WhenAmy B. Muchawrote A Girl’s Bill of Rights, she was not planning to publish it. Mucha says, “I wrote it years ago, only for myself! Like so many women, I was raised to be a people pleaser and put others before myself. Writing this was a way to help me declare and own my rights to have my own opinions, feelings, and preferences. And it helped!” But after a while, she thought her book could also be an inspiration for many girls and women. And by taking a chance and submitting her pitch during a Twitter pitch event, she got a like from Beaming Books, and voilà – a beautiful and inspiring book was born.
“I have the right to look how I look and wear what I wear.” That’s how it begins. e
And from there, more beautiful spreads with diverse girls talking about all the rights we, girls, have.
I love Sonda’s illustrations showing diverse girls – diverse races, body types, abilities, and disabilities. This makes the message even stronger that we all have the same rights to choose our path, have our own feelings, and say yes and no when we need to.
This book will be an empowering tool to show girls their rights and that they can be whatever they want to be. “Si, se puede.”
And today, on International Women’s Day, when we celebrate so many achievements by so many girls, it’s important to keep on inspiring them to fight for their rights.
HOME IN THE WOODS Written and illustrated by Eliza Wheeler (Nancy Paulsen Books; $17.99, Ages 5-8)
★Starred Reviews – Booklist, Horn Book, Kirkus
“This book is inspired not only by the stories from [my grandmother],” says Wheeler, “but by the entire generation that experienced the Great Depression. They will soon be gone, and if we haven’t yet collected their stories, the time is now.”
Home in the Woods, the latest picture book by Eliza Wheeler is a treat for the eyes and soul. The embossed title on the book jacket is gorgeous as is the winter scape underneath. The water color and ink artwork is simply stunning.
Travel back in time as this compelling story, based on Wheeler’s grandmother’s life in the Wisconsin woods during the Great Depression, pulls readers right into each meticulously and movingly illustrated page.
Told from the perspective of Wheeler’s grandmother, Marvel, Home in the Woods introduces readers to the six-year-old and her seven siblings along with Mum, a newly widowed and stoic 34-year-old. This 40-page book unfolds over four seasons beginning in Summer when the time is ideal to move into an abandoned tar-paper shack they find in the woods. “You never know what treasures we’ll find,” says Mum. While Marvel doesn’t believe the rundown hut can ever be a treasure let alone a home, she carries on nonetheless relying on the closeness of her family and her mother’s optimism. That energy is conveyed in scenes like the one where seven of the siblings (the youngest, at 3- months-old, is at home with Mum) happily collect berries. Wheeler subtly shows how nature plays an important role in both the family’s struggle and survival.
The blue tones of Summer shift when Autumn arrives and “rust and ruby leaves” provide a beautiful backdrop for this season’s art. Everyone in the family pitches in whether it’s splitting wood to heat the shack or pulling weeds and picking “veggies.” As baby Eva munches a carrot, Mum cooks preserves and the children prepare for winter by stocking up the cellar with whatever they were able to harvest.
On a visit to Bennett’s General Store, the siblings look longingly at the inviting shop window, but they have learned how to do without. They can only afford to “buy some basics.” Cleverly, the kids have invented a game they’ve dubbed General Store that keeps them entertained for hours. Beside the hut, Marvel displays “mud sweets,” little Lowell is the jeweler, older sister Bea sells fine hats (note the creativity of the hats Mum is admiring), and the others all find fulfilling counters to man.
When Winter’s bitter winds blow, the family huddles by the pot-belly stove as the two oldest boys “trek out to hunt for food.” Blue tones return, but the flames of the fire, the glowing lantern, the gold in the children’s crowns, and in the patchwork pieces as Mum teaches Bea to quilt all depict a warmth that is the fabric of this loving family. Marvel shares how her brother Rich teaches her to read in another touching illustration that is rich with contentment.
The illustration above clues readers into Mum’s silent fears for her family while the words, “But Mum stays awake into the night …” tell us what we’ve guessed all along. Living in the woods, barely eking out a living, and supporting her family of nine has taken its toll on this strong woman. Mum prays for her children to get safely through winter and the Depression.
The cycle of seasons culminates in Spring. “The cottonwoods are all in bloom” and a spirit of rebirth and renewal fills everyone’s hearts just as the family’s pail is filled with fresh milk at Erickson’s Farm. The children rejoice in the thrilling sound of birdsong and the blossoming of flowers. Enveloped by hope, the family has gotten through the harsh Wisconsin winter and emerged to find that the power of togetherness, teamwork and love has brought to them the promise of better days ahead and the true meaning of home.
This charming picture book hit all the right notes with me. The cleverness of the prose and the gorgeous watercolor illustrations that were rendered digitally work together to make Grandpa’s Top Threes an easy-to-read and share, gentle approach to grief (in this case the grandpa’s) and the loss of a grandparent.
Henry is frustrated by his grandpa’s seemingly ignoring him, but his mom tells him to give it time. Parent and caregivers will immediately understand why. When Mom suggests Henry ask his grandpa “if he’d like a sandwich,” Henry puts the perfect spin on the question and engages his grandfather. “Grandpa, what are your top three sandwiches?” As Henry succeeds at getting his grandfather out of himself by continuing to ask for Grandpa’s Top Three, the two return to their loving relationship that existed before Henry’s grandmother’s death. The beautiful ending will tug at your heartstrings in the best possible way.
This moving story is meaningful in so many ways. It’s at once a book that will help youngsters discuss and process the loss of a beloved grandparent as well as a beautiful and poetic tribute to the grandparent grandchild relationship.
The picture book aptly unfolds in seasons where the young main character compares her grandpa to things in the world as varied as springtime, deep space, dreams and stories. “If all the world were springtime, I would replant my grandpa’s birthdays so that he would never get old.” Her other wishes convey to readers that this bright little girl knows her grandfather is ill and while the loss may come as no surprise, the overwhelming feelings of grief will. But thankfully she has special memories from Grandpa and a new journal handmade by him in which she can “write and draw” to express her sadness along with the worlds of love she shared with her grandfather.
Despite the subject of losing a beloved grandparent, the cheerful illustrations rich with expression help this picture book focus on happy times the grandfather and granddaughter have spent together. The terrific takeaway definitely comes from the subtitle, A Book of Remembering, which Grandpa’s Stories does perfectly.
I had a smile on my face the entire time I was reading My Grandma and Me. While I never had this close relationship with my grandmother, I enjoyed reading about Javaherbin’s deep abiding love for hers. This picture book, autobiographical and irresistible, takes readers to Iran where the author’s grandmother lived with her family. “When she cooked, I cooked. When she prayed, I prayed like her, too.” Mina’s grandmother welcomed her sweet shadow.
Like me, I’m sure you’ll fly through the pages and read again and again about how young Mina adored her grandmother and spent as much time with her as possible whether at home, next door at her friend Annette’s house or at the mosque. As Mina grows, so does her love and respect for her grandmother who was obviously a wonderful role model for the young girl.
What will also resonate with readers, in addition to the lovely recollections, are the simple moments of grandma and grandchild quality time. In the beginning of the book Yankey shows little Mina lying on her grandmother’s back during namaz, early morning prayer time. From that moment on the love between grandchild and grandparent emanates from every page during playtime, Ramadan and social visits. This enchanting celebration of the bond between generations is a rewarding and recommended read.
Reviews by Ronna Mandel
Other new recommended reads for Grandparents Day
Our Favorite Dayby Joowon Oh – a not-to-miss debut about special time together that will leave your heart full. It’s pure happiness in your hands.
Looking for Yesterdayby Alison Jay – this charming picture book about looking forward is a STEMish story with breathtaking illustrations you’ll want to look at over and over again and a grandparent grandson relationship that’s full of wisdom and wit.
You can also find a previous Grandparents Day book reviewhere.
In the new middle grade novel, All the Greys on Greene Street, twelve-year-old Olympia is trying to solve a mystery with her two friends, Alex and Richard. She knows her father, an art restorer, has left the country. She knows why her mother hasn’t gotten out of bed since her father left. And she knows something is amiss with an art piece her father and his business partner and devoted friend, Apollo, have been working on restoring. What she doesn’t know is why her father decided to leave so suddenly and why there are people knocking on the doors of her parents’ Soho loft, demanding answers.
All the Greys on Greene Street is Laura Tucker’s debut novel, a historical fiction story set in 1981 when Soho’s large industrial lofts housed artists instead of chain stores and the subway cost 75 cents. Narrated in first-person by Olympia, (Ollie to her family and friends) Ollie is a keen observer, and tries to make sense of the complex adults in her life. She is devoted to her parents and to Apollo, whose studio she visits and who cares for her like his own child. When her father leaves, Ollie tries but can’t rally her mom to get out of bed. She hides her mother’s depression, trying to move through her world as if everything is fine. For weeks, she gets herself to school, concentrates on school projects and eats lots of canned soup. She refuses to ask for help or even share what’s happening with her mom. She manages to convince the neighbors that things are okay, but her friends discover her secret. Ollie pleads for secrecy, but Richard and Alex refuse, and betray her trust. Ollie is just beginning to work through her feelings when catastrophe rocks their neighborhood.
Like the title suggests, Ollie has the eye of an artist. Everyone in her life encourages her to look closely at her world and really try to understand what is happening. Kelly Murphy’s pencil illustrations help the reader see what Ollie sees and what she draws. And the writing is beautiful. There are no easy answers and there is no villain, just friends trying to do their best with what they have. Tucker offers some very smart history and art lessons imparted with the lightest touch. Apollo teaches Ollie about color and craft and the lessons will stay with the reader, as much as they impact Ollie.
Kids and parents were different in 1981 and these sixth graders are allowed to navigate New York City in a way that tween and teen readers with hovering helicopter parents might be surprised by. But even with absent parents and independence, Ollie and her friends are never alone. Their own friendship, their strong community and their neighbors keep them safe. Readers might be tempted to compare Ollie to Harriet, from Louise Fitzhugh’s Harriet the Spy. They both have keen observation skills, but Ollie is softer and savvier than Harriet. Ollie’s biggest lessons are about how to ask for help, and friends who become family and how some of life’s hardest questions have more than one answer.
Reviewed by Guest Reviewer Cynthia Copeland Cynthia Copeland is a television and digital producer, who is always writing on the side. She is currently writing a YA contemporary novel. She lives in Pasadena, California with her family. Follow her on Twitter at @listenupbucko and she’ll share the small mystery that author, Laura Tucker revealed to her about the novel, All the Greys on Greene Street.
MY HEART Written and illustrated by Corinna Luyken (Dial Books for Young Readers; $17.99, Ages 4-8)
Author-illustrator Corinna Luyken’srhyming picture book, My Heart, about perseverance through difficult emotional times, will resonate with readers. The spare lyrical text explains what can happen to a heart: “some days it is cloudy and heavy with rain” or “it’s a whisper that can barely be heard.”
Details make this book special. On the cover, a golden heart-shaped flower glows hopefully as a girl tends it. The story’s carefully chosen evocative words and yellow-accented black-and-white images set the differing moods. Kids of varying ages and backgrounds depict our universal feelings.
If you look closely, each page has hidden heart-shaped images. From a playground slide and a puddle, to constellations and leaves. Love Luyken’s stunning artwork? Check under the cover for a bonus illustration.
This book can cheer someone up or just let them know you love them. A heart can experience myriad things, and “a heart that is closed can still open again.”
★Starred Review – Kirkus Reviews, School Library Journal
RIVERLAND Written by Fran Wilde (Amulet Books; $17.99, Ages 10-14)
★Starred Review – Booklist, Shelf Awareness
In Riverlanda debut (older) middle grade novel by Fran Wilde, Momma promises everything will be all right, but sisters Eleanor and Mike know better. Things aren’t OK, no matter how hard they try to be good. The girls weave stories about how “house magic” will fix whatever’s wrong this time. When Poppa breaks the family heirloom (a glass witch ball), a river appears in their secret hiding place and the girls venture to a place where dreams grow in reeds.
A heron made of metal, glass, and driftwood explains that nightmares are made of “failed dreams, smoke, and the river mist” and that “the same magic that kept dreams and reality apart also held back the nightmares.” Anassa, a snake-headed monster, upsets the balance. As the damage in one world seeps to the next, the sisters try to understand their family’s guardian’s agreement while facing new kinds of danger and the possibility of never returning home. Sisterly love fiercely connects them, yet Eleanor worries her temper dooms her to become like Poppa.
Lines between fantasy and reality blurred long before the enchanted river. The girls and their mother live fearfully in denial, unwilling to admit Poppa’s abusive nature. Though Eleanor’s new friend Pendra and Pendra’s mom (school guidance counselor) surmise something’s wrong, Eleanor keeps up the façade and her friend at arm’s length; without confirmation others are powerless to help.
Riverland depicts children trapped in a dysfunctional home and the ways in which they escape reality. This important book shows a family’s coping mechanisms for domestic violence. Older middle graders and YA readers may be best suited to recognize and process the nuances of this story.
Smart, capable, solution-seeking girls star in two new picture books from debut author-illustrators reviewed today by Cathy Ballou Mealey.
THE BREAKING NEWS Written and illustrated by Sarah Lynne Reul (Roaring Brook Press; $18.99, Ages 4-8)
DOLL-E 1.0 Written and illustrated by Shanda McCloskey (Little Brown Books for Young Readers; $17.99, Ages 4-8)
THE BREAKING NEWS by Sarah Lynne Reulbrings us a glimpse of a community struggling to cope with upsetting developments, and highlights the role that a girl fulfills to restore and heal them. The book opens with a family happily engaged in potting plants at the kitchen table. But a television in the background interrupts with unsettling news, distracting the parents and disrupting the normal rhythm of life. The little girl, round-eyed and tender-hearted, notices the changes all around her. She becomes determined to act and restore balance to her family, school and community.
Advised by her teacher to look for helpers, our heroine undertakes big and small acts of generosity and kindness. Bold gestures – washing dishes, putting on a silly show, and inventing imaginary force fields – fall flat. But slowly she discovers that many small gestures performed with love and care – tending to the dog, reading to her brother, caring for the recently-potted plant – begin to make a difference.
THE BREAKING NEWS is a helpful, heart-filled book. It bridges the gap between acknowledging distressing events and supporting the family circle where children learn to cope and counter sadness and fear. Reul’s balanced blend of warm and grey toned illustrations underscore the message of empowerment and hope. Reul brings together a brighter future and stronger community by the book’s end, making this a timely, helpful resource for families to discuss broader community issues. ★Starred Review – Publishers Weekly
It’s techno-trouble for clever Charlotte, the heroine of DOLL-E 1.0 by Shanda McCloskey, because she doesn’t comprehend the purpose of her new toy, a doll. With her trusty canine sidekick Blutooth, Charlotte is constantly on call for fixing the gadgets and devices that break and baffle her family. However, her constant coding and tinkering spark concern from her parents, who want Charlotte to unplug a bit.
The new “human-shaped pillow” doesn’t inspire much enthusiasm until a hidden battery pack is revealed. Charlotte tackles a doll upgrade, much to Blutooth’s dismay. Will his doggie destruction thwart Charlotte’s creative coding and clicking, or will it lead to a new appreciation for her technological ingenuity?
This STEM-friendly tale will appeal to young readers who appreciate and alternate between toys with and without power buttons. McCloskey’s action-filled, colorful characters are expressive and engaging. The scratchy, sketched appearance balances a sophisticated use of cartoon-panels. Full page illustrations pace the story nicely. Speech bubbles blend dialogue smoothly with text, while background details hint cleverly at Charlotte’s tools and organized interests. DOLL-E 1.0 is a smart, engaging and creative story with lots of contemporary charm.
Reviewed by Cathy Ballou Mealey
Where obtained: I reviewed advanced reader’s copies from the publishers and received no other compensation. The opinions expressed here are my own.
Read another recent #Epic18 set of book reviews by Cathy Ballou Mealey here.
THIS IS IT by Daria Peoples-Riley (Greenwillow Books/HarperCollins, $17.99, Ages 4-8)
is reviewed today by Cathy Ballou Mealey.
★Starred Review – School Library Journal
When a young dancer hesitates nervously at the studio audition door, her mirror-shadow self comes to life to encourage, support and reassure her in This Is It, a charming debut from author-illustrator Daria Peoples-Riley.
“Look at me,” commands a tutu-clad shadow, hands on her hips. The young girl, stiff and uncertain, looks askance but listens to the shadow’s message about challenge, confidence and poise. Slowly, the girl stretches, bends, leans and finally embraces the shadow’s exhortations. “Listen to the hum of your heart’s song,” says the shadow and reminds her to hear the melodies that flow from her elbows to her knees.
The delightful pas-de-deux, girl and shadow, pass together through a grey, concrete cityscape where bridges, staircases and sidewalks accentuate the opportunity for movement and energy. Red, green and pink shrubbery soften the silent, stiff buildings, while the curves of splashing fountains and smoky vents echo the dynamic pair’s swirling, twirling exuberance.
Peoples-Riley employs a mixture of free-verse and concrete poetry that showcase the strength and grace of the young dancer in definitive, certain terms. Moving in deliberate, thoughtful progression, the phrases carefully build up the young dancer’s inner confidence and ultimately celebrate her beautiful self-expression. While the shadow keeps all the spoken lines, it is the girl who ultimately shines in the triumphant, starring role.
Most young dancers become accustomed to studying their reflections in the dance studio mirror. This Is It will inspire them to look for a supportive, encouraging shadow that has also been with them every step of the way, both in and out of the spotlight.
Reviewed by Cathy Ballou Mealey
Where obtained: I reviewed a copy from my local library and received no other compensation. The opinions expressed here are my own.