L is for Librarian: The ABCs of Los Angeles Central Library is an Amazing, Beautiful, Captivating, delightful, and Energizing tour of the Los Angeles Central Library. From Awesome Adventures to Zombies in the makerspace, readers of all ages will enjoy this alphabetical exploration of Los Angeles’s beloved icon.
Author Interview:
Welcome to the blog, Susan. It’s an exciting time at L.A.’s Central Library, so it’s wonderful you could join us!
GoodReadsWithRonna: Why did you write L Is for Librarian: The ABCs of Los Angeles Central Library?
Susan Lendroth: For the simple reason that library staff asked me to write it! I have been writing picture books for more than 20 years–this is my 10th book–so the organizers of Central Library’s 100th birthday celebration invited me to create an alphabet book for the centennial year. I wrote it as part of my job since I work for Los Angeles Public Library’s public relations department.
GRWR: How was it different writing a book as part of your “day job,” as opposed to writing one of your previous books?
SL: The first obvious difference is I worked on L Is for Librarian during my “day job” instead of squeezing my writing time into weekends or evenings. Plus, I knew from the start it would be published. What a wonderful feeling that was! I also worked with a small team on this book, who had the right of approval before it even went to the editor. I should add that they gave me free rein on structure, allowing me to make the Library itself the narrator of its story and to create dual-level text—a primary sentence or two for young readers for each letter, with additional facts in a smaller font below.
GRWR: With input from several sources, were there any lively discussions about which feature/aspect would be named for each letter?
SL: About 80% of my original letter subject choices made it to the finish line, with the other 20% being alternate suggestions from the team. I rewrote text for those letters. The “liveliest” discussion centered on the letter “O.” I discovered an octopus carved into a door lintel and fell in love. Others wanted O for Owls, which decorate the building in stone and metal. I won Octopus a place in the book, but the illustrator, Alexander Vidal, added multiple owls anyway, an “I Spy” game where the same stone owl is depicted as an earring or a book cover or one of the spots on a giraffe. The funny thing is, no one told him about the Owl versus Octopus debate!
GRWR: How did you decide on the approach of having Central Library itself narrate the book?
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SL:Whenever I begin a new book, somehow I simply know how I want to structure it; it only works for me if I write it that way. Very early on I felt like Central Library wanted to tell its own story, sharing the building’s attributes and all it had to offer, and that developed into first-person text.
GRWR: Some of the ideas and terms in the book seem a little sophisticated for young children. How did you handle that aspect?
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SL: Our goal was to present a full picture of Central Library, from its physical features to its history to how it serves the community. Whenever possible, I tried to find an angle that would appeal to young children, such as describing interesting animals in art, asking questions, or infusing action into the text: “D is for Down. Ride down, down, down to the bottom floor of the atrium …” Because I wrote the text at two levels, I tried to cover the more complicated elements in the secondary text. Also, I believe children are capable of learning more sophisticated words if those are explained, and pictures help younger readers/listeners grasp new concepts.
GRWR: Illustrators often add elements to a book that are not covered in the text. What are some of the elements added by Alexander Vidal that surprised and pleased you?
SL: The owls, definitely the owls. If you read a copy of the book and search carefully, you will find owls depicted in 18 different places, including a couple of duplicate illustrations on the endpapers. However, there are more actual owls than that because sometimes they repeat in a design!
GRWR: Your publisher, Angel City Press, is owned by Los Angeles Public Library. How did that relationship begin?
SL: A few years back, the couple who created and operated Angel City Press wanted to retire. They had worked for decades building a publishing house that celebrated stories connected to the Los Angeles area and wanted to keep that purpose, as well as the publishing house’s backlist, intact. So they donated Angel City Press to Los Angeles Public Library rather than trying to find a buyer.
GRWR:This is the first children’s book published by ACP. Did they take any special steps to add a children’s book to their list?
SL: Because it was a new endeavor for them, they hired a freelance, experienced children’s editor to review the text and illustrations.
GRWR:ACP released the book recently at Central Library’s Centennial Festival. How has it been received?
SL: The book definitely found a receptive audience with thousands of book and library fans! The publisher sold many copies of L Is for Librarianas well as several other titles. I enjoyed one of my best-ever encounters with a young fan there. A little girl named Evelyn approached the signing table. I complimented her sparkly jewelry and velvet dress, and she told me it was her “library outfit.” Ok, you’ve got my attention. Then, after I inscribed her book and said my writing might be a little hard to read, her father asked Evelyn to tell me what she calls cursive. “Fairy writing.” Awwwww. Definitely, that was one of the highlights of my day, especially when Evelyn ran back to the table a few minutes later and said, “I LOVE your book! It has a zombie in it.” Good old letter Z.
SL: As ever, I’m juggling multiple projects. I have a long list of ideas and a finite number of hours to write, so I’ll see where the road takes me. Though I have to say, writing an alphabet book was fun, and I’d definitely enjoy writing another.
Thank you for giving me the chance to talk about my new book. Proceeds benefit Los Angeles Public Library.
Author Susan Lendroth at Los Angeles Central Library. Photo Credit: Gary Leonard
Bio:
Libraries have been Susan Lendroth’s second home for as long as she can remember, so joining the staff of Los Angeles Public Library a decade ago felt like docking with the mother ship. L Is for Librarian is her tenth picture book, following such titles as Here We Go Digging for Dinosaur Bones, Hey Ho, to Mars We’ll Go! and Maneki Neko: The Tale of the Beckoning Cat. Find Susan on social media here:https://www.instagram.com/susanlendroth/
Prejudice, Segregation, and the Case of Roberto Alvarez
Written by Larry Dane Brimner
Illustrated by Maya Gonzalez
(Calkins Creek; $18.99, Ages 7-10)
★Starred Review – Kirkus
I could not put down the nonfiction picture book Without Separationbecause, like the compelling but little-known case presented in the recently reviewedWe Want to Go to School, this eye-opening account is about a civil rights case I had never heard about yet think everyone should.
Readers meet Roberto Alvarez on his way to school on January 5, 1931, just after the Christmas break. When the 12-year-old arrived at Lemon Grove Grammar School, “the principal told Roberto and other Mexican and Mexican American children that they did not belong there.” It soon became clear that the children were going to be segregated under the guise that the Mexican children didn’t understand English and were holding back white students.
I was stunned upon reading that the board of trustees of the school district had gone ahead and had another school built to separate these children. On top of that, they did it without telling the Mexican parents. They thought they were avoiding trouble this way but what they were doing was wrong or they would have been more transparent.
They may have thought that by going behind parents’ backs they could get away with their ploy but the inhabitants of the Mexican barrio knew better. Roberto’s parents had told him to come home if he were sent to the new Olive Street School, aka the barnyard.
That fateful morning, Roberto and a large group of other students refused to attend. While the school district tried to spin Olive Street School as a way to help the children learn English and American customs, Roberto, his parents, and other families knew the truth. This was a blatant and seemingly illegal attempt to segregate the students based on race.
Fortunately, the families quickly organized themselves. When they met with the Mexican consul, he connected them with a couple of lawyers to help them. “Roberto brought the situation in Lemon Grove to the attention of the California Superior Court in San Diego on February 13, 1931.” A lawsuit against the board of trustees of the Lemon Grove School District was filed stating how Roberto wanted to go to the same school as the white students, where he’d gone before the new year.
The school board felt overly confident about winning the case because San Diego’s district attorney was on their side, but mistakes were made. The D.A. tried to get the case dismissed but luck was not on his side.
The judge ultimately ruled in favor of Roberto Alvarez who the school district tried to prevent from returning to the local school he’d previously attended. The law said the lead plaintiff (and therefore all the others affected) had every right to attend the Lemon Grove Grammar School “without separation or segregation.” This important case along with several others was cited “before the US Supreme Court when it made its landmark Brown v. Board of Education of Topeka (Kansas) decision of 1954 that outlawed school segregation.” And though the struggle recounted in Without Separation took place almost 91 years ago, the facts surrounding this case feel as relevant today when prejudice against the immigrant communities here in the U.S. continues and racial-based inequalities linger.
Author Brimner has written a timely and terrific book for today’s generation of children to gain greater insight into the power of community, commitment, and the change that even “one small voice” can make.Gonzalez’s gorgeous artwork, reminiscent of Mexican muralists with its bold lines and rich colors, helps bring this story to life.
Eight pages of interesting back matter go into more detail about the case including what happened to the principal Jerome J. Green. There are photos along with information about other similar lawsuits. I was happy to read how Roberto Alvarez became a successful businessman, civic leader, and philanthropist in San Diego before he passed away in 2003. It’s great that this book is available for families, schools, and libraries so readers can have a greater appreciation of the significant impact of Roberto Alvarez v. the Board of Trustees of the Lemon Grove School District.
WILD LA: EXPLORE THE AMAZING NATURE IN AND AROUND LOS ANGELES
Written by Lila M. Higgins & Gregory B. Pauly
with Jason G. Goldman & Charles Hood,
Natural History Museum, Los Angeles County
(Timber Press, Inc.; $24.95, Ages 10 and up)
Wild LA is an ideal book for a person like me who loves Los Angeles for its many urban activities but needs nature for balance. Consider this new book your go-to guide when tired of the same old thing.
The 332-page full-color book is divided into three parts. The first, “Wild Los Angeles,” reviews ecology and natural history in ten categories such as “Water Writes the History of Los Angeles,” “Fire, Past and Future,” and “Migration” (birds, whales, and insects). “Los Angeles sits right in the middle of a four thousand-mile bird highway, a sort of endless conveyor belt of feathered critters coming and going throughout the year.” Billions of birds use this migration highway each year.
A favorite section for kids—or anyone who likes looking at pleasing pictures—may be “101 LA Species to Know.” Choose from “Birds,” “Insects and Spiders,” “Mammals,” “Reptiles and Amphibians,” “Snails and Slugs.” “Mushrooms, Slime Mold, and Lichen,” and “Plants.” Each category contains gorgeous photos and summaries. For example, male mallards molt (replace their feathers) in the late summer, becoming a duller color, and are flightless for a few weeks.
The final section, twenty-five “Field Trips,” conveniently provides three to four pages of information on each outing, including hand-drawn maps, tips, and trivia. Though I’ve frequented Griffith Park countless times, Wild LA still uncovered a wealth of interesting facts. I wasn’t aware of the three so-called Secret Gardens and will surely search them out on my next walk in the hills.
Locals and visitors alike will find this guidebook useful and a fascinating read. Keep it on hand or use it as a coffee-table book to page through, admiring the lovely photos which adorn every page.
