The story flows smoothly and little ones will be rooting for Dot along with her farmyard fan club. Sauer’s wonderful way with words is evident in A Little Chicken and she uses all the right ones though quite economically because Dan Taylor’s hilarious illustrations say so much. All the animal characters that inhabit Dot’s world are not scary nor are the lawn ornaments. In fact, I rather hope they’ll make an appearance in another story. Definitely take a crack at this recommended read!
A flower in a field. 🌸 A star in the sky.✨ Simple things seen and sensed through the eyes of a child help them find and define their place in the universe in two beautiful new picture books
from Candlewick Press and Nosy Crow.
STARDUST features a thoughtful young girl who tries and tries to shine as brightly as her talented older sister. She cannot knit as well, find a missing ring first, or design the best outfit for the costume competition. When she seeks solace under the starry night sky, her grandfather joins her for a quiet chat. Once there was nothing, he tells her, but after a BANG and a series of twinkles, stars were born. Willis sends the duo off on an imaginary journey to explore the subsequent creation of planets, moons, seas, trees and even, sisters!
Smith’s richly colored illustrations will carry young readers into the fantastical realm to introduce the Big Bang and how all is created from stardust. The tender relationship between the girl and her grandfather is light and sweet but never heavy-handed, leading to a delightful conclusion that reaches decades into the girl’s future.
The book jacket is generously speckled with silver stars and a shiny title, a bright and cheerful exterior feature that highlights and compliments this book’s encouraging message about being true to yourself.
A tiny red ladybug has captured a girl’s attention on the cover of Toni Yuly’s THE WHOLE WIDE WORLD AND ME. Open the book, and the ladybug creeps up a single blade of green grass. Suddenly a bright yellow flower dominates the page, as if from the bug’s perspective. Two boots arrive on scene, signaling the girl’s arrival and her tender exploration of the natural wonders that surround her.
The simple lyrical text is placed sparingly on the page, pacing the story with a gentle, slow unfurling from land to sea, sky and mountain.
Yuly’s captivating illustrations are a combination of ink, charcoal pencil, torn tissue, cut paper and digital collage. The colors are bold and textured, beautifully conveying the gritty beach, crisp blades of grass, and fuzzy cotton dandelion seeds. “I am a small part of it all,” proclaims the young naturalist, joyously exploring and connecting with the world around her. Readers will be duly inspired to get outdoors and join the fun.
★Starred Review – Kirkus Reviews
Reviewed by Cathy Ballou Mealey
Where obtained: I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.
Many children’s stories get the parents out of the way by killing them off. New middle-grade series, Henry & Eva and the Castle on the Cliff begins with the newspaper headline “Prominent Environmentalist and Oceanographer Die in Boating Accident.” However, Andrea Portes’s story surrounds this incident rather than pushing it out of the way and moving on. Siblings, Henry and Eva, suffer from this sudden shock but it’s the first of many in regard to their parents’ death.
Details make the story come alive such as Eva’s voice, “[the article in the paper] says that I am twelve and that Henry is ten but it doesn’t say that Henry will be eleven in three weeks and we were already starting to plan his birthday party.” Palpable grief engulfs the kids as they face a new life, one without their folks. Matters are complicated with caregivers, Uncle Claude “the Clod” and his girlfriend Terri “the Terrible,” seeming opposites from Henry and Eva’s parents.
Super-smart Henry has sunken inside himself; Eva tries to cajole him out with silly antics. The kids have a lot to deal with—then the mystery starts! Portes weaves in otherworldly elements in a fresh manner with dimensional and likeable characters. Even the “bad adults” have interesting traits. Levity and humor shine in clever lines of dialogue.
Portes is the best-selling author of two critically lauded adult novels: Hick, her debut, which was made into a feature film, and Bury This. She also writes popular YA novels.
Two wonderful new books with a Hanukkah theme are reviewed below. However, though both books are Hanukkah-themed, these particular choices convey more about family and togetherness, an important part of the holiday, than about the Hanukkah story itself.
I loved the feeling Hanukkah Hamster gave me as I was reading. Edgar, the cab driver, finds a hamster in his cab and, being a bit lonely living away from family in Tel Aviv, reluctantly brings him home. Gently but hesitantly he incorporates the animal into his Hanukkah celebrations. As Edgar dreads having the real owner claim the hamster, and sharing pictures of his “lost” hamster on his cell phone, it becomes clear that the little rodent, now called Chickpea, has become a big part of Edgar’s family. To my delight, a surprise, big-hearted resolution saves the day. I could easily see this story being read aloud to an elementary school library audience where kids might not know about lighting candles on a menorah, but certainly can relate to a lost pet! Ceolin’s artwork adds just the right mix of warmth and light to this terrific tale! Buy the book here: Hanukkah Hamster
All-of-a-Kind Family HANUKKAH, which is based on the classic books by Sydney Taylor, and written by Emily Jenkins and illustrated by Caldecott Award-winning artist Paul O. Zelinsky, is a gorgeously illustrated longer picture book set in the turn of the century. With a glossary of terms and various notes from author and illustrator, you could easily use this book to cook up some delectable potato latkes!
Being from a large family with three sisters (and the lone brother), I can relate to this new story by Jenkins. The youngest girl, Gertie who is four-years-old, has older siblings and is always wanting to do whatever the older sisters are doing—even when it’s clear she is too young. As the day progresses and the special latkes are being prepared (“… potatoes peeled, and potatoes grated, onions chopped …”) Gertie just demands to be included in the kitchen, but her tantrum sends her to her room until Father kindly finds a way for Gertie to take part in the festivities. Jenkins’ rhythmic text makes you almost drool over the wonderful smells invoked from the baking the family is doing. Zelinsky’s illustrations capture the era completely and fill them with emotion, exuberance and tenderness. This is a classic story of family with warmth, joy and love all cooked in those delicious latkes! See the author page here for her NY tour dates.
• Reviewed by Maureen Palacios, Owner
Once Upon a Time Bookstore
NOTE: Good Reads With Ronna makes no commission or profit from the sale of any book in this post. Our goal is to encourage the love of reading great books while supporting local independent bookstores.
Here are last year’s recommended reads for Hanukkah.
Fans of the Geisel Award-winning author and illustrator will love Ethan Long’s latest, Fangsgiving, which celebrates family and giving thanks in a most unusual and often kind of gross but ghoulisly good way. The Fright Club folks are cooking up a delicious holiday feast when unexpected family members show up. It seems Uncle Gus, Aunt Bessy and their boys have a better way to make the meal and that means changing a lot of the ingredients. Garlic mashed potatoes get eyeballs and earwax added, the turkey gets burned to a crisp and the pumpkin pie gets maggot meatballs thrown in. YUCK! Vladimir is not happy but is determined to look on the bright side given the holiday. But when the dining room goes dark because Uncle Gus can’t handle the daylight, his dog Spike has “devoured everything!”
Fortunately this provides a way for the Fright Club and family to team up to create another meal and make the most of their time together. Long’s laughter inducing illustrations bring the revolting repas to life and will bring smiles to many young faces eager to see how the Fright Club fares under trying circumstances. This clever approach to the traditional Thanksgiving meal and holiday, though rather unappetizing, makes for a refreshing and fun new read this season. – Reviewed by Ronna Mandel
Child’s poem turned song, Over The River and Through the Wood, is a perennial favorite at Thanksgiving time, but to be honest I never heard it in its entirety so I’m grateful to have this lovely paper-over-board picture book! In Randall’s version, the siblings, who I always imagined were in a great big sleigh beside a slew of family, are taking in nature’s beauty as they sleigh their way alone to Grandma’s house. But not for long. There are moose, beavers, foxes and bunnies to behold in the winter wonderland as well as majestic purple mountains. Soon dusk arrives but the horse knows the way so young readers don’t have to worry the children will get lost. It also appears in Randall’s illustrations that the animals are accompanying the kids on their journey, an added bonus when reading the book aloud and sharing the art. While it’s blistery cold outside, Grandma’s house is warm and welcoming inside, just the kind of place any child would love to visit. I was surprised at the ending when everyone sits around a table outside including a couple who are likely the children’s parents, but I don’t think kids will mind one bit. In fact, that way the animals are portrayed around the table makes the meal look extra special. Enjoy this festive read with family for a special holiday tradition. – Reviewed by Ronna Mandel
Colleen Madden’s brought this common holiday dilemma to the fore with her humorous take on sitting at The Kiddie Table, a fate worse than death for tweens or anyone for that matter who feels they should be seated with the adults. This fancy dressed young girl of eight is unhappy at having to share a table with little ones. Adding insult to injury is the sippy cup with a lid she’s been give along with table manners of the toddlers. One of my favorite lines, “Why am I stuck with this pacifier crowd?” drives home the point that the age and maturity range of the kids she’s sitting with leaves something to be desired. Told in slightly uneven rhyme, the story still resonates. When is a good age to move to the big people table? She doesn’t think it’s cool to be with a bunch of drooling, messy kids and that makes perfect sense. Only stewing in the situation doesn’t help.
When the miffed eight-year-old eventually melts down, yelling “This is the WORST Thanksgiving I’ve ever had in my entire life!” all the little ones erupt by throwing food and the grownups look aghast at the goings on. Luckily tween’s mom explains that asking to switch seats would have been a better approach than yelling but she also acknowledges how being seated with the babies might not have been easy. Ultimately things fall into place for the girl when she leaves the kiddie table and chats with an older cousin amongst the adults. As the evening comes to an end, the tween assumes more responsibility like cleaning up and helping the youngsters prepare to go home. Madden’s artwork is full of festive colors and expressions and reactions that pop off the page. I got a kick out of the girl’s face getting angrier and angrier and also when she yells so loud even a pregnant guest’s baby kicks! The cover alone made me want to dive in. The emotional build up of the art flows a bit better than the prose, but the essence of the story, about self-advocacy and that awkward in-between age rings true and something many children will relate to. – Reviewed by Ronna Mandel
Food Fight! A Mouthwatering History of Who Ate What and Why Through the Ages is wealth of information for kids interested in food, history, trivia, or cooking. From the Prehistoric Era through the Future World, a variety of facts are communicated in manner that’s easily understood. Each section opens with “A Bite-Size History” segment and concludes with a fun-filled short quiz.
Laid out in colorful panels, the data is abundant and accessible. Thirty kid-tested and historically inspired recipes have captivating names such as Roast Mastodon on a Stick (mastodon not required), Rosie the Riveter’s Chocolate Bread Custard, and, just in time for the holidays, Astronaut Fruitcake.
A recurring column “Table Matters” tells us why, for example, kids sit at a different table for the Thanksgiving meal. “Yucky Habits of Yore” delights with disgusting dishes such as the popular Ring-Around-the-Tuna which, yes, involved a whole can of tuna, stuffed olives, celery, and onion encased in wobbly lime Jell-O. Kids who enjoy fact-filled books or cookbooks will lose themselves in these pages.
National Geographic Kids does not disappoint with gorgeous photos throughout. Best-selling author and global food industry leader Tanya Steel is a former editor at Bon Appetit and Food & Wine, former editorial director of Epicurious, Clean Plates, and Gourmet.com, and an originator of “The Healthy Lunchtime Challenge & Kids’ State Dinner” hosted by former First Lady Michelle Obama at The White House (a national recipe contest for kids aged 8 to 12 from 2012-2016). – Reviewed by Christine Van Zandt, writer, editor, and owner of Write for Successwww.Write-for-Success.com, @WFSediting,Christine@Write-for-Success.com
With British royalty in the news so frequently of late, it seems only fitting to share Judy Moody and The Right Royal Tea Party, a brill new chapter book from Megan McDonald that is sure to get readers raring to look up their family trees. As always, this internationally best-selling series features the inimitable artwork of Peter H. Reynolds, bringing the plucky, sometimes stubborn and bossy, but always irresistible Judy Moody to life. Reynolds’ illustrations keep the story fresh and relatable from start to finish.
Judy Moody’s learning about family trees in Social Studies and teacher Mr. Todd wants everyone to research their lineage and report back. Lovable Grandma Lou’s got some interesting facts from her husband’s side of the family including one relative who died a hero on the Titanic and another who, family lore has it, goes back to the time of Queen Elizabeth I. In fact the name ‘Moody’ means brave and that long ago brave cousin might possibly have rescued someone from the Tower of London, the famous prison. Well that’s all Judy needed to hear to decide her ancestry’s tied to that of the current royal family, namely the Queen. It makes sense to Judy since she has a pen pal there already and her favorite color, purple, is the color of nobility. So no surprise that it doesn’t take long for Judy to imagine herself as Queen. She even writes a fab and funny letter to HRH with questions that are sure to crack up young readers. Here’s one of my favorite questions: Can you make someone bring you a snowball in the middle of summer? In true Judy Moody style, this young wanna-be royal creates a castle in her backyard and even digs a moat causing some royal run ins with her brother, recently dubbed Sir Short Shanks.
When visiting a nearby castle with her family, Judy and her younger brother, Stink, spy her frenemy Jessica Finch enjoying a tea party on the premises. Blimey! How could Jessica have all the fun and all the tea? Judy decides she’s going to throw a high tea party of her own, a right royal one. Only things go south quickly once Jessica Finch shares her family tree in class 3T and Judy’s seeing all shades of blue. Does she smell a rat or is she related to its keeper? Crikey! What’s a royal red-head to do? When no one shows up to her party, Judy’s dreams of queendom fade fast. Luckily a pinkie promise to keep a secret secure saves the day and Judy bounces back like any noble blooded royal would.
Filled with kid-friendly facts and puns galore, Judy Moody and The Right Royal Tea Party also includes lots of British English words and expressions explained in the back matter. It feels like McDonald had a terrific time writing the book because it reads so effortlessly and the humor flows from one fun scene to the next. Now that there’s going to be a royal birth this spring, kids will find this timely fourteenth book absotively posolutely the bees knees, no lie!
A feather. A fork. These things mean more than they seem when viewed through the loving eyes of a family in two new picture books, FINN’S FEATHER and STERLING, BEST DOG EVER from debut authors.
FINN’S FEATHER features an upbeat and energetic child who discovers a white feather on his doorstep. He runs to show the new treasure to his mother, explaining that the feather is from his brother, Hamish. His mother responds with a deep breath and a big hug. His teacher’s reaction is likewise muted. But Finn’s friend Lucas understands and shares in his delight. Together they find ways to include the special feather in their playtime.
With the feather as an equal, adventuresome partner, it is as if Finn’s deceased brother is right beside them, sharing in the delight of a spring day. When Finn finally decides to write a letter to Hamish, he uses the feather as a pen. “I whishyou were here,” he writes, and secures his message in a tree branch.
Abbott’s warm illustrations are clear and soft, setting off the emotional tale with gentle tenderness. Simple and generously spaced, the images leave ample room for Noble’stext to carry deeper meaning. The pastel color palette is attractively textured, drawing readers’ eyes to the ever-present, symbolic feather. This poignant book is ideal for helping children understand the range of complex emotions, grief and happiness, that accompany our experiences of loss and remembrance.
It’s a fork, or a dog, that stars in STERLING, BEST DOG EVER. Although no home has ever wanted to keep Sterling, he is determined to find a family. Outside the Butlery Cutlery Factory, he comes up with a plan to be shipped inside a package of utensils. Sure, he may have to disguise himself as a fork to succeed, but he’s resourceful!
The Gilbert family is skeptical but accepting of Sterling, and their dog-obsessed daughter is delighted beyond measure. But Sterling’s role is not entirely clear. Did the family want a fork, a dog, or should he try to be a whisk, a rolling pin, or a chandelier? Young readers will giggle at Sterling’s enthusiastic attempts to carve out a place for himself in the new family order.
Cassie’s illustrations are colorful, humorous and well-paced. Even when attempting to fill-in as an inanimate household item, Sterling is imbued with emotion, expression and energy. His earnest efforts and the girl’s equally passionate yearning to help her “dog-fork” assimilate are heart-tugging and funny at the same time. STERLING is a quirky, clever tale of self-acceptance and love that will hold special appeal for readers with rescue dogs.
• Reviewed by Cathy Ballou Mealey
Click here to read another recent review by Cathy.
Where obtained: I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.
HOW TO GROW A DINOSAUR
Written by Jill Esbaum and illustrated by Mike Boldt
(Dial Books for Young Readers; $17.99; Ages 2-5)
If you’re looking for a gift for a child who is about to become an older sibling, look no further than Jill Esbaum’s hilarious and practical guide to big siblinghood, HOW TO GROW A DINOSAUR with artwork by Mike Boldt. Here’s a description from Penguin Random House:
Good news: Your mom’s hatching a baby! Bad news: Babies take their sweet time. And when the baby finally hatches? He’s too little to play! He mostly screeches, eats, burps, sleeps, and poops. He doesn’t even know he’s a dinosaur! That’s where you come in. You can teach the baby just about everything–from peek-a-boo to roaring to table manners to bedtime. Growing a dinosaur is a big job, but you’re perfect for it. Why? Because one thing your baby brother wants more than anything . . . is to be just like you.
INTERVIEW: I was lucky enough to sit down for a chat (via Facebook Messenger) with Jill to talk about the book, finding time to write, and the perks of being a kidlit author.
Colleen Paeff:I love the way HOW TO GROW A DINOSAUR is playful and funny, but it’s also a legitimate how-to guide for older siblings. Did the manuscript start out that way or did it evolve over time?
Jill Esbaum: Thanks, Colleen! That evolved over time. I wrote it to be a simple, entertaining book, but it sort of took on a life of its own. My editor grabbed onto the possibilities right away.
CP:Did you send it to your agent first or did it go straight to your editor?
JE: I sent it to my agent, Tricia Lawrence. I had my Dial editor, Jessica Dandino Garrison, in mind, though, and asked Tricia to send it to her first. It seemed like the kind of goofy humor she might like.
CP:So, you had worked with this editor before?
JE: Yes. We had worked together on both I HATCHED and I AM COW, HEAR ME MOO!
CP:Is it easier to work on something with an editor you’ve worked with before?
JE: Definitely, because you (sorta) know what might work for her/him and what probably
CP:How long was the process from first draft to publication for HOW TO GROW A DINOSAUR?
JE: I sent it to Tricia in May of 2015, and by October we had an offer. The process didn’t really start until March, when the contract was finally buttoned up. So March, 2016, to January, 2018. Not bad.
CP:Is that faster than usual? Or is that normal for you?
JE: That was about the same as my other recent books. I once waited nearly 5 years, though, so 2 years felt like lightning speed. My last 5 (or so) books have all been about 2 to 2 and a half years from sale to publication.
CP:Wow. That seems fast!
JE: Still seems fast to me, too. My earlier books were mostly 3-year books.
CP:I’m curious about the ratio of stories you write to stories you sell. Do you have many manuscripts in the proverbial “drawer” or do you sell most of what you write?
JE: That’s hard to say right now. My agent has 6-7 picture book manuscripts that started to make the rounds last year. Considering my entire career, though, I suppose I sell…50% of what I write? That’s probably just because I refuse to give up on some that deserve the drawer. I can’t help tinkering with rejected stories in hopes of making them irresistible the next time out. That persistence has often paid off for me. An offer came in last month for a picture book that had been rejected 7-8 times since I wrote it in 2014.
CP:Do you usually work on one project at a time or several?
JE: Several. Right now, I have a chapter book, 3 picture book manuscripts, and a nonfiction project all front and center on my computer desktop.
CP:Are you someone who writes every day or do you have a more flexible schedule? And how do you squeeze it in around farm work, grandchildren, school visits, and teaching a summer writing workshop?!
JE: I don’t feel like I’ve been doing a very good job of it lately, honestly. Working on that. But I can’t always make writing my priority. Family comes first, always. One thing that has also been squeezing out writing time lately is handling the business side of being published. I don’t love it, and it’s a huge time suck. Long, leisurely days of “Hmm, what should I work on first?” are VERY few and far between, these days.
CP:But it seems like you’re so prolific!
JE: I don’t feel that way. I always feel like I should be writing more. For instance, I wrote a quick draft of a new picture book and sent it to my online critique group about 10 days ago. They’ve all weighed in, and I’m chomping at the bit to start tweaking. But I haven’t yet been able to make the time. Part of that is because I have a new book out and am doing my best to promote it, including my first-ever launch party this next weekend. Partly it’s because the flu sidelined a grandson’s babysitter, so I stepped in there. Grammy duty is one of the best parts of my life!
CP:Is hanging out with your grandkids a big source of inspiration for you?
JE: It is! And I hadn’t really expected that. My fingers are tightly crossed for a project going to its final yes/no meeting next month that springs entirely from a moment I experienced while babysitting my granddaughter. Crazy.
CP:I know you write both fiction and nonfiction. Do you have a soft spot for one over the other?
JE: I suppose I have a soft spot for fiction, but only because that comes entirely from my own imagination, and it’s a blast to see that come to life. I love writing nonfiction, too, because all the information I need is easily available to me, and all I have to do is figure out a way to make it engaging for kiddos.
CP:Let’s get back to HOW TO GROW A DINOSAUR. I love the parts in the story where the text is vague, but the illustrations show something alarming, or moving, or downright hilarious. Did your manuscript go to the illustrator with art notes or was that all him?
JE: I did include brief art notes here and there. But much of it was left for the illustrator’s imagination. I don’t think I had an art note for the page in which the baby dino is teething on the cat. And that turned out to be one of my favorite illustrations.
CP:Yes! I love that one. And I love the one where the big brother roars and scares the baby. They both look so sad.
JE: I feel very fortunate that both Jessica and the illustrator, Mike Boldt, understood what I was trying to do.
CP:Do you have a favorite unexpected detail?
JE: My favorited unexpected detail is that Mike inserted picture books here and there with titles that are plays on books of his or mine. There’s I Don’t Want To Be a Stegosaurus (from his book with Dev Petty, I Don’t Want To Be a Frog); I Hatched; and I Am T. Rex, Hear Me Roar! (from my I Am Cow, Hear Me Moo!) Too funny. Illustrators are brilliant.
CP:Yes! I love those, too. And I love how all the illustrations in the books are dinosaurs. It’s so clever.Did you see any artwork while it was in process or did you have to wait until it was complete?
JE: I did get to see the black and white sketches. It was obvious even then that this one would be special.
CP: Do you sometimes feel a sense of trepidation when you give up your manuscript to an illustrator?
JE: No, I never feel that way. I’m always excited to see what they bring to the story. Seeing their sketches feels like unwrapping a gift.
CP:What’s next for you?
JE: I have a couple of nonfiction books coming out in March. Picture book-wise, two projects are in the pipeline that I can’t yet talk about. And my fingers are tightly crossed for a third. Meanwhile, I’ll be writing whenever I can squeeze it in. Enough of that, and projects eventually get finished.
CP:What do you wish you’d known when you first started writing for children?
JE: I don’t think there’s anything I can say I wish I’d known. Getting to this point in my career has been one long, slow learning process, of course. But I can’t wish I’d had shortcuts, because everything that’s happened has made me a stronger writer.
CP:That’s good to know!
JE: The BEST thing that’s happened in the past 20 years: If anybody had told me, early on, that in 20 years I’d have this many amazing and talented author/illustrator friends all over the globe I would have thought that person was nuts. I mean, I live in Iowa; how would I meet them? Ha. Enter the internet. And SCBWI conferences and literature festivals. Meeting so many terrific book people has been one of the highlights of my life.
CP:It’s definitely one of the perks of this business. Thanks so much for doing this, Jill!
In justunder 60 words on 14 sturdy pages, Llama Llama Gives Thanks, based on the characters created by Anna Dewdney, perfectly and joyfully conveys what the holiday is all about — celebrating together with friends and family, trying new foods and giving thanks not just on Thanksgiving but throughout the year. A message worth remembering and easy to understand when shared by Dewdney’s beloved characters.
Otis Gives Thanks, a 30 page board book, is certain to appeal to old Otis fans and bring new ones on board. Long’s popular tractor is grateful for so many things on the farm where he lives and works. Whether he’s hopping over hay or settling down to sleep, Otis is always thankful for playful moments, hard work and friends. This beautiful book radiates warmth with its stunning artwork of muted hues and feeling of a bygone era. Every page is a tribute to the heartland where our food is grown and a caring community including farmers love the land and the country, just like Otis does. www.otisthetractor.com
This sweet interactive board book invites young readers to help Baby find his cuddly turkey. By lifting assorted flaps and searching behind seasonal flowers, a gate, a basket, the fridge, in the kitchen and behind the door, Baby is introduced to a colorful variety of Thanksgiving items until his plush toy turkey is found. With just the right amount of flaps to entertain and engage, Where is Baby’s Turkey makes an ideal gift this holiday season for those just learning what Thanksgiving is all about.
The Ugly Pumpkin
Written and illustrated by Dave Horowitz
(Nancy Paulsen Books; $7.99, Ages 2-5)
Move over duckling, here comes The Ugly Pumpkin! Horowitz’s hit, The Ugly Pumpkinis now in board book format with its humorous illustrations and rhyming first person text. Ideal for both Halloween and Thanksgiving, this tale is about a distinctly shaped pumpkin who is frequently mocked, never gets picked and is left to wander on his own to find someplace where he’ll be accepted and belong. The mood picks up when he discovers “a garden that was overrun with squash. I noticed something very odd and then thought, O my gosh …” This little pumpkin was a happy little pumpkin when he learns he’s really a squash! And for him, that was definitely something to be thankful for! Horowtiz’s whimsical illustrations add another layer of zaniness to a funny story that easily engages kids since it’s impossible not to empathize with the long, thin orange narrator.
If you’ve ever visited New York’s Tenement Museum, this historical fiction picture book will surely resonate with you. But even if you haven’t, from the very first page you’ll be transported back to the Lower East Side in November of 1918. Americans were overseas fighting and at home an influenza pandemic swept across the country making thousands of children, rich and poor, orphans. The disease did not discriminate. In the two-room tenement of nine year old Loretta Stanowski, or “Rettie” as she was known, looked after her consumptive mother and three younger siblings. Her father was a soldier somewhere abroad. So, to earn money to support the family during her mother’s illness, Rettie cleaned rags. She also longed for the upcoming Ragamuffin Parade which many now say was the precursor to Macy’s Thanksgiving Day Parade. But would the city call off the event since so many people were ill and public gatherings had been stopped to prevent the influenza from spreading? During the Ragamuffin Parade, wealthy people would line the streets and give pennies to the raggedy clothed children who asked, “Have ya anything for Thanksgiving?” There would also be a scramble at busy street corners were pennies were tossed in the air and kids would scramble to collect as many as possible, hence the name. The parade would provide a much needed opportunity to bring in extra money. Putting food in the mouths of her family was Rettie’s top priority as was staying healthy so when her tenement building’s manager came down with the flu and was quarantined, an opportunity for Rettie to earn more money presented itself. This moving story is a well-written and engaging resource for anyone interested in daily life in early 20th century New York, although these scenes likely played out in cities across America. As the war came to end on November 11, 1918, President Woodrow Wilson declared November 28 a day of Thanksgiving. To this day we gather together as Americans to share a meal and reflect on our many reasons to be thankful. Between Noble’s well-researched story and Gardner’s evocative illustrations, Rettie and the Ragamuffin Parade is a treat. The spirited young Rettie is an inspiring main character and her devotion to her family shines through on every page. An author’s note at the end provides more details for young readers as does an archival photo circa 1910 of the ragamuffins. Despite having grown up in New York, I’d never heard of this parade and appreciate Noble’s successful efforts at capturing the time, place and people struggling daily on the Lower East Side.
Written by Corey Rosen Schwartz Illustrated by Deborah Marcero
(G.P. Putnam’s Sons BYR; $17.99, Ages 4-8)
Twinderella: A Fractioned Fairy Tale delights with its clever premise: Cinderella has a twin! In this 32-page picture book, Tinderella is a math whiz who divides the girls’ grueling tasks precisely down the middle. They each do, “Half the folding, half the mending, half the mean stepsister tending.”
Following the traditional story, on the night of the Royal Ball, Cinderella tearfully summons her “fairy godmom.” The fairy sparkles up some party dresses for the girls with accessories that Tin splits into two sets. However, when Prince Charming falls for both sisters, a dilemma ensues. Which sister should he wed? Luckily, Tin is again quick of mind and suggests a fabulous formula that, with some magic, may just work out.
This retelling enchants with its spot-on rhyme. The addition of the “fractioned” facts smartly introduces simple math, demonstrating in a straightforward manner how parts of a whole fit together.
Marcero’s artwork combines the timeless feel of a “Cinderella” story with a modern edge. Black spaces are skillfully presented—from classroom blackboards showing mathematical formulas to shadowy silhouettes in the margins.
Schwartz, author of The Three Ninja Pigs, Ninja Red Riding Hood, Hensel and Gretel: Ninja Chicks, and Goldi Rocks and the Three Bears continues to reign supreme with her funny adaptions of fractured fairy tales. In Twinderella, the girls, of course, live happily ever “half-ter.”
MEET DANIELLE DAVIS,
ZINNIA AND THE BEES
Written by Danielle Davis
Illustrated by Laura K. Horton
(Capstone Young Readers; $14.95, Ages 9-12)
Yesterday, August 1st, was the debut of local L.A. author Danielle Davis’s new middle grade novel, Zinnia and the Bees. Today I’m totally tickled (but not stung mind you!) to share my recent interview with Davis as she weighs in on the who, what, when, where and why of her delightful magical realism story. But first I’d like to share some of my own thoughts. If you’re eager to get to the Q&A with Danielle, please feel free to scroll down. Below that you’ll also find a trailer for the novel.
Zinnia, the main character in Danielle Davis’s Zinnia and the Bees, struggles with several relationships throughout this introspective, humorous, and totally absorbing book. It’s filled with many of those confusing, sometimes immobilizing emotions that I recall experiencing in middle school (which was called junior high back then). Added to that are accounts of several uncomfortable situations Zinnia finds herself immersed in which will surely resonate with today’s tweens. And though she may seem to avoid friendships, she ultimately realizes that those connections are what she really needs. Her mom, a widow, dentist and community activist, always seems otherwise occupied. She practically lives at her practice, leaves impersonal post-it notes and is more into her rescue dog than her daughter. Then there’s Zinnia’s brother Adam. The book opens with a wacky and wonderful yarn bomb episode that pulls readers into the story and demonstrates the siblings’ close relationship, despite the six years age gap.
On that very same day, Adam skips out on Zinnia and her mom, no warning, no note, nothing to let her know where he’s gone. That, after all they’ve shared, hurts more than also losing her group of friends NML, Nikki, Margot and Lupita. When they were pals they were NMLZ, but now Z was on her own. That is until a clever and curious neighbor’s nephew comes to town for summer. Far from perfect, yet not easy to push away, Birch demonstrates to Zinnia the magic of nature and the transformative quality of a good friend. His timing couldn’t have been better because after a visit to the local ice cream parlor, where some ice cream got in her hair, Zinnia has attracted a colony of crazed and kooky honeybees who find what they hope will be temporary accommodations in her long curly hair.
As Zinnia tries to make sense of her brother-less world, she’s also trying to figure out a way to get the bees off her head. We get vivid glimpses of a close relationship Zinnia has with her aunt, without which would make her mom’s indifference more intolerable than it already is. After all, it was her mom who pushed Adam away.
The humor shines through when reading the perspective of the hiveless bees hanging out in Zinnia’s hair. They get a chance, every several chapters or so, to share their thoughts on being homeless. This gives readers a chance to get into the bee narrator’s head and think about bees in a whole, hysterical new way. I now bravely scoop dive-bombing bees out of my pool instead of letting them drown thanks to Zinnia and the Bees! (No bees were hurt in the making of this novel, but do not attempt a rescue if you are allergic to bees!)
Davis has crafted a quirky and creative story where the presence of yarn in many ways can be seen as a connector of people, as well as something safe and comforting. The bees represent a longing for home, and Zinnia’s need to be heard and loved unconditionally, like her brother. There are truly many layers to the story of Zinnia and the Bees making this debut novel from Danielle Davis such a sweet, satisfying and thoughtful read.
Review by Ronna Mandel
Good Reads With Ronna:What was the genesis forZinnia and the Bees?
Danielle Davis 🐝: The idea for this book came from an image my husband passed along to me that had come to mind of someone with bees on and around their head. I was interested in fairy tales and stories that contained an element of the bizarre and even wacky, so the idea appealed to me immensely. With his permission, I ran with it (this is one of many reasons the book is dedicated to him). I wanted to know more about the way the bees might be a stand in for anxiety and navigating difficulties. And I wanted to know more about the person who found themselves in this predicament.
GRWR: Zinnia struggles with several relationships throughout the book and, after her brother Adam’s abrupt departure, she feels completely abandoned and alone. Then a swarm of hiveless honeybees takes up residence in her curly hair. Since the bees feature prominently in your story, can you talk about the significance of this magical realism element and how you decided to have two different perspectives recount the story?
DD 🐝:I was curious about Zinnia, but I was also curious about those insects. Disappearing bees were in the news quite a bit when I was first writing this story, and I’d heard about agricultural bees who traveled around with beekeepers to pollinate fruits and vegetables for humans (it’s a real thing!). So, I dreamed up a colony of bees who, while happy enough in their existence, felt like something was missing and yearned for freedom. I wanted to hear from them, and hoped readers would too. Writing the bee sections was really fun for me—they’re communal and existential and, I hope, hilarious (they always made me laugh!).
GRWR: A yarn bombing episode propels the plot line forward. Zinnia finds comfort in knitting and it feels like there is some symbolism with yarn. Was that intentional? Also, Zinnia has practically yarn bombed every item in her bedroom. As a child, were you a knitter like Zinnia? Is there any particular reason you chose knitting versus another craft since I know you share a lot of crafts on your picture book blog, This Picture Book Life?
DD 🐝:While the yarn symbolism was, admittedly, unintentional, it’s certainly there since yarn can provide comfort and so relates to the concept of home, which is at the heart of the novel. For me, I’d made Zinnia a knitter in the vein of any artist or maker (or writer) who experiences that sensation of flow when immersed in their preferred activity (plus, I’d recently learned about yarn bombing). For Zinnia, knitting is a way she soothes her anxiety, helps make sense of her world, and takes her mind off, well, everything. It’s a way for her to both focus and escape.I was certainly not a knitter—Zinnia is way more talented than I am! But for me, reading was similar to what knitting is for her. As a child, books were a way to soothe my anxiety, focus, and escape. Stories also, subconsciously I imagine, helped me make sense of the world.
GRWR: Your sense of place, your characters, voice, dialogue and plot all come together seamlessly to create, like the knitted lens covers for Birch’s binoculars, a cleverly crafted story. What was the easiest part for you to write and which is the hardest?
DD 🐝:Thank you, and what a neat question! Once I crafted this for a middle grade audience (I started it as something for adults—what was I thinking?), the first draft was pretty easy to write. I was emerging from a very challenging period in my own life, so writing the first draft of Zinnia and the Bees felt sort of effortless and full of joy as an extension of that unburdening. The interactions between Zinnia and Birch were natural and fun to write, as were the bee sections, where I could be as wacky and dramatic as I wanted. But all the revisions that followed, which were numerous and spanned years, were probably harder in general. And then working with my editor, Ali Deering at Capstone, was a little of both. She had brilliant ideas for making the story better in important ways and I got to prove to myself that I could create under her amazing direction and necessary deadline. The harder part was that having an editor meant I also had the pressure of knowing this was going to be a real, published book and that someone might actually read it someday.
GRWR: Though I really like Zinnia and her aunt Mildred, I’m especially fond of Birch who is visiting his Uncle Lou, the neighbor, for the summer. The friendship that slowly grows between Birch and Zinnia is so satisfying. Is there one character you relate to the most or is there a little bit of you in each one?
DD 🐝: I’m super fond of Birch as well—such a patient, loyal friend. While I’m confident there are parts of me in Zinnia, she feels to me like her own person (yes, these characters totally feel like real people to me!). I have a real soft spot for Birch’s Uncle Lou and both he and Zinnia’s Aunt Mildred are examples of the positive, caring adults every kid deserves to have in their lives.
GRWR: Dr. Flossdrop, Zinnia’s mom, is a memorable character. She’s distant, domineering and definitely not warm and fuzzy like the wool Zinnia knits with or her brother Adam whom she adores. How did you develop this dentist who relates better to her rescue dog than her own daughter?
DD 🐝: I knew I wanted Zinnia and her mom to start out feeling as different as possible and then learn that, emotionally, they have a lot in common even if it’s hard to tell from the outside. As for a neighborhood activist dentist who adopts a terrier and brings it to her office? I guess I was going for zany, and someone who would be as infuriating as possible to Zinnia.
GRWR: Do you have a preference when it comes to picture books and middle grade novels and which one do you read more of yourself?
DD 🐝: As in childhood, in adulthood I first fell in love with picture books, and then found middle grade novels. I read and enjoy both consistently, but I’m a bit more immersed in picture books in terms of quantity because of myblog.
And The Red Treeby Shaun Tan is my very favorite book.
GRWR: Where is your favorite place to write?
DD 🐝: I usually write in my apartment. I like the ease and comforts of home (like having neverending cups of tea when working), but I can still hear the sounds of the city and know it’s there. I like to revise out somewhere, preferably a coffee shop.
GRWR: How long did Zinnia and The Beestake you from concept to completion?
DD 🐝: I began the story in 2008, wrote the first middle grade draft in 2010, I believe, and sold it to and edited it for Capstone in 2016, and now it’s out in 2017.
GRWR: Can you talk about your passion for literacy and your volunteer work?
DD 🐝: I’ve been lucky enough to have the ability to volunteer with both WriteGirl and Reading to Kids respectively here in Los Angeles. The former is an organization that mentors teen girls through weekly one-on-one meetups to write together. Plus, the monthly workshops are epic and full of working writers sharing strategies and stories with teens. (And, an amazing WriteGirl who’s headed to college this fall is interning with me over the summer!)
The latter holds reading and crafting events at L.A. area elementary schools one Saturday a month. It is a total joy to participate and each child gets a free book to take home as well. That’s around 800 books given to 800 kids each month! It’s a privilege to be a small part of what the organization is doing to serve kids in my city. I wrote about the experience a couple of years agohere.
GRWR: Can you think of anything else I haven’t asked about that you’d like to share with readers about either Zinnia and the Bees or you?
DD🐝: Thank you so much for having me. It’s a huge treat to be featured on Good Reads With Ronna!
Visit Danielle’s website here.
Find her at Twitter here.
Find her at Instagram here.
Click here to see Danielle’s Facebook page
And click here to for her Pinterest boards.
Visit illustrator Laura K. Horton’s website here.