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Inspired by a True Tale – The Dam by David Almond

THE DAM
Written by David Almond
Illustrated by Levi Pinfold
(Candlewick Studio; $17.99, Ages: 5-9)

Starred Review – Kirkus, Publishers Weekly

 

cover illustration from The Dam by David Almond with art by Levi Pinfold


Poignant words and haunting illustrations tell this tale based on a true story of love, loss, and rebirth in The Dam written by David Almond and illustrated by Levi Pinfold.

“He woke her early. ‘Bring your fiddle,’” a father tells his daughter. Through these sparse words, the book opens with an immediate sense of urgency. A dam under construction will soon flood a valley cherished by Kathryn and her father. Once home to beloved musician friends, this valley will forever “be gone” and “washed away.” Pinfold’s illustrations echo the somber tone in a palette of gray, green, and white. While his “snapshot” pictures highlight samples of the delicate flora and fauna that will be lost, his double page spreads bring a bigger perspective to the vastness of the English countryside—the vastness of the loss and of the task at hand.

 

interior spread by Levi Pinfold from The Dam by David Almond

THE DAM. Text copyright © 2018 by David Almond. Illustrations copyright © 2018 by Levi Pinfold. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA on behalf of Walker Books, London.

 

“‘Take no notice. There’s no danger,’” Kathryn’s father tells her. Tearing off boards on the abandoned houses they once gathered in to dance and sing, Kathryn’s father asks her to enter the rooms and play her fiddle. I couldn’t help but pause after reading these lines in the book. No danger? Had this story taken place in America, such an area would be visibly marked off with miles of flourescent yellow “CAUTION” tape and multiple “NO TRESPASSING” signs. Though the illustrations in the book show no such signage, it’s quite possible the characters’ presence in the valley was to some degree illegal. Though whatever physical danger there may have been, they faced an even greater one: the danger of the grieving process.

I compare tearing off boards from house to house to tearing off the bandage on a deep wound, acknowledging its pain, and being present with the discomfort. Kathryn plays and “Daddy sing[s],” lifting spirits “gone and … still to come” up and out of the houses and setting them free to become part of the landscape—the earth, the sky, the animals, and people. What a profound mystery of the human spirit, that we can find the safety of healing only by taking the risk to be vulnerable. Father teaches daughter there really is no danger when we grieve fully and wholeheartedly.

 

interior spread from The Dam by David Almond with art by Levi Pinfold

THE DAM. Text copyright © 2018 by David Almond. Illustrations copyright © 2018 by Levi Pinfold. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA on behalf of Walker Books, London.

 

“The lake is beautiful” the author tells us, reflecting on how Kathryn and her father embrace the new creation. And just as before, Pinfold’s illustrations give us both detailed and wide-angled views of the landscape. Peaceful blues, gentle greens, and flowy whites restore what was once lost. Even the movement of the little fish mimic the dance of the spirits. Though the valley is gone, music continues to be celebrated.

Both multi-award winners, Almond and Pinfold complement each other beautifully. I strongly recommend the book to caregivers and educators alike, especially as an introduction to issues of change and loss for younger elementary-age children and to issues of death and bereavement for older ones.

  • Reviewed by Armineh Manookian

Read a review of another David Almond book here.
Read another review by Armineh here.

A Bibliophile’s Dream – Lost in the Library by Josh Funk

LOST IN THE LIBRARY:
A STORY OF PATIENCE & FORTITUDE

Written by Josh Funk
Illustrated by Stevie Lewis
(Henry Holt BYR; $17.99, Ages 4-8)

 

cover illustration from Lost in the Library

 

I practically live in my local library so I’ve always found books about them quite appealing. Josh Funk’s latest, Lost In The Library, is no exception. Even the colors illustrator Stevie Lewis has used look like library colors: warm browns and beiges, deep rusts, soft greens and grays. I could even feel the cool hallways, hear the echoes of feet and the crisp flipping of page turns and, last but not least, smell centuries-worth of books, some old and dusty, others new and slick.

That brings me to Funk’s wonderful story about two iconic library lions who sit atop plinths in front of the Main Branch of the New York Public Library. Patience and Fortitude, so dubbed by Mayor LaGuardia, have rested in those spots since the 1930s. Lost in the Library, a rhyming picture book, begins with Fortitude noticing that Patience is missing. He then heads into the Stephen A. Schwarzman Building (aka the Main Branch) to find his friend and, thanks to his search, provides readers a vicarious visit inside this 100 plus years-old library. While hunting in the wee morning hours before opening time, Fortitude meets various statues, paintings and even a lion fountain located throughout the building’s abundant and beckoning rooms and halls. Each new encounter brings him closer to Patience with hints for savvy youngsters that the lion is no stranger to the vast corridors of the NYPL.

 

int spread of lion and paintings from Lost in the Library by Josh Funk

Interior illustration from Lost in the Library: A Story of Patience & Fortitude by Josh Funk with illustrations by Stevie Lewis, Henry Holt BYR ©2018.

 

During a well-timed moment of reflection, Fortitude shares how he and Patience weren’t always pals. In fact Fortitude initially mistook Patience’s shyness for rudeness but with time the lions grew close. The main feature that helped form the bond of their friendship was Patience’s gift of storytelling. “Fortitude cherished each one.” Determined now to find his buddy, Fortitude, with the help of a trusty Visitor’s Guide, finally locates Patience in the place most adult readers likely suspected, The Children’s Center. With its bright, welcoming colors, the room is filled with everyone’s favorite books by their beloved authors and illustrators. It seems the storytelling lion’s secret source was there on the shelves of the library all along! 

 

int spread by Stevie Lewis from Lost in the Library by Josh Funk

Interior illustration from Lost in the Library: A Story of Patience & Fortitude by Josh Funk with illustrations by Stevie Lewis, Henry Holt BYR ©2018.

 

There aren’t a lot of people in the story, but artist Lewis has given those who briefly appear a cool retro style which adds to the timeless quality of the library’s decor so beautifully illustrated. And I love how Funk seamlessly weaves Fortitude’s quest for Patience with the library tour and notable library attractions. I cannot wait to go back to NYC to have another visit and I bet attendance has soared since this book’s publication! The back matter includes interesting information about the library’s lions and other facts that even I, a former New Yorker, didn’t know. This touching tribute to libraries everywhere and the enduring power of great stories will endear it to readers young and old. Getting lost never felt better.

 

  • Reviewed by Ronna Mandel

Visiting L.A. With Little Ones This Summer? Bring Along Los Angeles Is …

LOS ANGELES IS …
Written by Elisa Parhad
Illustrated by Alexander Vidal
(Cameron Kids; $12.95, Ages 0-4)

 

Los Angeles Is ... by Elisa Parhad cover illustration

 

If you’re planning to visit Los Angeles this summer or sometime soon, or perhaps you even live here, get yourself a copy of Los Angeles Is … by Elisa Parhad to experience the city in a fun new way. This original and engaging approach to L.A. in board book format is not only full of refreshing tour guide language little ones will love, but is spot on in its perspective. Los Angeles Is … looks at L.A. from two savvy insiders’ points of view (both author and illustrator are Angelenos) and highlights aspects of “one of America’s most iconic cities” that not all books touch upon. And I’m happy to say, it’s the first in a series of regional board books by Parhard with illustrator Alexander Vidal.

The 24 vibrantly colored pages and clever descriptions bring young readers on an enticing tour of the town taking in everything L.A. from surfing waves / fashion faves …

 

Interior illustrations waves and faves from Los Angeles Is ... by Elisa Parhad

Interior artwork from Los Angeles Is … written by Elisa Parhad and illustrated by Alexander Vidal, Cameron Kids/Cameron + Company ©2018.

 

… to citrus fruits / long commutes. The rhyme is perfectly paired with the pictures (as seen above and below) and rather than including only the same old expected spots and landmarks, there are lots of unexpected sights (late-night diners / mod designers) mixed with ones always worth noting (canyon views / movie crews). Another aspect of L.A. that we’d prefer to forget—long commutes—is also depicted because it’s part and parcel of daily life in the City of Angels.

 

Interior illustrations fruits and commutes from Los Angeles Is ... by Elisa Parhad

Interior artwork from Los Angeles Is … written by Elisa Parhad and illustrated by Alexander Vidal, Cameron Kids/Cameron + Company ©2018.

 

Parents will appreciate the realistic portrait of California’s biggest city while toddlers will like the upbeat rhythm and enchanting artwork. Illustrator and designer  Vidal captures the sunshine and sophistication of L.A. and its array of attractions in images familiar to many and warm and welcoming to others. Make a game out of reading Los Angeles Is … together with your child to try to name places and things to do from A-Z including airport, farmers market, orange orchard and Rodeo Drive.

 

Interior illustrations eats and feats from Los Angeles Is ... by Elisa Parhad

Interior artwork from Los Angeles Is … written by Elisa Parhad and illustrated by Alexander Vidal, Cameron Kids/Cameron + Company ©2018.

 

I found myself quite partial to Vidal’s characters and animals with their pointy legs and no feet yet somehow that style works wonderfully. I also enjoyed how everything else, whether palm-lined streets, food truck treats, low-ride cruising or poolside snoozing is depicted with bold graphic shapes such as ovals, rectangles, circles and squares, maybe not intentionally done as a learning tool, but still ideal for pointing out to little ones.

I recommend picking up a copy of Los Angeles Is … to make any visit more meaningful to youngsters and, while you’re at it, get an extra copy for a friend with children four and under. I know you’ll find it as delightful as I did.

  • Reviewed by Ronna Mandel

Read a review of another travel-themed board book here.

 

How to Code a Sandcastle by Josh Funk – He Had Me at CODE!

 

HOW TO CODE A SANDCASTLE
Written by Josh Funk
Illustrated by Sara Palacios
(Viking BYR; $16.99, Ages 4-8)

 

How to Code a Sandcastle book cover

 

How to Code a Sandcastle is written in conjunction with the computer science nonprofit Girls Who Code and includes a forward by its founder, Reshma Saujani

Having a website, I know a little bit about coding, little being the operative word. But author Josh Funk, a software engineer by day, knows a lot. Thankfully. So it’s no surprise that the end result of a Funk and illustrator Sara Palacios picture book collaboration, How to Code a Sandcastle, has yielded such a positive and inspiring read.

Beaches and bots, hmmmm … I had absolutely no idea before picking up my review copy how author and illustrator would pull off this phenomenal feat. I mean, millions, maybe trillions of grains of sand and machinery don’t exactly go together. That’s why I felt compelled to read on and am glad I did!

 

int illustration 1 by Sara Palacios from How to Code a Sandcastle by Josh Funk

Interior artwork from How to Code a Sandcastle written by Josh Funk and illustrated by Sara Palacios, Viking Books for Young Readers ©2018.

 

Narrator Pearl is spending her last day of summer vacation at the beach. She’s determined to build a castle because all of her previous attempts have been thwarted by freewheeling frisbees, slamming surfers and peeing pups. Today, however, she has her “trusty rust-proof robot, Pascal,” in tow who she will code to build a sandcastle. Code, your children will learn, is “special instructions that computers understand.” But Pearl soon realizes that in order to build said sandcastle, her instructions need to be specific because without doing so, Pascal could end up constructing the castle in the ocean or in a parking lot. We also see that there’s a sequence to the problem solving, a good tip for young readers just learning about the importance and practicality of executive functioning. So after 1. Finding a suitable place to build, it’s onto 2. Gathering up the sand, encompassing a three-step process of filling, dumping and patting down. Here’s where a coding trick called looping is introduced: repeating the three step process or sequence until all the steps are done and the sand is piled in place before moving on to 3. Shaping and decorating. When Pascal brings items to decorate the sandcastle that aren’t appropriate (a lifeguard stand, a live crab and a baby’s binky!), plucky Pearl relies on a cool approach called IF-THEN-ELSE to help the robot analyze what can and cannot be used.

When a wave washes away the masterpiece, Pearl doesn’t get discouraged because she has the key to quick and easy re-construction, the code that Pascal can implement. Only now she needs to program Pascal with a way to protect the sandcastle, a code for how to build a moat! Once that’s finished, there’s no telling what else they can do with their coding know-how. What a great way to end vacation!

 

int illustration 2 by Sara Palacios from How to Code a Sandcastle by Josh Funk

Interior artwork from How to Code a Sandcastle written by Josh Funk and illustrated by Sara Palacios, Viking Books for Young Readers ©2018.

 

Funk’s story is funny, creative and easy to follow. By using something as recognizable as a sandcastle for the coding project, How to Code a Sandcastle serves as an ideal vehicle for a gentle, accessible preview of computer science. If only we all could be assisted by robots when we head to the beach. Imagine the possibilities! In her illustrations, Palacios has combined sunshine, sand and STEM in a thoroughly modern and cheerful way. Pascal the robot, who is never portrayed as cold or remote but rather charming and accommodating, is someone any child would want as a friend. And Palacios’ diverse characters fill the pages with a realistic picture of what readers really see when they visit the beach. A two page spread of back matter, “Pearl and Pascal’s Guide to Coding,” explains all the code concepts covered.

If you never thought you or your youngster would get the concept of coding, it’s time to think again. With its goal of getting girls to embrace coding, Girls Who Code will, with the help of wonderful books like this one, succeed in closing “the gender gap” that currently exists in the technology fields. Start your own STEM-themed collection of books by visiting your local independent bookstore today.

   • Reviewed by Ronna Mandel

Read a review of another Josh Funk book here.

Can World Cup Aspirations be Found Here? The Field by Baptiste Paul

THE FIELD
Written by Baptiste Paul
Illustrated by Jacqueline Alcántara
(NorthSouth Books; $17.95, Ages 4-8)

 Cover illustration from The Field

 

“is a debut masterpiece of collaboration and skill,” says reviewer Ozma Bryant.

In a friendly game of soccer (futbol), the magic of not only the sport but the players involved, comes into brilliant light splayed across the pages of The Field, a debut picture book by Baptiste Paul.

 

The Field written by Baptiste Paul int. art by Jacqueline Alcántara

Interior artwork from The Field written by Baptiste Paul with illustrations by Jacqueline Alcántara, NorthSouth Books ©2018

 

With a tropical rainstorm threatening the game, the players band together, solidifying their connection through love of playing ball and sportsmanship. Challenges such as the weather won’t intrude on this precious time together. The story, I might add,  is really about a group of kids—the “main character” is never mentioned by name but she’s on all the pages.

 

Int. illustrations by Jacqueline Alcántara from The Field written by Baptiste Paul

Interior artwork from The Field written by Baptiste Paul with illustrations by Jacqueline Alcántara, NorthSouth Books ©2018

 

My favorite moment is when one of the opposing players is knocked down, and our main character, in her white jersey #3, reaches her hand out to him on the muddy ground asking, “Ou byen? You okay?” He responds, “Mwen byen. I’m good.” You can practically reach out and touch the splattered mud and rain that splashes across the pages as the players muscle on through, seeing the game to completion.

The sun creeps back out as the game continues, even as Mamas call the players home. Hearing a firm command “Vini, abwezan! Come now!” the children end the game then go their separate ways to rest up and rejuvenate for a new day of play.

 

Int. illustrations by Jacqueline Alcántara from The Field written by Baptiste Paul

Interior artwork from The Field written by Baptiste Paul with illustrations by Jacqueline Alcántara, NorthSouth Books ©2018

 

Caked with mud and filth, children slip into tubs of warm water, smiling …  reveling in the magic that is a game well played. Dreams of new games and friendship forming float overhead, as the field lingers even in sleep.

Alcántara’s gorgeous art propels the reader forward with spare language infused with Creole words from the author’s native home in the Caribbean. The author of this amazing story explains in the back matter that Creole is rarely written, mostly spoken, and so new words are constantly being added or old ones modified in this language. A Creole Glossary is also included.

One of my dear friends hails from Haiti, and speaks Creole. He was the initial reason I was excited to read this book and learn from it. One of the first things I learned from him was that soccer was also ‘futbol’. When I saw the young girl on the cover, I wanted to put this book into his young daughter’s hands immediately. I must ask if she plans to watch the FA Cup this weekend!

I am so thankful for this incredible book and hope to share it with many readers who can also identify with its themes of friendship, connection, teamwork and not giving up in the face of adversity.

Starred Reviews – Booklist, Horn Book, Kirkus

Click here for educator and librarian resources.

Read another review by Ozma Bryant here.

 

Stars shine bright for debut authors Thompkins-Bigelow and Martinez-Neal

MOMMY’S KHIMAR
Written by Jamilah Thompkins-Bigelow
Illustrated by Ebony Glenn
(Salaam Reads; $17.99, Ages 3-7)

&

ALMA
Written and illustrated by Juana Martinez-Neal
(Candlewick Press, $17.99, Ages 4-8)

are reviewed today by Cathy Ballou Mealey.

 

Two parent and child dyads share and celebrate cherished cultural connections in beautiful new picture books by debut authors that will touch and delight the heart.

Cover art by Ebony Glenn for Mommy's Khimar by Jamilah Thompkins-BigelowDebut author Thompkins-Bigelow depicts a child’s wonderful, busy day in MOMMY’S KHIMAR.A khimar is a flowing scarf that my mommy wears” says a young Muslim girl who loves to dress-up in her mother’s rainbow collection of headscarves. Fun and fancy are foremost in her mind as she incorporates the beautiful khimars in her imaginative play. The yellow khimar – another term for hijab – is her favorite and she dreams of wearing it like a queen, or a superhero, flying through the sky like a star.

Mama sees the girl at play, but smiles tenderly rather than scolds. The scarf carries her familiar, motherly fragrance of coconut oil, cocoa butter and cinnamon, making it even more special to her daughter. The girl is also loved and celebrated by her father, teachers and her grandmother, wrapped in tangible and intangible messages of love and welcome.

Glenn’s bright, sunny illustrations are sweet and appealing, using vibrant colors that compliment the warm, well-rounded story and keep the focus squarely on the girl’s fun. The energetic images cool to soft blue-purples as night falls and the beloved khimar returns to her mother’s closet. Even in her dreams the heroine recalls the tender embrace of her family and community, but her mother most of all. A delightful depiction of an ordinary day in the life of a cheerful and charming child.
Starred reviews – Kirkus, Publishers Weekly, School Library Journal

 

Cover art for Alma and How She Got Her Name ALMA AND HOW SHE GOT HER NAME is the book title, but the inquisitive heroine’s full name is Alma Sofia Esperanza José Pura Candela. Alma complains that her name is “too long” and “never fits.” In fact, Alma must tape an extra piece of paper to her page to accommodate all six! Soon, the how and why of the family stories behind each and every name is revealed in compelling, engaging descriptions.

When Alma’s father explains the rich history of the names she bears, Alma’s incredible imagination brings them to life. Aided by family photos and icons, her father’s story reveals Alma’s namesakes and the common bonds they share. Like her grandmother Sofia, Alma adores books. Like her grandfather Jose, Alma loves to draw and paint. Candela was Alma’s activist grandmother, and aunt Pura was deeply spiritual.

Alma wears delightful striped red pants, a perky red hairbow, and a red string around her left wrist. Her sweet, expressive face moves from solemn to astonished, serene to silly as she “meets” her ancestors and discovers the common bonds that they share. Martinez-Neal, recipient of the 2018 Pura Belpré Illustrator Award, uses a restrained color palette and imbues the well-designed textual components with meaningful symbols. Broad, double page spreads pace the story smoothly and linger for maximum impact on each name’s meaning. The final reveal for the name “Alma” is a warm, satisfying and ultimately empowering one for the little girl who has been enriched by the love and history of her family past and present. ALMA is a tender tale, a treasure for all readers who will wonder about their own name history.
Starred reviewsBooklist, Publishers Weekly, School Library Journal

•Reviewed by Cathy Ballou Mealey

Where obtained:  I reviewed advanced reader’s copies from the publishers and received no other compensation. The opinions expressed here are my own.

Read reviews of other #Epic18 debuts here:

I am Famous & Shark Nate-
Snow Sisters
The Three Little Pugs & The Little Red Fort

 

 

H is For Haiku – For Mother’s Day, Give the Gift of Poetry

H IS FOR HAIKU:
A TREASURY OF HAIKU FROM A TO Z
Written by Sydell Rosenberg
Illustrations and lettering by Sawsan Chalabi
With a forward by Amy Losak
(Penny Candy Books; $16.95, ages 4 and up)

H is For Haiku cover illustration

I cannot think of a more fitting tribute for Mother’s Day than to share this moving and thoughtful collection of haiku that Amy Losak, daughter of late poet Sydell Rosenberg, assembled and submitted for publication. The release in April of Rosenberg’s picture book, H is For Haiku, was ” … the culmination of a decades-long dream,” says Losak. I’m so glad that Losak was determined to share her mother’s gift with children and that Penny Candy Books made that dream a reality. Now we get to reap the rewards—reading them! Over and over again.

 

Int. artwork by Sawsan Chalabi from H is For Haiku by Sydell Rosenberg PCB

Interior spread from H is For Haiku: A Treasury of Haiku From A to Z written by Sydell Rosenberg with illustrations and lettering by Sawsan Chalabi, Penny Candy Books ©2018.

 

It’s easy to tell when haiku comes from the heart as is the case for this New York inspired alphabetic haiku journey. Rosenberg’s homage to her city jumps off the pages and transcends time. Nothing escaped her observant eye, whether it was a bird, a parked car, a squirrel, an umbrella or a watering can. Having grown up in New York, I found so many favorites but I’ll try to pick out just a few. The rest will rely on you. No doubt you’ll agree that three simple lines of poetry can be oh so powerful.

With each letter comes a new delight, an awakening of the senses. Feel the wind blow alongside the gentle touch of petals in Plunging downhill/Petals falling in her hair/Girl on a bike or imagine your favorite ice cream flavor as you claim your spot on a long line in Queuing for ice cream/Sweat-sprinkled office workers/On Queens Boulevard. How amazing that in just 17 or so syllables (Rosenberg wasn’t a stickler) I could be transported instantly to my commuter days from decades ago when I took the subway daily to work! I recalled the heaviness of the humidity on my face, the barrage of assorted smells and the oppressiveness of the heat culminating with the need for a cool scoop of chocolate chip in a sugar cone. Rosenberg’s masterful haiku crafting shines yet again in Jumping Quietly/The cat follows a peach pit/Tossed from the terrace. Can you picture the fire escape or the cat jumping high to catch the pit before it hits the pavement?

 

Interior artwork by Sawsan Chalabi from H is For Haiku by Sydell Rosenberg PCB

Interior spread from H is For Haiku: A Treasury of Haiku From A to Z written by Sydell Rosenberg with illustrations and lettering by Sawsan Chalabi, Penny Candy Books ©2018.

 

The treasury includes imaginative and colorful artwork from Sawsan Chalabi. A particular favorite is letter D where she created a concrete poem in that she gives the haiku raindrop shapes adding to the sensation the language creates. The illustrations have an upbeat and retro feel at the same time and are not only pleasing to the eye but wonderful interpretations of Rosenberg’s words.

Treat yourself, your kids, friends and family to the joy that is H is For Haiku and see which ones resonate with you. Most importantly, listen to your mother, and your heart. Happy Mother’s Day!

  • Review by Ronna Mandel

Amy Losak’s comments:

“Years after Syd died in 1996, I took up her goal of publishing one of her kids’ manuscripts from the 1970’s/1980’s. She was a charter member of the Haiku Society of America in 1968, which was “born” in NYC. It turns 50 years old this year. (I am a member now too.) Many of mom’s “city haiku” reflect her urban surroundings and sensibility, but they are universal and timeless, as well.

Haiku are brief (they make perfect “pocket poetry”) but they impel readers to slow down and linger over something they may ordinarily overlook. As I say in my introduction, haiku help make so-called “small moments” big. Haiku is a way to enter with awareness into the world around us. Children and adults alike will relate to these evocative ‘word-pictures.'”

To order the book:
https://www.pennycandybooks.com/shop/haiku

Read more here:

https://www.pennycandybooks.com/blog-1/losak

http://readlearnandbehappy.blogspot.com/2017/04/happy-international-haiku-day-national.html

About the publisher:
PCB is dedicated to diversity in children’s literature. It’s a small, traditional press having “big conversations.”
Check them out at www.pennycandybooks.com or on Facebook, Instagram, and Twitter

 

Dude! written by Aaron Reynolds and illustrated by Dan Santat

 

DUDE!

Word by Aaron Reynolds (as noted on cover!)

Art by Dan Santat

(A Neal Porter Book/Roaring Brook Press; $17.99, Ages 4-8)

 

Cover illustration from Dude! by Aaron Reynolds and Dan Santat

 

Starred Reviews – Booklist, Kirkus

Aaron Reynolds (Creepy Carrots, a Caldecott Honor winner) channels his inner dude to bring us Dude! a one-word, wickedly funny 40-page picture book featuring a beaver and platypus who go surfing. The ingenuity of this book is how the inflections of one word carry the story line.

 

Int1 from Dude! by Aaron Reynolds and Dan Santat

Interior artwork from Dude! written by Aaron Reynolds and illustrated by Dan Santat, A Neal Porter Book/Roaring Brook Press ©2018.

 

Kids will delight in this amusing friendship story that includes bird poop and ice cream—not together, of course. Dude! can be joyfully read aloud by all ages, encouraging the reader to act out the word with enthusiasm.

 

Int2 from Dude! by Aaron Reynolds and Dan Santat

Interior spread from Dude! written by Aaron Reynolds and illustrated by Dan Santat, A Neal Porter Book/Roaring Brook Press ©2018.

 

Int3 from Dude! by Aaron Reynolds and Dan Santat

Interior artwork from Dude! written by Aaron Reynolds and illustrated by Dan Santat, A Neal Porter Book/Roaring Brook Press ©2018.

 

The no-trees-were-killed digital art by Dan Santat (The Adventures of Beekle: The Unimaginary Friend, Caldecott Medal winner) adds lively and colorful action to the text. Each character’s facial expression captures the moment. And, if you’ve ever wondered how a shark can wear a pair of swimming trunks, you’ll find the answer here.

 

Int4 from Dude! by Aaron Reynolds and Dan Santat

Interior artwork from Dude! written by Aaron Reynolds and illustrated by Dan Santat, A Neal Porter Book/Roaring Brook Press ©2018.

 

Beyond the text and illustrations, this book can be an opening for a conversation about the ability to interpret vocal nuances and facial expressions. Or, Dude, just let the book add a scoop of fun to your day.

•Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

Harriet Gets Carried Away by Jessie Sima

HARRIET GETS CARRIED AWAY
Written and illustrated by Jessie Sima
(Simon & Schuster BYR; $17.99, Ages 4-8)

 

Cover image from Harriet Gets Carried Away by Jessie SimaHarriet … oh, amazing and wonderful Harriet, the star of HARRIET GETS CARRIED AWAY along with her two incredible dads, will make readers all Sima fans if they aren’t already!

My students couldn’t get enough of this brilliant 48-page story … from Harriet’s desire to dress-up no matter what the occasion to her phenomenal imagination and charm, they were hooked.

Harriet is SO excited about her upcoming dress-up themed birthday party, and the task at hand is to venture into the city with her dads to buy party supplies since everything else has been taken care of. One stipulation: She’s asked not to “get carried away” when searching for birthday hats at the store. But in Harriet’s world getting carried away comes easy and she soon finds herself wandering off in her penguin costume with real life penguins. She becomes stranded on an iceberg and realizes she must make her way back to her dads at the store and find the party hats before it’s too late.

Interior artwork from Harriet Gets Carried Away by Jessie Sima courtesy of Simon & Schuster Books for Young Readers ©2018.

When her attempts at leaving the penguins don’t pan out, Harriet’s helped by an orca and some delightful pigeons. Harriet returns to her dads and has the best dress-up birthday party ever … with only ONE of her party attendees getting carried away!

This is one of those stories that will be requested numerous times since it provides a unique, yet fully relatable, experience for youngsters. The writing is quick to action and paced beautifully for children to silently take in every delicious illustration that accompanies the beautiful prose. My favorite moment is when a penguin tells Harriet to “lose the bow tie” she has proudly put on over her penguin costume. Instead, she adjusts her fabulous red bow tie and does things her own way.

Interior artwork from Harriet Gets Carried Away by Jessie Sima courtesy of Simon & Schuster Books for Young Readers ©2018.

Read HARRIET GETS CARRIED AWAY and delight in her message of inclusivity, imagination and pure joy

All interior artwork from Harriet Gets Carried Away by
Jessie Sima courtesy of Simon & Schuster Books for Young Readers ©2018.

  • Reviewed by Ozma Bryant

Ordinary People Change The World: I am George Washington by Brad Meltzer

ORDINARY PEOPLE CHANGE THE WORLD:
I AM GEORGE WASHINGTON
Written by Brad Meltzer
Illustrated by Christopher Eliopoulos
(Dial BYR; $12.99, Ages 5-8)

 

cover image of I am George Washington by Brad Meltzer

 

For Presidents’ Day 2017, let’s take a look at Brad Meltzer’s I am George Washington, another terrific biography in the popular and entertaining Ordinary People Change The World series. These books serve as a great introduction to some of the world’s greatest heroes and historical figures while emphasizing that individuals are not born into greatness but work hard to achieve it, earning the public’s trust, respect and admiration along the way. Each person depicted in the series has demonstrated proven leadership skills or unique knowledge making them worthy of inclusion.

The fourth of nine children, George Washington had great people skills, something needed in a large family, and eventually, to run a nascent country. Back when Washington was growing up, there was no U.S.A. yet, only colonies ruled by Great Britain. Readers will learn how Washington’s older brother Lawrence, fourteen years his senior, had a positive impact on his younger brother. In fact, a soldier himself, Lawrence influenced Washington’s decision to serve in the military. When his father died, Washington’s family could no longer “afford proper schooling so my brothers had to teach me at home.” At sixteen, Washington worked as a surveyor in the Shenandoah Valley with a wealthy family called the Fairfaxes. They treated him kindly and exposed him to the finer things in life. Yet, despite the opportunity to hobnob with the rich, Washington never forgot his roots and all the people less privileged than the Fairfaxes. He later fulfilled his childhood dream by joining the military, showing bravery and leadership in battle and being made “commander of all Virginia’s fighting forces.” George Washington also ran for office, and though he lost at his first attempt, he won all future elections.

 

George Washington Timeline from Ordinary People Change the World

Interior spread of George Washington Timeline from Ordinary People Change the World: I am George Washington by Brad Meltzer with illustrations by Christopher Eliopoulos, Dial Books ©2016.

 

When the American Revolution began in protest against high taxes imposed by Britain, “Our thirteen colonies decided we would fight together against King George III.” Washington was chosen to lead the battle. Cleverness, determination and unparalleled leadership helped the less experienced military of the colonies defeat the mighty British led, of course, by General George Washington. And the rest, of course is history, with Washington being selected as the first president of the United States of America.

What I love about Meltzer’s writing and Eliopoulos’ artwork is that they make learning about these important people so accessible, interesting and fun. Who doesn’t love seeing a miniature George Washington on every page or having him narrate his life’s story? Picking out the most relevant aspects of any individual’s life is never easy and to condense them into a picture book biography for elementary school aged kids and still be meaningful takes a lot of experience, something best-selling author Meltzer has lots of! The choice of Eliopoulos as illustrator is just icing on the cake and I cannot imagine this series with any other style artwork. And did I notice author Meltzer drawn into one spread near the end? See for yourself and let me know.

“Leadership doesn’t come from charisma or personality.
It comes from courage:
The courage to do what’s right.
The courage to serve others.
The courage to go first.”

And George Washington, the father of our country, had enough courage for an entire nation and we celebrate him today.

Ordinary People Change the World website
Brad Meltzer website
Christopher Eliopoulos website

  • Reviewed by Ronna Mandel

Debbie Powell’s Walk This World at Christmastime

 

 

WALK THIS WORLD AT CHRISTMASTIME
Written by Big Picture Press
Illustrated by Debbie Powell
(Big Picture Press; $17.99, Ages 5-8)

 

 

Walk This World at Christmastime, a twenty-four-page picture book, is an interesting and unusual addition to your holiday books. Set up as an advent calendar, the relatively sturdy lift-the-flap windows numbering one through twenty-five reveal images and accompanying text. Each page has additional flaps for curious fingers to discover, bringing the total of interactive windows to more than seventy. The left-hand page contains a four-line loosely rhyming poem and the concluding line “Where am I?” Beautiful background illustrations and clues beneath the flaps help readers solve this question (the answer is provided on the right-hand page).

A younger child will enjoy the many tactile experiences and the colorful, abundant pictures. Older kids will gain a deeper understanding of how different cultures celebrate Christmas around the world, learning our similarities such as “Candles at Christmas are a symbol of the triumph of light over darkness.” New ways to celebrate will be discovered as well: “The Gävle goat is a giant Swedish Yule goat made from straw.” Diversity in religious practices are explained: “In Lalibela, Ethiopia, Christian pilgrims dressed in white robes flock to the beautiful rock churches.” Interspersed historical tidbits inform, for example, that the first advent calendar was made in Germany in 1851.

Many pages have fun food facts. “The Chinese give gifts of apples on Christmas Eve,” “Enjoy a Lebanese Christmas feat of kibbeh pie—made from minced meat and bulgur—along with tabbouleh and honey cake.”

Walk This World at Christmastime concludes with an easy-to-follow world map depicting the book’s journey. A dotted line connects the countries and continents, uniting our world through our holiday celebrations.

Read about illustrator Debbie Powell here.

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

Co-editor of and writer for SCBWI’s Kite Tales https://SCBWIKiteTales.wordpress.com/

The Darkest Dark by Astronaut Chris Hadfield

 

 

THE DARKEST DARK
Written by Col. Chris Hadfield
Illustrated by The Fan Brothers
(Little Brown BYR; $17.99, Ages 4-8)

 

Starred Review – Publishers Weekly

 

 

the-darkest-dark-cvr

 

The Darkest Dark takes place on July 19, 1969—the night before Apollo 11’s Moon landing. We meet Canadian astronaut Chris Hadfield when he was a boy. Chris can’t sleep because “his room was dark. Very, very dark. The kind of dark that attracts the worst sort of aliens.” These creatures, a combination of shadow and imagination, appear on the book’s cover and throughout the story.

Young Chris believes he is an astronaut and, of course, “an astronaut’s work is never done, so astronauts do not like to sleep. But their parents do.” Chris’s parents kick him out of their bed and dutifully check his room for aliens. Finally, the possibility of missing tomorrow’s special event helps Chris fall into his favorite dream.

 

the-darkest-dark_interior1

Interior artwork from The Darkest Dark by Col. Chris Hadfield with illustrations by The Fan Brothers, Little Brown Books For Young Readers ©2016.

 

The next day, most everyone on Stag Island crowds into a neighbor’s living room to watch the Moon landing. When Chris discovers that “outer space was the darkest dark ever,” he views his house’s darkness differently. Chris now understands that “the darkness of the universe was so much bigger and deeper than the darkness in his room.”

The Fan Brothers’ lively and whimsical illustrations creatively blend reality and fantasy. Many pages feature Chris’s pet pug and the not-so-scary mysterious aliens.

The Darkest Dark concludes with biographical information about Chris Hadfield’s journey to becoming an accomplished Canadian astronaut. His personal message and photographs encourage young readers: “The dark is for dreams—and morning is for making them come true.”

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

Co-editor of and writer for SCBWI’s Kite Tales https://SCBWIKiteTales.wordpress.com/

Painting Pepette

PAINTING PEPETTE
Written by Linda Ravin Lodding
Illustrated by Claire Fletcher
(Little Bee Books; $17.99, Ages 4-8)

 

Painting_Pepette cover image

 

You don’t have to be a Francophile to fall for Painting Pepette, a charming new picture book by Linda Ravin Lodding with illustrations by Claire Fletcher. Journey back with me to 1920s Paris to meet the adorable Josette and her stuffed animal rabbit, Pepette.

 

Painting_Pepette_Interior_Image2_the_great_room

Interior spread from Painting Pepette by Linda Ravin Lodding with illustrations by Claire Fletcher, Little Bee Books ©2016.

 

Young Josette adores her plush pet Pepette, but realizes that among all the lovely family portraits hanging in the great room at #9 Rue Lafette, there is none of her beloved rabbit. Determined to change that, Josette heads to the most popular place for a 1920s Paris artist to paint, high up in scenic Montmartre.

There amidst the assorted artists’ imaginations, easels and colorful atmosphere, Josette crosses paths with Picasso, Dali, Chagall and Matisse. Each of these famed artists is eager to capture the likeness of Pepette in their own unique way. The only catch is that Josette feels the completed artists’ masterpieces do not quite convey the true Pepette she knows and loves. And naturally, Pepette agrees. Clearly the only thing left to do at this point is to paint the portrait herself!

Lodding’s use of rhyming words like Josette, Pepette, Lafette and even the family schnoodle, Frizette, along with un petit peu of French words make Painting Pepette a recommended read aloud story. Her selection of artists allows her to have fun with the little girl’s search for the perfect portrait painter. Lodding even includes a brief Author’s Note to explain the time period when these four famous artists painted.

 

Painting_Pepette_Interior_Image5_meeting_Picasso_in_Montmartre

Interior spread from Painting Pepette by Linda Ravin Lodding with illustrations by Claire Fletcher, Little Bee Books ©2016.

 

Fletcher captures the essence of 1920s Paris in every illustration and introduces children to the unique artists and their signature styles. Picasso’s take on Pepette includes two noses and three ears. Dali envisions the rabbit as a variation of The Persistence of Memory. Chagall paints Pepette up in the clouds like a star, et bien sûr, Matisse employs a plethora of color on his palette, “But Pepette isn’t pink,” notes a disappointed Josette.

Together, Lodding and Fletcher have created a picture book that, after entertaining them, might very well inspire children to get out the water colors or acrylics and get into some serious portrait painting of all their favorite stuffed animals. Dabble on!

Don’t miss:

Painting Pepette Trailer

Downloadable Activity

  • Reviewed by Ronna Mandel

 

 

 

Diana’s White House Garden by Elisa Carbone

 

DIANA’S WHITE HOUSE GARDEN
Written by Elisa Carbone
Illustrated by Jen Hill
(Viking BYR; $17.99, Ages 5-8)

 

Diana's White House Garden book cover

 

Diana’s White House Garden takes place in 1943 when the US is at war. Ten-year-old Diana Hopkins lives in the White House because her father, Harry Hopkins, is President Roosevelt’s chief advisor. When the president announces, “we all need to do our part to win this war,” Diana considers how she can contribute and soon tests her skills as a spy and a city official. Clearly, she’s better at playing with the Roosevelts’ little Scottish terrier, Fala. Next, Diana tries leaving sharp pins in the satin chairs to deter the enemies; it doesn’t have the effect she hoped for.

President Roosevelt decides to ship most of the food grown by US farmers to the soldiers, ensuring they are well fed and strong. He declares that Americans should grow their own food, turning backyards and vacant lots into Victory Gardens, starting with one on the White House lawn. Diana offers to help, excited to begin.

She works with Eleanor Roosevelt and the groundskeeper. Soon the garden sprouts—only to be nibbled down by hungry rabbits. Enlisting Fala does the trick; the dog is able to keep the rabbits out while Diana learns from Mrs. Roosevelt that, “sometimes you just have to start over.”

The story comes to fruition with their first delicious harvest. As Diana and her father dine with the Roosevelts, the reader gains intimate access into a world rarely revealed to the general public. This book successfully conveys the human element at the heart of all meaningful relationships, whether between president and citizen or girl and dog.

Sepia-tone paper perfectly accompanies the lively illustrations which depict well-researched scenes from the 1940s. We travel through this important historical period with Diana, understanding the timelessness of childhood. The opening line says it all, “Diana Hopkins lived in a white house.” An enduring need for community—whether you live in a white house or in the White House—connects this seventy-three-year-old story with families today.

Find educational resources and more about author Elisa Carbone here.
Visit illustrator Jen Hill’s website here.

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

Co-editor of and writer for SCBWI’s Kite Tales https://SCBWIKiteTales.wordpress.com/

Travel to Great Britain – Kidlit Roundup

TRAVEL TO ENGLAND & SCOTLAND
A Picture Book Roundup

 

Maisy Goes to London
Written and illustrated by Lucy Cousins
(Candlewick Press; $15.99; ages 2-5)

An English Year: Twelve Months in the Life of England’s Kids
A Scottish Year: Twelve Months in the Life of Scotland’s Kids
Written by Tania McCartney and illustrated by Tina Snerling
(EK Books; $17.99; ages 6-10)

 

Travels through England and Scotland

Maisy_Goes_to_LondonI was raised in England, so I’m partial to books about the British Isles. Luckily, there are so many of them! We begin with Lucy Cousins’ Maisy Goes to London, which is a perfect introduction to the fabulous city for children ages three to seven. Maisy and her friends are sightseeing in one of the most exciting cities in the world, and there’s so much to see and do! They climb the lions in Trafalgar Square and see Nelson’s Column. Right across the street is the National Gallery, home to “so many amazing paintings. Maisy likes the sunflowers best.”  Of course, no trip to London is complete without seeing Buckingham Palace, the Houses of Parliament, and Big Ben. With stops at a park and the Tower of London—“Cyril and Charley love the Beefeater’s colorful uniform”—Maisy and company cover a lot of the most recognizable sites. As always, Lucy Cousins’ delightful artwork and easy-to-understand word choice hit the mark for younger readers.

 

An-English-Year-300x288For a broader look at modern England, older readers can check out An English Year: Twelve Months in the Life of England’s Kids written by Tania McCartney and illustrated by Tina Snerling. Five children, Victoria, Aman, Tandi, George, and Ameli, are our guides to festivals, games, traditions, sites, animals, and foods from different parts of England. Each month has a double page spread and is filled with delightful pictures that depict the text. Each spread features about 12 facts for the month. The books is chock full of information! I personally loved seeing the hot, roasted chestnuts in a paper bag for January and the Punch and Judy puppet show for June. The references to lesser-known facets of living, such as “we gobble Jaffa Cakes and Jammie Dodgers” (June) and BBC’s Children in Need fundraiser (November), add to the sense of discovery. Details such as these, in addition to the more mainstream items like Stonehenge and Royal Ascot, go a long way in creating a real sense of life in England.

 

A-Scottish-Year-300x288McCartney and Snerling have also created the series’ companion book, A Scottish Year: Twelve Months in the Life of Scotland’s Kids. In similar fashion to the England book, Scotland’s heritage is presented via five children—Rashida, Sophie, Dominik, Isla, and James. We learn that on Twelfth Night, people “take down our Christmas Tree to avoid bad luck” (January) and that “Tartan Day celebrates everything good about Scotland” (April). We’re introduced to blaeberry picking (July) and “redding the house, to bring in a fresh new year” (December). The use of Scottish vernacular (for example, dreich, meaning dull, depressing, dreary weather) and inclusion of celebrations (the Braemar Gathering and the Royal Highland Show) produce a vivid feel for the pride that the Scottish feel for their country.

Readers may realize that more context or detail is needed to explain some of the information in the books. For example, English Year states, “At birthday parties, we play lots of games. Dad tries to give us The Bumps!” We did this when I was a child, so let me explain. The Bumps is when the birthday child is lifted by the arms and legs, and his/her bottom is bumped on the ground the number of years he/she is turning. It’s fun. Scottish Year mentions that in November “we put on our coats and play conkers outdoors.” I have fond memories of playing conkers with my classmates. A conker is a horse chestnut with a shoelace strung through it. Children then aim and hit their conkers at each other’s. Whichever conker outlasts the other, wins. Even though some research may be needed if a reader wants to dig deeper, the basic information doesn’t distract from the charm of the books.

The artwork is adorable. Each book’s characters show features of life at home, school, play, festivals, and so on. Illustrations introduce the months. In Scottish Year, March has a rain cloud hovering over it and rain sprinkling from the M, and September has leaves swirling around it. The text incorporates different colors and line shapes. For example, the text weaves around illustrations, some words are colored, some letters have their circles filled in, and some are in different sizes. The visuals, including the endpages, are appealing and encourage readers to follow the text.

Each book ends with a list of counties/regions and a map of the country filled with fun facts. I had no clue that Scotland has over 790 islands! I did know, however, that England consumes more tea per person than anywhere else in the world. Tea is such a large part of the culture. I appreciated the multicultural aspect that reflects the reality of these countries today. It begins with the inclusion of the children’s characters from Pakistan, India, Jamaica, and Poland, as well as England and Scotland, of course. While plenty of traditional aspects are presented, so are the more contemporary contributions from the various “introduced cultures” that have become a part of the fabric of England and Scotland. For example, in English Year, we learn that “Holi is the Spring Festival of Colours. We cover each other in coloured paint” and that “Eid al-Fitr marks the end of Ramadan. No more fasting!” To ensure authenticity, the books have been produced in consultation with native English and Scottish advisors, school teachers, and school children.

If you aren’t traveling to the British Isles this year, or even if you are, these three books are a wonderful introduction to London, England, and Scotland.

  • Reviewed by Rita Zobayan

 

 

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