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Picture Book Review and Interview – A Spider Named Itsy by Steve Light

 

A SPIDER NAMED ITSY

Written and illustrated by Steve Light

(Candlewick Press; $18.99, Ages 3-5)

 

BRIEF REVIEW:

Author-illustrator Light’s newest picture book is one that encourages perseverance. Like Dan Santat’s After the Fall, a bevy of books is available showing children that many people need multiple attempts to ultimately succeed and that’s okay.

While I always sang this as the Eensy Weensy Spider, no matter how you’ve sung it, I think you’ll adore the unique approach of this captivatingly and whimsically illustrated picture book! It is such a clever take that imbues the beloved nursery rhyme sing-along with even more meaning. Perseverance and kindness take center stage in this recommended picture book. Read it as a companion to sharing the song with little ones. I can even see it being a jumping-off point for discussions with older kids about how they envision the prequel or sequel to any song they enjoy.

Q&A with Author/Illustrator Steve Light

Q: What drew you to write about this very famous spider?

A: As a teacher of three-year-olds, I was always fascinated that at least half of my class would enter my classroom already knowing the classic rhyme Itsy Bitsy Spider. When I was a kid and sang it I always wondered: Why does the spider go up the waterspout in the first place? What was up there? As a storyteller, this made for an interesting exercise in trying to answer that question. As an illustrator it allowed me to create a whole bug world around Itsy Bitsy Spider.

 

A Spider Named Itsy int1 sitting sipping unaware.
A SPIDER NAMED ITSY. Copyright © 2023 Steven Light. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Q: Did you encounter any challenges while writing or illustrating the book?

A: My first challenge was figuring out a good reason for Itsy to climb up the waterspout. Then how to draw insects that were friendly. Also how do I make the reader care and feel for Itsy as a character? Hopefully, I accomplished all of these. The other challenge was drawing Itsy with eight limbs-I gave him four legs and four arms but it was challenging to draw!

 

Q: Do you have a favorite illustration from the book? If yes, why is that your favorite?

A: I actually love the endpapers. I had so much fun drawing all those bugs. But I also love the page where the bugs are getting washed out. I loved drawing the water and the energy of that page. The water and the way I drew it was influenced by Japanese woodblock prints.

 

Q: Please tell us a little about your illustrating process.

A: All of my illustrations are hand-drawn. There is no computer or digital work in the illustrations. I start with lots of drawings. Designing the characters and the world that they live in, even down to Itsy’s bed, mailbox and teapot. Then sketches for each page. Once we have an approved sketch from my Art Director and Editor I can do full-sized drawings for each page. Then I can go to the finished illustrations. I put the approved full-sized drawing on my light box and place a piece of watercolor paper on top of it. I can then see the drawing and start inking. I use a fountain pen that uses a zebra G nib or point. This nib allows for the thick and thin line variation that gives so much interest to the line work. Then I can watercolor the inked illustration using Daniel Smith watercolors and a sable brush. The “web” lines that Itsy creates were drawn last using an old fashioned dip pen and opaque acrylic ink, a purple color that I custom mixed.

 

 A Spider Named Itsy int2 rain washed out Itsy Bitsy
A SPIDER NAMED ITSY. Copyright © 2023 Steven Light. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Q: Did you need to do any research for this book? If yes, what kind of research?

A: I researched many kinds of bugs and insects for Itsy to meet on his journey. Many of them are fascinating but sadly did not make it into the book. After all the research I picked bugs more for their personality because the story is more about Itsy’s journey and finding a family.

 

Q: What’s your favorite part of the writing and/or illustrating process?

A: I love the start of an idea for a book there are so many possibilities on how the story can be told and illustrated. I also like doing the final illustrations as I love escaping into these worlds. As a kid, that is why I drew, to escape the harsh realities of life. I found hope and peace in the worlds I would create, I still do.

 

Q: If you could only do one or the other, would you prefer the writing or illustrating, and why?

A: I would illustrate. I have been drawing since I was three years old. I draw every day. I also tell stories with my drawings so I feel I would still be “writing” if I had to stop writing words to tell stories, but I love both.

 

A Spider Named Itsy int3 what a mess washed out spider and bugs
A SPIDER NAMED ITSY. Copyright © 2023 Steven Light. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Q: Final Question – what are you hoping your fans will take away re your newest book for kids?

A: I am hoping that they realize that everyone gets “washed out.” The important thing is that you climb back up again.

 

 

WEBSITE:

SteveLightArt.com

SOCIAL MEDIA:

Facebook – Steve.Light.90
Twitter (X) – SteveLight
Instagram – StevLight

 

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In a Village by the Sea by Muon Van

In a Village by the Sea
Written by Muon Van
Illustrated by April Chu
(Creston Books; $16.95, Ages 4-8)

★Starred Reviews – Kirkus Reviews, Publishers Weekly
Junior Library Guild
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InaVillage1

 

Inspired by the author’s own life as the daughter of a fishing family in Vietnam, In a Village by the Sea is the story of yearning for the safety and security of home. Told in a circular fashion, Van uses few but poignant words to guide us from the open ocean, to a home atop a hill, and back to the ocean once more. Chu’s beautiful illustrations elicit powerful, conflicting emotions.  

VillageInterior
Interior artwork from In a Village by the Sea by Muon Van with illustrations by April Chu, Creston Books ©2015.

We see fishermen casting their nets amidst choppy waves.  Dark storm clouds gather in the distance; solemn expressions foreshadow the dangers to come.  Details like these are lush in each spread.  In a Village by the Sea is the  kind of book a child would spread out on the floor slowly studying and absorbing each image, like the gentle mist above the mountains where a family dog guides our eyes to a home, the home belonging to one of the fishermen.

Colors here are warm. Reds, yellows, and oranges from the lanterns hanging on the front porch and in the fire roaring beneath the “steaming noodle soup,” as well as the tender eyes of the faithful dog remind us of the things home symbolize. Though the contemplative stare of the central character of the home (the fisherman’s wife) jars our sense of security. Juxtaposed to her serene surroundings, the wife’s gaze is heavy with worry as she awaits the return of her husband.

A particularly breathtaking spread is on pages 16-17 in which we get an aerial view of an orderly and organized home where there’s a place for everything and everything has a place for itself. Every detail is intriguing: the sandals neatly placed right outside the door, prepped vegetables in baskets ready for cooking, a sleepy baby in a bassinet. Even the cricket that lives in the home is appropriately placed-in a “dusty hole” underneath a mat.

VillageInterio
Interior artwork from In a Village by the Sea by Muon Van with illustrations by April Chu, Creston Books ©2015.

Through this extraordinary cricket, we are privy to another layer of Chu’s artistic skills (fully revealed on the last page of the story). “Humming and painting,” the cricket, we come to find out, is the master creator of this story. He is drawing the scene of a “sudden storm,/ roaring and flashing” where the fisherman’s “white boat,” helplessly “crash[es] and roll[s].” As one of the cricket’s hands draws the stormy gray clouds, you can see the pressure point of his brush. It’s as if the story itself is happening in the moment we are reading it, as if we’re experiencing the moment of creation itself. Chu reminds us that, like the fisherman’s dangerous journey, reading involves risk. We readers, too, are at the mercy of fate, unaware of what’s to come next.

Open skies, calm waters, and cheerful yellows at the final pages tell us the end is hopeful.  The fisherman will arrive safely back to his home.  In fact, the cricket’s final creation on the last page ensures it’s just so.

Readers of all ages will undoubtedly connect with In a Village by the Sea. In a world of certain uncertainty, the reassurance of family and love bring all of us home.

  • Reviewed by Armineh Manookian

 

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