ONE COVER REVEAL, TWO INTERVIEWS

+ TWO GIVEAWAYS

FOR

30,000 STITCHES

What I Love About the Cover:

My husband, children and I were living overseas on 9/11 and remained there for a handful of years afterward so I’ve primarily gleaned info about the tragic events of that day through children’s books, friends’ accounts and documentaries. I continue to learn more new things about 9/11 which is why the cover (by Sally Wern Comport) for Amanda Davis’s new picture book, 30,000 Stitches: The Inspiring Story of the National 9/11 Flag intrigued me when I first saw it. It reminded me of when my children would play the parachute games at nursery and that feeling of joy, exuberance, pride and connectivity their faces conveyed. Add to that the multicultural, multi-generational and multi-abled group of people holding up the iconic flag, and you have all the makings of a moving picture book cover. And though we cannot tell a book by its cover, we can surely get a sense. Here Comport conveys texture, optimism, and subtle details about the myriad individuals involved in the 9/11 flag. There’s no way anyone seeing the book on a bookstore shelf, in the library, in a newsletter or on social media will not want to find out what the story is behind the cover and the book’s title. Read on to get the inside scoop of why this story of hope in the shape of a flag should be added to your TBR lists.

GoodReadsWithRonna: Amanda, now you know my reaction to the cover, what was your initial reaction to the cover? How do you feel it captures the essence of your story?

Amanda Davis: My initial reaction to the cover was that it filled me with light and hope. The bright colors that Sally chose along with the choice to depict a diverse group of people working together to hold up the flag, perfectly highlights the themes of unity, strength and healing, that are the essence of the story. I’m also really happy that the cover is inclusive of all types of people since the flag was stitched by many different people in diverse communities throughout the United States.  

AD: Peggy, what direction (if any) was given to Sally regarding inclusivity and the cover concept in general?

Peggy Schaefer: Sally is an amazing and accomplished artist, so we didn’t give her a lot of specific cover direction. The art director talked with her about the cover in general, and she came back with two options. We chose to move forward with this one because, as you said, it captured the emotion and essence of the story. We actually didn’t talk about the cover design until after the interior was storyboarded. This can be helpful, because details come to the forefront as artists work through their sketches.

Inclusivity is a topic that we talk about for every project. In this case, it was essential to accurately portray the story of the flag and all those involved in its journey. We also want every child to be able to find themselves in our books. The importance of being inclusive for young readers cannot be overstated.  

GRWR: Amanda, can you talk a bit about the process and challenges of writing a creative nonfiction picture book about a difficult topic in history? 

AD: Great question, Ronna. 30,000 Stitches is a creative nonfiction story and with that, in my opinion, comes an added weight of getting the facts and details in both the text and art accurate. On top of that, I wanted to make sure the text navigated the topic of 9/11 in a way that was not just factual but also accessible to children and highlighted the hope that came out of the tragic events. With that said, one of my favorite parts of this process was researching and interviewing the sources for the story. I have a background in journalism so this is right up my alley! I connected with the Ground Zero Superintendent, Flag Tour Staff, and founder of the New York Says Thank You Foundation. I’m honored to have spoken with such selfless, kind, and generous people whose dedication to helping America heal after 9/11 was inspiring. To this day, they continue to give back and be of service to others, which is truly exceptional. I’m grateful they’ve been so generous with their time in helping us get the story right and their willingness to check and recheck for accuracy.  

AD: Peggy, can you talk about this fact-checking process from the editor’s perspective?

Peggy: This was an interesting project in that regard. The body of the book, as you said, is creative nonfiction, and there are not a lot of specific details in the story itself. Most of the factual detail is in the back matter, which came from your interviews with those involved in the flag’s journey. Their willingness to review for accuracy was so valuable. A different challenge came in being precise in the art details. Sally is incredibly detail-minded in her art, so it was clear she was paying a lot of attention to detail, and that gave us a big head start. But even as we were drawing to the conclusion of the work, we were checking details in the art, things like uniforms and locations and such.

GRWR: Amanda, were you familiar with Sally Wern Comport’s work before she was chosen as your illustrator? Did you have any say in this process? 

AD: Yes! I love Sally’s art!  I was a huge fan of her work in Ada’s Violin and thought her textured mixed media style would be perfect in depicting the torn and tattered nature of the flag. There’s actually a funny and fateful backstory here. Before WorthyKids acquired 30,000 Stitches, I had interest from another publisher who asked my agent and I to reach out to illustrators and come back to them with some names. Sally was one of the artists I reached out to and connected with. As fate would have it, after I signed with WorthyKids, Sally found her way onto Peggy’s list of suggested illustrators. When Peggy shared the list with me, I tried to contain my excitement when I saw Sally’s name on there but told her that it was a BIG yes from me. 

In the end, it all worked out, and I’m beyond thrilled with the way Sally interpreted the text. Her illustrations bring life and emotion to the text; expanding on the story in a way that words alone can’t do. Through her visuals, we see the many hands and hearts the flag touched. The visual techniques she used convey a beautiful and symbolic parallel between the transformative healing of both the American people and the flag. As the flag heals, the people do, too.

AD: Peggy, how did you find Sally Wern Comport and what factors made you eventually land on her for 30,000 Stitches? Why did you feel Sally’s style was a good fit to help bring the story to life? 

Peggy: I’ll answer your second question first. I fell in love with Sally’s style when I saw her portfolio online. Her work is so rich and dynamic. Honestly, her style wasn’t what we had gone out looking for, but it just felt so right. I bought copies of a couple of Sally’s books, including Ada’s Violin—and seeing those reinforced my feeling that Sally was the right choice for the book. 

Selecting the artist was a fairly collaborative process. I worked closely with the art director, who sent me a selection of possible styles, and I shared my suggestions with him. And, of course, I shared with you as well. After we narrowed it down, I reached out to several agents about possible artists. Sally’s agent is actually the one who brought her to my attention, based on the description I gave him of what I was looking for. Later, I found out that you had been in touch about Sally. I don’t know if the agent remembered that or if it was a coincidence. I like to think of it as serendipity! Everyone on the team was blown away by Sally’s style. It was so unexpected and conveys so much emotion. I couldn’t be happier that we were able to work with Sally on this project.

GRWR: Amanda, can you tell us about the submission process for 30,000 Stitches?

AD: The submission process for 30,000 Stitches was a good old-fashioned slush pile success. I submitted the story (then called, THE FABRIC OF AMERICA) in February of 2019 via snail mail and seven months later received an email from one of Worthy’s assistant editors asking if the story was still available. I of course said yes, and connected her to my agent for the story, Melissa Richeson. Melissa connected with Peggy and the rest is history! 🙂   

AD: Peggy, how did you get your eyes on 30,00 Stitches, and what made you say yes to the project?

Peggy: As you mentioned, the manuscript first came in through the slush pile. As is sometimes the case, we were intrigued from the start, but the book was a little outside the core area that we publish into, so we didn’t act immediately. But it stuck with us, and when we reached out again, you connected us with Melissa. I was so happy to be able to acquire the book because 1) it’s a story I’d love more people to be familiar with; 2) the underlying themes of unity and healing and resilience are so important for kids; and 3) our readers are a generation who did not experience 9/11 firsthand and this is an age-appropriate introduction to this critical moment in U.S. history. But really it was your lyrical use of language that drew me in from the start. Everyone on the team who read the manuscript had an emotional reaction to it—and asked “Why didn’t I know about this?” And more than one told me it brought tears to their eyes or gave them goosebumps. That’s the kind of book I want to publish—books that touch the heart as well as the mind. 

GRWR: Amanda and Peggy, this year will mark the 20th remembrance of 9/11, and we recently reached a generation that was not alive to witness the tragic events of that day. What do you hope readers, both young and old, take away from 30,000 Stitches?

AD: Especially after the challenging year we all just faced, I hope that 30,000 Stitches can inspire others. I hope it offers healing to all those in need. I hope it serves as a reminder that light can come from darkness. That we can rise from the shadows if we unite and come together.  We are resilient. We are strong. We are connected through our stories. Stories of suffering. Stories of loss. Stories of compassion. Stories of kindness. Our stories are stitched together. Our stories are the fabric of America. 

Peggy: I don’t think I could have said it better than Amanda. That’s why she’s the writer!

How can readers get their hands on this beautiful story?

You can pre-order a signed copy of 30,000 Stitches through:

• Silver Unicorn here

• Hachette/WorthyKids here

• Amazon here

And we’re wrapping the reveal with a DOUBLE GIVEAWAY! 

1. Complete the form below for a chance to win one of ten (10) signed copies of 30,000 STITCHES. Winners will be selected in May.