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Young Adult Book Review – Your Plantation Prom is Not Okay

 

YOUR PLANTATION PROM IS NOT OKAY

Written by Kelly McWilliams

(Little, Brown BYR; $18.99, Ages 12 and up)

 

 

Your Plantation Prom is Not Okay cover

★Starred Review –Bulletin of the Center for Children’s Books  

 

High school senior Harriet Douglass has grown up on the Westwood Plantation in Louisiana.  Her parents spent years converting the former plantation into a museum that tells the stories of generations of enslaved people who lived and suffered there. Although Harriet’s mother succumbed to cancer, Harriet and her father continue to maintain the plantation and provide educational programs to help visitors gain insight into America’s painful history with slavery and race.

Nearby Belle Grove Plantation has just been purchased by soap opera actress Claudia Hartwell and her social media influencer daughter, Layla. Claudia’s plans are to turn Belle Grove into a romantic venue for weddings and other events, completely disregarding the horrific history behind the plantations. Harriet is angry and disgusted by the attempt to romanticize history at the expense of those who toiled and suffered on them.

Layla and Harriet first meet at school when Layla defends Harriet from a white teacher’s microaggressions. Harriet is surprised by Layla’s awareness of the subtle discrimination and cautiously begins a tentative friendship. When Layla comes up with a plan to publicly pressure Claudia into canceling a celebrity wedding at Belle Grove, Harriet agrees to assist. The plan, using social media, is successful in shaming Claudia, but fails to stop the wedding. And lands both girls in trouble. Later, when the school decides to hold its prom at Belle Grove, Harriet feels betrayed when Layla, desperate for her mother’s attention, refuses to help. Harriet turns to her old friend, now boyfriend, Dawn, who uses his film and social media skills to help Harriet strip away plantation romanticism and tell the real story of what happened in the lives of the enslaved.

Harriet, tough but vulnerable, struggles with grief and mental health issues stemming from her traumatic final meeting with her mother. Her PTSD includes rage and subsequent blackouts. Fearful she could hurt someone, she has turned away from many of her friends. Through counseling, Harriet learns to control her rage and begins to realize that her old friends can be valuable allies in her campaign to end romanticizing plantation life through the stories of the enslaved.

In Your Plantation Prom is Not Okay, Kelly McWilliams has written a powerful and wide-ranging book that not only explores the complex issues stemming from systemic racism but sympathetically and realistically treats grief and mental health.

  • Reviewed by Dornel Cerro

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Inspired by a True Tale – The Dam by David Almond

THE DAM
Written by David Almond
Illustrated by Levi Pinfold
(Candlewick Studio; $17.99, Ages: 5-9)

★Starred Review – Kirkus, Publishers Weekly

 

cover illustration from The Dam by David Almond with art by Levi Pinfold


Poignant words and haunting illustrations tell this tale based on a true story of love, loss, and rebirth in The Dam written by David Almond and illustrated by Levi Pinfold.

“He woke her early. ‘Bring your fiddle,’” a father tells his daughter. Through these sparse words, the book opens with an immediate sense of urgency. A dam under construction will soon flood a valley cherished by Kathryn and her father. Once home to beloved musician friends, this valley will forever “be gone” and “washed away.” Pinfold’s illustrations echo the somber tone in a palette of gray, green, and white. While his “snapshot” pictures highlight samples of the delicate flora and fauna that will be lost, his double page spreads bring a bigger perspective to the vastness of the English countryside—the vastness of the loss and of the task at hand.

 

interior spread by Levi Pinfold from The Dam by David Almond
THE DAM. Text copyright © 2018 by David Almond. Illustrations copyright © 2018 by Levi Pinfold. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA on behalf of Walker Books, London.

 

“‘Take no notice. There’s no danger,’” Kathryn’s father tells her. Tearing off boards on the abandoned houses they once gathered in to dance and sing, Kathryn’s father asks her to enter the rooms and play her fiddle. I couldn’t help but pause after reading these lines in the book. No danger? Had this story taken place in America, such an area would be visibly marked off with miles of flourescent yellow “CAUTION” tape and multiple “NO TRESPASSING” signs. Though the illustrations in the book show no such signage, it’s quite possible the characters’ presence in the valley was to some degree illegal. Though whatever physical danger there may have been, they faced an even greater one: the danger of the grieving process.

I compare tearing off boards from house to house to tearing off the bandage on a deep wound, acknowledging its pain, and being present with the discomfort. Kathryn plays and “Daddy sing[s],” lifting spirits “gone and … still to come” up and out of the houses and setting them free to become part of the landscape—the earth, the sky, the animals, and people. What a profound mystery of the human spirit, that we can find the safety of healing only by taking the risk to be vulnerable. Father teaches daughter there really is no danger when we grieve fully and wholeheartedly.

 

interior spread from The Dam by David Almond with art by Levi Pinfold
THE DAM. Text copyright © 2018 by David Almond. Illustrations copyright © 2018 by Levi Pinfold. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA on behalf of Walker Books, London.

 

“The lake is beautiful” the author tells us, reflecting on how Kathryn and her father embrace the new creation. And just as before, Pinfold’s illustrations give us both detailed and wide-angled views of the landscape. Peaceful blues, gentle greens, and flowy whites restore what was once lost. Even the movement of the little fish mimic the dance of the spirits. Though the valley is gone, music continues to be celebrated.

Both multi-award winners, Almond and Pinfold complement each other beautifully. I strongly recommend the book to caregivers and educators alike, especially as an introduction to issues of change and loss for younger elementary-age children and to issues of death and bereavement for older ones.

  • Reviewed by Armineh Manookian

Read a review of another David Almond book here.
Read another review by Armineh here.

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