Family & Relationships

An Interview with Middle-Grade Author Margaret Finnegan

AN INTERVIEW

WITH AUTHOR MARGARET FINNEGAN

ABOUT

SUNNY PARKER IS HERE TO STAY

(Atheneum BYR; $8.99, Ages 8-12,
Now available in trade paperback)

Kansas NEA Reading Circle List Junior Title

 

sunny parker is here to stay cover sunny at her apartnment comples.

 

 

INTERVIEW:

GOODREADSWITHRONNA: Welcome to the blog, Margaret. I am a huge fan, but for readers unfamiliar with your four middle-grade titles, can you briefly reflect on them in general and tell us how Sunny Parker is Here to Stay breaks some new ground for you? 

Margaret Finnegan: Thank you so much, Ronna. It’s an honor to be here. One way or another, all of my novels (We Can Be Heroes, Susie B. Won’t Back Down, New Kids & Underdogs, and Sunny Parker is Here to Stay) include characters, often with special needs, who are struggling to find their place in the world and be accepted for who they are. My books are humorous and heartfelt, yet don’t shy away from complex and difficult themes. In Sunny Parker, a lot of those themes stem from the fact that Sunny lives in an affordable housing complex in an affluent area, and so that means the book deals a lot with things like class and economic opportunity.

I think the main way that Sunny Parker breaks new ground for me is that there are a lot of characters, and so creating a world that felt like a community, and not chaos, was a challenge. But it was a fun challenge, and I really like Sunny’s world.

 

GRWR: Sunny Parker is Here to Stay features a spunky, introspective, and independent-minded main character. How is she similar to and/or different from how you were at 11 years old? 

MF: I’m not sure if I would call eleven-year-old me spunky, but I was a little oblivious and socially awkward, and that might have looked like spunkiness to some people. I was introspective and independent. My family moved a lot, and I figured out quickly that I would need to entertain myself and be highly observant of the world around me. Sunny’s introspection and independence come from different sources. She is independent, in part, because she has this wonderful community where people look out for each other. But she’s introspective because her world is turned upside down, and she is exposed to realities she’s never considered before.

 

GRWR: Topics including affordable housing, hard-working low-income families and stereotypes, racism, Autism, physical abuse, and local law enforcement are sensitively and thoughtfully addressed. Was there one particular subject you found most challenging to write about? 

MF: If you are going to write about affordable housing, and you are going to do so honestly, you are going to have to tackle a lot of these issues. In the United States, housing, race, class, and disability are often braided tightly together. But that’s hard and complicated. As a white woman, I do understand how racial privilege has shaped my options and opportunities. I was like Sunny. I lived in affordable housing in an affluent area between the ages of about eleven and twenty-one. I may have been poor; I may have lacked designer labels and other physical markers of economic security and wealth, but I could still blend pretty well into the mostly white city of Palo Alto, California. But for the people of color who lived in my complex—and who live in Sunny’s—I think that was harder. That is something Sunny comes to realize much sooner in life than I did.

 

GRWR: Sunny’s mother died when she was young, and her dad, the manager of the Del Mar Garden Apartments, doesn’t speak about her much. He also expects Sunny to help him with certain chores around the apartments. He’s a complex character who does not like to make waves. His views ultimately clash with Sunny’s multiple times. Was it hard to get into Mr. Parker’s head? 

MF: It wasn’t too hard to get in Mr. Parker’s head; I’ve known people like him, people who might—at first glance—come off as a little neglectful or simply exhausted by life. But really, he is emotionally closed off. He has his own difficult backstory. He is doing the best he can. What really interests me about Sunny’s dad is Sunny’s response to him. She lacks the emotional maturity to truly understand him. Plus, she’s lived with him her whole life. She thinks he’s perfect, until she realizes that he is merely human.

 

GRWR: Readers see how Sunny loves her life at the Del Mar Garden Apartments despite not having many things her peers have, such as new clothing, yummy snacks at home, or the ability to attend summer camp. How has this influenced Sunny’s character?

MF: It’s hard for Sunny. She sees what her peers have, what they get to do. But she is not one to dwell on the negatives. In part, that’s because her father has convinced her that he needs her to stay positive. But no one can stay positive all the time. Part of Sunny’s arc is her learning that she can have a full range of emotions. But she also learns that there are things money can’t buy, including community, safety, and self-respect.

 

GRWR: The book beautifully portrays how it takes a village since Sunny finds surrogate moms in several women in her community. Is your empathetic portrayal a result of the positive experience you had as a child living in affordable housing? And does this factor into some of the crucial decisions that Sunny makes in the book? 

MF: I wouldn’t say I had surrogate moms. I was pretty attached to my own mom. But we did have many wonderful neighbors, and some tried hard to connect with me and broaden my world. One family took me to church. They introduced me to pierogis. Other families let me babysit their children. But I don’t think those experiences played into Sunny’s character or the decisions she makes. Mostly, I think I understood early in the writing process that the wonderful thing about Sunny is that she is really eager to connect with people. Many of her actions and decisions grow out of that intrinsic quality.

 

GRWR: I liked getting to know Haley, Sunny’s best friend. Then there’s Mrs. Garcia, who Sunny takes walks with along with her Autistic son AJ. I especially enjoyed Izzy, AJ’s sister who works at Yum Burgers. She, like Sunny, is full of opinions. All the characters feel so real. Do you have any faves? 

MF: Naturally, I’m fond of all of them, but I have a special place in my heart for Izzy. She is bitter, resentful, and hard, but she wants to do the right thing, and I think she will grow up to be just as warm and lovely as her mother.

 

GRWR: Names of characters like Sourpuss Scanlon, and the Ghost Boy, as well as catchy expressions you use like the bitter barn, were just SO good. Does it take you a long time to create these, or do they evolve organically as you write the story?

MF: Usually, they just find their way into the story. If you have fun when you write, fun things and fun expressions will happen. But I did “borrow” the phrase bitter barn from my friend Patty. I can’t even remember how it came up in conversation, but it is something her family says about a person who is not quite ready to let go of their bitterness and so, instead, they are staying in the bitter barn. I loved it so much that I just knew that I had to share it.

 

GRWR: What would you like young readers to take away from reading your novel? 

MF: My priority is always that readers enjoy the book. If you enjoy a book, you’ll read another book. Beyond that, if they come away from the story feeling more empathy for the people around them, I would be delighted.

 

GRWR: Can you share what other books you have in the pipeline? 

MF: I’m glad you asked! In May 2025, Atheneum Books for Young Readers will release my fifth middle-grade novel. It’s called Spelling it Out. It’s about a boy who spends a fateful summer studying for the National Spelling Bee as his beloved grandmother slips into a haze of dementia.

 

GRWR: Is there anything else I might not have asked that you’d like to speak to before we finish? 

MF: I’d love to take a moment to thank the bloggers, influencers, and readers who are embracing Sunny’s story. As you note earlier, Sunny is fortunate to have a village of people who care about her and each other. Kid lit authors benefit from their own village of people who passionately care about books for children. Thanks for being part of that village, Ronna!

 

BUY THE BOOKS:

Sunny Parker is Here to Stay
Spelling it Out

 

 

Author Margaret Finnegan Headshot.BIOGRAPHY:

Margaret Finnegan’s latest middle grade novel is Sunny Parker is Here to Stay (Atheneum Books for Young Readers). If she is not writing kid lit or teaching her students at Cal State LA, she is most likely walking her dog, having lunch with her friends, bingeing something funny with her family, or baking something that isn’t very healthy. Connect with her at www.MargaretFinnegan.com or on Instagram at FinneganBegin. Margaret’s next novel, Spelling it Out, will be released on May 13. It is available for pre-order here now.

PHOTO CREDIT: Steve Finnegan

 

 

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Best Children’s Books for Passover 2025

 

 

SEVEN NEW CHILDREN’S BOOKS

FOR PASSOVER 2025

~  A ROUNDUP ~

 

 

 

If only I had more time! This year’s offering of new Passover books for children seems to be the largest I’ve seen in a long time. It was so hard to choose what to include, and I really hoped to cover them all. Please scroll to the end to see other books I was unable to review but recommend.

 

REVIEWS:

My Seder Plate cover seder plate shaped board book.MY SEDER PLATE
Written by Kristen Weber
Illustrated by Yaara Cellier
(Clarion Books; $10.99, Ages 0-4)

My Seder Plate: A Passover Book is Kristen Weber’s debut, and it’s a charming one! This book would have been a big hit in my home when my children were growing up. It’s not only richly illustrated, but it includes interesting seder details for those who are older. At the same time, it can be appreciated as a clever interactive way for little ones to simply enjoy the pictures during the celebration. Traditionally, the seder plate, like the board book, is round, “with spots for special foods.” Each food represented is significant in the retelling of the Passover story.

Open the sturdy book to reveal the seder plate and its contents on one side, a multigenerational family on the other. It includes the food name in Hebrew and in English. One word I have learned in Hebrew from attending many seders is Beitzah, egg, the second food shown. Each food item explained is in bold. The font is smaller for the more detailed portion, which a relative might explain, or perhaps an older sibling, a cousin, or a family friend. I also like how the first paragraph is in verse, which will add to a youngster’s engagement.

“A roasted egg sits on our plate,
warm and round and hard,
a symbol of the cycle of life
and hope for a new start.

The egg can be both a reminder
of the sacrifices Jewish people have
made and a symbol of new life.”

Now that all the Passover foods are covered, it’s time to try them! A big positive about My Seder Plate is that children can keep it with them and follow along while also being entertained by the art and the surprises that await them with every page turn. Chag Passover Sameach! •Reviewed by Ronna Mandel

 

Matzah Day cover family members holding matzah.MATZAH DAY!
Written by Charlotte Offsay
Illustrated by Jason Kirschner
(Holiday House; $18.99, Ages 3-6)

Charlotte Offsay has a talent for writing picture books with rhyme that 1. always entertain, 2. propel the story forward, and 3. employ a catchy rhyme scheme that invites read-alouds. She did it with Challah Day! and succeeds once again with Matzah Day!

This lively written and whimsically illustrated holiday story celebrates the popular Passover cracker made from water, salt, and flour that can be enjoyed in as many ways as matzah is spelled. You can even see it in this roundup spelled matzah, matzoh, and some times matza, and matzo. Are there other spelling variations that I don’t know about? Maybe! But no matter how you spell it, there is much to love about the food that came to be when “The Jewish people fled from Egypt in such a hurry that they didn’t have time to wait for their dough to rise.”

Don’t miss the three recipes included to try with the help of a parent, as well as information about exactly what matzah is, what Passover is, and why we eat matzah for Passover. I appreciated the tight rhyme when Offsay describes the different (and delicious) ways matzah can be eaten as the family gets fuller and fuller. “Like it salty, plain, or sweet? No wrong way to eat this treat! Toffee, chocolate, salted top. Once you start, it’s hard to stop.” Too right. It’s one of my Passover weaknesses, along with matzah brei, a breakfast matzah mashup my family loves year-round. The zany spreads where Kirschner has made the family members smaller sized as they play on the larger scaled ingredients are quite funny. As a feline fan, I also appreciate the adorable kitty added for good measure. What a great new read to add to your family’s Passover picture book collection. •Reviewed by Ronna Mandel

 

Written by Alan Katz
Illustrated by Adam Auerbach
(Harper Collins BYR; $12.00, Ages 4-8)

The Cohen family is enjoying the Passover seder at Grandpa Murray and Grandma Norma’s home. It is time to hide the afikomen and Grandpa Murray is searching for the perfect spot which his grandchildren won’t be able to locate. However, when he hears that the matzah ball soup is being served, he rejoins his family. After the meal, it’s time to find the afikomen . . .  but the kids don’t know where their grandfather hid it, and Grandpa Murray doesn’t remember either! So, where is the afikomen? We probably all can relate to this.

Young detectives will enjoy the pen and ink illustrations, which combine different angles and vantage points, adding both interest and a sense of mystery to the story, which has a simple yet satisfactory solution. •Reviewed by Freidele Galya Soban Biniashvili

 

 

Happy Passover, Edie Rose cover Edie hugging young neighbor Mia.HAPPY PASSOVER, EDIE ROSE!
Written by Joy Preble
Illustrated by Valeria Cis
(Kar-Ben Publishing; $18.99, Ages 4-9)

Though not new to writing for children, Joy Preble’s debut picture book, Happy Passover, Edie Rose!, is a heartwarming take on the Passover story. Young readers will admire the meaningful relationship between an older woman, Edie Rose, and a young girl, Mia, neighbors in their close-knit apartment building. Edie Rose has created a tradition with her neighbors where they gather together in her home for a Passover seder that not only includes matzah ball soup and charoset but takes them on a journey similar to the one Moses and the Jewish people took from Egypt to the land of Israel.

Early on, Valeria Cis’s appealing artwork details Edie Roses’s seder to-do list along with illustrations of the smiling and diverse mix of neighbors. And, of course, Edie’s adorable red and white dog, Mo, is always by her side. Turning the page, we see memories of past seders with Edie and her friends coloring paper frogs and crossing through Edie’s living room pretending it’s the Red Sea. Mia spends a great deal of time with Edie when her mother works late, and despite being from different generations, the two have become great friends.

Next up, Edie is baking her chewy macaroons just before this year’s Passover. Mia’s mom walks through the door as Edie carries the hot, out-of-the-oven macaroons from the kitchen. Preble skillfully sets up the scene as Mo, unable to control his sniffer and overjoyed by the yummy aroma, dashes up to steal a cookie. The two collide. Macaroons scatter everywhere. Edie ends up in the hospital with a broken arm. Mia, with her caring neighbors’ help brings Passover to Edie. Just like in the Passover story, young Mia creates the best seder ever. “We marched together,” Mia tells Edie proudly. “All of us. Like you said.”

This charming tale with a twist asks kids why this night is different from all other nights, but this year, the answer is that all the neighbors worked together for Edie Rose—a wonderful lesson in kindness and gratitude. I loved how it showed that holidays don’t always have to be spent with blood relatives. Friends are family, too. •Reviewed by Ronda Einbinder

 

roadside seder cover seder on a logROADSIDE SEDER
Written by Anna Levine
Illustrated by Naama Lahav
(Apples & Honey Press; $19.95, Ages 5-8)

Dad, Mom, Grandpa, Grandma, Benjy, and Matzah the dog are on their way to their seder in Jerusalem when the traffic comes to a standstill. What is the cause of the jam? How will they, and all of the other people on the road, reach their seders? Will there even be any seder that night? A story that keeps you guessing will also keep you turning the pages!
As sundown approaches, Benjy, dressed in his Moses get-up, comes up with the solution for a perfect seder for everyone present. And when it’s time to find the afikoman, the reader is invited along to find it in the drawing. A Passover story that gets youngsters involved is pure fun! Beautiful, inclusive representation of the religious and ethnic diversity in Israel is depicted in the colorful and cheerful cartoon-like illustrations. A letter from the author, words to know, and a recipe for charoset round out this joyous celebration of sharing Passover traditions, even in the most unusual circumstances. •Reviewed by Freidele Galya Soban Biniashvili

 

Ellis Island Passover cover immigrants on ship seeing Statue of Liberty.ELLIS ISLAND PASSOVER
Written and illustrated by Marissa Moss
(Creston Books; $19.99; Ages 5-10)

Sometimes, you read a book that brings you back to a time long ago, and that’s what happened to me as I sat down to read award-winning author-illustrator Marissa Moss’s latest picture book, Ellis Island Passover. The story begins with a seven-year-old girl in a grumpy mood. (That was relatable.) Her family is coming over for the first night of Passover, and she has already been yelled at by her mom for bad behavior and sent to her room by her father for leaving a messy kitchen. She’s clearly not having a good day.

Moss’s evocative pastel drawings of the extended family being welcomed into the little girl’s home include Great Uncle Ezra, who has arrived from Chicago with slicked-back grey hair and glasses. He lives so far away that this is his first Passover with the little girl and her family. She doesn’t say hello to him, but no one notices—except Uncle Ezra. “’What is wrong with my cupcake?’ he asks.” She wonders if he can see she is in a bad mood. He sits on the floor with her and begins to tell her a story.

The story begins when he is nine years old. He’s shipped from Russia to America to live with his brother to escape the intolerable conditions the Jewish people were subjected to in their birth country. My grandfather escaped Russia as well, and reading Moss’s words made me remember the stories he told us.

Life in America had to be better than life in Russia. Once in New York, Ezra was put on a small boat to Ellis Island, the big immigration center. Ezra was given one week to stay there while authorities searched for his brother Mendel—and if Mendel couldn’t be found, he would be returned to his homeland. During his stay on Ellis Island, Ezra realized it was Passover. The Jews on Ellis Island did not have a Haggadah to read, so they decided to tell the stories with a Hebrew Bible. They didn’t have matzoh, so they used American crackers. That night, each of us was reading the story of Exodus and living the story of our own exodus, from the old world to the new, from oppression to freedom. And though Uncle Ezra has celebrated many Passovers since that first one on Ellis Island, this night, he had a new Passover story—his first Passover with his niece.

This picture book beautifully puts into words how Passover has been spent over generations while teaching Jewish children the history of their ancestors. The faded tones and pale palette of the art felt just right for this immigration story. My kids may be adults, but I still plan to share this story with them so they can understand what their great-grandfather endured for them to live in a free country. •Reviewed by Ronda Einbinder

 

One Little Goat cover boy and goat time traveling.ONE LITTLE GOAT: A Passover Catastrophe
Written by Dara Horn
Illustrated by Theo Ellsworth
(Norton Young Readers; $18.99. Ages 8-12)

Starred Review – School Library Journal
e
I was not prepared for the wild and wonderfully rewarding reading adventure that Horn and Ellsworth’s graphic novel took me on. Inspired by Horn’s thoughts during Passover when she was growing up, this rollercoaster ride of a story should resonate with many young readers. When I opened the first page of One Little Goat, the narrator, known as the “wise child,” quickly pulled me in when he said his seder had gone horribly wrong. I had to find out how.
Anyone who has ever attended a Passover seder that seems to go on forever will find this novel’s tongue-in-cheek humor relatable. Can you remember your stomach’s constant growling, the one relative who insists on doing things a certain way, and definitely the long way, an older cousin dipping his pinkie in the wine a little bit too much, or never finding the afikoman and winning the dollar coin? These are just a few of the Passover things we have come to expect, all captured over six chapters in 152 pages, though I wish there were more!
We meet the narrator as the seder begins, and the house is packed with family. From our safe spot, like a fly on the wall, we watch as the chaos unfolds. We learn that Dad was originally from the Soviet Union, where he could not practice Judaism, and Mom is pregnant with her fifth child. Great-Grandma, at 98, is a Warsaw Ghetto survivor. And somehow, over time, the meaning of the seder has been lost on the narrator.
To end the seder, the afikoman, or half the piece of matzah that gets hidden early on, needs to be found. However in The Little Goat, it goes missing when the baby sister tosses it into a portal where the titular goat finds and hides it someplace safe in another time zone. But he can’t recall exactly when or where. Without that important piece of matzah, the seder continues for six months! Thankfully, those I’ve attended have never lasted so long, though they may have felt that way. Talk about taking an idea and going over the top! Even more outrageous is that this particular seder is one taking place on top of layers of seders occurring concurrently over millennia. The narrator learns this when that cheeky little talking goat shows up and leads him back in time to seders of old. It’s an eye-opening experience for him as he travels through the space-time continuum, learning about the significance of the Exodus from Egypt and all the hardships the Jewish people have endured from the Spanish Inquisition to WWII where his brave Great Grandmother lived in the Warsaw Ghetto, from Minsk, USSR 1981 where his father grew up, or New York City, 1990, where his mother lived as a child.
I enjoyed how the story’s wicked humor and educational aspect paired perfectly. Ellsworth’s artistic interpretation, in black and white, of Horn’s text is impressive and easy to follow. The two work so seamlessly together that it’s hard to believe that not just one creator did it all. The novel ends in such a satisfying way that I was ready to sit back down and start it all over again. Don’t miss this recommended read. •Reviewed by Ronna Mandel

 

MORE RECOMMENDED PASSOVER READS:

MY MATZAH
Written and illustrated by Ann Koffsky
(Apples & Honey Press; $10.95, Ages 0-5)

 

 

 

The Curious Case of the Pot Roast cover child detective inspecting roast.THE CURIOUS CASE OF THE POT ROAST
Written by Jamie Kiffel-Alcheh
Illustrated by Menahem Halberstadt
(Green Bean Books; $13.99, Ages 4-7)

Available for purchase in the U.K. now.
Available for purchase in the U.S. on May 30, 2025

 

A Purr-fect Passover cover cats at seder.A PURR-FECT PASSOVER
Written by Jenna Waldman
Illustrated by Erica J. Chen
(Apples & Honey Press; $19.99, Ages  3-6)

 

 

 

Next Year in The White House cover Obama first seder.NEXT YEAR IN THE WHITEHOUSE
Written by Richard Michelson
Illustrated by E.B. Lewis
(Crown Books for Young Readers with PJ Library; $18.99, Ages 4-8)

Starred Review  – Booklist, Kirkus

 

 

 

Zayde_Babysits_Before_Passover_cover_Zayde_and_Ruthie_at_supermarket Zayde Babysits Before Passover cover Zayde and Ruthie at supermarket. ZAYDE BABYSITS BEFORE PASSOVER
Written by Jane Sutton
Illustrated by Kate Chappell
(Kar-Ben Publishing; $18.99, Ages 4-9)

 

 

 

Passover on Everest cover two hikers and tents below.PASSOVER ON EVEREST
Written by Rachelle Burk
Illustrated by Craig Orback
(Intergalactic Afikomen; $19.99, Ages 4-10)

 

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A Review of The Color of Sound by Emily Barth Isler for Read Your World 2025

GRWR RYW2025 Co-Host Graphic

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GoodReadsWithRonna.com is thrilled to be back for our 13th year supporting Read Your World, this time as a Co-Host!! We hope you’ll visit the Giant Linky below to access all the other great diverse books reviewed from board books to young adult. Please scroll down after reading this review for many more details about Read Your World.

 

 

THE COLOR OF SOUND

Written by Emily Barth Isler

(CarolRhoda Books; $19.99, Ages 11-14)

 

 

The Color of Sound cover Rosie seeing music in colors

 

 

★Starred Review – Publishers Weekly, School Library Journal

REVIEW:

In the opening paragraph of Emily Barth Isler’s The Color of Sound, readers meet 12-year-old Rosie, a child prodigy who is a violin virtuoso. They’ll also be rewarded with a fascinating and compelling read that hits all the right notes.

Rosie, it seems, has gone on strike. That hooked me immediately. I had to understand why she was refusing to practice her instrument or attend a prestigious music summer camp. Part of Rosie’s protest is a direct result of a fight she had with her best friend Julianne. Julianne could no longer play second fiddle to Rosie’s instrument, rehearsals, trips away, and frequent cancellations, including Julianne’s important birthday sleepover. However, the major reason Rosie goes on strike is to take time to find out all she has missed and to learn who she is rather than who her mother seems to be dictating she should be. “How can you love someone so much and also feel so angry at them?” Even though Rosie may have loved many things about the violin the loneliness accompanying the prodigy lifestyle was taking its toll on her. She feels her parents, especially her mother, can’t see her or hear her beyond their own visions, a strong theme woven into this moving novel. The exploration of the mother-daughter dynamic and intergenerational trauma, in this case, the Holocaust, are also themes that particularly resonated with me.

Readers also find out early on that Rosie, like the author Isler, has synesthesia, a neurodivergence that causes her to see music in colors. But Rosie does not divulge this to anyone. Not her parents. Not to Julianne. She knew instinctively it was something she had to hide … ” … a painting could be a symphony … a song can be a picture.” Colors and rich language unfurl on the pages and add meaning to Rosie’s self-exploration journey. “What if there’s a whole other range of colors and sounds I’m only beginning to hear?”

After the fallout with Julianne, Rosie feels more isolated than ever for someone her age. The violin is her only friend. Or is it? Isler does a great job of making readers wonder if perhaps the violin isn’t really as much of her friend as one might be led to believe. Choosing to bail on music camp, Rosie now has to join her mother to spend six weeks with her grandparents who she barely knows. Will time spent with these relatives in Connecticut, with whom she is neither close geographically nor emotionally, help Rosie grow as a person, and as a family member?

Readers get a clue as to the tone of each chapter with musical terminology as clever subheadings, mainly in Italian, such as prima vista, pianissimo, and staccato. I found myself looking out for examples of these in different character’s actions. While visiting for the summer, Rosie slowly gets to know her Grandpa Jack and her ailing Grandma Florence, who has Alzheimer’s and is nearing the end of her life. I liked these characters more than Rosie’s mother whose strictness felt OTT at times. They provided an entré to Rosie’s heritage that she did not know much about. It’s always seemed to be off-limits, part of some family secrets that Rosie needed to explore. Uncovering these secrets, likely written into her DNA, will yield clues as to why she is who she is.

Being away from her all-consuming violin lessons brings joy into Rosie’s life in unexpected ways and places. These scenes are some of my favorite parts of the book, feel-good moments that give us hope that Rosie can find a healthy way forward in her life. She befriends some older high-school students in an improv class at the local library, and she also enters a mysterious time-travel loop in the shed on her grandparents’ property. I don’t want to give this part away but suffice it to say that Rosie’s encounters in the shed may actually effect a positive change in her life. And, as Rosie spends quality time with her grandparents and appreciates the family history that slowly reveals itself, she experiences how connections to the past become life-affirming for her present. If Rosie’s mother (and her father) can learn to see Rosie for who she is and wants to be, then there’s a good chance that Rosie can break free from the restrictions and commitments playing the violin has represented and forge a more meaningful bond with her family.

  • Reviewed by Ronna Mandel

 

 

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Three New Children’s Passover Books for 2024

 

 

NEW CHILDREN’S PASSOVER BOOKS

Passover Clip Art

 

 

Afikoman Where'd You Go cover kids in treehouse afikoman on roofAFIKOMAN, WHERE’D YOU GO?:
A Passover Hide-and-Seek Adventure
Written by Rebecca Gardyn Levington
Illustrated by Noa Kelner
(Rocky Pond Books; $18.99, Ages 4-8)
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There’s a mischievous personified piece of matzoh on the loose in the pages of Afikoman, Where’d You Go? and I got such a kick out of looking for him. Your kids will too! This picture book is not only written in well-crafted rhyme, it’s also relatable to anyone who’s ever attended a Seder, Jewish or not.
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At the Passover seder, youngsters are always eager to start the traditional search for the afikoman which happens halfway through the meal. The Glossary, helpfully included at the start of the story, defines the afikoman as “The piece of matzoh that is symbolically broken and then hidden, as part of a ritual during the seder.” Children hunt for him around the house or in a particular designated room. The process varies from house to house. In this tale, the kids check out every place indoors with no luck. The wily matzoh, like the Gingerbread Man, is one step ahead. Next up, the backyard.
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Part of the fun is searching every single spread to see where Afikoman is hiding. I have to admit there was one spread where I could not locate the clever cracker! That’s the bathroom scene which I’ve checked multiple times. And when I did spot him, I laughed out loud a few times. The catchy refrain, “Is he hiding somewhere high? Is he hiding somewhere low? Afikoman? Afikoman? Afikoman? WHERE’D YOU GO?” adds to the read-aloudability.
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When the afikoman is finally found, it’s time to return to the table and continue the seder. Here’s where the author and illustrator have included a satisfying surprise ending. The detailed artwork (created using pencil, ink, and Photoshop) includes a determined family dog who, along with a diverse group of kids, team up to track down Afikoman and enjoy themselves the entire time. One of my favorite illustrations is the children’s messy bedroom. It’s hard to know if the kids did that or if it was like that already! Sure to invite multiple readings for the holiday, Afikoman, Where’d You Go? easily gets a thumbs up from me.

 

Everybody's Book cover hiding Haggadah in Mosque bookcase.EVERYBODY’S BOOK: 
The Story of the Sarajevo Haggadah
Written by Linda Leopold Strauss
Illustrated by Tim Smart
(Kar-Ben Publishing; $18.99, Ages 4-8)

A richly recounted nonfiction story as colorful as the history of the titular Sarajevo Haggadah, Everybody’s Book is an enlightening read. I had the good fortune to visit Sarajevo at the end of 1989 before the city was ravaged by war but hadn’t heard about the famous Haggadah. I’m happy to have had the chance to learn. If the topic is of further interest, parents can also learn more by reading Geraldine Brooks’ The People of The Book.

The book opens with an introduction explaining how the storied Sarajevo Haggadah was first given to a bride and group circa 1350. Readers then learn that in “the late 1400s” the expulsion of Jews during the Spanish Inquisition was a scary time. In Spain, Jews were forced to convert to Christianity or leave. Lives were upended and never the same. Many families fled with nothing but the family that owned what became known as the Sarajevo Haggadah took it with them when they escaped. Over time the Haggadah changed hands multiple times eventually landing in Italy to a new generation of owners and ultimately to Bosnia where it continued to be used “during Passover Seders.”

“By 1894, the family that owned the Haggadah had fallen on hard times …” Alas the treasured family heirloom was sold. It was bought by the National History Museum of Sarajevo, a religiously diverse and mostly tolerant city where it was revered. The museum managed to keep the Sarajevo Haggadah safe until WWII broke out.

When the Nazis tried to get their hands on it, the fast-thinking museum director fabricated a web of lies but that didn’t stop the Nazis from searching the museum albeit to no avail. It is said that the curator then took the Haggadah to “a remote village, where an imam of a small mosque hid it among sacred Islamic texts.” When the war ended the Haggadah was returned to Sarajevo but peace there remained fragile.

After WWII, “Bosnians, Serbs, and Croats became part of unified Yugoslavia under one leader.” Following his death in 1980, tensions that had been simmering over the years reached a climax, and fighting among the three groups began. “In 1991, Serbs attacked Bosnia.” Another war threatened the safety of the Sarajevo Haggadah. When the museum was bombed the following year, a Muslim university professor helped rescue the book once again. This new war saw the destruction of the National and University Library of Sarajevo though citizens “formed a human chain to save whatever books they could. By this time, not just Bosnians knew about the famed Sarajevo Haggadah, and the world worried about this treasure.

One of my favorite spreads is the one that depicts a Passover Seder in 1995, in the midst of the war. “Christian, Orthodox, Catholic, and Muslim leaders joined Jews at Sarajevo’s only remaining synagogue …” During the Seder, the Bosnian President, a Muslim, arrived with the Haggadah to assure all those in attendance that it was safe. When the war ended and the Bosnian National Museum was constructed, the Sarajevo Haggadah was restored and placed among other historic treasures for all to see. Everybody’s Book could now truly be enjoyed by everybody. Tim Smart’s watercolor art has a sketch-like, loose quality showing the flow of time and the ever-changing circumstances the Sarajevo Haggadah endured. This picture book is an important one that emphasizes how the power of people from all religions and walks of life can make a difference when they find common ground. How lucky we all are that this marvelous book from a marriage over 670 years ago has survived. Oh, the stories its pages could tell!

ON ALL OTHER NIGHTS:
A PASSOVER CELEBRATION IN 14 STORIES
Edited by Chris Baron, Joshua S. Levy, and Naomi Milliner
Illustrated by Shannon Hochman
(Amulet Books; $18.99, Ages 8-12)

While there could be a plethora of themes for a Passover anthology, selecting the 14 steps of the Seder as an entry point is perfect. It’s what drew me to this book in addition to the title. It did not hurt that a host of bestselling and award-winning authors and one author-illustrator embraced and wrote about one particular step. Their instructions were only to approach the topic in any way they desired. This made for a fascinating and engrossing read. If I had the time, upon finishing my first read-through, I could have started all over again. It’s just that good!

As I dove in, I never knew what type of story would greet me, and that’s only one part of the magic of this holiday collection. Whatever way you choose to read On All Other Nights, you will be treated to a variety of top-notch middle-grade voices, approaches, plots, and characters. You can read it all in one sitting, devouring every delicious and meaningful step, or take it one short story at a time, savoring each one slowly like the Seder meal itself. At the start of each story, there is a brief, helpful description of the step. I was impressed at how creative the stories tackled each subject. Apropos of the title are also four thoughtful questions (the Four Questions being an important element of the Seder which generally the youngest asks) tweens can contemplate or parents and teachers can use for discussions.

Just like there are many kinds of Jewish ethnicities around the world (e.g. Sephardic, Ashkenazi, Mizrahi, and more) and different branches of Judaism (Orthodox, Conservative, Reform, and more), there are many different stories in this collection. Each story has a unique style and appeal. I loved the story featuring an Autistic character, Myra, who could not stand the smell of gefilte fish. It especially resonated with me having a son with sensory processing disorder for whom certain smells can drive him out of a room as it did for the girl in this story. Another story that’s stayed with me is the one about a family of Romanian immigrants on New York’s Lower East Side. In it, the brother and sister are tasked with getting the maror (bitter herb) for the Seder from their father’s pushcart. At his sister’s behest, the brother retells a fairy tale about a witch and a memory spell. This relates to the brother’s annoyance that his sister does not seem to remember much of their life in Romania before emigrating. Later on, the younger sister cleverly and courageously helps her brother rescue a new Polish immigrant being beaten up, revealing some surprising truths.

The fourteen On All Other Nights contributors include: Chris Baron, Ruth Behar, Adam Gidwitz, Veera Hiranandani, Amy Ignatow Sarah Kapit, Joshua S. Levy, Mari Lowe, Naomi Milliner, Soifya Pasternack, R. M. Romero, A. J. Sass, Laura Shovan, and Laurel Snyder.

Black and white art accompanies every chapter and the captivating cover invites children to think about their own role in the Seder. Readers are treated to tempting recipes in the backmatter from celebrated chefs and professionals. Contributor bios and acknowledgments can also be found there. At a recent signing event, editor Joshua S. Levy explained that the anthology is a mirror and window book. It communicates core human values to a wide audience with universal appeal. And that same evening, Chris Baron said the challenge with the anthology was “How do you breathe life into these steps?”  To which I say “Exactly like On All Other Nights did. Brilliantly!”

Click here to read last year’s roundup.

Also Recommended:

Why_on_This_Night_cover_Jews_and_Red_Sea_partingWHY ON THIS NIGHT?:
A Passover Haggadah for Family Celebration
Written by Rahel Musleah
Illustrated by Louise August
(Kalaniot Books; $19.99, Ages 7-11)

Publisher Description:

The rich traditions of Passover come alive in this contemporary family haggadah. Updated from the original 2000 edition, this holiday favorite is available again for families to treasure. As children and adults gather at the seder dinner to remember the Israelites’ journey from slavery to freedom, this creative, yet authentic haggadah will guide and engage them. Lushly illustrated, with blessings and text of every major section of the haggadah in Hebrew, English translation, and transliteration, the welcoming and accessible style of Why On This Night? will make it a treasured seder companion year after year.

 

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Darshana Khiani Interviews Mirror to Mirror Author Rajani LaRocca

 

 

DARSHANA KHIANI INTERVIEWS RAJANI LAROCCA,

AUTHOR OF

MIRROR TO MIRROR

(Quill Tree Books; $19.99, Ages 8-12)

 

 

MirrortoMirror cover twin sisters scaled

 

SUMMARY:

Rajani LaRocca, recipient of a Newbery Honor and Walter Award for Red, White, and Whole, is back with an evocative novel in verse about identical twin sisters who do everything together—until external pressures threaten to break them apart.

 

INTERVIEW:

Darshana Khiani: What was your initial inspiration for writing this book?

MIRROR TO MIRROR Title PageRajani LaRocca: Mirror to Mirror started with a single poem. In April 2020, I took an online workshop with renowned poet Lesléa Newman in which she talked about several types of formal poetry, including the ghazal—a poetic form, often set to music, that is popular in South Asia and the Middle East. Inspired by the workshop, I wrote a ghazal about a twin lamenting that her sister had changed and the two were no longer close.

So then I started thinking: why did these two grow apart? What happened to them? And I started to create the characters. Because ghazals are often sung, I knew that the twins would be musical. I also thought that one would be hiding a secret that was eating away at her—and that secret would be the heart of her separation from her beloved twin.

 

DK: What were the challenges (literary, research, psychological, logistical) in bringing the text to life?

RL: One challenge I faced was the same one I always face when writing a dual-POV book: how do I make the voices distinct from one another? How do I make sure each one moves the story forward? At first, I wrote Maya’s voice in poetry and Chaya’s in prose, but that felt jarring. When my editor suggested I change it so that both voices were in poetry, that felt much better, but I still had to work hard to make the voices different from one another using the content and attitude in the poems, as well as structure, imagery, and word choice. The book starts with a couple of short paired poems, each titled “She’s the One,” where the twins express how they think about each other. These poems were drafted during that first revision, and I thought they vividly set the tone of the book and established the viewpoints of each twin.

MIRROR TO MIRROR Page3

I interviewed several sets of identical twin sisters for this story, and it was fascinating! Not only were they closer than other siblings, but some described each other as “soulmates.” They told me stories about eerie connections they had, and how no matter what else was going on in their lives, their bond was unshakable.

 

MIRROR TO MIRROR Page 4 continuation of poem

 

But there is room for misunderstanding even in the closest relationships. I tried to create a story where each twin thinks she’s doing something to help the other, but instead drives a wedge between them.

2020-2021 were difficult years for me and my family. Thanks to the pandemic, we had to contend with separation, illness, anxiety, and death. It was challenging to write a book at this time, but I had to keep going.

 

DK: What do you hope young readers get from this book?

RL: I wanted to explore anxiety and mental health in a poetic way. I wanted to show that people can struggle not only with symptoms but also with telling others, even those who know them, that they are struggling. I wanted to depict the helplessness we can feel when someone we love is going through something hard.

I hope that young readers understand that we all go through difficult times, even when we are surrounded by friends and family. I hope they learn that although we may sometimes struggle with anxiety and depression, we don’t have to deal with these feelings alone, and it’s important to share with those we love and trust because only through sharing can we start to get help.

 

MIRROR TO MIRROR Page5

 

 

DK: You are a doctor and a prolific award-winning writer, so clearly you’ve got this writing thing figured out. What do you feel are the key ingredients to keep the writing flowing?

RL: You’re too kind, Darshana! I feel very fortunate to be writing books for young people today. Here’s my advice:

  • Write what you love, what you’re interested in, what makes you happy. Don’t worry about what anyone else is writing.
  • Write a lot! I always try to have multiple projects going.
  • Figure out what’s most challenging for you to do, and work on that when you’re at your best. For example, drafting (as opposed to revising) novels is challenging for me, so when I’m working on drafting a novel, I make sure to devote time to this in the morning when I’m refreshed and less likely to get interrupted. In contrast, I find that I can draft a picture book or revise something (long or short) at just about any time. 
  • Live your life! It’s important to do things other than write to feed that writing soul. Spend time with family, friends, and in nature.
  • Support your friends and other creators. 
  • Don’t be too hard on yourself. In publishing, there are only so many things we can control—including making our books as good as they can possibly be.
  • Have fun! I always try to write from a place of joy.

 

BUY THE BOOK:

The Silver Unicorn Bookstore: https://silverunicornbooks.com/events/23095

Link to Publisher page including activities, discussion topics, etc.
An educator’s guide is forthcoming.

Purchase Mirror to Mirror on Rajani’s website.

 

Rajani LaRocca Author Photo Credit Carter Hasegawa
Author Rajani LaRocca Photo Credit: Carter Hasegawa

AUTHOR BIO:

Rajani LaRocca was born in India, raised in Kentucky, and now lives in the Boston area, where she practices medicine and writes award-winning books for young readers, including the Newbery Honor-winning middle grade novel in verse, Red, White, and Whole. She’s always been an omnivorous reader, and now she an omnivorous writer of fiction and nonfiction, novels and picture books, prose and poetry. She finds inspiration in her family, her childhood, the natural world, math, science, and just about everywhere she looks. Learn more about Rajani and her books at www.RajaniLaRocca.com. She also co-hosts the STEM Women in KidLit Podcast.

LINKS TO SOCIAL MEDIA:

INTERVIEWER BIO:

Darshana Khiani is an author, engineer, and advocate for South Asian children’s literature. She is infinitely curious about the world and enjoys sharing her findings with young readers. If she can make a child laugh even better. Her debut picture book, How to Wear a Sari (Versify), was an Amazon Editors’ Pick. She enjoys hiking, solving jigsaw puzzles, and traveling. She lives in the San Francisco Bay Area with her family and a furry pup. You can visit Darshana here.

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An Interview with Margaret Finnegan Author of Susie B. Won’t Back Down

AN INTERVIEW WITH

MARGARET FINNEGAN

AUTHOR OF 

SUSIE B. WON’T BACK DOWN

(Atheneum BYR; $17.99, Ages 8-12)

 

 

 

RONNA’S IMPRESSION

I absolutely adored this perfectly polished middle-grade novel about an imperfect yet endearing protagonist, Susie B. Yet aren’t we all imperfect in some way, shape, or form? That’s exactly what Susie B. realizes in this story that cleverly and humorously addresses several relatable tween issues such as popularity and school dynamics, friendship, flawed individuals from the past and present, and being true to oneself. Margaret’s fifth-grade voice feels spot-on as we get inside her ADHD “butterfly brain” while she navigates both a class Hero Project and student council race.  Her personality jumps off the pages presented in letter format making the read fast but oh so fulfilling. If your middle grader is looking for a book that will keep them smiling from page one, this is it. See the publisher’s page for an excerpt.

 

BOOK SUMMARY 

SUSIE B. WON’T BACK DOWN

Roll with It meets Absolutely Normal Chaos in this funny, big-hearted novel about a young girl’s campaign for student council president, told through letters to her hero, Susan B. Anthony.

Susie B. has a lot to say. Like how it’s not fair that she has to be called Susie B. instead of plain Susie. Or about how polar bears are endangered. Or how the Usual Geniuses are always getting picked for cool stuff over the kids like her with butterflies in their brain. And it’s because Susie B. has a lot to say about these very important things that she’s running for student council president!

If she’s president, she can advocate for the underdogs just like her hero and fellow Susie B., Susan B. Anthony. (And, okay, maybe the chance to give big speeches to the whole school with a microphone is another perk.) But when the most usual of Usual Geniuses also enters the student council race, Susie realizes this may be a harder won fight than she thought. Even worse, Susie discovers that Susan B. Anthony wasn’t as great as history makes it seem, and she did some pretty terrible things to try to help her own cause. Soon, Susie has her own tough decisions to make. But one thing is for sure—no matter what, Susie B. won’t back down.

 

INTERVIEW

GoodReadsWithRonna: Welcome back to the GRWR blog, Margaret, and congratulations on your second novel, Susie B. Won’t Back Down! How does it feel to bring this new book into the world?

Margaret Finnegan: Very exciting! I feel so grateful to my editor and all the people at Atheneum Books for Young Readers who helped usher Susie B. into the world. I have a special fondness for Susie B. I love her gumption and her heart.

 

GRWR: Please share where the spark for this super engaging and original story came from especially since spark is a prevalent and meaningful word in Susie B. Won’t Back Down.

MF: I started my career as an historian, and a long time ago I wrote a book on the US woman’s suffrage movement. I think about the work I did for that book a lot. You know, it took women almost seventy years of coordinated work to get the vote, and, along the way, some of the women we admire for their activism did some unadmirable things. So what do we do with that? Susie B. was my way of exploring that question.

 

GRWR: The irresistible and honest voice of Susie Babuszkiewicz (aka Susie B.) pulled me in immediately, in fact, I tweeted that the opening made me literally LOL. “Dear Susan B. Anthony: I have very bad news for you. You’re dead.” Was this always how you planned to start the novel? And were you always going to write in letter format? 

MF: From the beginning, I conceived of the book as a series of letters because I always wanted Susie B. to be having a conversation with Susan B. Anthony. However, I don’t think the rough draft started quite that way. But then it occurred to me that some young readers wouldn’t know anything about the suffragist Susan B. Anthony. So I had to get some basic information out there really fast.

 

GRWR: Susie B. is an insightfully portrayed character who beautifully describes her ADHD as having a butterfly brain or at times getting wiggly. Another character, Carson, also seems to have ADHD, perhaps Asperger’s and Tourette syndrome. Can you speak to your inclusion of neurodiverse characters again as you did in your first novel, We Could Be Heroes?  

MF: I’m glad you asked. About one in every seven or eight individuals has some type of neurodiversity. So the real question is, why don’t we see neurodiversity in more books? Also, I guess I’m highly sensitive to this issue because my kids, (both young adults) are neurodiverse.

 

GRWR: I ran for class secretary in my high school government but don’t remember much except that our very laid-back advisor was called Mr. Lincoln. Did you ever run for student council and what are your thoughts about this part of a student’s school life?

MF: I ran for student council in ninth grade—and I lost! So suck it Henry M. Gunn High School. At last, I’ve achieved my revenge, proving that, in many schools, student government is indeed just another scam to shine a spotlight on the very people who need it the least. (Apologies if your experience suggests otherwise. I may still be a little bitter.)

 

GRWR: You weave such fabulous humor throughout this book which helps to lighten some serious issues middle-graders face daily. We see Susie B. cope or not cope with passive-aggressive bullying or word bombing as she calls it by a mean girl named Chloe (aka Old Fakey Fake), feeling constantly overlooked by teachers and peers in favor of the jocks, the “usual geniuses” and popular kids, along with the struggle to keep her anger at perceived injustices at bay. What did you hope readers would feel after finishing this novel?

MF: As with everything I write, my main goal as a writer is to give readers a good time. If they also pick up an idea or two to wrestle with, so much the better. These are the things I want out of books, so why would I want to give my readers any less?

 

GRWR: I love whenever Susie B. discusses the universal mystery of paragraphs and all things paragraph writing-related. Do you have a favorite scene/letter in the book?

MF: I like it when Susie B. owns her anger, telling Susan B. Anthony, “I WAS AN ANGRY GIRL.” Too often, girls are taught to swallow their anger, and—by that time in the story—Susie B. has been trying to do that for a while. But, finally, she accepts her anger and embraces it, and sometimes that is not a bad thing.

 

GRWR: Susie B. experiences a gamut of emotions in Susie B. Won’t Back Down which feels so realistic. Let’s talk about the friendship dynamic you’ve created. Without any spoilers, how would you describe the relationship Susie has with Joselyn? Can you also tell us more about the diverse group of classmates who people this story? I particularly enjoy interactions with Soozie and Daniel Rodriguez.

MF: Poor Susie. B. She and Joselyn have been best friends for a long time, but friendships change, and a lot of the time those changes begin in late elementary and early middle school. That’s not a spoiler, that is just the way things are, and that is something Susie B. has to deal with.

Susie does have a diverse group of classmates. They are diverse in all the ways you can be diverse, in all the ways our communities are diverse. And they are also diverse in the things we don’t always think about: their personalities, their goals, and their motivations. They are each the main character in their own story. We just happened to be listening to Susie B.’s.

 

GRWR: What resources for creatives do you turn to for inspiration and to keep your prose fresh? Also, how do you capture the language of fifth-graders so perfectly when you teach college students and have grown-up daughters? 

MF: Mostly, I read. I read everything. Fiction, non-fiction, books, long-form journalism, kids lit, adult lit. I try to stay curious. I don’t know how I capture the language of fifth graders. I think fifth graders sound like everyone else, it’s just that they have a more limited vocabulary and a smaller share of prior knowledge to help them understand relationships and the world. I guess I try to write about them with respect?

 

GRWR: Novel writing-wise, are you a pantser or a plotter? And did you write the ending first and work your way back or do you approach each new project traditionally from beginning to end?

MF: Oh, I definitely start at the beginning and work my way to the end. But I’m more of a pantser than a plotter. I usually start out by writing a page or two summary of what I think the book will be about. That gives me a sense of where things are going, and it identifies a few plot points I want to hit. The problem is, the characters always take over, and if I’m going to be truthful to them, I have to follow them where they go, and that always takes me away from any prior designs I have for things. So plotting too carefully just never really works for me.

 

GRWR: You have a full-time job as a university professor. How do you find the time to write so prolifically since it feels like it’s one novel a year (can we mention that you’ve already sold your next book?)

MF: You can mention I’ve sold my next book! It is called New Kids and Underdogs and it’s about a new kid in town who gets immersed in the exciting world of agility dog training. I think it’s coming out late 2022 or early 2023. I’ll keep you posted.

I wouldn’t call myself prolific. I would say slow and steady wins the race. I write in the morning. I do university stuff in the afternoon. I do all my school prep in the summer. Sometimes it all falls apart. I do my best. Frankly, I’m a little tired.

 

GRWR: I know you have something exciting planned for tomorrow,  Saturday, November 6 to promote this book. Can you tell readers about it and how they can attend?

MF: Yes! Join me on November sixth (please see below) for a very special Conversation with Susan B. Anthony. Yes! She is still dead! But she is coming back from the grave this one time, just so I can interview her. It will be held live and online on Zoom Webinar. So anyone can join in—and even ask Susan a few questions.

 

GRWR: What’s on the horizon, Margaret?

MF: A bath, a good rest, maybe a real laz-a-bout, and then a whole lot of grading before I pull up my sleeves and start writing again. I’m thinking monkey bars that hang just a little too high from the ground. I’m thinking garden apartments. I’m thinking a kid who learns to take charge when the grown-ups won’t. But we’ll see.

 

GRWR: It all sounds wonderful! Thanks tons for taking the time to tell us all about Susie B. Won’t Back Down.
Looking forward to seeing you tomorrow at A Conversation with Susan B. Anthony!

 

Register for A Conversation with Susan B. Anthony,
on Saturday, Nov. 6, 2021, at noon Pacific Time.

 https://calstatela.zoom.us/webinar/register/WN_7wiUs6McQJuJMGAdHr6fVA

BUY THE BOOK

Bookshop.org: https://bookshop.org/books/susie-b-won-t-back-down/9781534496361

SOCIAL MEDIA

Website: MargaretFinnegan.com

Twitter: @FinneganBegin
Instagram: @FinneganBegin
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Author Margaret Finnegan
Margaret Finnegan ©2019 Skye Moorhead

ABOUT THE AUTHOR:

Margaret Finnegan is the author of Susie B. Won’t Back Down, a School Library Journal starred review, and We Could Be Heroes, a Junior Library Guild selection. Her work has appeared in FamilyFun magazine, the LA Times, Salon, and other publications. She lives in South Pasadena, California, with her family and dog Walt. She makes very good chocolate cakes, and while she ran for student council in ninth grade, she lost.

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Middle Grade Book Review – Journey Beyond the Burrow

IT’S A TWO-WEEK COUNTDOWN

UNTIL THE PUBLICATION OF …

JOURNEY BEYOND THE BURROW

Written by Rina Heisel

(Harper/Harper Collins Children’s Books; $16.99, Ages 8-12)

 

 

Journey Beyond the Burrow cover

 

 

A JUNIOR LIBRARY GUILD GOLD STANDARD SELECTION!

 

What an action-packed journey! In Rina Heisel’s riveting debut middle-grade novel, Journey Beyond the Burrow, you’ll find yourself entering a world way down low, perhaps a place you don’t often look. After being so caught up in the forest floor escapades while reading, I found myself wanting to tread carefully when putting down the book and stepping onto my bedroom rug.

Readers are quickly introduced to the main character, a resourceful weather scout mouse named Tobin. Everyone in his burrow has a role to play and Tobin takes his responsibilities quite seriously. In fact, he often quotes from the Rules of Rodentia and is a stickler about following them. Not so for his best bud Wiley. He couldn’t be more opposite of Tobin, taking risks and thriving from them. Talia, Tobin’s younger sister, just wants to be accepted by her older brother and his pal. Her fearlessness and smarts make it hard to turn her down on their eventual mission.

When a storm and downed tree threatens the burrow and allows menacing spiders called Arakni to cross a creek into their territory, life suddenly changes for this “little band of misfits.” Spotting a web sack on the back of one escaping Arakni in which Tobin and Talia’s newborn baby brother has been wrapped, the trio embark on a dangerous journey to rescue the “pinkling.” Encounters with hawks, chipmunks, catfish, snakes, foxes, falcons, possums, woodchucks, owls, snapper turtles, and beavers will get your pulse racing since every new woodland creature is a potential predator.

Following the foul scent of the Arakni that stole their baby brother, Tobin and Talia along with Wiley are determined to find the Arakni lair and rescue the pinkling. Things get even more interesting when the mice team up with an unexpected and unlikely ally named Hess. Weaving animal facts with fascinating storytelling, Heisel takes readers across creeks, past orange toadstools, through tunnels, across gorges and hilltops to challenge the Arakni, a formidable enemy every reader will want vanquished.

One close page-turning call follows another and mimics what life must be like for animals in the wild. Each time the team of determined characters seem to be goners, the Rules of Rodentia are put to the test. I wondered at what point Tobin would abandon his rule-following resolve and wing it. When he finally realizes that making up their own rules as they go might be the only option for this risky rescue mission, Tobin, with the help of the others, becomes destined for success. It’s clear how much this journey helped Tobin grow within himself and as a son, a friend, and older brother. This brave weather scout might have to add some new rules to the list after this harrowing but also exciting experience.

It was so great spending time with Tobin, Talia, Wiley, and Hess that when I reached the end I wasn’t ready to leave them. Heisel has introduced a group of well-defined characters to care about and root for. And as Talia says to Hess, “I don’t want to say goodbye, either.” Here’s to reunions!

 

Publication Date: July 13, 2021, but Journey Beyond the Burrow is available for preorder now.

Preorder from Red Balloon for signing copy, bookmark, & sticker: https://bit.ly/JBTB-RB
Twitter: @rinaheisel
Instagram: Rina.Heisel
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Middle-Grade Novel Review – The Elephant in the Room

THE ELEPHANT IN THE ROOM

By Holly Goldberg Sloan

(Dial Books; 17.99 Ages 10-14)

 

The Elephant in the Room cvr

 

★Starred Review – School Library Journal

In The Elephant in the Room, when middle-schooler, Sila Tekin’s mother is stuck in Turkey trying to get her immigration paperwork in order, the loneliness is almost unbearable for her and her father, Alp. Sila’s newly withdrawn demeanor prompts her school to pair her with autistic classmate Mateo Lopez in a special program that has the kids spending time together at the end of each school day. The point is to help both kids socialize more and, after a slow, silent start, they eventually begin getting to know each other.

Life changes dramatically for Sila and Mateo when Alp is hired to fix an old truck owned by widower, Gio, who lives on a non-working farm on the outskirts of town. Sila and Gio seem to form an immediate bond, even before they discover that Gio’s late wife was Sila’s beloved second-grade teacher. When an odd string of coincidences leads to Gio rescuing a young elephant named Veda from a failing circus, Sila and Mateo wind up with the most awesome summer job ever—caring for Veda. Sila connects to the young pachyderm on a deep level, realizing that, like her, Veda must really miss her mother. A reunion of either mother-daughter pair feels out of reach, but with a team of caring friends—maybe it’s not.

Author Holly Goldberg Sloan has another deeply heartfelt hit on her hands. Again employing the multi-POV device she uses so brilliantly, she lets readers see and feel the unfolding of these extraordinary events through various characters’ eyes. Veda’s POV is used sparingly but impactfully, and even the supporting animal characters—a flock of undisciplined flamingos, a ravenous bear, and a loyal dog—whose POVs we’re not privy to, are well-drawn, quirky, and fun.

Both kids are battling quiet storms within, which makes them interesting and empathetic. Gio is wonderfully complex. His desire to rediscover meaning in life, coupled with voluminous lottery winnings, propel him to take on caring for Veda, somehow feeling it’s something he has to do. His connection with Sila seems similarly fated, and their special bond serves as the glue for all of the characters. A story of hope, longing, love, and action, The Elephant in the Room will show middle-grade readers that things—people, animals, situations—are not always what they seem and that they’re not always as powerless over circumstances as they sometimes feel.

 

Click here to read Ronna’s review of Karol’s debut YA novel, Cursed.

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Middle Grade Fiction – I’m OK by Patti Kim

I’M OK
Written by Patti Kim
(Atheneum BYR; $16.99, Ages 10 and up)

 

I'm OK book cover

 

In the middle grade novel I’m OK by Patti Kim, twelve-year-old Ok Lee’s world begins to fall apart when his father dies suddenly. Even though his mother works three jobs, they barely get by. To help out financially, Ok starts braiding girls’ hair at school and resolves to win the talent show’s $100 prize—though he doesn’t have a talent in mind.

The flawed characters in I’m Ok weave together realistically in a story about the imperfect lives of recent immigrants and middle schoolers. Ok’s unwitting sidekick is Mickey McDonald, a girl with the biggest hair and a personality to match. Her family’s also poor but she doesn’t care what other people think. Mickey adds a lively, funny element to a story that also depicts race and social class discrimination. Set at an indeterminate time, Americana details such as Enjoli perfume or the TV shows “Charlie’s Angels” and “MacGyver” will resonate with older readers.

The ending feels genuine and opens the door to talking about why life doesn’t always turn out the way you expect or want. Ok is bound to his mother, and her decisions direct their future.

This was June’s book-of-the-month at Chevalier’s Books’ middle-grade book club in Los Angeles. I’m Ok was well liked by all. The animated discussion considered many interesting elements of this novel including nice story-writing details such as how the story is bookended by two similar yet quite different scenes.

 

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Middle Grade Book Review – All the Greys on Greene Street

ALL THE GREYS ON GREENE STREET
Written by Laura Tucker
Illustrated by Kelly Murphy
(Viking BYR; $17.99, Ages 8-12)

 

All the Greys on Greene Street book cover

 

★Starred Reviews – Booklist, BookPage, Kirkus Reviews and Publishers Weekly
Junior Library Guild Selection

 

In the new middle grade novel, All the Greys on Greene Street, twelve-year-old Olympia is trying to solve a mystery with her two friends, Alex and Richard. She knows her father, an art restorer, has left the country. She knows why her mother hasn’t gotten out of bed since her father left. And she knows something is amiss with an art piece her father and his business partner and devoted friend, Apollo, have been working on restoring. What she doesn’t know is why her father decided to leave so suddenly and why there are people knocking on the doors of her parents’ Soho loft, demanding answers.

All The Greys On Greene St Int3All the Greys on Greene Street is Laura Tucker’s debut novel, a historical fiction story set in 1981 when Soho’s large industrial lofts housed artists instead of chain stores and the subway cost 75 cents. Narrated in first-person by Olympia, (Ollie to her family and friends) Ollie is a keen observer, and tries to make sense of the complex adults in her life. She is devoted to her parents and to Apollo, whose studio she visits and who cares for her like his own child. When her father leaves, Ollie tries but can’t rally her mom to get out of bed. She hides her mother’s depression, trying to move through her world as if everything is fine. For weeks, she gets herself to school, concentrates on school projects and eats lots of canned soup. She refuses to ask for help or even share what’s happening with her mom. She manages to convince the neighbors that things are okay, but her friends discover her secret. Ollie pleads for secrecy, but Richard and Alex refuse, and betray her trust. Ollie is just beginning to work through her feelings when catastrophe rocks their neighborhood.

All the Greys on Greene St int1Like the title suggests, Ollie has the eye of an artist. Everyone in her life encourages her to look closely at her world and really try to understand what is happening. Kelly Murphy’s pencil illustrations help the reader see what Ollie sees and what she draws. And the writing is beautiful. There are no easy answers and there is no villain, just friends trying to do their best with what they have. Tucker offers some very smart history and art lessons imparted with the lightest touch. Apollo teaches Ollie about color and craft and the lessons will stay with the reader, as much as they impact Ollie.

 

All the Greys on Greene St int2Kids and parents were different in 1981 and these sixth graders are allowed to navigate New York City in a way that tween and teen readers with hovering helicopter parents might be surprised by. But even with absent parents and independence, Ollie and her friends are never alone. Their own friendship, their strong community and their neighbors keep them safe. Readers might be tempted to compare Ollie to Harriet, from Louise Fitzhugh’s Harriet the Spy. They both have keen observation skills, but Ollie is softer and savvier than Harriet. Ollie’s biggest lessons are about how to ask for help, and friends who become family and how some of life’s hardest questions have more than one answer.

Interior artwork by Kelly Murphy from All the Greys on Greene Street by Laura Tucker courtesy of  Viking Books for Young Readers ©2019.

 

  • Reviewed by Guest Reviewer Cynthia Copeland
    Cynthia Copeland is a television and digital producer, who is always writing on the side. She is currently writing a YA contemporary novel. She lives in Pasadena, California with her family. Follow her on Twitter at @listenupbucko and she’ll share the small mystery that author, Laura Tucker revealed to her about the novel, All the Greys on Greene Street. 
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Kids Book Review: A story with heart and humor – Inkling by Kenneth Oppel

INKLING
Written by Kenneth Oppel
Illustrated by Sydney Smith
(Knopf BYR; $17.99, Ages 8-12)

 

bk cover art from Inkling by Kenneth Oppel

 

• A New York Times Notable Book
• A New York Public Library Best Book of the Year — top ten selection
a
As a fan of Kenneth Oppel’s middle-grade book The Nest, I was just as pleased with Inkling, a lighter, funnier tale with lots of heart. The likeable Rylance family consists of sixth-grade Ethan, eight-year-old Sarah (who has Down syndrome), their famous graphic-novel author-illustrator father, Rickman the cat, and Inkling, the inkblot from Dad’s sketchbook who came to life. Inkling provides the Rylances with what they need—and they each need something different. If you find it farfetched for a main character to be an ink splotch, read this book. The characters have emotionally relatable depths.
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INKLING by Kenneth Oppel int illustr by Sydney Smith
Interior artwork from INKLING written by Kenneth Oppel and illustrated by Sydney Smith, Knopf BYR ©2019.

 

I enjoy stories without obvious plots and Inkling is just that. Typical middle-grade characters are rendered with fresh perspectives. Ethan struggles to complete the illustrations for his group’s class project, but, unfortunately, he can’t draw; no one knows this, though the class bully Vika Worthington suspects. She’s the best artist in their grade and the daughter of Ethan’s dad’s boss. Throughout, Ethan relives the day Vika tornado-kicked him into a garbage can.

int art by Sydney Smith from INKLING by Kenneth Oppel
Interior artwork from INKLING written by Kenneth Oppel and illustrated by Sydney Smith, Penguin BYR ©2019.

 

Sydney Smith’s illustrations intersperse the text, adding depth and delight. Vika’s furrowed brow is perfectly sinister. Graphic-novel images complement the story line.

Inkling resonates with the underlying grief Ethan’s family is trying to process; unspoken words cloud their days. Adults can appreciate the pressure of raising kids alone, having a special-needs child, or watching their creativity come to a grinding halt. Oppel’s clever plot will make you fall for Inkling and keep you hooked until the end.

If you liked The Care and Feeding of a Pet Black Hole (written and illustrated by Michelle Cuevas, Dial/Penguin, 2017), Inkling hits some similar notes, check it out.

 

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Tween Book Review: Where Will Your Secrets Take You?- Riverland by Fran Wilde

RIVERLAND
Written by Fran Wilde
(Amulet Books; $17.99, Ages 10-14)

 

cover illustration from Riverland by Fran Wilde

 

★Starred Review – Booklist, Shelf Awareness

In Riverland a debut (older) middle grade novel by Fran Wilde, Momma promises everything will be all right, but sisters Eleanor and Mike know better. Things aren’t OK, no matter how hard they try to be good. The girls weave stories about how “house magic” will fix whatever’s wrong this time. When Poppa breaks the family heirloom (a glass witch ball), a river appears in their secret hiding place and the girls venture to a place where dreams grow in reeds.

A heron made of metal, glass, and driftwood explains that nightmares are made of “failed dreams, smoke, and the river mist” and that “the same magic that kept dreams and reality apart also held back the nightmares.” Anassa, a snake-headed monster, upsets the balance. As the damage in one world seeps to the next, the sisters try to understand their family’s guardian’s agreement while facing new kinds of danger and the possibility of never returning home. Sisterly love fiercely connects them, yet Eleanor worries her temper dooms her to become like Poppa.

Lines between fantasy and reality blurred long before the enchanted river. The girls and their mother live fearfully in denial, unwilling to admit Poppa’s abusive nature. Though Eleanor’s new friend Pendra and Pendra’s mom (school guidance counselor) surmise something’s wrong, Eleanor keeps up the façade and her friend at arm’s length; without confirmation others are powerless to help.

Riverland depicts children trapped in a dysfunctional home and the ways in which they escape reality. This important book shows a family’s coping mechanisms for domestic violence. Older middle graders and YA readers may be best suited to recognize and process the nuances of this story.

 

 

Meet the Author:

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SEARCHING FOR LOTTIE
Written by Susan L. Ross
(Holiday House; $17.99, Ages 8-12)

 

Searching for Lottie by Susan L. Ross cover art

 

 

When is a Holocaust book not a Holocaust book? When it’s Searching for Lottie, a contemporary fiction, historical and mystery novel that beautifully and sensitively conveys the connectivity the past has with the present. Author Susan L. Ross’s multi-layered story, which won the Sydney Taylor Manuscript Award and is a PJ Our Way selection, also emphasizes the importance of individual identity, the supportive role of family and friends, and the power of music.

Twelve-year-old Charlie (Charlotte) Roth has an assignment for 7th grade social studies, a family history project. She’s chosen to research her namesake, Great-Aunt Lottie (Charlotte) Kulka, a violin prodigy who likely died during the Holocaust. While living in Vienna, Charlie’s grandmother, Nana Rose (who was Great-Aunt Lottie’s younger sister) and Lottie’s mother escaped to safety in America. “When the Germans invaded Austria, the Jews were at the mercy of the Nazis.” Far from home, Lottie was not as lucky. She had been sent to continue her music studies in Budapest, Hungary so when her mother and sister fled Austria after her father’s arrest, Lottie vanished without a word and was always presumed dead.

Once Charlie begins digging into the past, her Nana Rose starts to reveal some details from the past that even Charlie’s mom wasn’t aware of. First there is the old black and white photo of her namesake. Then, when Charlie is given a diary and eventually a necklace that once belonged to Lottie, bits and pieces of the past begin rising to the surface causing Charlie to wonder whether her Great-Aunt might still be alive. Could she still be in Hungary? Or America? Charlie’s mom reminds her that “The Holocaust was a tragedy that touched every Jewish family,” and there may not be a happy ending. However, with the encouragement of her friends and family, and despite what she may discover, Charlie vows to find out what really happened to Lottie. It’s clear Charlie is going to be learning about herself and her family as much as she will about her long lost relative as her journey into the past continues.

Unusual incidents and people are discovered along the way that pull the reader into the story and make them feel invested in the outcome. It turns out that Lottie had played with the Vienna Philharmonic. Charlie, also passionate about the instrument, would like nothing more than to please her devoted Nana Rose by being selected for the concertmaster position after her upcoming audition. As Charlie prepares for the big day, her crush on a fellow musician, Devin, could become a distraction from both her violin dreams and her genealogical journey but she perseveres.

The many interesting and exciting things happening in every chapter serve to keep Charlie’s mind off the audition and Devin. There is never a dull moment as Charlie delves deeper into the mystery of Lottie’s disappearance. Exploring every lead for her family history project will ultimately give her a greater understanding of how the Holocaust impacted survivors and children of survivors, in Charlie’s case, her grandmother and mother. “‘After I had children of my own,'” ‘Mom said softly,’ “‘I realized––or at least, I understood a bit better—that my mother had to bury the sad parts of her life in order to live happily.'”

Ross has created a vibrant and resourceful young girl in the character of Charlie. Her hunt through history to uncover hidden truths about Lottie, if successful, will surely solve decades of doubt and we’re all rooting for her. It was hard for me to believe that, though based on Ross’s family, all the characters were fictional. They felt so real, their situations so possible. It’s helpful to read the Author’s Note to learn about Ross’s story inspiration. I found myself heading over to the Ellis Island Archives as I was reading the novel because, like Charlie, and the author, I too, have many unanswered questions about my Eastern European family.

Searching for Lottie will get tweens thinking and hopefully talking about the Holocaust, about their own heritage, and how we often need to look to our past before moving forward. I recommend this novel as it’s not only one of hope and inspiration, but it powerfully demonstrates how one determined young girl can make a difference.

 

  • Reviewed by Ronna Mandel

 

 

 

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- Happy Book Birthday to Searching for Lottie by Susan L. Ross

Henry & Eva and the Castle on the Cliff by Andrea Portes

 

HENRY & EVA AND THE CASTLE ON THE CLIFF
Written by Andrea Portes
(HarperCollins BYR;  $16.99, Ages 8-12)

 

 

Henry & Eva and the Castle on the Cliff cover art

 

 

Many children’s stories get the parents out of the way by killing them off. New middle-grade series, Henry & Eva and the Castle on the Cliff begins with the newspaper headline “Prominent Environmentalist and Oceanographer Die in Boating Accident.” However, Andrea Portes’s story surrounds this incident rather than pushing it out of the way and moving on. Siblings, Henry and Eva, suffer from this sudden shock but it’s the first of many in regard to their parents’ death.

Details make the story come alive such as Eva’s voice, “[the article in the paper] says that I am twelve and that Henry is ten but it doesn’t say that Henry will be eleven in three weeks and we were already starting to plan his birthday party.” Palpable grief engulfs the kids as they face a new life, one without their folks. Matters are complicated with caregivers, Uncle Claude “the Clod” and his girlfriend Terri “the Terrible,” seeming opposites from Henry and Eva’s parents.

Super-smart Henry has sunken inside himself; Eva tries to cajole him out with silly antics. The kids have a lot to deal with—then the mystery starts! Portes weaves in otherworldly elements in a fresh manner with dimensional and likeable characters. Even the “bad adults” have interesting traits. Levity and humor shine in clever lines of dialogue.

Portes is the best-selling author of two critically lauded adult novels: Hick, her debut, which was made into a feature film, and Bury This. She also writes popular YA novels.

 

@ChristineVZ and @WFSediting, Christine@Write-for-Success.com

 

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Halloween Horror – City of Ghosts, Ghoulia and Sam Wu is Not Afraid of Ghosts

BEST HALLOWEEN BOOKS 2018
A ROUNDUP
Part 2

 

Halloween clip art

 

interior spread from Ghoulia by Barbara Cantini
Interior artwork from Ghoulia by Barbara Cantini, Abrams/Amulet Books ©2018.

GHOULIA (BOOK 1)Ghoulia book cover art
Written and illustrated by Barbara Cantini
(Amulet Books; $9.99, Ages 6-8)

In her debut chapter book as author-illustrator, Cantini brings young readers Ghoulia, a friendly, warm and purple-loving zombie girl (can a zombie be warm, just asking?) who really has only one wish, to have friends. Stuck inside the grounds of Crumbling Manor, Ghoulia has been forbidden to leave the premises out of fear she and her Auntie Departed, her closest relative, will be made to leave the village should they be found out. In this first book of the series, and at just 64 illustration-filled pages, Ghoulia is a fast and fun read for anyone curious about zombie kids. Ghoulia’s cast of characters includes her Auntie Departed, Shadow the cat, Uncle Misfortune who happens to be a head and ideal candy bucket for Halloween, Tragedy the Albino greyhound and Grandad Coffin, a chess-playing distraction for a zombie granddaughter’s escape on Halloween. Ghoulia pulls off this daring feat (and that could be a pun since her body parts can come off whenever she wants) on Halloween when her brilliant idea to masquerade as herself in order to meet the local children is a huge success. But alas, what will happen when the village trick-or-treaters learn the truth and it’s revealed that Ghoulia’s not dressed up in a zombie costume but actually is one? A secret Monster Society is formed and everyone lives (well that’s not totally true of course) happily ever after. Cantini captures the atmosphere of Ghoulia’s off-beat world with page after wonderful page of whimsical illustrations and a sweet storyline. Book 2, Ghoulia And The Mysterious Visitor is up next in this winning new series so fans won’t have to wait long to find out what’s in store for the charming zombie girl. Several entertaining pages of bonus activities are included in the back matter.   • Review by Ronna Mandel

int spot art of Sam Wu running from Sam Wu is NOT Afraid of Ghosts
Spot art from Sam Wu is NOT Afraid of Ghosts by Katie and Kevin Tsang with illustrations by Nathan Reed, Sterling Children’s Books ©2018.

cover art from Sam Wu is NOT Afraid of GhostsSAM WU IS NOT AFRAID OF GHOSTS
Written by Katie and Kevin Tsang
Ilustrated by Nathan Reed
(Sterling Children’s Books; $12.95, Ages 7-12)

Chapter book, Sam Wu is NOT Afraid of Ghosts is a good match for reluctant readers because of its simple text, frequent illustrations, and funny asides in the margins or footnotes. As the title implies, there will be a lot of ironic humor; Sam Wu must face his fear of ghosts and reestablish himself in the eyes of his peers after a truly embarrassing incident. Luckily he’s learned a lot from his favorite TV program, “Space Blasters.” Now it seems there’s a ghost in Sam’s house, so Sam and his friends must prove they are brave ghost hunters.

Kids can sympathize with how it feels to not fit in. Sam introduces his friends to his favorite meal (roast duck and turnip cake) and urges them to take just one bite—even though the turnip cake does smell a lot like feet. Doing so, he successfully bridges their cultures using delicious food. Regaining some dignity with his classmates is harder, but Sam Wu demonstrates he’s no “Wu-ser” (as Ralph, the class bully, calls him).

Sam Wu is NOT Afraid of Ghosts int spot art
Spot art from Sam Wu is NOT Afraid of Ghosts by Katie and Kevin Tsang with illustrations by Nathan Reed, Sterling Children’s Books ©2018.

In the closing Q&A, authors Katie and Kevin Tsang explain how they’ve woven some of their own childhoods into the story, showing they are “definitely NOT afraid of answering some author questions.”

Nathan Reed livens up the story with hilarious images of the characters including the evil cat Butterbutt, and Fang, the toughest snake ever. There is visual interest on every page to keep kids engaged beyond the text of the story.

Sam Wu is NOT Afraid of Ghosts works well as a Halloween book for kids who prefer not-very-scary ghost stories with plenty of laughs.
• Review by Christine Van Zandt

 

 

 

cover art from City of Ghosts by Victoria SchwabCITY OF GHOSTS
Written by Victoria Schwab
(Scholastic; $17.99, Ages 9-12)

Looking for a spooky Halloween read? Check out Victoria Schwab’s middle-grade novel, City of Ghosts. The story opens when eleven-year-old Cassidy’s birthday gift sends her over the edge (literally) and she drowns (sort of—a boy-ghost named Jacob retrieves her from death). Soon after, Cass is drawn toward something she calls The Veil and discovers that she can cross over into the place where ghosts dwell.

Jacob and Cass travel to Scotland with Cass’s parents whose book The Inspecters (inspectors of specters) is being made into a television series. Cass meets another girl with the same sort of gift in Edinburgh, the city of ghosts. There, mysterious locales harbor dangerous inhabitants; Cass must quickly learn how to survive.

The reveal-and-conceal relationship between the lead characters in City of Ghosts is fascinating. There’s a lot to learn about the other side when adventures through The Veil become more complex. This book explores historical haunts and interesting folklore as the alluring story unfolds in ethereal delight.

Victoria Schwab is the #1 New York Times best-selling author of more than a dozen novels for young adults and adults, including the Shades of Magic series, Vicious, Vengeful, This Savage Song, and Our Dark Duet.  • Review by Christine Van Zandt Writer, editor, and owner of Write for Success www.Write-for-Success.com @WFSediting,Christine@Write-for-Success.com

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