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Picture Book Blog Tour – An Interview With Chick Chat Author Illustrator Janie Bynum

MEET JANIE BYNUM

AUTHOR-ILLUSTRATOR OF

CHICK CHAT

(NorthSouth Books; $17.95, Ages 4-8)

 

CHICKCHAT cover

 

 

It’s Day One of the CHICK CHAT BLOG TOUR as well as its book birthday! Peep! Peep! GRWR is so happy to participate and celebrate the hatching. Please enjoy the following interview with Chick Chat author-illustrator Janie Bynum and her insights on this fun new read-aloud picture book for children.

 

CHICK CHAT SUMMARY:

Friendship comes in all shapes and sizes.

Peep, peep, peep! Baby Chick has a lot to say!

Everyone in Chick’s family is too busy to chat with her. But when chatty baby Chick adopts a large egg—she finally finds a friend who is a good listener. When her egg goes missing, Chick is heartbroken, until she finds that it has hatched into a brand-new friend!

INTERVIEW WITH CHICK CHAT AUTHOR-ILLUSTRATOR JANIE BYNUM

GoodReadsWithRonna: Hi Janie! Welcome to the blog. I’ve got lots of questions for you today.
In your author bio on the book’s copyright page, you mention how talkative you were as a child. Can you expand on this and how it influenced creating your main character Baby Chick?

Janie Bynum: Being an inquisitive, talkative, and determined child, I’m sure I tested the patience of my family—and quite a few teachers. Baby Chick and I share all of those personality traits—as well as being a fairly self-reliant youngest sibling. As I wrote and revised Baby Chick’s story, this very talkative youngest sibling emerged. So I ended up writing from a perspective (with a voice, as it were) that I understood as a kid.

In early versions of the manuscript, Baby Chick actually spoke instead of only peeping. But, I ultimately chose to have her peep in such a way that sounds like she knows exactly what she’s saying (and she does). This way kids can interpret what she may be saying—either inferred by the illustrations or by whatever words they imagine for her.

 

CHICK CHAT int1 breakfast
Interior spread from Chick Chat written and illustrated by Janie Bynum, NorthSouth Books ©2021.

 

GRWR: Which came first, the Baby Chick character design or the story?

JB: The Baby Chick character art came first.

GRWR: It was funny how everyone in Baby Chick’s family is unaffected (to the point of almost ignoring her while they’re otherwise occupied) by her nonstop peeping while she carries on joyfully by herself. Is there something to be learned from her sheer self-contentedness?

JB: Possibly … by enjoying our own company, not being entirely dependent on others to “make” our happiness for us. Baby Chick is creative and makes her own fun; and, in doing so, she discovers something to nurture, which ultimately hatches into a friend who listens.

GRWR: I was absolutely convinced Baby Chick had found a rock not a big egg. Was this deliberate?

JB: No. The giant Galapagos tortoise’s egg—which I used for reference—looks very much like a round stone. Only at first, when she hasn’t fully unearthed the object, does Baby Chick not know that it’s an egg. But once she uncovers it, she realizes it’s some sort of egg—maybe not a chicken egg because it’s so round. But Baby Chick either doesn’t notice the difference or doesn’t care. It’s an egg without anyone to tend it, so she decides to be its guardian.

GRWR: I’m curious why you decided to make the baby turtle a quiet character rather than one “with a lot to say” like Baby Chick?

JB: I could’ve made the baby turtle/tortoise even more talkative than Baby Chick, which would’ve been funny. But I wanted Baby Chick to be rewarded (for all her nurturing and protection of the egg) with a friend who likes to listen. It’s also a sort of celebration of the yin/yang relationship, how seemingly opposites are actually complementary (in this case extrovert/introvert).

 

CHICK CHAT int2 Sister
Interior spread from Chick Chat written and illustrated by Janie Bynum, NorthSouth Books ©2021.

 

GRWR: Do you see Chick Chat as primarily a friendship story or did you feel there were other themes you wanted the book to explore?

JB: The friendship theme is wrapped around a story about self-sufficiency; and, as you noted earlier, self-contentedness. So, it really has two main themes.

GRWR: What medium do you work in when creating your artwork?

JB: I used a combination of digital media and traditional watercolor, which is the way I generally work. For Chick Chat art, I worked on my iPad (in an app called Procreate) and in Photoshop on my Mac computer with large monitor. I used traditional watercolor for some areas, and added real paper and paint textures (with Photoshop layers) to give more depth to some of the digital color.

GRWR: As someone who began telling stories first visually, do you usually create your dummy with thumbnails and then add the prose later?

Studio paint 2
Painting space in Janie Bynum’s studio ©2021.

JB: I usually have a character in mind first that I must draw so that I can get to know them. A seed of a story germinates as I’m drawing. As I start writing the story, I sometimes create a simplified mind map to look at arc, action, and direction possibilities. Then I write some more. And I revise. And then I revise the text some more.

When I feel like I have a fairly finished manuscript, I start thumbnails. Inevitably, the text changes as I work on thumbnails and rough sketches. So, as I create the rough dummy, I work back and forth between words and pictures until I feel confident that the story (both visual and written) is ready to submit to my agent.

GRWR: I enjoyed a lot of the little unexpected details you included in the illustrations like Baby Chick’s grasshopper friend (or cricket), and the punny titles of the books Sister is reading. Did you do this in all the books you illustrate even if you didn’t write them?

JB: Thank you. Since I write/illustrate for a fairly young audience, I try to add details that older readers (especially adults) will enjoy. While I don’t include a small observer character (who sometimes participates) in all of the books I illustrate and/or write, I have done so in a few. In Otis, which I wrote, a red bird appears in many of the pictures; and, in Porcupining, written by Lisa Wheeler, a grasshopper observes and sometimes participates.

GRWR: What do you do to spark your creativity? Is your process to work daily, inspired or not?

JB: In addition to creating children’s books, I work as a creative director and graphic designer (outside of children’s publishing), so creative problem-solving is part of my day every day. But, one of the things I do as a creativity spark—at least several times per week—is just draw for no reason at all, with nothing in mind until pencil meets paper (or stylus meets iPad). Many times character ideas come from these sessions.

GRWR: How long did it take to complete Chick Chat from the idea stage to the final book we can order from bookstores today?

JB: Roughly two years: story and book dummy, spring 2019; art delivered January 2020; published book January 2021.

 

CHICK CHAT int3 NoAnswer
Interior art from Chick Chat written and illustrated by Janie Bynum, NorthSouth Books ©2021.

 

GRWR: Who are some of your current kidlit illustrator faves and why?

JB: I have soooo many favorites, and for so many different reasons.

I love the color and stylized work of Felicita Sala. I adore the haunting stylized art of illustrators like Isabelle Arsenault and the cheery whimsy of Louise Gay. Carter Goodrich’s dogs are divinely humorous, and he possesses quite a deft hand with paint. With Sophie Blackall’s art, I’m inspired by her use of color, texture, and pattern. Her work is retro and contemporary, both at the same time.

Oliver Jeffers’ composition on the page (including an amazing sense of negative space) and his sensitive use of color and line inspires me. Matthew Cordell’s spontaneous linework and non-complicated watercolor embodies a spontaneous loose feel that I aspire to in my own work.

I like Ryan T. Higgins’s ink line coupled with his graphic use of shape and color (and, of course, his humor); the gorgeously strange art of Mateo Dineen; and the Matisse’esque art of Olivier Tallec.

GRWR: What’s in the works for your next book?

JB: A very creative beetle is the hero of my current work-in-progress. Also, I’m considering creating something for Gary the Worm to star in. (To find out who Gary is, visit my Instagram @janiebynum.)

GRWR: Is there anything else you’d like to add that perhaps I haven’t addressed?

JB: I’d like to let educators (including parents and grands) know that they can find Chick Chat activities at my website (janiebynum.com) and at northsouth.com/resources. And last, but not least, thank you for including me in your blog!

GRWR: It’s been such a pleasure being the first stop on your blog tour and getting to know you and Chick Chat better. Thanks for your terrific answers!

 

AuthorIllustrator JanieBynumBIO:

Janie Bynum grew up in Texas and graduated with a BFA in graphic design with an emphasis on illustration. As an author/illustrator, she has created many lovable characters and stories for younger children. Her work has been recognized as a Junior Library Guild Selection. She loves to travel and experience other cultures, drawing inspiration from the people, landscape, and cuisine. Known to her friends as a bit of a nomad, Janie lives in a nearly-100-year-old storybook house in southwest Michigan—for now.

Website: janiebynum.com

Instagram: @janiebynum


CHICK CHAT BLOG TOUR PARTICIPANTS AND DATES

·       Dulemba.com – January 28

·       Dreamreaderkids – February 2 Instagram/Blog review +giveaway

·       Storymamas – March 10 review + giveaway

·       Kidlit411 – March 26 illustrator spotlight

 

CLICK HERE TO READ ANOTHER AUTHOR-ILLUSTRATOR INTERVIEW

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Meet Author Illustrator Cornelius Van Wright

BUCKY AND STU VS. THE MIKANIKAL MAN
Written and illustrated by Cornelius Van Wright
(Nancy Paulsen Books; $16.99, Ages 5-8)

Bucky and Stu vs. The Mikanikal Man picture book cover

 

Today Good Reads With Ronna is happy to share an interview with Bucky and Stu vs. The Mikanikal Man author illustrator Cornelius Van Wright.

HERE’S A DESCRIPTION BY PENGUIN RANDOM HOUSE OF BUCKY AND STU VS. THE MIKANIKAL MAN

It’s the adventure of a lifetime when best friends—and self-proclaimed superheroes—defeat bad guys of their own invention.

It’s wonk ’em time when Bucky and Stu have to stand up to Phat Tyre, TrashMan and Hose-Nose. No matter that the bad guys are all made out of household items that Bucky and Stu have assembled themselves—these bad guys don’t stand a chance against the boys’ power moves. Still, it’s quite a surprise when their latest villain, the giant Mikanikal Man, gets zapped during a lightning storm and comes to life! The battle—and thrill—of a lifetime ensue. Full of surprises and laughs, this upbeat, action-packed story celebrates imagination, creativity, and friendship in even the most unexpected forms. Cornelius Van Wright’s hilarious illustrations are full of surprises and are perfect for portraying the high-speed antics of two enthusiastic boys.

Q & A:

GRWR: This is a wonderfully imaginative and humorous tale that actually encourages and celebrates make believe and pretend play. How or when did the seed of this story get planted in your mind?

Cornelius Van Wright: Thank you for your kind compliment. The seed to this story came a couple of years ago when I painted a picture of a boy playing chess with a robot. I painted it for fun but people asked me what was the story behind it. So I thought about the picture and slowly this story came to me.

GRWR: As an author/illustrator, does the story come first or do you picture the characters and draw them then see where they take you?

CVW: For me the images always come first. I tried writing words first but it did not work for me. I see the world in images.

GRWR: Bucky and Stu remind me of so many kids at this age – inventive and full of big ideas. Were you primarily interested in exploring the friendship aspect of this book or the adventure the boys seek?

CVW: The relationships came before everything else. Bucky and Stu’s adventure is based on their relationship and that relationship extends to the Mikanikal Man.

GRWR: Is there one particular spread in the book that’s your favorite and why?

CVW: Visually I enjoyed the scene when the boys face certain DOOM after ticking off Mikanikal Man. But story wise, I care for the scene where The Mikanikal Man Spins Bucky and Stu around and around and the boys say, “We can fly!” This was the boys’ inner dream becoming reality.

 

9780399164279_MikanikalMan_TX_p01-32.indd
Interior artwork from Bucky and Stu vs. The Mikanikal Man written and illustrated by Cornelius Van Wright, Nancy Paulsen Books ©2015.

 

GRWR: Do tummy rumbles take your mind off whatever you’re doing like they do for Stu and the Mikanikal Man?

CVW: Yes, this part is autobiographical.

GRWR: Are the boys modeled after anyone you know?

CVW: Bucky and Stu are modeled after two friends I met my first year in college. One was very thin and angular (Bucky) and his best buddy was rounder with shaggy blond hair (Stu). I always wondered what they were like as kids. So this was my first sketch of what I thought they would look like.

GRWR: What would you like the takeaway for readers of this story to be?

CVW: I would love for kids to play using their creativity and imagination.

GRWR: Who were some of your favorite authors and illustrators as a child and who do you admire now?

CVW: As a child my mother bought me lots of Little Golden Books and Big Little Books (many of which I still have). Today I admire Jerry Pinkney’s art and Mo Willems’s and Oliver Jeffers’s storytelling.

GRWR: What would you use in your office to build your own Mikanikal Man?

CVW: Lots of Amazon boxes and empty towel rolls!

GRWR: Can you tell us what you’re working on now?

CVW: I am continuing exploring kids going into imaginative lands and using their wits (and anything else on hand) to get them out of trouble! I make the sketches into books (with Scotch Tape bindings) and show them to publishers.

Cornelius Van Wright head shotCheck out the downloadable CCSS-aligned curriculum guide here.

Cornelius Van Wright wrote and illustrated When an Alien Meets a Swamp Monster, and has also illustrated several other picture books, including Princess Grace (by Mary Hoffman) and Jingle Dancer (by Cynthia Leitich Smith). His work has appeared on Reading Rainbow and Storytime and has been exhibited with the Society of Illustrators. He lives in New York City.

  • – Interview by Ronna Mandel
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Jon Klassen Steals Our Hearts Not Our Hats!

This Little Fishy Should Have Stayed Home!

Ronna Mandel, today’s reviewer, is hooked on Jon Klassen.

THIS IS NOT MY HAT. Copyright © 2012 by Jon Klassen. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

If you loved the subtle hilarity of author-illustrator (and L.A. local) Jon Klassen’s multi-award-winning 2011 picture book,  I Want My Hat Back, prepare yourself for yet more fun and understated humor with This Is Not My Hat ($15.99, Candlewick, ages 4 and up).  In his new book, on sale this coming October 2012,  Klassen has swimmingly cornered the market on black humor and hat thieves while still keeping things suitable for children since (spoiler alert!) the culprit once again gets caught or as I like to put it, beaten and eaten!

In his first book Klassen introduced readers to a big bear in search of his stolen red hat. Now with his latest title, one that is certain to secure an even bigger fan base, Klassen lures us in ever so easily. Meet one small, overly confident fish wearing a blue bowler he has just nicked from a rather large sleeping fish who
“probably won’t notice that it’s gone.” It may suit him and he may convince himself he deserves it more than its owner, but it’s just not his.

What works so well in this story is that rather than sharing the story from the perspective of the victim (the bear in This Is Not My Hat), Klasssen switches narrators and this time chooses to give the thief’s point of view. Will this little crook manage to outsmart the big fish by keeping several strokes ahead and hiding in a place where the plants are big and tall and close together?  Or will he get his just deserts? 

THIS IS NOT MY HAT. Copyright © 2012 by Jon Klassen. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

I’ll admit I may have initially found myself rooting for the small underdog of a hat thief, but it did not take long to get Klassen’s message loud and clear; hat swiping will not get you ahead. Undeniably funny and fab fodder for a storybook, but for young readers what’s also important is that the big fish gets his bowler back and will achieve that end one delicious way or another. I raise my hat to Klassen’s fab follow-up work, an irresistible easy-to-read or be-read-to picture book that has left me with bated breath as to what thefts are in the works.

THIS IS NOT MY HAT. Copyright © 2012 by Jon Klassen. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

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