This seven-book roundup covers wickedly wonderful Halloween season reads. From a gentle book about the fall season to spooky ghouls, goblin-witches, ghosts, vampires, a witch’s hut, and a haunted house, we’ve got you covered.
With whimsical art in blacks, whites, and grays offset with oranges and foil accents, The Little Kittenembodies the spirit of autumn. Leaves blow across the pages, bringing movement that propels Ollie on her adventure. As promised by the title, there is a little kitten, but also Ollie’s cat, Pumpkin. Nicola Killen’s art and storyline
beautifully convey the playful, loving spirit of this book. It’s a pleasure to see a gentle story that’s engaging and fulfilling—it even has a surprise ending, shh!
I’m a sucker for a great book title and just had to read Marcus Ewert’s She Wanted to Be Haunted—plus, what a great idea! As promised, Clarissa, an “adorable and pink” cottage finds herself disappointed with her appearance. Her father is a castle and her mother a witch’s hut, but Clarissa got the short end of the broomstick with her undeniable cuteness. “Daisies grew around her, / squirrels scampered on her lawn. / Life was just delightful! / —and it made Clarissa yawn.”
What kid hasn’t felt bored when things were mellow and nice? Susie Ghahremani’s hand-painted artwork brings Clarissa to life in (dreaded!) upbeat colors. Inside, on Clarissa’s fuchsia, wallpapered walls, we sneak a peek at her family’s photos and, yes, she’s surely the oddball of the bunch. My favorite scenes involve the surprise ending. If you want to know if Clarissa’s attempts to gloom-down her appearance work, you’ll have to read the book. Trust me, the ending is awesome! Click here for a coloring page.
Scritch Scratch—the title of this middle-grade novel by Lindsay Currie will get under your skin as all good spooky books should. Because, of course, this sound is made by the ghost haunting Claire. Prior to this, science-minded Claire absolutely did not believe in ghosts and found her Dad’s ghost-themed bus tour and book embarrassing. So why did this ghost choose her? Claire’s too afraid to sleep and should have plenty of time to solve this mystery. However, since her BFF’s hanging around with the new girl, Claire may need to figure it out alone.
I’ve never been on a haunted bus tour, but, after reading this book I want to if they’re all as interesting as the one in this story. “Forgotten” facts about Chicago are cleverly woven in—what a great way to sneak in a history lesson! Click here for a discussion guide.
This book opens with a warning from the Embassy that “[b]y signing, you hereby accept all responsibility for any death, dismemberment, or condemnation to the Eternal Void that results from reading.” How irresistible! When Jake Green receives a kind of creepy package in error, a fun adventure ensues dodging bonewulfs and their master Mawkins (a grim reaper). Accompanied by ghosts Stiffkey, Cora, and, an adorable fox named Zorro, the unlikely group tries to avoid being sent into the Eternal Void—a fate worse than death.
Will Mabbitt’s well-developed characters are very likable and Taryn Knight’s art plays up the humor. I appreciate the Embassy of the Dead’snew ideas about ghosts and their companions such as Undoers (someone who helps a ghost trapped on the Earthly Plane move on to the Afterworld). Mabbitt nails a perfectly written ending. I’ll gladly follow Jake and his friends onto the next book in the series. Click here to read a sample chapter.
Fans of the beautifully made Ologies series won’t be disappointed in the latest addition, Ghostology. Packed full of stories, this book will keep you haunting its pages because there’s so much information from psychics and mediums, to fakes and frauds. Want to know what’s in a ghostologist’s field kit (sketchbook, accurate timepiece, and, of course, a ghost-detecting device, just to name a few items), or how to hunt ghosts? You’ve come to the right place. Pay attention to the “Types of Ghosts” chapters.
Beyond reading, the book is a sensory experience with its sealed pages, official documents envelope, flaps, and textures. If there’s such a thing as a coffee table kid’s book, this is it. The icy blue color scheme of the cover is offset by a large faceted red “gem.” Raised letters just beg you to run your hand over them and invite you to look inside. The thought and detail in this book are phantom-astic!
★Starred Reviews – Booklist, Kirkus, Publishers Weekly, School Library Journal
In Aliza Layne’s middle-grade graphic novel, Beetle & the Hollowbones, Beetle is a twelve-year-old goblin-witch being homeschooled by her gran. Beetle, however, would rather hang out with her current BFF Blob Ghost at the old mall (where they are inexplicably trapped). When Beetle’s previous BFF, Kat Hollowbones, returns home after completing her sorcery apprenticeship at a fast-track school, their friendship isn’t the same. Kat’s aunt Marla is the wonderfully drawn skeletal antagonist.
With well-developed characters and plenty of action, this fast-paced book will bewitch you. The struggles of moving through school and friendships falling apart are accurately depicted. The panels, grouped into chapters, capture your attention with their fantastic illustrations, engaging colors, and lively text. I like how Layne includes some concept art at the end, inspiring other artists with a behind-the-scenes peek.
Vampires Never Get Old: Tales with Fresh Bite is a YA short story anthology with the goal to “expand on and reinvent traditional tellings.” How awesome is that?? Editrixes Zoraida Córdova and Natalie C. Porter’s story, “Vampires Never Say Die,” is a suspenseful, modern tale about a teen and vampire who meet online. They also provide the introduction and insightful commentary after each piece, delving into the many areas of the vampire myth. There are so many wonderful things in this collection; I’ll give you a few nibbles to whet your appetite.
“Bestiary” by Laura Ruby is set in a near dystopian future; Jude works at the zoo and has a special connection with animals. This story stood out for me because the reader must piece together the truth. It’s quite a different twist on thirst and the theft of blood and humanity.
“Seven Nights for Dying” by Tessa Gratton opens with the line, “Esmael told me that teenage girls make the best vampires” (because they’re “both highly pissed and highly adaptable, and that’s what it takes to survive the centuries”). We follow Esmael’s chosen girl through a week of uncertainty as she considers joining the undead. This cleverly layered story demands to be reread to truly appreciate Gratton’s well-crafted words.
Weaving in old superstitions, “The Boy and the Bell” by Heidi Heilig expands upon the Victorian tradition of burying their loved ones with a bell (allowing them to call for help if mistakenly buried alive). Set at the turn of the century, Will is a graverobber for all the right reasons—he wants to become a doctor, and “acquiring” freshly buried bodies allows him to trade for a spot at the back of the amphitheater where dissections take place. With only a few glimpses at Will’s thoughts, we find out volumes about his struggles.
This anthology breathes life into the short story and lets readers appreciate the many perspectives and styles from a very talented array of writers. My favorites tend to have unexpected endings. There’s something for everyone. Just read it already!
ADDITIONAL RECOMMENDED READS FROM RONNA e IT’S HALLOWEEN, LITTLE MONSTER Written by Helen Ketteman Illustrated by Bonnie Leick (Two Lions; $17.99, Ages 3-7) e When I began reading It’s Halloween, Little Monster, one of the Little Monster series of picture books, I thought I was reading about the first time I took my son out trick-or-treating 15 years ago. All he had to do was see one or two kids in scary costumes and he hightailed it home before anyone could say boo! I’m so glad Helen Ketteman wrote this picture book because I’m sure it’s going to help make the first Halloween experience for reluctant little ones a lot easier.
In this gentle rhyming story, Little Monster heads out for Halloween accompanied by his dad. The reassuring presence of a parent sets the tone. Dad will be right there to calm Little Monster’s fears no matter who or what they encounter. “Don’t fret Little Monster. / See there in the street? / That’s not really a ghost— / it’s a kid in a sheet!” e Together the pair see all kinds of spooky creatures while trick-or-treating, but the dad anticipates what might frighten his child and is always one step ahead. I like how the papa monster not only comments on assorted pirates, witches, and vampires but scary sounds, too. Leick’s muted blue and purple toned palette of the detailed illustrations will only add to the enjoyment of this charming Halloween read. It’s an enjoyable pairing of prose and art. By the time the surprise ending happens, Little Monster’s smiling just like the children having this story read to them. e e
OTHER RECOMMENDED HALLOWEEN SEASON READS: e CHRISTOPHER PUMPKIN by Sue Hendra and Paul Linnet with art by Nick East (Board Book for Ages 0-3, Little Brown BYR) e THAT MONSTER ON THE BLOCKby Sue Ganz-Schmitt with art by Luke Flowers (Picture Book Ages 4-8, Two Lions) e THE REVENGE OF THE WEREPENGUINby Allan Woodrow with art by Scott Brown (Middle Grade illustrated novel for Ages 8-12, Viking BYR)
Disclosure: Good Reads With Ronna is now a Bookshop.org affiliate and will make a small commission from the books sold via this site at no extra cost to you. If you’d like to help support this blog, its team of kidlit reviewers as well as independent bookshops nationwide, please consider purchasing your books from Bookshop.org using our affiliate links above (or below). Thanks! e Recommended Reads for the Week of 10/26/20
Kate Pentecost’s YA novel has the wonderfully ironic title, Elysium Girls. There’s nothing paradisal about Elysium, Oklahoma, during the 1930s Dust Bowl. One moment it’s a regular town, the next, the goddesses Life and Death use it to play a decade-long game: from next to nothing, the citizens must build a city and a society which is good and responsible, setting aside one-third of all crops as a Sacrifice. If the Elysiums do this, at the end of ten years, their society will continue; if not, everyone perishes. Dust Sickness soon begins to claim lives.
Seventeen-year-old Sal Wilkerson loses her mother and doesn’t fit in, overcome by unfulfilled predictions. As the game’s conclusion draws near, the town’s self-declared witchy leader, Mother Morevna, chooses Sal as the Successor. Finally, it seems Sal’s time has come, but an outsider named Asa arrives and unintentionally upsets things. For me, Asa stole the show as much for his charming personality as for the fact that, even though a nonhuman character, he’s so very relatable. Over the course of the book, his life changes dramatically as he deals with one unknown after another.
Outside the Elysium walls, a band of kick-butt girls survives fire coyotes and other wicked things by using their ingenuity. The different realities are fascinating: inside the walls, outside, above, and blips from the real Depression-era world. In addition, there are many appealing character elements including friendship, girl power, and family. Romance isn’t limited to boy and girl, or human and human. Put it all together and you’ll see why Elysium Girls is as hard to shake as a dusty Oklahoma day.
Disclosure: Good Reads With Ronna is now a Bookshop.org affiliate and will make a small commission from the books sold via this site at no extra cost to you. If you’d like to help support this blog, its team of kidlit reviewers as well as independent bookshops nationwide, please consider purchasing your books from Bookshop.org using our affiliate links above (or below). Thanks!
★Starred Reviews – Bulletin of the Center for Children’s Books, Kirkus, Publishers Weekly
The young adult novel Deeplight grabbed me when I read it described as Twenty Thousand Leagues Under the Sea meets Frankenstein. Frances Hardinge does not disappoint. Fifteen-year-old Hark lives in the island chain of Myriad on Lady’s Crave where the Hidden Lady was once their god, before the gods inexplicably killed each other off. Hark and his friend Jelt—both unwanted children their destinies seemingly “cojoined against their wills”—get by together on the rough streets. Jelt leads Hark to increasingly perilous transgressions until Hark is caught and given a three-year sentence of servitude. The woman who buys him at auction brings him to the island of Sanctuary where he’s assigned various chores but is also asked to spy on the aging priests, seeking their secrets about the gods. Hark finally has the chance to think about who he is and what he wants out of life. However, he’s once again a pawn but this time the stakes include everything.
Frances Hardinge’s beautifully written story will sweep you away in this coming-of-age fantasy adventure to remember. It was refreshing to read a book that felt new in many ways, illuminating light into areas of what could have seemed like familiar tales. Instead, Hardinge kept me guessing with the story’s twists. While the thrills were fun, I appreciated the undercurrent, reminding us that we all carry stories and that when someone dies, a world of knowledge dies along with them. To understand and remember the past, we must recall and retell it and we must listen to the stories that lie inside of others.
Click here to order a copy of Deeplight or visit your local indie bookstore. e Disclosure: Good Reads With Ronna is now a Bookshop.org affiliate and will make a small commission from the books sold via this site at no extra cost to you. If you’d like to help support this blog, its team of kidlit reviewers as well as independent bookshops nationwide, please consider purchasing your books from Bookshop.org using our affiliate links above (or below). Thanks!
Laura Lee Gulledge’s YA graphic novel, The Dark Matter of Mona Starr, opens with Mona Starr’s best friend, Nash, moving to Hawaii. Mona must now tackle high school alone and, though her family cares about her, she feels like the “creative oddball” in their midst. Mona struggles with depression, calling it the “Matter.” Through the help of a therapist and a new girl, Hailey, Mona begins to notice what starts her spiraling downward and how to catch herself before it becomes all-consuming. Chapter titles such as “Notice Your Patterns,” “Break Your Cycles,” and “Replace What You Can’t Erase” reinforce the steps Mona needs to take to cope.
The book presents depression in a realistic manner, showing the back-and-forth struggle that isn’t solved but, rather, managed. While the insightful text tells a compelling story, Gulledge’s art is a showstopper. In a scene where Mona’s overwhelmed by too many choices, her Matter has a hold of her arms and legs, pulling her to the edges of the page while whispering such things as, “You have nothing to offer” and “You are not good for ANYTHING,” inciting our universal search for meaning in our lives.
I’m blown away by the depth in the images (the art is black and white with hints of yellow) throughout the book. After Nash encourages Mona to write about her confusion, the full-page illustration features Mona as a shadowy outline with little Monas picking away (literally) at her brain, digging deep until she reaches her deepest thoughts. Eventually, with the help of friends, therapy, her art, and writing, Mona finds her way toward a hopeful future.
Make this powerful book an addition to your high school’s library and provide a helping hand to someone battling with their own dark matter. The insightful and heartfelt advice is based in part onGulledge’sown struggles.
Click here to order a copy of The Dark Matter of Mona Starr or visit your local indie bookstore. e Disclosure: Good Reads With Ronna is now a Bookshop.org affiliate and will make a small commission from the books sold via this site at no extra cost to you. If you’d like to help support this blog, its team of kidlit reviewers as well as independent bookshops nationwide, please consider purchasing your books from Bookshop.org using our affiliate links above (or below). Thanks!
InWhat I Like About Me, sixteen-year-old Maisie Martin’s teacher requires students to keep a journal jotting down three things they discover about themselves each day of winter break and provide evidence. Maisie’s first entry is easy: her teacher is evil, the evidence is the dreaded journal. After Mum catches Maisie writing “blah blah blah” to fill the daily allotment, Maisie settles down, nicknames her journal “DJ,” and more heartfelt confessions begin.
Maisie frets her parents are divorcing because, for the first time, Maisie’s dad hasn’t accompanied them on their annual vacation retreat. To make up for his absence, Mum lets Maisie bring her along BFF. Anna is everything you want in a girlfriend plus she’s gorgeous—a fact Maisie’s years-long crush, Sebastian, soon notices. He’s brought his annoying pal, Beamer, again. The four teens hang together at the beach, except Maisie’s too body-conscious to wear a bathing suit or get in the ocean. It comes as a surprise to everyone (even Maisie) when Maisie decides to face her fears and enter the local beauty pageant following in the footsteps of a beautifully slim mother and older sister. Figuring she won’t be selected because of her weight, she’s amazed when they not only accept her entry but also want to feature her in an interview. But all is not as it seems.
I like how this book goes beyond typical beach fun delving into complications such as when your BFF and love of your life seem destined to get together, how to deal with being stuck with an annoying sidekick, and the reality of people being unable to see past your size. Maisie vents in her journal: “Imagine having a body you’re always uncomfortable in. Always. That moves when you want it to be still, and makes you want to be still even when you long to move.”
Such heartbreaking moments are offset with heaps of humor. Jenna Guillaume kept me laughing from the book’s first lines. When a bunch of boys go skinny-dipping, Maisie muses, “soon the pool was a veritable sausage soup.” The chapters open with Maisie’s “discoveries” running a gamut of emotions, many of them hilarious. Eventually, journaling leads to self-reflection and Maisie catalogues things she likes about herself.
Books are about characters and Maisie is awesome. I’d gladly follow her on to another book or two. Guillaume has a gift for capturing our fears and seeing a way past them. Family, romance, and friendship all play out in their levels of complexity. Learning how to accept and love yourself are the book’s most powerful messages. Get this YA debut for the teen in your life or for yourself. It’ll make you laugh, but I hope it also makes you pause a moment to consider at least one thing you like about yourself.
Find Jenna Guillaume on Facebook here. Get a discussion guide here. Click herefor an excerpt. Read a Q+A with Jenna Guillaume here.
Author-illustrator Hanna Cha’s debut picture book, Tiny Feet Between the Mountains, tells the tale of Soe-In, the smallest child in a Korean village. But, being little doesn’t slow her down. Soe-In manages burdensome chores using wit and perseverance. When the sun disappears and the chieftain needs a volunteer, only Soe-in steps forward.
In the forest, she finds the spirit tiger is real, and in really big trouble—he’s swallowed the sun! Like the villagers, the spirit tiger first discounts Soe-In’s ability to help. However, brave, imaginative Soe-In saves the day.
Cha’s art shows the movement and mood of this powerful story. I enjoyed the images of the tiger because feline fluidity is difficult to capture. Her Author’s Note explains tigers are revered by Koreans; their country is shaped like one. The tiger as their spirit animal appears in countless Korean stories as a symbol of respect, strength, and dignity, both as a deity and a threat.
A Kirkus Reviews Best Picture Book of 2019 ★Starred Review – Kirkus An Asian/Pacific American Award for Literature Honor Book 2019
Bilal Cooks Daalby Aisha Saeed is an upbeat picture book about friendship and cooking. When Bilal’s friends wonder why it takes his Pakistani family all day to make daal, he introduces them to the process, letting them choose the color of lentils for the stew they will enjoy together at dinnertime. As the day goes by, Bilal worries a bit that his friends won’t like the taste, but the delicious dish pleases everyone, demonstrating how food brings people together.
Anoosha Syed’s art focuses on the kids enjoying their day of play, a variety of emotions clearly captured. The daal’s vivid descriptions (“small like pebbles, but shaped like pancakes”) come to life through the illustrations. Close your eyes and let the simmering daal awaken your senses.
The Author’s Note explains daal is a staple food in South Asia, but lentils are enjoyed in many other places. Saeed’s recipe for Chana Daal is similar to what I grew up with in my household, bringing back warm memories. In these months of the pandemic where many of us are cooking wholesome meals, this hearty and healthy dish will please while filling the house with amazing aromas all day long.
A Junior Library Guild Selection A Kirkus Reviews Best Book of the Year ★Starred Reviews – Booklist, Kirkus, School Library Journal
Summer Bird Blueby Akemi Dawn Bowman opens with a car crash. Seventeen-year-old Rumi Seto loses her only sister Lea, who’s also her best friend. Their mother, unable to deal, puts Rumi on a plane to Hawaii for an indefinite stay with Aunty Ani, their Japanese-Hawaiian side of the family.
Lea, two years younger, was the outgoing, happy-go-lucky sister. Rumi, the opposite personality type fits her “ruminating” name; often, she’s stuck in her head, turning things over, unable to step forward into everyday life. Though quite different, the sisters, shared a love of music, playing instruments together. They would randomly come up with three words, then write a song about it. (Summer Bird Blue, refers to the unwritten song that haunts Rumi after Lea dies.)
Rumi suffers in the angry and depressive stages of grief, vacillating between lashing out and crawling into bed for days on end. Her new surroundings include neighbors Mr. Watanabe (a grumpy octogenarian who becomes an unlikely companion) and Kai (the too-handsome, too-cheerful boy next door). As Rumi becomes closer to Kai, they go on a date, but kissing surfaces her confusion over her possible asexuality. Believing other teens have easy crushes and romance, Rumi’s self-doubt compounds after losing Lea.
The story’s lovely scenes centering around Rumi’s deep bond with music resonated with me. The moving descriptions include Rumi’s regard for Lea’s guitar, and Mr. Watanabe’s piano and ukulele. When transported into this world, Rumi’s passion ignites. However, anything musical involves Lea, and Rumi cannot process what to do without her sister, which furthers the painful introspection and turmoil.
I appreciate Bowman’s choice to spotlight a troubled, roughhewn protagonist struggling with a complexity of issues. Writing about grief, sexuality, and trying to understand life itself are ambitious undertakings, yet Bowman succeeds in weaving a truthful, heartfelt story that includes both honestly bitter moments and lyrically beautiful ones.
Find out more about Asian/Pacific American Heritage Month hereand here.
Following a devastating senior year, things are looking up for eighteen-year-old Sabine Reyes. She has been accepted to a prestigious art school on a full scholarship, including an allowance for housing. Still traumatized from the events of her senior year, which left her homeless, she becomes alarmed when her professor, a noted artist, is brutally critical of her artwork. Nothing she does meets his approval and she is fearful that failure in this class will result in the loss of her scholarship. Vulnerable, and under intense pressure, she is manipulated by someone she trusts, and engages in unethical activity she at first rationalizes and later realizes is wrong.
Set in contemporary Pasadena and surrounding areas, Linka’s book explores Sabine’s last year of high school and how the events of that year impacted her later actions and decisions. This gradual build up, intertwined with Sabine’s current life of school, work, friendships, and loves, dramatically increases the story’s intensity. Readers helplessly witness Sabine’s entanglement in a criminal world and the staggering consequences she faces when exposed.
Linka’s love of art is clearly evident in the story and provides fascinating backdrops and insights. Yet, this story is also shaped by Linka’s growing concern over homelessness, especially among college students. In Sabine, Linka has created an innocent and fragile young woman who has experienced hardships unimaginable by most of her peers. Due to society’s negative impression of the homeless, Sabine lives in fear that her friends and classmates will find out about her earlier homeless experience. Yet this very hardship enables Sabine to treat the story’s homeless characters with dignity and respect. One such character, inspired by the author’s chance encounter with an older homeless woman, becomes the subject of a powerful work painted by Sabine.
I recommend this complex and gripping story, infused with the beauty of art and the ugliness of deceit and betrayal.
Review by Dornel Cerro
Support a local independent bookstore by ordering your copy of What I Want You to Seehere.
(G.P. Putnam’s Sons BYR; $17.99 HC, available in Ebook, Audio, Ages 12+)
★Starred Reviews – Horn Book, School Library Journal
Sherri L. Smith’sYA book,The Blossom and the Firefly, depicts an interesting slice of Japanese World War II history. Hana, assigned fieldwork is, one day, buried alive during an air attack. After she is dug out, Hana feels a part of her died in that bombing. Adding to her despair, she is reassigned as a Nadeshiko Tai girl—a handmaiden to the dead—serving tokkō, the special attack pilots also known as kamikaze. When each group readies to leaves, she must smile and wave as they take their last flight hoping to honorably body-crash into enemy battleships.
I appreciate the unique story structure, based on the Eastern style of storytelling called kishōtenketsu. Instead of a plot with conflict, kishōtenketsu revolves around contrast or juxtaposition. In The Blossom and the Firefly, Hana’s first-person chapters are in the “now,” while Taro’s (her love interest) third-person chapters begin in 1928 during his childhood. About halfway in, the narratives synchronize. Utilizing these time lines, we are shown Taro’s backstory without relying on flashbacks.
The story questions whether it’s possible to live and love during wartime. Hana keeps coolly distant until stumbling upon a special connection with Taro. After the war ends, rebuilding entails mending emotionally and moving forward to embrace what’s left. Readers will feel what it was like to be a teen caught in a war-torn land, where it’s not whether you have lost a loved one, but, rather, how many. This young adult novel about a little known aspect of the war is both heartbreaking and uplifting.
What an honor to once again be participating in the Sydney Taylor Blog Tour. This year it’s been a delight to interview authorHannah Moskowitz after reading her compelling YA novel (that I could not put down) Sick Kids in Love, an honor award winner in the teen readers category. Find out more about this week of enlightening interviews at theAssociation of Jewish Libraries website and at the official Sydney Taylor site. The full blog tour schedule is posted on the AJL blog and below if you scroll down following the interview.
He’s got a chronic illness Isabel’s never heard of, something she can’t even pronounce. He understands what it means to be sick. He understands her more than her healthy friends. He understands her more than her own father who’s a doctor.
He’s gorgeous, fun, and foul-mouthed. And totally into her.
Isabel has one rule: no dating.
It’s never felt better—
—to consider breaking that rule for him.
AN INTERVIEW WITH HANNAH MOSKOWITZ
Good Reads With Ronna:How does SICK KIDS IN LOVE differ from your previous novels and did anything in particular happen to plant the seed to write this one?
Hannah Moskowitz: SICK KIDS IN LOVE is my first book to feature characters with chronic illnesses, or even really to include characters with chronic illnesses at all, which is ridiculous since it’s such a defining feature of my own life. I really wanted to write something that I felt like was true to the chronic illness experience and that was keeping up with the conversations happening right now in the disability community that I hadn’t really seen reflected in fiction yet. So I wanted to create a positive, realistic, disability-positive love story. It’s a pretty straightforward romance, which was also a first for me. The way I explained it when I started was that I wasn’t reinventing the wheel; I was just giving the wheel to people who hadn’t had it before.
GRWR:February is Jewish Disability Awareness, Acceptance and Inclusion Month. Can you please speak to the relevance of this initiative in terms of your YA novel’s main characters, Isabel (Ibby) Garfinkel who has rheumatoid arthritis and her boyfriend, Sasha (Aleksandr) Sverdlov-Deckler, who has a non-fatal type of Gaucher Disease, and where abled society falls short here and with understanding invisible illness?
HM: Invisible illnesses are so common and so poorly respected in our society, and there are several that are more common in the Ashkenazi Jewish community than in the general population, like Sasha’s Gaucher Disease. So having a month specifically for Jewish disability awareness, acceptance and inclusion is definitely a big deal. Invisible illnesses are misdiagnosed and underdiagnosed all the time, and it’s unfortunately really hard to be taken seriously without having a diagnosis with a name that people recognize as serious. If you have something people don’t know about, like Sasha, people think you’re making it up. If you have something that sounds kind of common and benign, like Isabel, people think you’re making a big deal out of nothing. It’s really rough out there.
GRWR:Could you have written this novel without a Jewish protagonist, and if not, why?
HM: I think I could have. Writing Jewish protagonists is just easier for me, so letting myself stay in that space is one less thing I have to deal with when I’m planning out my characters. So writing a non-Jewish protagonist would have been possible, but a lot more work. And for what!
GRWR:Why did you decide to have Ibby’s family and friends deal with her illness so differently than how Sasha’s family deals with his?
HM: Ibby’s family’s discomfort with chronic illness is what’s familiar to me in my own life, and Sasha’s is kind of the fantasy of what I wish people were like. So I wanted to show both the uncomfortable reality and that we should still have this aspirational ideal even if we’ve been left down. It’s okay to expect that much.
GRWR:Why does Isabel have such a difficult time self-advocating? Is this something you wanted to raise readers’ awareness about?
HM: Because I do! And because honestly, it’s hard to stand up for yourself and tell people you’re valid when they’re constantly telling you you’re not. Being told you don’t deserve things that you thought you need sticks with you, and having to fight through that internalized ableism is a huge part of living with chronic illness.
GRWR:As an #OwnVoices author, how much of yourself have you put into the story in regard to both your Jewish faith and your chronic illness?
HM: I put a ton of myself into this particular book, which I think was what made it such a joy to write. The whole process was easy; I wrote this book over the course of a month for NaNoWriMo 2017, and the version you can read now is very, very close to that first draft. Isabel is a Reform Ashkenazi Jew with autoimmune arthritis. Guess what I am! She even lives on the block in Sunnyside that I used to live on. Nothing that happens to Isabel in the course of the story is autobiographical, but her character certainly is. Though personality-wise I would say I’m more like Sasha.
GRWR: I enjoyed Isabel’s personal arc as she fights the pull to get involved with Sasha because of her dysfunctional family history among other things. When she ultimately succumbs to love—being loved and loving back—it’s powerful, positive and oh so beautiful. Do you think her struggle is one many teens can relate to?
HM: Thank you! I think Isabel’s big struggle is her fear of committing herself fully to something uncertain, and I think that’s a worry that a lot of people, teenagers or adults, can relate to.
GRWR:What gave you the idea to make Ibby the“SICK GIRL” weekly advice columnist at her high school newspaper and then share her questions throughout the novel?
HM: I’ve been asked this before and honestly I wish I could remember, but I … don’t. It was part of the book from the first draft, I know that. A long time ago I was trying to write a book where one of the main characters went around asking people what they would do if it was their last night in New York, so I think it might have stemmed from that. But my memory is too terrible.
GRWR:As your sub-heading says, no one dies in your novel yet I cried in several places because I cared about Ibby and Sasha, their relationship, and felt so much was at stake for this young couple. Did any part make you cry as you wrote it?
HM: I’m not much of a crier, and I don’t think I’ve ever cried while writing something! But I do make playlists for the characters, and sometimes I cry a little bit listening to those and thinking about all their feelings.
GRWR:The voice in your novel was great, as was the dialogue and humor. What part of the novel did you enjoy writing the most? What were some of the most difficult parts?
HM: I always prefer writing dialogue to anything else. My favorite things to write are arguments, and Sasha and Isabel have at least one great one. I hate writing descriptions and world building, but at least this time I got to just talk about a place I knew well.
GRWR:SICK KIDS IN LOVE should be required reading in high school curricula. You’ve succeeded in opening readers’ eyes to the disabled community, how they’re perceived and treated and how they’d like to be treated. Do you think you’ve written all you’d like to say on this topic?
HM: Thanks! I think I did put all I have to say at this time about disability and chronic illness into this book. But who knows if I’ll think of more in the future!
GRWR:What can we expect in your next novel?
HM: Right now I don’t know which of several books my next novel will be, but it’s likely either a very untraditional lesbian romance, a story about a teen mom figuring out her sexuality, or a f/f retelling of “Dirty Dancing.” So … expect lesbians.
BLOG TOUR SCHEDULE
The Sydney Taylor Book Award is showcasing its 2020 gold and silver medalists with a Blog Tour, February 9-13, 2020! Interviews with winning authors and illustrators will appear on a variety of Jewish and kidlit blogs. Interviews will appear on the dates below, and will remain available to read at your own convenience.
Below is the schedule for the 2020 Sydney Taylor Book Award Blog Tour. Please follow the links to visit the hosting blogs on or after their tour dates, and be sure to leave them plenty of comments!
LOVELY WAR Written by Julie Berry (Viking BYR; $18.99, Ages 14 and up)
Julie Berry’s epic older-YA/new-adult book,Lovely War, cleverly employs a trial orchestrated by Hephaestus after he catches his wife, Aphrodite, with her lover—his brother, Ares. From there, the gods Aphrodite, Apollo, Ares, and Hades narrate the tale of four mortals during World Wars I and II. Eighteen-year-old Hazel Windicott and nineteen-year-old James Alderidge meet at a parish dance in 1917 London—with a little push from Aphrodite. Alas, James leaves to report for duty in France and fears the reserved British girl, an accomplished pianist, has stolen his heart. Much to her parents’ mortification Hazel throws caution to the wind; determined to go where there is need (and be closer to James), Hazel submits an application to be an entertainment secretary in a YMCA relief hut in France.
Aphrodite also imbibes Colette Fournier, a Belgian girl whose childhood ended at age sixteen when everything and everyone she knew were destroyed. Colette gets by as a YMCA volunteer in the south of France, until, four years later, she ends up at the same camp as twenty-one-year-old musician extraordinaire, Aubrey Edwards. There she awakens emotionally. The passion and pain of love ensues within their war-stricken world resounding with the harsh reality of prejudice that Aubrey and his troop of black servicemen must endure.
Lovely War is a monumental, layered accomplishment pared down to a comprehensible size. This 480-page tome looks daunting but has short, fast-paced chapters with changing viewpoints. The outer framework of the gods felt as realistic as the stories of the four mortals that they reflect upon. I’d recommend this book to older teens, young adults, and adults who enjoy historical fiction, romance, or mythology. I’ll want to read it again someday because I appreciated the craft Berry employs while still maintaining sincere characters. Her historical end notes further explain how the Great War shifted the roles of women and affected the plight of the black servicemen.
Lovely War has received seven starred reviews and is an indie bestseller. Learn more about award-winning author Julie Berry here. Read another YA romance novel review by here.
Have a Little Faith in Me, the YA debut from Sonia Hartl, hooked me with its opening line: “If I hadn’t made such a big deal about my virginity, I might not have spent a valuable portion of my summer checking nosebleed tissues for images of Jesus.” Have a Little Faith in Me is a funny, honest YA romance. Soon-to-be-senior CeCe was recently dumped by Ethan, her nice Christian boyfriend, because he must restore his virginal heart. To bridge the religious gap between them, CeCe secretly signs up for the same three-week Jesus camp, knowing their love will conquer all. Her best friend and next-door neighbor, Paul, thinks otherwise so he accompanies CeCe to this “faraway land, a dark place with no Wi-Fi.”
Though CeCe is out of her element, she finds that questions and uncertainty about sex unite her with the other girls. At the same time, CeCe’s relationships with her ex-boyfriend and her best friend take unexpected turns.
Have a Little Faith in Me is ideal for a teen who wants real-world advice about navigating the sexual and emotional aspects of relationships—a book I’ll set aside for our daughter. While scenarios of intense moments not quite going as planned are humorous, the story seriously examines what consent means. I like that LGBT sex is also addressed as a viable option. Reading this book felt like confiding with close friends who don’t hesitate to share intimacies. The bottom line: figure yourself out before you hookup with someone else.
In the dystopian YA novel,How We Became Wickedby Alexander Yates, an insect-borne plague called the Wickedness has swept the planet. The people who remain are either wicked (infected), true (untouched), or vexed (immune). Three sixteen-year-olds survive the devastation.
Astrid and Hank reside in Goldsport, an enclosed community of elderly inhabitants; their world exists within its walls, a sanctuary founded by Astrid’s Grandpa Gold (now dead for twenty years). When the lighthouse on Puffin Island inexplicably turns on again, Astrid’s unanswered questions push her to find out all she can from the wealthy investors who built this safe place and now spend their days sporting their finery, comfortable with their stockpiled supplies.
On Puffin Island, Natalie’s life seems as barren and rocky as the island itself. Her mischievous and malicious grandfather remains locked away for safety’s sake. When Natalie and her pregnant mother have to deal with his shenanigans, their days ahead take an alarming turn.
I liked How We Became Wicked’s dual-perspective story from the insinuating title to the thoughtful story line. The wicked are an interesting lot, seemingly normal and almost childlike until their murderous intentions arise, reminding me a bit of zombies (when zombies are depicted with comical elements yet remaining relentlessly lethal). This book kept me hooked through its fast-paced chapters. My favorite part was the clever conclusion.
CURSED by Karol Ruth Silverstein (Charlesbridge Teen; $17.99, Ages 12 and up)
I loved Cursed, the debut YA novel by Karol Ruth Silverstein, even before I read it because the cover spoke to me, and was perfect. Now, having finished the book, I can confirm how well this cover works. Its dual-meaning title presented in a bold red printer’s-block-style lettering, the warning on the bottom, along with the emojis capture the entire essence of the story. I think you’ll agree once you’ve read Cursed, too.
When I attended the book launch and heard Karol read from the opening chapter I couldn’t wait to find a chunk of time to finally read the novel undisturbed. In so many ways this is Karol’s story, an #ownvoices novel not only in that Karol authored it, but she has also lived with the chronic illness she writes about honestly and creatively using spot on “sarcasm, and bouts of profanity” that you will sorely miss when the novel ends. To give you an idea of what to expect, Karol recently tweeted this:
“Hi, I’m Karol. My book, #Cursed from @CharlesbridgeYA is about 14 year-old Erica (aka Ricky), who’s newly diagnosed with a painful chronic illness and seriously pissed off about it. It’s funny, frank and full of f-bombs.”
With that in mind, join me in Rickyville where the journey of Erica (aka Ricky and annoyingly Ricky Raccoon to her dad) Bloom is presented in 62 brief chapters with teasing titles that will add to your reading pleasure. I know that may sound semi-snarky but it’s so Ricky-like and snarkiness is one of her secret weapons, well not so secret. Six months prior to the story’s beginning, Ricky was diagnosed with rheumatoid arthritis, an illness of the joints, although she doesn’t immediately share that information with readers. She simply describes the excruciating pain and major inconveniences she has to deal with on a daily basis and that’s a big part of what’s fueling her f-bombs.
The cursing is also what gets Ricky into trouble at school, when she eventually goes. Early on in the novel, written in first person-present tense, Ricky explains how she’s actually been cutting school while hiding it primarily from her father, Dr. Dad (a dentist-doctor), and mother and sister. There’s tons of stuff she can’t deal with at glorious Grant Middle School, one being that as a ninth grader she has to attend a middle school and not a high school. Another reason is that it’s a new school because she’s moved into her divorced dad’s Batch Pad—Ricky gives everything neat nick names including The-Disaster-Formerly-Known-as-my-Parents—in a different part of Philadelphia from her family home. Add to that how difficult it is getting to school and then having to navigate the building when any part of her body can hurt at any given moment with the dagger-like or burning pain usually in her knees, feet and ankles. It doesn’t help matters that when she finally does return to Grant she feels humiliated by the things typical girls her age do “when their biggest worry is looking their best all day.”
There’s a strong cinematic sense conveyed in Cursed because Karol not only hails from Philly where the story is based, but she also has a screenwriting background. It’s easy to picture every place described in the novel. From the city itself and Dr. Bloom’s Batch Pad, the school with its grueling long corridors to the nurse’s office where she spends a lot of time and becomes friends with Oliver. From the waiting room outside the principal’s office, her speech teacher, Mr. Jenkins’ classroom, to the music room where her crush Julio practices, and the doctor’s office where she gets her intravenous medication. Add these strong visuals to the already compelling, engrossing and downright funny storytelling and at once you are totally in Ricky’s head as she tries to cope emotionally and physically with her disability as she approaches age 15.
Once Ricky’s Charade (skipping school) is discovered, she’s got to work her butt off to graduate with her class or risk being held back aka Operation Catch-Up-So-I-Can-Get-The-Hell-Out-of-This-Crap-Ass-School. Helping her accomplish this is the friendship she’s cautiously allowing to blossom with Oliver, a childhood cancer survivor who has such a can-do attitude that some of it has to rub off on Ricky, right? I felt hopeful when Ricky met Oliver. At her old school after having been diagnosed with Juvenile Arthritis and telling her friends “… they all abandoned me. I can’t risk that again.” Oliver is not the abandoning type. But is Ricky?
Some of my favorite scenes in Cursed are the ones where Ricky’s vulnerabilities and strengths are exposed like when I learned how much she dislikes her current arthritis specialist, Dr. Blickstein (aka Dr. Blech-stein) because he never speaks to her and treats her like she’s invisible, choosing instead to relay info to her mom. When she finally decides to change doctors and finds one who’s caring and truly interested in her feelings, I wanted to cheer out loud. Another time, when she comes to the aid of a girl who’s part of a clique, I felt her compassion. She may try hiding that side of herself, but as a reader I knew she had a lot of it just by her observations about the people around her. And wait until her final project, the speech in Mr. Jenkins’ class. That’s all I’ll say or I may start sobbing.
Watching Ricky grow from being a teen who feels cursed, “Like you did something horrible in a past life,” and unable to be comfortable in her own skin to one who is more willing to come to terms with her illness and more open to letting people get close to her is what kept me turning the pages. I mean that’s in addition to the dynamite dialogue, witty asides and meaningful insights into living with arthritis. It was a privilege to get to know Ricky. The changes in her arrive slowly and are sometimes subtle, but they do happen making it all the more worthwhile to be on her team. Stick with Ricky and you’ll be rewarded with this read.
Reviewed by Ronna Mandel
Click here to read an interview with Karol by author Lee Wind on The Official SCBWI (Society of Children’s Book Writers and Illustrators) Blog.
Click here to read more on “How Stories about Disability Help Create Empathy” at We Need Diverse Books.
In the YA book, The Lovely and the Lost, teen Kira was found alone in the woods years ago by Cady (the woman who is now her stepmom). Since then Kira has been training with Cady’s elite search-and-rescue dogs. When a young girl goes missing in the immense Sierra Glades National Park, they are called in to the search. Kira needs to help this girl but becomes entangled with flashbacks of who she once was; regression into suppressed memories begins to overwhelm her.
Cady’s easygoing biological son, Jude, and their wild neighbor, Free, comprise a group the three teens call The Miscreants. Eclectic and passionate, they love one another and their dogs fiercely. When asked to put their tracking skills to use, they’re in.
With The Lovely and the Lost, Barnes has written a page-turner just perfect for summer or anytime reading. Short chapters race forward through layers of mysteries. Finding the lost girl is just as important as self-discovery. The flawed characters have dark pasts, yet find hope in one another. Even the dogs have well-developed personalities.
This story about family, secrets, and canine companions will tug at your heart and raise your pulse as you feel the clock ticking in the 750,000-acre wilderness area where the search takes place. Once you get to the end, you’ll want to read this clever book again to see what you missed the first time through. I like that some tangents are left open for interpretation or, possibly, a sequel.
In WHERE I END AND YOU BEGIN by Preston Norton, seventeen year-old Ezra Slevin desperately wants to take Imogene Klutz to the prom. The only problem is he’s a neurotic, insomniac who is too shy to even talk to her, and Imogene’s best friend hates him, but has a crush on his best friend who hates her. Ezra’s best friend has inside information where Imogene will be at the time of the solar eclipse, the most important event in their town. The unimaginable takes place during the eclipse – Ezra and Imogene’s best friend, Wynonna, body swap, unleashing a series of humorous circumstances.
Ezra and Wynonna are exact opposites but both suffer from self-loathing. Ezra says, “I didn’t feel masculine. I didn’t feel like a fucking human being.” His self-loathing results in his never standing up for himself. Wynonna is aggressive, angry, and dyslexic.
The author thoroughly explores every angle of sexual identity against the background of Hamlet’s Twelfth Night, “exploring the line between love and suffering, the ambiguity of gender, and the folly of ambition.” Norton states, “The important thing isn’t the word or the label. The important thing is you.”
I often found myself laughing, and loved Norton’s imagery. “Slowly, Imogene’s eyes widened like a pair of flowers blooming in a fast-motion time lapse.”
This is a humorous story about male and female body swapping which deals with serious topics of self-loathing, anger, forgiveness, sexual identity, and friendship, which leaves the reader with a sense of hope and possibility of transcendence.
Readers who enjoy books like EVERY DAY by David Levithan should definitely add WHERE I END AND YOU BEGIN to their TBR list.
Reviewed by Guest Blogger, Joanne Rode e About the reviewer: Joanne Rode is a retired librarian living in Los Angeles, California. Twenty years ago she started working as a children’s librarian while living on Maui. The births of her grandchildren drew her back to the mainland, where she continued her career as a librarian in Orange County, then later in Los Angeles. She now enjoys using her free time to write. Contact Joanne at joanneorode.com