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A Review of The Color of Sound by Emily Barth Isler for Read Your World 2025

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GoodReadsWithRonna.com is thrilled to be back for our 13th year supporting Read Your World, this time as a Co-Host!! We hope you’ll visit the Giant Linky below to access all the other great diverse books reviewed from board books to young adult. Please scroll down after reading this review for many more details about Read Your World.

 

 

THE COLOR OF SOUND

Written by Emily Barth Isler

(CarolRhoda Books; $19.99, Ages 11-14)

 

 

The Color of Sound cover Rosie seeing music in colors

 

 

★Starred Review – Publishers Weekly, School Library Journal

REVIEW:

In the opening paragraph of Emily Barth Isler’s The Color of Sound, readers meet 12-year-old Rosie, a child prodigy who is a violin virtuoso. They’ll also be rewarded with a fascinating and compelling read that hits all the right notes.

Rosie, it seems, has gone on strike. That hooked me immediately. I had to understand why she was refusing to practice her instrument or attend a prestigious music summer camp. Part of Rosie’s protest is a direct result of a fight she had with her best friend Julianne. Julianne could no longer play second fiddle to Rosie’s instrument, rehearsals, trips away, and frequent cancellations, including Julianne’s important birthday sleepover. However, the major reason Rosie goes on strike is to take time to find out all she has missed and to learn who she is rather than who her mother seems to be dictating she should be. “How can you love someone so much and also feel so angry at them?” Even though Rosie may have loved many things about the violin the loneliness accompanying the prodigy lifestyle was taking its toll on her. She feels her parents, especially her mother, can’t see her or hear her beyond their own visions, a strong theme woven into this moving novel. The exploration of the mother-daughter dynamic and intergenerational trauma, in this case, the Holocaust, are also themes that particularly resonated with me.

Readers also find out early on that Rosie, like the author Isler, has synesthesia, a neurodivergence that causes her to see music in colors. But Rosie does not divulge this to anyone. Not her parents. Not to Julianne. She knew instinctively it was something she had to hide … ” … a painting could be a symphony … a song can be a picture.” Colors and rich language unfurl on the pages and add meaning to Rosie’s self-exploration journey. “What if there’s a whole other range of colors and sounds I’m only beginning to hear?”

After the fallout with Julianne, Rosie feels more isolated than ever for someone her age. The violin is her only friend. Or is it? Isler does a great job of making readers wonder if perhaps the violin isn’t really as much of her friend as one might be led to believe. Choosing to bail on music camp, Rosie now has to join her mother to spend six weeks with her grandparents who she barely knows. Will time spent with these relatives in Connecticut, with whom she is neither close geographically nor emotionally, help Rosie grow as a person, and as a family member?

Readers get a clue as to the tone of each chapter with musical terminology as clever subheadings, mainly in Italian, such as prima vista, pianissimo, and staccato. I found myself looking out for examples of these in different character’s actions. While visiting for the summer, Rosie slowly gets to know her Grandpa Jack and her ailing Grandma Florence, who has Alzheimer’s and is nearing the end of her life. I liked these characters more than Rosie’s mother whose strictness felt OTT at times. They provided an entré to Rosie’s heritage that she did not know much about. It’s always seemed to be off-limits, part of some family secrets that Rosie needed to explore. Uncovering these secrets, likely written into her DNA, will yield clues as to why she is who she is.

Being away from her all-consuming violin lessons brings joy into Rosie’s life in unexpected ways and places. These scenes are some of my favorite parts of the book, feel-good moments that give us hope that Rosie can find a healthy way forward in her life. She befriends some older high-school students in an improv class at the local library, and she also enters a mysterious time-travel loop in the shed on her grandparents’ property. I don’t want to give this part away but suffice it to say that Rosie’s encounters in the shed may actually effect a positive change in her life. And, as Rosie spends quality time with her grandparents and appreciates the family history that slowly reveals itself, she experiences how connections to the past become life-affirming for her present. If Rosie’s mother (and her father) can learn to see Rosie for who she is and wants to be, then there’s a good chance that Rosie can break free from the restrictions and commitments playing the violin has represented and forge a more meaningful bond with her family.

  • Reviewed by Ronna Mandel

 

 

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A Review + Interview – Karol Silverstein Interviews Author Elaine Dimopoulos

AN INTERVIEW WITH

MIDDLE-GRADE AUTHOR ELAINE DIMOPOULOS

BY KAROL SILVERSTEIN

 

The Remarkable Rescue at Milkweed Meadow (Book #1)

Written by Elaine Dimopoulos

Illustrated by Doug Salati

(May 16, 2023, Charlesbridge, Ages 8-11)

 

The Remarkable Rescue at Milkweed Meadow cover bunnies fleeing.

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The Perilous Performance at Milkweed Meadow (Book #2)

Written by Elaine Dimopoulos,

Illustrated by Doug Salati

(May 21, 2024, Charlesbridge, Ages 8-11)

 

The Perilous Performance at Milkweed Meadow cover rabbit chased by birds.

 

 

INTRO + REVIEWS:

I came to these wonderful books a little backwards—that is, I read book 2 first! The good news is you do not need to have read the first book to thoroughly enjoy the second. The even better news is that both books are equally enchanting!

 

The Remarkable Rescue at Milkweed Meadow int1 Rabbits in Root Room.
Interior art from The Remarkable Rescue at Milkweed Meadow written by Elaine Dimopoulos and illustrated by Doug Salati, Charlesbridge ©2023.

In The Remarkable Rescue at Milkweed Meadow, we’re introduced to expert storyteller Butternut. Storytelling is a way of life for her colony of rabbits, led by the wise Grandmother Sage. Along with storytelling techniques, Butternut and her many siblings are taught to stick to their own kind and avoid unnecessary danger.

The Remarkable Rescue at Milkweed Meadow int2 Fierce Owl Flying
Interior art from The Remarkable Rescue at Milkweed Meadow written by Elaine Dimopoulos and illustrated by Doug Salati, Charlesbridge ©2023.

All that changes when Butternut befriends a joyful robin named Piper. Her new first and best friend believes that all creatures have good in them and crave one another’s company. Butternut’s anxieties—which she calls her “brambles”—spin into overdrive when Piper suggests they befriend a wounded faun, but the more she pushes past her fears, the more confident she becomes. When the need for the titular remarkable rescue arrives, Butternut must convince her family to be as brave as she’s become to help save a litter of coyote pups. The experience changes life in the meadow for the better.
★ Starred reviews – Booklist, Kirkus Reviews, Publishers Weekly

 

The Perilous Performance at Milkweed Meadow welcomes back Butternut and all her meadow friends. But exciting new creatures, a traveling theater troupe of wild turkeys, enter stage right. The talented turkey thespians are marvelous storytellers, which makes Butternut a bit jealous. When the troupe enlists the meadow dwellers to put on a fabulous play, Butternut’s brambles tell her that something’s not quite right with these grandiose gobblers. She senses her friends and family are in danger but struggles to figure out what, exactly, the wild turkeys are up to and how thwart their plans.  ★ Starred review – Kirkus Reviews

 

The first-person storyteller style employed by author Dimopoulos for both books is pitch-perfect, as are Salati’s delicate illustrations. Butternut herself spins her tales with dramatic precision, utilizing tension, foreshadowing, plot twists, and character building as any great writer would. And though the books’ characters are animals, their emotions and motivations are very relatable to human listeners. In particular, Butternut’s “brambles”—which sometimes are overwrought and hold her back and sometimes grant her heightened and accurate insights—are a wonderful metaphor for young readers who are learning to navigate and interpret their own inner thoughts.

INTERVIEW:

I asked Elaine Dimopoulos to tell me a little more about the creation of this delightful duology. Here’s what she had to say:

Karol Silverstein: The tradition of storytelling, begun by Butternut’s Grandmother Sage, is a way of life for the rabbits of Milkweed Meadow. Why rabbits and why storytelling?

Elaine Dimopoulos: In 2017 I moved to a suburban home near a meadow and saw rabbits frolicking on our lawn every morning and evening. They delighted me and my family. I decided to write about a young rabbit who lives on the border of a lawn and a meadow and who grows curious about the human family in the house although her elders have told her to stick to her own kind. The emphasis on storytelling came from my many years teaching writing. I had been rolling craft concepts around in my head for so long—conflict, tension, voice, character growth—and wanted to create a narrator who was an expert storyteller and who commented metafictively on the story as she was telling it. I had a lot of fun creating Butternut’s narrative voice.

 

The Perilous Performance at Milkweed Meadow int1 Butternut and Piper.
Interior art from The Perilous Performance at Milkweed Meadow written by Elaine Dimopoulos and illustrated by Doug Salati, Charlesbridge ©2024.

 

KS: Butternut’s “brambles”—which readers will likely recognize as similar to their own worries and anxieties—are an important part of her character. Was her anxiety a characteristic you set out to explore from the beginning or did it develop as she revealed herself to you?

ED: I knew Butternut would have anxiety from the very beginning. I’d noticed an increase in anxiety in the students I taught and began to think about how many children out there were having anxious thoughts these days. I wanted to create a character they might see themselves in, who learns to manage her anxiety, act bravely, and live a full life.

 

KS: In the second book, a traveling theater troupe of wild turkeys comes to the meadow, and the Gobblers entrance the inhabitants with their theatricality. Why wild turkey and why theater?

ED: In addition to rabbits, I have gorgeous wild turkeys on my lawn! The Perilous Performance at Milkweed Meadow is a sequel, and I really wanted to get turkeys into the first novel, but there wasn’t room. I’m so thankful I got the chance to include them in Book 2. Here’s a photo I snapped. They’re such divas!

 

Wild Turkeys in yard of Elaine Dimopoulos

 

 

As for theater, I acted through middle school, high school, and college. I love performing and knew I could write about it with expertise. I also loved the idea of the meadow creatures putting on a midsummer show.

 

KS: Redemption—and characters who change and/or turn out to be different than they first seem—is featured in both books. Why is it important to explore this theme in kids’ books?

ED: It seems to me these days that we are quicker than ever to criticize and slow to forgive. We all make mistakes, adults as well as children. If we change our mind about something and apologize, we should be able to earn forgiveness. This is an important part of human connection. We ought not to lose the ability to extend kindness to each other and to turn the page on the past.

The Perilous Performance at Milkweed Meadow int2 Turkeys and Piper.
Interior art from The Perilous Performance at Milkweed Meadow written by Elaine Dimopoulos and illustrated by Doug Salati, Charlesbridge ©2024.

 

KS: Was there always going to be a second book (or more)? If so, how much of the plot for The Perilous Performance at Milkweed Meadow did you have set in place before publishing the first book? If not, how did you and Charlesbrige decide to continue Butternut’s story, and what sort of decision-making went into creating the storyline of The Perilous Performance at Milkweed Meadow?

ED: I wrote the first novel wishing that I could continue the story of these characters. Nothing was guaranteed, however, so I didn’t focus on setting anything up for book 2. The sequel was happily greenlighted before the first book came out, so I was able to influence, of all things, the map endpapers. I figured out that there would need to be a little clearing in the oak forest where the performance in the second novel would take place and also a swing set clubhouse where Butternut and the little female human from the house would meet. Doug Salati was kind enough to add these elements to the endpapers of book 1 so there would be continuity.

I knew I wanted to include a theatrical troupe of turkeys in the sequel, but I was struggling with Butternut’s central conflict. My editor, Julie Bliven, helped me see that Butternut ends the first novel confident in her storytelling abilities, so it would be interesting if this confidence was shattered when a new art form entered the picture. I ran with this idea!

I hope to write even more stories set in Milkweed Meadow. The first two books are set, respectively, in spring and summer, so I’d love to complete a seasonal quartet and write an autumn and a winter book. We’ll see!

 

Huge thanks to Karol and Elaine for this informative interview!  – Ronna

 

BUY THE BOOK:

Belmont Books (signed & personalized): https://www.belmontbooks.com/book/9781623544270

Bookshop.org: The Perilous Performance at Milkweed Meadow a book by Elaine Dimopoulos and Doug Salati (bookshop.org)

Publisher’s Page: The Perilous Performance at Milkweed Meadow – Charlesbridge

 

Elaine Dimopoulos Headshot Photo Credit Ars Magna Studio
Elaine Dimopoulos Photo Credit: Ars Magna Studio

AUTHOR BIO:

Elaine Dimopoulos is the author of several novels for children, including the critically acclaimed Milkweed Meadow series, Turn the Tide, winner of the Green Earth Book Award in Children’s Fiction, and the young adult fast-fashion dystopia, Material Girls. Elaine served as the Associates of the Boston Public Library Writer-in-Residence and has taught writing at Simmons University and GrubStreet. She lives in Massachusetts. She lives in Massachusetts with her spouse, two children, and a Balinese cat named Plato. www.elainedimopoulos.com

 

 

 

SOCIAL MEDIA:

• Author Elaine Dimopoulos

https://twitter.com/ElaineDimop

https://www.instagram.com/elaine_dimopoulos/

• Illustrator Doug Salati

https://dougsalati.com/

Doug Salati Photo Credit: Erin V Carr

ILLUSTRATOR BIO:

Doug Salati is the creator of the picture book Hot Dog, recipient of the Randolph Caldecott Medal and Ezra Jack Keats Award. His first book was In a Small Kingdom by Tomie dePaola, and his second, Lawrence in the Fall by his partner, Matthew Farina, was an Ezra Jack Keats Illustrator Award Honoree, a Society of Illustrators Original Art Show selection and Junior Library Guild Gold Standard selection. Doug lives and works in New York City.

 

 

 

INTERVIEWER BIO:

Karol Ruth Silverstein (she/her/disabled) is an award-winning children’s book author and longtime SCBWI member. Her debut young adult novel, Cursed (Charlesbridge Teen, 2019), was loosely drawn from her experience of being diagnosed with juvenile arthritis at thirteen and won the Schneider Family Book Award in 2020. Originally from Philadelphia, Karol now lives in West Hollywood, California, with two unmanageably fluffy cats. Find her online at
Author Karol Ruth Silverstein.

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Blog Tour Day 2 for Explorer Academy Vela, The Sailor Cipher

 

BLOG TOUR FOR EXPLORER ACADEMY VELA
Book 1: THE SAILOR CIPHER

Written by Trudi Trueit

Illustrated by Khadijah Khatib

(NatGeo Under the Stars; $10.99, Ages 8-12)

 

 

EAVela-BlogTourBanner

 

GoodReadsWithRonna is delighted to share this excerpt from Explorer Academy Vela: The Sailor Cipher (Book 1) available in paperback now. Get ready to get hooked!

 

ABOUT EXPLORER ACADEMY:

Adventure, danger, and school on a ship! In a special school to become an explorer, Cruz Coronado embarks on important global missions with his classmates. But he’s hunted by a murderous threat. A threat that seems linked to his mother’s murder. Cruz hopes that by finding his mother’s clues left around the world, he’ll learn her secret formula and unmask his nemesis.

 

Blogpost #2: Book Excerpt

by Trudi Trueit

 

The first chapter of THE SAILOR CIPHER has Sailor and the rest of Team Cousteau (Cruz, Emmett, Lani, and Dugan), testing the Universal Cetacean Communicator, a helmet which can translate the songs and calls of whales and dolphins into human language! Here, they’re on a boat in the Chesapeake Bay preparing to rendezvous with a pod of dolphins. Cruz is wearing the UCC helmet. The plan is for Sailor to go into the water with him as his dive buddy, while the rest of the team remains in the boat to direct the mission with Fanchon (the tech lab chief who designed the UCC),

Sailor York called it the do-or-die point.

It was the moment right before a mission began. In those tense few minutes, as you waited for the “go” signal, you could either psyche yourself up or psyche yourself out. Everything depended on the choice you made.

It was exciting. It was exhilarating. And it was . . .

Now!

Looking out across the bay, Sailor filled her lungs with one last breath of fresh sea air before lowering the dive helmet onto her head. She was alone but for a fluttering heart and her own thoughts. As her dive buddy, Cruz Coronado, connected the hoses between her rebreathing helmet and oxygen tank, Sailor tried not to think about her shoulders cooking in the September sun or the swim fin pinching her left baby toe or the grilled cheese sandwich doing cartwheels in her stomach. Most of all, she tried not to think about how much was riding on their mission—because the answer was everything.

Do or die.

“Comms check.” Emmett’s voice rang out in Sailor’s helmet. “Oops! Hang on, minor glitch.”

Sailor couldn’t help a snort. In trying to put on a headset thinner than a spaghetti noodle, Emmett had gotten it tangled in his emoto-glasses. Emmett had a passion for technology, and the frames were his own invention. They tapped into his brain waves, changing shape and color based on his moods. At the moment, the circular frames were switching colors faster than a broken traffic light. It was a comfort to Sailor to know that even cool-headed Emmett was as jittery as she was. “Okay, all set,” said Emmett. “Sailor, do you read me?”

“Affirmative.”

When Cruz, Fanchon, Dugan, Jaz, and Lani gave similar replies, Emmett pronounced all comms operational. Jaz let them know the comm link among everyone would remain open throughout the mission.

“My pre-check diagnostic shows all UCC systems are functioning normally,” relayed Fanchon. “Cruz and Sailor, be sure to keep a distance of at least thirty feet between the dolphins and yourselves. Don’t overstay your welcome. Dugan will start the stopwatch once you’re in position. Remember, if you sense any stress or haven’t made contact in fifteen minutes—”

“We’re to break off and return.” Cruz took the words out of her mouth.

Respect for wildlife was their top priority. Everyone knew they were here to communicate with the dolphins, not to disturb or frighten them.

“The pod is a mile northeast of our position, heading due south,” alerted Lani.

“This is it!” Emmett’s voice rose in pitch. “Divers, stand by for ‘go.’”

Sailor’s heartbeat thundered in her ears. She shut her eyes against the blinding diamonds of sunlight reflecting off the water. Exhaling, she pushed away all the thoughts that cluttered her mind—the scorching heat, her throbbing toe, a somersaulting sandwich . . .

“Sailor?” Cruz’s voice was so quiet she barely heard him.

She opened her eyes and turned to him. “Yeah?”

“Thanks for jumping in with me.” Cruz held out his hand.

Sailor grinned and took it. “Any time.”

“GO!”

 

Sailor is in for a BIG surprise over the next few pages. Read THE SAILOR CIPHER to find out what happens next!

 

Author TrudiTrueit 2024
Trudi Trueit, Explorer Academy series author.

AUTHOR BIO:

Trudi Trueit writes the award-winning EXPLORER ACADEMY fact-based fiction series for National Geographic, which has been translated into 20 languages. She is the author of more than 100 fiction and nonfiction titles for kids, including MY TOP SECRET DARES AND DON’TS, THE SISTER SOLUTION, and THE SECRETS OF A LAB RAT series (Simon & Schuster). A Seattle native, she makes her home in Everett, WA with her photographer husband and lives to serve the whims of their three cats. And yes, Trudi Trueit is her real name (by marriage)!

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Middle Grade Book Review – The Jake Show

THE JAKE SHOW

Written by Joshua S. Levy

(Katherine Tegen Books; $18.99, Ages 8-12)

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The Jake Show cover featuring three boys Jacob Jake Yaakov e1709342039991.

 

 

I deliberately avoided reading anything about The Jake Show by Joshua S. Levy before uploading it onto my iPad. I’d also committed to reviewing it for Multicultural Children’s Book Day before it received its esteemed Sydney Taylor Honor. I had no idea what a treat was in store for me.

The main character, seventh-grader Jake, is in a tricky situation at home or should I say homes since his parents are divorced and both have remarried. At his mom’s place, he’s called Yaakov and feels pressured to conform to her wishes. She is a religious Orthodox Jew and her husband is a Rabbi. When he’s with his dad he’s Jacob because his dad is a secular Jew, at one point even forgetting some Hanukkah details, and his second wife isn’t Jewish. Readers will understand this boy’s dilemma. Jake, the middle ground name he uses at school, must constantly perform to please each parent while not knowing what he truly wants, only that it’s taking an emotional toll on him. It’s one thing when you’re in a film, TV show, or on stage; when the project is done you go home and cast aside your role. In Jake’s case, that’s when the acting begins.

Jake starts a new school as the book opens and is quickly welcomed by two classmates, Tehilla and Caleb. Jake is pretty sure he’ll be leaving this school since previously he’s had to attend schools either only his mother wanted or his father wanted. So, why bother making friends when you’re just going to leave because one parent is not happy? This begs the question of why the adults in Jake’s life seem to have all the agency and Jake none.

When Jake decides to attend Camp Gershoni for the summer at his friends’ urging, he knows it’s time to take matters into his own hands since neither parent will agree it’s the suitable choice. I was happy Jake chose to go camp but I wasn’t exactly thrilled about the myriad lies he tells. He concocts a wild plan straight out of an “I Love Lucy” episode. That airport scene, which includes outfit changing, is hysterical and I could see the entire scene playing out in my head as I cheered for him. All through his elaborate scheme, Tehilla is urging Jake to come clean but he’s in too deep.

Levy has infused The Jake Show with the perfect amount of humor to counter some of the serious issues presented. Much of the LOL moments are due to his friendship with Caleb and Tehilla who, outliers themselves, may understand Jake better than he can understand himself. I found myself eager to see what antics the trio would get up to next and that was facilitated by chapters that seemed to speed by. Secondary characters including Jake’s stepparents feel well-developed and bring levity into his home life. Jake needed to be seen and they saw him.

Readers learn that Jews come from all walks of life, some well off, some not. Tehilla and her mom struggle to keep a roof over their heads. Caleb, who is wealthy, despite the trying times he’s faced since coming out, can count on the support of his family, Tehilla, and now Jake. Yet the more Jake becomes preoccupied with his elaborate scheme and the more he lies to keep up the pretense, the harder it is to see certain truths: truths about his friendships and his family that he is just one more lie away from losing if he doesn’t own up to his charade.

  • Reviewed by Ronna Mandel

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Sydney Taylor Book Award Blog Tour 2024- An Interview with Mari Lowe

 

 

AN INTERVIEW WITH MARI LOWE

WINNER OF THE SYDNEY TAYLOR BOOK AWARD

FOR

THE DUBIOUS PRANKS OF SHAINDY GOODMAN

(Levine Querido; $18.99, Ages 8-12)

 

stba24 blog tour schedule banner

 

We’re thrilled to be back for another year, this time sharing a must-read middle grade novel, The Dubious Pranks of Shaindy Goodman by Mari Lowe. This novel not only addresses universal issues school girls deal with daily but one that brings the Orthodox Jewish community into the forefront in an insightful and meaningful way for readers of all backgrounds. Click here to see the full list of books and participants on the blog tour this week: 2024 Blog Tour: Sydney Taylor Book Awards – Association of Jewish Libraries

 

 

SYDNEY TAYLOR BOOK AWARD WINNER
NATIONAL JEWISH BOOK AWARD WINNER

★Starred Reviews – Horn Book, Shelf Awareness
Kirkus Top 10 Middle Grade Novels for Fall ’23

PUBLISHER SUMMARY:

SHAINDY is a twelve-year-old Orthodox Jewish girl who struggles in school and has no good friends. She watches with envy as her next-door neighbor, GAYIL, excels socially and academically. They have little to do with each other, and it comes as a surprise when Shaindy looks out her window one September evening and sees Gayil staring out at her from her own window with a sign reading: want to know a secret?

The secret (at first) is that Gayil has a key fob that will allow them to break into their school after hours. Together, they set up a harmless prank in their classroom. But under Gayil’s instigation the mischief becomes malice, and Shaindy sees that the pranks and humiliations are targeted only at certain girls. But what could they have in common?

With the fear of Gayil’s fury and her own reluctance growing, Shaindy comes to the terrifying conclusion that if she can’t figure out how to stop it, the next target could be her.

INTERVIEW:

GOODREADSWITHRONNA: Congratulations, Mari, on winning the 2024 Sydney Taylor Book Award for best middle grade novel, The Dubious Pranks of Shaindy Goodman. Two years and two wins in a row, has it sunk in yet?

MARI LOWE: It’s honestly been incredible. I never imagined that Shaindy would be so fortunate, and I’m still kind of shocked by the whole thing! But I’m also grateful that these books have left an impact and I hope that they will continue to do so– it’s every writer’s dream.

 

GRWR: I read that you came up with the story concept while at home with your family. Have they influenced your writing journey or did you always know you wanted to write?

ML: Well, I’ve always wanted to write! I read very young and started making up my own stories soon after that, and writing became as instinctive as breathing for me. But I don’t think that I really considered writing in this genre, with Orthodox Jewish characters, until my kids were old enough to read chapter books. And there were just so few where they could see themselves! What few portrayals there were of Orthodox Jews were fleeting and often inaccurate, and I wanted to give them mirrors– and, for other readers, a window into our world, where children are the same regardless of culture.

 

The Dubious Pranks of Shaindy Goodman cover Shaindy in Heelys.

 

 

GRWR: The premise of The Dubious Pranks of Shaindy Goodman is that 6th grader Shaindy would love to be friends with Gayil Itzhaki, “her tall, willowy with perfect hair” neighbor, so when Gayil surprisingly invites Shaindy to join her in pulling off a bunch of pranks, it’s hard to say no. While they are pitched as harmless “fun between friends” as the pranks increase in hurtfulness, Shaindy begins having doubts. It was clever how you included the class lesson on the four steps of Teshuva, especially given the significance of the girls’ negative actions as Rosh Hashanah and Yom Kippur approach. It helped ground the story. Can you speak to the dilemma that Shaindy faces?

ML: Those four steps of forgiveness feel so apt in all cases– because it isn’t about saying sorry, paying lip service or just regretting the way you’ve hurt someone, it’s about taking responsibility and vowing to do better moving forward. It’s about growth! For Shaindy, someone who has so often been overlooked and neglected by her classmates, there are two elements in the pranks: both the desire to belong, with Gayil, and this kind of underlying, dismissive sense of well, they’ll be fine, because they have what I don’t. It’s mean-spirited and petty, and I don’t think that Shaindy fully acknowledges that part of it until she really takes that step back midway through the book and evaluates not just the ways that she’s been hurt but the ways that she has hurt, in turn. She has to find strength within herself to break away from Gayil, but also to not become Gayil– someone who lashes out and seeks to continue that cycle of pain.

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GRWR: Your novel resonated with me which is why I could not put it down. Growing up I had a lot of Shaindy in me. That feeling Shaindy describes as “I’m the shadow, the girl no one notices …” And I knew girls like Gayil (“destined to shine” in Shaindy’s eyes) and her BFFs, Rena, and Devorah who seem to have it all. Now, looking back, would you say this story emerged as the result of any past experiences you’ve witnessed as a teacher or encountered yourself when you were in middle school?

ML: Oh, definitely! I’ve had a lot of classes like Shaindy’s, where the girls are all sweet and enthusiastic and a teacher’s dream– but there are those moments of unpleasantness when you know to look for them. There are the girls suffering at the fringes, and there is no easy way to pull them in from the outside, even as a teacher! Maybe especially as a teacher. I’ve spent a lot of time pairing girls up, encouraging new combinations, all in an effort to have every girl find her place. I don’t identify more or less with any of the girls in the book– I think I’ve had my moments when I’ve been each of them. But I definitely remember the Shaindy weeks, the times when I felt completely isolated and inferior, and I drew on a lot of those emotions to construct a girl who feels very universal to me. So many women and girls have told me that they identify with Shaindy. I think that Shaindy is who we feel like in our roughest adolescent moments, and I wanted desperately to give her strength of self in her story.

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GRWR: As writers we’re often told, write what you know, and you’ve done that by using Fairview, the purpose-built Orthodox Jewish community, as the backdrop of The Dubious Pranks of Shaindy Goodman. I appreciated the loving and respectful glimpse into the school, family, neighborhood, and home lives of the main characters yet did not feel I had to be more religious to understand the novel. The challenges Shaindy coped with were moral and social, things any middle schooler could relate to. Why do you think Shaindy often says her classmates are nice and are not bullies, that’s not something that would occur at Bais Yaakov middle school yet still feels lonely and socially othered?

ML: Thank you! I really try to find universality in my specific cultural experiences. I think that there’s a certain level of expectation in Bais Yaakovs that is inculcated young: that we must be perfect, respectful and kind and caring and inclusive, and it’s an admirable thing, of course! But at the same time, a lot of girls wind up focused on giving off the appearance of those traits, performing them without feeling them. Interestingly, my most religious classes tend to be better-behaved, but also much more competitive and sometimes more likely to ice out an outsider. They rarely bully others– that’s something that can be quantified as Bad, and they are never Bad– but there is a certain level of disdain for those who can’t fit into the perfect mold, who don’t have it all down like they do (and deep down, so few girls do have it all down, and they’re all a little insecure about it– a tale as old as time). And I wanted the girls to confront that, a bit, too, how you don’t have to bully someone to make them miserable.

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GRWR: There is subtle foreshadowing for readers about what’s to come and what big issue Shaindy will ultimately have to deal with, one in fact that I never expected. Did you outline the book so that you knew in advance what would happen to Shaindy and her relationship with Gayil? Or, as her character’s emotional development evolved, did it occur organically and present itself to you?

ML: I started the book knowing a few things– Gayil’s initial proposition to Shaindy, Gayil’s end goal for it, and Gayil’s motivations. I started it knowing very little about Shaindy! But I think that she was easy to understand and to drop into her head. She sees herself as unlovable, but as I spent more and more time with her, I really began to love Shaindy and see her strengths, too. And by the time we get to the moment when everything changes, I was clear on where she would go from there– because I genuinely knew that she had it within her! Though when I initially finished the book, it was with a sweet last few pages which resolved the conflict neatly and left everyone friends. My agent talked me out of that, though! It couldn’t be sweet and simple– it had to feel real to Shaindy’s character growth and the messages of the story. Forgiveness is one thing; friendship and trust are another entirely.

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GRWR: Tzivia is one of my favorite characters. It’s a shame that Shaindy cannot pick up on Tzivia’s friendly overtures because she’s too intent on being friends with Gayil, the “it” girl of the grade. Nor does Shaindy spot Gayil’s meanness (unlike Tzivia) until it’s too late. Shaindy’s loyalty does not serve her well. Are these common friendship errors girls make?

ML: Oh, there are so many girls I want to shake sometimes and tell these girls are not for you. I think that in middle school, it’s so easy to get caught up in the magic of the girls who seem to have it all, who are beloved and surrounded by friends, without realizing that you might just be a bad match. It isn’t about some girls being nice or mean– most girls, I think, are both and neither. But a strong personality might overpower a milder one. A girl who is self-conscious and comes off as competitive because of it won’t mesh well with another girl like that. There are power dynamics and personality conflicts at work in many middle school interactions, and it’s hard to find the right friends for you, even if that person seems like such a good friend to the others around her. And Shaindy is starry-eyed and caught up in Gayil because Gayil is so perfect, to her eyes, that she hardly notices Tzivia until the stars have dissipated. It’s very common, especially while girls are still figuring out who they are– because until you have that confidence of self, it’s easy to be drawn to the girls who are all confidence and overlook quieter, more reliable friends.

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GRWR: Over the course of the novel, Shaindy’s relationship with Bayla, her older sister, improves, and Shaindy also becomes less hard on herself, more open to new friendships. What can readers learn from Shaindy’s rollercoaster (or should I say rollerblades and Heely’s) ride from her brief and tumultuous false friendship with Gayil?

ML: Middle school is a time all about finding your place and yourself. We spend a lot of time searching around us for the key to it all– what will make us stronger, smarter, more popular, happier. Shaindy gets caught up in all of that, looking for the actions and interactions that can change her. But in the end, very few of those changes are really going to come from others but within. We get really immersed in friends and social issues these years because they feel like they’re what define us. But Shaindy comes to understand that it isn’t a friendship with Gayil or the class’s treatment or even her sister’s dismissiveness that defines her: it’s who she is, and what choices she makes. And once she grasps that, the rest falls into place. She finds her real friends, her confidence, and new maturity, and she becomes someone who can take back her own power.

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GRWR: Before I say goodbye, I’m curious what your menagerie of pets consists of and whether any pet in particular keeps you company when you write.

ML: Right now, I have NOTHING KIND to say about the cat who is stubbornly napping behind me so I can’t lean back (save my back, please). I’m kidding! He’s fantastic, except for his propensity to walk on the keyboard when I’m trying to write. He generally takes the clacking of my keyboard as an invitation to curl up and nap beside me.

It’s not much of a menagerie anymore. I have a fifteen-year-old friendly corn snake, and at the time of the bio, we had two adorable hamsters (gifted to my son as a sorry-we’re-not-getting-a-cat present) and a cat (who came soon after). Sadly, over two isolated incidents, several months, and accidentally ajar doors apart, we are down to a snake and a cat. Over the years, I’ve kept a variety of pets– frogs, mice, ducklings, kittens, and even, briefly, a hedgehog. We’ve been contemplating chickens– popular in the neighborhood, and I do consume a Gaston-level number of eggs a day, anyway– but none of those yet!

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GRWR: What a treat it’s been having this opportunity to chat, Mari. I hope everyone who reads this gets a copy of The Dubious Pranks of Shaindy Goodman and enjoys it as much as I did!

Support an independent bookseller and purchase a copy here.

Mari-Lowe-headshotAUTHOR BIO:

Mari Lowe has too little free time and spends it all on writing and escape rooms. As the daughter of a rabbi and a middle school teacher at an Orthodox Jewish school, she looks forward to sharing little glimpses into her community with her books. She lives in New York with her family, menagerie of pets, and robotic vacuum. Find her at Mari Lowe – Books by Mari Lowe and on Twitter (X) @marilwrites.

 

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Middle-Grade Fantasy Novel Review – Legends of Lotus Island Book #1

 

LEGENDS OF LOTUS ISLAND:
The Guardian Test

Written by Christina Soontornvat

Illustrated by Kevin Hong

(Scholastic Press; $16.99, Ages 8-12)

Legends of Lotus Island cover book one heroine running

 

 

In Legends of Lotus Island: The Guardian Test, the first book in a new middle-grade series by Christine Soontornvat with illustrations by Kevin Hong, young Plum lives on a remote part of the Santipap Islands. An orphan, she lives with her grandparents and helps them tend their home and gardens. Plum is able to communicate with plants and animals and, as a result, the family’s gardens thrive. Seeing this, her grandfather secretly submits an application for her to the elite Guardian Academy on Lotus Island. Guardians are able to transform into magical creatures and are tasked with protecting the natural world.

When she learns that she has been accepted to the Academy, Plum is stunned by her grandfather’s actions. She doesn’t believe that she is that special or magical. Nevertheless, her grandparents convince her to accept the Academy’s invitation and, reluctantly, she leaves her beloved home for an uncertain future.

Once at the Academy, Plum, and the other students are trained in meditation, fighting skills, communicating with animals, and learning how to transform. As the students train, their natural, magical abilities emerge. Based on that, the Masters are then able to assign students to one of the three groups of Guardians: Hand (fast and strong), Heart (healers), and Breath (calming).

However, Plum struggles: she is bullied by another student (who may have a hidden agenda), she can’t focus during meditation, is not much of a fighter, and is unable to transform. The Masters are not sure which Guardian group she belongs in. If Plum wishes to advance to Novice, she must pass the first test which is transformation. Plum’s fears grow –will she be able to pass the test? Or will she fail and be sent home?

Soontornvat fills her short book with a fascinating and lush world, populating it with fantastic creatures, hints of political intrigue, and mysterious ancient legends. The author also does not sacrifice character development. Plum, a kind but unsophisticated girl, blooms into a strong and confident figure. Other students share similar growth, which may be encouraging to readers struggling with their own self-confidence. Along with occasional black and white illustrations, this first in a series is an enticing and accessible read for younger readers who are not yet ready for longer fantasy titles.

Visit the author here for a brief book talk and watch the book trailer here. Watch this short video if you’re not sure how to pronounce Soontornvat’s name. Kids can read an excerpt from the book here.

  • Reviewed by Dornel Cerro
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Pearl of The Sea for Multicultural Children’s Book Day 2023

 

PEARL OF THE SEA

by Anthony Silverston + Raffaella Delle Donne

Illustrated by Willem Samuel

(Catalyst Press; Paperback $19.99, eBook $9.95, Ages 11-14)

 

GoodReadsWithRonna is thrilled to be back for our 10th year supporting Multicultural Children’s Book Day! We hope you’ll visit the Linky below to access all the other great books reviewed.

 

Pearl of the Sea cover girl looking out at sea

 

Pearl of the Sea, a new older middle-grade graphic novel by Anthony Silverston, Raffaella Delle Donne, and Willem Samuel is simply hard to put down. In other words, be prepared to dive deep and fast into this rewarding journey featuring some fantastical elements unfolding off the west coast of South Africa.

Turn the pages to be transported to South Africa where you’ll meet the protagonist Pearl while getting more than glimpses of the economically strapped seaside town where she lives. Most days Pearl sticks to herself and is filled with insecurities as she copes with the reality of her mom having left the family. Still, she manages to help her dad who is struggling to make ends meet.

Pearl of The Sea int1 abolone poachers
Interior art from Pearl of The Sea written by Anthony Silverston and Raffaella Delle Donne and illustrated by Willem Samuel, Catalyst Press ©2023.

 

During one of Pearl’s daily jaunts undersea before school to hunt for fish to feed the family, she spies an ominous fenced-off restricted area. Warning signs caution those who might wish to enter, a temptation Pearl cannot resist. Plus this danger zone is rich with abalone. After a run-in with some abalone poachers, she realizes helping them could bring in some much-needed money. At the same time, Pearl knows this illegal action is wrong on many levels.

Readers are teased with what’s to come by seeing an enormous tentacle that Pearl hasn’t noticed. Soon though she encounters this wounded monstrous sea creature who has been harpooned. Pearl calls him Otto. She brings him food and aids in his recovery but Otto’s safety is not guaranteed. Tension builds in a plot twist spoiler I won’t reveal beyond saying that Otto becomes the target of a vengeful fisherman. If Pearl can save and protect Otto it will ultimately be saving herself and her father too because, like fishermen’s nets, their lives have become so intertwined.

Pearl of The Sea int2 Otto sea monster and Pear
Interior art from Pearl of The Sea written by Anthony Silverston and Raffaella Delle Donne and illustrated by Willem Samuel, Catalyst Press ©2023.

 

Pearl’s sidekick throughout this action-packed novel is an adorable one-eyed dog. There’s also a classmate named Naomi who Pearl may have a crush on. However, because her dad tells her they have to move so he can find work, Pearl figures it’s futile to pursue a friendship or relationship. That’s one aspect of the novel I’d love to see explored in a sequel.

Not only is Pearl of The Sea a compelling read, but it is also a visual treasure that merits multiple reads. The rich art has a theatric feel, with scene after scene pulling you into the story and keeping you gripped. Readers will share Pearl’s joy and satisfaction at her accomplishments that she might have been unable to achieve before befriending Otto. I recommend this unexpected delight for fans of meaningful graphic novels and those new to the genre.

  • Reviewed by Ronna Mandel

Click here to read more about Triggerfish, the South African animation production company behind this graphic novel.

Disclaimer: This book was #gifted to GoodReadsWithRonna from Catalyst Press for a fair and honest review. 

 


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Middle Grade Book Review – New Kids & Underdogs

NEW KIDS & UNDERDOGS

Written by Margaret Finnegan

(Atheneum BYR; $17.99, Ages 8-12)

 

New Kids and Underdogs cover dog doing agility training

 

 

In Margaret Finnegan’s third middle-grade novel, New Kids & Underdogs, she once again convincingly captures the voice of the 10-year-old protagonist, in this case, fifth grader, Robyn Kellen.

Robyn, whose parents are divorced, has moved around a lot because of her mother’s university teaching positions. Now in San Luis Obispo which, according to Robyn’s mom, is going to be the last move, Robyn must yet again learn to navigate a new town, new school, and hopefully new friendships. To do so, she relies upon her handy list of rules for a new kid.

At school, Robyn has initially blended in with two classmates (rule #1 ), Marshan and Lulu, and feels thankful for that. But when Robyn decides to pursue agility training for her beloved dogs Sundae (anxious, and needy of Fudge) and Fudge (almost blind, deaf, and definitely intelligent), it ends up connecting her with kids at school who just might make her break her rules in the best possible way. However, before doing so, she must learn that life experiences do not always fit neatly into a set of rules. And to find true friends, she must stop the rules from taking over.

Early on in the book, Robyn negotiates a trade with cancer survivor, Nestor, and his cousin, Jonathan,  together with “the Grape,” passionate purple wearer and grade-four-skipping, Alejandra. Tutoring and snacks for agility training. The thing is, Robyn ends up enjoying the time she spends with these kids who Marshan and Lulu consider to be sad outsiders.

After Nestor starts successfully teaching Sundae and Fudge to handle an agility, or what he, the most experienced in the group, dubs an “ability” course, Robyn worries she is spending too much time with these kids. If Marshan and Lulu think the agility kids are all sad outsiders, the negative label could stick to her by association. So, Robyn builds an invisible wall to keep her school friends separate from the dog training group and never the twain shall meet.

Eventually this protective wall leads to the kids who meet for agility to stop pursuing a friendship with Robyn when she does not return their interest. But when she changes her mind at Halloween it proves too little too late. Clearly remaining safe behind her wall is what her list dictates. Will Robyn get another chance to befriend the pack of agility training kids and rewrite or even discard those limiting rules?

Readers see that people, like the dogs in this story, are so much more than their abilities or disabilities. They are a whole package, a whole book. And Finnegan has a gift for presenting “underdogs” and empowering them so any kid reading this story will also feel empowered. The challenges Robyn has had to deal with being a new kid time and again ultimately reach a breaking point. “What other people think is their problem, not yours,” Alejandra wisely says near the end. Pretty darn insightful, I’d say.  When Robyn realizes that the underdogs get her and she is one of them, she understands she cannot judge anyone by just one chapter.

This fantastic novel about being seen and accepting one’s worth of true friendship is my recommended read for kids who may be facing friendship issues of their own. It’s a novel I’d have felt comfortable suggesting to my own kids when they were in those often trying middle-school years.

Click here for a discussion guide.

Read my interview with Margaret about her second novel, Susie B. Won’t Back Down here.

  • Review by Ronna Mandel
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Middle Grade Fiction – The Beatryce Prophecy

 

THE BEATRYCE PROPHECY

Written by Kate DiCamillo

Illustrated by Sophie Blackall

(Candlewick Press; $19.99, Ages 8-12)

 

 

The Beatryce Prophecy cover

 

 

★Starred Reviews – Booklist, Kirkus Reviews, and Publishers Weekly

 

NOTE #1: I meant to write about The Beatryce Prophecy almost a year ago when I first read it. However,  being in dire need of a feel-good story, I just reread it so I’m happy to finally share my review of this fairy tale. NOTE #2: You definitely do not need to be between the ages of 8-12 to enjoy every last word of this wonderful novel. Written by Kate DiCamillo and illustrated by Sophie Blackall, The Beatryce Prophecy is full of promise and a resounding message of love we could all use.

The book begins with:

It is written in the Chronicles of Sorrowing
that one day there will come a child who will unseat a king.
The prophecy states that this child will be a girl.

Because of this,
the prophecy has long been ignored.

 

The kingdom, readers learn in text running parallel to the main narrative, is at stake due to the disappearance of a young girl according to the “Prophecies,” so the hunt is on. At the same time a child, no more than 10 years old, burning with fever and clinging to the ear of an ordinarily unruly goat, is discovered in the barn. The rescuer is Brother Edik, a thoughtful monk who belongs to the Order of the Chronicles of Sorrowing. He is the monastery illuminator of the “glorious golden letters” that begin the text of each page of the Chronicles. Brother Edik also looks after the goat, Answelica.

 

The Beatryce Prophecy int.1
THE BEATRYCE PROPHECY. Text copyright © 2021 by Kate DiCamillo. Illustrations copyright © 2021 by Sophie Blackall. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Brother Edik, aided by the unusually attentive Answelica, cares for the girl who, when recovered, remembers only that her name is Beatryce. This name also happens to be one that appears frequently in the Chronicles of Sorrowing. Most notable however is that Beatryce can read and write, something forbidden by law for girls in the kingdom. Could this rare ability be a clue to Beatryce’s identity?

It doesn’t take long for the monk to feel a strong bond with Beatryce, but his superior, Father Caddis says she must leave to find her people. As Beatryce is gaining her strength, she encounters Jack Dory. This industrious 12-year-old orphan possesses an excellent memory and gift for mimicry which comes in handy. He’s been dispatched to the monastery by a dying soldier to find a monk to write his confession. But since Father Caddis wants Beatryce gone to keep the Order out of the king’s crosshair, he sends Beatryce instead of Brother Edik.

 

 

The Beatryce Prophecy in tree int.2
THE BEATRYCE PROPHECY. Text copyright © 2021 by Kate DiCamillo. Illustrations copyright © 2021 by Sophie Blackall. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

The pair (with Answelica of course) set out for the village inn where Beatryce, dressed as a monk with shaved hair and pretending to be mute, begins the task committed to. But when the king’s men begin to search, Jack tells his friend they must leave or risk capture.

 

The Beatryce Prophecy dark woods int.3
THE BEATRYCE PROPHECY. Text copyright © 2021 by Kate DiCamillo. Illustrations copyright © 2021 by Sophie Blackall. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

 

In the dark woods during their escape, Jack and Beatryce encounter a mysterious but benevolent bearded old man who helps them evade the soldiers and other threats. He then accompanies the children on a journey so Beatryce, who now remembers who she is, can confront the king. As the parallel text unfolds, readers learn the awful truth about what transpired to cause Beatryce to wind up at the monastery haunted by bad dreams and incomplete memories. Tension, which has been building ever since the close call at the inn, continues to grow as the group converges to enter the castle.

Between the gripping and creative DiCamillo storytelling and the detailed, evocative Blackall art, there is so much to enjoy about The Beatryce Prophecy. I rank this novel up there with DiCamillo’s finest novels and my great mood was on par with how I felt after finishing Flora & Ulysses. Not only is the story one of love, friendship, and fate, but it’s also an homage to the written word, the power of books, and how the truth can set you free. There’s a meaningful unexpected twist at the end, too. I always worry about endings after a page-turning book has taken me along on a journey with characters I care about. And while in a fantastical story such as this, anything goes, anyone reading the novel will be more than satisfied with how DiCamillo wraps it up and offers it like one huge hug. I’m curious if you find yourself humming the Beatles’ “All You Need Is Love,” like I did?

  • Reviewed by Ronna Mandel

 

For all downloads for this book including a sample chapter and teachers’ guide, click here.

 

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Middle Grade Fiction Series – Willis Wilbur Wows the World

 

 

WILLIS WILBUR WOWS THE WORLD

Written by Lindsey Leavitt

Illustrated by Daniel Duncan

(Penguin Workshop, $13.99,  Ages 8 -12)

 

 

 

Willis Wilbur Wows the World cover

 

If the alliteration in the title was what caught my eye then it was the premise of Willis Wilbur Wows the World, the first book in a new series by Lindsey Leavitt, that made me want to read it. Mature beyond his nine-year-old years, Willis is all pumped to go to band camp for the summer with his best friend Shelley. That is until the plans change and Shelley is off to Hawaii with her family. What will Willis do instead since going to camp without her is out of the question?

A local business competition for kids seems to provide the answer and after a failed initial attempt at interior design, entrepreneurial Willis finds his niche as a life coach to the neighborhood kids. But is he really the right one for the job? And can he win the competition, especially as he needs to contend with bullies, the Rudes, and do it on his own without Shelley by his side? With supportive parents and younger sister Logan behind him, Willis learn the art of life coaching while learning a lot about himself in the process.

Daniel Duncan’s black-and-white illustrations capture the various personalities of the cast of characters throughout including Willis, the intelligent, kind protagonist who has big dreams about succeeding in life, kid sister Logan who can easily give Willis a run for his money, and possible new friend Margo whom Willis sets out to coach in the area of learning to be a kid, despite a hurtful incident that happened during first grade.

Aside from the illustrations, the text is punctuated with email exchanges between Willis and Shelley and “Pro Tips” in boxes (for example: Dress for the part.) which will draw in even the most reluctant reader to this humorous and entertaining story. Willis Wilbur earns the title in his own right and is a welcome and unique character to enter the middle-grade market. Book #2 comes out in September.

  • Reviewed by Freidele Galya Soban Biniashvili
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An Interview with Margaret Finnegan Author of Susie B. Won’t Back Down

AN INTERVIEW WITH

MARGARET FINNEGAN

AUTHOR OF 

SUSIE B. WON’T BACK DOWN

(Atheneum BYR; $17.99, Ages 8-12)

 

 

 

RONNA’S IMPRESSION

I absolutely adored this perfectly polished middle-grade novel about an imperfect yet endearing protagonist, Susie B. Yet aren’t we all imperfect in some way, shape, or form? That’s exactly what Susie B. realizes in this story that cleverly and humorously addresses several relatable tween issues such as popularity and school dynamics, friendship, flawed individuals from the past and present, and being true to oneself. Margaret’s fifth-grade voice feels spot-on as we get inside her ADHD “butterfly brain” while she navigates both a class Hero Project and student council race.  Her personality jumps off the pages presented in letter format making the read fast but oh so fulfilling. If your middle grader is looking for a book that will keep them smiling from page one, this is it. See the publisher’s page for an excerpt.

 

BOOK SUMMARY 

SUSIE B. WON’T BACK DOWN

Roll with It meets Absolutely Normal Chaos in this funny, big-hearted novel about a young girl’s campaign for student council president, told through letters to her hero, Susan B. Anthony.

Susie B. has a lot to say. Like how it’s not fair that she has to be called Susie B. instead of plain Susie. Or about how polar bears are endangered. Or how the Usual Geniuses are always getting picked for cool stuff over the kids like her with butterflies in their brain. And it’s because Susie B. has a lot to say about these very important things that she’s running for student council president!

If she’s president, she can advocate for the underdogs just like her hero and fellow Susie B., Susan B. Anthony. (And, okay, maybe the chance to give big speeches to the whole school with a microphone is another perk.) But when the most usual of Usual Geniuses also enters the student council race, Susie realizes this may be a harder won fight than she thought. Even worse, Susie discovers that Susan B. Anthony wasn’t as great as history makes it seem, and she did some pretty terrible things to try to help her own cause. Soon, Susie has her own tough decisions to make. But one thing is for sure—no matter what, Susie B. won’t back down.

 

INTERVIEW

GoodReadsWithRonna: Welcome back to the GRWR blog, Margaret, and congratulations on your second novel, Susie B. Won’t Back Down! How does it feel to bring this new book into the world?

Margaret Finnegan: Very exciting! I feel so grateful to my editor and all the people at Atheneum Books for Young Readers who helped usher Susie B. into the world. I have a special fondness for Susie B. I love her gumption and her heart.

 

GRWR: Please share where the spark for this super engaging and original story came from especially since spark is a prevalent and meaningful word in Susie B. Won’t Back Down.

MF: I started my career as an historian, and a long time ago I wrote a book on the US woman’s suffrage movement. I think about the work I did for that book a lot. You know, it took women almost seventy years of coordinated work to get the vote, and, along the way, some of the women we admire for their activism did some unadmirable things. So what do we do with that? Susie B. was my way of exploring that question.

 

GRWR: The irresistible and honest voice of Susie Babuszkiewicz (aka Susie B.) pulled me in immediately, in fact, I tweeted that the opening made me literally LOL. “Dear Susan B. Anthony: I have very bad news for you. You’re dead.” Was this always how you planned to start the novel? And were you always going to write in letter format? 

MF: From the beginning, I conceived of the book as a series of letters because I always wanted Susie B. to be having a conversation with Susan B. Anthony. However, I don’t think the rough draft started quite that way. But then it occurred to me that some young readers wouldn’t know anything about the suffragist Susan B. Anthony. So I had to get some basic information out there really fast.

 

GRWR: Susie B. is an insightfully portrayed character who beautifully describes her ADHD as having a butterfly brain or at times getting wiggly. Another character, Carson, also seems to have ADHD, perhaps Asperger’s and Tourette syndrome. Can you speak to your inclusion of neurodiverse characters again as you did in your first novel, We Could Be Heroes?  

MF: I’m glad you asked. About one in every seven or eight individuals has some type of neurodiversity. So the real question is, why don’t we see neurodiversity in more books? Also, I guess I’m highly sensitive to this issue because my kids, (both young adults) are neurodiverse.

 

GRWR: I ran for class secretary in my high school government but don’t remember much except that our very laid-back advisor was called Mr. Lincoln. Did you ever run for student council and what are your thoughts about this part of a student’s school life?

MF: I ran for student council in ninth grade—and I lost! So suck it Henry M. Gunn High School. At last, I’ve achieved my revenge, proving that, in many schools, student government is indeed just another scam to shine a spotlight on the very people who need it the least. (Apologies if your experience suggests otherwise. I may still be a little bitter.)

 

GRWR: You weave such fabulous humor throughout this book which helps to lighten some serious issues middle-graders face daily. We see Susie B. cope or not cope with passive-aggressive bullying or word bombing as she calls it by a mean girl named Chloe (aka Old Fakey Fake), feeling constantly overlooked by teachers and peers in favor of the jocks, the “usual geniuses” and popular kids, along with the struggle to keep her anger at perceived injustices at bay. What did you hope readers would feel after finishing this novel?

MF: As with everything I write, my main goal as a writer is to give readers a good time. If they also pick up an idea or two to wrestle with, so much the better. These are the things I want out of books, so why would I want to give my readers any less?

 

GRWR: I love whenever Susie B. discusses the universal mystery of paragraphs and all things paragraph writing-related. Do you have a favorite scene/letter in the book?

MF: I like it when Susie B. owns her anger, telling Susan B. Anthony, “I WAS AN ANGRY GIRL.” Too often, girls are taught to swallow their anger, and—by that time in the story—Susie B. has been trying to do that for a while. But, finally, she accepts her anger and embraces it, and sometimes that is not a bad thing.

 

GRWR: Susie B. experiences a gamut of emotions in Susie B. Won’t Back Down which feels so realistic. Let’s talk about the friendship dynamic you’ve created. Without any spoilers, how would you describe the relationship Susie has with Joselyn? Can you also tell us more about the diverse group of classmates who people this story? I particularly enjoy interactions with Soozie and Daniel Rodriguez.

MF: Poor Susie. B. She and Joselyn have been best friends for a long time, but friendships change, and a lot of the time those changes begin in late elementary and early middle school. That’s not a spoiler, that is just the way things are, and that is something Susie B. has to deal with.

Susie does have a diverse group of classmates. They are diverse in all the ways you can be diverse, in all the ways our communities are diverse. And they are also diverse in the things we don’t always think about: their personalities, their goals, and their motivations. They are each the main character in their own story. We just happened to be listening to Susie B.’s.

 

GRWR: What resources for creatives do you turn to for inspiration and to keep your prose fresh? Also, how do you capture the language of fifth-graders so perfectly when you teach college students and have grown-up daughters? 

MF: Mostly, I read. I read everything. Fiction, non-fiction, books, long-form journalism, kids lit, adult lit. I try to stay curious. I don’t know how I capture the language of fifth graders. I think fifth graders sound like everyone else, it’s just that they have a more limited vocabulary and a smaller share of prior knowledge to help them understand relationships and the world. I guess I try to write about them with respect?

 

GRWR: Novel writing-wise, are you a pantser or a plotter? And did you write the ending first and work your way back or do you approach each new project traditionally from beginning to end?

MF: Oh, I definitely start at the beginning and work my way to the end. But I’m more of a pantser than a plotter. I usually start out by writing a page or two summary of what I think the book will be about. That gives me a sense of where things are going, and it identifies a few plot points I want to hit. The problem is, the characters always take over, and if I’m going to be truthful to them, I have to follow them where they go, and that always takes me away from any prior designs I have for things. So plotting too carefully just never really works for me.

 

GRWR: You have a full-time job as a university professor. How do you find the time to write so prolifically since it feels like it’s one novel a year (can we mention that you’ve already sold your next book?)

MF: You can mention I’ve sold my next book! It is called New Kids and Underdogs and it’s about a new kid in town who gets immersed in the exciting world of agility dog training. I think it’s coming out late 2022 or early 2023. I’ll keep you posted.

I wouldn’t call myself prolific. I would say slow and steady wins the race. I write in the morning. I do university stuff in the afternoon. I do all my school prep in the summer. Sometimes it all falls apart. I do my best. Frankly, I’m a little tired.

 

GRWR: I know you have something exciting planned for tomorrow,  Saturday, November 6 to promote this book. Can you tell readers about it and how they can attend?

MF: Yes! Join me on November sixth (please see below) for a very special Conversation with Susan B. Anthony. Yes! She is still dead! But she is coming back from the grave this one time, just so I can interview her. It will be held live and online on Zoom Webinar. So anyone can join in—and even ask Susan a few questions.

 

GRWR: What’s on the horizon, Margaret?

MF: A bath, a good rest, maybe a real laz-a-bout, and then a whole lot of grading before I pull up my sleeves and start writing again. I’m thinking monkey bars that hang just a little too high from the ground. I’m thinking garden apartments. I’m thinking a kid who learns to take charge when the grown-ups won’t. But we’ll see.

 

GRWR: It all sounds wonderful! Thanks tons for taking the time to tell us all about Susie B. Won’t Back Down.
Looking forward to seeing you tomorrow at A Conversation with Susan B. Anthony!

 

Register for A Conversation with Susan B. Anthony,
on Saturday, Nov. 6, 2021, at noon Pacific Time.

 https://calstatela.zoom.us/webinar/register/WN_7wiUs6McQJuJMGAdHr6fVA

BUY THE BOOK

Bookshop.org: https://bookshop.org/books/susie-b-won-t-back-down/9781534496361

SOCIAL MEDIA

Website: MargaretFinnegan.com

Twitter: @FinneganBegin
Instagram: @FinneganBegin
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Author Margaret Finnegan
Margaret Finnegan ©2019 Skye Moorhead

ABOUT THE AUTHOR:

Margaret Finnegan is the author of Susie B. Won’t Back Down, a School Library Journal starred review, and We Could Be Heroes, a Junior Library Guild selection. Her work has appeared in FamilyFun magazine, the LA Times, Salon, and other publications. She lives in South Pasadena, California, with her family and dog Walt. She makes very good chocolate cakes, and while she ran for student council in ninth grade, she lost.

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Middle Grade Book Review of Turtle in Paradise – The Graphic Novel

 

TURTLE IN PARADISE:

The Graphic Novel

Written by Jennifer L. Holm

Illustrated by Savanna Ganucheau

Colors by Lark Penn

(RH Graphic; HC $20.99, Paperback $12.99, Ages 8-12)

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Turtle in Paradise cover

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★Starred Review – School Library Journal

An excellent way to introduce middle-grade readers to Holm’s Newbery Honor book of family, friendship, and home.

 

In 1935, eleven-year-old Turtle is sent to Key West, Florida to live with relatives she’s never known in the graphic novel adaptation of Turtle in Paradise by Jennifer L. Holm and Savanna Ganucheau. Turtle’s single mother, Sadiemae works as a maid for a New Jersey woman who does not want children underfoot. Turtle, protected by the hard shell for which she’s named, is also protective of her flighty mom and worried about being separated from her. 

Over the summer, she hangs out with her cousins and their friends who are part of the boys only “Diaper (babysitting) Club” (they “wurk” for candy) and spends the summer helping them and her Aunt Minnie while meeting the neighbors, fisherman, and rum runners, who speak about a long lost pirate treasure. Hoping to earn money to help her mother purchase a home, she persuades the others in the Diaper Club to search for the treasure. They find the treasure on one of the uninhabited keys but are marooned there for two days during a hurricane. Happily, they are rescued and Turtle is reunited with her mom. 

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Interior illustrations from Turtle in Paradise: The Graphic Novel written by Jennifer L. Holm and illustrated by Savanna Ganucheau, Random House Graphic ©2021.

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Holm’s graphic novel adaptation of her novel doesn’t lose any of the story’s warmth, humor, and dramatic moments. Told from Turtle’s point of view, the graphic novel conveys her gradual emergence from her shell as a caring and plucky girl. As in the novel, family secrets, such as her father’s identity, rise to the surface. Turtle figures out things out on her own, realizing that the answers may not be so important: “… not all kids are rotten … and there are grown-ups who are as sweet as Necco Wafers. And if you’re lucky, some of them may even end up being your family.”

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Interior illustrations from Turtle in Paradise: The Graphic Novel written by Jennifer L. Holm and illustrated by Savanna Ganucheau, Random House Graphic ©2021.

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Some minor characters from the novel have been left out (including “Papa” Hemingway) and some aspects of characters are not as deeply developed, such as Aunt Minnie’s true kindly nature. Nevertheless, Savanna Ganucheau (Lumberjanes) captures each character’s nature and circumstances in facial expressions, body language, and actions. Ganucheau’s portrayals of the wisecracking cousin Beans, the overworked Aunt Minnie, and the friendly fisherman Slow Poke (who once loved Sadiemae!) are perfect. The period and the locale of Key West were well researched by both Holms and Ganucheau and that is reflected in both the narrative and the art. Think Necco wafers, sugar apple ice cream (cones are a nickel), Shirley Temple and Little Orphan Annie, the streets of Key West, and the very real 1935 hurricane that stranded Turtle and the Diaper Club and wreaked so much destruction on an area already suffering from economic depression. 

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Interior illustrations from Turtle in Paradise: The Graphic Novel written by Jennifer L. Holm and illustrated by Savanna Ganucheau, Random House Graphic ©2021.

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Back matter includes a note from the author which details her family connection to this story as well as some of the historical background. Also included is a fascinating note from Savanna Ganucheau about the artwork (find out more about what went into the artwork here).

Random House Teachers and Educators has a lovely educator guide with information about the book and art here

This graphic novel adaptation can stand by itself or act as a perfect introduction to the novel for middle graders. It should draw in potential readers who will be well prepared for more nuanced character development and a more complex narrative. 

  •  Reviewed by Dornel Cerro

 

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A review of The Magical Imperfect and an Interview with Author Chris Baron

THE MAGICAL IMPERFECT

by Chris Baron

(Feiwel & Friends; $16.99, Ages 9-12)

 

A Book Review, and Interview with Author Chris Baron

by Karol Silverstein

 

 

MagicalImperfect_CVR

 

★Starred Review – Booklist

 

REVIEW:

In The Magical Imperfect, Etan has had trouble speaking since his mother checked into a hospital to get well, and his friends at school don’t know what to make of his silence. Baseball is about the only thing he can share with his father, but luckily, 1989 is looking like a good year for their Giants. Spending time with his immigrant grandfather, a shopkeeper in the local village, is much easier for Etan. Though his family is Jewish, their small hometown north of San Francisco is home to many refugees from various countries, so he’s exposed to many different cultures.

On an errand to deliver items for one of his grandfather’s fellow shopkeepers, Etan meets Malia, a girl who has severe eczema and began being homeschooled when the bullying at the local school became too much. These two outcast kids have an instant connection and build a moving friendship. Etan’s grandfather has a small supply of clay from “the old country,” which is supposed to have curative properties. Could the clay possibly cure Malia’s eczema? Etan wonders. Malia has tried many medicines and “cures” and is more interested in connecting with and learning from the nature that surrounds her, particularly the trees. Malia also dreams of singing in the town’s talent contest—unthinkable before she met Etan. As the talent show—and the World Series—draw closer, Malia practices her performance with Etan’s encouragement and Etan secures some of his grandfather’s “magic clay,” hoping it will help a particularly bad eczema outbreak Malia is experiencing. If only the scary tremors would let up…

As was the case in author Chris Baron’s 2019 debut All Of Me, the gentle unfolding of character and emotion through evocative verse is again on full display in The Magical Imperfect. The juxtaposition of Etan and Malia’s small tremors of growth with San Francisco’s devastating 1989 earthquake provides a potent metaphor for how life can shake you up but not necessarily knock you down. I worried a little that this book might delve into “magical cure/disability that needs to be fixed” territory that hampers many books with disabled and/or chronically ill characters and can actually be harmful to that community. But I don’t think that’s the case here. Etan’s clay isn’t really the magic fix he’d hoped for, and I believe both kids come to realize that acceptance and small victories are, in the end, what matter most.

Ultimately, the intertwined themes of love, culture, baseball and just a touch of magic . . . or is it faith? . . . make this a wonderful and wonder-filled read.

 

INTERVIEW:

Karol Silverstein: The Magical Imperfect is set around the time of the 1989 San Francisco earthquake. How and at what point in the writing process did you decide on that time period? What led to this decision?

Chris Baron: This is a great question with a very twisty-turny answer. Let me see if I can straighten it out enough. Just like in All of Me, this book takes place in the Bay Area, where I went to middle school. This place is just a part of me. The setting lives in my heart—from the ocean to the redwoods and beyond.  I’d experienced earthquakes before, but somehow this one, in the middle of the World Series seemed to disrupt life in such an unpredictable and deep way. This story is all about the ways in which life is disrupted for the people in the story in unexpected ways by things that are beyond their control. Something as a big as an earthquake is terrifying, but it also has a chance to bring people together.

 

Karol: Baseball, music, food, and cultural traditions are wonderfully intertwined in your book. Can you talk about how you worked with these themes to tell Etan’s story?

Chris: Intertwined is actually a beautiful word for this. I think all of these things are intertwined in the story. When we hear a song, we feel the beat and hum the melody. We can remember the words no matter how long it’s been. Not only that, if the song has a special meaning to us, the music and the lyrics come together to fuel the memories that bind us together. I think it’s the same with cultural and sacred traditions, (which of course include food). The traditions, the tastes, the people—they become intertwined in who we are. They connect us. Even though Etan and Malia are from different cultures, and even though traditions might look different, they find that their values are actually intertwined.

As for baseball: Baseball is its own tradition—a symbol, an activity played at every level, and just a very fun game. For so many of us, baseball represents normal life, but it’s powerful enough to bring so many kinds of people together. For Etan, baseball is one of the only ways he can connect with his father. When things get tough, they at least can talk about baseball.

In 1989, when a unifying tradition like the world series was shaken by an earthquake, it caused many of us to feel scared and uneasy, but the quake also brought many people together. I tried to weave that into the backdrop of the story. There is so much news coverage from that day, and it’s fascinating to watch. I wanted to explore what it would be like for this close-knit town to experience this event together. I also have to confess that writing poetry about the earthquake was all-consuming. I think I wrote one hundred pages of “moments’ from the quake, but of course only a few made it into the book.

 

Karol: Both Etan and Malia have health conditions. What drew you to create characters with selective mutism and eczema, respectively? If you don’t have personal experience with these conditions, what type of research did you do?

Chris: Great question. I have the deepest respect and empathy for those of us who live with these health conditions. Both selective mutism and eczema are extremely complex.

I wrote about the life of an artist’s family quite a bit in All of Me. But there was one behavior that Ari didn’t express that Etan does in The Magical Imperfect. In the book, Etan stops speaking when his mother has to leave because of her severe depression. He didn’t choose it. His anxiety came on suddenly, and like most kids his age (and especially in 1989), he doesn’t know how to recognize it. In Etan, I am writing a character I know well—someone who suffers from anxiety. Because my mom is an artist, we moved all the time. Whenever I moved to a new town, a new state, a new school, I may have seemed calm on the outside, but inside of me was a storm of emotions: There was always joy and excitement of moving to a new place, new friends, new adventures, but of course it was all mixed together with the brutal pain of being taken out of one life (routine, friendships, and environment), and then suddenly dropped into another. I suffered from anxiety. I didn’t know how I would fit. For a kid, it can be a complete loss of control. Often, the way I reacted to this loss of control was to find something I could control. It was sometimes eating, but it was also something quieter. I found myself often unable to speak, so I embraced that. I stopped talking at school. I was quiet. I kept all my words to myself. Eventually, I found friends and teachers I could trust who helped me through it, and slowly the words came out.

Eczema is very complicated. Most people have rashes that itch, but as my wife Ella deCastro Baron explains it, she has itches that rash. Ella has had extreme eczema off and on her whole life. Her memoir, Itchy Brown Girl Seeks Employment (2012) is all about a life lived with eczema. When we first got married, she had eczema that ravaged her body from head to toe. The triggering effects of the condition caused so many secondary problems: depression, insomnia, isolation, and hopelessness. If you know Ella, then you know that she is a luminous, hilarious person full of life. Watching her deal with chronic bouts of eczema has been some of the hardest parts of our life together (and still are at times). In The Magical Imperfect, Malia experiences a similar bout of eczema. It’s so bad that she is isolated from school because of the way other kids treat her and because of her own discomfort.

The healing process for both of these conditions is not simple magic. In each case, it’s a complex journey, but the hope itself leads to moments of magic that provide joy and healing from the most unexpected places.  That’s a big part of what I explored in the book.

I also want to note. Even though these conditions are integrated into my own life, I did more research than I expected. I know that these conditions vary from person to person, so I talked to many. I interviewed doctor friends about both subjects, and a few others who have firsthand experiences with these conditions. I also read Christina Collins’s stunning book, After Zero which I highly recommend.

 

Karol: The “magic” in your book is very much left up to your readers’ interpretation. Can you discuss what role you feel magic plays in helping Etan and Malia get to a better place emotionally by story’s end?

Chris: I know one thing I hope readers don’t take away—the idea that magic is some sort of cure for everything. Without too many spoilers, I would say that the magic in the story connects the many worlds of the characters. There is ancient magic from the worlds more connected to Etan’s grandfather and the other immigrants in town, but also hidden everywhere. This is the part I had the most fun writing. I think the magic is crucial for Etan and Malia—not because it cures things—but because it provides hope and makes it tangible in their everyday lives. The story is rooted in the idea that magic is all around us—that if we might only stop and listen—pay attention—we will see and hear the trees, or discover the ancient things living right beside us.

But also—I love trees—and I know that they are made of magic.

 

AUTHOR BIO:

Chris Baron is the author of the middle-grade novels in verse, ALL OF ME and THE MAGICAL IMPERFECT (2021) from Feiwel & Friends/Macmillan, a Junior Library Guild Selection. He is a Professor of English at San Diego City College and the director of the Writing Center. Learn more about him on Twitter: @baronchrisbaron, Instagram: @christhebearbaron, Facebook:  Chris Baron – Author, Poet, Educator, and on www.chris-baron.com.
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WHERE TO BUY THE BOOK:

Click here to purchase from Run For Cover Bookstore
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Click here to purchase from Mysterious Galaxy

 

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Middle-Grade Novel Review – The Great Pet Heist

THE GREAT PET HEIST

Written by Emily Ecton

Art by Dave Mottram

(Atheneum BYR; $17.99, Ages 8-12)

 

the great pet heist cvr

 

In The Great Pet Heist, when elderly Mrs. Food slips on some dog barf and ends up too injured to return possibly ever, her pets must fend for themselves. Walt (don’t call me Lucretia) is an Oriental shorthair and the sly female lead. Her sidekick is lovable but slow at times Butterbean, a male long-haired wiener dog, whose claim to fame is his nostril-probe lick. The main crew is comprised of Oscar the smart mynah bird, and the amiable rats Marco and Polo.
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Interior art by Dave Mottram from The Great Pet Heist written by Emily Ecton and illustrated by Dave Mottram, Atheneum Books for Young Readers ©2020.

 

A girl from their building named Madison comes by to take care of the basics, but the pets know it’s hasta la vista soon. Their situation seems dire until they stumble upon a possible criminal in their building who may have enough gold coins to give the animals riches to care for themselves. Once the heist is launched, a series of funny antics will keep you wondering whether these characters will succeed, or if it’s off to the pound.

Throughout, Dave Mottram’s art is beautifully done, adding another layer of humor to Ecton’s story. Though Walt was my favorite character, I fell for Chad the octopus once I saw him rising out of toilet bowls and tripping up the villain. Take a close look at the image next to the title page of The Great Pet Heist to find Chad.

 

Click here for another humorous middle-grade novel about pets reviewed by Christine.

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Multicultural Children’s Book Day 2020 – New Kid

NEW KID
Written and illustrated by Jerry Craft
(HarperCollins; $21.99 H/c, $12.99 P/b, Ages 8-12)

 

 

NewKid PB cover

 

Newbery Medal Winner
A New York Times bestseller
Winner of the 2019 Kirkus Prize for Young Readers’ Literature
★Starred Reviews – Booklist, Kirkus Reviews, Publishers Weekly, School Library Journal, Shelf Awareness

 

I began reading author-illustrator Jerry Craft’s outstanding graphic novel, New Kid, last week before it made history winning the Newbery so I was thrilled that it was honored. I read it slowly to savor every illustration, every funny or meaningful moment, and every twist and turn in the story. You know that feeling when you want to stay with characters long after a book has ended? That is the feeling readers will experience with New Kid.

Craft introduces us to the main character, Jordan Banks, and his dilemma, and we’re instantly in his court. He’s been accepted into an elite private school, Riverdale Academy Day School (RADS) for seventh grade. Although Jordan would prefer to attend an art school, he and his dad agree he will give it a try and switch to the art school for ninth grade if things don’t work out. Jordan, who is black, lives in Washington Heights with his loving parents who want to offer him advantages they never had. Jordan must commute via bus to Riverdale to attend classes. The way Craft shows the change in communities and attitudes through Jordan’s hoody, how he wears it and what his posture is like as he travels is eye-opening. Not only will this smart, talented preteen have to navigate public transportation, he’ll also have to figure out a more pressing dynamic—where he fits in at the new school.

I loved getting inside Jordan’s head via his sketch book packed with cartoons along with Craft’s vibrant illustrations. A pair of angels are depicted in various scenes responding to situations that Jordan encounters and emotions he feels. This adds a humorous dimension to Craft’s multi-layered graphic novel about what it’s like being a person of color in a predominantly white school environment. At RADS, with its mostly wealthy and privileged student body, Jordan quickly realizes who the gossips are, who the jocks are, who the annoying kids are, and who he can ultimately call a friend.

And what about the the teachers and administrators at Jordan’s school? Some reviews have described a culture of behavior at RADS as micro-aggressive and I agree. Readers’ perspectives should change after noticing the undertone of prejudice, racism and ignorance aimed at minority students when teachers don’t make an effort to remember someone’s name or are quick to accuse the wrong student in a fight. The same applies to fellow students who, for example, cannot acknowledge that a classmate is from Nicaragua and not Mexico. The tongue-in-cheek Oprah public service announcement cartoon Jordan creates about kids on financial aid also struck a chord. I’ve known people who’ve felt stigmatized when this confidential arrangement was revealed. While these are some of the hardest issues to read about, they’re also some the most honest, important and compelling. Through Jordan, Craft deftly challenges stereotypes and enlightens kids that other paradigms exist.

New Kid’s 14 chapters take us through an entire school year during which we watch and root for Jordan’s success in the classroom, on the field for P.E. (where it’s often very cold), and in his social life where there’s never a dull moment. We also come to care about his closest pals, Liam and Drew, who have his back and grow along with Jordan. A cast of endearing secondary characters rounds off the novel, and the inclusion of these relationships injects another realistic element into the middle school experience. There are up days, down days, and days when Jordan wonders whether he’ll ever make this private school thing work.

When he leaves behind his Washington Heights buddies to go to RADS, Jordan faces yet another challenge—how to make new friends and keep the old. It’s not a straightforward silver and gold thing and Jordan knows it. It’s great that Craft shows the effort Jordan makes to keep up those relationships because, although he may be in Riverdale during the day, after school and weekends he’s still connected to his neighborhood and that grounds him in the best possible way.

I’m grateful to have been able to spend time with Jordan Banks, his family and friends. I hope you’ll also meet Jordan soon by getting a copy of New Kid at your local indie bookseller!

Disclosure: I was gifted New Kid by HarperCollins to review for the event.

 

 

  • Reviewed by Ronna Mandel

 

Multicultural Children’s Book Day 2020 (1/31/20) is in its 7th year! This non-profit children’s literacy initiative was founded by Valarie Budayr and Mia Wenjen; two diverse book-loving moms who saw a need to shine the spotlight on all of the multicultural books and authors on the market while also working to get those book into the hands of young readers and educators.

Seven years in, MCBD’s mission is to raise awareness of the ongoing need to include kids’ books that celebrate diversity in homes and school bookshelves continues.

MCBD 2020 is honored to have the following Medallion Sponsors on board

Super Platinum

Make A Way Media/ Deirdre “DeeDee” Cummings

Platinum

Language Lizard, Pack-N-Go Girls

Gold

Audrey Press, Lerner Publishing Group, KidLit TV, ABDO BOOKS: A Family of Educational Publishers, PragmaticMom & Sumo Joe, Candlewick Press

Silver

Author Charlotte Riggle, Capstone Publishing, Guba Publishing, Melissa Munro Boyd & B is for Breathe

Bronze

Author Carole P. Roman, Snowflake Stories/Jill Barletti, Vivian Kirkfield & Making Their Voices Heard, Barnes Brothers Books, TimTimTom, Wisdom Tales Press, Lee & Low Books, Charlesbridge Publishing, Barefoot Books, Talegari Tales

 

Author Sponsor Link Cloud

Jerry Craft, A.R. Bey and Adventures in Boogieland, Eugina Chu & Brandon goes to Beijing, Kenneth Braswell & Fathers Incorporated, Maritza M. Mejia & Luz del mes_Mejia, Kathleen Burkinshaw & The Last Cherry Blossom, SISSY GOES TINY by Rebecca Flansburg and B.A. Norrgard, Josh Funk and HOW TO CODE A ROLLERCOASTER, Maya/Neel Adventures with Culture Groove, Lauren Ranalli, The Little Green Monster: Cancer Magic! By Dr. Sharon Chappell, Phe Lang and Me On The Page, Afsaneh Moradian and Jamie is Jamie, Valerie Williams-Sanchez and Valorena Publishing, TUMBLE CREEK PRESS, Nancy Tupper Ling,Author Gwen Jackson, Angeliki Pedersen & The Secrets Hidden Beneath the Palm Tree, Author Kimberly Gordon Biddle, BEST #OWNVOICES CHILDREN’S BOOKS: My Favorite Diversity Books for Kids Ages 1-12 by Mia Wenjen, Susan Schaefer Bernardo & Illustrator Courtenay Fletcher (Founders of Inner Flower Child Books), Ann Morris & Do It Again!/¡Otra Vez!, Janet Balletta and Mermaids on a Mission to Save the Ocean, Evelyn Sanchez-Toledo & Bruna Bailando por el Mundo\ Dancing Around the World,Shoumi Sen & From The Toddler Diaries, Sarah Jamila Stevenson, Tonya Duncan and the Sophie Washington Book Series, Teresa Robeson  & The Queen of Physics, Nadishka Aloysius and Roo The Little Red TukTuk, Girlfriends Book Club Baltimore & Stories by the Girlfriends Book Club, Finding My Way Books, Diana Huang & Intrepids, Five Enchanted Mermaids, Elizabeth Godley and Ribbon’s Traveling Castle, Anna Olswanger and Greenhorn, Danielle Wallace & My Big Brother Troy, Jocelyn Francisco and Little Yellow Jeepney, Mariana Llanos & Kutu, the Tiny Inca Princess/La Ñusta Diminuta, Sara Arnold & The Big Buna Bash, Roddie Simmons & Race 2 Rio, DuEwa Frazier & Alice’s Musical Debut, Veronica Appleton & the Journey to Appleville book series  Green Kids Club, Inc.

We’d like to also give a shout-out to MCBD’s impressive CoHost Team who not only hosts the book review link-up on celebration day, but who also works tirelessly to spread the word of this event. View our CoHosts HERE.

Co-Hosts and Global Co-Hosts

A Crafty Arab, Afsaneh Moradian, Agatha Rodi Books, All Done Monkey, Barefoot Mommy, Bethany Edward & Biracial Bookworms, Michelle Goetzl & Books My Kids Read, Crafty Moms Share, Colours of Us, Discovering the World Through My Son’s Eyes, Educators Spin on it, Shauna Hibbitts-creator of eNannylink, Growing Book by Book, Here Wee Read, Joel Leonidas & Descendant of Poseidon Reads {Philippines}, Imagination Soup, Kid World Citizen, Kristi’s Book Nook, The Logonauts, Mama Smiles, Miss Panda Chinese, Multicultural Kid Blogs, Serge Smagarinsky {Australia}, Shoumi Sen, Jennifer Brunk & Spanish Playground, Katie Meadows and Youth Lit Reviews

FREE RESOURCES from Multicultural Children’s Book Day

TWITTER PARTY! Register here!

Hashtag: Don’t forget to connect with us on social media and be sure and look for/use our official hashtag #ReadYourWorld.

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