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An Interview with Author-Illustrator Isabella Kung

 

 

 

AN INTERVIEW WITH

AUTHOR -ILLUSTRATOR ISABELLA KUNG

ON THE BOOK BIRTHDAY OF

1 2 3 CATS: A COUNTING BOOK

AND

ABC CATS: AN ALPHA-CAT BOOK

Written by Lesléa Newman

(Candlewick Books; $7.99 each, Ages 2 to 5)

 

 

SHORT SUMMARY:

123 CATS Cover1 2 3 Cats: A Cat Counting Book

Meet cats from one to a dozen in this adorable board book introduction to counting with a feline twist. Author Lesléa Newman draws on her love for (and familiarity with) cats in a concept book for the very young, while illustrator Isabella Kung captures the animals’ movements and gestures in a way that is sure to delight.

 

 

 

 

ABC CATS CoverABC Cats: An Alpha-Cat Book

From curious to elegant, grouchy to inquisitive, rowdy to tangled to . . . well, unusual (who says cats don’t swim in the tub?), these twenty-six charming felines interact with oversize alphabet letters on rhyming spreads. Author Lesléa Newman and illustrator Isabella Kung offer a cat’s-eye concept book that makes the ABCs go down easy—and is sure to inspire many a repeat viewing.

 

 

 

 

INTERVIEW:

 

Colleen Paeff: Happy book birthday, Isabella! It must be so exciting to have two books coming out on the same day! You had to paint over 120 cats for these two adorable books. Do you feel like you need to take a break from painting cats now?

Isabella Kung: Thank you so much, Colleen! It is exciting! They are my first board books too. And yes! 122 cats to be exact, more if you count the different painted versions on various materials to achieve the final results. Thankfully, I love cats so much that it is the one subject I have never grown tired of. Which is good, because I am working on the No Fuzzball! sequel right now!

 

 

123 CATS interior 4
Interior spread from 123 Cats: A Cat Counting Book written by Lesléa Newman and illustrated by Isabella Kung, Candlewick Press ©2021.

 

CP: Hooray! Your author/illustrator debut is getting a sequel?! I’m really glad to hear that. I love Fuzzball. She has so much personality–as do the cats in your latest books. Was it difficult to create so many distinct cat personalities at once? How did you do it?

IK: Lesléa Newman’s words really help spark the inspiration – ideas for gestures, expressions, and body language came to me rather quickly, a little easier for ABC CATS, as each cat only appears once. For 1 2 3 CATS, I kept referring back to my notes about each cat and did my best to stay true to their initial introduction for the following spreads. For example, Cat Number Three was first described as sweeter than Cat Number Two – I drew her being sweet on Cat Number Two, taking the kitten under her wing. From then on, you can always find them together for the rest of the book. The hard part was actually determining what breed, size, fur patterns and colors each cat should be depicted as, which was more a design puzzle to solve, it was fun and challenging.

 

ABC CATS interior 9
Interior spread from ABC Cats: An Alpha-Cat Book written by Lesléa Newman and illustrated by Isabella Kung, Candlewick Press ©2021.

 

CP: Can you speak to the experience of illustrating a board book. Did you face any particular challenges?

IK: Illustrating board books is fun! Honestly, they are not that different from illustrating picture books. The main differences are being aware of the preferences of a younger audience and a slightly lower page count– no need to illustrate the title page, endpapers, and such. The biggest challenge was at the beginning when we were figuring out the style and artistic direction for both books. I was given the art note that they wished to see a style that is a combination between my children’s book watercolor illustrations like in NO FUZZBALL! and the loose, minimalistic Cat Inklings paintings in my personal gallery. This is a great idea and I was excited to try it! Though figuring out how to execute that made me nervous! To achieve the right balance between the looseness and simplicity of my Cat Inklings style with a clearer representation of cats and keep them recognizable (especially for 123 CATS where all the cats are recurring characters) took me two weeks of experimentation, a few failures at the beginning, but I am glad I finally found a good solution! And that is simply the natural progress of figuring something new in art (and writing too) – that you can think about it all you want, but unless it is actually down on paper or screen, and you can review at it objectively, you won’t be able to tell if it really works. You’d think I would be able to trust myself and the process by now and stop being nervous, but unfortunately, my emotions don’t always listen to my logic.  I am really grateful to my Art Director, Lauren Pettapiece, and everyone on the team for placing their trust in me, encouraging me, and giving me the room to experiment. It was truly a dream job!

 

CP: You teach illustration at Storyteller Academy and you also teach a watercolor workshop at Etchr. What do you like about teaching art?

IK: The act of teaching is actually a great learning tool for myself. I have to really break down and analyze my own thought process, materials, drawing and painting techniques, in order to successfully explain and demonstrate to others. I’ve learned so much more about myself and my work over the years thanks to teaching. Teaching is also a wonderful way to share and connect with the creative community. As creators, our career is often an isolating path, it’s nice to discuss your craft with others who are just as excited to hear it. Not to mention, it can be very rewarding when students enjoy my class!

 

CP: I am mesmerized by your YouTube channel–especially the time-lapse watercolor paintings. How much time (in real-time) does it take to paint something like the No Fuzzball in Despair painting? And what is it about painting with watercolors that keeps you coming back to that medium time and time again?

IK: Thank you! I enjoy watching them sometimes myself, because most of my paintings take hours, so speeding it up to only 2-5 mins really makes it look magical! It makes me look 100% confident, too (not always the case)! The painting No Fuzzball in Despair, in particular, took me about 15-18 hours to complete.

 

CP: Oh, wow! It looks so fast in the video! What is it about painting with watercolors that keeps you coming back to that medium time and time again?

IK: I love painting with watercolor and other water mediums like ink, even though it might not be as flexible or speedy as digital mediums. I personally really enjoy the tactile aspects of traditional mediums. Working with watercolor is like working with a living being, you’ll have to study it, observe, and guide it to create the effects you want. Sometimes it even leads you to happy accidents! Which is hard to come by digitally when the undo function is so readily available. It’s more challenging, but the results are immensely satisfying as well! Also, I feel like I can get into the “zone” or access the elusive flow state more easily when working with traditional mediums, whereas, when I am working in photoshop, it tends to feel like work.

 

123 CATS interior 12
Interior spread from 123 Cats: A Counting Book written by Lesléa Newman and illustrated by Isabella Kung, Candlewick Press ©2021.

 

CP: What’s your advice to people who like drawing, but get discouraged by their lack of natural drawing ability?

IK: Drawing and painting are just skills, skills that anyone can learn and even perfect. Natural abilities will only affect the speed that you learn your craft, never let anyone (even yourself) tell you that you can’t draw or paint. All it takes is dedicated practice, draw and paint every day if possible. Start with the basics and don’t get frustrated if you make mistakes. We’ve all been there, it’s all part of the learning process, I still make mistakes! There are so many courses and workshop options nowadays, you can easily find something by an artist you like too.

 

CP: What are three art tools you wouldn’t want to live without?

IK: My watercolor palette, all my painting brushes and my trusty Pentel pocket brush pen with black ink!

 

CP: You’re the Illustrator coordinator of the SCBWI SF/South region of the Society of Children’s Book Writers and Illustrators (SCBWI). Has taking on that role had any impact on your work as an author/illustrator?

IK: SCBWI is such a wonderful organization, joining it really helped me connect with others in my community and learn more about the professional industry when I was just starting out; going to SCBWI conferences also sparked the desire to write my own stories too. So when I was asked to step up to this role, I said yes because I really wanted to give back and contribute to our region. I’ve gained the experience and confidence in organizing and planning events (and now virtually as well); I got to meet and invite fantastic industry professionals that I personally admire; and most of all it gave me the opportunity to personally meet my editor for No Fuzzball!, Kait Feldmann, through one of our annual conferences!

 

CP: I really related to something you said in your interview with Stephani Martinell Eaton on the Cynsations blog when you were talking about the challenges of being an author/illustrator. You said, “Even when I do have time in between projects, it is hard to truly rest and exercise self-care. There are stories on the back burner that need to be worked on! Art experiments waiting to be explored! New tools to be learned! Promotional materials to be done!” Have you learned any useful tricks to help you deal with that particular challenge? I could use them!!

IK: Haha! I do have some tricks, though I must say, my tricks are less effective during this pandemic. My productivity has been a bit fickle during this trying time, but I’m trying to be kind to myself and take things one step at a time and dedicate time off. The best trick I can recommend is to set up various achievable goals and deadlines for yourself. I usually have 3-4 big goals in mind for the year. Then I break it down to a digital monthly to-do list, adding to it throughout the year as things come up. Then I have an analogue weekly planner that I slot these tasks into each week and cross them off as I go. That way, I am not overwhelmed by everything I need to do and can just focus on getting through each week. I do pay close attention to how much I can actually achieve and fine-tune my planning if needed. There’s no use setting way too many unachievable tasks and goals on your plate, that only cause more disappointment or frustration. Now that trick helps with getting most of my responsibilities done, though writing or coming up with ideas is a whole other ball game. I found just dedicating a creative hour every day, even if all I do is stare at my manuscript is helpful. Eventually, ideas will flow and solutions will reveal themselves to me as long as I show up consistently to work on them. Or if schedules allow, a work retreat somewhere else is an amazing treat to the creative mind!

 

ABC CATS interior 10 copy
Interior art from ABC Cats: An Alpha-Cat Book written by Lesléa Newman and illustrated by Isabella Kung, Candlewick Press ©2021.

 

 

CP: Speaking of retreat, what would a perfect day, guaranteed to get the creative juices flowing, look like for you?

IK: A perfect day– that means no urgent emails, family and friends, or home duties interrupting, right? It might look something like this: (FYI, I’m a night owl so please adjust the timing to your sleep schedule)

10am – 12pm – Wake up, grab coffee and water, writing time.

12pm  – 1pm – Lunch

1pm – 5pm – Illustration work

5 pm – 6 pm – Exercise or Meditation

6 pm – 10 pm – Dinner / Family / Relaxation time

10 pm – 2 am – Illustration work. If no pressing deadlines, then personal art explorations.

2 am – 3 am – Wind down, read and prepare for bed.

 

CP: Wow. That sounds amazing. Now I have to ask … How often (if ever) do you get to experience a day like that?

IK: Lol! I think I only maintained this schedule for a short period of time (about 2 months) 3 years ago. It was a time before I got any offers for my book, and right after taking a break from teaching and freelance work. During that time, I wanted to give myself a 6-month break from work to invest in my writing and focus on all the neglected back burner projects. I dug deep, took classes, and got a lot of creative work done! Though I wish I enjoyed that time more, it was also a period of time I was experiencing a lot of self-doubt and depression. I’m glad I hung in there and pushed through these difficult emotions! Now, I’m usually juggling multiple projects and deadlines, so it is almost impossible to have a perfect creative day! I hope later this year I’ll get to try this again.

 

CP: I hope so, too! What’s next for you?

IK: I’m currently working on the sequel for No Fuzzball!, scheduled to hit the shelves in Fall 2022, as well as creating another online course for Storyteller Academy with Julie Downing. Once all of this is completed, I look forward to a well-deserved break and hopefully, I’ll turn to some of those back-burner projects waiting on my attention.

 

CP: I look forward to seeing what antics Fuzzball gets up to in the sequel. Thanks, for chatting, Isabella. I really enjoyed it!

IK: Thank you so much for your thoughtful questions! I enjoyed it too!

 

Isabella_Kung_photo_courtesy_Lorenz_Angelo
Author-illustrator Isabella Kung photo courtesy of Lorenz Angelo

SHORT BIO:  

Isabella Kung is the author/illustrator of No Fuzzball! (Orchard Books | Scholastic, 2020), about a fuzzy feline despot who rules the house with an iron paw. Continuing her feline obsession, she also illustrated over 120 cats for the board books 123 CATS and ABC CATS by Lesléa Newman (Candlewick Press, 2021). Outside the world of publishing, Isabella teaches illustration and watercolor classes at Storyteller Academy and Etchr Lab. She is also the current Illustrator coordinator of the SCBWI SF/South region. Isabella resides in San Francisco with her husband and two adorable – you guessed it – cats! She is represented by Jennifer Laughran at Andrea Brown Literary.

 

LINKS:

Website: www.isabellakung.com

Instagram: @isabellakungill 

Twitter: @isaberryk 

Youtube: https://www.youtube.com/isabellakung

Purchase your copy of all of Isabella’s books here.

 

FOR MORE ON ISABELLA KUNG:

Candlewick Open Studios Visit

‘Animal Crossings’ Antics: Four Children’s Authors on Finding Community

Bridget and the Books

Book Q&As with Deborah Kalb

Simply 7 with Isabella Kung

Thalo Artist Community: Spotlight Interview

 

ABOUT INTERVIEWER COLLEEN PAEFF:

Colleen Paeff is the author of The Great Stink: How Joseph Bazalgette Solved London’s Poop Pollution Problem, illustrated by Nancy Carpenter (available August 31, 2021 from Margaret K. McElderry Books) and Rainbow Truck, co-authored with Hina Abidi and illustrated by Saffa Khan (available in the spring of 2023 from Chronicle Books).  Click here for more info.

 

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Five Kids Books about Words and Language

A ROUNDUP OF FIVE KIDS BOOKS

ABOUT WORDS AND LANGUAGE

Free Clipart words graphic

I love wordplay, puns, and books about the English language in general. If you do too, did you know that means you’re a linguaphile, a word nerd so to speak? I just learned that. This roundup of five kids books reviewed by Ronda Einbinder has something for everyone, word nerd or not.

 

 

No Reading Allowed cvrNO READING ALLOWED: 
The Worst Read-Aloud Book Ever
Written by Raj Halder & Chris Carpenter
Illustrated by Bryce Gladfelter
(Sourcebooks Kids; $17.99; Ages 4 and up)

Raj Haldar, aka American rapper Lushlife and co-author Chris Carpenter (creators of the #1 New York Times bestseller P Is For Pterodactyl) have teamed up for another LOL look at the English language in No Reading Allowed: The Worst Read-Aloud Book Ever with hilarious illustrations by Bryce Gladfelter.

When I first read the title, I was surprised and interested to read The Worst Read-Aloud in the sub-title. However, I immediately understood the meaning when I opened the first page and read “The hair came forth,” with a drawing of a fancy waiter picking a hair out of a girl’s spaghetti and meatballs. The hilarity hit me again when the next page presented “The hare came fourth,” with a drawing of a hare finishing number four in a race with other animals. The imaginative use of homophones, homonyms, and tricky punctuation is a great way to bring parent and child together in learning and loving the meaning of various English words.

 

The Invisible Alphabet cvrTHE INVISIBLE ALPHABET
Written By Joshua David Stein
Illustrated by Ron Barrett
(Rise x Penguin Workshop; $17.99; Ages 2-5)

“An ABC of things unseen: from Air to Zero, and Nothing in between” is how this book is described by the publisher. The Invisible Alphabet is a cleverly illustrated picture book by Ron Barrett of the classic Cloudy with a Chance of Meatballs. It teaches the alphabet with an invisible message using illustrative clues to find what is missing on the page. Written by Joshua David Stein, host of The Fatherly Podcast, the book goes beyond the words allowing readers the opportunity to explore the meaning themselves.

Barrett repeats a bus stop scene with the letters D, J, T, and Z using different word choices, but a similar scene. D is for Delayed shows people waiting on a corner next to a sign that reads bus stop. Hmm, but what are they waiting for you may ask? T is for Too late illustrates rain and two people standing under an umbrella with that same Bus Stop sign on the corner. And the last page in the book reads Z is for Zero again with a Bus Stop sign alone covered in snow. The pen and ink style Barrett uses to illustrate this book is a beautifully crafted take on teaching the alphabet.

e

The Mighty Silent e cvrTHE MIGHTY SILENT E!
Written by Kimberlee Gard
Illustrated by Sandie Sonke
(Familius.com; $16.99; Ages 5-8)

The Mighty Silent e! is a delightfully clever way to teach words that end in a letter that is actually silent, but without it, there would be no word! Writer Kimberlee Gard brings humor and poise in her words, while Sandie Sonke’s humorous illustrations of bright reds, yellows, and greens open up a whole new possibility of teaching sounds to young readers.

Gard’s learning disorder was a great inspiration in the telling of this story. This book put a smile on my face as brave Little e, who goes unnoticed at school, realizes he actually is a much-wanted friend. The importance of Little e is in more than just him knowing that he came from a long line of E’s, with upper case E’s framed in his family home, but in the lower case classmates Little c, Little a, and Little k unable to make a word for a type of dessert. Besides being a great tool to teach silent vowels, this book also provides an added layer of deeper meaning for kids to understand the importance of noticing and respecting quiet children at school.

 

Flibbertigibbety Words coverFLIBBERTIGIBBETY WORDS:
Young Shakespeare Chases Inspiration
Written by Donna Guthrie
Illustrated by  Åsa Gilland
(Page Street Kids; $18.99; Ages 4-8)

Starred Review – Kirkus

“Some are born great” wrote William Shakespeare in Twelfth Night, and his legacy and body of work continue to broaden the minds of young readers to this day. The beauty of the written word is poetically and engagingly captured in Flibbertigibbety Words by by Donna Guthrie, with colorful detailed illustrations by Åsa Gilland.

After chasing words that flew out of his bedroom, and into the streets, young Shakespeare learns that writing words down with paper and pen is the best way to get them to stay with him. Guthrie repeats the wild goose chase in this irresistible repetitive read-aloud. “They vaulted over a wall, took a turn on the old king’s carriage, floated through the sailor’s net, scrambled up a greenwood tree …”

And Gilland’s art tells a charming story all on its own. This picture book was not only a fun read but educational to me as well. I learned that the word flibbertigibbety, not one of his most commonly used words, was created by Shakespeare. So were bedroom, embrace, eventful and lonely. This is an especially terrific picture book for teachers to share with students and a wonderful first look into the language of Shakespeare. Click here for an activity guide.
e

Sounds All Around coverSOUNDS ALL AROUND:
A Guide to Onomatopoeias Around the World
Written and illustrated by Dr. James Chapman
(Andrews McMeel Publishing; $14.99; Ages 8-12)

This unique and hard-to-put-down book will not only be a mainstay on writers’ shelves but a book that will be frequently revisited by parents and teachers. Sounds All Around: A Guide to Onomatopoeias Around the World written and illustrated in graphic novel format by Dr. James Chapman, is an entertaining nonfiction book listing a plethora of words used for various sounds we know in English. But do you know their equivalents in Korean or Hebrew? Well, they’re here too!

Thump Thump is a well-known word sound to describe a beating heart in English. In Hindi, it’s Dhak Dhak; in Japanese, it’s Doki Doki, and in Chinese Peng Peng. Chapman draws dancing red hearts that look the same, but sound differently around the world. He explains that big noises need big sounds and asks the reader to think how they would draw it in a comic book. My teacher’s mind went all over the place with the fun projects that could be created in a classroom with this book. Onomatopoeia is such a wonderful way to add excitement to a story. Now knowing how to create it in a variety of languages makes me want to keep this book on my desk to read over and over again.

 

  • Reviewed by Ronda Einbinder
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Christmas Books for Children Part 2

CHILDREN’S CHRISTMAS BOOKS 2020

A ROUNDUP PART 2

 

 

Free Clipart ivy ornament

 

 

 

 

TheTwelveBirdiesofChristmas cvrTHE TWELVE BIRDIES OF CHRISTMAS
Written and illustrated by Jennifer Sattler
(Sleeping Bear Press; $8.99, Ages Birth and up)

If you’re looking for a board book that’s full of feathered fun this holiday season, look no further than 24 pages of The Twelve Birdies of Christmas. Little ones will want to see the pictures again and again as a bunch of birdies recreate their own version of the beloved Christmas carol while getting up to all sorts of silliness across the pages. The 3 French hens illustration is my favorite and I also laughed at the 7 swans-a-swimming, but I’m sure your children will choose their own while singing along to Sattler’s new lyrics. If you want some context, the original version is included in the back of the book.

 

DINOSAUR CHRISTMAS
Written and illustrated by Penny Dale
(Nosy Crow; $16.99, Ages 2-5)

Calling all dino and transportation fans. The winning combination of dinosaurs and heavy-duty utility vehicles featured in Dinosaur Christmas will entertain the youngest revelers in your household. The premise is a simple one that will be satisfying to children. Santa’s stuck in the Northpole on Christmas Eve and only his dino pals have the brawn required to set his sleigh free. But the best part is the variety of transportation modes they use to get through the stormy weather to mount their rescue. There’s lots of repetition and onomatopoeia to add to the read-aloud experience of this sweetly illustrated picture book. “Team Dinosaur arriving. Arriving and starting to dig. Starting to dig out Santa’s sleigh. Scoop! Scoop! Scoop!” My son and daughter used to memorize books like this when they were little and no doubt your children will too. Kids can search the art for hidden polar bears and study both the front and back endpapers for pictures and names of all the dinosaurs and vehicles included in the story. 

 

LatkesforSantaClaus coverLATKES FOR SANTA CLAUS
Written by Janie Emaus
Illustrated by Bryan Langdo
(Sky Pony Press; $16.99, Ages 3-6)

Ideal for blended families, but definitely delightful for anyone to read, Laktes for Santa Claus is a clever Hanukkah meets Christmas spin on leaving cookies out for Santa on Christmas Eve. Even if it’s not Chrismukkah (when Christmas and Hanukkah overlap), this picture book still shows a way for Jewish children living with a non-Jewish step-sibling and/or step-parent how fun it is to share a bit of their Jewish holiday traditions during Christmastime. Emaus introduces readers to Anna, who is Jewish, as she emails Santa who she guesses must be tired of the same old cookies every year. She promises to leave him a special treat and then sets about to make that happen. Anna just has to figure out what Jewish food will work. Her step-brother Michael, intent on baking cookies, points out how most of Anna’s ideas will require a utensil which Santa will not have after coming down a chimney, hands full of presents. What can she offer that won’t make a massive mess? When she realizes that latkes can be noshed as finger-food, she’s excited to put them out along with Michael’s cookies. When the siblings discover all the food gone on Christmas morning, Michael is eager to work together with Anna to plan something unique for the next Christmas. The back matter includes recipes for both the latkes and the cookies so kids can try their hand at baking with an adult. I love how the cover features a menorah on the mantle as well as a Christmas tree welcoming readers of all faiths to dive into this fun story. There is some rhyme and onomatopoeia for reading aloud enjoyment and at 40 pages, the story flows quickly complemented by the colorful, comic-style art. Despite the title giveaway, young readers will want to see the process as Anna narrows down her choices for Santa. I enjoyed every page of this charming new picture book because it showed how there is not only room for compromise in every family, but how easily a new tradition can be created bringing everyone closer.

 

LittleMolesChristmasGift cvrLITTLE MOLE’S CHRISTMAS GIFT
Written by Glenys Nellist
Illustrated by Sally Garland
(Beaming Books; $17.99, Ages 4-8)

This story brought to mind the classic, Big Bird Brings Spring to Sesame Street. That story, about Big Bird buying a bouquet of flowers but ultimately giving them all away to his pals on his way home, is about the joy of sharing. The beauty in Nellist’s Little Mole’s Christmas Gift is the selfless generosity of the main character which exemplifies the true spirit of the holiday. Little Mole finds the perfect, “biggest, most beautiful” mushroom to bring home for his mother’s Christmas gift but along the way encounters forest friends in need of food, a pillow, an umbrella for protection. Mole knows his mushroom can make a difference, so rather than ignoring the cries for help, he offers part of the gift to each animal. He presents what remains of the mushroom to his grateful mother. Mama Mole understands and appreciates the kind-hearted gesture her child has made and that is indeed the greatest gift a mother could ask for. Garland’s charming illustrations bring a warmth and richness of color to the winter setting and will make kids want to read her other book in the series. A free Little Mole activity pack is available for download on the website too.

Santa.com coverSANTA.COM
Written by Russell Hicks & Matt Cubberly
Illustrated by Ryley Garcia
(Familius; $17.99, Ages 4-8)

Santa.com is a picture book that feels like an episode from children’s television and is certain to engage youngsters who might ordinarily prefer TV over books. Authors Hicks and Cubberly have come up with a neat storyline for a 21st century Christmas. At Santa.com gifts get handled robotically and are “delivered by peppermint drones.” Things run smoothly until the system gets hacked by a cyber Scrooge. Luckily Yo-Yo the elf knows from his Grandpa’s stories that Santa still exists and, with the help of his elf pals, might be coaxed out of retirement to solve the problem. I found the ending really the only slightly ambivalent part and leave it up to readers to come to their own conclusion about how Christmas got saved. I enjoyed the energy and movement Garcia’s art conveyed and the adorable characters he’s imagined. For tech-loving kids, this modern take on Christmas is an original read for the holidays.

  •  Reviewed by Ronna Mandel

Read Christine Van Zandt’s roundup of seven new Christmas books she loves by clicking here.

 

 

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Best New Christmas Books for Children


CHRISTMAS BOOKS ROUNDUP 2020

 

Free Clipart ivy ornaments

 

 

Welcome to our annual Christmas books roundup. Today author, editor, and reviewer Christine Van Zandt has chosen seven of her favorite new books for you to enjoy. We hope it gets you in a festive mood.

 

Hurry Santa coverHURRY, SANTA!
Written and illustrated by Tomie dePaola
(Little Simon; $7.99, Ages 1-5)

Tomie dePaola’s death this year hit the children’s lit community hard. Reading his posthumous Hurry, Santa! is bittersweet. The clever title led me to think that, certainly, all kids want Santa to hurry to their houses, yet, the twist here is that once Santa’s suited up, he faces the same dilemma that many bundled up kids do: he forgot to go potty before suiting up.

This 14-page board book gives Santa just enough time to get dressed and undressed again. As dePaola has in more than 260 children’s books, his art delights us. This book is a lighthearted farewell to his devoted fans. Note: Book says it was previously published as Get Dressed, Santa.

 

Christmas Parade coverCHRISTMAS PARADE
Written and illustrated by Sandra Boynton

(Little Simon, $7.99, Ages 3-6)

Sandra Boynton’s books are best-sellers because of her fun rhyme and lively art. Her 32-page board book, Christmas Parade, is another resounding hit. Kids will enjoy hearing the animal band boom boom and rat-a-tat-tat through town. I love that “chickens with silver bassoons [are] followed by piggies with Christmas balloons.” And Santa is (of course!) a rhino.

 

 

Christmas is Joy cvrCHRISTMAS IS JOY
Written and illustrated by Emma Dodd
(Templar Books; $14.99, Ages 2-5)

Emma Dodd’s 24-page picture book rhyming Christmas Is Joy shares holiday enthusiasm from a reindeer family’s perspective. As with Dodd’s other books, this one is beautifully crafted using minimal words to convey emotion. Heartwarming art captures the book’s cheerful theme; metallic silver accents add fun by evoking glistening snow and ice. This book is part of Emma Dodd’s Love You Books series.

The book’s smaller size (eight x eight inches) helps little hands easily hold on. Like a perfect cup of cocoa, the story comforts you: “Christmas is happiness, / smiles of surprise, / the warmth of affection / that lights up your eyes.”

 

MousesNightBeforeChristmas cvrMOUSE’S NIGHT BEFORE CHRISTMAS
Written by Tracey Corderoy
Illustrated by Sarah Massini
(Nosy Crow; $17.99, Ages 2-5)

Tracey Corderoy’s rhyming picture book, Mouse’s Night Before Christmas, uses Clement Clarke Moore’s famous first stanza to launch into a different direction, telling us  “it wasn’t quite so” that not a creature was stirring. Rather, little Mouse prowls about, wishing he “had a friend to give gifts to.” The story cleverly weaves in some original lines while spinning a new tale.

The art by Sarah Massini warms wide spans of white or gray with muted, lively colors. A nostalgic touch makes Mouse, Santa, and the town seem welcoming and familiar. My favorite scene is the surprise ending where the story reduces to two characters enjoying each other’s company—Mouse is irresistibly cute!

 

CometTheUnstoppable_cvrCOMET THE UNSTOPPABLE REINDEER
Written and illustrated by Jim Benton
(Two Lions; $17.99, Ages 4-8)

Starred Review – Booklist

A Jim Benton Christmas book—yes! If you’re like me and your shelves have more Dear Dumb Diary and Franny K. Stein books than you can count, then Benton’s Comet the Unstoppable Reindeer is the holiday book for you. In the beat of Clement Clarke Moore’s “The Night Before Christmas,” Benton’s story gives a glimpse of the mayhem at Santa’s workshop. When Comet breaks up a fight between two elves, Stinky and Stanky, he ends up with a broken leg, unable to fly. In the confusion, Santa forgets the toys, so Comet must figure something out.

The rhyming text flows easily when read aloud and Benton’s art keeps you laughing as cast-wearing Comet tries saving the night—if only Santa would answer his phone! Luckily, Comet’s a trouper when faced with the humungous bag: “He tried with a lever. / He tried with a hoist. / He tried till his forehead/ was reddened and moist.” Go, Comet, go!

 

MilosChristmasParade cvrMILO’S CHRISTMAS PARADE
Written and illustrated by Jennie Palmer
(Abrams BYR; $17.99, Ages 4-8) 

When it comes to Christmas, I always think of opossums—what, no I don’t! But, why not? “Milo’s family never missed the big Christmas parade. His passel came for the popcorn, sticky nuts, and bits of peppermint sticks. / Milo came for the view.” He’s fascinated with the parade and how people work on building it year-round. Readers will hope Milo’s dream of being in the parade comes true.

Milo’s Christmas Parade boasts adorable art, from the opossum wearing an ornament on his tail to his close-knit family helping out in the shop. Extra points for the book having a different (secret) image under its jacket.

 

Meerkat Christmas CoverMEERKAT CHRISTMAS
Written and illustrated by Emily Gravett
(Simon and Schuster BYR; $19.99, Ages 4-8)

If you enjoyed Emily Gravett’s Meerkat Mail, then check out Meerkat Christmas. When Sunny, a meerkat who lives in the Kalahari reads about what it takes to achieve the Perfect Christmas, he leaves the desert in search of the supposed elements to achieve holiday excellence.

While on his travels, he corresponds with his family back home. The seven festive lift-the-flaps (designed to look like Perfect Magazine and Sunny’s cards) feel realistic and are a fun way to tell pieces of the story.

Gravett’s vibrant art captures the humor as Sunny encounters obstacles around the world. My favorite holiday treats are the Kalahari candy canes. The recipe calls for 25 assorted snakes, red paint, white paint, and paintbrushes! “Bend each snake into a candy cane shape and hang on tree or cactus.” This book stands out for its interactive design and clever, hilarious art. Peek under the jacket for surprise alternate back and front cover images.

 

Click here for a roundup of Christmas books from 2019.

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Five Board Books With a Jungle Theme – A Roundup

LET’S VISIT THE JUNGLE

-A BOARD BOOKS ROUNDUP-

Safari Jungle Clip Art

 

 

BB Pop-Up Jungle CoverPOP-UP JUNGLE
Written and illustrated by Ingela P. Arrhenius
(Candlewick Studio; $12.00, Ages 0-3)

Ingela P. Arrhenius’s 30 page Pop-Up Jungle board book will grab your attention with the adorable wide-eyed bush baby on the cover. This sturdy palm-sized (4.5 x 5 inches) book includes fifteen pop-up images with eleven animals: bush baby, butterfly, crocodile, tree frog, elephant, gorilla, leopard, monkeys, parrot, snake, and toucan. Between these colorful creatures you’ll find a riverboat, flower, jungle lodge, and waterfall. The overall effect feels like a friendly jungle expedition.

I like the variety of animals, especially the bush baby since it’s a bit different from the usual books in this category—plus this animal is adorable! By opening with the riverboat, the reader is invited to set out on an adventure. The minimal text leaves room for creative storytelling that can be changed up each time through. Similarly, the cute, stylized animals have simple backgrounds, bringing the animals to life.

Hello Elephant coverHELLO, ELEPHANT!
Written and illustrated by Sam Boughton

(Templar Books; $12.99, Ages 2-5)

Hello, Elephant, the lift-the-flap board book by Sam Boughton, is fun for so many reasons. Boughton’s whimsical art will make you smile. The eight animals featured are rhinos, zebras, lions, hippos, cheetahs, elephants, giraffes, and (surprisingly) vultures. Each two-page spread in this 16-page board book lists animal facts geared toward young minds that are far from boring. Did you know that underneath their striped coats zebras have black skin?! I appreciate how the information is conveyed so kids will easily understand it. For example, “a giraffe can grow as tall as three adult humans.” The concluding four-page spread brings all the animals together so kids can see how they would interact in the wild.

This gorgeous book won’t disappoint kids or their adults. Its durable pages can be read time and again. Find your favorite animals and learn a few new things. Mine? The lioness getting a loving rub from her cub. It doesn’t get any cuter than this.

PEEK-A-WHO TOO?
Written and illustrated by Elsa Mroziewicz

(Minedition; $11.99, Ages 3-5)

Peek-a-Who Too? delightfully follows the success of Elsa Mroziewicz’s previous board book, Peek-a-Who? These lift-the-flap books raise the bar by folding out in creative direction. The small (6 x 6 x 6 inch) 22-page triangular book opens into a diamond shape. After asking about an animal sound (such as, “Who truuumpets?”), both pages unfold to double the book’s size and show a picture of the animal. The eleven animals included are elephant, tiger, monkey, owl, parrot, lion, frog, bee, mosquito, crocodile, and bear. The colorful frog was my favorite with its cute legs springing to life when the pages are folded down (some pages unfold upward). The cozy, sleepy bear in the final image perfectly wraps up the book.

While these animals may not live together in the wild, the sound theme works overall. Older kids will delight in whoop-whooping along with you. Ask which animal makes that sound, then peek under the flaps to discover the answer. Gorgeous art, engaging interaction, and durable pages will make this book a household and classroom favorite.

BB Jungle coverJUNGLE
Illustrated by Jane Ormes
(Nosy Crow; $9.99, Ages 0-3)

Nosy Crow’s fun lift-the-flap Animal Families board book series includes Farm, Forest, Safari, and Jungle. Animal Families: Jungle is my favorite with its neon orange accents throughout. You’ll discover the names of the male and female, then, beneath the flap, what the young are called. While this seems simple enough, you’ll likely find yourself learning along with your child. For example, only the male is called the peacock. Females are peahens and the babies are peachicks—how cute is that?! The other animals featured are tigers, elephants, and pandas. The last spread unfolds into four pages for a finale revealing the animal family names, such as an embarrassment of pandas.

Jane Ormes’s 14 pages of bold art are a lovely accompaniment to the spare, repetitive text. Muted tones make the bright ones pop. The tigress is especially cute with her inquisitive intelligence. Kids won’t even realize they’re learning while viewing this lively book about animal families.

Baby Sloth Finger Puppet coverBABY SLOTH:
Finger Puppet Book

Illustrated by Yu-Hsuan Huang
(Chronicle Books; $7.99, Ages 0-2)

Chronicle Book’s little (4 x 4 x 4 inch) board book packs a big punch in its 12 pages. Part of a 59-book series, Baby Sloth: Finger Puppet Book is pure enjoyment. Who doesn’t like sticking their finger in the back of a book and waggling it around to entertain young readers?! The story captures Baby Sloth from when he begins his day until bedtime. Readers will learn little sloths aren’t all that different from little humans—eating, napping, and enjoying simple pleasures. It’s amazing that Baby Sloth ends his day sleeping on top of Mama Sloth.

The art by Yu-Hsuan Huang cleverly transports Baby Sloth through his trek showing us colorful jungle images. Though he probably doesn’t go far, the different backgrounds keep us engaged. Mama Sloth has loads of personality, looking very proud of her son and clearly totally in love with him. Give this sweet book a place with your bedtime favorites. There are many others in this series for finger puppet fun, even dinosaur and unicorn.

•Reviewed by Christine Van Zandt (www.ChristineVanZandt.com), Write for Success (www.Write-for-Success.com), @ChristineVZ and @WFSediting, Christine@Write-for-Success.com

 

Read another board book review here.

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Kids Picture Book Review – Have You Seen My Blankie?

HAVE YOU SEEN MY BLANKIE?
Written by Lucy Rowland
Illustrated by Paula Metcalf
(Nosy Crow; $16.99, Ages 2-5)

 

Have You Seen My Blankie cvr

 

Princess Alice always takes her soft, warm and snuggly blankie to bed until one day it goes missing in Have You Seen My Blankie? The picture book, told in rhyme, is written by speech and language therapist Lucy Rowland, with colorful full-page illustrations by Paula Metcalf.

The book opens to Princess Alice’s bedroom with purple walls, a large canopy bed and more toys than most kids would know what to do with. But the toys aren’t as important to Alice as her white and orange blankie she is shown cuddling on her bed. “This blankie was so cuddly! So soft and warm and snuggly!”

 

have you seen my blankie int2
HAVE YOU SEEN MY BLANKIE?. Text copyright © 2019 by Lucy Rowland. Illustrations copyright © 2019 by Paula Metcalf. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

“But one day … it went missing!” Metcalf shows Princess Alice searching under her bed, the piano, the couch pillows, and even inside the toilet (she stands on a stool for this drawing!) Each illustration shows her princess crown on top of her head which I found adorable. Princess Alice hurries to the palace door and asks her brother, who is upside down swinging on a tree (but his crown doesn’t slip), “Do you have my blankie, Jack?” Jack explains that after he used her beloved blankie as a curtain, a giant took it from him and wouldn’t give it back! Rowland offers some laugh out loud brother sister dialogue kids will love.

Princess Alice’s search begins as she tracks down Giant Jim who says, “Yes, I had your blankie but I used it as a hankie.” Each illustration depicts beautiful detail of the scene. We know Giant Jim is a chef by the apron he is wearing, and the rolling pin in his hand. His outdoor table is set for tea, and his smile shows the reader he is a nice giant.

 

have you seen my blankie int3
HAVE YOU SEEN MY BLANKIE?. Text copyright © 2019 by Lucy Rowland. Illustrations copyright © 2019 by Paula Metcalf. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Page by page Princess Alice continues her search for her beloved blankie. “But then she saw her blankie with a dragon who looked cranky.” Alice felt a little scared. “That’s my blankie she declared.”

Alice has an idea and works with the dragon to find him a replacement, so he will return her blankie. The detailed drawings and fun rhymes, take the listener into an imaginary world of magical kingdoms, giants and snuggly teddy bears. Princess Alice shows love and compassion for the dragon who took her blankie. Knowing how important it is to sleep with something soft and warm, she wipes away his tears. strokes his head, and promises she will find something that’s just right.

This sweet story teaches children about kindness and compassion, even for someone who may have caused them harm. They’ll be happy when two unlikely characters become friends: ” … inside a royal palace lives a young princess named Alice. And now there is a dragon who will often come to stay!” Have You Seen My Blankie? is a comforting bedtime story for any child who, while still needing a security blanket or stuffed animal to cuddle, will feel reassured to learn that even a big dragon needs a snuggle at bedtime.

  • Reviewed by Ronda Einbinder

Read another picture book review by Ronda here.

 

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Children’s Christmas Books Roundup 2019

CHRISTMAS BOOKS FOR THE WHOLE FAMILY

 

 

Christmas Is Coming! coverChristmas Is Coming!
Celebrate the Holiday with Art, Stories, Poems, Songs, and Recipes
By The Metropolitan Museum of Art

(Abrams BYR; $24.99, Ages 8 and up)  

New York’s Metropolitan Museum of Art’s Christmas Is Coming! Celebrate the Holidays with Art, Stories, Poems, Songs, and Recipes is a book that families will enjoy throughout the holiday season. The stories feature something for everyone: two biblical excerpts and ten tales including a Sherlock Holmes adventure, a selection from Little Women, “The Elves and the Shoemaker” by the Brothers Grimm, and Moore’s lyrical “‘Twas the Night Before Christmas.” While this book is marketed to kids eight and up, younger ones will enjoy being read these stories while snuggling on a parent or grandparent’s lap.

If singing is your thing, you’ll find the music and lyrics to ten popular Christmas songs from kid-pleasing “Jingle Bells” and “Up on the Housetop,” to favorites such as “The First Noel” and “Silent Night.” To accompany all this festivity, try your hand at one of the six recipes, several from chefs at the Met’s classic restaurant, The Dining Room. Since I’m making English Toffee for holiday gifts, I’m interested in how this recipe’s addition of honey adds something new.

The stories, songs, and recipes are accompanied by full-color images serving as an introduction to art of great renown. This lovely book will make a treasured keepsake for your family or a thoughtful gift for someone special.

The Little Fir Tree coverThe Little Fir Tree
By Hans Christian Andersen

Illustrated by Christopher Corr
(Frances Lincoln Children’s Books; $17.99, Ages 4-7)

In this version of The Little Fir Tree, an original story by Hans Christian Andersen is given new life in vibrant colors and a modern feel. Kids will relate to how the charming young tree wishes to be “big and tall like the other trees.” When lumberjacks cut it down, the fir soon finds itself adorned and admired as a family’s Christmas tree. After the holidays, splendor removed, the fir resides in the shed remembering its journey. However, a barren tree is not the end—from a buried pinecone, a new tree grows beginning the cycle once again.

Christopher Corr’s colorful folk art-inspired images refresh this familiar story. Exciting neon colors and stylized illustrations are sure to please kids. Each page has a lot going on, allowing kids to explore the story beyond the words. This beautifully updated edition of a heartfelt classic tale pleases both kids and adults.

Little Robins Christmas coverLittle Robin’s Christmas
By Jan Fearnley

(Nosy Crow; $16.99, Ages 2-5)

Jan Fearnley’s Little Robin’s Christmas will warm your heart. One week before Christmas, Little Robin sets out seven vests but, as those days come to pass, he comes across animals shivering in the cold. Without pause, he gives away his vests. On Christmas Eve, alone, far from home, and very cold, Little Robin gets a surprise from the big man himself.

This story shows how kind acts make you feel good and are sometimes reciprocated—important elements for kids as they learn about sharing. Fearnley’s words and images mesh seamlessly. Some pictures bring me back again and again: the squirrel asleep wearing a yellow vest, the rabbit posed with a blue vest on his ears, and Little Robin hugging a mouse between sprigs of red berries in the snow. The icy feel of the book emanates from cool blue tones and white. However, colors liven up the pages, echoing how Little Robin brings joy to those he meets in his travels.

santas secret book coverSanta’s Secret
By Denise Brennan-Nelson

Illustrated by Deborah Melmon
(Sleeping Bear Press; $16.99, Ages 5-7)

Santa’s Secret delights with its funny rhyme that takes you through a day with a girl on a quest to discover all she can about Santa—especially which one is real. I remember this question myself; kids come across Santas in many places and soon realize they seem to be different people. I like how Denise Brennan-Nelson’s story tackles this puzzling subject with humor and finesse. After all, the holidays are about believing.

Deborah Melmon’s art realistically sets the scenes with the girl’s quizzical looks and Grandma’s whispered secrets. The art is perfectly bright and hopeful. Spend some time reading the girl’s notes because they add another layer to the story. Apparently my daughter’s been right when insisting we leave out a carrot with Santa’s milk and cookies!

How to Trick a Christmas Elf cvrHow to Trick a Christmas Elf
By Sue Fliess

Illustrated by Simona Sanfilippo
(Sky Pony Press; $16.99, Ages 3-6)

Sue Fliess charms us again with How to Trick a Christmas Elf. Since kids want to know whether they’ve been noted as naughty or nice, knowing how to distract an elf to take a quick peek at the list is surely handy. This rhyming read-aloud tale shows what happens when you build an elf-sized sleigh. With elves very much a part of Christmas lore, this book offers a fresh take on modern elves who hang out in our homes. We’re left with the important message that we should give from our hearts. Afterward is a brief history of Christmas elves and instructions on how to build your own elf sleigh—such a clever idea to incorporate into the holiday festivities.

This bold edge-to-edge art by Simona Sanfilippo captures your attention. The lively greens, reds, and yellows add to the excitement of elvish shenanigans. I love the closing image of a happy antlered kitty pulling the elf sleigh as Elliott departs for another year.


Read another roundup of 2019 holiday books
here.


Additional Recommended Reads for 2019:

The Tree That’s Meant to Be 
By Yuval Zommer

Dear Santa: For Everyone Who Believes in the Magic of Christmas
By Susanna Leonard Hill
Illustrated by John Joseph

 

 

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Best New Picture Books for Grandparents Day 2019

CELEBRATING GRANDPARENTS DAY 2019

∼A ROUNDUP∼

 

grandparents day clipart

 

 

grandpas top threes coverGRANDPA’S TOP THREES
Written by Wendy Meddour
Illustrated by Daniel Egnéus
(Candlewick Press; $16.99, Ages 2-5)

This charming picture book hit all the right notes with me. The cleverness of the prose and the gorgeous watercolor illustrations that were rendered digitally work together to make Grandpa’s Top Threes an easy-to-read and share, gentle approach to grief (in this case the grandpa’s) and the loss of a grandparent.

Henry is frustrated by his grandpa’s seemingly ignoring him, but his mom tells him to give it time. Parent and caregivers will immediately understand why. When Mom suggests Henry ask his grandpa “if he’d like a sandwich,” Henry puts the perfect spin on the question and engages his grandfather. “Grandpa, what are your top three sandwiches?” As Henry succeeds at getting his grandfather out of himself by continuing to ask for Grandpa’s Top Three, the two return to their loving relationship that existed before Henry’s grandmother’s death. The beautiful ending will tug at your heartstrings in the best possible way.

Grandpas Stories book coverGRANDPA’S STORIES
Written by Joseph Coelho
Illustrated by Allison Colpoys
(Abrams BYR; $16.99, Ages 4-8)

★Starred Reviews – Kirkus, Publishers Weekly, Shelf Awareness

This moving story is meaningful in so many ways. It’s at once a book that will help youngsters discuss and process the loss of a beloved grandparent as well as a beautiful and poetic tribute to the grandparent grandchild relationship.

The picture book aptly unfolds in seasons where the young main character compares her grandpa to things in the world as varied as springtime, deep space, dreams and stories. “If all the world were springtime, I would replant my grandpa’s birthdays so that he would never get old.” Her other wishes convey to readers that this bright little girl knows her grandfather is ill and while the loss may come as no surprise, the overwhelming feelings of grief will. But thankfully she has special memories from Grandpa and a new journal handmade by him in which she can “write and draw” to express her sadness along with the worlds of love she shared with her grandfather.

Despite the subject of losing a beloved grandparent, the cheerful illustrations rich with expression help this picture book focus on happy times the grandfather and granddaughter have spent together. The terrific takeaway definitely comes from the subtitle, A Book of Remembering, which Grandpa’s Stories does perfectly.

My Grandma and Me coverMY GRANDMA AND ME
Written by Mina Javaherbin
Illustrated by Lindsey Yankey
(Candlewick Press; $16.99, Ages 4-8)

I had a smile on my face the entire time I was reading My Grandma and Me. While I never had this close relationship with my grandmother, I enjoyed reading about Javaherbin’s deep abiding love for hers. This picture book, autobiographical and irresistible, takes readers to Iran where the author’s grandmother lived with her family. “When she cooked, I cooked. When she prayed, I prayed like her, too.” Mina’s grandmother welcomed her sweet shadow.

Like me, I’m sure you’ll fly through the pages and read again and again about how young Mina adored her grandmother and spent as much time with her as possible whether at home, next door at her friend Annette’s house or at the mosque. As Mina grows, so does her love and respect for her grandmother who was obviously a wonderful role model for the young girl.

What will also resonate with readers, in addition to the lovely recollections, are the simple moments of grandma and grandchild quality time. In the beginning of the book Yankey shows little Mina lying on her grandmother’s back during namaz, early morning prayer time. From that moment on the love between grandchild and grandparent emanates from every page during playtime, Ramadan and social visits. This enchanting celebration of the bond between generations is a rewarding and recommended read.

  • Reviews by Ronna Mandel

 

Other new recommended reads for Grandparents Day

Our Favorite Day by Joowon Oh – a not-to-miss debut about special time together that will leave your heart full. It’s pure happiness in your hands.

Looking for Yesterday by Alison Jay – this charming picture book about looking forward is a STEMish story with breathtaking illustrations you’ll want to look at over and over again and a grandparent grandson relationship that’s full of wisdom and wit.

You can also find a previous Grandparents Day book review here.

 

 

 

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Two New Joyful Picture Books – Stardust and The Whole Wide World and Me

A flower in a field. 🌸
A star in the sky. 
Simple things seen and sensed
through the eyes of a child
help them find and define their place in the universe
in two beautiful new picture books
from Candlewick Press and Nosy Crow.

 

 

Stardust book cover art

STARDUST
Written by Jeanne Willis
Illustrated by Briony May Smith
(Nosy Crow; $16.99, Ages 2-5)

STARDUST features a thoughtful young girl who tries and tries to shine as brightly as her talented older sister. She cannot knit as well, find a missing ring first, or design the best outfit for the costume competition. When she seeks solace under the starry night sky, her grandfather joins her for a quiet chat. Once there was nothing, he tells her, but after a BANG and a series of twinkles, stars were born. Willis sends the duo off on an imaginary journey to explore the subsequent creation of planets, moons, seas, trees and even, sisters!

interior spread from Stardust by Jeanne Willis with art by Briony May Smith
STARDUST. Text copyright © 2018 by Jeanne Willis. Illustrations copyright © 2018 by Briony May Smith. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Smith’s richly colored illustrations will carry young readers into the fantastical realm to introduce the Big Bang and how all is created from stardust. The tender relationship between the girl and her grandfather is light and sweet but never heavy-handed, leading to a delightful conclusion that reaches decades into the girl’s future.

 

Stardust by Jeanne Willis with art by Briony May Smith int illustration
STARDUST. Text copyright © 2018 by Jeanne Willis. Illustrations copyright © 2018 by Briony May Smith. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

The book jacket is generously speckled with silver stars and a shiny title, a bright and cheerful exterior feature that highlights and compliments this book’s encouraging message about being true to yourself.

 

book cover illustration from The Whole Wide World and Me by Toni YulyTHE WHOLE WIDE WORLD AND ME
Written and illustrated by Toni Yuly
(Candlewick; $15.99, Ages 2-5)

A tiny red ladybug has captured a girl’s attention on the cover of Toni Yuly’s THE WHOLE WIDE WORLD AND ME. Open the book, and the ladybug creeps up a single blade of green grass. Suddenly a bright yellow flower dominates the page, as if from the bug’s perspective. Two boots arrive on scene, signaling the girl’s arrival and her tender exploration of the natural wonders that surround her.

 

interior illustration from The Whole Wide World and Me by Toni Yuly
THE WHOLD WIDE WORLD AND ME. Copyright © 2019 by Toni Yuly. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

The simple lyrical text is placed sparingly on the page, pacing the story with a gentle, slow unfurling from land to sea, sky and mountain.

 

the Whole Wide World and Me by Toni Yuly interior illustration
THE WHOLD WIDE WORLD AND ME. Copyright © 2019 by Toni Yuly. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Yuly’s captivating illustrations are a combination of ink, charcoal pencil, torn tissue, cut paper and digital collage. The colors are bold and textured, beautifully conveying the gritty beach, crisp blades of grass, and fuzzy cotton dandelion seeds. “I am a small part of it all,” proclaims the young naturalist, joyously exploring and connecting with the world around her. Readers will be duly inspired to get outdoors and join the fun.

Starred Review – Kirkus Reviews

 

  • Reviewed by Cathy Ballou Mealey

Where obtained:  I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.

 

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Our Favorite Kids’ Christmas Books Part Three

NEW CHRISTMAS BOOKS FOR CHILDREN 2018

– A ROUNDUP –

PART THREE

 

Free Christmas clip art bells and holly

 

 

A Unicorn Named Sparkle's First Christmas cover illustrationA UNICORN NAMED SPARKLE’S FIRST CHRISTMAS
Written and illustrated by Amy Young
(Farrar, Straus and Giroux BYR; $16.99, Ages 2-6)

A Unicorn Named Sparkle’s First ChristmasAmy Young’s third book in this funny series, doesn’t disappoint. Cutie pie Sparkle continues to delight readers with silly antics offset by his true friendship with the little girl who loves him.

Lucy—perhaps like someone you know—believes the best thing about Christmas is “Lots and lots of PRESENTS!” And, of course, who better to give great presents than your BFF? However, even with Lucy’s insistent reminders, Sparkle doesn’t quite grasp the concept. It is, after all, his first Christmas.

Young’s illustrations capture the exciting buildup of holiday madness (cookies, ice skating, the mall) and, of course, a crazy-messy wonderful house. If you enjoy playful underscored by heartfelt friendship, this book’s for you.

 

Little Christmas Tree book cover artworkLITTLE CHRISTMAS TREE
Written and illustrated by Jessica Courtney-Tickle

(Big Picture Press; $15.99, Ages 2-5)

Starred Review – Publisher’s Weekly

This beautiful, extra-large, 12-page board book’s sparkling art invites readers to journey into wintery landscapes. Each scene has several lift-the-flap opportunities for little hands to discover hidden wonders.

Written in rhyme, the story takes the reader through a day in the forest. First, the little Christmas tree awakens to find the woods have turned from green to white. Creatures explore until the sky clouds over and snowflakes fall once more.

Jessica Courtney-Tickle’s digital illustrations in Little Christmas Tree convey the best of snowy weather. Brightly colored berries and animals contrast well with the forest’s earth tones. Silver foil accents add a lovely effect. Young readers will delight in revisiting these tranquil sceneries.

 

Merry Christmas Little Elliot cover artMERRY CHRISTMAS, LITTLE ELLIOT
Written and illustrated by Mike Curato
(Henry Holt BYR; $17.99, Ages 4-8)

Starred Review – Kirkus Reviews

Merry Christmas, Little Elliot is a lovely addition to the seasonal standards with its fresh look at a familiar theme. You may know Little Elliot (an elephant with pastel spots) from previous books. In this holiday adventure, Elliot isn’t excited because he doesn’t have Christmas spirit.

So he sets off with Mouse to try and find this elusive thing. None of the typical wonders (The Nutcracker ballet, a spectacular tree, or sledding) incite Elliot until a mysterious envelope leads the two friends to discover what this time of year truly means.

Mike Curato’s classic art enhances and amplifies the story line. The beautiful book has an old-fashioned feel with a timeless message. Santa tells Elliot that he can’t give him the Christmas spirit, “You have to find that yourself.”

Be sure to look under the picture book’s dust jacket for a clever alternate cover image.

  • The above three books were reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

 

Merry Christmas Little Pookie cover illustration by Sandra BoyntonMERRY CHRISTMAS, LITTLE POOKIE
Written and illustrated by Sandra Boynton
(Little Simon; $5.99, Ages 0-5)

I’ll be honest. Pookie can do no wrong by me. Sandra Boynton is a personal fave so I’m biased when it comes to her books as anyone who follows me on Twitter knows. 

On Christmas Eve, little Pookie pig is ready for a walk in the snow with Mama. When noses get frozen, it’s time to head inside because “There are garlands to make and lights to turn on and cookies to bake.” Family and friends will soon be arriving and Christmas songs will be sung. Boynton’s 18-page rhyming board board is festive and endearing and features all the trademark cuteness that make this a wonderful addition to the beloved go-to series. With eight books available, there’s definitely a great selection to keep your youngest ones entertained. And now, with Merry Christmas, Little Pookie in the mix, children can easily spend all year with Little Pookie!

 

The Broken Ornament by Tony DiTerlizzi book cover artTHE BROKEN ORNAMENT
Written and illustrated by Tony DiTerlizzi
(Simon & Schuster Books; $17.99, Ages 4-8)

Be careful what you wish for is what I kept thinking as I read The Broken Ornament, a touching picture book about empathy, thoughtfulness and self-reliance. As the story opens “Jack wanted this to be the best Christmas ever.” When that means adding more ornaments on the tree, Jack’s mother warns him about the one he intends to hang. It shatters and his mom hastily retreats upstairs followed by his dad with a box of tissues. Clearly that ornament was meaningful to his mom. It’s only when a fairy named Tinsel emerges from the ornament shards that Jack gets the over-the-top Christmas experience he longed for. But something was missing. Was there a way to replace the broken ornament? Tinsel helps Jack learn the story behind the ornament’s importance and explains that only Jack has the power to come up with a solution. Once Jack puts his mind to it, he figures out a beautiful way to show his remorse over his action that, while not bringing back the old ornament, helps everyone have a joyful Christmas after all. Sometimes there’s magic in the small things. I absolutely loved DiTerlizzi’s spread of Tinsel’s magical creatures (Santa, elves, snowmen, reindeer, nutcrackers) gathered in the snow outside the living room window looking in at the happy family. Santa’s got a spotlight on him as he holds a glowing Tinsel in his hand. Young readers will be thrilled to witness the positive outcome along with the Christmas cast of characters. Buy local and treat yourself to this beautiful book to share with your family this holiday season.

  • The above two books were reviewed by Ronna Mandel

Please click here for Part One of our 2018 Christmas Books Roundup.
Please click here for Part Two of our 2018 Christmas Books Roundup.

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Here Comes Hanukkah! A Children’s Book Roundup Part 2

HANUKKAH 2018
BEST NEW CHILDREN’S BOOKS ROUNDUP PART 2

 

 

Free Hanukkah clip art

 

 

D is for Dreidel book cover illustrationD IS FOR DREIDEL: A Hanukkah Alphabet
Written and illustrated by Greg Paprocki
A BabyLit Book
(Gibbs-Smith; $9.99, Ages 2-5)

Let your little learners thumb through all 32 pages of this colorful board book with its retro cartoonish feel while you gently introduce all the different Hanukkah related things included. While this is not the first primer in the series from Paprocki (there’s S is for Santa, L is for Love and B is for Boo), I’m glad Gibbs-Smith decided it was important to add this title. And expect two more soon (E is for Easter and R is for Ramadan) which can be pre-ordered now. I honestly wondered at first how the author/illustrator would find appropriate words for each letter, but surprising he did including Y is for yontiff (Yiddish for holiday). Saying “Gut yontiff” is how my parents and grandparents greeted fellow Jews at holidays throughout the year.  From alphabet to zaide, I found so many of the illustrations beautiful and welcoming with their jewel tones and cheerful settings. J is for jelly doughnut is another particular fave but truly there are many so you’ll just have to see for yourself. Then, perhaps you, too, will be as eXcited as I was to read the book.

 

 

book cover illustration from Meet the LatkesMEET THE LATKES
Written and illustrated by Alan Silberberg
(Viking BYR; $17.99, Ages 3-5)

Meet the Latkes by Alan Silberberg makes for an enjoyable read if parents seek something a bit less traditional and more whimsical to share this Hanukkah (or Chanukah!). Silberberg, an award-winning cartoonist and children’s TV creator, is both author and illustrator of this debut picture book.

The main characters in the story are Lucy Latke, her grandpa and her dog Applesauce. The humor comes into play when Grandpa tells Lucy his version of Chanukah or Hanukkah as is explained early on since the holiday can be spelled multiple ways. But these are the two most common. I suppose you could say Meet the Latkes is funny from the get-go because we’re listening to latkes as opposed to people and that’s probably enough to get little ones giggling.

Rather than stick to the standard story of the heroic Maccabees, headed by Judah, who fought to keep the Jewish people safe from a brutal King Antiochus, Grandpa recounts the tale of the Mega-Bees. Their nemesis was a group of “Outer space spuds.” All the while Grandpa is telling his story, Applesauce is trying to explain the real version and growing increasingly frustrated.

Most young Jewish children know the Hanukkah story but it bears repeating annually. I never tire of reading new spins on an old tale and Silberberg has definitely done that. Children who aren’t Jewish or have never learned the story will find Silberberg’s way of conveying this historic tale most entertaining, especially if different voices are used for Grandpa and Applesauce. 

In Grandpa’s version, the evil tater tyrants ultimately get whipped into mash that, when mixed up with “EGG and ONION and a pinch of flour,” becomes what we know as latkes! Of course, Applesauce goes on to explain the true tale which includes the miracle of the Maccabees’ discovery of a tiny amount of oil left “to light the holy menorah.” What should have been enough for one day lasted eight which is why we light candles for eight nights. My favorite part of Meet the Latkes is the teenage brother who always says “I don’t care!” and remains cloistered in his room until finally emerging near the end, making that just one more miracle to celebrate and one that may resonate with many families. In fact, I laughed upon discovering teen Lex Latke’s promotional blurb on the book’s back cover. “You want to know THE TRUE STORY OF HANUKKAH? Don’t ask me—read this book!” I agree. 

Light The Menorah! A Hanukkah Handbook cover artLIGHT THE MENORAH! A HANUKKAH HANDBOOK
Written by Jacqueline Jules
Illustrated by Kristina Swarner
(Kar-Ben Publishing; $18.99 Hardcover, $8.99 Paperback, Ages 4-10)

After so many years of celebrating Hanukkah, I thought there was nothing more to learn about the holiday but I was wrong. Jacqueline Jules has written an engaging picture book that I could easily see using with my grown-up family every year.

There’s an introduction, blessings, thoughtful verse to accompany each of the eight nights’ candle lighting along with a moving reflection to read silently, aloud or discuss together as a family. The second half of Light The Menorah! features four pages devoted to the Hanukkah story for which there are two versions, something I had never known. There’s the historical version and the rabbinic tradition which is the one I’ve always told about the oil from the damaged Temple lasting eight nights. The historic version says that since the Maccabees “couldn’t take a week to observe Sukkot properly, … they celebrated for eight days during the rededication of the Temple.”

The remaining pages answer common questions such as when does Hanukkah occur, where is it celebrated and more. I was delighted to read the section where Jules explains the role women played in the Hanukkah story. No one will be disappointed to see instructions for playing the dreidel game, latkes and jelly donut recipes in addition to easy crafts.

Swarner’s lovely watercolor illustrations dress up the text and are well-paired on every page or spread. I was drawn to the book by the title and cover art and am glad I didn’t miss a single thing both Jules and Swarner had to share. This one’s a keeper and would make a wonderful gift to families just beginning to celebrate the Festival of Lights.

 

– Reviewed by Ronna Mandel

 

For more Hanukkah book ideas, click here.

 

 

 

 

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How to Grow a Dinosaur – An Interview with Author Jill Esbaum

HOW TO GROW A DINOSAUR
Written by Jill Esbaum and illustrated by Mike Boldt
(Dial Books for Young Readers; $17.99; Ages 2-5)

Cover illustration from How to Grow a Dinosaur by Jill Esbaum

 

If you’re looking for a gift for a child who is about to become an older sibling, look no further than Jill Esbaum’s hilarious and practical guide to big siblinghood, HOW TO GROW A DINOSAUR with artwork by Mike Boldt. Here’s a description from Penguin Random House:

Good news: Your mom’s hatching a baby! Bad news: Babies take their sweet time. And when the baby finally hatches? He’s too little to play! He mostly screeches, eats, burps, sleeps, and poops. He doesn’t even know he’s a dinosaur! That’s where you come in. You can teach the baby just about everything–from peek-a-boo to roaring to table manners to bedtime. Growing a dinosaur is a big job, but you’re perfect for it. Why? Because one thing your baby brother wants more than anything . . . is to be just like you.

INTERVIEW: I was lucky enough to sit down for a chat (via Facebook Messenger) with Jill to talk about the book, finding time to write, and the perks of being a kidlit author.

Colleen Paeff: I love the way HOW TO GROW A DINOSAUR is playful and funny, but it’s also a legitimate how-to guide for older siblings. Did the manuscript start out that way or did it evolve over time?

Jill Esbaum: Thanks, Colleen! That evolved over time. I wrote it to be a simple, entertaining book, but it sort of took on a life of its own. My editor grabbed onto the possibilities right away.

CP: Did you send it to your agent first or did it go straight to your editor?

JE: I sent it to my agent, Tricia Lawrence. I had my Dial editor, Jessica Dandino Garrison, in mind, though, and asked Tricia to send it to her first. It seemed like the kind of goofy humor she might like.

CP: So, you had worked with this editor before?

JE: Yes. We had worked together on both I HATCHED and I AM COW, HEAR ME MOO!

CP: Is it easier to work on something with an editor you’ve worked with before?

JE: Definitely, because you (sorta) know what might work for her/him and what probably
won’t.

interior artwork from How to Grow a Dinosaur
Interior spread by Mike Boldt from How to Grow a Dinosaur by Jill Esbaum, Dial BYR ©2018

 

CP: How long was the process from first draft to publication for HOW TO GROW A DINOSAUR?

JE: I sent it to Tricia in May of 2015, and by October we had an offer. The process didn’t really start until March, when the contract was finally buttoned up. So March, 2016, to January, 2018. Not bad.

CP: Is that faster than usual? Or is that normal for you?

JE: That was about the same as my other recent books. I once waited nearly 5 years, though, so 2 years felt like lightning speed. My last 5 (or so) books have all been about 2 to 2 and a half years from sale to publication.

CP: Wow. That seems fast!

JE: Still seems fast to me, too. My earlier books were mostly 3-year books.

CP: I’m curious about the ratio of stories you write to stories you sell. Do you have many manuscripts in the proverbial “drawer” or do you sell most of what you write?

JE: That’s hard to say right now. My agent has 6-7 picture book manuscripts that started to make the rounds last year. Considering my entire career, though, I suppose I sell…50% of what I write? That’s probably just because I refuse to give up on some that deserve the drawer. I can’t help tinkering with rejected stories in hopes of making them irresistible the next time out. That persistence has often paid off for me. An offer came in last month for a picture book that had been rejected 7-8 times since I wrote it in 2014.

CP: Do you usually work on one project at a time or several?

JE: Several. Right now, I have a chapter book, 3 picture book manuscripts, and a nonfiction project all front and center on my computer desktop.

interior artwork from How to Grow a Dinosaur
Interior spread by Mike Boldt from How to Grow a Dinosaur by Jill Esbaum, Dial BYR ©2018

 

CP: Are you someone who writes every day or do you have a more flexible schedule? And how do you squeeze it in around farm work, grandchildren, school visits, and teaching a summer writing workshop?!

JE: I don’t feel like I’ve been doing a very good job of it lately, honestly. Working on that. But I can’t always make writing my priority. Family comes first, always. One thing that has also been squeezing out writing time lately is handling the business side of being published. I don’t love it, and it’s a huge time suck. Long, leisurely days of “Hmm, what should I work on first?” are VERY few and far between, these days.

CP: But it seems like you’re so prolific!

JE: I don’t feel that way. I always feel like I should be writing more. For instance, I wrote a quick draft of a new picture book and sent it to my online critique group about 10 days ago. They’ve all weighed in, and I’m chomping at the bit to start tweaking. But I haven’t yet been able to make the time. Part of that is because I have a new book out and am doing my best to promote it, including my first-ever launch party this next weekend. Partly it’s because the flu sidelined a grandson’s babysitter, so I stepped in there. Grammy duty is one of the best parts of my life!

CP: Is hanging out with your grandkids a big source of inspiration for you?

JE: It is! And I hadn’t really expected that. My fingers are tightly crossed for a project going to its final yes/no meeting next month that springs entirely from a moment I experienced while babysitting my granddaughter. Crazy.

CP: I know you write both fiction and nonfiction. Do you have a soft spot for one over the other?

JE: I suppose I have a soft spot for fiction, but only because that comes entirely from my own imagination, and it’s a blast to see that come to life. I love writing nonfiction, too, because all the information I need is easily available to me, and all I have to do is figure out a way to make it engaging for kiddos.

CP: Let’s get back to HOW TO GROW A DINOSAUR. I love the parts in the story where the text is vague, but the illustrations show something alarming, or moving, or downright hilarious. Did your manuscript go to the illustrator with art notes or was that all him?

JE: I did include brief art notes here and there. But much of it was left for the illustrator’s imagination. I don’t think I had an art note for the page in which the baby dino is teething on the cat. And that turned out to be one of my favorite illustrations.

CP: Yes! I love that one. And I love the one where the big brother roars and scares the baby. They both look so sad.

JE: I feel very fortunate that both Jessica and the illustrator, Mike Boldt, understood what I was trying to do.

 

How to Grow a Dinosaur interior spread
Interior spread by Mike Boldt from How to Grow a Dinosaur by Jill Esbaum, Dial BYR ©2018

 

CP: Do you have a favorite unexpected detail?

JE: My favorited unexpected detail is that Mike inserted picture books here and there with titles that are plays on books of his or mine. There’s I Don’t Want To Be a Stegosaurus (from his book with Dev Petty, I Don’t Want To Be a Frog); I Hatched; and I Am T. Rex, Hear Me Roar! (from my I Am Cow, Hear Me Moo!) Too funny. Illustrators are brilliant.

CP: Yes! I love those, too. And I love how all the illustrations in the books are dinosaurs. It’s so clever. Did you see any artwork while it was in process or did you have to wait until it was complete?

JE: I did get to see the black and white sketches. It was obvious even then that this one would be special.

CP: Do you sometimes feel a sense of trepidation when you give up your manuscript to an illustrator?

JE: No, I never feel that way. I’m always excited to see what they bring to the story. Seeing their sketches feels like unwrapping a gift.

CP: What’s next for you?

JE: I have a couple of nonfiction books coming out in March. Picture book-wise, two projects are in the pipeline that I can’t yet talk about. And my fingers are tightly crossed for a third. Meanwhile, I’ll be writing whenever I can squeeze it in. Enough of that, and projects eventually get finished.

CP: What do you wish you’d known when you first started writing for children?

JE: I don’t think there’s anything I can say I wish I’d known. Getting to this point in my career has been one long, slow learning process, of course. But I can’t wish I’d had shortcuts, because everything that’s happened has made me a stronger writer.

CP: That’s good to know!

JE: The BEST thing that’s happened in the past 20 years: If anybody had told me, early on, that in 20 years I’d have this many amazing and talented author/illustrator friends all over the globe I would have thought that person was nuts. I mean, I live in Iowa; how would I meet them? Ha. Enter the internet. And SCBWI conferences and literature festivals. Meeting so many terrific book people has been one of the highlights of my life.

CP: It’s definitely one of the perks of this business. Thanks so much for doing this, Jill!

JE: Thanks, Colleen! I enjoyed it.

  • Interview by Colleen Paeff

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Thanksgiving Books for Children

A THANKSGIVING BOOKS ROUNDUP
Here’s a selection of our 2017 faves
For little ones to gobble up!

 

Llama Llama Gives ThanksLlama Llama Gives Thanks cover image
An Anna Dewdney Book
Illustrated by J. T. Morrow
(Penguin Young Readers; $5.99, Ages 0-3)

In just under 60 words on 14 sturdy pages, Llama Llama Gives Thanks, based on the characters created by Anna Dewdney, perfectly and joyfully conveys what the holiday is all about — celebrating together with friends and family, trying new foods and giving thanks not just on Thanksgiving but throughout the year. A message worth remembering and easy to understand when shared by Dewdney’s beloved characters.

 

Otis Gives Thanks
Otis Gives Thanks cover imageWritten and Illustrated by Loren Long
(Philomel; $8.99, Ages 0-3)

Otis Gives Thanks, a 30 page board book, is certain to appeal to old Otis fans and bring new ones on board. Long’s popular tractor is grateful for so many things on the farm where he lives and works. Whether he’s hopping over hay or settling down to sleep, Otis is always thankful for playful moments, hard work and friends. This beautiful book radiates warmth with its stunning artwork of muted hues and feeling of a bygone era. Every page is a tribute to the heartland where our food is grown and a caring community including farmers love the land and the country, just like Otis does. www.otisthetractor.com

Where is Baby’s Turkey?Cover image Where is Baby's Turkey by Karen Katz
Written and illustrated by Karen Katz
(Little Simon; $6.99, Ages 1-4)

This sweet interactive board book invites young readers to help Baby find his cuddly turkey. By lifting assorted flaps and searching behind seasonal flowers, a gate, a basket, the fridge, in the kitchen and behind the door, Baby is introduced to a colorful variety of Thanksgiving items until his plush toy turkey is found. With just the right amount of flaps to entertain and engage, Where is Baby’s Turkey makes an ideal gift this holiday season for those just learning what Thanksgiving is all about.

 

The Ugly PumpkinCover image The Ugly Pumpkin by Dave Horowitz
Written and illustrated by Dave Horowitz
(Nancy Paulsen Books; $7.99, Ages 2-5)
Move over duckling, here comes The Ugly Pumpkin! Horowitz’s hit, The Ugly Pumpkin is now in board book format with its humorous illustrations and rhyming first person text. Ideal for both Halloween and Thanksgiving, this tale is about a distinctly shaped pumpkin who is frequently mocked, never gets picked and is left to wander on his own to find someplace where he’ll be accepted and belong. The mood picks up when he discovers “a garden that was overrun with squash. I noticed something very odd and then thought, O my gosh …” This little pumpkin was a happy little pumpkin when he learns he’s really a squash! And for him, that was definitely something to be thankful for! Horowtiz’s whimsical illustrations add another layer of zaniness to a funny story that easily engages kids since it’s impossible not to empathize with the long, thin orange narrator.

                                               

 

Rettie and the Ragamuffin Parade
Cover image from Rettie and the Ragamuffin ParadeWritten by Trinka Hakes Noble
Illustrated by David C. Gardner
(Sleeping Bear Press; $17.99, Ages 6-9)

If you’ve ever visited New York’s Tenement Museum, this historical fiction picture book will surely resonate with you. But even if you haven’t, from the very first page you’ll be transported back to the Lower East Side in November of 1918. Americans were overseas fighting and at home an influenza pandemic swept across the country making thousands of children, rich and poor, orphans. The disease did not discriminate. In the two-room tenement of nine year old Loretta Stanowski, or “Rettie” as she was known, looked after her consumptive mother and three younger siblings. Her father was a soldier somewhere abroad. So, to earn money to support the family during her mother’s illness, Rettie cleaned rags. She also longed for the upcoming Ragamuffin Parade which many now say was the precursor to Macy’s Thanksgiving Day Parade. But would the city call off the event since so many people were ill and public gatherings had been stopped to prevent the influenza from spreading? During the Ragamuffin Parade, wealthy people would line the streets and give pennies to the raggedy clothed children who asked, “Have ya anything for Thanksgiving?” There would also be a scramble at busy street corners were pennies were tossed in the air and kids would scramble to collect as many as possible, hence the name. The parade would provide a much needed opportunity to bring in extra money. Putting food in the mouths of her family was Rettie’s top priority as was staying healthy so when her tenement building’s manager came down with the flu and was quarantined, an opportunity for Rettie to earn more money presented itself. This moving story is a well-written and engaging resource for anyone interested in daily life in early 20th century New York, although these scenes likely played out in cities across America. As the war came to end on November 11, 1918, President Woodrow Wilson declared November 28 a day of Thanksgiving. To this day we gather together as Americans to share a meal and reflect on our many reasons to be thankful. Between Noble’s well-researched story and Gardner’s evocative illustrations, Rettie and the Ragamuffin Parade is a treat. The spirited young Rettie is an inspiring main character and her devotion to her family shines through on every page. An author’s note at the end provides more details for young readers as does an archival photo circa 1910 of the ragamuffins. Despite having grown up in New York, I’d never heard of this parade and appreciate Noble’s successful efforts at capturing the time, place and people struggling daily on the Lower East Side.

 

  • Reviewed by Ronna Mandel
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Children’s Books for Mother’s Day 2017

BEST CHILDREN’S BOOKS FOR MOTHER’S DAY
– A ROUNDUP –

 

Mama’s KissesMama's Kisses cover art
Written by Kate McMullan
Illustrated by Tao Nyeu
(Dial BYR; $16.99, Ages 3-5)

With starred reviews from both Publishers Weekly and Booklist, Mama’s Kisses is sure to be an in-demand picture book for many Mother’s Days to come. McMullan has written a sweet ode to the unwavering devotion and patience of moms, in this case, rainforest moms. The moon is on the rise and four mommy animals are on the lookout for their young ones, a baby panda, elephant, orangutan and leopard. As bedtime beckons, the babies engage in a playful game of hide-and-seek that seems so successful until all at once, when the moms are ready, their hiding place is uncovered. But being found means getting kisses, smooches, and hugs galore until tired eyes can no longer remain open. Dreamland is drawing nigh so the baby animals go to sleep soon followed by their tired moms, always close at hand. Conveyed in uncomplicated rhyme and calming rhythm, Mama’s Kisses is a gentle bedtime tale perfect for pre-schoolers. Nyeu’s artwork fills all corners of most every page and, though using only oranges, yellows and blues, she manages to create a subtle softness, warmth and calming mood with just these few well chosen hues.

Love isCover image for Love is by Diane Adams
Written by Diane Adams
Illustrated by Claire Keane
(Chronicle Books; $15.99, Ages 3-5)

Whether it’s for Mother’s Day, Valentine’s Day, Graduation or simply just because, Love is by Diane Adams will make a great gift. Love is a girl and her duckling. Looking after the fuzzy little creature is not unlike a mother caring for her child which is why Love is works on many levels. It’s a story about loving and nurturing something that is dear to you, as well as being about the responsibility involved in such a privilege. “Love is holding something fragile, tiny wings and downy head. Love is noisy midnight feedings, shoebox right beside the bed.” The little girl must also accept that her duckling is growing. She will soon need to allow her pet to move on, fend for itself, find a new home and start a family all its own, all the while knowing that the love she has shared will not be forgotten. This 32 page picture book is a delightful read aloud story with well-paced rhyme and evocative illustrations that, coupled with the meaningful verse, will tug at your heartstrings.

How to Raise a Mom book cover imageHow To Raise a Mom
Written by Jean Reagan
Illustrated by Lee Wildish
(Alfred A. Knopf BYR; $17.99, Ages 4-8)

Another winner from the creators of the How To picture book series, How to Raise a Mom will totally charm moms, dads and kids alike.
“Raising a happy, healthy mom is fun … and important! Are you ready for some tips?” The sibling narrators take readers through their mother’s typical day as part of their instruction guide, and clearly based on the wonderful rearing and love they’re getting from her. After kisses to awaken her, and giving her choices for the day’s outfit, the kids take her to the supermarket and the playground to name a few places while also leaving quiet time for her to get some work done. It’s fantastic to be treated again to Wildish’s whimsical illustrations like those found in the other How To books, full of humorous not-to-miss touches and amusing expressions in every spread. Kids will especially get a kick out of the dog and cat Wildish includes in many scenes. The children also cover playtime, mealtime and finish up the full day with stories and snuggles. I loved how they occasionally mimic just what Mom always says to them such as “Thank you so much, Sweat Pea, for being so patient,” or “Remember to be a good sharer!” There is so much to enjoy in this picture book tribute celebrating moms everywhere.

  • Reviewed by Ronna Mandel

 

More recommended children’s books for Mother’s Day:

Love 
Written and illustrated by Emma Dodd
(Nosy Crow; $12.99, Ages 2-5)

 

 

When I Carried You in My Belly
Written by Thrity Umriar
Illustrated by Ziyue Chen
(Running Press Kids; $16.99, Ages 4-8)

 

 

I Love My Mommy
by Sebastien Braun
(Harper Collins; $7.99, Ages 0-4)

 

 

 

Mommy Snuggles
by Anne Gutman and Georg Hallensleben
(Chronicle Books; $5.99, Ages 1-3)

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Best New Easter Board Books for Children – A Roundup

If you know any little ones already thinking
about Easter egg hunts and
baskets full of chocolate candy,
this roundup of new Easter board books
IS FOR YOU!

 

Tucker Digs Easter! book cover imageTucker Digs Easter!
Written and illustrated by Leslie McGuirk
(Candlewick Press; $7.99, Ages 2-5)

Everyone’s favorite, Tucker, is back in Tucker Digs Easter! This adorable white dog is excited about the arrival of spring “when there’s lots of soft dirt for digging!” In fact, he’s such a pro at digging all kinds of holes to hide his bones and toys that it’s no surprise when the Easter Bunny recruits him to help dig holes for the big Easter egg hunt. But what happens after the pair dig and hide so well that the children cannot find any eggs? Then it’s Tucker to the rescue to dig, dig, dig again to find those well hidden eggs and bring smiles to all the children’s faces. This 28 page board book is a great way to make new Tucker fans while getting youngsters excited about the upcoming holiday.

 

cover image of Jan Brett's The Easter EggThe Easter Egg
Written and illustrated by Jan Brett
(G.P. Putnam’s Sons; $8.99, Ages 3-5)

Do you love Jan Brett? Then you’ll be delighted The Easter Egg is now available in board book format with a gorgeous foldout spread adding to this book’s appeal. Hoppi is going to decorate his “first-ever Easter egg!” and he wants it to be extra special. Searching for ideas, Hoppi visits various friends for inspiration. Everyone is so helpful and eager to assist him, offering super suggestions and samples. But everything looks so hard to do. It’s only when Hoppi spots a fallen blue robin’s egg that he realizes what he must do. After caring for the egg and eventually befriending the baby robin, Hoppi’s good deed is rewarded by the Easter Bunny in the most satisfying way. As always, Brett’s artwork is a treat to behold. Easter-themed borders surround each sturdy page and pictures of Hoppi’s rabbit friends busy creating their egg masterpieces hug the sides. Be sure also to point out to children all the robin activity woven into each border at the top of almost every page because that’s a whole other story in itself! 

 

The Story of  The Easter Bunnycover image of The Story of The Easter Bunny by Katherine Tegen
Written by Katherine Tegen
Illustrated by Sally Anne Lambert
(Harper Festival; $7.99, Ages 4–8)

Now a charming 32 page board book, The Story of  The Easter Bunny transports readers to what appears to be a quaint English village filled with thatch roofed cottages and cobblestone streets. It’s here that “,,, a round old couple were making Easter eggs.” As they dutifully toiled away, their little rabbit watched. He watched until he learned their tasks by heart so that one day, when the round old couple overslept, the little rabbit knew just what he had to do. The tables turned and now the round old couple were helping their little rabbit until one day they were simply too old to continue. Afraid that the village children would find him out, the little rabbit moved to “… a shadow-filled wood nearby.” There, with help from his friends, he carried on the tradition he had learned so well and to this day the Easter Bunny continues to spread cheer by delivering his baskets to children everywhere. Sharing this store requires carefully studying the stunning spreads so as not to miss a single detail Lambert’s included. I think some yummy chocolate should be required to accompany very reading! 

  • Reviewed by Ronna Mandel
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