What an action-packed journey! In Rina Heisel’s riveting debut middle-grade novel, Journey Beyond the Burrow, you’ll find yourself entering a world way down low, perhaps a place you don’t often look. After being so caught up in the forest floor escapades while reading, I found myself wanting to tread carefully when putting down the book and stepping onto my bedroom rug.
Readers are quickly introduced to the main character, a resourceful weather scout mouse named Tobin. Everyone in his burrow has a role to play and Tobin takes his responsibilities quite seriously. In fact, he often quotes from the Rules of Rodentia and is a stickler about following them. Not so for his best bud Wiley. He couldn’t be more opposite of Tobin, taking risks and thriving from them. Talia, Tobin’s younger sister, just wants to be accepted by her older brother and his pal. Her fearlessness and smarts make it hard to turn her down on their eventual mission.
When a storm and downed tree threatens the burrow and allows menacing spiders called Arakni to cross a creek into their territory, life suddenly changes for this “little band of misfits.” Spotting a web sack on the back of one escaping Arakni in which Tobin and Talia’s newborn baby brother has been wrapped, the trio embark on a dangerous journey to rescue the “pinkling.” Encounters with hawks, chipmunks, catfish, snakes, foxes, falcons, possums, woodchucks, owls, snapper turtles, and beavers will get your pulse racing since every new woodland creature is a potential predator.
Following the foul scent of the Arakni that stole their baby brother, Tobin and Talia along with Wiley are determined to find the Arakni lair and rescue the pinkling. Things get even more interesting when the mice team up with an unexpected and unlikely ally named Hess. Weaving animal facts with fascinating storytelling, Heisel takes readers across creeks, past orange toadstools, through tunnels, across gorges and hilltops to challenge the Arakni, a formidable enemy every reader will want vanquished.
One close page-turning call follows another and mimics what life must be like for animals in the wild. Each time the team of determined characters seem to be goners, the Rules of Rodentia are put to the test. I wondered at what point Tobin would abandon his rule-following resolve and wing it. When he finally realizes that making up their own rules as they go might be the only option for this risky rescue mission, Tobin, with the help of the others, becomes destined for success. It’s clear how much this journey helped Tobin grow within himself and as a son, a friend, and older brother. This brave weather scout might have to add some new rules to the list after this harrowing but also exciting experience.
It was so great spending time with Tobin, Talia, Wiley, and Hess that when I reached the end I wasn’t ready to leave them. Heisel has introduced a group of well-defined characters to care about and root for. And as Talia says to Hess, “I don’t want to say goodbye, either.” Here’s to reunions!
Publication Date: July 13, 2021, but Journey Beyond the Burrow is available for preorder now.
In The Elephant in the Room, when middle-schooler, Sila Tekin’s mother is stuck in Turkey trying to get her immigration paperwork in order, the loneliness is almost unbearable for her and her father, Alp. Sila’s newly withdrawn demeanor prompts her school to pair her with autistic classmate Mateo Lopez in a special program that has the kids spending time together at the end of each school day. The point is to help both kids socialize more and, after a slow, silent start, they eventually begin getting to know each other.
Life changes dramatically for Sila and Mateo when Alp is hired to fix an old truck owned by widower, Gio, who lives on a non-working farm on the outskirts of town. Sila and Gio seem to form an immediate bond, even before they discover that Gio’s late wife was Sila’s beloved second-grade teacher. When an odd string of coincidences leads to Gio rescuing a young elephant named Veda from a failing circus, Sila and Mateo wind up with the most awesome summer job ever—caring for Veda. Sila connects to the young pachyderm on a deep level, realizing that, like her, Veda must really miss her mother. A reunion of either mother-daughter pair feels out of reach, but with a team of caring friends—maybe it’s not.
Author Holly Goldberg Sloan has another deeply heartfelt hit on her hands. Again employing the multi-POV device she uses so brilliantly, she lets readers see and feel the unfolding of these extraordinary events through various characters’ eyes. Veda’s POV is used sparingly but impactfully, and even the supporting animal characters—a flock of undisciplined flamingos, a ravenous bear, and a loyal dog—whose POVs we’re not privy to, are well-drawn, quirky, and fun.
Both kids are battling quiet storms within, which makes them interesting and empathetic. Gio is wonderfully complex. His desire to rediscover meaning in life, coupled with voluminous lottery winnings, propel him to take on caring for Veda, somehow feeling it’s something he has to do. His connection with Sila seems similarly fated, and their special bond serves as the glue for all of the characters. A story of hope, longing, love, and action, The Elephant in the Room will show middle-grade readers that things—people, animals, situations—are not always what they seem and that they’re not always as powerless over circumstances as they sometimes feel.
I’M OK Written by Patti Kim (Atheneum BYR; $16.99, Ages 10 and up)
In the middle grade novel I’m OK by Patti Kim, twelve-year-old Ok Lee’s world begins to fall apart when his father dies suddenly. Even though his mother works three jobs, they barely get by. To help out financially, Ok starts braiding girls’ hair at school and resolves to win the talent show’s $100 prize—though he doesn’t have a talent in mind.
The flawed characters in I’m Ok weave together realistically in a story about the imperfect lives of recent immigrants and middle schoolers. Ok’s unwitting sidekick is Mickey McDonald, a girl with the biggest hair and a personality to match. Her family’s also poor but she doesn’t care what other people think. Mickey adds a lively, funny element to a story that also depicts race and social class discrimination. Set at an indeterminate time, Americana details such as Enjoli perfume or the TV shows “Charlie’s Angels” and “MacGyver” will resonate with older readers.
The ending feels genuine and opens the door to talking about why life doesn’t always turn out the way you expect or want. Ok is bound to his mother, and her decisions direct their future.
This was June’s book-of-the-month at Chevalier’s Books’ middle-grade book club in Los Angeles. I’m Ok was well liked by all. The animated discussion considered many interesting elements of this novel including nice story-writing details such as how the story is bookended by two similar yet quite different scenes.
In the new middle grade novel, All the Greys on Greene Street, twelve-year-old Olympia is trying to solve a mystery with her two friends, Alex and Richard. She knows her father, an art restorer, has left the country. She knows why her mother hasn’t gotten out of bed since her father left. And she knows something is amiss with an art piece her father and his business partner and devoted friend, Apollo, have been working on restoring. What she doesn’t know is why her father decided to leave so suddenly and why there are people knocking on the doors of her parents’ Soho loft, demanding answers.
All the Greys on Greene Street is Laura Tucker’s debut novel, a historical fiction story set in 1981 when Soho’s large industrial lofts housed artists instead of chain stores and the subway cost 75 cents. Narrated in first-person by Olympia, (Ollie to her family and friends) Ollie is a keen observer, and tries to make sense of the complex adults in her life. She is devoted to her parents and to Apollo, whose studio she visits and who cares for her like his own child. When her father leaves, Ollie tries but can’t rally her mom to get out of bed. She hides her mother’s depression, trying to move through her world as if everything is fine. For weeks, she gets herself to school, concentrates on school projects and eats lots of canned soup. She refuses to ask for help or even share what’s happening with her mom. She manages to convince the neighbors that things are okay, but her friends discover her secret. Ollie pleads for secrecy, but Richard and Alex refuse, and betray her trust. Ollie is just beginning to work through her feelings when catastrophe rocks their neighborhood.
Like the title suggests, Ollie has the eye of an artist. Everyone in her life encourages her to look closely at her world and really try to understand what is happening. Kelly Murphy’s pencil illustrations help the reader see what Ollie sees and what she draws. And the writing is beautiful. There are no easy answers and there is no villain, just friends trying to do their best with what they have. Tucker offers some very smart history and art lessons imparted with the lightest touch. Apollo teaches Ollie about color and craft and the lessons will stay with the reader, as much as they impact Ollie.
Kids and parents were different in 1981 and these sixth graders are allowed to navigate New York City in a way that tween and teen readers with hovering helicopter parents might be surprised by. But even with absent parents and independence, Ollie and her friends are never alone. Their own friendship, their strong community and their neighbors keep them safe. Readers might be tempted to compare Ollie to Harriet, from Louise Fitzhugh’s Harriet the Spy. They both have keen observation skills, but Ollie is softer and savvier than Harriet. Ollie’s biggest lessons are about how to ask for help, and friends who become family and how some of life’s hardest questions have more than one answer.
Reviewed by Guest Reviewer Cynthia Copeland Cynthia Copeland is a television and digital producer, who is always writing on the side. She is currently writing a YA contemporary novel. She lives in Pasadena, California with her family. Follow her on Twitter at @listenupbucko and she’ll share the small mystery that author, Laura Tucker revealed to her about the novel, All the Greys on Greene Street.
INKLING Written by Kenneth Oppel Illustrated by Sydney Smith (Knopf BYR; $17.99, Ages 8-12)
• A New York Times Notable Book • A New York Public Library Best Book of the Year — top ten selectionaAs a fan ofKenneth Oppel’smiddle-grade book The Nest, I was just as pleased with Inkling, a lighter, funnier tale with lots of heart. The likeable Rylance family consists of sixth-grade Ethan, eight-year-old Sarah (who has Down syndrome), their famous graphic-novel author-illustrator father, Rickman the cat, and Inkling, the inkblot from Dad’s sketchbook who came to life. Inkling provides the Rylances with what they need—and they each need something different. If you find it farfetched for a main character to be an ink splotch, read this book. The characters have emotionally relatable depths.a
I enjoy stories without obvious plots and Inkling is just that. Typical middle-grade characters are rendered with fresh perspectives. Ethan struggles to complete the illustrations for his group’s class project, but, unfortunately, he can’t draw; no one knows this, though the class bully Vika Worthington suspects. She’s the best artist in their grade and the daughter of Ethan’s dad’s boss. Throughout, Ethan relives the day Vika tornado-kicked him into a garbage can.
Sydney Smith’s illustrations intersperse the text, adding depth and delight. Vika’s furrowed brow is perfectly sinister. Graphic-novel images complement the story line.
Inkling resonates with the underlying grief Ethan’s family is trying to process; unspoken words cloud their days. Adults can appreciate the pressure of raising kids alone, having a special-needs child, or watching their creativity come to a grinding halt. Oppel’s clever plot will make you fall for Inkling and keep you hooked until the end.
If you liked The Care and Feeding of a Pet Black Hole (written and illustrated by Michelle Cuevas, Dial/Penguin, 2017), Inkling hits some similar notes, check it out.
RIVERLAND Written by Fran Wilde (Amulet Books; $17.99, Ages 10-14)
★Starred Review – Booklist, Shelf Awareness
In Riverlanda debut (older) middle grade novel by Fran Wilde, Momma promises everything will be all right, but sisters Eleanor and Mike know better. Things aren’t OK, no matter how hard they try to be good. The girls weave stories about how “house magic” will fix whatever’s wrong this time. When Poppa breaks the family heirloom (a glass witch ball), a river appears in their secret hiding place and the girls venture to a place where dreams grow in reeds.
A heron made of metal, glass, and driftwood explains that nightmares are made of “failed dreams, smoke, and the river mist” and that “the same magic that kept dreams and reality apart also held back the nightmares.” Anassa, a snake-headed monster, upsets the balance. As the damage in one world seeps to the next, the sisters try to understand their family’s guardian’s agreement while facing new kinds of danger and the possibility of never returning home. Sisterly love fiercely connects them, yet Eleanor worries her temper dooms her to become like Poppa.
Lines between fantasy and reality blurred long before the enchanted river. The girls and their mother live fearfully in denial, unwilling to admit Poppa’s abusive nature. Though Eleanor’s new friend Pendra and Pendra’s mom (school guidance counselor) surmise something’s wrong, Eleanor keeps up the façade and her friend at arm’s length; without confirmation others are powerless to help.
Riverland depicts children trapped in a dysfunctional home and the ways in which they escape reality. This important book shows a family’s coping mechanisms for domestic violence. Older middle graders and YA readers may be best suited to recognize and process the nuances of this story.
When is a Holocaust book not a Holocaust book? When it’s Searching for Lottie, a contemporary fiction, historical and mystery novel that beautifully and sensitively conveys the connectivity the past has with the present. Author Susan L. Ross’s multi-layered story, which won the Sydney Taylor Manuscript Award and is a PJ Our Way selection, also emphasizes the importance of individual identity, the supportive role of family and friends, and the power of music.
Twelve-year-old Charlie (Charlotte) Roth has an assignment for 7th grade social studies, a family history project. She’s chosen to research her namesake, Great-Aunt Lottie (Charlotte) Kulka, a violin prodigy who likely died during the Holocaust. While living in Vienna, Charlie’s grandmother, Nana Rose (who was Great-Aunt Lottie’s younger sister) and Lottie’s mother escaped to safety in America. “When the Germans invaded Austria, the Jews were at the mercy of the Nazis.” Far from home, Lottie was not as lucky. She had been sent to continue her music studies in Budapest, Hungary so when her mother and sister fled Austria after her father’s arrest, Lottie vanished without a word and was always presumed dead.
Once Charlie begins digging into the past, her Nana Rose starts to reveal some details from the past that even Charlie’s mom wasn’t aware of. First there is the old black and white photo of her namesake. Then, when Charlie is given a diary and eventually a necklace that once belonged to Lottie, bits and pieces of the past begin rising to the surface causing Charlie to wonder whether her Great-Aunt might still be alive. Could she still be in Hungary? Or America? Charlie’s mom reminds her that “The Holocaust was a tragedy that touched every Jewish family,” and there may not be a happy ending. However, with the encouragement of her friends and family, and despite what she may discover, Charlie vows to find out what really happened to Lottie. It’s clear Charlie is going to be learning about herself and her family as much as she will about her long lost relative as her journey into the past continues.
Unusual incidents and people are discovered along the way that pull the reader into the story and make them feel invested in the outcome. It turns out that Lottie had played with the Vienna Philharmonic. Charlie, also passionate about the instrument, would like nothing more than to please her devoted Nana Rose by being selected for the concertmaster position after her upcoming audition. As Charlie prepares for the big day, her crush on a fellow musician, Devin, could become a distraction from both her violin dreams and her genealogical journey but she perseveres.
The many interesting and exciting things happening in every chapter serve to keep Charlie’s mind off the audition and Devin. There is never a dull moment as Charlie delves deeper into the mystery of Lottie’s disappearance. Exploring every lead for her family history project will ultimately give her a greater understanding of how the Holocaust impacted survivors and children of survivors, in Charlie’s case, her grandmother and mother. “‘After I had children of my own,'” ‘Mom said softly,’ “‘I realized––or at least, I understood a bit better—that my mother had to bury the sad parts of her life in order to live happily.'”
Ross has created a vibrant and resourceful young girl in the character of Charlie. Her hunt through history to uncover hidden truths about Lottie, if successful, will surely solve decades of doubt and we’re all rooting for her. It was hard for me to believe that, though based on Ross’s family, all the characters were fictional. They felt so real, their situations so possible. It’s helpful to read the Author’s Note to learn about Ross’s story inspiration. I found myself heading over to the Ellis Island Archives as I was reading the novel because, like Charlie, and the author, I too, have many unanswered questions about my Eastern European family.
Searching for Lottie will get tweens thinking and hopefully talking about the Holocaust, about their own heritage, and how we often need to look to our past before moving forward. I recommend this novel as it’s not only one of hope and inspiration, but it powerfully demonstrates how one determined young girl can make a difference.
Reviewed by Ronna Mandel
- Happy Book Birthday to Searching for Lottie by Susan L. Ross
Many children’s stories get the parents out of the way by killing them off. New middle-grade series, Henry & Eva and the Castle on the Cliff begins with the newspaper headline “Prominent Environmentalist and Oceanographer Die in Boating Accident.” However, Andrea Portes’s story surrounds this incident rather than pushing it out of the way and moving on. Siblings, Henry and Eva, suffer from this sudden shock but it’s the first of many in regard to their parents’ death.
Details make the story come alive such as Eva’s voice, “[the article in the paper] says that I am twelve and that Henry is ten but it doesn’t say that Henry will be eleven in three weeks and we were already starting to plan his birthday party.” Palpable grief engulfs the kids as they face a new life, one without their folks. Matters are complicated with caregivers, Uncle Claude “the Clod” and his girlfriend Terri “the Terrible,” seeming opposites from Henry and Eva’s parents.
Super-smart Henry has sunken inside himself; Eva tries to cajole him out with silly antics. The kids have a lot to deal with—then the mystery starts! Portes weaves in otherworldly elements in a fresh manner with dimensional and likeable characters. Even the “bad adults” have interesting traits. Levity and humor shine in clever lines of dialogue.
Portes is the best-selling author of two critically lauded adult novels: Hick, her debut, which was made into a feature film, and Bury This. She also writes popular YA novels.
In her debut chapter book as author-illustrator, Cantini brings young readers Ghoulia, a friendly, warm and purple-loving zombie girl (can a zombie be warm, just asking?) who really has only one wish, to have friends. Stuck inside the grounds of Crumbling Manor, Ghoulia has been forbidden to leave the premises out of fear she and her Auntie Departed, her closest relative, will be made to leave the village should they be found out. In this first book of the series, and at just 64 illustration-filled pages, Ghoulia is a fast and fun read for anyone curious about zombie kids. Ghoulia’s cast of characters includes her Auntie Departed, Shadow the cat, Uncle Misfortune who happens to be a head and ideal candy bucket for Halloween, Tragedy the Albino greyhound and Grandad Coffin, a chess-playing distraction for a zombie granddaughter’s escape on Halloween. Ghoulia pulls off this daring feat (and that could be a pun since her body parts can come off whenever she wants) on Halloween when her brilliant idea to masquerade as herself in order to meet the local children is a huge success. But alas, what will happen when the village trick-or-treaters learn the truth and it’s revealed that Ghoulia’s not dressed up in a zombie costume but actually is one? A secret Monster Society is formed and everyone lives (well that’s not totally true of course) happily ever after. Cantini captures the atmosphere of Ghoulia’s off-beat world with page after wonderful page of whimsical illustrations and a sweet storyline. Book 2, Ghoulia And The Mysterious Visitor is up next in this winning new series so fans won’t have to wait long to find out what’s in store for the charming zombie girl. Several entertaining pages of bonus activities are included in the back matter. • Review by Ronna Mandel
Chapter book, Sam Wu is NOT Afraid of Ghosts is a good match for reluctant readers because of its simple text, frequent illustrations, and funny asides in the margins or footnotes. As the title implies, there will be a lot of ironic humor; Sam Wu must face his fear of ghosts and reestablish himself in the eyes of his peers after a truly embarrassing incident. Luckily he’s learned a lot from his favorite TV program, “Space Blasters.” Now it seems there’s a ghost in Sam’s house, so Sam and his friends must prove they are brave ghost hunters.
Kids can sympathize with how it feels to not fit in. Sam introduces his friends to his favorite meal (roast duck and turnip cake) and urges them to take just one bite—even though the turnip cake does smell a lot like feet. Doing so, he successfully bridges their cultures using delicious food. Regaining some dignity with his classmates is harder, but Sam Wu demonstrates he’s no “Wu-ser” (as Ralph, the class bully, calls him).
In the closing Q&A, authors Katie and Kevin Tsang explain how they’ve woven some of their own childhoods into the story, showing they are “definitely NOT afraid of answering some author questions.”
Nathan Reed livens up the story with hilarious images of the characters including the evil cat Butterbutt, and Fang, the toughest snake ever. There is visual interest on every page to keep kids engaged beyond the text of the story.
Sam Wu is NOT Afraid of Ghosts works well as a Halloween book for kids who prefer not-very-scary ghost stories with plenty of laughs. • Review by Christine Van Zandt
CITY OF GHOSTS Written by Victoria Schwab (Scholastic; $17.99, Ages 9-12)
Looking for a spooky Halloween read? Check out Victoria Schwab’s middle-grade novel, City of Ghosts. The story opens when eleven-year-old Cassidy’s birthday gift sends her over the edge (literally) and she drowns (sort of—a boy-ghost named Jacob retrieves her from death). Soon after, Cass is drawn toward something she calls The Veil and discovers that she can cross over into the place where ghosts dwell.
Jacob and Cass travel to Scotland with Cass’s parents whose book The Inspecters (inspectors of specters) is being made into a television series. Cass meets another girl with the same sort of gift in Edinburgh, the city of ghosts. There, mysterious locales harbor dangerous inhabitants; Cass must quickly learn how to survive.
The reveal-and-conceal relationship between the lead characters in City of Ghostsis fascinating. There’s a lot to learn about the other side when adventures through The Veil become more complex. This book explores historical haunts and interesting folklore as the alluring story unfolds in ethereal delight.
Victoria Schwab is the #1 New York Times best-selling author of more than a dozen novels for young adults and adults, including the Shades of Magic series, Vicious, Vengeful, This Savage Song, and Our Dark Duet. • Review by Christine Van Zandt Writer, editor, and owner of Write for Successwww.Write-for-Success.com @WFSediting,Christine@Write-for-Success.com
FRONT DESK Written by Kelly Yang (Arthur A. Levine Books; $16.99, Ages 8-12)
★Starred reviews – Booklist, Kirkus and School Library Journal
Where do I possibly begin with Kelly Yang’s FRONT DESK?
FRONT DESK is a timely and needed narrative for so many reasons. And Yang, as demonstrated in her debut novel, is one heck of a storyteller. She’s destined to be anauthor that kids and adults clamor to meet so they can soak up her pearls of wisdom. Drawing from firsthand experiences and keen insights from when she arrived in America as a Chinese child immigrant along with her parents, Yang’s tale provides many kids a chance to find themselves and find hope inside the pages of this moving middle grade historical novel.
It’s 1993 when we meet our heroine Mia Tang. At 10-years-old, Mia is one of the most empathetic, intelligent, persevering characters of this age I have seen in a long time. The truth is there are so many like her whose voices deserve to be heard. I am grateful to Yang that tweens now have a chance to get to know this plucky protagonist and her struggles. Mia’s family are employed at a hotel with unpleasant owners after working for a short time at a restaurant where they were taken advantage of, then fired shortly after. While the hotel seems like a dream come true at first with free rent, the negatives and danger of managing the hotel take their toll on the family.
One of the moments that broke my heart is when Mia is sitting with one of the “weeklies” at the motel she helps run with her parents. The “weeklies” stay at the hotel for a week at a time, paying a lump sum. An older Black gentleman, Hank, is sitting slumped over, defeated by yet another instance in his life where he is targeted for a crime he did not commit simply because he isn’t White. He’s been labeled for so long that at this point he has no more will to fight. He exposes this vulnerability to Mia, and it is a powerful and haunting exchange. Hank isn’t feeling sorry for himself, nor is he bitter or angry when he has every right to be. He’s just tired, the kind of tired you cannot possibly understand unless you’ve been judged by the color of your skin your whole life. Mia later advocates for him and shows us how you are never too young or too old to stand on the side of justice and equality for all.
Resiliency. Mia and her family, along with the “weeklies” and some other friends, have this in abundance. Even when their own families decline to help them in their hour of need, their community rallies around them so they can take control of their destinies.
I dog-eared many pages to go back and look over for this review, and I’m still at a loss as how best to describe my favorite parts because there are so many. I’ve also purchased more than one copy of this book to give to others. It is one of those stories that will creep into your heart and linger there for quite a while.
FRONT DESK needs to be in every school library and as many homes as possible.
TINY INFINITIES Written by J. H. Diehl (Chronicle Books; $16.99, Ages 10 and up)
– A Junior Library Guild Selection –
In Tiny Infinities, the debut middle grade novel by J. H. Diehl, the summer when Alice turns thirteen, her family’s structure disintegrates. Her mother has become a bedridden recluse, her father moves out, and Alice’s two brothers are temporarily placed with their aunt. Alice willfully stays at the family home, erecting the Renaissance tent her parents met in, resolving to sleep in the backyard until her father returns. Due to finances, cell phones, internet, and camps are cut. Earning money babysitting is bittersweet—Alice’s parents are too distracted to pay much attention. Alice discovers each family has complications. Piper, the young girl she watches, has an undiagnosed loss of speech and possibly hearing.
This quiet story considers deep issues including how one family member’s illness or injury affects everyone. Because of her parents’ split and her mother’s inability to recover, Alice loses touch with close friends rather than explain.
Swimming keeps Alice centered; she’s determined to get her name on her swim team’s record board. A friendship with the new girl, Harriet, develops. Harriet’s keen observations while somewhat off-putting are also perceptive: she advises Alice to switch to backstroke. While this is another change, Alice eventually realizes that she likes swimming backwards without seeing where she’s going; it gives her confidence in her ability to maneuver the pool, and life. Alice and her friends learn from one another how to find their way—realizing it is their way to find.
Tiny Infinities is an honest coming-of-age middle-grade novel. Alice understands for the first time that there is “no line between hot and cold, or warm and cool, love and not love. Tiny infinities [are] always going to be there.”
Fireflies play a clever role in the novel throughout. Beneath the book’s beautiful glimmering jacket is a stunning smooth casewrap adorned with fireflies. The brightly contrasting endpapers offer a pop of color.
The Stars Beneath Our Feetby David Barclay Mooreintroduces us to Wallace “Lolly” Rachpaul, a twelve-year-old boy reeling from his older brother’s recent murder. Lolly almost thinks it’s a joke, that Jermaine will reappear and everything will be fine. However, the heaviness in Lolly’s chest makes him realize life is unfair: “it’s all about borders. And territories. And crews.”
For years, Lolly built Legos per the box’s instructions because they provided relief from the real world. When Lolly’s mother’s girlfriend begins giving him garbage bags full of Legos, it unleashes his imagination but their apartment isn’t big enough for his artistic endeavor. At his community center after-school program, Lolly finds the storage room a peaceful retreat where he can build alone, forgetting about everything else until he must share his space and blocks with a quiet girl the kids call Big Rose.
When Rose does speak, she repeats comforting words to herself: “Your mama, your daddy—they were buried under the ground, but they’re stars now, girl, stars beneath our feet.” Her seemingly obscure statements affect Lolly. Their unlikely friendship evolves to include an understanding of shared pain. In the Harlem projects, death is too commonplace.
Throughout the book, Lolly and his best friend, Vega, feel pressure to join a gang for protection; yet, that’s what led to Jermaine’s death. Lolly wavers between fear, anger, and acceptance of what seems to be his only path. The question of how to fit in pulls Vega away as they search for their own answers, boys on their way to becoming men.
Moore’s book reveals our world’s imperfections and complications. Yet, hope shines through. We relate to Lolly’s conflicting emotions and understand his worries about the future. We all must decide how to best live our lives. The Stars Beneath Our Feet shares a glimpse of one boy’s journey.
MEET DANIELLE DAVIS, AUTHOR OF ZINNIA AND THE BEES Written by Danielle Davis Illustrated by Laura K. Horton (Capstone Young Readers; $14.95, Ages 9-12)
Yesterday, August 1st, was the debut of local L.A. author Danielle Davis’s new middle grade novel, Zinnia and the Bees. Today I’m totally tickled (but not stung mind you!) to share my recent interview with Davis as she weighs in on the who, what, when, where and why of her delightful magical realism story. But first I’d like to share some of my own thoughts. If you’re eager to get to the Q&A with Danielle, please feel free to scroll down. Below that you’ll also find a trailer for the novel.
Zinnia, the main character in Danielle Davis’s Zinnia and the Bees, struggles with several relationships throughout this introspective, humorous, and totally absorbing book. It’s filled with many of those confusing, sometimes immobilizing emotions that I recall experiencing in middle school (which was called junior high back then). Added to that are accounts of several uncomfortable situations Zinnia finds herself immersed in which will surely resonate with today’s tweens. And though she may seem to avoid friendships, she ultimately realizes that those connections are what she really needs. Her mom, a widow, dentist and community activist, always seems otherwise occupied. She practically lives at her practice, leaves impersonal post-it notes and is more into her rescue dog than her daughter. Then there’s Zinnia’s brother Adam. The book opens with a wacky and wonderful yarn bomb episode that pulls readers into the story and demonstrates the siblings’ close relationship, despite the six years age gap.
On that very same day, Adam skips out on Zinnia and her mom, no warning, no note, nothing to let her know where he’s gone. That, after all they’ve shared, hurts more than also losing her group of friends NML, Nikki, Margot and Lupita. When they were pals they were NMLZ, but now Z was on her own. That is until a clever and curious neighbor’s nephew comes to town for summer. Far from perfect, yet not easy to push away, Birch demonstrates to Zinnia the magic of nature and the transformative quality of a good friend. His timing couldn’t have been better because after a visit to the local ice cream parlor, where some ice cream got in her hair, Zinnia has attracted a colony of crazed and kooky honeybees who find what they hope will be temporary accommodations in her long curly hair.
As Zinnia tries to make sense of her brother-less world, she’s also trying to figure out a way to get the bees off her head. We get vivid glimpses of a close relationship Zinnia has with her aunt, without which would make her mom’s indifference more intolerable than it already is. After all, it was her mom who pushed Adam away.
The humor shines through when reading the perspective of the hiveless bees hanging out in Zinnia’s hair. They get a chance, every several chapters or so, to share their thoughts on being homeless. This gives readers a chance to get into the bee narrator’s head and think about bees in a whole, hysterical new way. I now bravely scoop dive-bombing bees out of my pool instead of letting them drown thanks to Zinnia and the Bees! (No bees were hurt in the making of this novel, but do not attempt a rescue if you are allergic to bees!)
Davis has crafted a quirky and creative story where the presence of yarn in many ways can be seen as a connector of people, as well as something safe and comforting. The bees represent a longing for home, and Zinnia’s need to be heard and loved unconditionally, like her brother. There are truly many layers to the story of Zinnia and the Bees making this debut novel from Danielle Davis such a sweet, satisfying and thoughtful read.
Review by Ronna Mandel
Good Reads With Ronna:What was the genesis forZinnia and the Bees?
Danielle Davis 🐝: The idea for this book came from an image my husband passed along to me that had come to mind of someone with bees on and around their head. I was interested in fairy tales and stories that contained an element of the bizarre and even wacky, so the idea appealed to me immensely. With his permission, I ran with it (this is one of many reasons the book is dedicated to him). I wanted to know more about the way the bees might be a stand in for anxiety and navigating difficulties. And I wanted to know more about the person who found themselves in this predicament.
GRWR: Zinnia struggles with several relationships throughout the book and, after her brother Adam’s abrupt departure, she feels completely abandoned and alone. Then a swarm of hiveless honeybees takes up residence in her curly hair. Since the bees feature prominently in your story, can you talk about the significance of this magical realism element and how you decided to have two different perspectives recount the story?
DD 🐝:I was curious about Zinnia, but I was also curious about those insects. Disappearing bees were in the news quite a bit when I was first writing this story, and I’d heard about agricultural bees who traveled around with beekeepers to pollinate fruits and vegetables for humans (it’s a real thing!). So, I dreamed up a colony of bees who, while happy enough in their existence, felt like something was missing and yearned for freedom. I wanted to hear from them, and hoped readers would too. Writing the bee sections was really fun for me—they’re communal and existential and, I hope, hilarious (they always made me laugh!).
GRWR: A yarn bombing episode propels the plot line forward. Zinnia finds comfort in knitting and it feels like there is some symbolism with yarn. Was that intentional? Also, Zinnia has practically yarn bombed every item in her bedroom. As a child, were you a knitter like Zinnia? Is there any particular reason you chose knitting versus another craft since I know you share a lot of crafts on your picture book blog, This Picture Book Life?
DD 🐝:While the yarn symbolism was, admittedly, unintentional, it’s certainly there since yarn can provide comfort and so relates to the concept of home, which is at the heart of the novel. For me, I’d made Zinnia a knitter in the vein of any artist or maker (or writer) who experiences that sensation of flow when immersed in their preferred activity (plus, I’d recently learned about yarn bombing). For Zinnia, knitting is a way she soothes her anxiety, helps make sense of her world, and takes her mind off, well, everything. It’s a way for her to both focus and escape.I was certainly not a knitter—Zinnia is way more talented than I am! But for me, reading was similar to what knitting is for her. As a child, books were a way to soothe my anxiety, focus, and escape. Stories also, subconsciously I imagine, helped me make sense of the world.
GRWR: Your sense of place, your characters, voice, dialogue and plot all come together seamlessly to create, like the knitted lens covers for Birch’s binoculars, a cleverly crafted story. What was the easiest part for you to write and which is the hardest?
DD 🐝:Thank you, and what a neat question! Once I crafted this for a middle grade audience (I started it as something for adults—what was I thinking?), the first draft was pretty easy to write. I was emerging from a very challenging period in my own life, so writing the first draft of Zinnia and the Bees felt sort of effortless and full of joy as an extension of that unburdening. The interactions between Zinnia and Birch were natural and fun to write, as were the bee sections, where I could be as wacky and dramatic as I wanted. But all the revisions that followed, which were numerous and spanned years, were probably harder in general. And then working with my editor, Ali Deering at Capstone, was a little of both. She had brilliant ideas for making the story better in important ways and I got to prove to myself that I could create under her amazing direction and necessary deadline. The harder part was that having an editor meant I also had the pressure of knowing this was going to be a real, published book and that someone might actually read it someday.
GRWR: Though I really like Zinnia and her aunt Mildred, I’m especially fond of Birch who is visiting his Uncle Lou, the neighbor, for the summer. The friendship that slowly grows between Birch and Zinnia is so satisfying. Is there one character you relate to the most or is there a little bit of you in each one?
DD 🐝: I’m super fond of Birch as well—such a patient, loyal friend. While I’m confident there are parts of me in Zinnia, she feels to me like her own person (yes, these characters totally feel like real people to me!). I have a real soft spot for Birch’s Uncle Lou and both he and Zinnia’s Aunt Mildred are examples of the positive, caring adults every kid deserves to have in their lives.
GRWR: Dr. Flossdrop, Zinnia’s mom, is a memorable character. She’s distant, domineering and definitely not warm and fuzzy like the wool Zinnia knits with or her brother Adam whom she adores. How did you develop this dentist who relates better to her rescue dog than her own daughter?
DD 🐝: I knew I wanted Zinnia and her mom to start out feeling as different as possible and then learn that, emotionally, they have a lot in common even if it’s hard to tell from the outside. As for a neighborhood activist dentist who adopts a terrier and brings it to her office? I guess I was going for zany, and someone who would be as infuriating as possible to Zinnia.
GRWR: Do you have a preference when it comes to picture books and middle grade novels and which one do you read more of yourself?
DD 🐝: As in childhood, in adulthood I first fell in love with picture books, and then found middle grade novels. I read and enjoy both consistently, but I’m a bit more immersed in picture books in terms of quantity because of myblog.
And The Red Treeby Shaun Tan is my very favorite book.
GRWR: Where is your favorite place to write?
DD 🐝: I usually write in my apartment. I like the ease and comforts of home (like having neverending cups of tea when working), but I can still hear the sounds of the city and know it’s there. I like to revise out somewhere, preferably a coffee shop.
GRWR: How long did Zinnia and The Beestake you from concept to completion?
DD 🐝: I began the story in 2008, wrote the first middle grade draft in 2010, I believe, and sold it to and edited it for Capstone in 2016, and now it’s out in 2017.
GRWR: Can you talk about your passion for literacy and your volunteer work?
DD 🐝: I’ve been lucky enough to have the ability to volunteer with both WriteGirl and Reading to Kids respectively here in Los Angeles. The former is an organization that mentors teen girls through weekly one-on-one meetups to write together. Plus, the monthly workshops are epic and full of working writers sharing strategies and stories with teens. (And, an amazing WriteGirl who’s headed to college this fall is interning with me over the summer!)
The latter holds reading and crafting events at L.A. area elementary schools one Saturday a month. It is a total joy to participate and each child gets a free book to take home as well. That’s around 800 books given to 800 kids each month! It’s a privilege to be a small part of what the organization is doing to serve kids in my city. I wrote about the experience a couple of years agohere.
GRWR: Can you think of anything else I haven’t asked about that you’d like to share with readers about either Zinnia and the Bees or you?
DD🐝: Thank you so much for having me. It’s a huge treat to be featured on Good Reads With Ronna!
Visit Danielle’s website here. Find her at Twitter here. Find her at Instagram here. Click here to see Danielle’s Facebook page And click here to for her Pinterest boards. Visit illustrator Laura K. Horton’s website here.
Over the summer, Wren Jo Byrd, a shy nine-year-old, was abruptly sent to stay with her grandparents while her Mom and Dad split up. Rather than confess what was going on to BFF Amber, Wren ignored her.
At the start of the new school year, Wren finds that Amber is best buddies with Marianna Van Den Heuval, the new girl in town; Wren pretends nothing has changed. However, Wren’s lies about her family become hard to maintain because she must split her time between two households. Wren doesn’t understand how this could be good for them.
Marianna, from the big city of Portland, blows into Wisconsin like a diva with an agenda. She peppers her dialogue with wonderfully realistic preteen talk, such as “We’re going to have So. Much. Fun!” Yet, Marianna’s bravado isn’t all it seems. Wren discovers some of Marianna’s secrets and begins a list of questions for Marianna—the only girl she knows whose parents are divorced. As Amber is swept away in Marianna’s coolness, Wren wrestles with what it means to be a friend and dreads what will happen when everyone discovers the truth.
Julie Bowe’s first-person voice captures Wren’s fears and the complexities in her life. The text is punctuated by definitions Wren looks up on her phone, such as to the word “happy” (meaning “content”) and then “content” (meaning “not needing more”). These lead her to wonder, “When did Mom and Dad stop being happy? . . . How come no one told me we needed more?”
Everyone has secrets; Big & Little Questions (According to Wren Jo Byrd), gives us a glimpse into why we hide our truths and the consequences we must endure when we choose to lie. This heartfelt story is about accepting change as friendships and families evolve beyond our control.
DREIDELS ON THE BRAIN By Joel ben Izzy (Dial BYR; $17.99, Ages 10 and up)
When I adore a book, and I did adore Joel ben Izzy’sDreidels on The Brain, I tend to read every last word from the dedication to the acknowledgements. In doing so I happened to find this gem at the bottom of the copyright page:
“This is a work of fiction… and of friction–the kind that filled the author’s childhood. Although much is based upon actual people, places, and events from his life, he has taken great liberties in all these realms–as well as spelling–to recount a story set over the course of the eight days of Hanukkah, 1971.” There’s more, but you’ll just have to get a copy to read on.
Ben Izzy is a renowned storyteller and Dreidels on The Brain is his first foray into fiction for kids, middle grade readers to be precise, and I hope he writes more. His ability to convincingly convey time, place, character, conflict and voice was not lost on this reader who grew up in that era. Dreidels on The Brain is so much more than a Hanukkah story. It’s a heartwarming coming-of-age novel filled with memorable laugh out loud moments and it seems to have fun with itself and the reader who will quickly catch on to all the zany things Izzy’s included. He’s spelled Hanukkah a ton of different ways and, when he gets the opportunity, does the same with ketchup. On top of this there are lots of jokes, insight into magic tricks, great cultural references, and just the right amount of Yiddish words added to an already winning mix.
As mentioned above, Dreidels on The Brain is set in 1971, Temple City, California, just east of Los Angeles with no temple to be found. The main character’s Jewish family (whose last name shall not be revealed here) actually attends a temple or synagogue in nearby Rosemead. Joel, the self-proclaimed funny-looking main character, is short, has braces, wears glasses, and is the odd man out as the school’s only Jewish student.
Nine chapters take readers through Joel’s eight days and nights of Hanukkah. Ben Izzy has managed to seamlessly weave magic, miracles, matzoh balls, and music from Fiddler on The Roof into an unforgettable story of a boy, on the cusp of adulthood according to the Jewish religion, wanting to be anyone, but himself. This all plays out over the Hanukkah holiday while touching upon faith, family, friends, and one particular female named Amy O’Shea. Readers will find it easy to root for the lovable protagonist and, like him and the message of his dreidel game, wish that a great miracle could happen there.
Joel, a tween with soon-to-be teen angst, is questioning his belief in God as he navigates his role as school dork, token Jew, and the youngest son in his family of five including two older brothers. His parents are struggling financially, but his mom never gives up hope for better times ahead. His dad, unemployed, is always on the verge of creating the next must-have invention, all while coping with his debilitating arthritis. Although it’s clear there’s much love in Joel’s family, as seen through the eyes of this twelve-year-old boy, there’s not much to be desired about his life. For example, he never gets a Hanukkah present as it’s simply not affordable. Joel does manage to make some spending money by performing magic tricks at parties, but when classmate Amy suggests they team up because an assistant will add to a magic show’s appeal, Joel finds himself falling for this girl he considers to be way out of his league.
The plot lines center around Joel having to perform a magic show at his grandma’s nursing home, his dad needing surgery over Hanukkah, and an invitation from the principal to present the Hanukkah story to the entire school at a special assembly. Will everything go according to plan convincing Joel that miracles can happen? “All I can do is answer the way Jews always do–with another question. Why not?”