★Starred Reviews – Bulletin of the Center for Children’s Books, Kirkus, Publishers Weekly
The young adult novel Deeplight grabbed me when I read it described as Twenty Thousand Leagues Under the Sea meets Frankenstein. Frances Hardinge does not disappoint. Fifteen-year-old Hark lives in the island chain of Myriad on Lady’s Crave where the Hidden Lady was once their god, before the gods inexplicably killed each other off. Hark and his friend Jelt—both unwanted children their destinies seemingly “cojoined against their wills”—get by together on the rough streets. Jelt leads Hark to increasingly perilous transgressions until Hark is caught and given a three-year sentence of servitude. The woman who buys him at auction brings him to the island of Sanctuary where he’s assigned various chores but is also asked to spy on the aging priests, seeking their secrets about the gods. Hark finally has the chance to think about who he is and what he wants out of life. However, he’s once again a pawn but this time the stakes include everything.
Frances Hardinge’s beautifully written story will sweep you away in this coming-of-age fantasy adventure to remember. It was refreshing to read a book that felt new in many ways, illuminating light into areas of what could have seemed like familiar tales. Instead, Hardinge kept me guessing with the story’s twists. While the thrills were fun, I appreciated the undercurrent, reminding us that we all carry stories and that when someone dies, a world of knowledge dies along with them. To understand and remember the past, we must recall and retell it and we must listen to the stories that lie inside of others.
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Following a devastating senior year, things are looking up for eighteen-year-old Sabine Reyes. She has been accepted to a prestigious art school on a full scholarship, including an allowance for housing. Still traumatized from the events of her senior year, which left her homeless, she becomes alarmed when her professor, a noted artist, is brutally critical of her artwork. Nothing she does meets his approval and she is fearful that failure in this class will result in the loss of her scholarship. Vulnerable, and under intense pressure, she is manipulated by someone she trusts, and engages in unethical activity she at first rationalizes and later realizes is wrong.
Set in contemporary Pasadena and surrounding areas, Linka’s book explores Sabine’s last year of high school and how the events of that year impacted her later actions and decisions. This gradual build up, intertwined with Sabine’s current life of school, work, friendships, and loves, dramatically increases the story’s intensity. Readers helplessly witness Sabine’s entanglement in a criminal world and the staggering consequences she faces when exposed.
Linka’s love of art is clearly evident in the story and provides fascinating backdrops and insights. Yet, this story is also shaped by Linka’s growing concern over homelessness, especially among college students. In Sabine, Linka has created an innocent and fragile young woman who has experienced hardships unimaginable by most of her peers. Due to society’s negative impression of the homeless, Sabine lives in fear that her friends and classmates will find out about her earlier homeless experience. Yet this very hardship enables Sabine to treat the story’s homeless characters with dignity and respect. One such character, inspired by the author’s chance encounter with an older homeless woman, becomes the subject of a powerful work painted by Sabine.
I recommend this complex and gripping story, infused with the beauty of art and the ugliness of deceit and betrayal.
Review by Dornel Cerro
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SWING Written by Kwame Alexander with Mary Rand Hess (Blink YA Books; $18.99, Ages 14-18)
★Starred Reviews – Kirkus, School Library Journal
Kwame Alexander’s Newbery Award-winning novel, The Crossover, used basketball as the backdrop for the story. His new book, written with Mary Rand Hess, is a novel-in-verse called Swing with a prologue beginning:
We were halfway through
Rounding the bases.
About to score
it’s a good bet that the title refers to baseball.However, Hess and Alexander also collaborated on the 2017 novel Solo about rock and roll, and it turns out that Swingis as much about swinging the beat as swinging the bat. Most of all, though, it’s about putting yourself out there and embracing life.
The book opens as narrator Noah and his best friend Walt (AKA “Swing”) have again failed to make their high school baseball team. Noah wants to give up, lamenting:
But the truth is
Our baseball dream
is a nightmare.
It haunts me.
Noah defines himself by what he can’t do. He can’t play baseball, and he can’t tell his longtime crush, Sam, how he feels about her. With Walt’s encouragement, Noah tries writing poetry for her, but it’s not very — well, see for yourself:
I want you
to be my symphony
two piccolo trumpets
Even Walt agrees the poem is not good enough to give to Sam, but when Noah buys a second-hand Louis Vuitton Keepall as a birthday gift for his mom, he finds old love letters stashed in the lining that inspire him to try again.
Tonight, I’m ready
To tear courage
Out of the book of dares
And make it mine.
The love letters give him a scaffold for creating art worth sharing. Noah uses them to make blackout poetry — he blacks out some words so that the ones that remain legible form a new poem — and then adds original graphic elements with his pen. The resulting mixed media art stands out, even in this book composed entirely of poems. They make me curious; I have to figure out which letter Noah uses for which piece. They make me want to try writing blackout poetry myself, and they make Noah more confident, able to express himself and impress the girl he loves.
As wonderful as Noah’s art is, my favorite creation in this book is, simply, Walt. I want to reread Swingto spend more time with him. Noah describes him and his quirks like this:
My best friend
Walt Disney Jones
is obsessed with jazz,
dead famous people,
and finding cool,
if it’s the last thing
we ever do.
But Walt’s a
on how to
never give up
until you win.
When it comes to “finding cool,” especially with regard to girls, Walt relies on his older cousin Floyd and a podcast called The Woohoo Woman. He won’t give up, whether he’s practicing baseball or finding a date for prom. He even gets a tattoo inspired by Tupac Shakur’s acronym THUG LIFE. Walt’s tattoo says HUG LIFE, exhorting everyone who sees it to embrace the world, and all its people and opportunities, wholeheartedly.
Noah’s quest to win Sam over from her boyfriend takes flight after Noah’s parents go on a trip, leaving him home alone for a few weeks. Noah’s grandmother is supposed to supervise him but doesn’t believe it’s necessary. Walt, on the other hand, moves right in, believing Noah absolutely needs supervision if he’s going to win Sam’s heart. Walt anonymously sends Sam one of Noah’s poems, but it’s still up to Noah to decide how and when to reveal himself. Will he ever convince Sam to promote him out of the friend zone?
Swing is most of all a coming-of-age story, but there is a mystery in the background throughout. People find American flags left on lawns, stuck on windshields, and painted on freeway exit signs, and the town debates whether the flags represent a show of patriotism or a sinister warning.
…no one can agree
on why the flags are here,
who’s planting them,
and whether or not
we should be
happy or offended
that they’re growing
The flag mystery leads a fairly light story into heavier territory. I believe in building empathy and understanding through books about difficult topics; however, in Swing, the social justice issues are not well developed. Because of this, I felt unprepared for a tragedy (caused by police using excessive force) at the end of the book, and I think younger, sensitive readers in particular may have the same experience. Most of us dislike spoilers, but with Swing I think it’s fair to provide readers with a little warning before reading and a lot of opportunities for discussion afterward. In that context, I recommend Swing to readers fourteen and up as both a funny coming-of-age buddy story and a serious vehicle for discussing the people we as a society forget, fear, or abuse.
A REVIEW + GIVEAWAY FOR MULTICULTURAL CHILDREN’S BOOK DAY
LOVING VS. VIRGINIA A DOCUMENTARY NOVEL OF THE LANDMARK CIVIL RIGHTS CASE Written by Patricia Hruby Powell Artwork by Shadra Strickland (Chronicle Books; $21.99 – available after 1/31/17, Ages 12+)
REVIEW:When I read Patricia Hruby Powell’s Loving vs. VirginiaI felt like a fly on the wall or a Jeter family cousin, as the action of this powerful story unfolded around me. Despite knowing how things turn out in the end, I found every aspect of this teen docu-novel incredibly riveting and eye-opening. Through meticulous research and interviews,Powellhas successfully managed to transport readers back in time to the Jim Crow south of Caroline County, Virginia. Plunked down into the small neighborly community of Central Point, we’re quickly swept up into the lives of sixth grader Mildred Jeter, and her close knit family. The year, 1955.
As the romance between family friend Richard Loving and Mildred Jeter developed and grew, so did their problems. Strict segregation laws banning interracial marriage were in effect in over 20 states making any romantic relationship between a black woman and a white man a crime, and vice versa. Virginia, the state that Mildred and Richard called home, made no secret of its distaste for interracial marriage and did whatever it could to thwart these relationships. Mildred often noted that had their genders been reversed making Mildred a white woman and Richard a black man, he’d have surely been hung.
So while things were already difficult for these two, matters were made worse by the local law enforcement. A nasty man named Sheriff Brooks was determined to keep the lovers apart or make them pay. When Mildred and Richard eventually got married in D.C. where it was legal to do so, they returned home to Central Point intending to stay under the radar. But secrets were hard to keep in small towns and it wasn’t long before Sheriff Brooks invaded their home as the legally married couple slept together. The marriage was not considered legal in Virginia and the Lovings were guilty of committing a crime. Mildred and Richard were arrested! Having not seen the film or read anything about the Lovings, I was shocked by this dead of night intrusion.
This would only be the first of several arrests that eventually led Mildred and Richard to young lawyers with the National Civil Liberties Union. The Loving’s rights as Americans, according to their plucky attorneys, were being denied. It took several years and a lot of personal sacrifice for the couple, but they worked through every issue, and their compelling case was ultimately heard by the U.S. Supreme Court. Of course as we all know, they won in a unanimous decision under Chief Justice Earl Warren, but the fear of losing was palpable. It was no longer illegal to marry someone of another race. And at last, the Mildred and Richard could raise their children in their home state of Virginia without fear of breaking the law. Perseverance, fearlessness, and commitment helped this couple make history. The year, 1967. And now in 2017 we can proudly mark the 50th anniversary of this important case and the Lovings that made it happen.
Powell’s writing is at once simple yet sophisticated. The ample white space of each unillustrated page invites readers in slowly and calmly as the tension of the story builds. Told in blank verse, Powell’s narratives alternate between the distinct voices of Mildred Jeter and Richard Loving, bringing enlightening perspectives to teen readers. The text is complemented by illustratorShadra Strickland’s evocative artwork done in visual journalism style “characterized by a loose, impromptu drawing style” containing overlapping lines and “an informal feeling of sketches in the final composition.” Strickland’s illustrations made it easy to picture the setting, the characters, the time period and the events. I cannot imagine this story with any other type of art. Its minimal and muted color palette and its interspersing of historical photos in black and white worked wonderfully to convey the mood of this era. Helpful information can be garnered from the extensive resources included in the back matter of this book such as a time line, a bibliography, quote sources and moving messages from the artist and author. With its still timely message of civil rights, equality and racial tolerance, Loving vs. Virginia should be required reading for every high school student. I will be recommending it to everyone I know with a teen at home.
Reviewed by Ronna Mandel
Multicultural Children’s Book Day2017 (1/27/17) is its fourth year and was founded by Valarie Budayr fromJump Into A Bookand Mia Wenjen fromPragmaticMom.Our mission is to raise awareness on the ongoing need to include kid’s books that celebrate diversity in home and school bookshelves while also working diligently to get more of these types of books into the hands of young readers, parents and educators. Despite census data that shows 37% of the US population consists of people of color, only 10% of children’s books published have diversity content. Using the Multicultural Children’s Book Day holiday, the MCBD Team are on a mission to change all of that.
We’d like to also give a shout-out to MCBD’s impressive CoHost Team who not only hosts the book review link-up on celebration day, but who also work tirelessly to spread the word of this event. View our CoHostshere.
From acclaimed author Patricia Hruby Powell comes the story of a landmark civil rights case, told in spare and gorgeous verse. In 1955, in Caroline County, Virginia, amidst segregation and prejudice, injustice and cruelty, two teenagers fell in love. Their life together broke the law, but their determination would change it. Richard and Mildred Loving were at the heart of a Supreme Court case that legalized marriage between races, and a story of the devoted couple who faced discrimination, fought it, and won.
Patricia Hruby Powell’s previous book, Josephine: The Dazzling Life of Josephine Baker, won a Sibert Honor for Nonfiction, a Coretta Scott King Honor, and five starred reviews. She lives in Illinois.
Shadra Strickland is an illustrator whose work has won an Ezra Jack Keats Award, a Coretta Scott King/John Steptoe Award for New Talent, and an NAACP Image Award. She lives in Maryland.
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