HOW TO GROW A DINOSAUR
Written by Jill Esbaum and illustrated by Mike Boldt
(Dial Books for Young Readers; $17.99; Ages 2-5)
If you’re looking for a gift for a child who is about to become an older sibling, look no further than Jill Esbaum’s hilarious and practical guide to big siblinghood, HOW TO GROW A DINOSAUR with artwork by Mike Boldt. Here’s a description from Penguin Random House:
Good news: Your mom’s hatching a baby! Bad news: Babies take their sweet time. And when the baby finally hatches? He’s too little to play! He mostly screeches, eats, burps, sleeps, and poops. He doesn’t even know he’s a dinosaur! That’s where you come in. You can teach the baby just about everything–from peek-a-boo to roaring to table manners to bedtime. Growing a dinosaur is a big job, but you’re perfect for it. Why? Because one thing your baby brother wants more than anything . . . is to be just like you.
INTERVIEW: I was lucky enough to sit down for a chat (via Facebook Messenger) with Jill to talk about the book, finding time to write, and the perks of being a kidlit author.
Colleen Paeff: I love the way HOW TO GROW A DINOSAUR is playful and funny, but it’s also a legitimate how-to guide for older siblings. Did the manuscript start out that way or did it evolve over time?
Jill Esbaum: Thanks, Colleen! That evolved over time. I wrote it to be a simple, entertaining book, but it sort of took on a life of its own. My editor grabbed onto the possibilities right away.
CP: Did you send it to your agent first or did it go straight to your editor?
JE: I sent it to my agent, Tricia Lawrence. I had my Dial editor, Jessica Dandino Garrison, in mind, though, and asked Tricia to send it to her first. It seemed like the kind of goofy humor she might like.
CP: So, you had worked with this editor before?
JE: Yes. We had worked together on both I HATCHED and I AM COW, HEAR ME MOO!
CP: Is it easier to work on something with an editor you’ve worked with before?
JE: Definitely, because you (sorta) know what might work for her/him and what probably
Interior spread by Mike Boldt from How to Grow a Dinosaur by Jill Esbaum, Dial BYR ©2018
CP: How long was the process from first draft to publication for HOW TO GROW A DINOSAUR?
JE: I sent it to Tricia in May of 2015, and by October we had an offer. The process didn’t really start until March, when the contract was finally buttoned up. So March, 2016, to January, 2018. Not bad.
CP: Is that faster than usual? Or is that normal for you?
JE: That was about the same as my other recent books. I once waited nearly 5 years, though, so 2 years felt like lightning speed. My last 5 (or so) books have all been about 2 to 2 and a half years from sale to publication.
CP: Wow. That seems fast!
JE: Still seems fast to me, too. My earlier books were mostly 3-year books.
CP: I’m curious about the ratio of stories you write to stories you sell. Do you have many manuscripts in the proverbial “drawer” or do you sell most of what you write?
JE: That’s hard to say right now. My agent has 6-7 picture book manuscripts that started to make the rounds last year. Considering my entire career, though, I suppose I sell…50% of what I write? That’s probably just because I refuse to give up on some that deserve the drawer. I can’t help tinkering with rejected stories in hopes of making them irresistible the next time out. That persistence has often paid off for me. An offer came in last month for a picture book that had been rejected 7-8 times since I wrote it in 2014.
CP: Do you usually work on one project at a time or several?
JE: Several. Right now, I have a chapter book, 3 picture book manuscripts, and a nonfiction project all front and center on my computer desktop.
Interior spread by Mike Boldt from How to Grow a Dinosaur by Jill Esbaum, Dial BYR ©2018
CP: Are you someone who writes every day or do you have a more flexible schedule? And how do you squeeze it in around farm work, grandchildren, school visits, and teaching a summer writing workshop?!
JE: I don’t feel like I’ve been doing a very good job of it lately, honestly. Working on that. But I can’t always make writing my priority. Family comes first, always. One thing that has also been squeezing out writing time lately is handling the business side of being published. I don’t love it, and it’s a huge time suck. Long, leisurely days of “Hmm, what should I work on first?” are VERY few and far between, these days.
CP: But it seems like you’re so prolific!
JE: I don’t feel that way. I always feel like I should be writing more. For instance, I wrote a quick draft of a new picture book and sent it to my online critique group about 10 days ago. They’ve all weighed in, and I’m chomping at the bit to start tweaking. But I haven’t yet been able to make the time. Part of that is because I have a new book out and am doing my best to promote it, including my first-ever launch party this next weekend. Partly it’s because the flu sidelined a grandson’s babysitter, so I stepped in there. Grammy duty is one of the best parts of my life!
CP: Is hanging out with your grandkids a big source of inspiration for you?
JE: It is! And I hadn’t really expected that. My fingers are tightly crossed for a project going to its final yes/no meeting next month that springs entirely from a moment I experienced while babysitting my granddaughter. Crazy.
CP: I know you write both fiction and nonfiction. Do you have a soft spot for one over the other?
JE: I suppose I have a soft spot for fiction, but only because that comes entirely from my own imagination, and it’s a blast to see that come to life. I love writing nonfiction, too, because all the information I need is easily available to me, and all I have to do is figure out a way to make it engaging for kiddos.
CP: Let’s get back to HOW TO GROW A DINOSAUR. I love the parts in the story where the text is vague, but the illustrations show something alarming, or moving, or downright hilarious. Did your manuscript go to the illustrator with art notes or was that all him?
JE: I did include brief art notes here and there. But much of it was left for the illustrator’s imagination. I don’t think I had an art note for the page in which the baby dino is teething on the cat. And that turned out to be one of my favorite illustrations.
CP: Yes! I love that one. And I love the one where the big brother roars and scares the baby. They both look so sad.
JE: I feel very fortunate that both Jessica and the illustrator, Mike Boldt, understood what I was trying to do.
Interior spread by Mike Boldt from How to Grow a Dinosaur by Jill Esbaum, Dial BYR ©2018
CP: Do you have a favorite unexpected detail?
JE: My favorited unexpected detail is that Mike inserted picture books here and there with titles that are plays on books of his or mine. There’s I Don’t Want To Be a Stegosaurus (from his book with Dev Petty, I Don’t Want To Be a Frog); I Hatched; and I Am T. Rex, Hear Me Roar! (from my I Am Cow, Hear Me Moo!) Too funny. Illustrators are brilliant.
CP: Yes! I love those, too. And I love how all the illustrations in the books are dinosaurs. It’s so clever. Did you see any artwork while it was in process or did you have to wait until it was complete?
JE: I did get to see the black and white sketches. It was obvious even then that this one would be special.
CP: Do you sometimes feel a sense of trepidation when you give up your manuscript to an illustrator?
JE: No, I never feel that way. I’m always excited to see what they bring to the story. Seeing their sketches feels like unwrapping a gift.
CP: What’s next for you?
JE: I have a couple of nonfiction books coming out in March. Picture book-wise, two projects are in the pipeline that I can’t yet talk about. And my fingers are tightly crossed for a third. Meanwhile, I’ll be writing whenever I can squeeze it in. Enough of that, and projects eventually get finished.
CP: What do you wish you’d known when you first started writing for children?
JE: I don’t think there’s anything I can say I wish I’d known. Getting to this point in my career has been one long, slow learning process, of course. But I can’t wish I’d had shortcuts, because everything that’s happened has made me a stronger writer.
CP: That’s good to know!
JE: The BEST thing that’s happened in the past 20 years: If anybody had told me, early on, that in 20 years I’d have this many amazing and talented author/illustrator friends all over the globe I would have thought that person was nuts. I mean, I live in Iowa; how would I meet them? Ha. Enter the internet. And SCBWI conferences and literature festivals. Meeting so many terrific book people has been one of the highlights of my life.
CP: It’s definitely one of the perks of this business. Thanks so much for doing this, Jill!
JE: Thanks, Colleen! I enjoyed it.
- Interview by Colleen Paeff
A THANKSGIVING BOOKS ROUNDUP
Here’s a selection of our 2017 faves
For little ones to gobble up!
Llama Llama Gives Thanks
An Anna Dewdney Book
Illustrated by J. T. Morrow
(Penguin Young Readers; $5.99, Ages 0-3)
In just under 60 words on 14 sturdy pages, Llama Llama Gives Thanks, based on the characters created by Anna Dewdney, perfectly and joyfully conveys what the holiday is all about — celebrating together with friends and family, trying new foods and giving thanks not just on Thanksgiving but throughout the year. A message worth remembering and easy to understand when shared by Dewdney’s beloved characters.
Otis Gives Thanks
Written and Illustrated by Loren Long
(Philomel; $8.99, Ages 0-3)
Otis Gives Thanks, a 30 page board book, is certain to appeal to old Otis fans and bring new ones on board. Long’s popular tractor is grateful for so many things on the farm where he lives and works. Whether he’s hopping over hay or settling down to sleep, Otis is always thankful for playful moments, hard work and friends. This beautiful book radiates warmth with its stunning artwork of muted hues and feeling of a bygone era. Every page is a tribute to the heartland where our food is grown and a caring community including farmers love the land and the country, just like Otis does. www.otisthetractor.com
Where is Baby’s Turkey?
Written and illustrated by Karen Katz
(Little Simon; $6.99, Ages 1-4)
This sweet interactive board book invites young readers to help Baby find his cuddly turkey. By lifting assorted flaps and searching behind seasonal flowers, a gate, a basket, the fridge, in the kitchen and behind the door, Baby is introduced to a colorful variety of Thanksgiving items until his plush toy turkey is found. With just the right amount of flaps to entertain and engage, Where is Baby’s Turkey makes an ideal gift this holiday season for those just learning what Thanksgiving is all about.
The Ugly Pumpkin
Written and illustrated by Dave Horowitz
(Nancy Paulsen Books; $7.99, Ages 2-5)
Move over duckling, here comes The Ugly Pumpkin! Horowitz’s hit, The Ugly Pumpkin is now in board book format with its humorous illustrations and rhyming first person text. Ideal for both Halloween and Thanksgiving, this tale is about a distinctly shaped pumpkin who is frequently mocked, never gets picked and is left to wander on his own to find someplace where he’ll be accepted and belong. The mood picks up when he discovers “a garden that was overrun with squash. I noticed something very odd and then thought, O my gosh …” This little pumpkin was a happy little pumpkin when he learns he’s really a squash! And for him, that was definitely something to be thankful for! Horowtiz’s whimsical illustrations add another layer of zaniness to a funny story that easily engages kids since it’s impossible not to empathize with the long, thin orange narrator.
Rettie and the Ragamuffin Parade
Written by Trinka Hakes Noble
Illustrated by David C. Gardner
(Sleeping Bear Press; $17.99, Ages 6-9)
If you’ve ever visited New York’s Tenement Museum, this historical fiction picture book will surely resonate with you. But even if you haven’t, from the very first page you’ll be transported back to the Lower East Side in November of 1918. Americans were overseas fighting and at home an influenza pandemic swept across the country making thousands of children, rich and poor, orphans. The disease did not discriminate. In the two-room tenement of nine year old Loretta Stanowski, or “Rettie” as she was known, looked after her consumptive mother and three younger siblings. Her father was a soldier somewhere abroad. So, to earn money to support the family during her mother’s illness, Rettie cleaned rags. She also longed for the upcoming Ragamuffin Parade which many now say was the precursor to Macy’s Thanksgiving Day Parade. But would the city call off the event since so many people were ill and public gatherings had been stopped to prevent the influenza from spreading? During the Ragamuffin Parade, wealthy people would line the streets and give pennies to the raggedy clothed children who asked, “Have ya anything for Thanksgiving?” There would also be a scramble at busy street corners were pennies were tossed in the air and kids would scramble to collect as many as possible, hence the name. The parade would provide a much needed opportunity to bring in extra money. Putting food in the mouths of her family was Rettie’s top priority as was staying healthy so when her tenement building’s manager came down with the flu and was quarantined, an opportunity for Rettie to earn more money presented itself. This moving story is a well-written and engaging resource for anyone interested in daily life in early 20th century New York, although these scenes likely played out in cities across America. As the war came to end on November 11, 1918, President Woodrow Wilson declared November 28 a day of Thanksgiving. To this day we gather together as Americans to share a meal and reflect on our many reasons to be thankful. Between Noble’s well-researched story and Gardner’s evocative illustrations, Rettie and the Ragamuffin Parade is a treat. The spirited young Rettie is an inspiring main character and her devotion to her family shines through on every page. An author’s note at the end provides more details for young readers as does an archival photo circa 1910 of the ragamuffins. Despite having grown up in New York, I’d never heard of this parade and appreciate Noble’s successful efforts at capturing the time, place and people struggling daily on the Lower East Side.
BEST CHILDREN’S BOOKS FOR MOTHER’S DAY
– A ROUNDUP –
Written by Kate McMullan
Illustrated by Tao Nyeu
(Dial BYR; $16.99, Ages 3-5)
With starred reviews from both Publishers Weekly and Booklist, Mama’s Kisses is sure to be an in-demand picture book for many Mother’s Days to come. McMullan has written a sweet ode to the unwavering devotion and patience of moms, in this case, rainforest moms. The moon is on the rise and four mommy animals are on the lookout for their young ones, a baby panda, elephant, orangutan and leopard. As bedtime beckons, the babies engage in a playful game of hide-and-seek that seems so successful until all at once, when the moms are ready, their hiding place is uncovered. But being found means getting kisses, smooches, and hugs galore until tired eyes can no longer remain open. Dreamland is drawing nigh so the baby animals go to sleep soon followed by their tired moms, always close at hand. Conveyed in uncomplicated rhyme and calming rhythm, Mama’s Kisses is a gentle bedtime tale perfect for pre-schoolers. Nyeu’s artwork fills all corners of most every page and, though using only oranges, yellows and blues, she manages to create a subtle softness, warmth and calming mood with just these few well chosen hues.
Written by Diane Adams
Illustrated by Claire Keane
(Chronicle Books; $15.99, Ages 3-5)
Whether it’s for Mother’s Day, Valentine’s Day, Graduation or simply just because, Love is by Diane Adams will make a great gift. Love is a girl and her duckling. Looking after the fuzzy little creature is not unlike a mother caring for her child which is why Love is works on many levels. It’s a story about loving and nurturing something that is dear to you, as well as being about the responsibility involved in such a privilege. “Love is holding something fragile, tiny wings and downy head. Love is noisy midnight feedings, shoebox right beside the bed.” The little girl must also accept that her duckling is growing. She will soon need to allow her pet to move on, fend for itself, find a new home and start a family all its own, all the while knowing that the love she has shared will not be forgotten. This 32 page picture book is a delightful read aloud story with well-paced rhyme and evocative illustrations that, coupled with the meaningful verse, will tug at your heartstrings.
How To Raise a Mom
Written by Jean Reagan
Illustrated by Lee Wildish
(Alfred A. Knopf BYR; $17.99, Ages 4-8)
Another winner from the creators of the How To picture book series, How to Raise a Mom will totally charm moms, dads and kids alike.
“Raising a happy, healthy mom is fun … and important! Are you ready for some tips?” The sibling narrators take readers through their mother’s typical day as part of their instruction guide, and clearly based on the wonderful rearing and love they’re getting from her. After kisses to awaken her, and giving her choices for the day’s outfit, the kids take her to the supermarket and the playground to name a few places while also leaving quiet time for her to get some work done. It’s fantastic to be treated again to Wildish’s whimsical illustrations like those found in the other How To books, full of humorous not-to-miss touches and amusing expressions in every spread. Kids will especially get a kick out of the dog and cat Wildish includes in many scenes. The children also cover playtime, mealtime and finish up the full day with stories and snuggles. I loved how they occasionally mimic just what Mom always says to them such as “Thank you so much, Sweat Pea, for being so patient,” or “Remember to be a good sharer!” There is so much to enjoy in this picture book tribute celebrating moms everywhere.
More recommended children’s books for Mother’s Day:
Written and illustrated by Emma Dodd
(Nosy Crow; $12.99, Ages 2-5)
When I Carried You in My Belly
Written by Thrity Umriar
Illustrated by Ziyue Chen
(Running Press Kids; $16.99, Ages 4-8)
I Love My Mommy
by Sebastien Braun
(Harper Collins; $7.99, Ages 0-4)
by Anne Gutman and Georg Hallensleben
(Chronicle Books; $5.99, Ages 1-3)
If you know any little ones already thinking
about Easter egg hunts and
baskets full of chocolate candy,
this roundup of new Easter board books
IS FOR YOU!
Tucker Digs Easter!
Written and illustrated by Leslie McGuirk
(Candlewick Press; $7.99, Ages 2-5)
Everyone’s favorite, Tucker, is back in Tucker Digs Easter! This adorable white dog is excited about the arrival of spring “when there’s lots of soft dirt for digging!” In fact, he’s such a pro at digging all kinds of holes to hide his bones and toys that it’s no surprise when the Easter Bunny recruits him to help dig holes for the big Easter egg hunt. But what happens after the pair dig and hide so well that the children cannot find any eggs? Then it’s Tucker to the rescue to dig, dig, dig again to find those well hidden eggs and bring smiles to all the children’s faces. This 28 page board book is a great way to make new Tucker fans while getting youngsters excited about the upcoming holiday.
The Easter Egg
Written and illustrated by Jan Brett
(G.P. Putnam’s Sons; $8.99, Ages 3-5)
Do you love Jan Brett? Then you’ll be delighted The Easter Egg is now available in board book format with a gorgeous foldout spread adding to this book’s appeal. Hoppi is going to decorate his “first-ever Easter egg!” and he wants it to be extra special. Searching for ideas, Hoppi visits various friends for inspiration. Everyone is so helpful and eager to assist him, offering super suggestions and samples. But everything looks so hard to do. It’s only when Hoppi spots a fallen blue robin’s egg that he realizes what he must do. After caring for the egg and eventually befriending the baby robin, Hoppi’s good deed is rewarded by the Easter Bunny in the most satisfying way. As always, Brett’s artwork is a treat to behold. Easter-themed borders surround each sturdy page and pictures of Hoppi’s rabbit friends busy creating their egg masterpieces hug the sides. Be sure also to point out to children all the robin activity woven into each border at the top of almost every page because that’s a whole other story in itself!
The Story of The Easter Bunny
Written by Katherine Tegen
Illustrated by Sally Anne Lambert
(Harper Festival; $7.99, Ages 4–8)
Now a charming 32 page board book, The Story of The Easter Bunny transports readers to what appears to be a quaint English village filled with thatch roofed cottages and cobblestone streets. It’s here that “,,, a round old couple were making Easter eggs.” As they dutifully toiled away, their little rabbit watched. He watched until he learned their tasks by heart so that one day, when the round old couple overslept, the little rabbit knew just what he had to do. The tables turned and now the round old couple were helping their little rabbit until one day they were simply too old to continue. Afraid that the village children would find him out, the little rabbit moved to “… a shadow-filled wood nearby.” There, with help from his friends, he carried on the tradition he had learned so well and to this day the Easter Bunny continues to spread cheer by delivering his baskets to children everywhere. Sharing this store requires carefully studying the stunning spreads so as not to miss a single detail Lambert’s included. I think some yummy chocolate should be required to accompany very reading!
TRAVEL TO ENGLAND & SCOTLAND
A Picture Book Roundup
Maisy Goes to London
Written and illustrated by Lucy Cousins
(Candlewick Press; $15.99; ages 2-5)
An English Year: Twelve Months in the Life of England’s Kids
A Scottish Year: Twelve Months in the Life of Scotland’s Kids
Written by Tania McCartney and illustrated by Tina Snerling
(EK Books; $17.99; ages 6-10)
Travels through England and Scotland
I was raised in England, so I’m partial to books about the British Isles. Luckily, there are so many of them! We begin with Lucy Cousins’ Maisy Goes to London, which is a perfect introduction to the fabulous city for children ages three to seven. Maisy and her friends are sightseeing in one of the most exciting cities in the world, and there’s so much to see and do! They climb the lions in Trafalgar Square and see Nelson’s Column. Right across the street is the National Gallery, home to “so many amazing paintings. Maisy likes the sunflowers best.” Of course, no trip to London is complete without seeing Buckingham Palace, the Houses of Parliament, and Big Ben. With stops at a park and the Tower of London—“Cyril and Charley love the Beefeater’s colorful uniform”—Maisy and company cover a lot of the most recognizable sites. As always, Lucy Cousins’ delightful artwork and easy-to-understand word choice hit the mark for younger readers.
For a broader look at modern England, older readers can check out An English Year: Twelve Months in the Life of England’s Kids written by Tania McCartney and illustrated by Tina Snerling. Five children, Victoria, Aman, Tandi, George, and Ameli, are our guides to festivals, games, traditions, sites, animals, and foods from different parts of England. Each month has a double page spread and is filled with delightful pictures that depict the text. Each spread features about 12 facts for the month. The books is chock full of information! I personally loved seeing the hot, roasted chestnuts in a paper bag for January and the Punch and Judy puppet show for June. The references to lesser-known facets of living, such as “we gobble Jaffa Cakes and Jammie Dodgers” (June) and BBC’s Children in Need fundraiser (November), add to the sense of discovery. Details such as these, in addition to the more mainstream items like Stonehenge and Royal Ascot, go a long way in creating a real sense of life in England.
McCartney and Snerling have also created the series’ companion book, A Scottish Year: Twelve Months in the Life of Scotland’s Kids. In similar fashion to the England book, Scotland’s heritage is presented via five children—Rashida, Sophie, Dominik, Isla, and James. We learn that on Twelfth Night, people “take down our Christmas Tree to avoid bad luck” (January) and that “Tartan Day celebrates everything good about Scotland” (April). We’re introduced to blaeberry picking (July) and “redding the house, to bring in a fresh new year” (December). The use of Scottish vernacular (for example, dreich, meaning dull, depressing, dreary weather) and inclusion of celebrations (the Braemar Gathering and the Royal Highland Show) produce a vivid feel for the pride that the Scottish feel for their country.
Readers may realize that more context or detail is needed to explain some of the information in the books. For example, English Year states, “At birthday parties, we play lots of games. Dad tries to give us The Bumps!” We did this when I was a child, so let me explain. The Bumps is when the birthday child is lifted by the arms and legs, and his/her bottom is bumped on the ground the number of years he/she is turning. It’s fun. Scottish Year mentions that in November “we put on our coats and play conkers outdoors.” I have fond memories of playing conkers with my classmates. A conker is a horse chestnut with a shoelace strung through it. Children then aim and hit their conkers at each other’s. Whichever conker outlasts the other, wins. Even though some research may be needed if a reader wants to dig deeper, the basic information doesn’t distract from the charm of the books.
The artwork is adorable. Each book’s characters show features of life at home, school, play, festivals, and so on. Illustrations introduce the months. In Scottish Year, March has a rain cloud hovering over it and rain sprinkling from the M, and September has leaves swirling around it. The text incorporates different colors and line shapes. For example, the text weaves around illustrations, some words are colored, some letters have their circles filled in, and some are in different sizes. The visuals, including the endpages, are appealing and encourage readers to follow the text.
Each book ends with a list of counties/regions and a map of the country filled with fun facts. I had no clue that Scotland has over 790 islands! I did know, however, that England consumes more tea per person than anywhere else in the world. Tea is such a large part of the culture. I appreciated the multicultural aspect that reflects the reality of these countries today. It begins with the inclusion of the children’s characters from Pakistan, India, Jamaica, and Poland, as well as England and Scotland, of course. While plenty of traditional aspects are presented, so are the more contemporary contributions from the various “introduced cultures” that have become a part of the fabric of England and Scotland. For example, in English Year, we learn that “Holi is the Spring Festival of Colours. We cover each other in coloured paint” and that “Eid al-Fitr marks the end of Ramadan. No more fasting!” To ensure authenticity, the books have been produced in consultation with native English and Scottish advisors, school teachers, and school children.
If you aren’t traveling to the British Isles this year, or even if you are, these three books are a wonderful introduction to London, England, and Scotland.