Christopher Franceschelli’s latest book in his Abrams Block Book series is Spookytale, an interactive board book. We travel along with a boy, girl, and dog to their far-off destination: a haunted house. This journey takes them through the woods, across the bridge, and so forth. Each scene has die-cut pieces that lift to reveal fun Halloween-themed surprises. Fun hole-punched areas add textural interest.
The simple text is offset with rich illustrations by Allison Black. Pages have a lot going on; in subsequent readings, kids will find something new. Done in autumnal tones with pops of bright colors, costumed kids and smiling monsters are equally cute. The final scene is a dramatic quadruple gatefold that reveals all the festivities inside the house.
I love Halloween books and Tracy C. Gold’s Trick or Treat, Bugs to Eatis one of my favorites to date. The words are set to the “Trick or Treat, Smell My Feet” rhyme: “Hear my calls / bounce off walls, / echoing as darkness falls.” From there, Gold has gotten clever by presenting a story about a bat out trick-or-treating, weaving in lots of animals facts. For example, we learn bats are nocturnal, use echolocation, and they sure eat a lot of bugs—up to a thousand insects each night!
Coupled with the exceptional text is Nancy Leschnikoff’s outstanding art. I don’t know how many times I exclaimed, “It’s so cute!” while I read this book, but the expressive bat really is that adorable. Surrounding scenic art is just as great (love the raccoon!). The nightscape is rendered in appealing shades of blues and purples.
At only eight-by-eight inches, this 32-page picture book fits well in small hands. Between the engaging story, excellent art, and informative back matter, this book’s got it all.
Kids will cluck out loud upon reading this chicken-centric ghost tale children’s book. In a nutshell (or should I say eggshell?), the story opens with an unsuspecting chicken getting run down by a massive truck and becoming a ghost. I mean, why was he crossing the road in the first place, right?
Soon, all the other local animals that have been hit by vehicles gather around the newly dead chicken to explain the ropes. The humor in this fast-paced read is that they want the newly deceased fowl to begin haunting, only this “spring chicken” has no desire to frighten others. In fact, at one point he turns to the reader and asks, “Pssst? Are you OK?” The sweet surprise is when the fryer asserts himself, accidentally scaring off the troublesome spirits.
The story comes hilariously full circle when the scene switches from the pleased poultrygeist to a squirrel crossing the same dangerous roadway. Pete Oswald’s expressive art in Poultrygeist adds another fun layer to this dark and delightful Halloween story that perhaps unintentionally and hilariously drives home the point to look both ways when crossing
Carolyn Crimi’s rhyming picture book, How to Haunt a House, features ghosts in a classroom being taught the teacher’s “special ghost technique” for haunting. Groana, Moana, and Shrieky are assigned three houses; all goes well until the last one which proves to be a challenge. The ghosts must figure out something new that will scare the ghouls who live there. It’s got to be tough when, instead of fleeing, “the small girl kissed those scrawny rats.”
Comical illustrations by Edward Miller enhance the text’s humor. His evocative characters are a kick; I especially like the skulking, glaring black cats. The book’s underlying message, “Do not give up! You’ll find a way!” is tackled lightheartedly yet still shows how, sometimes, you need to come at a problem from a new direction in order to solve it.
I never thought I would want to meet a skeleton until I met the adorable protagonist in If You Ever Meet A Skeletonwritten by Rebecca Evans, who was inspired to write this story after meeting a skeleton in a museum.
Sleeping underground with other skeletons and a few bugs, Skeleton climbs to the surface looking for a friend. He finds three kids dressed in costumes on Halloween night. Dreiling illustrates the skeleton with a piece of blond hair giving the reader a feel for what he looked like before his demise. Evans’ rhyming words take what could be a scary topic and turn it into a humorous read. “Skeletons might seem spooky—white bones without the skin, no eyes, no ears, no lips, just one big toothy grin.”
Children dressed as witches, pirates, and ninja warriors with round faces and toothy grins are not sure what to make of this unusual creature, but Evans takes the reader through a wonderful understanding of how a skeleton, thought different from themselves, can be friend material. “Skeletons have no guts, so they aren’t brave like you. They’re scared of nighttime shadows and owls that say ‘whoooo.’”
This is a great addition to the fall reading list for the school classroom. And how great it is to have a friend who will go “trick-or-treating with you then share their chocolate bar, just like best buddies do.”
A little girl named Curly Locks who loves to cook is the heroine of Boo Stew, a Goldilocks and the Three Bears fractured fairy tale. This Halloween story features food that won’t tempt your taste buds but just might be the right food to feed a scary soul or three.
It seems the Scares of Toadsuck Swamp might be hungry and while they’re invading homes to steal food, they’re causing chaos, especially at the mayor’s house. After they chase him out with an ominous “Gitchey Boo, Gitchey Bon! Gitchey Goo, Gitchey Gone!” the blacksmith, and the chicken rancher also try to vanquish the scary villains with no luck.
Curly Locks, fearless and clever, steps up and entices the Scares with her Boo Stew. With its moose ear broth, toenail clippings, and gnat juice, Boo Stew does the job. A deal is struck and the creatures head back to the swamp. The townsfolk get a Scare-free Toadsuck and Curly Locks … well she gets to prepare all sorts of concoctions for the appreciative Scares since no one else will eat her cooking anyway! Washington has taken the Goldilocks tale and spun a unique, engaging Halloween story. Ebbeler’s colorful, detailed, and dynamic illustrations set a tone that’s just right for this humorous picture book.
Learning proper grammar can be quite daunting for young kids, especially for those still learning over Zoom, but Leslie Kimmelman has created a fabulous storytime picture book that can be read during the Halloween season or any time of the year. The Ghouls’ Guide To Good Grammar is a hilarious take on how different a sentence can read if a comma is misplaced or other grammar isn’t correct. Sullivan’s illustration of a sweet young girl holding a bowl of cat food for Sylvester reads “Time to eat, Sylvester.” But when the giant ghoul with sharp teeth peeks around the corner with all eyes on the little grey and white cat he thinks “Time to eat Sylvester.” A very different and dastardly meaning when the comma is removed!
Turning the page, the reader learns that “contractions are two words shortened and combined with an apostrophe to make one word.” This sounds confusing until the reader visually sees Sullivan’s colorful drawing of six ghouls surrounded by bugs and spilled soda in “Ghouls’ really gross bedroom.” Kimmelman changes the location of the apostrophe to read “Ghoul’s really gross bedroom” and now we see it was one mischievous ghoul who made the mess all on his lonesome.
This treat of a story concludes with a Ghoul Grammar Quiz asking the reader which of the sentences shown has no mistakes. The Ghouls’ Guide to Good Grammar is an ideal teaching tool for a parent or a teacher to use to transform the often tough topic of punctuation into a frightfully fun learning experience.
I may not be the target age range for this creative book but I had a blast reading it. First of all, There’s a Ghost in this House is less a straightforward picture book―although Jeffers has illustrated it with a little girl, some adorable (and giggling in places) ghosts, and lots of striped clothing―and more a seek-and-find interactive story so children can be in control of how many ghosts they’d like to discover over the course of 80 pages.
Jeffers has taken found black and white photos of an imposing 18th-century mansion and then brought in bits of color with the addition of the young girl narrator/guide. Readers join her to tour the house as she looks for ghosts which are printed white on transparent vellum paper throughout the book and appear when the paper is placed against the b+w house interiors. That’s such a fantastic idea because I never knew what poses the ghosts would be in and where exactly they’d show up each time.
Since the ghouls are not menacing in the least, children can enjoy this book without fear. Parents and caregivers can admire the cleverness of the presentation while also deciding how many ghosts to expose.
Matthew Rivera illustrates a green zombie girl with a red scar across her forehead seeking brains to eat in Brains! Not Just A Zombie Snack. Focusing on the fascinating science of the body, STEM picture book author Stacy McAnulty teaches the reader about the importance of the brain and how, without it, reading a picture book would be impossible. This educational read breaks down the five senses of touch, sound, sight, smell, and taste and how the brain receives messages from these senses. What better time than Halloween to explore this subject?!
Zombie Girl is desperate for some brain to eat and in her search for this delectable snack, the reader discovers “Neurons! They do the work, and you have about 86 billion of them.” Zombie holds up two cans of Neurons and Glial Cells with anxious eyes ready to eat. “When you learn something new, like how to add numbers, play the piano, tie up a zombie, you aren’t making more neurons—you’re making new and stronger pathways.”
My brain took in a whole lot of information that I was not aware of such as a 75-year-old human’s brain is 10 percent smaller than max size (so 2.7 pounds-ish) instead of 3 pounds in a grown-up human. The best advice the reader learns is that “if you want to run away from a zombie later. You’ll want your cerebellum.”
The helpful back matter includes Brain Facts such as A human brain is only about 2-3 percent of an adult’s body weight, but it uses almost 20 percent of the body’s energy. I also was surprised to learn that Albert Einstein’s brain was stolen by Dr. Thomas Harvey and cut into 240 blocks to be studied upon his death. This is something I would like to learn more about!
Lemony Snicket’s Poison for Breakfast will certainly be a hit with his fans because the author’s style is quite unique, a word which here means “weird in undefinable ways.” Though marketed to older MG and YA readers, this book appeals to adults as well. This true story begins when Mr. Snicket (as he prefers to be addressed) finds a bewildering and frightening note under his door that reads, “You had poison for breakfast.”
We go along with Mr. Snicket as he reviews each item consumed for breakfast to uncover the culprit. He meanders to locations where the breakfast items originated. Though we eventually discover what’s behind this mystery, the pleasure is in the circuitous journey told in a way that only Lemony Snicket can, complete with endnotes elaborating topics touched upon.
I enjoy the distinctive structure, odd tidbits, and repetition. So, make yourself a poached egg as Mr. Snicket recommends, and settle in for a fun read. A list-maker myself, I find Mr. Snicket’s lists particularly amusing. And, as a writer, knowing the three rules of writing will undoubtedly help me better my craft. They are: (1) Include the element of surprise, (2) Leave something out, and, (3) Well, no one really knows the third rule.
Get your ghoul on with The Ghoul Next Door, a terrific new middle-grade graphic novel featuring just enough ghouls, ghosts, and atmospheric underworld to make you read it in one sitting and then start all over again.
Welcome to Anders Landing, est. 1692, a place sought out by accused witches to avoid the witch hunts and trials of Salem taking place the same year. Things go downhill quickly for main character Grey who, after picking up an unlucky penny, takes a shortcut to school through the local cemetery. Grey doesn’t want to lug his bulky Salem Witch-themed school project the long way like his superstitious friend, Marshall. When Grey trips on an open grave and drops his project in it, he panics. Looking down he sees his cemetery project grasped by a monster-ish hand. Then, it’s gone.
That evening something enters his bedroom and begins leaving gifts, not the birthday present sort, but finger bones, a doll of his likeness, and assorted other items that freak him out. This creature clearly likes Grey and replaces the original cemetery model with an even better one. Grey may score points in class with the new project, but Marshall thinks it’s best to tell some adults about all the creepy goings-on. While he initially didn’t believe Grey, he’s now changed his mind after a trip to the cemetery where he gets a glimpse of the ghoul. Lavinia, as she’s called, saves Grey from an army of rats and a friendship begins. In foreshadowing the story’s conflict, she warns the two humans to keep mum about what they know or they risk the ire of those underground and put her in jeopardy.
Readers learn that the ghoulish creatures that live below the surface (Grey and Marshall are considered human surface dwellers), aside from enjoying eating the newly dead, greatly dislike and mistrust humans and fear discovery. As payback, they kidnap Marshall leading Grey and Lavinia on a dangerous mission underground to rescue him before he’s killed. What ensues is a page-turning adventure with the right mix of dialogue, fantastical and haunting art, and heart, although technically I don’t think a ghoul has one. The friendship of Lavinia and Grey challenges the ‘no contact with humans’ rule laid out by Lavinia’s community and feels satisfying and fresh (although using that word here feels kind of ghoulish). She risks everything for Grey while he also puts his life on the line to help both his old and new friends and ultimately himself. Read this in the daytime if you live anywhere near a cemetery.
What if time stood still and it could be Halloween forever? The candy part is tempting, but if everyone you loved had fallen into a deep, otherworldly sleep, it might not be so sweet. That’s exactly what 13-year-old protagonist Esther Gold is dealing with in Joseph Fink’s imaginative novel, The Halloween Moon. Blending fantasy and magic in a contemporary Southern California setting, Fink opens the book with a prologue detailing a robbery of something seemingly quite small which proves to have huge significance in the story.
Esther lives for Halloween but her best friend, Agustín, does not. So when Esther’s parents announce she has aged out of trick-or-treating, having become an adult at her bat mitzvah, she realizes she’ll have to circumvent this new rule. When that plan involves Agustín, he seems game. Did he agree a bit too easily? Did she like that he did? Those are just a few of the questions Esther faces on this very long Halloween night set under a huge orange Halloween moon.
Odd goings-on occur as Esther and Agustín notice only a motley crew of trick-or-treaters with shadowy faces are out and about. Their clicky sounds are creepy too. Plus all the people usually into the holiday aren’t answering their doors. The pair soon discover that a sleeping spell has been cast over the community. An urgency hits when Esther realizes her little sister has gone missing. That’s also what brings Esther together with bully Sasha Min who has often lobbed anti-semitic and other hurtful insults her way. But since Sasha’s distraught over her kidnapped brother and unwakeable mother, she agrees to team up with the other two intrepid trick-or-treaters to find out what’s going on. Along the way, the teens take the rare awake adult, next-door neighbor, Mr. Gabler, onboard as they try to reverse the spell and bring the interminable Halloween nightmare safely to an end
I enjoyed this book because, in addition to the mystery the teens hope to solve, readers get inside Esther’s head and learn that she’s been having difficulty accepting change in her life. Whether the change is about her giving up trick-or-treating, her changing feelings for Agustín, watching Grandma Debbie getting older and frailer, or about what might happen when she moves up into high school the following year, Fink ties Esther’s growth into the Halloween adventure in a satisfying way. The dynamic shared between Esther and Sasha as they try to resolve past conflicts is also one that should resonate with readers. Horror fans will note references to John Carpenter and the horror film genre in general.
Mad Libs are one of those things: we all know and enjoy them. As a parent, I wholeheartedly encourage playing Mad Libs whenever a boring moment strikes. Yes, they’re hilarious and spark the imagination, but also (secret parent trick) drill home the parts of speech: adverb versus adjective and so forth. And if you’re a little rusty, no fear. Following the instructions, there’s a “quick review” that easily explains that, for example, when an exclamation is called for, they mean something like “Wow!” “Ouch!” or “Ick!”
The Happy Howl-o-ween version takes all the best stuff about this holiday and mixes it up with the fill-in-the-blank fun of Mad Libs. There are 63 themed stories to create in three categories: Monster Mash, Trick or Treat (both by Tristan Roarke), and Day of the Dead (by Karl Jones).
Whether you’ve done these a million times or are just introducing them to a young child, pick up a copy for your car as a way to pass some time with laughs and learning.
Instead of celebrating her senior year, Victoria won’t give up on her terminally ill dad—even when her family is told there are no treatment options left to pursue. Her mom and sister seem better at letting go. Victoria, instead, turns to the passion of all-things-vampire that she shares with her father and decides it’s up to her to save him. Ten years ago, a vampire announced himself to the world, but, after some mishaps, the vampires went back into hiding. Victoria takes that trip to New Orleans she’d planned on doing with her dad and, while there, vows to find and get bitten by a vampire so she can save her father by turning him into one too.
The grief Victoria struggles with is realistically handled, as is the complex connection she has with Henry (her neighbor, former BFF, and maybe boyfriend). As in all good love stories, a bit of a love triangle comes into play, but the heart of the story involves Victoria’s relationships with her family and Henry. Messy emotions are laid bare in a hauntingly beautiful setting. I like how Victoria’s quest leads her through ever-increasing challenges that test her resolve to follow through with this plan.
A new, vital addition to the vampire lore. Not only does this story add its own flair, but it explores previous books and movies—a pleasing touch for vampire aficionados.
“Would knowing how you were going to die change the way you choose to live?” That question drove coauthors Jessica Koosed Ettingand Alyssa Embree Schwartz to write their YA, Fade into the Bright. From the opening pages, eighteen-year-old Abby’s voice pulled me in: “Obviously, it happened right before Christmas. Because don’t all extremely shitty things happen right around the holidays?” This refers to the news Abby and her older sister Brooke receive from their estranged father. In his brief letter, they discover he’s tested positive for Huntington’s disease. The girls have a 50/50 chance of also carrying the gene for this fatal degenerative brain disorder (described as Alzheimer’s, Parkinson’s, and ALS all rolled into one). Typical onset happens between your thirties and fifties.
Both sisters decide to undergo the required six-month pre-testing genetic counseling. Older sister Brooke tests negative, but Abby’s not so lucky. Suddenly, her plans to attend college—and do pretty much anything else with her life—seem futile; Abby escapes to a remote part of Catalina Island to stay the summer with her aunt. (Though I live in Los Angeles and have visited Catalina, the book’s setting provided me with scenery I had not experienced: “rugged and rustic, completely removed.”)
The story unfolds, alternating between chapters in the present day and those flagged as “before.” I like the designation of “before” because it’s true, when something life-changing happens there is that moment before it happened, then everything else follows. Abby’s ups and downs feel real as she wonders what to do while she waits for symptoms to appear. A job at the beach keeps her busy enough to keep panic mostly at bay, but brings with it the complications of whether she should (or could) tell her new friends about all of this, and what to do when she starts falling for her charismatic and attractive coworker, Ben.
The heart of this story revolves around family and how this disease brings people together, pulls them apart, and how to live with everyone’s results. Sister dynamics can already be complex; add in Huntington’s and a layered, emotional story is born. As Abby says about this disease, “It tells you your ending, but leaves out the important parts, like the how and the when.” Still, the characters choose to move forward and, overall, the book feels inspirational.
Jessica Koosed Etting and Alyssa Embree Schwartz know a thing or two about relationships since they’re probably as close as sisters, having been BFFs for more than twenty years and cowriters for most of that period. Their seamless process works; Fade into the Bright is a beautifully written book about such a difficult topic. Huntington’s is near to Jessica because she has watched her family deal with similar situations to those depicted in the book. I’m thankful these writers brought awareness to this disease and the far-reaching impact of a diagnosis.
Before I even started reading, this four-book fairy-tale series intrigued me because the books will be written by four different authors, the story following one family (and the curse that plagues it) over several generations. Awesome, right? The first book in the Mirror series, Broken Wish by Julie C. Dao, delivers. Let me tell you a bit about sixteen-year-old Elva and her powers.
Set in 1865 Hanau, Germany, Elva has been taught to hide her magical abilities so her family is not cast out. That works—for a while. However, once Elva and her adorable brother, Cay, stumble upon their mother’s secrets, Elva seeks the Witch of the North Woods. She hopes to find answers, yet is scared the witch is the villain she’s proclaimed to be on the warning signs Elva’s village has nailed to trees.
I like how the book opens in a series of notes between Elva’s mother and the witch, introducing the complexities of characters; no one is all good or all bad. Elva’s mom’s prior connection with the Witch of the North Woods puts Elva and her family on a cursed path. Elva believes her community should be given a chance to understand the truth, but differences are feared and removed rather than accepted. This clever, multilayered storyline satisfied, yet left me wanting to follow the family to see what more will unfold from a simple, lonely wish shattered in the name of love.
The next three books will be written by Dhonielle Clayton, Jennifer Cervantes, and L. L. McKinney—all amazing female authors whose stories I’ve enjoyed over the years. I’m in for books two, three, and four
★Starred Reviews – Booklist, Kirkus, Publishers Weekly, School Library Journal
Sometimes I just want to read something different. I was in that kind of mood when coming acrossNina LaCour’s YA, Watch Over Me. The striking cover caught my attention: a photo of a girl with downcast eyes and floating hair. When I opened the book, the image had altered slightly, showing her eyes and evoking an unsettling feeling. I couldn’t wait to get reading!
The story begins with Mila leaving her kind (but, having-their-own-baby-now) foster home. She’s found a job on an unconventional farm in Northern California. The couple running it has, over the years, adopted dozens of kids and taken in teens, like Mila, who aged-out of the system, assigning them as teachers for the little ones. Mila’s first student, Lee, is also a troubled outcast. Mila wants to reach him, but struggles to understand her new environment which is both welcoming and excluding.
Along with this self-chosen family comes a land filled with ghosts who dance and play in the distance when Mila returns to her cabin at night. The foggy, rocky coast’s strong atmospheric presence wraps around Mila’s pain. Flashback chapters give glimpses of her life before foster care as the loneliness, trauma, and guilt of Mila’s past escalate into inevitable confrontation.
LaCour’s spare, beautifully written, first-person chapters infuse flashbacks, allowing the reader’s immersion to slowly build in this moving, cerebral story. The dysfunctional mother-daughter relationship, revealed in fragments, is emotionally jarring. Yet, Mila’s resilience provides promise for redemption. Conventional lines of reality bend, perfectly suiting the blurred mindset of the plot.
This year choosing books to include in our Recommended Reads for Kids – Black History Month Roundup has been more difficult than ever because there are dozens of excellent ones being published and more on the way. Here is just a small sample of great reads, from picture book to graphic novel to young adult fantasy that are available for kids and teens to enjoy.
A NEW YORK TIMES BESTSELLER ★Starred Review – Kirkus
The ABCs of Black History is the kind of inspiring book children and adults will want to return to again and again because there is so much to absorb. In other words, it’s not your mother’s ABC book. Written in uplifting rhyme by Pushcart Prize-nominated poet Rio Cortez, this gorgeous 60-page picture book is at once a look back in time and a look to the future for young Black children. However it is recommended reading for children of all races and their families.
Cortez has shined a lyrical light on places, events and figures familiar and less familiar from Black history with comprehensive back matter going more in depth. Take H for example: “H is for Harlem—those big city streets! / We walked and we danced to our own jazzy beat. / When Louis and Bessie and Duke owned the stage, / and Langston and Zora Neale Hurston, the page.” J is for Juneteenth and S, which gets double coverage, is for scientists and for soul. Adding to the hopeful tone of Cortez’s rhyme are Semmer’s bold and vibrant graphics which jump off the page. The dazzling colors pull you in and the variety of composition keep you hooked.
The ABCs of Black History is a book you’ll want to read together with your young ones and let your older children discover and savor on their own. It’s not only a visual and aural treat, it’s a sweeping celebration and exploration of Black culture and history that is beautiful, compelling, thought provoking and thoroughly unputdownable! • Reviewed by Ronna Mandel
★Starred Reviews – Booklist, Kirkus, and Publishers Weekly
Adapted from the final chapter of Dovey Johnson Roundtree’s autobiography Mighty Justice, We Wait for the Sun is an intimate look at a tender moment in Dovey’s childhood. The book opens with a preface about the main character, Dovey, who grew up to be a legendary figure in the fight for racial equality-all through the influence of her beloved grandmother, Rachel Bryant Graham. Dovey loved to share stories of Grandmother Rachel; this book is the story she loved best.
In “the midsummer night” when it’s “dark and cool,” Dovey and her grandmother walk “through the darkness toward the woods” to pick blackberries. Lyrical language and textural illustrations awaken the senses and draw us into their adventure.
Other women join in and the trip goes deeper still into the forest. Staring at Grandma’s shoes, Dovey is literally following her grandmother’s steps into the darkness. But Grandma Rachel provides comfort and reassurance. “If you wait just a little, your eyes will learn to see, and you can find your way.”
Through such examples of wisdom and encouragement, it’s clear to see why Grandma Rachel was such an inspiration to Dovey and her later work as a civil rights lawyer. As they sit in the forest and listen to its “thousand sounds,” a double page spread shows an aerial view of their meditative moment, immersed in the magic of their surroundings.
And when they reach the berries, they’re every bit worth the wait-plump, juicy, and sweet-like the lush layers of purple, blue, and pink illustrations that display a beautiful berry-colored world as dawn, bit by bit, turns to day. Wrapped in each other’s arms, Grandma and Dovey watch the sun rise in its golden splendor. Grandma’s steadfast waiting for the light, despite the present darkness, is a moving message of hope, resilience, and bravery.
Back matter includes an in-depth note from co-author Katie McCabe chronicling Dovey’s fight against barriers in the law, military, and ministry. For anyone interested in the powerful ways family and history intersect, We Wait for the Sun is a must-have in every library. • Reviewed by Armineh Manookian
While white Americans eagerly embarked on carefree car travel around the country, in 1930s Jim Crow America the road was not a safe or welcoming place for Black people. In Opening the Road: Victor Hugo Green and His Green Book, Keila V. Dawson explores the entrepreneur Victor Green and his successful The Negro Motorist Green Book which was borne out of dire need.
Young readers will learn about the limitations that were in place restricting the freedoms of Black Americans to have access to the same conveniences whites did due to segregation laws. For instance, a road trip for a Black family meant bringing food, pillows, and even a portable toilet since most establishments along a route were for whites only. The same applied to hotels, service stations, auto-mechanics and even hospitals. And in “Sundown” towns, where Blacks could work but not live, those individuals had to be gone by sunset or risk jail or worse.
In this fascinating 40-page nonfiction picture book, Dawson explains in easy-to-understand prose exactly what obstacles faced Black travelers and why Green, a mail carrier, together with his wife Alma, decided to publish a directory. Inspired by a Kosher guide for Jews who also faced discrimination, Green began collecting information from people on his postal route about where safe places were in New York.
Eventually, with word-of-mouth expanding interest in Green’s book, he began corresponding with mail carriers nationwide to gather more recommendations for The Negro Motorist Green Book on more cities. Soon everyone from day-trippers to celebrities were using the Green Book. Green even made a deal with Standard Oil for the book to be sold in Esso gas stations where it “flew off the shelves.” Harris’s illustrations take readers back in time with colorful, realistic looking scenes of big old cars, uniformed service station attendants and locations in Black communities that opened their doors to Black travelers. Apart from a break during WWII, the book was sold until the need for it finally ended with the last edition in 1966-67.
Equality both on and off the road was the ultimate goal for Black Americans. That may have improved somewhat from when the first Green Book was published in 1936, but Victor did not live to see the Civil Rights Act of 1964 enacted, having passed away in 1960. However there is still a long road ahead because, unlike Victor’s Green Book, racism has not disappeared and being Black while driving can still be dangerous, even deadly.
Dawson dives into this in her five pages of back matter that include a clever roadway timeline graphic from the beginning of Green’s life in 1892 until the Green Book ceased publication. This is a helpful, thoughtfully written book to share with children to discuss racism, and a good way to begin a discussion about self-advocacy, ingenuity, and how to treat one another with respect. It’s also a welcome example of how Green channeled his frustration and dissatisfaction into a guide that ultimately changed people’s lives for the better. Click herefor an essential Educator’s Guide. • Reviewed by Ronna Mandel
Kadir Nelson, in his interesting introduction to James Otis Smith’s graphic novel Black Heroes of the Wild Westpoints out that cowboys, ranchers, homesteaders and other people from the Old West (west of the Mississippi River “during and after the American Civil War”) were historically portrayed in books, movies and TV through a white lens. In reality up to “a third of the settler population was African American.” I couldn’t wait to find out more about Mary Fields, known as “Stagecoach Mary” in her day, Bass Reeves, the first black Deputy U.S. Marshal west of the Mississippi, and “mustanger” Bob Lemmons, perhaps the original Texas horse whisperer.
All three individuals were forces to be reckoned with. First there’s Mary Fields, born into slavery in Tennessee. In her lifetime, she maintained fierce loyalty to friends, loved children, was generous to a fault, and had strength and energy second to none. She’s most noted, however, for her reputation as a banjo strumming, card playing, first African American female stagecoach driver who never missed a delivery and was not easily thwarted by wolves or bad weather.
I was blown away learning about Bass Reeves’s bravery in outwitting some murderous outlaws on the Most Wanted List. In the account Smith shares, Reeves single-handedly put himself into a dangerous situation by turning up as an impoverished loner looking for any kind of work to earn his keep. By cleverly offering up his services to the mother of the villains, earning her trust, and ultimately that of the bad guys too, he was able to capture them completely off guard. This plus thousands of other arrests cemented his place in history. The best part was how Smith’s illustrations conveyed Reeves in the particular scenario of capturing the outlaws by surprise which in turn surprised and satisfied me immensely.
Last but definitely not least is Bob Lemmons who was hired to corral wild mustangs and whose humane technique was not deadly to any of the horses, something other mustangers had not been able to manage. Smith takes readers on a journey of the senses along with Lemmons as he follows a group of mustangs he intends to wrangle, and details in both art and text how eventually Lemmons becomes one with the stallion leading the “manada” (mares and colts). “Bob knew their habits, their body language, their sounds. Like them, he flared his nostrils sniffing for danger.” You don’t have to be a horse lover to be impressed how Bob’s slow and steady approach made the mustangs think he was one of them.
Eight comprehensive pages of fascinating back matter round off this excellent middle grade read that will no doubt have tweens eager to find out more about these and other Black heroes. • Reviewed by Ronna Mandel
★Starred Review – Booklist A NEW YORK TIMES BESTSELLER
The Gilded Ones is book one of a West African-inspired epic fantasy series that will grab you from its first page. When girls turn sixteen, they must undergo The Ritual of Purity where they are bled to see if they can become a member of their village. However, if a girl’s blood runs gold, then she’s found impure and faces a fate worse than death. If Deka’s father had the money, he would have sent her to the House of Purity the year before the ritual, keeping her protected from sharp objects. Instead, Deka must be careful while she worries and prepares.
When Deka fails, she’s tortured until a mysterious woman she names White Hands offers an option out. The empire’s being attacked by seemingly invincible Deathshriek creatures. Deka becomes an alkali soldier fighting alongside other girls like her with powers that make them nearly immortal.
Namina Forna says, “The Gilded Ones is a book about my anger at being a woman. Sierra Leone was is very patriarchal. There were things I was expected to do as a girl because I was a girl.” This emotion is harnessed into the story, revealing societal inequities in an intricately woven plot that will surprise and enflame you.
Deka has the best “sidekick” ever—a shapeshifter called Ixa. Though there are elements of romance, it’s strong females who rule the plot. This book provides a fresh look at the “gods and goddesses” trope. The Gilded Ones is fierce, brutal, and relevant. Read it. • Reviewed by Christine Van Zandt (www.ChristineVanZandt.com), Write for Success (www.Write-for-Success.com), @ChristineVZ and @WFSediting, Christine@Write-for-Success.com
Click here to read another Black History Month review. e
Coriolanus Snow: Anyone who has read or seen The Hunger Games knows this man. Yet, who was he before becoming the evil overload of Panem? In The Ballad of Songbirds and Snakes, we meet Snow at age eighteen. His cousin, Tigris—yes, that Tigris—and his Grandma’am are all he’s got. They haven’t had enough food in ages and aren’t far from losing their once-luxurious housing. Facing an uncertain future upon graduation, Snow must achieve personal recognition at school, in hopes of being awarded funds toward University tuition.
It’s reaping day again and this year the kids from Snow’s class are assigned tributes to mentor as their final project. His District 12 girl is quite a letdown at first. Yet, once she’s in the spotlight, Lucy Gray proves to be a charmer and that may get her through for a while. Snow, at first, sees Gray’s performance in the Games merely as an assignment to score highly on but, soon, a complex relationship builds.
Suzanne Collinsreveals the surprising origin of the Games. The book, as expected, is fast-paced with many plot twists. Snow and his classmates who are also assigned tributes are drilled by Dr. Gaul, the wonderfully creepy Head Gamemaker (who may just lock you in a cage in her lab for fun). She prods kids with questions such as what the Capitol’s strategy should be now that the war is over but may never truly never be won. When questioned whether there is a point to the neon colors of her snakes, she answers, “There is a point to everything or nothing at all, depending on your worldview.” These moments with Gaul reveal the book’s deeper messages about power, whether wielded with a weapon or a rose.
I’m a fan of the trilogy and very much enjoyed this glimpse into what happened decades before the girl on fire burst onto the scene and the screen. I would be happy to continue along with Snow, filling the gap, until the day he sees Katniss Everdeen become District 12’s first volunteer for the 74th Annual Hunger Games. The folk tune, “The Hanging Tree,” reaches across the years, uniting the stories.
This seven-book roundup covers wickedly wonderful Halloween season reads. From a gentle book about the fall season to spooky ghouls, goblin-witches, ghosts, vampires, a witch’s hut, and a haunted house, we’ve got you covered.
With whimsical art in blacks, whites, and grays offset with oranges and foil accents, The Little Kittenembodies the spirit of autumn. Leaves blow across the pages, bringing movement that propels Ollie on her adventure. As promised by the title, there is a little kitten, but also Ollie’s cat, Pumpkin. Nicola Killen’s art and storyline
beautifully convey the playful, loving spirit of this book. It’s a pleasure to see a gentle story that’s engaging and fulfilling—it even has a surprise ending, shh!
I’m a sucker for a great book title and just had to read Marcus Ewert’s She Wanted to Be Haunted—plus, what a great idea! As promised, Clarissa, an “adorable and pink” cottage finds herself disappointed with her appearance. Her father is a castle and her mother a witch’s hut, but Clarissa got the short end of the broomstick with her undeniable cuteness. “Daisies grew around her, / squirrels scampered on her lawn. / Life was just delightful! / —and it made Clarissa yawn.”
What kid hasn’t felt bored when things were mellow and nice? Susie Ghahremani’s hand-painted artwork brings Clarissa to life in (dreaded!) upbeat colors. Inside, on Clarissa’s fuchsia, wallpapered walls, we sneak a peek at her family’s photos and, yes, she’s surely the oddball of the bunch. My favorite scenes involve the surprise ending. If you want to know if Clarissa’s attempts to gloom-down her appearance work, you’ll have to read the book. Trust me, the ending is awesome! Click here for a coloring page.
Scritch Scratch—the title of this middle-grade novel by Lindsay Currie will get under your skin as all good spooky books should. Because, of course, this sound is made by the ghost haunting Claire. Prior to this, science-minded Claire absolutely did not believe in ghosts and found her Dad’s ghost-themed bus tour and book embarrassing. So why did this ghost choose her? Claire’s too afraid to sleep and should have plenty of time to solve this mystery. However, since her BFF’s hanging around with the new girl, Claire may need to figure it out alone.
I’ve never been on a haunted bus tour, but, after reading this book I want to if they’re all as interesting as the one in this story. “Forgotten” facts about Chicago are cleverly woven in—what a great way to sneak in a history lesson! Click here for a discussion guide.
This book opens with a warning from the Embassy that “[b]y signing, you hereby accept all responsibility for any death, dismemberment, or condemnation to the Eternal Void that results from reading.” How irresistible! When Jake Green receives a kind of creepy package in error, a fun adventure ensues dodging bonewulfs and their master Mawkins (a grim reaper). Accompanied by ghosts Stiffkey, Cora, and, an adorable fox named Zorro, the unlikely group tries to avoid being sent into the Eternal Void—a fate worse than death.
Will Mabbitt’s well-developed characters are very likable and Taryn Knight’s art plays up the humor. I appreciate the Embassy of the Dead’snew ideas about ghosts and their companions such as Undoers (someone who helps a ghost trapped on the Earthly Plane move on to the Afterworld). Mabbitt nails a perfectly written ending. I’ll gladly follow Jake and his friends onto the next book in the series. Click here to read a sample chapter.
Fans of the beautifully made Ologies series won’t be disappointed in the latest addition, Ghostology. Packed full of stories, this book will keep you haunting its pages because there’s so much information from psychics and mediums, to fakes and frauds. Want to know what’s in a ghostologist’s field kit (sketchbook, accurate timepiece, and, of course, a ghost-detecting device, just to name a few items), or how to hunt ghosts? You’ve come to the right place. Pay attention to the “Types of Ghosts” chapters.
Beyond reading, the book is a sensory experience with its sealed pages, official documents envelope, flaps, and textures. If there’s such a thing as a coffee table kid’s book, this is it. The icy blue color scheme of the cover is offset by a large faceted red “gem.” Raised letters just beg you to run your hand over them and invite you to look inside. The thought and detail in this book are phantom-astic!
★Starred Reviews – Booklist, Kirkus, Publishers Weekly, School Library Journal
In Aliza Layne’s middle-grade graphic novel, Beetle & the Hollowbones, Beetle is a twelve-year-old goblin-witch being homeschooled by her gran. Beetle, however, would rather hang out with her current BFF Blob Ghost at the old mall (where they are inexplicably trapped). When Beetle’s previous BFF, Kat Hollowbones, returns home after completing her sorcery apprenticeship at a fast-track school, their friendship isn’t the same. Kat’s aunt Marla is the wonderfully drawn skeletal antagonist.
With well-developed characters and plenty of action, this fast-paced book will bewitch you. The struggles of moving through school and friendships falling apart are accurately depicted. The panels, grouped into chapters, capture your attention with their fantastic illustrations, engaging colors, and lively text. I like how Layne includes some concept art at the end, inspiring other artists with a behind-the-scenes peek.
Vampires Never Get Old: Tales with Fresh Bite is a YA short story anthology with the goal to “expand on and reinvent traditional tellings.” How awesome is that?? Editrixes Zoraida Córdova and Natalie C. Porter’s story, “Vampires Never Say Die,” is a suspenseful, modern tale about a teen and vampire who meet online. They also provide the introduction and insightful commentary after each piece, delving into the many areas of the vampire myth. There are so many wonderful things in this collection; I’ll give you a few nibbles to whet your appetite.
“Bestiary” by Laura Ruby is set in a near dystopian future; Jude works at the zoo and has a special connection with animals. This story stood out for me because the reader must piece together the truth. It’s quite a different twist on thirst and the theft of blood and humanity.
“Seven Nights for Dying” by Tessa Gratton opens with the line, “Esmael told me that teenage girls make the best vampires” (because they’re “both highly pissed and highly adaptable, and that’s what it takes to survive the centuries”). We follow Esmael’s chosen girl through a week of uncertainty as she considers joining the undead. This cleverly layered story demands to be reread to truly appreciate Gratton’s well-crafted words.
Weaving in old superstitions, “The Boy and the Bell” by Heidi Heilig expands upon the Victorian tradition of burying their loved ones with a bell (allowing them to call for help if mistakenly buried alive). Set at the turn of the century, Will is a graverobber for all the right reasons—he wants to become a doctor, and “acquiring” freshly buried bodies allows him to trade for a spot at the back of the amphitheater where dissections take place. With only a few glimpses at Will’s thoughts, we find out volumes about his struggles.
This anthology breathes life into the short story and lets readers appreciate the many perspectives and styles from a very talented array of writers. My favorites tend to have unexpected endings. There’s something for everyone. Just read it already!
ADDITIONAL RECOMMENDED READS FROM RONNA e IT’S HALLOWEEN, LITTLE MONSTER Written by Helen Ketteman Illustrated by Bonnie Leick (Two Lions; $17.99, Ages 3-7) e When I began reading It’s Halloween, Little Monster, one of the Little Monster series of picture books, I thought I was reading about the first time I took my son out trick-or-treating 15 years ago. All he had to do was see one or two kids in scary costumes and he hightailed it home before anyone could say boo! I’m so glad Helen Ketteman wrote this picture book because I’m sure it’s going to help make the first Halloween experience for reluctant little ones a lot easier.
In this gentle rhyming story, Little Monster heads out for Halloween accompanied by his dad. The reassuring presence of a parent sets the tone. Dad will be right there to calm Little Monster’s fears no matter who or what they encounter. “Don’t fret Little Monster. / See there in the street? / That’s not really a ghost— / it’s a kid in a sheet!” e Together the pair see all kinds of spooky creatures while trick-or-treating, but the dad anticipates what might frighten his child and is always one step ahead. I like how the papa monster not only comments on assorted pirates, witches, and vampires but scary sounds, too. Leick’s muted blue and purple toned palette of the detailed illustrations will only add to the enjoyment of this charming Halloween read. It’s an enjoyable pairing of prose and art. By the time the surprise ending happens, Little Monster’s smiling just like the children having this story read to them. e e
OTHER RECOMMENDED HALLOWEEN SEASON READS: e CHRISTOPHER PUMPKIN by Sue Hendra and Paul Linnet with art by Nick East (Board Book for Ages 0-3, Little Brown BYR) e THAT MONSTER ON THE BLOCKby Sue Ganz-Schmitt with art by Luke Flowers (Picture Book Ages 4-8, Two Lions) e THE REVENGE OF THE WEREPENGUINby Allan Woodrow with art by Scott Brown (Middle Grade illustrated novel for Ages 8-12, Viking BYR)
Disclosure: Good Reads With Ronna is now a Bookshop.org affiliate and will make a small commission from the books sold via this site at no extra cost to you. If you’d like to help support this blog, its team of kidlit reviewers as well as independent bookshops nationwide, please consider purchasing your books from Bookshop.org using our affiliate links above (or below). Thanks! e Recommended Reads for the Week of 10/26/20
Kate Pentecost’s YA novel has the wonderfully ironic title, Elysium Girls. There’s nothing paradisal about Elysium, Oklahoma, during the 1930s Dust Bowl. One moment it’s a regular town, the next, the goddesses Life and Death use it to play a decade-long game: from next to nothing, the citizens must build a city and a society which is good and responsible, setting aside one-third of all crops as a Sacrifice. If the Elysiums do this, at the end of ten years, their society will continue; if not, everyone perishes. Dust Sickness soon begins to claim lives.
Seventeen-year-old Sal Wilkerson loses her mother and doesn’t fit in, overcome by unfulfilled predictions. As the game’s conclusion draws near, the town’s self-declared witchy leader, Mother Morevna, chooses Sal as the Successor. Finally, it seems Sal’s time has come, but an outsider named Asa arrives and unintentionally upsets things. For me, Asa stole the show as much for his charming personality as for the fact that, even though a nonhuman character, he’s so very relatable. Over the course of the book, his life changes dramatically as he deals with one unknown after another.
Outside the Elysium walls, a band of kick-butt girls survives fire coyotes and other wicked things by using their ingenuity. The different realities are fascinating: inside the walls, outside, above, and blips from the real Depression-era world. In addition, there are many appealing character elements including friendship, girl power, and family. Romance isn’t limited to boy and girl, or human and human. Put it all together and you’ll see why Elysium Girls is as hard to shake as a dusty Oklahoma day.
Disclosure: Good Reads With Ronna is now a Bookshop.org affiliate and will make a small commission from the books sold via this site at no extra cost to you. If you’d like to help support this blog, its team of kidlit reviewers as well as independent bookshops nationwide, please consider purchasing your books from Bookshop.org using our affiliate links above (or below). Thanks!
★Starred Reviews – Bulletin of the Center for Children’s Books, Kirkus, Publishers Weekly
The young adult novel Deeplight grabbed me when I read it described as Twenty Thousand Leagues Under the Sea meets Frankenstein. Frances Hardinge does not disappoint. Fifteen-year-old Hark lives in the island chain of Myriad on Lady’s Crave where the Hidden Lady was once their god, before the gods inexplicably killed each other off. Hark and his friend Jelt—both unwanted children their destinies seemingly “cojoined against their wills”—get by together on the rough streets. Jelt leads Hark to increasingly perilous transgressions until Hark is caught and given a three-year sentence of servitude. The woman who buys him at auction brings him to the island of Sanctuary where he’s assigned various chores but is also asked to spy on the aging priests, seeking their secrets about the gods. Hark finally has the chance to think about who he is and what he wants out of life. However, he’s once again a pawn but this time the stakes include everything.
Frances Hardinge’s beautifully written story will sweep you away in this coming-of-age fantasy adventure to remember. It was refreshing to read a book that felt new in many ways, illuminating light into areas of what could have seemed like familiar tales. Instead, Hardinge kept me guessing with the story’s twists. While the thrills were fun, I appreciated the undercurrent, reminding us that we all carry stories and that when someone dies, a world of knowledge dies along with them. To understand and remember the past, we must recall and retell it and we must listen to the stories that lie inside of others.
Click here to order a copy of Deeplight or visit your local indie bookstore. e Disclosure: Good Reads With Ronna is now a Bookshop.org affiliate and will make a small commission from the books sold via this site at no extra cost to you. If you’d like to help support this blog, its team of kidlit reviewers as well as independent bookshops nationwide, please consider purchasing your books from Bookshop.org using our affiliate links above (or below). Thanks!
Laura Lee Gulledge’s YA graphic novel, The Dark Matter of Mona Starr, opens with Mona Starr’s best friend, Nash, moving to Hawaii. Mona must now tackle high school alone and, though her family cares about her, she feels like the “creative oddball” in their midst. Mona struggles with depression, calling it the “Matter.” Through the help of a therapist and a new girl, Hailey, Mona begins to notice what starts her spiraling downward and how to catch herself before it becomes all-consuming. Chapter titles such as “Notice Your Patterns,” “Break Your Cycles,” and “Replace What You Can’t Erase” reinforce the steps Mona needs to take to cope.
The book presents depression in a realistic manner, showing the back-and-forth struggle that isn’t solved but, rather, managed. While the insightful text tells a compelling story, Gulledge’s art is a showstopper. In a scene where Mona’s overwhelmed by too many choices, her Matter has a hold of her arms and legs, pulling her to the edges of the page while whispering such things as, “You have nothing to offer” and “You are not good for ANYTHING,” inciting our universal search for meaning in our lives.
I’m blown away by the depth in the images (the art is black and white with hints of yellow) throughout the book. After Nash encourages Mona to write about her confusion, the full-page illustration features Mona as a shadowy outline with little Monas picking away (literally) at her brain, digging deep until she reaches her deepest thoughts. Eventually, with the help of friends, therapy, her art, and writing, Mona finds her way toward a hopeful future.
Make this powerful book an addition to your high school’s library and provide a helping hand to someone battling with their own dark matter. The insightful and heartfelt advice is based in part onGulledge’sown struggles.
Click here to order a copy of The Dark Matter of Mona Starr or visit your local indie bookstore. e Disclosure: Good Reads With Ronna is now a Bookshop.org affiliate and will make a small commission from the books sold via this site at no extra cost to you. If you’d like to help support this blog, its team of kidlit reviewers as well as independent bookshops nationwide, please consider purchasing your books from Bookshop.org using our affiliate links above (or below). Thanks!
InWhat I Like About Me, sixteen-year-old Maisie Martin’s teacher requires students to keep a journal jotting down three things they discover about themselves each day of winter break and provide evidence. Maisie’s first entry is easy: her teacher is evil, the evidence is the dreaded journal. After Mum catches Maisie writing “blah blah blah” to fill the daily allotment, Maisie settles down, nicknames her journal “DJ,” and more heartfelt confessions begin.
Maisie frets her parents are divorcing because, for the first time, Maisie’s dad hasn’t accompanied them on their annual vacation retreat. To make up for his absence, Mum lets Maisie bring her along BFF. Anna is everything you want in a girlfriend plus she’s gorgeous—a fact Maisie’s years-long crush, Sebastian, soon notices. He’s brought his annoying pal, Beamer, again. The four teens hang together at the beach, except Maisie’s too body-conscious to wear a bathing suit or get in the ocean. It comes as a surprise to everyone (even Maisie) when Maisie decides to face her fears and enter the local beauty pageant following in the footsteps of a beautifully slim mother and older sister. Figuring she won’t be selected because of her weight, she’s amazed when they not only accept her entry but also want to feature her in an interview. But all is not as it seems.
I like how this book goes beyond typical beach fun delving into complications such as when your BFF and love of your life seem destined to get together, how to deal with being stuck with an annoying sidekick, and the reality of people being unable to see past your size. Maisie vents in her journal: “Imagine having a body you’re always uncomfortable in. Always. That moves when you want it to be still, and makes you want to be still even when you long to move.”
Such heartbreaking moments are offset with heaps of humor. Jenna Guillaume kept me laughing from the book’s first lines. When a bunch of boys go skinny-dipping, Maisie muses, “soon the pool was a veritable sausage soup.” The chapters open with Maisie’s “discoveries” running a gamut of emotions, many of them hilarious. Eventually, journaling leads to self-reflection and Maisie catalogues things she likes about herself.
Books are about characters and Maisie is awesome. I’d gladly follow her on to another book or two. Guillaume has a gift for capturing our fears and seeing a way past them. Family, romance, and friendship all play out in their levels of complexity. Learning how to accept and love yourself are the book’s most powerful messages. Get this YA debut for the teen in your life or for yourself. It’ll make you laugh, but I hope it also makes you pause a moment to consider at least one thing you like about yourself.
Find Jenna Guillaume on Facebook here. Get a discussion guide here. Click herefor an excerpt. Read a Q+A with Jenna Guillaume here.
Author-illustrator Hanna Cha’s debut picture book, Tiny Feet Between the Mountains, tells the tale of Soe-In, the smallest child in a Korean village. But, being little doesn’t slow her down. Soe-In manages burdensome chores using wit and perseverance. When the sun disappears and the chieftain needs a volunteer, only Soe-in steps forward.
In the forest, she finds the spirit tiger is real, and in really big trouble—he’s swallowed the sun! Like the villagers, the spirit tiger first discounts Soe-In’s ability to help. However, brave, imaginative Soe-In saves the day.
Cha’s art shows the movement and mood of this powerful story. I enjoyed the images of the tiger because feline fluidity is difficult to capture. Her Author’s Note explains tigers are revered by Koreans; their country is shaped like one. The tiger as their spirit animal appears in countless Korean stories as a symbol of respect, strength, and dignity, both as a deity and a threat.
A Kirkus Reviews Best Picture Book of 2019 ★Starred Review – Kirkus An Asian/Pacific American Award for Literature Honor Book 2019
Bilal Cooks Daalby Aisha Saeed is an upbeat picture book about friendship and cooking. When Bilal’s friends wonder why it takes his Pakistani family all day to make daal, he introduces them to the process, letting them choose the color of lentils for the stew they will enjoy together at dinnertime. As the day goes by, Bilal worries a bit that his friends won’t like the taste, but the delicious dish pleases everyone, demonstrating how food brings people together.
Anoosha Syed’s art focuses on the kids enjoying their day of play, a variety of emotions clearly captured. The daal’s vivid descriptions (“small like pebbles, but shaped like pancakes”) come to life through the illustrations. Close your eyes and let the simmering daal awaken your senses.
The Author’s Note explains daal is a staple food in South Asia, but lentils are enjoyed in many other places. Saeed’s recipe for Chana Daal is similar to what I grew up with in my household, bringing back warm memories. In these months of the pandemic where many of us are cooking wholesome meals, this hearty and healthy dish will please while filling the house with amazing aromas all day long.
A Junior Library Guild Selection A Kirkus Reviews Best Book of the Year ★Starred Reviews – Booklist, Kirkus, School Library Journal
Summer Bird Blueby Akemi Dawn Bowman opens with a car crash. Seventeen-year-old Rumi Seto loses her only sister Lea, who’s also her best friend. Their mother, unable to deal, puts Rumi on a plane to Hawaii for an indefinite stay with Aunty Ani, their Japanese-Hawaiian side of the family.
Lea, two years younger, was the outgoing, happy-go-lucky sister. Rumi, the opposite personality type fits her “ruminating” name; often, she’s stuck in her head, turning things over, unable to step forward into everyday life. Though quite different, the sisters, shared a love of music, playing instruments together. They would randomly come up with three words, then write a song about it. (Summer Bird Blue, refers to the unwritten song that haunts Rumi after Lea dies.)
Rumi suffers in the angry and depressive stages of grief, vacillating between lashing out and crawling into bed for days on end. Her new surroundings include neighbors Mr. Watanabe (a grumpy octogenarian who becomes an unlikely companion) and Kai (the too-handsome, too-cheerful boy next door). As Rumi becomes closer to Kai, they go on a date, but kissing surfaces her confusion over her possible asexuality. Believing other teens have easy crushes and romance, Rumi’s self-doubt compounds after losing Lea.
The story’s lovely scenes centering around Rumi’s deep bond with music resonated with me. The moving descriptions include Rumi’s regard for Lea’s guitar, and Mr. Watanabe’s piano and ukulele. When transported into this world, Rumi’s passion ignites. However, anything musical involves Lea, and Rumi cannot process what to do without her sister, which furthers the painful introspection and turmoil.
I appreciate Bowman’s choice to spotlight a troubled, roughhewn protagonist struggling with a complexity of issues. Writing about grief, sexuality, and trying to understand life itself are ambitious undertakings, yet Bowman succeeds in weaving a truthful, heartfelt story that includes both honestly bitter moments and lyrically beautiful ones.
Find out more about Asian/Pacific American Heritage Month hereand here.
Following a devastating senior year, things are looking up for eighteen-year-old Sabine Reyes. She has been accepted to a prestigious art school on a full scholarship, including an allowance for housing. Still traumatized from the events of her senior year, which left her homeless, she becomes alarmed when her professor, a noted artist, is brutally critical of her artwork. Nothing she does meets his approval and she is fearful that failure in this class will result in the loss of her scholarship. Vulnerable, and under intense pressure, she is manipulated by someone she trusts, and engages in unethical activity she at first rationalizes and later realizes is wrong.
Set in contemporary Pasadena and surrounding areas, Linka’s book explores Sabine’s last year of high school and how the events of that year impacted her later actions and decisions. This gradual build up, intertwined with Sabine’s current life of school, work, friendships, and loves, dramatically increases the story’s intensity. Readers helplessly witness Sabine’s entanglement in a criminal world and the staggering consequences she faces when exposed.
Linka’s love of art is clearly evident in the story and provides fascinating backdrops and insights. Yet, this story is also shaped by Linka’s growing concern over homelessness, especially among college students. In Sabine, Linka has created an innocent and fragile young woman who has experienced hardships unimaginable by most of her peers. Due to society’s negative impression of the homeless, Sabine lives in fear that her friends and classmates will find out about her earlier homeless experience. Yet this very hardship enables Sabine to treat the story’s homeless characters with dignity and respect. One such character, inspired by the author’s chance encounter with an older homeless woman, becomes the subject of a powerful work painted by Sabine.
I recommend this complex and gripping story, infused with the beauty of art and the ugliness of deceit and betrayal.
Review by Dornel Cerro
Support a local independent bookstore by ordering your copy of What I Want You to Seehere.
(G.P. Putnam’s Sons BYR; $17.99 HC, available in Ebook, Audio, Ages 12+)
★Starred Reviews – Horn Book, School Library Journal
Sherri L. Smith’sYA book,The Blossom and the Firefly, depicts an interesting slice of Japanese World War II history. Hana, assigned fieldwork is, one day, buried alive during an air attack. After she is dug out, Hana feels a part of her died in that bombing. Adding to her despair, she is reassigned as a Nadeshiko Tai girl—a handmaiden to the dead—serving tokkō, the special attack pilots also known as kamikaze. When each group readies to leaves, she must smile and wave as they take their last flight hoping to honorably body-crash into enemy battleships.
I appreciate the unique story structure, based on the Eastern style of storytelling called kishōtenketsu. Instead of a plot with conflict, kishōtenketsu revolves around contrast or juxtaposition. In The Blossom and the Firefly, Hana’s first-person chapters are in the “now,” while Taro’s (her love interest) third-person chapters begin in 1928 during his childhood. About halfway in, the narratives synchronize. Utilizing these time lines, we are shown Taro’s backstory without relying on flashbacks.
The story questions whether it’s possible to live and love during wartime. Hana keeps coolly distant until stumbling upon a special connection with Taro. After the war ends, rebuilding entails mending emotionally and moving forward to embrace what’s left. Readers will feel what it was like to be a teen caught in a war-torn land, where it’s not whether you have lost a loved one, but, rather, how many. This young adult novel about a little known aspect of the war is both heartbreaking and uplifting.
What an honor to once again be participating in the Sydney Taylor Blog Tour. This year it’s been a delight to interview authorHannah Moskowitz after reading her compelling YA novel (that I could not put down) Sick Kids in Love, an honor award winner in the teen readers category. Find out more about this week of enlightening interviews at theAssociation of Jewish Libraries website and at the official Sydney Taylor site. The full blog tour schedule is posted on the AJL blog and below if you scroll down following the interview.
He’s got a chronic illness Isabel’s never heard of, something she can’t even pronounce. He understands what it means to be sick. He understands her more than her healthy friends. He understands her more than her own father who’s a doctor.
He’s gorgeous, fun, and foul-mouthed. And totally into her.
Isabel has one rule: no dating.
It’s never felt better—
—to consider breaking that rule for him.
AN INTERVIEW WITH HANNAH MOSKOWITZ
Good Reads With Ronna:How does SICK KIDS IN LOVE differ from your previous novels and did anything in particular happen to plant the seed to write this one?
Hannah Moskowitz: SICK KIDS IN LOVE is my first book to feature characters with chronic illnesses, or even really to include characters with chronic illnesses at all, which is ridiculous since it’s such a defining feature of my own life. I really wanted to write something that I felt like was true to the chronic illness experience and that was keeping up with the conversations happening right now in the disability community that I hadn’t really seen reflected in fiction yet. So I wanted to create a positive, realistic, disability-positive love story. It’s a pretty straightforward romance, which was also a first for me. The way I explained it when I started was that I wasn’t reinventing the wheel; I was just giving the wheel to people who hadn’t had it before.
GRWR:February is Jewish Disability Awareness, Acceptance and Inclusion Month. Can you please speak to the relevance of this initiative in terms of your YA novel’s main characters, Isabel (Ibby) Garfinkel who has rheumatoid arthritis and her boyfriend, Sasha (Aleksandr) Sverdlov-Deckler, who has a non-fatal type of Gaucher Disease, and where abled society falls short here and with understanding invisible illness?
HM: Invisible illnesses are so common and so poorly respected in our society, and there are several that are more common in the Ashkenazi Jewish community than in the general population, like Sasha’s Gaucher Disease. So having a month specifically for Jewish disability awareness, acceptance and inclusion is definitely a big deal. Invisible illnesses are misdiagnosed and underdiagnosed all the time, and it’s unfortunately really hard to be taken seriously without having a diagnosis with a name that people recognize as serious. If you have something people don’t know about, like Sasha, people think you’re making it up. If you have something that sounds kind of common and benign, like Isabel, people think you’re making a big deal out of nothing. It’s really rough out there.
GRWR:Could you have written this novel without a Jewish protagonist, and if not, why?
HM: I think I could have. Writing Jewish protagonists is just easier for me, so letting myself stay in that space is one less thing I have to deal with when I’m planning out my characters. So writing a non-Jewish protagonist would have been possible, but a lot more work. And for what!
GRWR:Why did you decide to have Ibby’s family and friends deal with her illness so differently than how Sasha’s family deals with his?
HM: Ibby’s family’s discomfort with chronic illness is what’s familiar to me in my own life, and Sasha’s is kind of the fantasy of what I wish people were like. So I wanted to show both the uncomfortable reality and that we should still have this aspirational ideal even if we’ve been left down. It’s okay to expect that much.
GRWR:Why does Isabel have such a difficult time self-advocating? Is this something you wanted to raise readers’ awareness about?
HM: Because I do! And because honestly, it’s hard to stand up for yourself and tell people you’re valid when they’re constantly telling you you’re not. Being told you don’t deserve things that you thought you need sticks with you, and having to fight through that internalized ableism is a huge part of living with chronic illness.
GRWR:As an #OwnVoices author, how much of yourself have you put into the story in regard to both your Jewish faith and your chronic illness?
HM: I put a ton of myself into this particular book, which I think was what made it such a joy to write. The whole process was easy; I wrote this book over the course of a month for NaNoWriMo 2017, and the version you can read now is very, very close to that first draft. Isabel is a Reform Ashkenazi Jew with autoimmune arthritis. Guess what I am! She even lives on the block in Sunnyside that I used to live on. Nothing that happens to Isabel in the course of the story is autobiographical, but her character certainly is. Though personality-wise I would say I’m more like Sasha.
GRWR: I enjoyed Isabel’s personal arc as she fights the pull to get involved with Sasha because of her dysfunctional family history among other things. When she ultimately succumbs to love—being loved and loving back—it’s powerful, positive and oh so beautiful. Do you think her struggle is one many teens can relate to?
HM: Thank you! I think Isabel’s big struggle is her fear of committing herself fully to something uncertain, and I think that’s a worry that a lot of people, teenagers or adults, can relate to.
GRWR:What gave you the idea to make Ibby the“SICK GIRL” weekly advice columnist at her high school newspaper and then share her questions throughout the novel?
HM: I’ve been asked this before and honestly I wish I could remember, but I … don’t. It was part of the book from the first draft, I know that. A long time ago I was trying to write a book where one of the main characters went around asking people what they would do if it was their last night in New York, so I think it might have stemmed from that. But my memory is too terrible.
GRWR:As your sub-heading says, no one dies in your novel yet I cried in several places because I cared about Ibby and Sasha, their relationship, and felt so much was at stake for this young couple. Did any part make you cry as you wrote it?
HM: I’m not much of a crier, and I don’t think I’ve ever cried while writing something! But I do make playlists for the characters, and sometimes I cry a little bit listening to those and thinking about all their feelings.
GRWR:The voice in your novel was great, as was the dialogue and humor. What part of the novel did you enjoy writing the most? What were some of the most difficult parts?
HM: I always prefer writing dialogue to anything else. My favorite things to write are arguments, and Sasha and Isabel have at least one great one. I hate writing descriptions and world building, but at least this time I got to just talk about a place I knew well.
GRWR:SICK KIDS IN LOVE should be required reading in high school curricula. You’ve succeeded in opening readers’ eyes to the disabled community, how they’re perceived and treated and how they’d like to be treated. Do you think you’ve written all you’d like to say on this topic?
HM: Thanks! I think I did put all I have to say at this time about disability and chronic illness into this book. But who knows if I’ll think of more in the future!
GRWR:What can we expect in your next novel?
HM: Right now I don’t know which of several books my next novel will be, but it’s likely either a very untraditional lesbian romance, a story about a teen mom figuring out her sexuality, or a f/f retelling of “Dirty Dancing.” So … expect lesbians.
BLOG TOUR SCHEDULE
The Sydney Taylor Book Award is showcasing its 2020 gold and silver medalists with a Blog Tour, February 9-13, 2020! Interviews with winning authors and illustrators will appear on a variety of Jewish and kidlit blogs. Interviews will appear on the dates below, and will remain available to read at your own convenience.
Below is the schedule for the 2020 Sydney Taylor Book Award Blog Tour. Please follow the links to visit the hosting blogs on or after their tour dates, and be sure to leave them plenty of comments!