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An Interview with Aixa Perez-Prado about City Feet

 

SUSI SCHAEFER INTERVIEWS AIXA PÉREZ-PRADO,

AUTHOR AND ILLUSTRATOR OF

 CITY FEET

(Reycraft Books; $17.95, Ages 3-5)

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City Feet cover map legs shoes walking on city sidewalk
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PUBLISHER SUMMARY:

This shoe lover’s paradise reveals that a city’s feet are as varied as the people and animals who live there.

INTERVIEW:

Susi Schaefer: Congrats on your picture book, CITY FEET. How did you get into creating books for young readers?

Aixa Pérez-Prado: Thank you very much! I feel like I have been a writer and illustrator since I was a little girl. I was born in Argentina and raised between there and the USA. I later lived in several other countries, including Costa Rica and Morocco. I believe that being multilingual, being a child immigrant, and having lived in many different places are all strong influences on the stories and the illustrations that I create today.

I am a former bilingual kindergarten teacher, a current university professor specializing in diversity education, and, most importantly, a mother of six. All of those experiences led me to read many children’s books over the years and create my own stories for my students and my children. A few years ago, I decided to try to publish some of those stories and started my education in writing picture books.

Part of my education included taking a number of kidlit writing courses, entering online contests, and joining SCBWI. In addition to writing, I started drawing again and creating a few dummies for my stories. CITY FEET is my debut picture book.

SS: Tell us what inspired this book.

APP: I am a city girl at heart, and I love to explore the cities of the world. A few years ago, when I decided I wanted to try to publish in kidlit, I started entering online writing contests, and an earlier version of CITY FEET was a story I wrote for one of those contests, the Early Childhood Book Challenge. The idea was to write a story of 250 words or less, use rhyme, and have the story take place in an urban setting. I came up with about six stories for the contest and was a finalist with a different story, but the beat and rhythm of CITY FEET stuck in my head.

Two years later, I pitched it in Latinx Pitch on Twitter, and Winsome Bingham of Reycraft Books liked my pitch and made an offer. I was not meant to illustrate the book, but when she found out I was also an illustrator (or want-to-be illustrator), she and my agent, Joyce Sweeney, encouraged me to make a dummy. I had a very clear idea of how I wanted the book to look, with all characters appearing only from the waist down, as seen from the point of view of a baby in a stroller. I made the dummy and soon after received the offer to be the illustrator. I was thrilled!

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City Feet int1 City Feet walking down the street
Interior spread from City Feet written and illustrated by Aixa Pérez-Prado, Reycraft Books ©2023.

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SS: Can you share your process?

APP: I started by revising the original story and adding an additional stanza to reach the appropriate amount of spreads for a picture book. I then started trying to create the first spread, but the vision in my head wasn’t really working on paper. I went to an illustrator friend, Cristina Keller, and explained what I wanted to do to her. She invited me to her studio, and after showing her some of my sketches, she helped me to map out the first spread. After that, I knew exactly what to do.

My illustration process for CITY FEET is mainly collage created by cutting up different kinds of textured papers that I create and others that I find. I also use fabrics, leaves, petals, and other materials – including banana peels – in my collages. Once I make the collages, I scan them and bring them into Photoshop in different layers to combine and rearrange. I also do some digital collage in Photoshop.

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City Feet int2 dancing feet prancing feet

Interior spread from City Feet written and illustrated by Aixa Pérez-Prado, Reycraft Books ©2023.

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SS: Are you working on any projects you can tell us about?

APP: Yes, I am the author and also the illustrator for a nonfiction picture book that will come out in the Fall of 2024, Mercedes Sosa: Voice of the People, published by Lee & Low. It is a very different kind of story than CITY FEET, with a different feel and somewhat different style. However, my illustration technique will continue to be the use of collage with a variety of materials as well as digital collage for the majority of the artwork.

BUY THE BOOK:

Support independent booksellers and purchase City Feet at the link below.
https://bookshop.org/p/books/city-feet/18947595?ean=9781478881841

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Author Aixa Pérez-Prado headshotAUTHOR-ILLUSTRATOR BIO:

Aixa Pérez-Prado, the author/illustrator of CITY FEET is a native of Argentina who immigrated to the US as a small child. In addition to writing and illustrating, Aixa is a translator, sensitivity reader, and university professor. Aixa has lived in several different countries and draws inspiration for her stories and illustrations from diverse locations. Her passion is writing and illustrating picture books aimed at giving diverse children a chance to see their multilayered identities represented with heart and humor. She writes in Spanish and English and enjoys mixing languages in her prose. Similarly, she loves illustrating by employing different techniques in a multimedia whimsical style.

Aixa’s upcoming picture books are OUR WORLD: ARGENTINA (Barefoot Books, 2023) and MERCEDES SOSA: THE VOICE OF THE PEOPLE (Lee & Low 2024). Aixa is represented by Joyce Sweeney from the Seymour Agency.

AUTHOR-ILLUSTRATOR LINKS:

 

INTERVIEWER BIO:

Born and raised in the Austrian Alps, Susi Schaefer trained as a glass painter in the medieval town of Rattenberg. After moving to Southern California for sun and adventure, Susi studied graphic design. She’s the illustrator of ZOO ZEN by Kristen Fischer, author-Illustrator of CAT LADIES and THE GLOW SHOW. Susi lives in North Tustin, California, with her family. www.susischaefer.com

Twitter @susischaeferart and on Instagram @susischaeferart

 

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Picture Book Review – All Through the Night

ALL THROUGH THE NIGHT:
Important Jobs That Get Done At Night 

Written by Polly Faber

Illustrated by Harriet Hobday

(Candlewick Press; $17.99; Ages 2-5)

 

All Through the Night cover big city at nighttime

 

As a little girl is getting ready for bed in All Through the Night, her mother is getting ready for work. “She’s got an important job to do,” the girl says and introduces readers to nighttime workers all over the city. From office cleaners, food deliverers, doctors, police officers, news reporters, and musicians, everyone works diligently to support and serve their community, keeping it safe and ready for everyone in the morning. 

 

All Through the Night int1 Luigi bakes at night
ALL THROUGH THE NIGHT. Text copyright © 2021 by Polly Faber. Illustrations copyright © 2021 by Harriet Hobday. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Beautiful illustrations in jewel-toned colors light up the night and reveal a vibrant urban setting bustling with life. Adult and child readers alike will be captivated by Harriet Hobday’s many visual details— inside offices, shops, apartment buildings, and on the street (be sure to spot those nocturnal animals!). 

Accompanying the visual excitement is a tone of kindness and appreciation that weaves throughout the text. As we meet each nighttime worker, we’re introduced to their individual name and learn how their specific work benefits the well-being of others, including other nighttime workers. Luigi depends on Ravi’s deliveries to bake fresh pastries for his morning customers. Ravi himself relies on Eva’s 24-hour gas station. 

 

All Through the Night int2 bus driver
ALL THROUGH THE NIGHT. Text copyright © 2021 by Polly Faber. Illustrations copyright © 2021 by Harriet Hobday. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

This interconnected reality becomes all the more personal as we circle back to the little girl’s mom who we discover is a bus driver, getting “everybody just where they need to be.” Children will love following Mom “with her big orange bus” on every spread.  

Written by Polly Faber and illustrated by Harriet Hobday, All Through the Night is a perfect read for both the home and classroom. A gentle, reassuring bedtime story, the book also provides opportunities to learn all about The Important Jobs That Get Done At Night

  • Reviewed by Armineh Manookian

 

Click here to download a Teacher’s Guide

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Find Another World Behind Closed Doors in The Neighbors by Einat Tsarfati

THE NEIGHBORS
Written and illustrated by Einat Tsarfati
(Abrams BYR; $16.99, Ages 4-8)

 

Starred Reviews – Booklist, Publishers Weekly

 

The Neighbors by Einat Tsarfati book cover

 

Whether or not children have ever set foot in an apartment building, I’m guessing they’ll want to after reading The Neighbor so they can try their hand at guessing who lives behind closed doors. The narrator of this charming picture book is a little girl who lives “in a building that is seven stories high.” Whenever she heads upstairs and passes by her neighbors’ doors, she imagines, based on clues from each door and its surroundings, just what type of person or persons makes that apartment their home.

Not only is the story packed with wonderful artwork, it’s also full of a bevy of interesting apartment dwellers. Take for example the ground floor flat. It’s got over half a dozen locks and a closed circuit security camera so the youngster figures that inside lives a family of thieves whose assorted hauls range from Egyptian artifacts to a pirate’s treasure. The apartment that has a wheel outside must belong to acrobats. This spread alone (one among many!), with its uni-cycle riding monkey on a slide, an elephant and a fire breathing baby, warrants multiple views and includes a surprise for observant readers. Muddy footprints on a doormat hint at an explorer’s presence on another floor. It’s likely a vampire resides on the floor where the lights always go out on the landing as the narrator makes her way home. Many apartment buildings I’ve visited abroad have the hall lighting on timers so this makes perfect sense since the picture book was translated from Hebrew. I appreciated the Art Nouveau touches in the vampire’s abode as well as his flair for clothing design. The music emanating from the door on floor six means only one thing—it’s party-time as depicted in another detail-rich spread. The little girl reckons the musical family inside “celebrates someone’s birthday at least once a week.”

 

int illustration from The Neighbors by Einat Tsarfati
Interior spread from The Neighbors written and illustrated by Einat Tsarfati, Abrams Books for Young Readers ©2019.

 

 

So what about the girl’s apartment where she lives with her folks? It’s no surprise she finds her parents boring despite loving them. Her bedroom is filled with souvenirs from all over the world and she probably dreams of exotic places and exciting adventures. But, little does she know that, as she drifts off to sleep, her parents are superheroes living a wild life outside her very own bedroom door

Tsarfati’s included a cleverly hidden hamster (note the LOST signs at the book’s beginning) to search for in the comfortably cluttered and colorful illustrations plus one other treat. When her folks check if she’s asleep, the little girl’s eyes look slightly open so she may actually know what her parents get up to. Perhaps it’s a case of the grass is always greener in the other apartments? That it’s open to interpretation is just part of the pleasure derived from reading The Neighbors. I love that the book beautifully incorporates senses such as smell and sound into the story. Parents, caregivers and teachers can take advantage of several possible activities to explore using the book as inspiration. For example, have children create their own doors for you to guess who lives behind them and vice versa. Or maybe cover the illustration after studying the door in the The Neighbors to see what your child can conjure up. This is the kind of book I would have returned to again and again with my children and I hope you’ll agree.

 

  • Reviewed by Ronna Mandel
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Travel to Great Britain – Kidlit Roundup

TRAVEL TO ENGLAND & SCOTLAND
A Picture Book Roundup

 

Maisy Goes to London
Written and illustrated by Lucy Cousins
(Candlewick Press; $15.99; ages 2-5)

An English Year: Twelve Months in the Life of England’s Kids
A Scottish Year: Twelve Months in the Life of Scotland’s Kids
Written by Tania McCartney and illustrated by Tina Snerling
(EK Books; $17.99; ages 6-10)

 

Travels through England and Scotland

Maisy_Goes_to_LondonI was raised in England, so I’m partial to books about the British Isles. Luckily, there are so many of them! We begin with Lucy Cousins’ Maisy Goes to London, which is a perfect introduction to the fabulous city for children ages three to seven. Maisy and her friends are sightseeing in one of the most exciting cities in the world, and there’s so much to see and do! They climb the lions in Trafalgar Square and see Nelson’s Column. Right across the street is the National Gallery, home to “so many amazing paintings. Maisy likes the sunflowers best.”  Of course, no trip to London is complete without seeing Buckingham Palace, the Houses of Parliament, and Big Ben. With stops at a park and the Tower of London—“Cyril and Charley love the Beefeater’s colorful uniform”—Maisy and company cover a lot of the most recognizable sites. As always, Lucy Cousins’ delightful artwork and easy-to-understand word choice hit the mark for younger readers.

 

An-English-Year-300x288For a broader look at modern England, older readers can check out An English Year: Twelve Months in the Life of England’s Kids written by Tania McCartney and illustrated by Tina Snerling. Five children, Victoria, Aman, Tandi, George, and Ameli, are our guides to festivals, games, traditions, sites, animals, and foods from different parts of England. Each month has a double page spread and is filled with delightful pictures that depict the text. Each spread features about 12 facts for the month. The books is chock full of information! I personally loved seeing the hot, roasted chestnuts in a paper bag for January and the Punch and Judy puppet show for June. The references to lesser-known facets of living, such as “we gobble Jaffa Cakes and Jammie Dodgers” (June) and BBC’s Children in Need fundraiser (November), add to the sense of discovery. Details such as these, in addition to the more mainstream items like Stonehenge and Royal Ascot, go a long way in creating a real sense of life in England.

 

A-Scottish-Year-300x288McCartney and Snerling have also created the series’ companion book, A Scottish Year: Twelve Months in the Life of Scotland’s Kids. In similar fashion to the England book, Scotland’s heritage is presented via five children—Rashida, Sophie, Dominik, Isla, and James. We learn that on Twelfth Night, people “take down our Christmas Tree to avoid bad luck” (January) and that “Tartan Day celebrates everything good about Scotland” (April). We’re introduced to blaeberry picking (July) and “redding the house, to bring in a fresh new year” (December). The use of Scottish vernacular (for example, dreich, meaning dull, depressing, dreary weather) and inclusion of celebrations (the Braemar Gathering and the Royal Highland Show) produce a vivid feel for the pride that the Scottish feel for their country.

Readers may realize that more context or detail is needed to explain some of the information in the books. For example, English Year states, “At birthday parties, we play lots of games. Dad tries to give us The Bumps!” We did this when I was a child, so let me explain. The Bumps is when the birthday child is lifted by the arms and legs, and his/her bottom is bumped on the ground the number of years he/she is turning. It’s fun. Scottish Year mentions that in November “we put on our coats and play conkers outdoors.” I have fond memories of playing conkers with my classmates. A conker is a horse chestnut with a shoelace strung through it. Children then aim and hit their conkers at each other’s. Whichever conker outlasts the other, wins. Even though some research may be needed if a reader wants to dig deeper, the basic information doesn’t distract from the charm of the books.

The artwork is adorable. Each book’s characters show features of life at home, school, play, festivals, and so on. Illustrations introduce the months. In Scottish Year, March has a rain cloud hovering over it and rain sprinkling from the M, and September has leaves swirling around it. The text incorporates different colors and line shapes. For example, the text weaves around illustrations, some words are colored, some letters have their circles filled in, and some are in different sizes. The visuals, including the endpages, are appealing and encourage readers to follow the text.

Each book ends with a list of counties/regions and a map of the country filled with fun facts. I had no clue that Scotland has over 790 islands! I did know, however, that England consumes more tea per person than anywhere else in the world. Tea is such a large part of the culture. I appreciated the multicultural aspect that reflects the reality of these countries today. It begins with the inclusion of the children’s characters from Pakistan, India, Jamaica, and Poland, as well as England and Scotland, of course. While plenty of traditional aspects are presented, so are the more contemporary contributions from the various “introduced cultures” that have become a part of the fabric of England and Scotland. For example, in English Year, we learn that “Holi is the Spring Festival of Colours. We cover each other in coloured paint” and that “Eid al-Fitr marks the end of Ramadan. No more fasting!” To ensure authenticity, the books have been produced in consultation with native English and Scottish advisors, school teachers, and school children.

If you aren’t traveling to the British Isles this year, or even if you are, these three books are a wonderful introduction to London, England, and Scotland.

  • Reviewed by Rita Zobayan

 

 

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Lost in NYC: A Subway Adventure by Nadja Spiegelman & Sergio Garcia Sanchez

Lost in NYC: A Subway Adventure
Written by Nadja Spiegelman
Illustrated by Sergio Garcia Sanchez
(Toon Books; $16.95, Ages 8-12)
Also available in Spanish

LostinNYCcvr.jpg

 

A Junior Library Guild Selection
Starred Reviews – Kirkus Reviews, School Library Journal & Booklist

Ever gotten lost on a subway? In New York? I have and I’m from New York! But once you’ve navigated your way around and feel you’ve got the hang of the subway, it’s like you’re on top of the world, not 35 feet underground (like at the 42nd St. Station). You might never take the bus again.

intimageLostinNYC.jpgI’ll start this review by pointing out that a purchase of Lost in NYC: A Subway Adventure, is like getting multiple books in one! First there’s the graphic novel adventure featuring Pablo, a boy new to both his school and to the city. Alicia, a classmate, volunteers to partner with him on a field trip to the Empire State Building using public transportation. At the uptown Manhattan subway station (96th St.), the pair get separated from their class and have to find their way alone. Eventually even Alicia and Pablo get separated which may seem frightening, but it’s never presented that way. In fact, it’s empowering for kids to see their peers commuting this way successfully. Demonstrating common sense, the two make tracks individually to the Empire State Building, one on foot, the other using a cross town train. Ultimately, across a crowded lobby, Pablo and Alicia are reunited in time to join the tour, running towards each other like in a scene from a film. They’re clearly overjoyed, but Mr. Bartles, their teacher, is not as impressed.

intspreadLostinNYC.jpg
Interior image from Lost in NYC: A Subway Adventure by Nadja Spiegelman with illustrations by Sergio Garcia Sanchez, Toon Books ©2015.

In addition to the adventure, there’s the budding friendship story. As the bungled journey evolves, Pablo eventually comes to appreciate Alicia’s gesture of kindness to buddy up on the field trip which he so vehemently rejected at the beginning of the book.

“I was only trying help.” – Alicia
“Help?” – Pablo
“What makes you think I need help! I don’t need anything.” – Pablo
“I thought maybe you wanted a friend…” – Alicia

It’s through this friendship that Pablo is able to  look at New York with new eyes and begin to feel at home.

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Interior image from Lost in NYC: A Subway Adventure by Nadja Spiegelman with illustrations by Sergio Garcia Sanchez, Toon Books ©2015.

Another draw is the NYC subway system, like an extra character, with its express and local lines, the colorful maps, and the various stops or stations in the city. I was delighted to see my old subway stop in Queens even made it into the book! Fans of transportation trivia will enjoy the enlightening repartee between Mr. Bartle and his students as he educates them on their subway knowledge. I lived in New York for 30 years and had no idea why the Y and U letters were never used. After reading the fact-filled end pages I learned it’s because the MTA (Metropolitan Transportation Authority) worried the public would be confused thinking they sounded too much like “why” and “you.”

Last but not least is the inclusion of archival photographs from old New York taking readers back in time to the 1800s and into the 20th century for a glimpse of what early subway stations and construction on them looked like. There are also more details about the Empire State Building and a Further Reading & Resources for those who, like me, cannot resist finding out more about the Big Apple’s history. Author Spiegelman has packed a plethora of interesting information into this engaging and extremely original book. I had no idea that the Empire State Building, where my uncle once worked, has its own zip code (10118) and had its grand opening on May 1, 1931, 84 years ago today! Lost in NYC closes with Tips for Parents, Teachers, and Librarians to make young readers’ experience of diving into a TOON graphic novel more pleasurable.

I have to give a shout out to the amazingly detailed illustrations by Garcia Sanchez. My favorite is the angled perspective of the Empire State Building as the school children zoom up to the observation deck in one of seventy-three elevators. Early on I noticed a man taking photos in almost every scene, but I didn’t notice the policeman watching him. Sanchez, while on a reconnaissance mission for the book, must have aroused suspicion. In a humorous touch, the artist has cleverly inserted himself and the cop who followed him into the story so be on the lookout!  Between the diverse cast of characters, the compelling storyline and the excellent artwork, I have to say I am very happy to have found Lost in NYC: A Subway Adventure. 

Click here to download a guide for teachers.

– Reviewed by Ronna Mandel

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Picture Books Back to School Giveaway

Enter our exciting picture books giveaway today!

Out here in California, lots of kids have already returned to school. Others across the country will head back after Labor Day. Either way, parents are looking for new reading material to share with their children and we’ve got a set of three new and soon-to-be-published picture books for you to win courtesy of Houghton Mifflin Harcourt & Clarion Books! Scroll down after the reviews for our Rafflecopter to enter the giveaway.

9780544104433_lresNANA IN THE CITY by Lauren Castillo (available in bookstores September 2, 2014) $16.99, Ages 4-8  Now a 2015 Caldecott Honor Book!!

Review: I couldn’t wait to read this book starring a Nana as one of the main characters because I, too, had a Nana and growing up there were no books mentioning Nana (unless you count Nana the big sheepdog in Peter Pan). However, unlike Nana in this story, my Nana did not live in Manhattan (the water towers on top of the buildings along with the subway art shouted the Big Apple to me.)

This picture book’s young narrator goes to stay with his grandmother “at her new apartment in the city.” From the very start, the little lad makes it clear he does not like the city nor the fact that his nana is living there. It may be a busy, loud, and scary place (Castillo’s illustrations depict construction and scaffolding, menacing-looking graffiti and homeless people asking for money) to a child, but to Nana the city is “wonderful – bustling, booming and extraordinary.”

With the help of a knitted red cape, and an eye-opening walk around the neighborhood to see close-up what is really going on, Nana shows her grandson that the city, though busy and loud, is  actually a “perfect place for a nana to live.”

Castillo’s use of primary colors interspersed with blacks and whites conveys the city’s mood and totally complements the text. Whether your child is heading to NYC or any other city for that matter, sharing Nana in the City with them is an ideal way to allay any trepidation they might have about visiting someplace new and different.

9780544233515CREATURE_FEATURES_HICREATURE FEATURES: 25 Animals Explain Why They Look the Way They Do by Steve Jenkins & Robin Page (available in bookstores October 4, 2014) $17.99, Ages 4-8 A Junior Library Guild Selection

Review: Creature Features’ authors and illustrators, Jenkins and Page, have come up with an interesting and fun way to engage readers in this nonfiction picture book about all sorts of animals, from the blobfish to the Egyptian vulture, from the axolotl to the thorny devil. There are so many neat new facts to learn and bright bold artwork to enjoy. By addressing each creature individually  …

Dear red squirrel:

Does that fur on  your ears help you hear better?

children will feel as if the first-animal (can’t really say first-person now can I?!) response is directed to them personally.

No. It’s there to keep my ears warm. It falls off in the summer and grows back in the winter.

There is also a spread in the end pages with a chart showing animal sizes compared to humans, a map with the locations of where the creatures live and what their diet consists of.  Check out www.stevejenkinsbooks.com/creaturefeatures to get details on this delightful book.

9780544164666SMALL BLUE AND THE DEEP DARK NIGHT by Jon Davis (available in bookstores now) $16.99, Ages 4-8

Review: Small Blue, a young rabbit, has an active imagination, especially in the deepest, darkest night. It’s then she’s convinced her bedroom is full of “creepy things” like gremlins, goblins and giant hairy spiders. In other words, all types of characters that are intent on preventing a little bunny from getting a good night’s sleep.

But Big Brown comforts Small Blue by offering up a completely new perspective after turning on the light It’s just as likely there could be delightful doggies riding around in a unicycle convention. Or, maybe a smiley spaceman is hosting “a zero-gravity birthday party.”

I love how Davis has introduced a plausible new paradigm for parents to share with an upset or  frightened child. Kids will be empowered by this picture book. They can choose to be scared of the nighttime, preoccupied by all the sneaky things lurking in the dark, or they can re-envision their room as a realm of positive possibilities; a place where doggies, spacemen and yes, even retired sock-knitting pirates parade about, and by doing so welcome the darkness as one big adventure.  And isn’t thinking that way a great way to greet the night?

– Reviewed by Ronna Mandel

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