THE ECHO PARK CASTAWAYS by M.G. Hennessey
(HarperCollins Children’s Books; $16.99, Ages8-12)
Angelenos will home in onThe Echo Park Castawaysfor its title—Echo Park—because we know that place! This neighborhood is where the story’s characters converge in their latest foster-care home. Quentin, a boy on the autistic spectrum, is the newest addition to Mrs. K’s house. Though almost nonverbal, he clearly communicates his desire to go home to his mom. Nevaeh, Vic, and little Mara may be veterans of the system but they understand Quentin’s need.
The reader is shown how each character struggles to get by since the story is told in three viewpoints. “Loud Boy” Vic lives in a fantasy world where he’s a superspy spinning tales about his father’s absence—anything is better than accepting the fact he was deported to El Salvador. “Quiet Girl” Mara barely speaks English but can get through to Quentin. As Vic plots how to reunite Quentin with his mom, “Tall Girl” Neveah has to put aside her already too-full workload of chores and college prep to keep the younger kids out of trouble; she’s their caretaker, like it or not.
Circumstances beyond their control bring these kids from different walks of life together. Though obstacles face them in everyday life, they forge connections and make a family for themselves. This fast-moving story illuminates how children with limited options adapt to a flawed system.
The Echo Park Castaways is a deeply personal book for the author, M.G. Hennessey, who volunteers as a Court Appointed Special Advocate (CASA) in the L.A. foster care system. In that position and as a youth mentor for the Lifeworks program, Hennessey has witnessed the system responsible for society’s most vulnerable children. The book presents characters based on case stories that illustrate the very real challenges foster children face every day. There are 30,000 kids in L.A.’s child welfare system—the largest in the nation.
RIVERLAND
Written by Fran Wilde
(Amulet Books; $17.99, Ages 10-14)
★Starred Review – Booklist, Shelf Awareness
In Riverlanda debut (older) middle grade novel by Fran Wilde, Momma promises everything will be all right, but sisters Eleanor and Mike know better. Things aren’t OK, no matter how hard they try to be good. The girls weave stories about how “house magic” will fix whatever’s wrong this time. When Poppa breaks the family heirloom (a glass witch ball), a river appears in their secret hiding place and the girls venture to a place where dreams grow in reeds.
A heron made of metal, glass, and driftwood explains that nightmares are made of “failed dreams, smoke, and the river mist” and that “the same magic that kept dreams and reality apart also held back the nightmares.” Anassa, a snake-headed monster, upsets the balance. As the damage in one world seeps to the next, the sisters try to understand their family’s guardian’s agreement while facing new kinds of danger and the possibility of never returning home. Sisterly love fiercely connects them, yet Eleanor worries her temper dooms her to become like Poppa.
Lines between fantasy and reality blurred long before the enchanted river. The girls and their mother live fearfully in denial, unwilling to admit Poppa’s abusive nature. Though Eleanor’s new friend Pendra and Pendra’s mom (school guidance counselor) surmise something’s wrong, Eleanor keeps up the façade and her friend at arm’s length; without confirmation others are powerless to help.
Riverland depicts children trapped in a dysfunctional home and the ways in which they escape reality. This important book shows a family’s coping mechanisms for domestic violence. Older middle graders and YA readers may be best suited to recognize and process the nuances of this story.
Many children’s stories get the parents out of the way by killing them off. New middle-grade series, Henry & Eva and the Castle on the Cliff begins with the newspaper headline “Prominent Environmentalist and Oceanographer Die in Boating Accident.” However, Andrea Portes’s story surrounds this incident rather than pushing it out of the way and moving on. Siblings, Henry and Eva, suffer from this sudden shock but it’s the first of many in regard to their parents’ death.
Details make the story come alive such as Eva’s voice, “[the article in the paper] says that I am twelve and that Henry is ten but it doesn’t say that Henry will be eleven in three weeks and we were already starting to plan his birthday party.” Palpable grief engulfs the kids as they face a new life, one without their folks. Matters are complicated with caregivers, Uncle Claude “the Clod” and his girlfriend Terri “the Terrible,” seeming opposites from Henry and Eva’s parents.
Super-smart Henry has sunken inside himself; Eva tries to cajole him out with silly antics. The kids have a lot to deal with—then the mystery starts! Portes weaves in otherworldly elements in a fresh manner with dimensional and likeable characters. Even the “bad adults” have interesting traits. Levity and humor shine in clever lines of dialogue.
Portes is the best-selling author of two critically lauded adult novels: Hick, her debut, which was made into a feature film, and Bury This. She also writes popular YA novels.
TINY INFINITIES Written by J. H. Diehl (Chronicle Books; $16.99, Ages 10 and up)
– A Junior Library Guild Selection –
In Tiny Infinities, the debut middle grade novel by J. H. Diehl, the summer when Alice turns thirteen, her family’s structure disintegrates. Her mother has become a bedridden recluse, her father moves out, and Alice’s two brothers are temporarily placed with their aunt. Alice willfully stays at the family home, erecting the Renaissance tent her parents met in, resolving to sleep in the backyard until her father returns. Due to finances, cell phones, internet, and camps are cut. Earning money babysitting is bittersweet—Alice’s parents are too distracted to pay much attention. Alice discovers each family has complications. Piper, the young girl she watches, has an undiagnosed loss of speech and possibly hearing.
This quiet story considers deep issues including how one family member’s illness or injury affects everyone. Because of her parents’ split and her mother’s inability to recover, Alice loses touch with close friends rather than explain.
Swimming keeps Alice centered; she’s determined to get her name on her swim team’s record board. A friendship with the new girl, Harriet, develops. Harriet’s keen observations while somewhat off-putting are also perceptive: she advises Alice to switch to backstroke. While this is another change, Alice eventually realizes that she likes swimming backwards without seeing where she’s going; it gives her confidence in her ability to maneuver the pool, and life. Alice and her friends learn from one another how to find their way—realizing it is their way to find.
Tiny Infinities is an honest coming-of-age middle-grade novel. Alice understands for the first time that there is “no line between hot and cold, or warm and cool, love and not love. Tiny infinities [are] always going to be there.”
Fireflies play a clever role in the novel throughout. Beneath the book’s beautiful glimmering jacket is a stunning smooth casewrap adorned with fireflies. The brightly contrasting endpapers offer a pop of color.
MEET DANIELLE DAVIS,
AUTHOR OF
ZINNIA AND THE BEES
Written by Danielle Davis
Illustrated by Laura K. Horton
(Capstone Young Readers; $14.95, Ages 9-12)
Yesterday, August 1st, was the debut of local L.A. author Danielle Davis’s new middle grade novel, Zinnia and the Bees. Today I’m totally tickled (but not stung mind you!) to share my recent interview with Davis as she weighs in on the who, what, when, where and why of her delightful magical realism story. But first I’d like to share some of my own thoughts. If you’re eager to get to the Q&A with Danielle, please feel free to scroll down. Below that you’ll also find a trailer for the novel.
REVIEW
Zinnia, the main character in Danielle Davis’s Zinnia and the Bees, struggles with several relationships throughout this introspective, humorous, and totally absorbing book. It’s filled with many of those confusing, sometimes immobilizing emotions that I recall experiencing in middle school (which was called junior high back then). Added to that are accounts of several uncomfortable situations Zinnia finds herself immersed in which will surely resonate with today’s tweens. And though she may seem to avoid friendships, she ultimately realizes that those connections are what she really needs. Her mom, a widow, dentist and community activist, always seems otherwise occupied. She practically lives at her practice, leaves impersonal post-it notes and is more into her rescue dog than her daughter. Then there’s Zinnia’s brother Adam. The book opens with a wacky and wonderful yarn bomb episode that pulls readers into the story and demonstrates the siblings’ close relationship, despite the six years age gap.
On that very same day, Adam skips out on Zinnia and her mom, no warning, no note, nothing to let her know where he’s gone. That, after all they’ve shared, hurts more than also losing her group of friends NML, Nikki, Margot and Lupita. When they were pals they were NMLZ, but now Z was on her own. That is until a clever and curious neighbor’s nephew comes to town for summer. Far from perfect, yet not easy to push away, Birch demonstrates to Zinnia the magic of nature and the transformative quality of a good friend. His timing couldn’t have been better because after a visit to the local ice cream parlor, where some ice cream got in her hair, Zinnia has attracted a colony of crazed and kooky honeybees who find what they hope will be temporary accommodations in her long curly hair.
As Zinnia tries to make sense of her brother-less world, she’s also trying to figure out a way to get the bees off her head. We get vivid glimpses of a close relationship Zinnia has with her aunt, without which would make her mom’s indifference more intolerable than it already is. After all, it was her mom who pushed Adam away.
The humor shines through when reading the perspective of the hiveless bees hanging out in Zinnia’s hair. They get a chance, every several chapters or so, to share their thoughts on being homeless. This gives readers a chance to get into the bee narrator’s head and think about bees in a whole, hysterical new way. I now bravely scoop dive-bombing bees out of my pool instead of letting them drown thanks to Zinnia and the Bees! (No bees were hurt in the making of this novel, but do not attempt a rescue if you are allergic to bees!)
Davis has crafted a quirky and creative story where the presence of yarn in many ways can be seen as a connector of people, as well as something safe and comforting. The bees represent a longing for home, and Zinnia’s need to be heard and loved unconditionally, like her brother. There are truly many layers to the story of Zinnia and the Bees making this debut novel from Danielle Davis such a sweet, satisfying and thoughtful read.
Review by Ronna Mandel
INTERVIEW
Author of Zinnia and the Bees, Danielle Davis
Good Reads With Ronna:What was the genesis forZinnia and the Bees?
Danielle Davis 🐝: The idea for this book came from an image my husband passed along to me that had come to mind of someone with bees on and around their head. I was interested in fairy tales and stories that contained an element of the bizarre and even wacky, so the idea appealed to me immensely. With his permission, I ran with it (this is one of many reasons the book is dedicated to him). I wanted to know more about the way the bees might be a stand in for anxiety and navigating difficulties. And I wanted to know more about the person who found themselves in this predicament.
GRWR: Zinnia struggles with several relationships throughout the book and, after her brother Adam’s abrupt departure, she feels completely abandoned and alone. Then a swarm of hiveless honeybees takes up residence in her curly hair. Since the bees feature prominently in your story, can you talk about the significance of this magical realism element and how you decided to have two different perspectives recount the story?
DD 🐝:I was curious about Zinnia, but I was also curious about those insects. Disappearing bees were in the news quite a bit when I was first writing this story, and I’d heard about agricultural bees who traveled around with beekeepers to pollinate fruits and vegetables for humans (it’s a real thing!). So, I dreamed up a colony of bees who, while happy enough in their existence, felt like something was missing and yearned for freedom. I wanted to hear from them, and hoped readers would too. Writing the bee sections was really fun for me—they’re communal and existential and, I hope, hilarious (they always made me laugh!).
GRWR: A yarn bombing episode propels the plot line forward. Zinnia finds comfort in knitting and it feels like there is some symbolism with yarn. Was that intentional? Also, Zinnia has practically yarn bombed every item in her bedroom. As a child, were you a knitter like Zinnia? Is there any particular reason you chose knitting versus another craft since I know you share a lot of crafts on your picture book blog, This Picture Book Life?
DD 🐝:While the yarn symbolism was, admittedly, unintentional, it’s certainly there since yarn can provide comfort and so relates to the concept of home, which is at the heart of the novel. For me, I’d made Zinnia a knitter in the vein of any artist or maker (or writer) who experiences that sensation of flow when immersed in their preferred activity (plus, I’d recently learned about yarn bombing). For Zinnia, knitting is a way she soothes her anxiety, helps make sense of her world, and takes her mind off, well, everything. It’s a way for her to both focus and escape.I was certainly not a knitter—Zinnia is way more talented than I am! But for me, reading was similar to what knitting is for her. As a child, books were a way to soothe my anxiety, focus, and escape. Stories also, subconsciously I imagine, helped me make sense of the world.
GRWR: Your sense of place, your characters, voice, dialogue and plot all come together seamlessly to create, like the knitted lens covers for Birch’s binoculars, a cleverly crafted story. What was the easiest part for you to write and which is the hardest?
DD 🐝:Thank you, and what a neat question! Once I crafted this for a middle grade audience (I started it as something for adults—what was I thinking?), the first draft was pretty easy to write. I was emerging from a very challenging period in my own life, so writing the first draft of Zinnia and the Bees felt sort of effortless and full of joy as an extension of that unburdening. The interactions between Zinnia and Birch were natural and fun to write, as were the bee sections, where I could be as wacky and dramatic as I wanted. But all the revisions that followed, which were numerous and spanned years, were probably harder in general. And then working with my editor, Ali Deering at Capstone, was a little of both. She had brilliant ideas for making the story better in important ways and I got to prove to myself that I could create under her amazing direction and necessary deadline. The harder part was that having an editor meant I also had the pressure of knowing this was going to be a real, published book and that someone might actually read it someday.
GRWR: Though I really like Zinnia and her aunt Mildred, I’m especially fond of Birch who is visiting his Uncle Lou, the neighbor, for the summer. The friendship that slowly grows between Birch and Zinnia is so satisfying. Is there one character you relate to the most or is there a little bit of you in each one?
DD 🐝: I’m super fond of Birch as well—such a patient, loyal friend. While I’m confident there are parts of me in Zinnia, she feels to me like her own person (yes, these characters totally feel like real people to me!). I have a real soft spot for Birch’s Uncle Lou and both he and Zinnia’s Aunt Mildred are examples of the positive, caring adults every kid deserves to have in their lives.
GRWR: Dr. Flossdrop, Zinnia’s mom, is a memorable character. She’s distant, domineering and definitely not warm and fuzzy like the wool Zinnia knits with or her brother Adam whom she adores. How did you develop this dentist who relates better to her rescue dog than her own daughter?
DD 🐝: I knew I wanted Zinnia and her mom to start out feeling as different as possible and then learn that, emotionally, they have a lot in common even if it’s hard to tell from the outside. As for a neighborhood activist dentist who adopts a terrier and brings it to her office? I guess I was going for zany, and someone who would be as infuriating as possible to Zinnia.
GRWR: Do you have a preference when it comes to picture books and middle grade novels and which one do you read more of yourself?
DD 🐝: As in childhood, in adulthood I first fell in love with picture books, and then found middle grade novels. I read and enjoy both consistently, but I’m a bit more immersed in picture books in terms of quantity because of myblog.
And The Red Treeby Shaun Tan is my very favorite book.
GRWR: Where is your favorite place to write?
DD 🐝: I usually write in my apartment. I like the ease and comforts of home (like having neverending cups of tea when working), but I can still hear the sounds of the city and know it’s there. I like to revise out somewhere, preferably a coffee shop.
GRWR: How long did Zinnia and The Beestake you from concept to completion?
DD 🐝: I began the story in 2008, wrote the first middle grade draft in 2010, I believe, and sold it to and edited it for Capstone in 2016, and now it’s out in 2017.
GRWR: Can you talk about your passion for literacy and your volunteer work?
DD 🐝: I’ve been lucky enough to have the ability to volunteer with both WriteGirl and Reading to Kids respectively here in Los Angeles. The former is an organization that mentors teen girls through weekly one-on-one meetups to write together. Plus, the monthly workshops are epic and full of working writers sharing strategies and stories with teens. (And, an amazing WriteGirl who’s headed to college this fall is interning with me over the summer!)
The latter holds reading and crafting events at L.A. area elementary schools one Saturday a month. It is a total joy to participate and each child gets a free book to take home as well. That’s around 800 books given to 800 kids each month! It’s a privilege to be a small part of what the organization is doing to serve kids in my city. I wrote about the experience a couple of years agohere.
GRWR: Can you think of anything else I haven’t asked about that you’d like to share with readers about either Zinnia and the Bees or you?
DD🐝: Thank you so much for having me. It’s a huge treat to be featured on Good Reads With Ronna!
Visit Danielle’s website here.
Find her at Twitter here.
Find her at Instagram here.
Click here to see Danielle’s Facebook page
And click here to for her Pinterest boards.
Visit illustrator Laura K. Horton’s website here.
LEO, DOG OF THE SEA
Written by Alison Hart
Illustrated by Michael G. Montgomery
(Peachtree Publishers; $12.95, Ages 7-10)
We’re delighted to be included in Peachtree Publishers’ Blog Tour for Alison Hart’sLeo, Dog of the Sea, the fourth installment in this action-packed series available April l.The Dog Chronicles series introduces young readers to the important yet often overlooked roles our canine companions played in major historical events. Please read on for more info about the book and giveaway.
After reading the first few pages of Leo, Dog of the Sea, prepare to be instantly swept aboard the Trinidad, one of five ships in the Spanish armada under the command of Captain General, Ferdinand Magellan. The date: August 1519. In 14 fast-paced, engaging chapters, readers will join the ship’s rat-catching canine, Leo, who narrates the treacherous voyage around the globe as Magellan navigates the seas looking for a route to the Spice Islands. They’ll also meet a motley crew and a colorful cast of characters and can decide for themselves who is worthy of friendship and loyalty and who is not to be trusted. While Leo certainly becomes the most endearing of the lot, Pigafetta, Magellan’s Italian scribe, and Marco, a young stowaway are sure to be favorites, too.
Hart has once again created an observant and compelling character, this time in Leo, a dog reluctant to get close to any human. Now embarking on his fourth voyage to foreign lands, Leo has a wealth of seafaring experience making his detailed descriptions of all things sailing related both realistic and believable. And while five vessels set out in search of a westward route, only one will complete the entire three year journey intact.
When the armada sets off, readers learn that reporting directing to Magellan is master-at-arms, Gonzalo Gomez de Espinosa who will, according to Magellan, “… carry out my orders and assure that the laws of Spain and navigation are obeyed.”This man is the epitome of cruel and Leo and Marco must steer clear of him to save their skins. Keeping notes on everything that occurs, good and bad, is Pigafetta who takes to the boy and dog early on, helping them survive during the perilous trip. It doesn’t hurt that Leo displays bravery in the face of adversary on numerous occasions. And Marco, stoic and astute, proves to be an invaluable companion and page. The story revolves around all the various ports of call visited, the inhabitants encountered and the obstacles faced by Magellan and his crew along the way. Those include every type of weather condition imaginable including violent storms or lack thereof, thievery, hunger, deadly disease, mutiny and murder.
I knew little about Magellan before beginning the book and found myself eager to find out more as I approached the story’s end. Fortunately there are 19 pages of information Hart has included to fill interested readers in on the rest of what happens after her story finishes as well as other fascinating facts about seafaring in the 16th century. From ship dogs to conditions onboard, the back matter in Leo, Dog of the Sea is as riveting and educational as the rest of the book. Illustrator Michael G. Montgomery’s artwork adds to the book’s appeal. His pencil illustrations provide just enough detail to give readers a real taste of the clothing and equipment of the time period, while zeroing in on the key action of a chapter. I guess in closing I have to say that, unlike days out a sea for Magellan’s armada, with no wind blowing for weeks on end, this middle grade historical fiction chapter book is never, ever boring. Get a copy today at your local independent bookseller or enter our great giveaway below. Thanks for stopping by the blog tour. Here are more blog posts to check out, too!
3/27: Kid Lit Reviews
3/28: Librarian’s Quest
3/30: Boys to Books
3/31: Ms. Yingling Reads
Other books in this series: Darling, Mercy Dog of World War I; Murphy, Gold Rush Dog; Finder, Coal Mine Dog.
Please read our review of Darling, Mercy Dog of World War I, Book One in the Dog Chronicles series by clicking here.
Click here for a Teacher’s Guide.
Click here to read a Q & A with author, Alison Hart.
GIVEAWAY DETAILS:
Please leave a comment on this blog post for your chance to win one (1) copy of Leo, Dog of the Sea, courtesy of Peachtree Publishers, MSRP value $12.95. One or two words for comment will not be considered valid entries. Giveaway ends 11:59p.m. on April 18. The winner will be chosen via Random.org on April 19th. For an extra chance to win, follow Good Reads With Ronna on Facebook here and let us know you did. Want to increase your chances? Get an additional entry into the giveaway by following this blog on Twitter or tweeting about the giveaway. Must be U.S. resident to enter. The winner will be notified via email. Good luck!
BLOOMING AT THE TEXAS SUNRISE MOTEL Written by Kimberly Willis Holt (Henry Holt and Company BYR/A Christy Ottaviano Book;
$16.99, Ages 8-14)
In Blooming at the Texas Sunrise Motel, when thirteen-year-old Stevie’s parents are killed in an accident, she’s uprooted from her New Mexico home and sent to live in the Texas Sunrise Motel with a grandfather she doesn’t remember. Though grandfather Winston is standoffish, Stevie quickly connects with the motel’s eclectic group of people, including a cute boy her age named Roy.
Living in the same room where her mother grew up sparks Stevie’s curiosity about her parents’ kept-quiet past; grandfather Winston coolly avoids personal topics. Instead of enrolling Stevie in public school, she’s sent to the same woman who homeschooled her mother—the ancient and narcoleptic Mrs. Crump. Here, Stevie finally begins to piece together the puzzle about what her mother was like as a girl.
In this moving middle grade novel, Stevie struggles to cope with choices that are being made without her consent. Just as she’s settling into Texas, an unknown aunt invites Stevie to Louisiana. Now it’s up to her to decide between living with fun and loud cousins or returning to her seemingly detached grandfather and the motel’s motley cast of characters. Stevie’s comfortable world has ended; she’s adrift in new beginnings and explorations.
Kimberly Willis Holt‘seffective use of plant imagery throughout will not be lost on readers. Stevie parents ran a fruit and flower stand, her Louisiana cousins are in the nursery business—digging in the dirt is in Stevie’s genes. Discovering where Stevie puts down roots is the heart of this gentle, character-driven, and finely crafted story.
Details make the story come alive such as Eva’s voice, “[the article in the paper] says that I am twelve and that Henry is ten but it doesn’t say that Henry will be eleven in three weeks and we were already starting to plan his birthday party.” Palpable grief engulfs the kids as they face a new life, one without their folks. Matters are complicated with caregivers, Uncle Claude “the Clod” and his girlfriend Terri “the Terrible,” seeming opposites from Henry and Eva’s parents.
DD
