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Middle Grade Fiction – The Beatryce Prophecy

 

THE BEATRYCE PROPHECY

Written by Kate DiCamillo

Illustrated by Sophie Blackall

(Candlewick Press; $19.99, Ages 8-12)

 

 

The Beatryce Prophecy cover

 

 

Starred Reviews – Booklist, Kirkus Reviews, and Publishers Weekly

 

NOTE #1: I meant to write about The Beatryce Prophecy almost a year ago when I first read it. However,  being in dire need of a feel-good story, I just reread it so I’m happy to finally share my review of this fairy tale. NOTE #2: You definitely do not need to be between the ages of 8-12 to enjoy every last word of this wonderful novel. Written by Kate DiCamillo and illustrated by Sophie Blackall, The Beatryce Prophecy is full of promise and a resounding message of love we could all use.

The book begins with:

It is written in the Chronicles of Sorrowing
that one day there will come a child who will unseat a king.
The prophecy states that this child will be a girl.

Because of this,
the prophecy has long been ignored.

 

The kingdom, readers learn in text running parallel to the main narrative, is at stake due to the disappearance of a young girl according to the “Prophecies,” so the hunt is on. At the same time a child, no more than 10 years old, burning with fever and clinging to the ear of an ordinarily unruly goat, is discovered in the barn. The rescuer is Brother Edik, a thoughtful monk who belongs to the Order of the Chronicles of Sorrowing. He is the monastery illuminator of the “glorious golden letters” that begin the text of each page of the Chronicles. Brother Edik also looks after the goat, Answelica.

 

The Beatryce Prophecy int.1
THE BEATRYCE PROPHECY. Text copyright © 2021 by Kate DiCamillo. Illustrations copyright © 2021 by Sophie Blackall. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Brother Edik, aided by the unusually attentive Answelica, cares for the girl who, when recovered, remembers only that her name is Beatryce. This name also happens to be one that appears frequently in the Chronicles of Sorrowing. Most notable however is that Beatryce can read and write, something forbidden by law for girls in the kingdom. Could this rare ability be a clue to Beatryce’s identity?

It doesn’t take long for the monk to feel a strong bond with Beatryce, but his superior, Father Caddis says she must leave to find her people. As Beatryce is gaining her strength, she encounters Jack Dory. This industrious 12-year-old orphan possesses an excellent memory and gift for mimicry which comes in handy. He’s been dispatched to the monastery by a dying soldier to find a monk to write his confession. But since Father Caddis wants Beatryce gone to keep the Order out of the king’s crosshair, he sends Beatryce instead of Brother Edik.

 

 

The Beatryce Prophecy in tree int.2
THE BEATRYCE PROPHECY. Text copyright © 2021 by Kate DiCamillo. Illustrations copyright © 2021 by Sophie Blackall. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

The pair (with Answelica of course) set out for the village inn where Beatryce, dressed as a monk with shaved hair and pretending to be mute, begins the task committed to. But when the king’s men begin to search, Jack tells his friend they must leave or risk capture.

 

The Beatryce Prophecy dark woods int.3
THE BEATRYCE PROPHECY. Text copyright © 2021 by Kate DiCamillo. Illustrations copyright © 2021 by Sophie Blackall. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

 

In the dark woods during their escape, Jack and Beatryce encounter a mysterious but benevolent bearded old man who helps them evade the soldiers and other threats. He then accompanies the children on a journey so Beatryce, who now remembers who she is, can confront the king. As the parallel text unfolds, readers learn the awful truth about what transpired to cause Beatryce to wind up at the monastery haunted by bad dreams and incomplete memories. Tension, which has been building ever since the close call at the inn, continues to grow as the group converges to enter the castle.

Between the gripping and creative DiCamillo storytelling and the detailed, evocative Blackall art, there is so much to enjoy about The Beatryce Prophecy. I rank this novel up there with DiCamillo’s finest novels and my great mood was on par with how I felt after finishing Flora & Ulysses. Not only is the story one of love, friendship, and fate, but it’s also an homage to the written word, the power of books, and how the truth can set you free. There’s a meaningful unexpected twist at the end, too. I always worry about endings after a page-turning book has taken me along on a journey with characters I care about. And while in a fantastical story such as this, anything goes, anyone reading the novel will be more than satisfied with how DiCamillo wraps it up and offers it like one huge hug. I’m curious if you find yourself humming the Beatles’ “All You Need Is Love,” like I did?

  • Reviewed by Ronna Mandel

 

For all downloads for this book including a sample chapter and teachers’ guide, click here.

 

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13+ New Halloween Books for 2021

 

 

BEST NEW HALLOWEEN BOOKS

A ROUNDUP

 

 

 

 

 

Spookytale coverSPOOKYTALE (An Abrams Trail Tale)
Written by Christopher Franceschelli

Illustrated by Allison Black
(Abrams Appleseed; $14.99, Ages 0-3)

Christopher Franceschelli’s latest book in his Abrams Block Book series is Spookytale, an interactive board book. We travel along with a boy, girl, and dog to their far-off destination: a haunted house. This journey takes them through the woods, across the bridge, and so forth. Each scene has die-cut pieces that lift to reveal fun Halloween-themed surprises. Fun hole-punched areas add textural interest.

The simple text is offset with rich illustrations by Allison Black. Pages have a lot going on; in subsequent readings, kids will find something new. Done in autumnal tones with pops of bright colors, costumed kids and smiling monsters are equally cute. The final scene is a dramatic quadruple gatefold that reveals all the festivities inside the house.

  • Reviewed by Christine Van Zant

 

TrickorTreat Bugs to Eat coverTRICK OR TREAT, BUGS TO EAT
Written by Tracy C. Gold
Illustrated by Nancy Leschnikoff
(So
urcebooks Explore; $10.99, Ages 4-8)

I love Halloween books and Tracy C. Gold’s Trick or Treat, Bugs to Eat is one of my favorites to date. The words are set to the “Trick or Treat, Smell My Feet” rhyme: “Hear my calls / bounce off walls, / echoing as darkness falls.” From there, Gold has gotten clever by presenting a story about a bat out trick-or-treating, weaving in lots of animals facts. For example, we learn bats are nocturnal, use echolocation, and they sure eat a lot of bugs—up to a thousand insects each night!

Coupled with the exceptional text is Nancy Leschnikoff’s outstanding art. I don’t know how many times I exclaimed, “It’s so cute!” while I read this book, but the expressive bat really is that adorable. Surrounding scenic art is just as great (love the raccoon!). The nightscape is rendered in appealing shades of blues and purples.

At only eight-by-eight inches, this 32-page picture book fits well in small hands. Between the engaging story, excellent art, and informative back matter, this book’s got it all.

  • Reviewed by Christine Van Zandt

 

Poultrygeist coverPOULTRYGEIST
Written by Eric Geron
Illustrated by Pete Oswald
(Candlewick Press; $16.99, Ages 4-8)

Kids will cluck out loud upon reading this chicken-centric ghost tale children’s book. In a nutshell (or should I say eggshell?), the story opens with an unsuspecting chicken getting run down by a massive truck and becoming a ghost. I mean, why was he crossing the road in the first place, right?

Soon, all the other local animals that have been hit by vehicles gather around the newly dead chicken to explain the ropes. The humor in this fast-paced read is that they want the newly deceased fowl to begin haunting, only this “spring chicken” has no desire to frighten others. In fact, at one point he turns to the reader and asks, “Pssst? Are you OK?” The sweet surprise is when the fryer asserts himself, accidentally scaring off the troublesome spirits.

The story comes hilariously full circle when the scene switches from the pleased poultrygeist to a squirrel crossing the same dangerous roadway. Pete Oswald’s expressive art in Poultrygeist adds another fun layer to this dark and delightful Halloween story that perhaps unintentionally and hilariously drives home the point to look both ways when crossing

  • Reviewed by Ronna Mandel

 

How to Haunt a House coverHOW TO HAUNT A HOUSE
Written
by Carolyn Crimi
Illustrated by Edward Miller
(Albert Whitman; $16.99, Ages 4-8) 

Carolyn Crimi’s rhyming picture book, How to Haunt a House, features ghosts in a classroom being taught the teacher’s “special ghost technique” for haunting. Groana, Moana, and Shrieky are assigned three houses; all goes well until the last one which proves to be a challenge. The ghosts must figure out something new that will scare the ghouls who live there. It’s got to be tough when, instead of fleeing, “the small girl kissed those scrawny rats.”

Comical illustrations by Edward Miller enhance the text’s humor. His evocative characters are a kick; I especially like the skulking, glaring black cats. The book’s underlying message, “Do not give up! You’ll find a way!” is tackled lightheartedly yet still shows how, sometimes, you need to come at a problem from a new direction in order to solve it.

  • Reviewed by Christine Van Zandt

 

If You Ever Meet a Skeleton coverIF YOU EVER MEET A SKELETON
Written by Rebecca Evans
Illustrated by Katrin Dreiling
(Page Street Kids; $17.99; Ages 4-8)

I never thought I would want to meet a skeleton until I met the adorable protagonist in If You Ever Meet A Skeleton written by Rebecca Evans, who was inspired to write this story after meeting a skeleton in a museum.

Sleeping underground with other skeletons and a few bugs, Skeleton climbs to the surface looking for a friend. He finds three kids dressed in costumes on Halloween night. Dreiling illustrates the skeleton with a piece of blond hair giving the reader a feel for what he looked like before his demise. Evans’ rhyming words take what could be a scary topic and turn it into a humorous read. “Skeletons might seem spooky—white bones without the skin, no eyes, no ears, no lips, just one big toothy grin.”

Children dressed as witches, pirates, and ninja warriors with round faces and toothy grins are not sure what to make of this unusual creature, but Evans takes the reader through a wonderful understanding of how a skeleton, thought different from themselves, can be friend material. “Skeletons have no guts, so they aren’t brave like you. They’re scared of nighttime shadows and owls that say ‘whoooo.’”

This is a great addition to the fall reading list for the school classroom. And how great it is to have a friend who will go “trick-or-treating with you then share their chocolate bar, just like best buddies do.”

  • Reviewed by Ronda Einbinder

 

Boo Stew coverBOO STEW
Written by Donna L. Washington
Illustrated by Jeffrey Ebbeler
(Peachtree; $17.99, Ages 4-8)

A little girl named Curly Locks who loves to cook is the heroine of Boo Stew, a Goldilocks and the Three Bears fractured fairy tale. This Halloween story features food that won’t tempt your taste buds but just might be the right food to feed a scary soul or three.

It seems the Scares of Toadsuck Swamp might be hungry and while they’re invading homes to steal food, they’re causing chaos, especially at the mayor’s house. After they chase him out with an ominous “Gitchey Boo, Gitchey Bon! Gitchey Goo, Gitchey Gone!” the blacksmith, and the chicken rancher also try to vanquish the scary villains with no luck.

Curly Locks, fearless and clever, steps up and entices the Scares with her Boo Stew. With its moose ear broth, toenail clippings, and gnat juice, Boo Stew does the job. A deal is struck and the creatures head back to the swamp. The townsfolk get a Scare-free Toadsuck and Curly Locks … well she gets to prepare all sorts of concoctions for the appreciative Scares since no one else will eat her cooking anyway! Washington has taken the Goldilocks tale and spun a unique, engaging Halloween story. Ebbeler’s colorful, detailed, and dynamic illustrations set a tone that’s just right for this humorous picture book.

  • Reviewed by Ronna Mandel

 

The Ghouls' Guide to Good GrammarTHE GHOULS’ GUIDE TO GOOD GRAMMAR
Written by Leslie Kimmelman
Illustrated by Mary Sullivan
(Sleeping Bear Press; $16.99; Ages 4-8)

Learning proper grammar can be quite daunting for young kids, especially for those still learning over Zoom, but Leslie Kimmelman has created a fabulous storytime picture book that can be read during the Halloween season or any time of the year. The Ghouls’ Guide To Good Grammar is a hilarious take on how different a sentence can read if a comma is misplaced or other grammar isn’t correct. Sullivan’s illustration of a sweet young girl holding a bowl of cat food for Sylvester reads “Time to eat, Sylvester.” But when the giant ghoul with sharp teeth peeks around the corner with all eyes on the little grey and white cat he thinks “Time to eat Sylvester.” A very different and dastardly meaning when the comma is removed!

Turning the page, the reader learns that “contractions are two words shortened and combined with an apostrophe to make one word.” This sounds confusing until the reader visually sees Sullivan’s colorful drawing of six ghouls surrounded by bugs and spilled soda in “Ghouls’ really gross bedroom.” Kimmelman changes the location of the apostrophe to read “Ghoul’s really gross bedroom” and now we see it was one mischievous ghoul who made the mess all on his lonesome.

This treat of a story concludes with a Ghoul Grammar Quiz asking the reader which of the sentences shown has no mistakes. The Ghouls’ Guide to Good Grammar is an ideal teaching tool for a parent or a teacher to use to transform the often tough topic of punctuation into a frightfully fun learning experience.

  • Reviewed by Ronda Einbinder

 

There's a Ghost in this House coverTHERE’S A GHOST IN THIS HOUSE
Written and illustrated by Oliver Jeffers
(Philomel Books; $27.99, Ages 4-8)

I may not be the target age range for this creative book but I had a blast reading it. First of all, There’s a Ghost in this House is less a straightforward picture book―although Jeffers has illustrated it with a little girl, some adorable (and giggling in places) ghosts, and lots of striped clothing―and more a seek-and-find interactive story so children can be in control of how many ghosts they’d like to discover over the course of 80 pages.

Jeffers has taken found black and white photos of an imposing 18th-century mansion and then brought in bits of color with the addition of the young girl narrator/guide. Readers join her to tour the house as she looks for ghosts which are printed white on transparent vellum paper throughout the book and appear when the paper is placed against the b+w house interiors. That’s such a fantastic idea because I never knew what poses the ghosts would be in and where exactly they’d show up each time. 

Since the ghouls are not menacing in the least, children can enjoy this book without fear. Parents and caregivers can admire the cleverness of the presentation while also deciding how many ghosts to expose.

  • Reviewed by Ronna Mandel

 

Brains! Not Just a Zombie Snack coverBRAINS! NOT JUST A ZOMBIE SNACK
Written by Stacy McAnulty
Illustrated by Matthew Rivera
(Henry Holt BYR; $18.99; Ages 4-8)

Matthew Rivera illustrates a green zombie girl with a red scar across her forehead seeking brains to eat in Brains! Not Just A Zombie Snack. Focusing on the fascinating science of the body, STEM picture book author Stacy McAnulty teaches the reader about the importance of the brain and how, without it, reading a picture book would be impossible. This educational read breaks down the five senses of touch, sound, sight, smell, and taste and how the brain receives messages from these senses. What better time than Halloween to explore this subject?!

Zombie Girl is desperate for some brain to eat and in her search for this delectable snack, the reader discovers “Neurons! They do the work, and you have about 86 billion of them.” Zombie holds up two cans of Neurons and Glial Cells with anxious eyes ready to eat. “When you learn something new, like how to add numbers, play the piano, tie up a zombie, you aren’t making more neurons—you’re making new and stronger pathways.”

My brain took in a whole lot of information that I was not aware of such as a 75-year-old human’s brain is 10 percent smaller than max size (so 2.7 pounds-ish) instead of 3 pounds in a grown-up human. The best advice the reader learns is that “if you want to run away from a zombie later. You’ll want your cerebellum.”

The helpful back matter includes Brain Facts such as A human brain is only about 2-3 percent of an adult’s body weight, but it uses almost 20 percent of the body’s energy. I also was surprised to learn that Albert Einstein’s brain was stolen by Dr. Thomas Harvey and cut into 240 blocks to be studied upon his death. This is something I would like to learn more about!

  • Reviewed by Ronda Einbinder

 

Poison for Breakfast coverPOISON FOR BREAKFAST
by Lemony Snicket

Chapter Spot art by Margaux Kent
(Liveright; $17.95, All Ages)

Lemony Snicket’s Poison for Breakfast will certainly be a hit with his fans because the author’s style is quite unique, a word which here means “weird in undefinable ways.” Though marketed to older MG and YA readers, this book appeals to adults as well. This true story begins when Mr. Snicket (as he prefers to be addressed) finds a bewildering and frightening note under his door that reads, “You had poison for breakfast.”

We go along with Mr. Snicket as he reviews each item consumed for breakfast to uncover the culprit. He meanders to locations where the breakfast items originated. Though we eventually discover what’s behind this mystery, the pleasure is in the circuitous journey told in a way that only Lemony Snicket can, complete with endnotes elaborating topics touched upon.

I enjoy the distinctive structure, odd tidbits, and repetition. So, make yourself a poached egg as Mr. Snicket recommends, and settle in for a fun read. A list-maker myself, I find Mr. Snicket’s lists particularly amusing. And, as a writer, knowing the three rules of writing will undoubtedly help me better my craft. They are: (1) Include the element of surprise, (2) Leave something out, and, (3) Well, no one really knows the third rule.

  • Reviewed by Christine Van Zandt

 

The Ghoul Next Door coverTHE GHOUL NEXT DOOR 
Written by Cullen Bunn
Illustrated by Cat Farris
(Harper Alley; $12.99, Ages 8-12)

Get your ghoul on with The Ghoul Next Door, a terrific new middle-grade graphic novel featuring just enough ghouls, ghosts, and atmospheric underworld to make you read it in one sitting and then start all over again.

Welcome to Anders Landing, est. 1692, a place sought out by accused witches to avoid the witch hunts and trials of Salem taking place the same year. Things go downhill quickly for main character Grey who, after picking up an unlucky penny, takes a shortcut to school through the local cemetery. Grey doesn’t want to lug his bulky Salem Witch-themed school project the long way like his superstitious friend, Marshall. When Grey trips on an open grave and drops his project in it, he panics. Looking down he sees his cemetery project grasped by a monster-ish hand. Then, it’s gone.

That evening something enters his bedroom and begins leaving gifts, not the birthday present sort, but finger bones, a doll of his likeness, and assorted other items that freak him out. This creature clearly likes Grey and replaces the original cemetery model with an even better one. Grey may score points in class with the new project, but Marshall thinks it’s best to tell some adults about all the creepy goings-on. While he initially didn’t believe Grey, he’s now changed his mind after a trip to the cemetery where he gets a glimpse of the ghoul. Lavinia, as she’s called, saves Grey from an army of rats and a friendship begins. In foreshadowing the story’s conflict, she warns the two humans to keep mum about what they know or they risk the ire of those underground and put her in jeopardy.

Readers learn that the ghoulish creatures that live below the surface (Grey and Marshall are considered human surface dwellers), aside from enjoying eating the newly dead, greatly dislike and mistrust humans and fear discovery. As payback, they kidnap Marshall leading Grey and Lavinia on a dangerous mission underground to rescue him before he’s killed. What ensues is a page-turning adventure with the right mix of dialogue, fantastical and haunting art, and heart, although technically I don’t think a ghoul has one. The friendship of Lavinia and Grey challenges the ‘no contact with humans’ rule laid out by Lavinia’s community and feels satisfying and fresh (although using that word here feels kind of ghoulish). She risks everything for Grey while he also puts his life on the line to help both his old and new friends and ultimately himself. Read this in the daytime if you live anywhere near a cemetery.

  • Reviewed by Ronna Mandel

 

THE HALLOWEEN MOONThe Halloween Moon cover
Written by Joseph Fink
(Quill Tree Books; $16.99, Ages 10-13)

What if time stood still and it could be Halloween forever? The candy part is tempting, but if everyone you loved had fallen into a deep, otherworldly sleep, it might not be so sweet. That’s exactly what 13-year-old protagonist Esther Gold is dealing with in Joseph Fink’s imaginative novel, The Halloween Moon. Blending fantasy and magic in a contemporary Southern California setting, Fink opens the book with a prologue detailing a robbery of something seemingly quite small which proves to have huge significance in the story. 

Esther lives for Halloween but her best friend, Agustín, does not. So when Esther’s parents announce she has aged out of trick-or-treating, having become an adult at her bat mitzvah, she realizes she’ll have to circumvent this new rule. When that plan involves Agustín, he seems game. Did he agree a bit too easily? Did she like that he did? Those are just a few of the questions Esther faces on this very long Halloween night set under a huge orange Halloween moon. 

Odd goings-on occur as Esther and Agustín notice only a motley crew of trick-or-treaters with shadowy faces are out and about. Their clicky sounds are creepy too. Plus all the people usually into the holiday aren’t answering their doors. The pair soon discover that a sleeping spell has been cast over the community. An urgency hits when Esther realizes her little sister has gone missing. That’s also what brings Esther together with bully Sasha Min who has often lobbed anti-semitic and other hurtful insults her way. But since Sasha’s distraught over her kidnapped brother and unwakeable mother, she agrees to team up with the other two intrepid trick-or-treaters to find out what’s going on. Along the way, the teens take the rare awake adult, next-door neighbor, Mr. Gabler, onboard as they try to reverse the spell and bring the interminable Halloween nightmare safely to an end 

I enjoyed this book because, in addition to the mystery the teens hope to solve, readers get inside Esther’s head and learn that she’s been having difficulty accepting change in her life. Whether the change is about her giving up trick-or-treating, her changing feelings for Agustín, watching Grandma Debbie getting older and frailer, or about what might happen when she moves up into high school the following year, Fink ties Esther’s growth into the Halloween adventure in a satisfying way. The dynamic shared between Esther and Sasha as they try to resolve past conflicts is also one that should resonate with readers. Horror fans will note references to John Carpenter and the horror film genre in general.

  • Reviewed by Ronna Mandel

 

HAPPY HOWL-O-WEEN MAD LIBS  
by Mad Libs

(Mad Libs; $6.99, Ages 8-12)

Mad Libs are one of those things: we all know and enjoy them. As a parent, I wholeheartedly encourage playing Mad Libs whenever a boring moment strikes. Yes, they’re hilarious and spark the imagination, but also (secret parent trick) drill home the parts of speech: adverb versus adjective and so forth. And if you’re a little rusty, no fear. Following the instructions, there’s a “quick review” that easily explains that, for example, when an exclamation is called for, they mean something like “Wow!” “Ouch!” or “Ick!”

The Happy Howl-o-ween version takes all the best stuff about this holiday and mixes it up with the fill-in-the-blank fun of Mad Libs. There are 63 themed stories to create in three categories: Monster Mash, Trick or Treat (both by Tristan Roarke), and Day of the Dead (by Karl Jones).

Whether you’ve done these a million times or are just introducing them to a young child, pick up a copy for your car as a way to pass some time with laughs and learning.

  • Reviewed by Christine Van Zandt

 

vampires hearts other dead things coverVAMPIRES, HEARTS, & OTHER DEAD THINGS
by Margie Fuston
(Margaret K. McElderry; $18.99, Ages 14 and up) 

Instead of celebrating her senior year, Victoria won’t give up on her terminally ill dad—even when her family is told there are no treatment options left to pursue. Her mom and sister seem better at letting go. Victoria, instead, turns to the passion of all-things-vampire that she shares with her father and decides it’s up to her to save him. Ten years ago, a vampire announced himself to the world, but, after some mishaps, the vampires went back into hiding. Victoria takes that trip to New Orleans she’d planned on doing with her dad and, while there, vows to find and get bitten by a vampire so she can save her father by turning him into one too.

The grief Victoria struggles with is realistically handled, as is the complex connection she has with Henry (her neighbor, former BFF, and maybe boyfriend). As in all good love stories, a bit of a love triangle comes into play, but the heart of the story involves Victoria’s relationships with her family and Henry. Messy emotions are laid bare in a hauntingly beautiful setting. I like how Victoria’s quest leads her through ever-increasing challenges that test her resolve to follow through with this plan.

A new, vital addition to the vampire lore. Not only does this story add its own flair, but it explores previous books and movies—a pleasing touch for vampire aficionados.

  • Reviewed by Christine Van Zandt

 

 

ADDITIONAL RECOMMENDED HALLOWEEN READS 

 

BOO! BAA! LA LA LA!
Written and illustrated by Sandra Boynton
(Little Simon; $5.99, Age 0-5)

 

 

Vampenguin coverVAMPENGUIN
Written and illustrated by Lucy Ruth Cummins
(Atheneum BYR; $17.99, Ages 4-8)

 

 

 

The Haunted Mustache coverTHE HAUNTED MUSTACHE: Book #1 Fright Nights
Written by Joe McGee
Illustrated by Teo Skaffa
(Aladdin; $6.99, Ages 7-10)

 

 

 

 

What Lives in the Woods coverWHAT LIVES IN THE WOODS
Written by Lindsay Currie
(Sourcebooks; $16.99, Ages 8-12)

 

 

 

 

 

 

THE GHOSTLY TALES OF THE QUEEN MARY
by Shelli Timmons
(Arcadia Children’s Books; $12.99, Ages 8-12)

 

 

 

 

 

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Three Kids’ Picture Books About Hope

A ROUNDUP OF THREE KIDS’ PICTURE BOOKS

ABOUT HOPE

 

Here’s a fantastic selection of picture books about hope providing a great way to lift spirits at home while spending meaningful time with your children.

 

IfYouCometoEarth cvrIF YOU COME TO EARTH
Written and illustrated by Sophie Blackall 

(Chronicle Books; $18.99, Ages 5-8)

Starred Reviews – Booklist, Horn Book, Publishers Weekly, School Library Journal

As a big Ivy and Bean fan, I’ve enjoyed two-time Caldecott winner Sophie Blackall’s art for years. Her author-illustrator 2018 picture book, Hello, Lighthouse, was a top book. Now, If You Come to Earth, follows with its amazing accomplishment of summing up, well, everything. This 80-page book is big in size and in heart. Addressed as a letter to “Dear Visitor from Outer Space,” the story includes factual matter such where our planet’s located (and that “the blue stuff is water”) to how “We live in all kinds of homes. / In all kinds of families.” The narrator Quinn’s voice is that of a helpful, insightful child who provides personal details about how “every body is different,” except for their identical-twins friends—yet even then the narrator notes one has a mole. The wide world comes together as a unit as Quinn explains and welcomes an unknown visitor.
e
This comprehensive yet personal explanation describes our world exceptionally well. In the back matter, Blackall reveals twenty-three kids gave her lots of ideas, and how she didn’t expect this book to take five years. To me, five years to create this sounds reasonable with its all-encompassing subject matter and massive number of illustrations. Blackall’s talents range the gamut, from her expertise in capturing facial expressions to lifelike renditions of plants and animals. If You Come to Earth belongs in classrooms, houses, and spaceships everywhere.

 

TheWorldNeedsMorePurplePeople cvrTHE WORLD NEEDS MORE PURPLE PEOPLE
Written by Kristen Bell and Benjamin Hart
Illustrated by Daniel Wiseman
(Random House BYR; $17.99, Ages 3-7)

#1 New York Times bestseller! 

Coming out during the heated election year, The World Needs More Purple People, feels well-timed. Beyond stating, “purple is a magic color made when red and blue work together,” Kristen Bell and Benjamin Hart’s New York Times best-selling picture book avoids politics by simply stating, “the best things are purple.” As someone fond of the color (and the sentiment), I agree.

The story’s serious recommendations (ask questions, give good ideas, and help someone) are balanced with fun (“We laugh at donkey dances and hairy elephant knees”). Daniel Wiseman’s engaging, kid-friendly art accents the humorous text. My favorite lines: “Purple questions are the kind that help you learn something really BIG about the world or something really small about another person” and “Purple people come in every color you can dream up and every size you can think up.” This book engages young reader with important issues by encouraging curiosity and silliness.

 

ThereIsaRainbow coverTHERE IS A RAINBOW
Written by Theresa Trinder
Illustrated by Grant Snider
(Chronicle Books; $15.99, Ages 3-5)

Starred Reviews – Booklist, School Library Journal

There Is a Rainbow by Theresa Trinder is a feel-good picture book filled with hope and reminders that we’re in this together. Inspired by the rainbows her children drew during while sheltering in place for the pandemic, the book expresses our universal experiences such as having to stay separated from family or friends, and attending online school.

Illustrations by Grant Snider perfectly fit the spare, lyrical text. A rainbow of colors glows against a white backdrop. Echoing a child’s style of drawing, Snider elevates that sentiment with details capturing this time in our lives.

Beyond the pandemic, this beautiful picture book “encourages readers to look past their immediate surroundings and find comfort, community, and inner courage—which are all closer than we might think.” And if that’s not enough, peek under the book jacket for a fun, different cover art!

Click here to read a recent picture book about hope reviewed by Christine.

Click here to read a review of another picture book about hope.

 

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Middle Grade Book Review – If We Were Giants

IF WE WERE GIANTS

by Dave Matthews and Clete Barrett Smith

Illustrations by Antonio Javier Caparo

(Disney-Hyperion; $16.99, Ages 8-12)

 

If We Were Giants cvr

 

IfWe WereGiants int insert5
Interior art from If We Were Giants by Dave Matthews and Clete Barrett Smith with illustrations by Antonio Javier Caparo, Disney-Hyperion ©2020.

If there’s a book you should read now, it’s If We Were Giants by Dave Matthews and Clete Barrett Smith. You may recognize the first author’s name as that of the world-renowned musician, environmentalist, and humanitarian. He’s teamed up with children’s book author Smith to write this timely middle-grade novel. Its underlying messages are about pulling together as a community, remembering the past, and taking care of nature. Kids will root for Kirra to find her way, and love the fun elements (such as living in trees and using their collective skills to become gigantic).

IfWe WereGiants int insert
Interior art from If We Were Giants by Dave Matthews and Clete Barrett Smith with illustrations by Antonio Javier Caparo, Disney-Hyperion ©2020.

Hidden inside the walls of a dormant volcano, ten-year-old Kirra’s life is idyllic. Her people, the Zedu, respect nature and collaborate with one another, having assigned tasks. Kirra’s father is the Storyteller, the only Zedu who goes Outside—until recently, when Kirra begins to travel with him and learn this vocation. Her curiosity, however, leads her to make a grave mistake instigating the demise of her village by a violent new group called the Takers who seek only to conquer and destroy.

Jump forward four years and fourteen-year-old Kirra now lives aloft with the Tree People, taken in when she was in dire circumstances and treated with kindness ever since. To get by, Kirra must suppress memories of the past—until those memories become a reality.

The images by Antonio Javier Caparo provide glimpses into Kirra’s world. Framed by intertwining branches, the natural colors underscore the importance of working harmoniously with nature.

I appreciate how the book engages the reader with quick-moving, interesting scenes yet also tackles big issues affecting us today. This story delves into what family means and how you fit in. For Kirra, it’s also a coming-of-age tale as she finally faces her demons and finds her way.
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Five New Halloween Books for Kids – A Roundup Part 2

BEST NEW KIDS BOOKS FOR HALLOWEEN

∼ A ROUNDUP ∼

PART 2

 

 

 

Beneath the Bed coverMISTER SHIVERS: BENEATH THE BED AND OTHER SCARY STORIES
Written by Max Brallier
Illustrated by Letizia Rubegni
(Acorn/Scholastic; $4.99, Ages 5-7)

Acorn books, designed for early readers, brings five scary stories to children in this Mister Shivers series. Beneath the Bed and Other Scary Stories has 64 pages packed with full-color artwork while some other Acorn books have 48 pages. Either way, there’s something for every new reader seeking “relatable characters and experiences” written and illustrated by some of the best known names in children’s literature.

Beneath the Bed and Other Scary Stories opens with a letter from Mister Shivers about a mysterious box delivered to him in which he found items pertaining to each story and a promise to share the stories in the book. Like all the stories in this book, evocative, muted illustrations help reinforce the easy-to-read text of these fast paced short stories. That’s certainly the case in “Beneath the Bed” about a boy dared by kids at school to visit the local haunted house. Upon entering the house with his sister who he brought along for courage, the pair discover a sinister doll with glowing eyes under a bed in the attic bedroom.

“A Hair Down to My Stomach” as the title implies, is equal parts gross and unsettling, with just the type of visuals accompanying it to make it succeed. “The Statue” will have kids talking back to the book as they turn the pages and tell the mom in the story as her son tries to do, “Don’t buy the statue!” Of course, she does. What follows is the reason why Mr. Shivers’ mysterious box contained a piece of quilty. He never mentioned if it was smelly like the quilt in “The Statue.” All I know is the young boy should have listened to the statue’s owner when she warned the buyers not to remove the quilt. The same goes for Oliver in “A Dark and Stormy Night” who should have done as his parents’ wished and brought his toys inside. Instead, they were left out in the rain to be ruined by the elements. Toys don’t like being forgotten and seek their revenge when that happens. Poor Oliver! And as for the scraping sound in “The Noise at the Window,” I know this well. Only I’ve been fortunate to find a tree outside where I heard the clawing coming from a branch. The little girl in this tale wasn’t so fortunate!

Okay spine, start tingling because these five stories are guaranteed to make you keep the lights on.

The Okay Witch book coverTHE OKAY WITCH
Written and illustrated by Emma Steinkellner
(Aladdin; $12.99, Ages 8-12)

Get ready to be caught under the spell of Emma Steinkellner’s The Okay Witch, a terrific debut middle grade graphic novel.

Tween readers will be charmed by the main character Moth Hush, who at 13 learns she is part witch with special powers, something she had only dreamed of up until that point. Living above her single mom Calendula’s second hand store, Moth has never felt the warm and fuzzies from her classmates in her Massachusetts hometown of Founder’s Bluff nor in the community at large. She soon learns there’s a good reason why and goes exploring back in time via her mother’s diary.

In 1692 a group of women suspected of being witches, her grandmother Sarah being one of them, was run out of town. They were indeed witches but good ones and many townspeople secretly went to them to avail of magic to help them. When ousted, Sarah led the women to a timeless land she created called Hecate, but Calendula refused to live there. She returned to Founder’s Bluff to live a normal non-witch life for herself having fallen in love with a human. Sadly, Sarah cast a spell to make this man have no memory of Calendula. Pregnant, the brokenhearted, Calendula raised Moth alone with no magic.

In school Moth befriends another fish-out-of-water named Charlie who is new to Founder’s Bluff. Little does Moth know that there’s a connection between her family and Charlie’s that could test their friendship. I got a kick out of the magical cat, Mr. Laszlo, the spirit of Keeper’s Secondhand Store who had taken Calendula in and, when he passed away, left the store to her. The talking feline’s speech is peppered with Yiddish and in my head I heard Billy Crystal doing the dialogue.

Steinkellner must have had such fun writing and illustrating this story which reads quickly and nicely ties all the loose threads together at the end. The artwork wonderfully and convincingly conveys the moments when Moth experiences the power of magic. I especially liked the historical scenes and when Moth visits Hecate, but to be honest, all the illustrations brought the story alive. The novel is filled with humor, sarcasm, action, fantasy, pride and most of all, love as evidenced by Moth’s efforts to navigate the magical world of her grandmother and the real world in which Calendula has chosen to raise her. She’s new to the witch world and she’s far from perfect, making her The Okay Witch we care about and want to see happy and at home with her mom.

Graphic novel fans will quickly be swept up into Moth’s witchy world of time travel, timelessness, tween curiosity and relationships as Moth tries to learn more about herself. Will the way in which her family’s life intersects with that of Founder’s Bluff  be a reason to stay or retreat to Hecate? The fun’s in the finding out in this enchanting, recommended read that’s definitely not just for Halloween.

Ghoulia and the Mysterious Vistor cvrGHOULIA AND THE MYSTERIOUS VISITOR (Book #2)
Written and illustrated by Barbara Cantini
Translated from Italian by Anna Golding
(Amulet Books; $9.99, Ages 6-8)

You don’t need to have read Book#1 in order to enjoy Ghoulia and the Mysterious Visitor (Book #2), a chapter book series about a friendly zombie called Ghoulia and the dead and not-so-dead inhabitants of Crumbling Manor. Billed as Clue meets Little Shop of Horrors, this full-color illustrated book is sure to get young readers in a Halloween mood.

The story opens with Ghoulia feeling bored. When cranky cousin Dilbert arrives unexpectedly, Ghoulia looks for her Auntie Departed to explain why this relative she’d never even heard of got invited to Crumbling Manor. But her Chatterbox-Ivy-obsessed aunt is nowhere to be found. Ghoulia thinks it’s odd when more friends turn up, each with an invitation to a surprise dinner the young vampire knows nothing about.

As Ghoulia and her pals search Crumbling Manor for Auntie Departed, a friend Theresa also goes missing. Something weird is happening so the remaining guests split up to find those who’ve disappeared while trying to help Ghoulia figure out who sent the invitations.

This delightful chapter book will hook confident young readers ages 6 to 8 who still love beautifully illustrated stories that aren’t scary yet have an air of mystery about them. I’m not sure kids will recognize famous individuals such as Hitchcock and Poe in framed pictures on Crumbling Manor’s walls, but they’re certainly a treat for adult readers. In fact every illustration is a treat and worthy of a thorough scanning to see what special things Cantini has hung up on the walls or placed in each room. Her prose and pictures provide the perfect foreshadowing for kids quick to pick up clues. At the end there are bonus activities including how to write an invitation and fill out an envelope, how to start a garden and how to make Dilbert’s special pumpkin juice (minus the spiders’ eggs)! Watch out for Ghoulia and the Ghost With No Name (Book #3) coming soon!

THE CURSE OF THE WERE PENGUIN
Written by Allan Woodrow
Illustrated by Scott Brown
(Viking BYR; $17.99, Ages 8-12)

Described by Chris Grabenstein, #1 New York Times bestselling author, as “Young Frankenstein meets The Princess Bride in the most hysterically hilarious book I’ve read in years,” and I could not agree more. I smiled my whole way through The Curse of the Werepenguin, a clever, funny and original story within a story. I read it over two days and could not wait to see how author Allan Woodrow would end it. As I suspected, it’s TO BE CONTINUED so now I have to find out where he takes this wild and feathery tale of an orphan boy named Bolt.

Meet Humboldt Wattle (aka Bolt), a twelve-year-old boy abandoned as a baby at The Oak Wilt Home for Unwanted Boys. There’s little about him that makes him stand out except a large bird-shaped birthmark on his neck. When suddenly his life changes overnight, Bolt’s unusual marking will take on tremendous significance in his life. He’s been summoned to the distant land of Brugaria by a wealthy baron who no one wishes to disobey. Could this mean the family he’s been hoping for is finally ready to reunite with him?

The catch is that Baron Chordata is not only a cruel person feared by most inhabitants of Brugaria, he looks like he’s the same age as Bolt. On top of that, he dresses in tuxedos even at home, and consumes massive quantities of fish, every kind imaginable, including live goldfish. Woodraw’s descriptions of eating seafood have to be some of the funniest and disgusting ones I’ve ever read and I lapped up every slimy, slithery sentence. I also may never look at fish sticks the same way again!

In a trance from his first experience playing video games, Bolt unknowingly agrees to a request by Baron Chordata. This eventually leads to his being bitten on the neck. The result? Bolt turns partially into half boy, half penguin or werepenguin, so maybe a quarter … Anyway, after three days the full effect of the transformation will be complete. When the full moon shines, which is every night in Brugaria, the change in Bolt occurs. His feet turn webbed and orange, he sprouts wild tufts of hair, wings, an enormous nose and has cravings for seafood. Then he, along with all the other werepenguins including the baron, bark, wreak havoc and steal fish whenever possible.

Fortunately or unfortunately for Bolt, a girl named Annika who tried to rob and kidnap him because she’s “the world’s great bandit,” becomes an ally (or not) in trying to help Bolt escape the baron’s wicked clutches and rid himself of the werepenguin curse. The curse is not the only thing Bolt’s dealing with. He’s got this wacky, whale-loving cult leader named Günter determined to destroy him. Günter’s weapon of choice, a loaf of French bread! Plus Bolt’s learned that the werepenguins, led by power and fish hungry werepenguin-in-chief, Baron Chordata, are orchestrating a takeover of Brugaria the same day the curse on Bolt goes into full force. Someone has to do something and Bolt realizes it’s him. What that something is, he’s not totally sure, but still …

You’ll LOL at the Cloris Leachman-like “lowly housekeeper” called Frau Farfenugen, a greenish, warty and miserable woman who is not what she seems, Blazenda, a fortune-telling witch whose cackles drive Bolt crazy, but who may hold the key (or tooth) to Bolt’s freedom, and a cast of colorful characters, some of whom scream and faint whenever the name Baron Chordata is said aloud, that will entertain you and have you sitting on the edge of your seat or wherever it is that you read fantastic books.

Ultimately, Bolt has to decide what real family is. Is it Annika and her bandit dad and his buddies or is it the rook of penguins that, we learn in the novel’s prologue, should never be split up? I’m not going to spoil it by telling you, but I will say that joining Bolt on his journey is something you’ll love doing. So start cooking some fish sticks, grab a baguette and get reading!

Ghost book coverGHOST: THIRTEEN HAUNTING TALES TO TELL
A Collection by Illustrátus
(Chronicle Books; $21.99, Ages 9-12)
Starred Reviews – Kirkus Reviews, School Library Journal

I made sure I read this book when my husband was home because I’m a big chicken. When I did read Ghost, I realized the stories are not only fantastic ghost stories for Halloween, but also ones to commit to memory to share around a campfire. You could also bring the book along but you many not want the hauntingly illustrated, white embossed cover to get dirty. “Contributors to this chilling collection include authors Blaise Hemingway and Jesse Reffsin, and illustrators Chris Sasaki and Jeff Turley,” and Kit Turley, and they’ve done a fantastic job of scaring me although, as I said above, I do scare easily.

As I settled down to read each of the thirteen eerie tales, an owl hooted from my back yard adding to spooky feeling the stories exude. The tales, brief but powerfully creepy, are ideal for tweens who love to feel the hair on their necks stand up. The subjects range from a girl getting a tap tap tap from her mirror and then being imprisoned in it by her evil reflection, to two boys going ice fishing who disregard a shopkeeper’s advice to avoid the north of Point Whitney. The reasonit’s haunted by the ghost of Max Whitney, the former owner of the bait and tackle shop. Do the boys catch a lot of fish? Yep. Do they return safely home to share their experience? I’m not telling. There’s another one that takes place by a pond. Suffice it to say that, unlike the main character in this tale, a boy named Samuel who hears his drowned sister call out to him and follows her cries, I would never go out of my house in the middle of the night with a lantern by myself. The artwork throughout Ghost has a spare quality about it with a very limited palette which is appropriate for the collection. And though created digitally, all the illustrations resemble wood block prints and imbue every tale with as frightening an effect as the words themselves.

The tale that particularly resonated with me was about a girl who finally gets a room of her own away from her younger sister. Now alone in her new bedroom, the girl is terrified of the ghostly night noises but thinks if she just huddles under the covers and keeps her eyes tightly closed, everything will be okay. And it is, but how long can she keep her eyes shut? Did I mention that as a child I had my dad install a lock on my bedroom closet door? I will not easily forget the story of the young boy, Michael Alvey deep sea diving to a WWII sub wreck in search of the bodies of his deceased parents. They died just after their last communication was, “Please! Help! They’re coming.” When I found out who “they” were, I was shocked and readers will be, too. I caution young readers to avoid basements, elevators, hiking or making a trip after midnight to a cemetery right after reading Ghost.

Some stories unhinged me more than others, “The Descent” being one of them. That’s not to say they weren’t all good because they were, but certain stories played off of my deepest fears more than others. That being said, it might be best to read this book with a cat curled up on your lap or with a big dog nearby during the day!

  • Reviewed by Ronna Mandel

Read another Halloween Books roundup here.

 

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