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Picture Book Biography – As Edward Imagined

 

AS EDWARD IMAGINED:
A Story of Edward Gorey in Three Acts

Written by Matthew Burgess

Illustrated by Marc Majewski

(Knopf BYR; $19.99, Ages 4-8)

 

 

As Edward Imagined cover Edward drawing with cat on neck and desk.

 

 

A NEW YORK TIMES/NEW YORK PUBLIC LIBRARY BEST ILLUSTRATED CHILDREN’S BOOK OF THE YEAR!

REVIEW:

If you’re looking for a fascinating picture book biography, look no further than As Edward Imagined: A Story of Edward Gorey in Three Acts, written by Matthew Burgess and illustrated by Marc Majewski. I was first introduced to Gorey’s foreboding and darkly comical art when I developed a love for Edward Lear’s limericks, some of which Gorey illustrated. Then, there was the enticing opening sequence for each episode of MASTERPIECE Mystery!, a personal fave etched in my memory. When I discovered his wildly irreverent and irresistible holiday cards, I knew exactly which friends would appreciate them.

 

 

As Edward Imagined int1 Edward in his family library.
Interior spread from As Edward Imagined written by Matthew Burgess and illustrated by Marc Majewski, Knopf Books for Young Readers ©2024.

 

 

So, in honor of Gorey’s 100th birthday, February 22, 2025, I am thrilled to introduce this unique talent to a new generation. I don’t know about you, but I always thought Edward Gorey was English for some reason. Maybe that’s because Lear was. Gorey actually grew up in Chicago, and his artistic ability appeared when he was still a toddler. He taught himself to read at a young age, too. “And before he turned six, he finished a long, spooky novel about a vampire named … DRACULA.” At six!! Gorey did not shy away from marching to the beat of his own drum, whether that meant writing and illustrating books or painting his toenails green. In these three acts, Burgess has homed in on exactly what info would appeal to young readers, especially those who are also original thinkers. And Majewski’s acrylic on paper illustrations pair perfectly and convey a  Gorey-esque vibe.

 

 

 

As Edward Imagined int2 Act Two Edward in the city.
Interior art from As Edward Imagined written by Matthew Burgess and illustrated by Marc Majewski, Knopf Books for Young Readers ©2024.

 

 

In Act Two, Burgess takes us behind the scenes as Gorey’s creative career takes off after moving from college in Boston to the “bustling island of Manhattan.” I learned that Gorey attended nearly every New York City Ballet performance for over twenty years! That’s devotion. Gorey illustrated covers for others’ books while working on his story to earn a living. The character he invented was called Mr. Earbrass. It took a while for his books to catch on, but they did. That led to a commission designing costumes and the sets for a Broadway production of “Dracula.” It was a huge success and “nominated for important awards.” More comfortable at home than on a glitzy red carpet, Gorey chose to skip the award scene and hang out with his feline friends instead.

 

 

As Edward Imagined int3 Mr. Earbrass still broods and frets.
Interior spread from As Edward Imagined written by Matthew Burgess and illustrated by Marc Majewski, Knopf Books for Young Readers ©2024.

 

 

Did success spoil Edward Gorey? Nope. Act Three reveals a content man who chose to leave the city for the fresh air and relaxed life in Cape Cod. After several years of spending time there “when the ballet close for the season,” he eventually made it his full-time home. There, he wrote plays for the local theatre company and continued writing books. He lived life on his terms and found comfort in a vast collection he had accumulated over the years. Teddy bears, sea stones, skeletons, and books filled his home, and much of it can still be seen on a visit to The Edward Gorey House Museum. One of the spreads I like returning to is the one that depicts Gorey’s packed library with wall-to-wall shelves and a floor covered in books as cats roam around the room. The art throughout is captivating, and Burgess has chosen to go into more detail in his Author’s Note in the backmatter, where children can also find a two-page timeline that touches on parts of Gorey’s life not elaborated on in the story. This much lauded biography helped me understand and appreciate Gorey’s genius through a fresh and colorful new lens. I’m happy kids can now meet him, too.

 

Read about another talented artist here.

 

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Painting Pepette

PAINTING PEPETTE
Written by Linda Ravin Lodding
Illustrated by Claire Fletcher
(Little Bee Books; $17.99, Ages 4-8)

 

Painting_Pepette cover image

 

You don’t have to be a Francophile to fall for Painting Pepette, a charming new picture book by Linda Ravin Lodding with illustrations by Claire Fletcher. Journey back with me to 1920s Paris to meet the adorable Josette and her stuffed animal rabbit, Pepette.

 

Painting_Pepette_Interior_Image2_the_great_room
Interior spread from Painting Pepette by Linda Ravin Lodding with illustrations by Claire Fletcher, Little Bee Books ©2016.

 

Young Josette adores her plush pet Pepette, but realizes that among all the lovely family portraits hanging in the great room at #9 Rue Lafette, there is none of her beloved rabbit. Determined to change that, Josette heads to the most popular place for a 1920s Paris artist to paint, high up in scenic Montmartre.

There amidst the assorted artists’ imaginations, easels and colorful atmosphere, Josette crosses paths with Picasso, Dali, Chagall and Matisse. Each of these famed artists is eager to capture the likeness of Pepette in their own unique way. The only catch is that Josette feels the completed artists’ masterpieces do not quite convey the true Pepette she knows and loves. And naturally, Pepette agrees. Clearly the only thing left to do at this point is to paint the portrait herself!

Lodding’s use of rhyming words like Josette, Pepette, Lafette and even the family schnoodle, Frizette, along with un petit peu of French words make Painting Pepette a recommended read aloud story. Her selection of artists allows her to have fun with the little girl’s search for the perfect portrait painter. Lodding even includes a brief Author’s Note to explain the time period when these four famous artists painted.

 

Painting_Pepette_Interior_Image5_meeting_Picasso_in_Montmartre
Interior spread from Painting Pepette by Linda Ravin Lodding with illustrations by Claire Fletcher, Little Bee Books ©2016.

 

Fletcher captures the essence of 1920s Paris in every illustration and introduces children to the unique artists and their signature styles. Picasso’s take on Pepette includes two noses and three ears. Dali envisions the rabbit as a variation of The Persistence of Memory. Chagall paints Pepette up in the clouds like a star, et bien sûr, Matisse employs a plethora of color on his palette, “But Pepette isn’t pink,” notes a disappointed Josette.

Together, Lodding and Fletcher have created a picture book that, after entertaining them, might very well inspire children to get out the water colors or acrylics and get into some serious portrait painting of all their favorite stuffed animals. Dabble on!

Don’t miss:

Painting Pepette Trailer

Downloadable Activity

  • Reviewed by Ronna Mandel

 

 

 

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